Week 7 Strictly Come Dancing


Week 7

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Transcript


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Last week, our celebrities got

Spooktastic.

Some left the judges

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feeling great. It was an American

horror story.

And in the end, we bid

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farewell to Simon. This week, the

celebrities have hit a milestone and

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they are beginning to feel the

pressure.

We are at the halfway

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point.

There is no option.

But. To

go out there.

And give it

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everything.

Just to show the judges.

I deserve to be here. The

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competition is on.

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Live from the BBC,

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this

is Strictly Come Dancing.

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Please welcome your hosts...

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Tess Daly.

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And Claudia Winkleman.

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APPLAUSE.

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CHEERING

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Hello and welcome to

Strictly Come Dancing.

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Is everyone ready for another

weekend in the ballroom?

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Last week's Halloween special saw

Debbie put the super

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into supernatural and keep her place

at the top of the leaderboard -

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scoring three 10s for her

Charleston.

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And, there was a shock

in the dance-off when Mollie and AJ

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faced Simon and Karen.

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Sadly, it was Simon

who left the competition.

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AUDIENCE: Aw!

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Tonight, our remaining ten couples

will do all they can

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to avoid the same fate.

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And keeping a close eye

on proceedings are these four.

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Please welcome the judges.

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Darcey Bussell.

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Bruno Tonioli.

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Craig Revel Horwood.

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And Shirley Ballas.

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APPLAUSE.

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The judges, everyone.

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We're just over halfway

through the series and our couples

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know they need to start taking some

risks and deliver something

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sensational if they're

to avoid the dance-off.

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I can't wait to see

what they've got planned.

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It's time for....

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Our Strictly stars.

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TV presenter Ruth Langsford

and her partner Anton du Beke.

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EastEnders star Davood Ghadami

and his partner Nadiya Bychkova.

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Pop star Mollie King,

and her partner AJ Pritchard.

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Actress and radio

presenter Gemma Atkinson

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and her partner Aljaz Skorjanec.

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Entertainer and radio broadcaster,

Debbie McGee and her

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partner Giovanni Pernice.

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Singer Aston Merrygold

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and his partner

Janette Manrara.

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From Holby City, Joe McFadden,

and his partner Katya Jones.

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Comedian and presenter Susan Calman

and her partner Kevin Clifton.

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Paralympic gold

medallist Jonnie Peacock

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and his partner Oti Mabuse.

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Singer and theatre

star Alexandra Burke

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and her partner Gorka Marquez.

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CHEERING

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Our top ten.

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But who will make it to number one

on our judges' chart tonight?

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No matter where they end up,

they'll still need your support

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to make it through to next week.

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You will be able to vote

for your favourite later on.

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Your votes will be added

to the judges' scores to decide

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which two couples will face

the dance-off in Sunday

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night's Results Show.

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It is then down to the judges alone

to decide who will be the next

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couple to leave the competition.

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Dancing first tonight

is Alexandra Burke and her

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partner Gorka Marquez.

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APPLAUSE.

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Tonight's routine is set in a jazz

club

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and they're hoping to make

sweet music with their cha-cha-cha.

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Saturday was amazing. The tango was

the perfect answer and I loved every

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moment.

You came out with all guns

blazing. I really and truly loved

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it.

You know when you think you meet

someone for a reason.

We danced

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together for a reason. This week,

Alexandra and Gorka's cha-cha is set

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in a jazz club. Today Gorka is

taking me to a jazz bar to give me

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inspiration on how it will look on

Saturday night. I used to seeing a

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lot of jazz and soul and went to

open microphone nights.

Here there

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is an open microphone. Do you mind

to go up and sing for me?

Really?

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# Summertime will stop seeing

Alexandra on the stage was amazing.

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Today has been so much fun, to be

able to sing and start dancing with

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Gorka and show everybody what we

have been up to is a lot of fun. We

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want to take it from here to the

stage on Saturday night.

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Dancing the cha-cha,

Alexandra Burke and her partner

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Gorka Marquez.

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MUSIC:

I Got The Music In Me.

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CHEERING AND APPLAUSE.

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Alexandra and Gorka.

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What a start to the show.

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My goodness. You are one red hot

salsa lady. I wanted to join him.

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While you get

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your breath back, let's

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welcome our fabulous live singers.

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Hayley, Lance, Andrea,

Tommy

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and of course Dave Arch

and his brilliant orchestra.

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APPLAUSE.

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Just brilliant. You never fail to

impress.

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Did that impress you Shirley?

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What a way to stop the show. I want

to save the cha-cha has proved this

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series to be difficult but not on

you today. You did forward walks.

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You looked like a professional. One

leg here and another straight. You

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put the cheeky in cha-cha-cha. You

were outstanding.

You are the

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cha-cha goddess. I love the way she

started, all of the beauty and six

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appeal of Naomi Campbell. And she

went off like Beyonce in full

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flight. She takes no prisoners. It

had precision. It had cleanliness.

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It was the best cha-cha-cha this

season.

Well-deserved comments. You

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are not going to spoil it?

I Spy

with my little eye something

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beginning with T. That stands for

turnout. You had to which we have

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been demanding. Straight legs, I

really loved it.

Thank you.

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Darcey, thumbs up? Yes, you are the

dancing Queen. What an opening,

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flirty, confident. You have been

working hard and it paid off.

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Incredible work. You are the dancing

Queen. You are starting to set the

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standard. Well done, darling, what a

start. Alexandra.

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Well done. You must be over the

moon. We can share that you were

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nervous about going first.

I was

petrified. I did not know what

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turnout meant, I did not know if it

was good or bad.

We were nervous

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about what the T was for.

I was

nervous.

Pigeon again!

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The scores are in.

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Craig Revel Horwood.

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Darcey Bussell.

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Shirley Ballas.

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Bruno Tonioli.

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Well done.

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Gorka, you will write? Well done,

the first ten for a cha-cha which

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has been the least popular this

series.

Are you happy? I am over the

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moon.

Thank you so much. I love the

fact you were hugging me.

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If you thought Alexandra and Gorka's

cha-cha was a great start

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to the show, please make sure

you show them your support.

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All the details are on your screen

now and the vote will open

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at the end of the show.

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Now, it's time for the

terms and conditions.

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As we are half way there...

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MUSIC: Living On A Prayer

by Bon Jovi.

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# Yes, we are halfway there.

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Calls to the short number

from a mobile cost 15p.

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Calls to the long number

cost 15p plus your

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network's access charge and

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please ask the bill

payer's permission.

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You can vote online

by visiting bbc.co.uk/strictly

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where you will also find

terms and conditions.

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Voting won't open until

all our couples have

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danced.

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Don't call yet,

as your vote won't count

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and you may still be charged.

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Our next couple is Mollie King

and her partner AJ Pritchard.

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APPLAUSE

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It was a shock to see them

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in the dance-off last week,

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but Mollie's determined

to bounce back with a foxtrot

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based on a movie set.

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We've got the lights

and the cameras, now it's up

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to Mollie and AJ to deliver

the action.

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Saturday was so much fun, but I

think from the comments, I could

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have done better.

You have to be

careful how you place your feet.

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Your shoulders, you start to wear

them as earrings.

Gutted to be in

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the dance off. I don't want this to

be the end.

We are going to show

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them.

Mollie plays a famous actress

in listing AJ as a runner.

Could be

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my run for the day.

OK. You likely

want to make me a cup of tea, then?

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The kettle that way. Some seedless

oranges, with seeds in, non-glittery

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glitter. Have you got back?

Yes.

What was it again?

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It's day three and we're doing the

foxtrot. Pink dress... AJ... Did you

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get that?

Yes, foxtrot, pink. I

don't think this running is for me.

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Thankfully, AJ has put his dancing

shoes back on, so fingers crossed,

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we have an award-winning foxtrot

this weekend.

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Dancing the foxtrot, Mollie King

and her partner AJ Pritchard

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MUSIC:

Call Me Irresponsible.

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APPLAUSE

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Oh, Mollie!

Lovely Mollie and AJ. You looked

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like a princess out there. How was

it for you?

Loved every minute.

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Dance-off last week.

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It started beautifully. You have to

understand, the foxtrot seems to be

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easy, light and fluffy, but it is

one of the hardest answers to

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control. In the first half, it was

absolutely beautiful, well-placed,

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lovely side stretch on the back.

There was an incident on a turn,

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when unfortunately... What happened?

Did you go one the wrong foot?

I've

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no idea.

Apart from that, you did a

really good job in controlling

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yourself, placing it well, elegant,

classy, nice job.

Thank you.

Cray,

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what do you think?

Though were some

balance issues, but you recovered.

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Your pivot's was sometimes taken on

a flat foot rather than on a heel.

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You maintain your top line in the

good sections. The transitions were

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really smooth. I thought it was

classy, stylish, and I thought it

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was elegant.

APPLAUSE

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Darcey, what did you think?

You are

turning into an elegant, stylish,

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classy lady. We have gotten to know

you as a sweet couple, but that was

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elegant all the way through. Even

though you were thrown by being

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off-balance, you recovered well. You

are producing nice glide, and it

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really is paying off. Keep this up.

Thank you.

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Shirley, last week you asked Mollie

to work on her core.

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Is that work starting to pay off?

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I have an appreciation for you being

in the bottom two and coming out and

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doing the performance you have just

done. You are to keep your shoulders

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down. What was impressive for me was

how slowly you took the music. You

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didn't race, didn't chase,

beautifully timed from both of you.

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You had a beautiful, elegant line.

Just a little mishap, but impressive

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that you picked it back up again.

Definitely going in the right

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direction. Just that little slip

today, but otherwise a performance.

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APPLAUSE

Going in the right direction. One

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thing is for sure - she doesn't want

to be in the dance off again. Am I

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right?

Please, yes.

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Mollie and AJ!

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I saw your little thing. You

recovered, and if that had happened

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in week one or week two.

We worked

so hard and then I made that mistake

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on the night, I'm so sorry.

But you

got straight back into position and

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picked it up.

It added more

character. It is horrible to be in

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the dance off then back in training,

but you just went, no, we will do

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it.

You have to carry on, and we are

loving every minute. You have to

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pick yourself up, and we're having

so much fun, so fingers and

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everything crossed week.

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The scores are in.

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The judges have their scores.

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Craig Revel Horwood.

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Darcey Bussell.

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Shirley Ballas.

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Bruno Tonioli.

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Same score as last week. But well

done, it's hard. They love you.

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If you loved Mollie and AJ's foxtrot

and want to keep them

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in the competition for another week,

all the details you need

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are on your screen now.

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Please don't call yet

as voting won't open

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until all our couples have danced.

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Still to come, Aston and Janette do

a Viennese waltz set

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at the hairdresser's.

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I had a haircut once, not my bag.

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Tess.

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Dancing next is Joe McFadden

and his partner Katya Jones.

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APPLAUSE.

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After last week's foxtrot,

the judges said how much they loved

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Joe's brilliant story telling.

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He's hoping that tonight's chapter -

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The Charleston - has

another happy ending.

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Davood Saturday night went really

well. Every is always room for

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improvement, but the judges seemed

please.

A kiss from the Black widow

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and you are toast. I have to say,

you managed this situation like a

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master.

On the Leader Board there is

a nice place to be. I am keeping

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good company.

Joel is performing as

a drumming soldier.

-- Cho. How hard

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can it be? We came all the way out

to be with this marching band, and

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it sounds amazing. It was really

good fun.

We were a little bit

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rubbish, I must admit. I am sure

this band wouldn't want us to join

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them.

It was lots of fun.

Wow! That

wasn't easy, was it? Are you ready

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for the charleston?

Hopefully we can

drum up some good scores.

His

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dancing is better than his jamming.

It has been a great experience and

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hopefully we will be marching

through to next week.

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Dancing the Charleston, Joe McFadden

and his partner Katya Jones.

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MUSIC: Alexander's Ragtime Band.

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APPLAUSE

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Joe and Katya. You want to do it

again? They were so cute together.

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You have really found your dancing

feet. Was a smile on your face,

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Cray?

A smile on more than my face,

darling, actually! I loved it,

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thought it was absolutely brilliant,

really did. I loved the Ragtime

0:25:200:25:26

passing thing, the little head

wobble you are doing, all the little

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additions, the coordination,

darling, although is very difficult

0:25:310:25:34

positions bust up I thought it was

fantastic. The only thing I would

0:25:340:25:38

say is...

Oh, come on!

Your left hip

didn't swivel as much as you're

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right. But that was great.

APPLAUSE

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Darcey...

You gave us the charm of

the silent movies, never cheesy. The

0:25:520:25:59

timing was immaculate. Again, as you

said, surprising details. Ahead.

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Wonderful swivel, really clean. I

loved it when you turn out that the

0:26:050:26:08

charleston Basic as well, very

impressive. That was a great

0:26:080:26:11

charleston.

Those acting skills come

in handy. Shirley...

Could it be

0:26:110:26:24

dark horse Joe? You have done

amazing today.

Bruder's face...

It

0:26:240:26:39

was effortless, the lifts were

synchronised. You timed it well,

0:26:390:26:43

took a rock, brought her down. It

was exquisite, you did your swivels.

0:26:430:26:47

I didn't see you not doing it on the

left. -- took her up.

What I like,

0:26:470:27:02

it had a charm, a festive feel,

almost like the Nutcracker. And then

0:27:020:27:05

it was this element of fun and games

and child's play, not over the top

0:27:050:27:13

slapstick. It was well judged, as a

child would put it together. The

0:27:130:27:18

choreography was incredibly

demanding.

It really was.

Keeping in

0:27:180:27:25

sync and doing things in opposition

is so difficult. Great job!

Yes!

0:27:250:27:30

Great comments. Well done, our toy

soldiers.

0:27:300:27:42

Well done. You love it when you have

to take on a real character, and

0:27:420:27:47

last week you said, I will show were

totally different side.

Hopefully I

0:27:470:27:51

did. We have to thank Jenny who

helped us put it together.

We also

0:27:510:27:59

have to say hello to your nephews,

who might be the cutest people.

0:27:590:28:06

Fellow! They might be asleep, but

anyway... Well done.

0:28:060:28:16

The judges have their scores.

0:28:160:28:17

Craig Revel Horwood.

0:28:170:28:18

Darcey Bussell.

0:28:180:28:19

Shirley Ballas.

0:28:190:28:20

Bruno Tonioli.

0:28:200:28:30

That is your highest score, your

first nine. You have broken the

0:28:320:28:36

curse. It used to go... I didn't

want to mention it.

0:28:360:28:42

If you thought Joe

and Katya's Charleston

0:28:420:28:43

was fantastic, please make sure

that they get your vote.

0:28:430:28:46

All the details are on your screen

and voting will open

0:28:460:28:48

towards the end of the show.

0:28:480:28:50

Still to come, Debbie

and Giovanni perform a tango.

0:28:500:28:52

And Ruth and Anton

dance the paso doble

0:28:520:28:54

on a spiral staircase.

0:28:540:28:55

Tess.

0:28:550:28:58

Next in the ballroom

is Gemma Atkinson and her

0:28:580:29:00

partner Aljaz Skorjanec.

0:29:000:29:01

APPLAUSE.

0:29:010:29:04

Last week, Gemma took

on the jive as Buffy.

0:29:040:29:07

She slayed her vampire

and nailed the dance.

0:29:070:29:10

Now all she's got to do tonight,

is deliver a killer salsa.

0:29:100:29:18

How did it go last weekend?

OK, it

could have gone better. I forgot the

0:29:180:29:23

beginning.

Got on the wrong foot. It

was nothing. You did a good job.

We

0:29:230:29:34

got a good score. I want to come

back fighting. I do not want to go

0:29:340:29:38

this far and have it taken away.

This week, Gemma will dance a salsa.

0:29:380:29:47

In walks me and we dance salsa. What

else do you do when you meet a guy

0:29:470:29:52

in a bar?

Did somebody say bar? That

is where Gemma has taken Aljaz for

0:29:520:29:59

inspiration.

I have a grass skirt,

bracelets, headband. What are you

0:29:590:30:04

having?

This is a lovely clear

juice. I am trying my best to put

0:30:040:30:15

together a refreshing juice for

Gemma.

It is disgusting. Leave that

0:30:150:30:21

to the bartender and focus on

dancing.

The surprise this afternoon

0:30:210:30:25

was the lovely hula dancers.

Really

good.

I picked up some tips. We wish

0:30:250:30:35

her all the luck on Saturday night.

I hope it is better than Aljaz's

0:30:350:30:42

drink making skills.

0:30:420:30:43

Dancing the salsa,

Gemma Atkinson and

0:30:430:30:44

Aljaz Skorjanec.

0:30:440:30:49

MUSIC: Sun Comes Up.

0:30:490:30:59

CHEERING AND APPLAUSE.

0:32:150:32:25

Oh, yes. Well done. That is a party

I want to go to. Brilliant.

What

0:32:280:32:40

about you, Darcey? Definitely hot

and saucy. When you got into the

0:32:400:32:45

split, very impressive. It is when

you get into the first lift, it

0:32:450:32:51

started to look laboured. I think

you got nervous when the lifts

0:32:510:32:55

happened. A little tip. When you go

into a lift you have to keep your

0:32:550:33:05

body taut because if you sink into a

lift, the man has nothing to push

0:33:050:33:10

from. It is difficult, especially at

speed. It is about a clean dismount,

0:33:100:33:17

so he has something to resist, as

well. Take that with you because it

0:33:170:33:22

is about detail now and we are

halfway through the competition and

0:33:220:33:25

we can see what you are capable of.

You are strong and I know you can

0:33:250:33:30

produce the goods.

Surely. I agree

with Darcey when it comes to lifts.

0:33:300:33:39

You have to have the core and great

timing. But it is beautiful to see

0:33:390:33:46

somebody rotate their feet in the

direction they are moving and you

0:33:460:33:52

did that exquisitely. Lovely

rotation around your centre and

0:33:520:33:56

great coordination with the other

half of the body.

0:33:560:33:58

APPLAUSE

Love that!

Bruno? Oh, darling,

0:33:580:34:07

always tasty with the right amount

of spice. You really are a good

0:34:070:34:15

dancer, you can do everything, but

at times, do not think, let yourself

0:34:150:34:21

go. Especially with the salsa. You

cannot be timid. The body moves all

0:34:210:34:27

of the time. All it is, it is

continuous. Do not overthink. When

0:34:270:34:34

you approach the lift, I can see,

oh, I am going to do a lift. I can

0:34:340:34:41

see it. And then, I am coming down.

You understand what I mean? You are

0:34:410:34:46

very good, but these thoughts cannot

be seen in the performance.

Yes?

0:34:460:34:52

Well done. Craig.

The lifts looked a

little bit heavy. You were not

0:34:520:35:02

exactly light coming out of them and

there was no real figure of eight

0:35:020:35:09

rotation on your hips. You got good

side to side but you need the

0:35:090:35:13

rotation and I agree with Bruno

about the continuity. The seamless

0:35:130:35:20

nature of this dance. We did not

quite get that but I loved the

0:35:200:35:24

routine. I loved what you were going

for.

Thank you very much. We laughed

0:35:240:35:33

the lifts. You are daring. Very

brave attempting them. -- we laughed

0:35:330:35:39

the

0:35:390:35:39

-- loved.

0:35:440:35:45

Gemma and Aljaz.

0:35:450:35:48

CHEERING

Well done. I think you said it was

0:35:480:35:58

like being on a roller-coaster.

A

huge lift. Three. But we did not

0:35:580:36:07

fall, he did not drop me.

It was a

lovely salsa.

It felt like. It was a

0:36:070:36:15

lovely salsa.

0:36:150:36:15

The scores are in.

0:36:150:36:16

Craig Revel Horwood.

0:36:160:36:19

Darcey Bussell.

0:36:190:36:23

Shirley Ballas.

0:36:230:36:26

Bruno Tonioli.

0:36:260:36:35

26, are you happy? Yes. When the

five came out, everybody went, what?

0:36:350:36:42

If you adored Gemma and Aljaz's

salsa and want to see

0:36:420:36:45

them back again next

week, please vote.

0:36:450:36:48

All the details you need

are on screen now and voting

0:36:480:36:50

will open once all of our

couples have performed.

0:36:500:36:53

There's still all of this to come...

0:36:530:37:00

This week we have a salsa and it's a

little bit more free and you can

0:37:000:37:07

have fun with it.

We just had one of

those. We are doing the Viennese

0:37:070:37:15

waltz and we are back in hold and I

love being in holes.

I am aware I am

0:37:150:37:21

a clean and tidy dancer.

I am happy,

we are in a good place.

I am a

0:37:210:37:33

fierce woman. My husband would say I

can be quite fierce.

0:37:330:37:36

I'm looking forward to that.

0:37:360:37:38

What are you doing, Claudia?

0:37:380:37:41

I've just borrowed the piano

from Alexandra's routine.

0:37:410:37:43

I didn't know you played the piano.

0:37:430:37:45

I can give you a little Bach.

0:37:450:37:47

DOG BARKS.

0:37:470:37:50

LAUGHTER.

0:37:500:37:54

Next in the ballroom

is Aston Merrygold and his

0:37:540:37:56

partner Janette Manrara.

0:37:560:37:57

APPLAUSE.

0:37:570:38:04

Last week's powerful paso

bagged Aston two tens.

0:38:040:38:07

Tonight he's doing a Viennese waltz

to a song by Michael Jackson.

0:38:070:38:10

As a big fan, he wants to take last

week's score of 38 and "Beat It".

0:38:100:38:14

APPLAUSE

0:38:140:38:18

How did it go?

I loved it. The most

fun I have had on the Strictly

0:38:180:38:25

journey. Stunning. In the routine

Ginette made me do a solo.

You owned

0:38:250:38:34

the dance.

Think how high you

jumped. I was in the air. My

0:38:340:38:39

favourite week so far.

I was just

over the moon. This week it is a

0:38:390:38:46

Viennese waltz.

To Jackson 5.

Probably one of my favourite songs.

0:38:460:38:54

I heard you were once Michael

Jackson as a kid.

I did a show

0:38:540:38:59

called Stars In Their Eyes.

.

Tonight, Matthew, I am going to be

0:38:590:39:07

Michael Jackson. You are so cute. I

have not aged much. About the same

0:39:070:39:13

height, so that is fine.

I am a

massive Michael Jackson fan. I like

0:39:130:39:19

the outfit, we can bring back the

red trousers.

As long as they are

0:39:190:39:24

not those, because they are very

small.

He was amazing, singing and

0:39:240:39:30

dancing. Awesome. I know if you

channel your hero, you will be

0:39:300:39:35

amazing on the night.

0:39:350:39:39

Dancing the Viennese waltz,

Aston Merrygold and

0:39:390:39:41

Janette Manrara.

0:39:410:39:49

MUSIC: Who's Loving Who.

0:39:530:39:59

CHEERING AND APPLAUSE.

0:41:290:41:39

Lovely! It was dreamy.

0:41:440:41:51

I love how you put a little Aston

twist on every dance.

0:41:510:41:56

And I love that Afro.

0:41:560:41:59

Second on the leaderboard last week.

0:41:590:42:04

You always bring your unique style,

from the paso doble last week, to

0:42:040:42:10

certain elements of this dance this

evening. I thought you had a good

0:42:100:42:15

attempt at a fleckerl, reasonably

good footwork and your pivot foot

0:42:150:42:19

work was good on your heels. I would

like you to feel you are absorbing

0:42:190:42:24

through the knees. It was poppy and

bouncing in areas. Not your best for

0:42:240:42:31

me. You did pretty good. I liked

certain elements but generally the

0:42:310:42:39

Viennese waltz should be flattered.

But a good try. Good try. The

0:42:390:42:44

audience enjoyed it.

The Viennese

waltz, it lost its way into 1974. He

0:42:440:42:55

has not quite found the way to

Vienna. As much as I liked the

0:42:550:43:00

concept. I like different things

that the Viennese waltz, imagine

0:43:000:43:05

swans gliding on a lake. There are

no sharp edges and nothing that

0:43:050:43:12

Paul's and throws. It is flawless

and weightless and I think by

0:43:120:43:18

putting this character across, the

dance lost the style. Not that you

0:43:180:43:23

are not a good dancer but somehow it

did not gel. Sometimes it works when

0:43:230:43:29

we take risks that this time it did

not quite gel.

A brave attempt.

0:43:290:43:38

Maybe it is their hair. The hair is

everything.

Craig. It had too much

0:43:380:43:44

attack and lacked grace and any form

of elegance. Your posture was a

0:43:440:43:48

little bit poor. Your feet closing

and your bottom sticking out. There

0:43:480:43:57

was an enormous amount of rise and

fall. You can have a slight amount.

0:43:570:44:02

You should try to dance this on an

even keel, as we have all said. Some

0:44:020:44:08

things do not always work out.

Darcey. We have high expectations.

0:44:080:44:17

We see what you can produce and you

are an incredibly confident

0:44:170:44:21

performer. It is natural for you,

especially out of hold, you come

0:44:210:44:27

alive. But when you are in hold, the

energy dies and I see you switch

0:44:270:44:32

off. There is concentration, a lot

of rotation, it is difficult, but I

0:44:320:44:37

want to see the energy in the top

line. To still enjoy it when you are

0:44:370:44:43

in hold. Keep that going, because

these ballrooms are just as

0:44:430:44:48

important as Latin.

Thank you. We

all loved it. Well done, darling.

0:44:480:44:57

Aston and Janette.

0:44:570:45:01

Aston, I'm so sorry.

Don't be sorry.

Did you agree with the comments? You

0:45:130:45:19

loved the waltz, made you quite

tearful, and this one, you didn't

0:45:190:45:24

like as much?

I thought the song was

amazing and I got excited. The

0:45:240:45:30

routine was great. We had fun, which

I think is the main thing.

The

0:45:300:45:37

audience loved it. Your dad and your

grandma, Charlie and Mavis, are here

0:45:370:45:41

for the first time. So, very well

done.

0:45:410:45:48

The scores are in.

0:45:480:45:49

The judges have their scores.

0:45:490:45:51

Craig Revel Horwood.

0:45:510:45:52

Darcey Bussell.

0:45:520:45:55

Shirley Ballas.

0:45:550:46:01

Bruno Tonioli.

0:46:010:46:11

You've never had a four. Janette,

would you like to reply?

It's better

0:46:120:46:17

than a three!

You didn't do it

badly. We adored it.

I'm happy, and

0:46:170:46:28

that's what's important. We had fun

out there.

0:46:280:46:32

If you thought Aston

and Janette's Viennese waltz

0:46:320:46:34

was a highlight and you'd

like to see them back gain next

0:46:340:46:37

week, all the details you need

are on your screen now.

0:46:370:46:39

The vote will open at

the end of the show.

0:46:390:46:47

They are all in shock behind be.

Aston got a four?

0:46:470:46:51

We're halfway through,

let's see how the leaderboard looks.

0:46:510:46:57

We have five couples left to dance.

0:47:000:47:02

Tess.

0:47:020:47:07

And, our next couple

is Ruth Langsford and her

0:47:070:47:09

partner Anton du Beke.

0:47:090:47:10

APPLAUSE

0:47:100:47:12

They're doing the paso doble.

0:47:120:47:14

In this routine, Ruth

will be a Spanish senorita

0:47:140:47:17

from Seville and Anton will be

the manly, macho matador.

0:47:170:47:19

That's if Ruth allows it.

0:47:190:47:21

You were amazing on Saturday night.

I think you get slightly better

0:47:290:47:33

every week.

Thank you. I'm over the

terror and now I'm enjoying the

0:47:330:47:37

dance.

You have gained such

confidence. You made little mistakes

0:47:370:47:43

but you carried on.

Is a rare chance

we can --

is a chance we can enjoy

0:47:430:47:51

it and it go well?

Don't hold your

breath!

This week, the paso doble.

0:47:510:47:59

It is fiery and fast, but I have to

bring the performance, stop being

0:47:590:48:04

self-conscious, and the count and

the rhythm of the dance changes and

0:48:040:48:08

I have to remember where.

Five,

six... The easiest way for success

0:48:080:48:13

in the dance is to count out loud.

Two, three...

Oh, four. When you

0:48:130:48:21

can't remember the steps, it makes

you panic. Then you can't remember

0:48:210:48:25

the steps even more, like a vicious

circle.

You need to not be surprised

0:48:250:48:30

by what comes next.

It's ridiculous,

isn't it? Just frustration and

0:48:300:48:36

embarrassment. I love the paso

doble, but I find it hard and I'm

0:48:360:48:42

working hard.

Three and four...

I

hope, on Saturday, I can bring it to

0:48:420:48:47

the floor.

0:48:470:48:48

Dancing the paso doble,

Ruth Langsford and

0:48:510:48:52

Anton du Beke.

0:48:520:48:54

APPLAUSE

0:48:540:48:57

MUSIC:

The Shady Dame From Seville.

0:48:570:49:01

APPLAUSE

0:50:320:50:42

!. Come on, we are live.

0:51:040:51:10

Your husband's face was a picture.

That was fabulous.

Sorry about that.

0:51:210:51:30

The ending wasn't planned.

0:51:300:51:31

From tears in training

0:51:310:51:32

to laughter on the dance floor.

0:51:320:51:39

What did you think of this

senorita's paso technique, Bruno?

0:51:390:51:47

Skip it!

There is one thing, Anton,

she will never pass for a bull. And

0:51:470:51:54

you look like Manuel from Fawlty

Towers. Murder on the dance floor -

0:51:540:52:08

what more do you want?

APPLAUSE

0:52:080:52:12

Cray?

-- Craig? This is from a film,

this choreography, which was

0:52:120:52:27

essentially a drag act, which is

essentially what we got to know. It

0:52:270:52:31

is entertainment versus technique. I

think you are being really smart,

0:52:310:52:35

Anton, by choosing the entertainment

group, because at least the people

0:52:350:52:38

at home will vote for it, but I

can't possibly. Booing

I can't tell

0:52:380:52:49

you how hurt I am, and can I say,

surprised.

Ruth, if you could hold

0:52:490:52:59

onto a narrative like that all the

way through a dance, I want to watch

0:52:590:53:03

it every time. You came alive. The

looks you gave Anton, it was just

0:53:030:53:10

divine. It was like, come over here!

Put him in his place, I love that.

0:53:100:53:16

When it came together was those

wonderful cakes as you came round.

0:53:160:53:23

You controlled those. -- kicks.

Don't give up on the content or the

0:53:230:53:31

technique, you are going somewhere.

0:53:310:53:42

Bays-mac...

You represent absolute

joy, so I'm sure there's not a

0:53:430:53:57

household in England that didn't

enjoy that. -- Shirley. You had some

0:53:570:54:07

great promenade positions in there.

You had syncopated separation, the

0:54:070:54:13

start of the grand step, some basic

steps in there.

We had them all.

0:54:130:54:20

That was a very interesting paso

doble.

They enjoyed it. Thank you.

0:54:200:54:29

Such a charmer. And you always give

us fantastic entertainment. Off you

0:54:290:54:33

go, darling.

0:54:330:54:36

Ruth and Anton!

0:54:360:54:46

I think that might be the best thing

I've ever seen.

Did I trip you?

No.

0:54:510:54:59

I will discuss it with you later.

It

was so fun.

Can we stop saying fun

0:54:590:55:07

and start saying marvellous art?

It

was absolutely phenomenal.

0:55:070:55:11

The scores are in.

0:55:110:55:13

The judges have their scores.

0:55:130:55:14

Craig Revel Horwood.

0:55:140:55:15

Darcey Bussell.

0:55:150:55:16

Shirley Ballas.

0:55:160:55:17

Bruno Tonioli.

0:55:170:55:27

Same as last week.

We did a sensible

dance last week and got 22.

That was

0:55:300:55:35

fantastic.

If that was 22, we've run

the mark.

0:55:350:55:42

If you think that Ruth

and Anton deserve to remain

0:55:420:55:45

in the competition, please make sure

that you give them your vote.

0:55:450:55:48

All the details are

up on your screen.

0:55:480:55:50

You will be able

to show your support when the vote

0:55:500:55:53

opens after all our

couples have danced.

0:55:530:55:56

This is how we will end this.

Everyone lie down!

Dancing next is

0:55:560:56:07

Debbie McGee, and her partner

Giovanni Panisse.

0:56:070:56:15

Last week, Debbie celebrated her

first 10s from the judges, this week

0:56:150:56:18

she celebrated her birthday.

0:56:180:56:19

Giovanni got her an amazing present

but some more 10s would be

0:56:190:56:22

the icing on the cake.

0:56:220:56:28

I loved doing the charleston with

you, I do like I was living the

0:56:280:56:31

dream.

I will give you my queen of

Latin crown. You deserve it.

A nine

0:56:310:56:41

and three tens, I am going to go for

40. And see if we can try and get

0:56:410:56:49

it.

In the week they are tackling

the tango, it's deadly's birthday.

0:56:490:56:59

Happy birthday!

Giovanni has a

surprise in store.

Here we are!

My

0:56:590:57:03

goodness!

We are going to go to

London.

In a helicopter?

Yes.

Sorry

0:57:030:57:15

about him, but he is with me. It

amazed me, the detail you could see

0:57:150:57:23

from a helicopter. We followed the

river, you could see the Houses of

0:57:230:57:27

Parliament. Wow! Look at that over

there. That's Buckingham Palace.

0:57:270:57:34

Your Majesty!

I will never forget

this birthday. It has just been

0:57:340:57:41

incredible. Hopefully, our tango

will take off and we'll be propelled

0:57:410:57:45

into next week.

0:57:450:57:47

Dancing the tango, Debbie McGee and

Giovanni Pernice.

0:57:490:57:52

APPLAUSE

0:57:530:57:56

MUSIC: I Gotta Feeling.

0:57:560:57:59

CHEERING AND APPLAUSE.

0:59:250:59:35

Debbie and Giovanni. Happy birthday.

Superb. Just brilliant.

0:59:400:59:45

Top of the leaderboard

for the last two weeks.

0:59:450:59:48

How did Debbie tonight, Craig?

0:59:480:59:55

Oh, what? This is a first. I have

never seen...

0:59:551:00:08

Oh!

1:00:081:00:13

My goodness.

Amazing, amazing.

That

is... We are speechless, literally.

1:00:131:00:27

Darcey. That was strange. Honestly.

Literally cannot believe it.

OK,

1:00:271:00:44

straight point, you gave meeting

goals down my back. That was

1:00:441:00:47

extraordinary. -- you gave me

tingles. I do not think I have ever

1:00:471:00:58

seen a tango like that from a

celebrity.

Amazing. It is getting

1:00:581:01:03

better.

Surely. Debbie McGee, that

was a beautiful international tango.

1:01:031:01:13

You had fast feet. You had no rise

and fall. For me, it was

1:01:131:01:20

outstanding. Every week, you are

flying high and that was

1:01:201:01:26

unbelievable. Congratulations, that

is one of the most difficult dances

1:01:261:01:31

and you executed it with first

class.

Bruno. My darling, it was

1:01:311:01:37

like watching a tango masterclass.

Flawless.

Voila. I think they liked

1:01:371:01:48

it. Incredible. Well done, Debbie.

Phenomenal. Happy birthday!

1:01:481:01:54

Debbie and Giovanni!

1:01:541:01:56

Superb.

1:01:561:02:03

CHEERING

Well done. Well, well done. That has

1:02:071:02:17

never happened. Craig getting up and

doing that. You had a wonderful

1:02:171:02:21

week. Yesterday you found out Ed

Sheeran is a massive fan. I cannot

1:02:211:02:25

speak.

1:02:251:02:27

The scores are in.

1:02:271:02:28

The judges have their scores.

1:02:281:02:29

Craig Revel Horwood.

1:02:291:02:37

CHEERING

1:02:371:02:37

Darcey Bussell.

1:02:371:02:40

Shirley Ballas.

1:02:401:02:42

Bruno Tonioli.

1:02:421:02:52

Debbie! Debbie! Thank you. He is

tearful. Perfect score has never

1:03:001:03:10

happened so early in the series.

Well done. If there tango was the

1:03:101:03:20

one for you, then please vote.

1:03:201:03:24

All the details you need

are on the screen now so you can get

1:03:241:03:27

behind them when the

vote opens later.

1:03:271:03:29

Plus, if you want to know more

about our celebrities,

1:03:291:03:31

listen to the brand new Strictly

podcast or head to the website

1:03:311:03:34

bbc.co.uk/strictly.

1:03:341:03:35

This week, Gemma shows us

how to make a pancake

1:03:351:03:38

and Davood shows off his rare

snow-globe collection.

1:03:381:03:44

Are you all right? I am looking

forward to Davood's snow globe.

Make

1:03:441:03:49

of that what you will.

1:03:491:03:52

Dancing next for your votes

is Jonnie Peacock and his

1:03:521:03:54

partner, Oti Mabuse.

1:03:541:03:55

APPLAUSE

1:03:551:04:01

Jonnie and Oti were criticized

for their cha cha last week

1:04:011:04:04

but tonight they've got a chance

to salsa their way back

1:04:041:04:07

in the judges' good books.

1:04:071:04:13

I loved Halloween and dressing up as

a pirate but it did not go as well

1:04:131:04:18

as it should have. It went wrong

from the get go.

There was no

1:04:181:04:22

rotation and it lacked body action.

I was nervous at the Results Show.

1:04:221:04:27

We were in the danger zone.

But we

picked ourselves up and we go again.

1:04:271:04:37

This week we will be dancing the

salsa.

Shimmy! The salsa is about

1:04:371:04:42

the party and feeling fun. I love

with the salsa you get to lift

1:04:421:04:49

again.

I like to come up with new

lifts, dangerous lifts.

It will be a

1:04:491:04:53

challenge. Are you OK? It is scary

when you do a lift for the first

1:04:531:05:02

time. It can go wrong easily. Pretty

much her safety in my hands. The

1:05:021:05:10

lifts are cool. They are quite

dangerous. She has put a lot of

1:05:101:05:15

trust in me. I have to try my best

to learn the technique and make sure

1:05:151:05:20

I do it right. We just did a run

through in the studio for the first

1:05:201:05:24

time and I think it went OK. The

salsa is having fun and having a

1:05:241:05:29

good time and if we can show that

and nail the lifts, the dance should

1:05:291:05:32

be great.

1:05:321:05:35

Dancing the salsa,

Jonnie Peacock and Oti Mabuse.

1:05:351:05:39

MUSIC: Turn Me On

1:05:391:05:49

CHEERING AND APPLAUSE

1:07:091:07:19

Jonnie and Oti. My mum is watching.

Cover it up. So much trust in this

1:07:261:07:36

relationship and you can see the

trust in the partnership. The lifts.

1:07:361:07:43

A hot series of lifts. The arms. How

you handled Oti throwing herself at

1:07:431:07:49

you and on the turns how you managed

those. You lack a lot of hip

1:07:491:07:55

rotation but you make up with it

with the upper body, the EE is, you

1:07:551:08:01

were comfortable. You have no fear

and it is a fabulous attitude, keep

1:08:011:08:06

that up -- ease.

Surely.

I'm sorry,

Bruno. I am on. You always deliver.

1:08:061:08:25

Your strength. The fearless attack

on the lifts. She was in a spin

1:08:251:08:30

dryer, so much in the air and

turning but you always manage to

1:08:301:08:35

catch her. You did not drop her, I

thought you were going to. And you

1:08:351:08:41

had a nice move on the upper half.

It must translate down. The salsa is

1:08:411:08:46

on the hip. You kept it going up

here while it should be a little

1:08:461:08:50

bit...

I need lessons from you.

Surely. I was right, it was you.

1:08:501:09:04

Week number seven and what is with?

It is not necessarily always the

1:09:041:09:08

lower half of the body but you can

have a natural pulse with the upper

1:09:081:09:14

body and that is what you have. You

did a double under arm turn and you

1:09:141:09:19

kept the pulse. You are finding

rhythms that suit Jonnie Peacock.

1:09:191:09:24

Thank you.

Craig.

I would like to

see more salsa but the beauty is you

1:09:241:09:35

showed Oti, which is amazing, you

presented her well. The lifts were

1:09:351:09:40

spectacular. A little bit more

rotation, but I loved it.

Not bad

1:09:401:09:49

from them. Well done, Jonnie.

Well

done. Jonnie, well done, darling.

1:09:491:10:06

Last week... They are animals! You

did not like the cha-cha last week.

1:10:061:10:11

You did not like it as much but out

there, you looked joyful and in

1:10:111:10:16

rehearsals and when I see you on It

Takes Two.

You have to go out and

1:10:161:10:21

have fun which is what I tried to

do. Maybe I do not have the hips

1:10:211:10:25

just yet but you have to try to have

fun.

1:10:251:10:28

Scores are in.

1:10:281:10:30

The judges have their scores.

1:10:301:10:31

Craig Revel Horwood...

1:10:311:10:32

Darcey Bussell...

1:10:321:10:36

Shirley Ballas...

1:10:361:10:39

Bruno Tonioli...

1:10:391:10:49

We will take that. You are so happy.

I was so stressed.

1:10:491:10:55

If you enjoyed Jonnie and Oti's

salsa and want to vote

1:10:551:10:58

for them, all the details

are on your screen now

1:10:581:11:00

and voting will open once

all of our couples have performed.

1:11:001:11:09

Still to come, Davood and Nadiya

performed the American Smooth.

We

1:11:091:11:14

have Claudia Fragapane and Kimberly

McDonald.

1:11:141:11:19

Up next is Susan Calman

and her partner, Kevin Clifton.

1:11:191:11:24

Tonight they're doing a jive

to a Shakin' Stevens classic,

1:11:241:11:27

and I'm sure they're going to bring

This Ole House down.

1:11:271:11:30

Game Of Thrones inspired Halloween

week was brilliant. It really was.

1:11:371:11:45

Four people in the room were less

pleased. It may have lacked

1:11:451:11:49

everything foxtrot is about.

We will

pick ourselves up and come back

1:11:491:11:54

fighting. Comeback jiving.

We will

not give up.

We never give up. This

1:11:541:12:00

week we are dancing the jive.

It

looks like a lot of fun. During

1:12:001:12:05

training, Susan got a visit from her

number one supporter, her wife.

We

1:12:051:12:10

are doing the jive today.

We have

put a lot in.

I can see you are

1:12:101:12:17

working hard.

Would you like to see

the jive? I would love to see it.

1:12:171:12:24

Seeing Susan dances two words, utter

joy. Well done, I loved it.

It was

1:12:241:12:30

nice for her to pop by and see what

we get up to in the training room.

1:12:301:12:34

Would you like to learn from Kevin

Clifton? I would love to. I think

1:12:341:12:39

she enjoyed the jive. She had a go

and realises how tiring it is. Good

1:12:391:12:46

luck for Saturday.

You will get

better and better.

You are amazing.

1:12:461:12:52

It has been lovely to have my wife

in the training room and hopefully I

1:12:521:12:55

will take all of the support into

our jive.

1:12:551:13:00

Dancing the jive,

Susan Calman and her

1:13:001:13:01

partner, Kevin Clifton.

1:13:011:13:02

MUSIC: This Ole House

1:13:021:13:05

APPLAUSE

1:14:381:14:47

You were Jiving your

1:14:521:14:53

little heart out.

1:14:531:14:54

Was that as exhausting as it looked?

1:14:541:15:02

You gave some good face. Shirley,

you always love watching Susan. Do

1:15:021:15:10

you need... ? Did you love that?

I've got some bad news: I would

1:15:101:15:18

never let you pick my house, but you

can jive round my kitchen any day of

1:15:181:15:23

the week. You give us some slick

1:15:231:15:32

can jive round my kitchen any day of

the week. You give us some slick.

1:15:321:15:33

You showed how you can use pure

basics and still give entertainment.

1:15:331:15:37

You are back. You did very well.

She

is back on the market. You didn't

1:15:371:15:51

sell this jive, you gazumped it. You

were pumping it. She was giving it

1:15:511:15:58

everything she had. When we talk

about this pumping action, it is

1:15:581:16:03

elasticity on the leg. Some people

do it stiffly, kicking in and out,

1:16:031:16:07

but you had that lovely pumping

going through. Great rhythm and

1:16:071:16:10

timing. Well done. You are back.

Two

out of two saying you are back.

1:16:101:16:16

Craig, you scored Susan a three last

week - better tonight?

1:16:161:16:21

It is more than a three. It is a

vast improvement on last week. It

1:16:211:16:26

is, however, sadly a little flat.

You are not quite doing the

1:16:261:16:31

preparation for the kick. The timing

was fantastic and the synchronicity

1:16:311:16:36

was amazing.

Susan, you were pumping

out those kicks. The energy did not

1:16:361:16:48

fail at all. Well done on the

stamina and everything. You were

1:16:481:16:52

constantly coming back into sync on

the sequencing, and I loved your

1:16:521:16:55

facial expressions. They were

priceless. You didn't give anything

1:16:551:16:59

away. I would've liked a little more

contraction, but this is your dance.

1:16:591:17:08

She's back!

1:17:081:17:08

Susan and Kevin!

1:17:081:17:15

Well done. Really, really good. I'm

really proud of you.

Kevin and

1:17:151:17:21

Susan, they said you are back, that

that was your dance. You must be

1:17:211:17:25

over the moon, because last week,

they gave you quite are not back.

It

1:17:251:17:30

wasn't the best.

Quite good to come

back with a jive.

That is what

1:17:301:17:36

Strictly is about, taking the

comments on board and coming back

1:17:361:17:39

dancing. Keep dancing, that's the

point of the show.

Exactly. I didn't

1:17:391:17:45

get it - that's why we say! You must

be incredibly proud.

Incredibly

1:17:451:17:51

proud. Two weeks in a row they came

down quite hard on us, but her

1:17:511:17:55

attitude in training never change.

She was always positive and worked

1:17:551:17:59

really hard. I could not be more

proud.

1:17:591:18:01

The judges have their scores.

1:18:011:18:02

Craig Revel Horwood...

1:18:021:18:03

Darcey Bussell...

1:18:031:18:04

Shirley Ballas...

1:18:041:18:06

Bruno Tonioli...

1:18:061:18:16

Well done. And your wife is so

happy.

1:18:231:18:33

If you thought Susan

and Kevin's Jive was fantastic

1:18:331:18:35

and you want to see them back again

next week, then please make sure

1:18:351:18:38

that they get your vote.

1:18:381:18:39

All the details are up

on your screen and voting will open

1:18:391:18:42

very shortly as we only have one

couple left to dance.

1:18:421:18:45

Tess.

1:18:451:18:53

And our final couple

are Davood Ghadami and his

1:18:531:18:56

partner Nadiya Bychkova.

1:18:561:18:57

Last week the judges

said their Rumba looked amazing

1:18:571:18:59

but they thought it lacked

proper Rumba steps.

1:18:591:19:02

So, for this week's American Smooth,

Davood and Nadiya are aiming

1:19:021:19:05

for both style and content.

1:19:051:19:07

I really enjoyed performing that

dance. There's nothing like it. It

1:19:131:19:17

had a haunting feel. The dance was

beautiful, the song was beautiful,

1:19:171:19:21

the style is very hard to grab hold

of and go for.

I loved the feeling

1:19:211:19:25

and emotion, but there wasn't enough

rumba in there for me.

It was my

1:19:251:19:30

favourite dance.

I know, I genuinely

came out of it thinking that I had

1:19:301:19:35

achieved something.

Foxtrot, it is

very important to get the footwork

1:19:351:19:45

right. American Smooth. It isn't one

of the most difficult dancers. The

1:19:451:19:51

movement should be gliding on the

floor. That is why I have to get him

1:19:511:19:56

to get his footwork right. Too

early. Five, six.

It may look like

1:19:561:20:04

we walking together, but there is so

much going on. There are aspects

1:20:041:20:07

where you step on your toes,

sometimes on your heel, some steps

1:20:071:20:10

are long, and it has to be elegant,

so you have to know what you're

1:20:101:20:14

doing. It is a long road ahead, but

if it goes right, this choreography

1:20:141:20:20

could be beautiful. I need to get

the lifts right as well.

Don't lift

1:20:201:20:23

me. It's not this.

You have to get

the framework, get the technique

1:20:231:20:28

right, get the lift right, but if we

don't get it right it could go come

1:20:281:20:33

crashing down. But I'm not going to

let that happen. -- it could all

1:20:331:20:41

come crashing down.

1:20:411:20:42

Dancing the American Smooth,

Davood Ghadami and his partner,

1:20:421:20:44

Nadiya Bychkova.

1:20:441:20:46

MUSIC: This Will Be

(An Everlasting Love)

1:20:461:20:48

CHEERING AND APPLAUSE

1:22:161:22:26

What a finale! The audience are on

their feet. Congratulations, Davood.

1:22:291:22:37

Enjoy that? Bruno has given you a

standing ovation. Lovely lifts.

You

1:22:371:22:48

were like movie stars. A dashing

leading man, and you were gorgeous

1:22:481:22:55

as well. You really swept all of us

off our feet. There was the twinkle

1:22:551:23:00

of the eye of Gene Kelly, the

incredible hulk, and a performance

1:23:001:23:09

value of Fred Astaire. You did it

all in that dance.

Thank you.

1:23:091:23:13

Sensational. Craig?

It needs more

swing and sway. It would be amazing

1:23:131:23:24

if you had that. It is so difficult

for the celebrity meant to do that,

1:23:241:23:28

but I loved it. The release,

incredible. I loved that routine,

1:23:281:23:37

absolutely loved it.

Darcey...

Really controlled, smooth

1:23:371:23:45

transitions, a bit of Hollywood

glamour that you brought to that.

1:23:451:23:47

Most impressive was how you let her

and got into that lift. You lock

1:23:471:23:52

your elbow. It was so impressive,

how you recovered, and got into the

1:23:521:24:00

nice, fast end. Fabulous!

I think

you were totally awesome. I agree

1:24:001:24:10

with Darcey, the lift was amazing.

You have four legs, four arms, two

1:24:101:24:17

centres, and everything seems to be

in the right place and you are able

1:24:171:24:20

to move well today. Congratulations!

I think she likes it! Brilliant

1:24:201:24:25

finale. I think it lifted all of us.

Thank you so much, Davood and

1:24:251:24:33

Nadiya.

1:24:331:24:39

Davood, really, really well done.

You look quite shocked at the great

1:24:431:24:48

comments. They can be pernickety,

and you said in rehearsals, this

1:24:481:24:56

will be his break-out dance.

She

never told me!

You just did that

1:24:561:25:01

American Smooth on Strictly Come

Dancing.

I really enjoyed it.

1:25:011:25:09

Scores are in.

1:25:091:25:10

The judges have their scores.

1:25:101:25:11

Craig Revel Horwood...

1:25:111:25:12

Darcey Bussell...

1:25:121:25:13

Shirley Ballas...

1:25:131:25:14

Bruno Tonioli...

1:25:141:25:24

Well done. Not the fringe!

Congratulations, your first nines.

1:25:281:25:39

If you were swept away by Davood

and Nadiya's American Smooth,

1:25:391:25:42

then please make sure

you vote for them.

1:25:421:25:44

All the details you need

are on screen now and the vote

1:25:441:25:46

will open in a few moments.

1:25:461:25:48

That's it.

1:25:481:25:49

All ten couples have performed

and it's time to look

1:25:491:25:51

at the leaderboard.

1:25:511:25:56

Up at the top, Debbie and Giovanni.

At the other end, Ruth and Anton,

1:25:561:26:02

with 22.

1:26:021:26:03

Remember you can

1:26:031:26:04

change all of that by

1:26:041:26:05

picking up the phone

or going online and

1:26:051:26:07

voting for your favourite.

1:26:071:26:08

The vote is now...

1:26:081:26:09

..open!

1:26:091:26:11

Calls to the short number

from a mobile cost 15p.

1:26:111:26:14

Calls to the long number

cost 15p plus your

1:26:141:26:16

network's access charge

and

1:26:161:26:17

please ask the bill

payers' permission.

1:26:171:26:19

You can vote online

by visiting bbc.co.uk/strictly

1:26:191:26:20

where you will also find

terms and conditions.

1:26:201:26:22

Voting closes at 8.45 tonight.

1:26:221:26:24

Please don't try to vote

if you're watching on demand.

1:26:241:26:27

To help you decide,

here's a reminder of

1:26:271:26:29

tonight's performances

and the all-important

1:26:291:26:30

vote information.

1:26:301:26:39

It's been a brilliant

night in the ballroom.

1:29:281:29:31

Our ten couples have done

all they can and now they're

1:29:311:29:34

relying on your support -

so please pick up the phone or go

1:29:341:29:37

online to give them your vote.

1:29:371:29:39

Voting closes tonight at 8.45,

so you don't have much longer

1:29:391:29:42

to vote for your favourite.

1:29:421:29:44

You could help them stay out

of the Dance Off in tomorrow night's

1:29:441:29:48

Results show at 7.15 when one more

couple will be eliminated and have

1:29:481:29:51

to leave Strictly Come Dancing.

1:29:511:29:52

Also on the show tomorrow night,

performing their latest single

1:29:521:29:54

'Caught by the Wind',

the brilliant Stereophonics

1:29:541:29:56

will be here.

1:29:561:30:00

And we have something

really special lined up -

1:30:001:30:03

our professional dancers will be

doing a fantastic group

1:30:031:30:05

routine set to a medley

of Prince's greatest hits.

1:30:051:30:09

Including When Doves Cry,

Let's Go Crazy and of

1:30:091:30:12

course Purple Rain -

we can't wait.

1:30:121:30:14

That's all tomorrow night at 7.15.

1:30:141:30:16

Yes, make sure you tune in for that.

1:30:161:30:18

We'll see you then,

and in the meantime...

1:30:181:30:20

BOTH: Keep dancing.

1:30:201:30:25

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