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Last week, our celebrities got
Spooktastic. Some left the judges | 0:00:13 | 0:00:24 | |
feeling great. It was an American
horror story. And in the end, we bid | 0:00:24 | 0:00:31 | |
farewell to Simon. This week, the
celebrities have hit a milestone and | 0:00:31 | 0:00:34 | |
they are beginning to feel the
pressure. We are at the halfway | 0:00:34 | 0:00:38 | |
point. There is no option. But. To
go out there. And give it | 0:00:38 | 0:00:44 | |
everything. Just to show the judges.
I deserve to be here. The | 0:00:44 | 0:00:54 | |
competition is on. | 0:00:54 | 0:00:57 | |
Live from the BBC, | 0:01:42 | 0:01:44 | |
this
is Strictly Come Dancing. | 0:01:44 | 0:01:48 | |
Please welcome your hosts... | 0:01:48 | 0:01:49 | |
Tess Daly. | 0:01:49 | 0:01:52 | |
And Claudia Winkleman. | 0:01:52 | 0:01:56 | |
APPLAUSE. | 0:01:56 | 0:02:05 | |
CHEERING | 0:02:11 | 0:02:12 | |
Hello and welcome to
Strictly Come Dancing. | 0:02:12 | 0:02:15 | |
Is everyone ready for another
weekend in the ballroom? | 0:02:15 | 0:02:21 | |
Last week's Halloween special saw
Debbie put the super | 0:02:21 | 0:02:25 | |
into supernatural and keep her place
at the top of the leaderboard - | 0:02:25 | 0:02:29 | |
scoring three 10s for her
Charleston. | 0:02:29 | 0:02:31 | |
And, there was a shock
in the dance-off when Mollie and AJ | 0:02:31 | 0:02:34 | |
faced Simon and Karen. | 0:02:34 | 0:02:35 | |
Sadly, it was Simon
who left the competition. | 0:02:35 | 0:02:37 | |
AUDIENCE: Aw! | 0:02:37 | 0:02:40 | |
Tonight, our remaining ten couples
will do all they can | 0:02:40 | 0:02:42 | |
to avoid the same fate. | 0:02:42 | 0:02:45 | |
And keeping a close eye
on proceedings are these four. | 0:02:45 | 0:02:47 | |
Please welcome the judges. | 0:02:47 | 0:02:52 | |
Darcey Bussell. | 0:02:52 | 0:02:53 | |
Bruno Tonioli. | 0:02:53 | 0:02:55 | |
Craig Revel Horwood. | 0:02:55 | 0:02:57 | |
And Shirley Ballas. | 0:02:57 | 0:02:59 | |
APPLAUSE. | 0:02:59 | 0:03:09 | |
The judges, everyone. | 0:03:13 | 0:03:18 | |
We're just over halfway
through the series and our couples | 0:03:18 | 0:03:21 | |
know they need to start taking some
risks and deliver something | 0:03:21 | 0:03:24 | |
sensational if they're
to avoid the dance-off. | 0:03:24 | 0:03:26 | |
I can't wait to see
what they've got planned. | 0:03:26 | 0:03:31 | |
It's time for.... | 0:03:31 | 0:03:32 | |
Our Strictly stars. | 0:03:32 | 0:03:35 | |
TV presenter Ruth Langsford
and her partner Anton du Beke. | 0:03:35 | 0:03:40 | |
EastEnders star Davood Ghadami
and his partner Nadiya Bychkova. | 0:03:40 | 0:03:42 | |
Pop star Mollie King,
and her partner AJ Pritchard. | 0:03:42 | 0:03:48 | |
Actress and radio
presenter Gemma Atkinson | 0:03:48 | 0:03:50 | |
and her partner Aljaz Skorjanec. | 0:03:50 | 0:03:52 | |
Entertainer and radio broadcaster,
Debbie McGee and her | 0:03:52 | 0:03:55 | |
partner Giovanni Pernice. | 0:03:55 | 0:03:57 | |
Singer Aston Merrygold | 0:03:57 | 0:03:59 | |
and his partner
Janette Manrara. | 0:03:59 | 0:04:02 | |
From Holby City, Joe McFadden,
and his partner Katya Jones. | 0:04:02 | 0:04:07 | |
Comedian and presenter Susan Calman
and her partner Kevin Clifton. | 0:04:07 | 0:04:11 | |
Paralympic gold
medallist Jonnie Peacock | 0:04:11 | 0:04:14 | |
and his partner Oti Mabuse. | 0:04:14 | 0:04:16 | |
Singer and theatre
star Alexandra Burke | 0:04:16 | 0:04:18 | |
and her partner Gorka Marquez. | 0:04:18 | 0:04:26 | |
CHEERING | 0:04:32 | 0:04:35 | |
Our top ten. | 0:04:35 | 0:04:39 | |
But who will make it to number one
on our judges' chart tonight? | 0:04:39 | 0:04:42 | |
No matter where they end up,
they'll still need your support | 0:04:42 | 0:04:45 | |
to make it through to next week. | 0:04:45 | 0:04:47 | |
You will be able to vote
for your favourite later on. | 0:04:47 | 0:04:49 | |
Your votes will be added
to the judges' scores to decide | 0:04:49 | 0:04:52 | |
which two couples will face
the dance-off in Sunday | 0:04:52 | 0:04:54 | |
night's Results Show. | 0:04:54 | 0:04:55 | |
It is then down to the judges alone
to decide who will be the next | 0:04:55 | 0:04:59 | |
couple to leave the competition. | 0:04:59 | 0:05:01 | |
Dancing first tonight
is Alexandra Burke and her | 0:05:01 | 0:05:03 | |
partner Gorka Marquez. | 0:05:03 | 0:05:04 | |
APPLAUSE. | 0:05:04 | 0:05:11 | |
Tonight's routine is set in a jazz
club | 0:05:11 | 0:05:13 | |
and they're hoping to make
sweet music with their cha-cha-cha. | 0:05:13 | 0:05:23 | |
Saturday was amazing. The tango was
the perfect answer and I loved every | 0:05:23 | 0:05:28 | |
moment. You came out with all guns
blazing. I really and truly loved | 0:05:28 | 0:05:34 | |
it. You know when you think you meet
someone for a reason. We danced | 0:05:34 | 0:05:42 | |
together for a reason. This week,
Alexandra and Gorka's cha-cha is set | 0:05:42 | 0:05:48 | |
in a jazz club. Today Gorka is
taking me to a jazz bar to give me | 0:05:48 | 0:05:56 | |
inspiration on how it will look on
Saturday night. I used to seeing a | 0:05:56 | 0:06:00 | |
lot of jazz and soul and went to
open microphone nights. Here there | 0:06:00 | 0:06:05 | |
is an open microphone. Do you mind
to go up and sing for me? Really? | 0:06:05 | 0:06:13 | |
# Summertime will stop seeing
Alexandra on the stage was amazing. | 0:06:13 | 0:06:19 | |
Today has been so much fun, to be
able to sing and start dancing with | 0:06:24 | 0:06:31 | |
Gorka and show everybody what we
have been up to is a lot of fun. We | 0:06:31 | 0:06:34 | |
want to take it from here to the
stage on Saturday night. | 0:06:34 | 0:06:39 | |
Dancing the cha-cha,
Alexandra Burke and her partner | 0:06:44 | 0:06:46 | |
Gorka Marquez. | 0:06:46 | 0:06:51 | |
MUSIC:
I Got The Music In Me. | 0:06:51 | 0:06:57 | |
CHEERING AND APPLAUSE. | 0:08:24 | 0:08:34 | |
Alexandra and Gorka. | 0:08:38 | 0:08:40 | |
What a start to the show. | 0:08:40 | 0:08:44 | |
My goodness. You are one red hot
salsa lady. I wanted to join him. | 0:08:44 | 0:08:54 | |
While you get | 0:08:54 | 0:08:55 | |
your breath back, let's | 0:08:55 | 0:08:56 | |
welcome our fabulous live singers. | 0:08:56 | 0:08:58 | |
Hayley, Lance, Andrea,
Tommy | 0:08:58 | 0:09:02 | |
and of course Dave Arch
and his brilliant orchestra. | 0:09:02 | 0:09:04 | |
APPLAUSE. | 0:09:04 | 0:09:09 | |
Just brilliant. You never fail to
impress. | 0:09:09 | 0:09:11 | |
Did that impress you Shirley? | 0:09:11 | 0:09:16 | |
What a way to stop the show. I want
to save the cha-cha has proved this | 0:09:16 | 0:09:23 | |
series to be difficult but not on
you today. You did forward walks. | 0:09:23 | 0:09:28 | |
You looked like a professional. One
leg here and another straight. You | 0:09:28 | 0:09:40 | |
put the cheeky in cha-cha-cha. You
were outstanding. You are the | 0:09:40 | 0:09:50 | |
cha-cha goddess. I love the way she
started, all of the beauty and six | 0:09:50 | 0:09:57 | |
appeal of Naomi Campbell. And she
went off like Beyonce in full | 0:09:57 | 0:10:04 | |
flight. She takes no prisoners. It
had precision. It had cleanliness. | 0:10:04 | 0:10:11 | |
It was the best cha-cha-cha this
season. Well-deserved comments. You | 0:10:11 | 0:10:19 | |
are not going to spoil it? I Spy
with my little eye something | 0:10:19 | 0:10:26 | |
beginning with T. That stands for
turnout. You had to which we have | 0:10:26 | 0:10:35 | |
been demanding. Straight legs, I
really loved it. Thank you. | 0:10:35 | 0:10:42 | |
Darcey, thumbs up? Yes, you are the
dancing Queen. What an opening, | 0:10:46 | 0:10:54 | |
flirty, confident. You have been
working hard and it paid off. | 0:10:54 | 0:10:58 | |
Incredible work. You are the dancing
Queen. You are starting to set the | 0:10:58 | 0:11:06 | |
standard. Well done, darling, what a
start. Alexandra. | 0:11:06 | 0:11:18 | |
Well done. You must be over the
moon. We can share that you were | 0:11:18 | 0:11:27 | |
nervous about going first. I was
petrified. I did not know what | 0:11:27 | 0:11:33 | |
turnout meant, I did not know if it
was good or bad. We were nervous | 0:11:33 | 0:11:39 | |
about what the T was for. I was
nervous. Pigeon again! | 0:11:39 | 0:11:45 | |
The scores are in. | 0:11:45 | 0:11:46 | |
Craig Revel Horwood. | 0:11:46 | 0:11:51 | |
Darcey Bussell. | 0:11:51 | 0:11:56 | |
Shirley Ballas. | 0:11:56 | 0:12:01 | |
Bruno Tonioli. | 0:12:01 | 0:12:06 | |
Well done. | 0:12:12 | 0:12:22 | |
Gorka, you will write? Well done,
the first ten for a cha-cha which | 0:12:25 | 0:12:31 | |
has been the least popular this
series. Are you happy? I am over the | 0:12:31 | 0:12:36 | |
moon. Thank you so much. I love the
fact you were hugging me. | 0:12:36 | 0:12:44 | |
If you thought Alexandra and Gorka's
cha-cha was a great start | 0:12:44 | 0:12:47 | |
to the show, please make sure
you show them your support. | 0:12:47 | 0:12:50 | |
All the details are on your screen
now and the vote will open | 0:12:50 | 0:12:53 | |
at the end of the show. | 0:12:53 | 0:12:57 | |
Now, it's time for the
terms and conditions. | 0:12:57 | 0:13:02 | |
As we are half way there... | 0:13:02 | 0:13:04 | |
MUSIC: Living On A Prayer
by Bon Jovi. | 0:13:04 | 0:13:12 | |
# Yes, we are halfway there. | 0:13:12 | 0:13:14 | |
Calls to the short number
from a mobile cost 15p. | 0:13:14 | 0:13:17 | |
Calls to the long number
cost 15p plus your | 0:13:17 | 0:13:19 | |
network's access charge and | 0:13:19 | 0:13:20 | |
please ask the bill
payer's permission. | 0:13:20 | 0:13:21 | |
You can vote online
by visiting bbc.co.uk/strictly | 0:13:21 | 0:13:23 | |
where you will also find
terms and conditions. | 0:13:23 | 0:13:25 | |
Voting won't open until
all our couples have | 0:13:25 | 0:13:27 | |
danced. | 0:13:27 | 0:13:28 | |
Don't call yet,
as your vote won't count | 0:13:28 | 0:13:30 | |
and you may still be charged. | 0:13:30 | 0:13:33 | |
Our next couple is Mollie King
and her partner AJ Pritchard. | 0:13:33 | 0:13:37 | |
APPLAUSE | 0:13:37 | 0:13:38 | |
It was a shock to see them | 0:13:38 | 0:13:40 | |
in the dance-off last week, | 0:13:40 | 0:13:42 | |
but Mollie's determined
to bounce back with a foxtrot | 0:13:42 | 0:13:44 | |
based on a movie set. | 0:13:44 | 0:13:46 | |
We've got the lights
and the cameras, now it's up | 0:13:46 | 0:13:49 | |
to Mollie and AJ to deliver
the action. | 0:13:49 | 0:13:50 | |
Saturday was so much fun, but I
think from the comments, I could | 0:13:57 | 0:14:00 | |
have done better. You have to be
careful how you place your feet. | 0:14:00 | 0:14:05 | |
Your shoulders, you start to wear
them as earrings. Gutted to be in | 0:14:05 | 0:14:09 | |
the dance off. I don't want this to
be the end. We are going to show | 0:14:09 | 0:14:17 | |
them. Mollie plays a famous actress
in listing AJ as a runner. Could be | 0:14:17 | 0:14:26 | |
my run for the day. OK. You likely
want to make me a cup of tea, then? | 0:14:26 | 0:14:33 | |
The kettle that way. Some seedless
oranges, with seeds in, non-glittery | 0:14:33 | 0:14:45 | |
glitter. Have you got back? Yes.
What was it again? | 0:14:45 | 0:14:52 | |
It's day three and we're doing the
foxtrot. Pink dress... AJ... Did you | 0:14:57 | 0:15:04 | |
get that? Yes, foxtrot, pink. I
don't think this running is for me. | 0:15:04 | 0:15:12 | |
Thankfully, AJ has put his dancing
shoes back on, so fingers crossed, | 0:15:12 | 0:15:16 | |
we have an award-winning foxtrot
this weekend. | 0:15:16 | 0:15:19 | |
Dancing the foxtrot, Mollie King
and her partner AJ Pritchard | 0:15:19 | 0:15:22 | |
MUSIC:
Call Me Irresponsible. | 0:15:25 | 0:15:33 | |
APPLAUSE | 0:16:53 | 0:17:00 | |
Oh, Mollie!
Lovely Mollie and AJ. You looked | 0:17:04 | 0:17:10 | |
like a princess out there. How was
it for you? Loved every minute. | 0:17:10 | 0:17:18 | |
Dance-off last week. | 0:17:18 | 0:17:26 | |
It started beautifully. You have to
understand, the foxtrot seems to be | 0:17:26 | 0:17:30 | |
easy, light and fluffy, but it is
one of the hardest answers to | 0:17:30 | 0:17:33 | |
control. In the first half, it was
absolutely beautiful, well-placed, | 0:17:33 | 0:17:38 | |
lovely side stretch on the back.
There was an incident on a turn, | 0:17:38 | 0:17:42 | |
when unfortunately... What happened?
Did you go one the wrong foot? I've | 0:17:42 | 0:17:49 | |
no idea. Apart from that, you did a
really good job in controlling | 0:17:49 | 0:17:56 | |
yourself, placing it well, elegant,
classy, nice job. Thank you. Cray, | 0:17:56 | 0:18:04 | |
what do you think? Though were some
balance issues, but you recovered. | 0:18:04 | 0:18:11 | |
Your pivot's was sometimes taken on
a flat foot rather than on a heel. | 0:18:11 | 0:18:18 | |
You maintain your top line in the
good sections. The transitions were | 0:18:18 | 0:18:22 | |
really smooth. I thought it was
classy, stylish, and I thought it | 0:18:22 | 0:18:26 | |
was elegant.
APPLAUSE | 0:18:26 | 0:18:34 | |
Darcey, what did you think? You are
turning into an elegant, stylish, | 0:18:34 | 0:18:39 | |
classy lady. We have gotten to know
you as a sweet couple, but that was | 0:18:39 | 0:18:44 | |
elegant all the way through. Even
though you were thrown by being | 0:18:44 | 0:18:49 | |
off-balance, you recovered well. You
are producing nice glide, and it | 0:18:49 | 0:18:53 | |
really is paying off. Keep this up.
Thank you. | 0:18:53 | 0:18:56 | |
Shirley, last week you asked Mollie
to work on her core. | 0:18:56 | 0:18:59 | |
Is that work starting to pay off? | 0:18:59 | 0:19:03 | |
I have an appreciation for you being
in the bottom two and coming out and | 0:19:03 | 0:19:07 | |
doing the performance you have just
done. You are to keep your shoulders | 0:19:07 | 0:19:11 | |
down. What was impressive for me was
how slowly you took the music. You | 0:19:11 | 0:19:16 | |
didn't race, didn't chase,
beautifully timed from both of you. | 0:19:16 | 0:19:20 | |
You had a beautiful, elegant line.
Just a little mishap, but impressive | 0:19:20 | 0:19:24 | |
that you picked it back up again.
Definitely going in the right | 0:19:24 | 0:19:27 | |
direction. Just that little slip
today, but otherwise a performance. | 0:19:27 | 0:19:31 | |
APPLAUSE
Going in the right direction. One | 0:19:31 | 0:19:35 | |
thing is for sure - she doesn't want
to be in the dance off again. Am I | 0:19:35 | 0:19:40 | |
right? Please, yes. | 0:19:40 | 0:19:41 | |
Mollie and AJ! | 0:19:41 | 0:19:51 | |
I saw your little thing. You
recovered, and if that had happened | 0:19:55 | 0:20:03 | |
in week one or week two. We worked
so hard and then I made that mistake | 0:20:03 | 0:20:09 | |
on the night, I'm so sorry. But you
got straight back into position and | 0:20:09 | 0:20:15 | |
picked it up. It added more
character. It is horrible to be in | 0:20:15 | 0:20:19 | |
the dance off then back in training,
but you just went, no, we will do | 0:20:19 | 0:20:24 | |
it. You have to carry on, and we are
loving every minute. You have to | 0:20:24 | 0:20:28 | |
pick yourself up, and we're having
so much fun, so fingers and | 0:20:28 | 0:20:32 | |
everything crossed week. | 0:20:32 | 0:20:32 | |
The scores are in. | 0:20:32 | 0:20:35 | |
The judges have their scores. | 0:20:35 | 0:20:36 | |
Craig Revel Horwood. | 0:20:36 | 0:20:38 | |
Darcey Bussell. | 0:20:38 | 0:20:41 | |
Shirley Ballas. | 0:20:41 | 0:20:42 | |
Bruno Tonioli. | 0:20:42 | 0:20:52 | |
Same score as last week. But well
done, it's hard. They love you. | 0:20:54 | 0:21:03 | |
If you loved Mollie and AJ's foxtrot
and want to keep them | 0:21:03 | 0:21:06 | |
in the competition for another week,
all the details you need | 0:21:06 | 0:21:09 | |
are on your screen now. | 0:21:09 | 0:21:10 | |
Please don't call yet
as voting won't open | 0:21:10 | 0:21:12 | |
until all our couples have danced. | 0:21:12 | 0:21:13 | |
Still to come, Aston and Janette do
a Viennese waltz set | 0:21:13 | 0:21:16 | |
at the hairdresser's. | 0:21:16 | 0:21:18 | |
I had a haircut once, not my bag. | 0:21:18 | 0:21:20 | |
Tess. | 0:21:20 | 0:21:24 | |
Dancing next is Joe McFadden
and his partner Katya Jones. | 0:21:24 | 0:21:27 | |
APPLAUSE. | 0:21:27 | 0:21:30 | |
After last week's foxtrot,
the judges said how much they loved | 0:21:30 | 0:21:32 | |
Joe's brilliant story telling. | 0:21:32 | 0:21:37 | |
He's hoping that tonight's chapter - | 0:21:37 | 0:21:39 | |
The Charleston - has
another happy ending. | 0:21:39 | 0:21:46 | |
Davood Saturday night went really
well. Every is always room for | 0:21:46 | 0:21:50 | |
improvement, but the judges seemed
please. A kiss from the Black widow | 0:21:50 | 0:21:54 | |
and you are toast. I have to say,
you managed this situation like a | 0:21:54 | 0:21:58 | |
master. On the Leader Board there is
a nice place to be. I am keeping | 0:21:58 | 0:22:07 | |
good company. Joel is performing as
a drumming soldier. -- Cho. How hard | 0:22:07 | 0:22:22 | |
can it be? We came all the way out
to be with this marching band, and | 0:22:22 | 0:22:26 | |
it sounds amazing. It was really
good fun. We were a little bit | 0:22:26 | 0:22:30 | |
rubbish, I must admit. I am sure
this band wouldn't want us to join | 0:22:30 | 0:22:41 | |
them. It was lots of fun. Wow! That
wasn't easy, was it? Are you ready | 0:22:41 | 0:22:51 | |
for the charleston? Hopefully we can
drum up some good scores. His | 0:22:51 | 0:22:57 | |
dancing is better than his jamming.
It has been a great experience and | 0:22:57 | 0:23:02 | |
hopefully we will be marching
through to next week. | 0:23:02 | 0:23:06 | |
Dancing the Charleston, Joe McFadden
and his partner Katya Jones. | 0:23:06 | 0:23:10 | |
MUSIC: Alexander's Ragtime Band. | 0:23:15 | 0:23:25 | |
APPLAUSE | 0:24:37 | 0:24:47 | |
Joe and Katya. You want to do it
again? They were so cute together. | 0:24:52 | 0:25:08 | |
You have really found your dancing
feet. Was a smile on your face, | 0:25:08 | 0:25:14 | |
Cray? A smile on more than my face,
darling, actually! I loved it, | 0:25:14 | 0:25:20 | |
thought it was absolutely brilliant,
really did. I loved the Ragtime | 0:25:20 | 0:25:26 | |
passing thing, the little head
wobble you are doing, all the little | 0:25:26 | 0:25:31 | |
additions, the coordination,
darling, although is very difficult | 0:25:31 | 0:25:34 | |
positions bust up I thought it was
fantastic. The only thing I would | 0:25:34 | 0:25:38 | |
say is... Oh, come on! Your left hip
didn't swivel as much as you're | 0:25:38 | 0:25:45 | |
right. But that was great.
APPLAUSE | 0:25:45 | 0:25:52 | |
Darcey... You gave us the charm of
the silent movies, never cheesy. The | 0:25:52 | 0:25:59 | |
timing was immaculate. Again, as you
said, surprising details. Ahead. | 0:25:59 | 0:26:05 | |
Wonderful swivel, really clean. I
loved it when you turn out that the | 0:26:05 | 0:26:08 | |
charleston Basic as well, very
impressive. That was a great | 0:26:08 | 0:26:11 | |
charleston. Those acting skills come
in handy. Shirley... Could it be | 0:26:11 | 0:26:24 | |
dark horse Joe? You have done
amazing today. Bruder's face... It | 0:26:24 | 0:26:39 | |
was effortless, the lifts were
synchronised. You timed it well, | 0:26:39 | 0:26:43 | |
took a rock, brought her down. It
was exquisite, you did your swivels. | 0:26:43 | 0:26:47 | |
I didn't see you not doing it on the
left. -- took her up. What I like, | 0:26:47 | 0:27:02 | |
it had a charm, a festive feel,
almost like the Nutcracker. And then | 0:27:02 | 0:27:05 | |
it was this element of fun and games
and child's play, not over the top | 0:27:05 | 0:27:13 | |
slapstick. It was well judged, as a
child would put it together. The | 0:27:13 | 0:27:18 | |
choreography was incredibly
demanding. It really was. Keeping in | 0:27:18 | 0:27:25 | |
sync and doing things in opposition
is so difficult. Great job! Yes! | 0:27:25 | 0:27:30 | |
Great comments. Well done, our toy
soldiers. | 0:27:30 | 0:27:42 | |
Well done. You love it when you have
to take on a real character, and | 0:27:42 | 0:27:47 | |
last week you said, I will show were
totally different side. Hopefully I | 0:27:47 | 0:27:51 | |
did. We have to thank Jenny who
helped us put it together. We also | 0:27:51 | 0:27:59 | |
have to say hello to your nephews,
who might be the cutest people. | 0:27:59 | 0:28:06 | |
Fellow! They might be asleep, but
anyway... Well done. | 0:28:06 | 0:28:16 | |
The judges have their scores. | 0:28:16 | 0:28:17 | |
Craig Revel Horwood. | 0:28:17 | 0:28:18 | |
Darcey Bussell. | 0:28:18 | 0:28:19 | |
Shirley Ballas. | 0:28:19 | 0:28:20 | |
Bruno Tonioli. | 0:28:20 | 0:28:30 | |
That is your highest score, your
first nine. You have broken the | 0:28:32 | 0:28:36 | |
curse. It used to go... I didn't
want to mention it. | 0:28:36 | 0:28:42 | |
If you thought Joe
and Katya's Charleston | 0:28:42 | 0:28:43 | |
was fantastic, please make sure
that they get your vote. | 0:28:43 | 0:28:46 | |
All the details are on your screen
and voting will open | 0:28:46 | 0:28:48 | |
towards the end of the show. | 0:28:48 | 0:28:50 | |
Still to come, Debbie
and Giovanni perform a tango. | 0:28:50 | 0:28:52 | |
And Ruth and Anton
dance the paso doble | 0:28:52 | 0:28:54 | |
on a spiral staircase. | 0:28:54 | 0:28:55 | |
Tess. | 0:28:55 | 0:28:58 | |
Next in the ballroom
is Gemma Atkinson and her | 0:28:58 | 0:29:00 | |
partner Aljaz Skorjanec. | 0:29:00 | 0:29:01 | |
APPLAUSE. | 0:29:01 | 0:29:04 | |
Last week, Gemma took
on the jive as Buffy. | 0:29:04 | 0:29:07 | |
She slayed her vampire
and nailed the dance. | 0:29:07 | 0:29:10 | |
Now all she's got to do tonight,
is deliver a killer salsa. | 0:29:10 | 0:29:18 | |
How did it go last weekend? OK, it
could have gone better. I forgot the | 0:29:18 | 0:29:23 | |
beginning. Got on the wrong foot. It
was nothing. You did a good job. We | 0:29:23 | 0:29:34 | |
got a good score. I want to come
back fighting. I do not want to go | 0:29:34 | 0:29:38 | |
this far and have it taken away.
This week, Gemma will dance a salsa. | 0:29:38 | 0:29:47 | |
In walks me and we dance salsa. What
else do you do when you meet a guy | 0:29:47 | 0:29:52 | |
in a bar? Did somebody say bar? That
is where Gemma has taken Aljaz for | 0:29:52 | 0:29:59 | |
inspiration. I have a grass skirt,
bracelets, headband. What are you | 0:29:59 | 0:30:04 | |
having? This is a lovely clear
juice. I am trying my best to put | 0:30:04 | 0:30:15 | |
together a refreshing juice for
Gemma. It is disgusting. Leave that | 0:30:15 | 0:30:21 | |
to the bartender and focus on
dancing. The surprise this afternoon | 0:30:21 | 0:30:25 | |
was the lovely hula dancers. Really
good. I picked up some tips. We wish | 0:30:25 | 0:30:35 | |
her all the luck on Saturday night.
I hope it is better than Aljaz's | 0:30:35 | 0:30:42 | |
drink making skills. | 0:30:42 | 0:30:43 | |
Dancing the salsa,
Gemma Atkinson and | 0:30:43 | 0:30:44 | |
Aljaz Skorjanec. | 0:30:44 | 0:30:49 | |
MUSIC: Sun Comes Up. | 0:30:49 | 0:30:59 | |
CHEERING AND APPLAUSE. | 0:32:15 | 0:32:25 | |
Oh, yes. Well done. That is a party
I want to go to. Brilliant. What | 0:32:28 | 0:32:40 | |
about you, Darcey? Definitely hot
and saucy. When you got into the | 0:32:40 | 0:32:45 | |
split, very impressive. It is when
you get into the first lift, it | 0:32:45 | 0:32:51 | |
started to look laboured. I think
you got nervous when the lifts | 0:32:51 | 0:32:55 | |
happened. A little tip. When you go
into a lift you have to keep your | 0:32:55 | 0:33:05 | |
body taut because if you sink into a
lift, the man has nothing to push | 0:33:05 | 0:33:10 | |
from. It is difficult, especially at
speed. It is about a clean dismount, | 0:33:10 | 0:33:17 | |
so he has something to resist, as
well. Take that with you because it | 0:33:17 | 0:33:22 | |
is about detail now and we are
halfway through the competition and | 0:33:22 | 0:33:25 | |
we can see what you are capable of.
You are strong and I know you can | 0:33:25 | 0:33:30 | |
produce the goods. Surely. I agree
with Darcey when it comes to lifts. | 0:33:30 | 0:33:39 | |
You have to have the core and great
timing. But it is beautiful to see | 0:33:39 | 0:33:46 | |
somebody rotate their feet in the
direction they are moving and you | 0:33:46 | 0:33:52 | |
did that exquisitely. Lovely
rotation around your centre and | 0:33:52 | 0:33:56 | |
great coordination with the other
half of the body. | 0:33:56 | 0:33:58 | |
APPLAUSE
Love that! Bruno? Oh, darling, | 0:33:58 | 0:34:07 | |
always tasty with the right amount
of spice. You really are a good | 0:34:07 | 0:34:15 | |
dancer, you can do everything, but
at times, do not think, let yourself | 0:34:15 | 0:34:21 | |
go. Especially with the salsa. You
cannot be timid. The body moves all | 0:34:21 | 0:34:27 | |
of the time. All it is, it is
continuous. Do not overthink. When | 0:34:27 | 0:34:34 | |
you approach the lift, I can see,
oh, I am going to do a lift. I can | 0:34:34 | 0:34:41 | |
see it. And then, I am coming down.
You understand what I mean? You are | 0:34:41 | 0:34:46 | |
very good, but these thoughts cannot
be seen in the performance. Yes? | 0:34:46 | 0:34:52 | |
Well done. Craig. The lifts looked a
little bit heavy. You were not | 0:34:52 | 0:35:02 | |
exactly light coming out of them and
there was no real figure of eight | 0:35:02 | 0:35:09 | |
rotation on your hips. You got good
side to side but you need the | 0:35:09 | 0:35:13 | |
rotation and I agree with Bruno
about the continuity. The seamless | 0:35:13 | 0:35:20 | |
nature of this dance. We did not
quite get that but I loved the | 0:35:20 | 0:35:24 | |
routine. I loved what you were going
for. Thank you very much. We laughed | 0:35:24 | 0:35:33 | |
the lifts. You are daring. Very
brave attempting them. -- we laughed | 0:35:33 | 0:35:39 | |
the | 0:35:39 | 0:35:39 | |
-- loved. | 0:35:44 | 0:35:45 | |
Gemma and Aljaz. | 0:35:45 | 0:35:48 | |
CHEERING
Well done. I think you said it was | 0:35:48 | 0:35:58 | |
like being on a roller-coaster. A
huge lift. Three. But we did not | 0:35:58 | 0:36:07 | |
fall, he did not drop me. It was a
lovely salsa. It felt like. It was a | 0:36:07 | 0:36:15 | |
lovely salsa. | 0:36:15 | 0:36:15 | |
The scores are in. | 0:36:15 | 0:36:16 | |
Craig Revel Horwood. | 0:36:16 | 0:36:19 | |
Darcey Bussell. | 0:36:19 | 0:36:23 | |
Shirley Ballas. | 0:36:23 | 0:36:26 | |
Bruno Tonioli. | 0:36:26 | 0:36:35 | |
26, are you happy? Yes. When the
five came out, everybody went, what? | 0:36:35 | 0:36:42 | |
If you adored Gemma and Aljaz's
salsa and want to see | 0:36:42 | 0:36:45 | |
them back again next
week, please vote. | 0:36:45 | 0:36:48 | |
All the details you need
are on screen now and voting | 0:36:48 | 0:36:50 | |
will open once all of our
couples have performed. | 0:36:50 | 0:36:53 | |
There's still all of this to come... | 0:36:53 | 0:37:00 | |
This week we have a salsa and it's a
little bit more free and you can | 0:37:00 | 0:37:07 | |
have fun with it. We just had one of
those. We are doing the Viennese | 0:37:07 | 0:37:15 | |
waltz and we are back in hold and I
love being in holes. I am aware I am | 0:37:15 | 0:37:21 | |
a clean and tidy dancer. I am happy,
we are in a good place. I am a | 0:37:21 | 0:37:33 | |
fierce woman. My husband would say I
can be quite fierce. | 0:37:33 | 0:37:36 | |
I'm looking forward to that. | 0:37:36 | 0:37:38 | |
What are you doing, Claudia? | 0:37:38 | 0:37:41 | |
I've just borrowed the piano
from Alexandra's routine. | 0:37:41 | 0:37:43 | |
I didn't know you played the piano. | 0:37:43 | 0:37:45 | |
I can give you a little Bach. | 0:37:45 | 0:37:47 | |
DOG BARKS. | 0:37:47 | 0:37:50 | |
LAUGHTER. | 0:37:50 | 0:37:54 | |
Next in the ballroom
is Aston Merrygold and his | 0:37:54 | 0:37:56 | |
partner Janette Manrara. | 0:37:56 | 0:37:57 | |
APPLAUSE. | 0:37:57 | 0:38:04 | |
Last week's powerful paso
bagged Aston two tens. | 0:38:04 | 0:38:07 | |
Tonight he's doing a Viennese waltz
to a song by Michael Jackson. | 0:38:07 | 0:38:10 | |
As a big fan, he wants to take last
week's score of 38 and "Beat It". | 0:38:10 | 0:38:14 | |
APPLAUSE | 0:38:14 | 0:38:18 | |
How did it go? I loved it. The most
fun I have had on the Strictly | 0:38:18 | 0:38:25 | |
journey. Stunning. In the routine
Ginette made me do a solo. You owned | 0:38:25 | 0:38:34 | |
the dance. Think how high you
jumped. I was in the air. My | 0:38:34 | 0:38:39 | |
favourite week so far. I was just
over the moon. This week it is a | 0:38:39 | 0:38:46 | |
Viennese waltz. To Jackson 5.
Probably one of my favourite songs. | 0:38:46 | 0:38:54 | |
I heard you were once Michael
Jackson as a kid. I did a show | 0:38:54 | 0:38:59 | |
called Stars In Their Eyes. .
Tonight, Matthew, I am going to be | 0:38:59 | 0:39:07 | |
Michael Jackson. You are so cute. I
have not aged much. About the same | 0:39:07 | 0:39:13 | |
height, so that is fine. I am a
massive Michael Jackson fan. I like | 0:39:13 | 0:39:19 | |
the outfit, we can bring back the
red trousers. As long as they are | 0:39:19 | 0:39:24 | |
not those, because they are very
small. He was amazing, singing and | 0:39:24 | 0:39:30 | |
dancing. Awesome. I know if you
channel your hero, you will be | 0:39:30 | 0:39:35 | |
amazing on the night. | 0:39:35 | 0:39:39 | |
Dancing the Viennese waltz,
Aston Merrygold and | 0:39:39 | 0:39:41 | |
Janette Manrara. | 0:39:41 | 0:39:49 | |
MUSIC: Who's Loving Who. | 0:39:53 | 0:39:59 | |
CHEERING AND APPLAUSE. | 0:41:29 | 0:41:39 | |
Lovely! It was dreamy. | 0:41:44 | 0:41:51 | |
I love how you put a little Aston
twist on every dance. | 0:41:51 | 0:41:56 | |
And I love that Afro. | 0:41:56 | 0:41:59 | |
Second on the leaderboard last week. | 0:41:59 | 0:42:04 | |
You always bring your unique style,
from the paso doble last week, to | 0:42:04 | 0:42:10 | |
certain elements of this dance this
evening. I thought you had a good | 0:42:10 | 0:42:15 | |
attempt at a fleckerl, reasonably
good footwork and your pivot foot | 0:42:15 | 0:42:19 | |
work was good on your heels. I would
like you to feel you are absorbing | 0:42:19 | 0:42:24 | |
through the knees. It was poppy and
bouncing in areas. Not your best for | 0:42:24 | 0:42:31 | |
me. You did pretty good. I liked
certain elements but generally the | 0:42:31 | 0:42:39 | |
Viennese waltz should be flattered.
But a good try. Good try. The | 0:42:39 | 0:42:44 | |
audience enjoyed it. The Viennese
waltz, it lost its way into 1974. He | 0:42:44 | 0:42:55 | |
has not quite found the way to
Vienna. As much as I liked the | 0:42:55 | 0:43:00 | |
concept. I like different things
that the Viennese waltz, imagine | 0:43:00 | 0:43:05 | |
swans gliding on a lake. There are
no sharp edges and nothing that | 0:43:05 | 0:43:12 | |
Paul's and throws. It is flawless
and weightless and I think by | 0:43:12 | 0:43:18 | |
putting this character across, the
dance lost the style. Not that you | 0:43:18 | 0:43:23 | |
are not a good dancer but somehow it
did not gel. Sometimes it works when | 0:43:23 | 0:43:29 | |
we take risks that this time it did
not quite gel. A brave attempt. | 0:43:29 | 0:43:38 | |
Maybe it is their hair. The hair is
everything. Craig. It had too much | 0:43:38 | 0:43:44 | |
attack and lacked grace and any form
of elegance. Your posture was a | 0:43:44 | 0:43:48 | |
little bit poor. Your feet closing
and your bottom sticking out. There | 0:43:48 | 0:43:57 | |
was an enormous amount of rise and
fall. You can have a slight amount. | 0:43:57 | 0:44:02 | |
You should try to dance this on an
even keel, as we have all said. Some | 0:44:02 | 0:44:08 | |
things do not always work out.
Darcey. We have high expectations. | 0:44:08 | 0:44:17 | |
We see what you can produce and you
are an incredibly confident | 0:44:17 | 0:44:21 | |
performer. It is natural for you,
especially out of hold, you come | 0:44:21 | 0:44:27 | |
alive. But when you are in hold, the
energy dies and I see you switch | 0:44:27 | 0:44:32 | |
off. There is concentration, a lot
of rotation, it is difficult, but I | 0:44:32 | 0:44:37 | |
want to see the energy in the top
line. To still enjoy it when you are | 0:44:37 | 0:44:43 | |
in hold. Keep that going, because
these ballrooms are just as | 0:44:43 | 0:44:48 | |
important as Latin. Thank you. We
all loved it. Well done, darling. | 0:44:48 | 0:44:57 | |
Aston and Janette. | 0:44:57 | 0:45:01 | |
Aston, I'm so sorry. Don't be sorry.
Did you agree with the comments? You | 0:45:13 | 0:45:19 | |
loved the waltz, made you quite
tearful, and this one, you didn't | 0:45:19 | 0:45:24 | |
like as much? I thought the song was
amazing and I got excited. The | 0:45:24 | 0:45:30 | |
routine was great. We had fun, which
I think is the main thing. The | 0:45:30 | 0:45:37 | |
audience loved it. Your dad and your
grandma, Charlie and Mavis, are here | 0:45:37 | 0:45:41 | |
for the first time. So, very well
done. | 0:45:41 | 0:45:48 | |
The scores are in. | 0:45:48 | 0:45:49 | |
The judges have their scores. | 0:45:49 | 0:45:51 | |
Craig Revel Horwood. | 0:45:51 | 0:45:52 | |
Darcey Bussell. | 0:45:52 | 0:45:55 | |
Shirley Ballas. | 0:45:55 | 0:46:01 | |
Bruno Tonioli. | 0:46:01 | 0:46:11 | |
You've never had a four. Janette,
would you like to reply? It's better | 0:46:12 | 0:46:17 | |
than a three! You didn't do it
badly. We adored it. I'm happy, and | 0:46:17 | 0:46:28 | |
that's what's important. We had fun
out there. | 0:46:28 | 0:46:32 | |
If you thought Aston
and Janette's Viennese waltz | 0:46:32 | 0:46:34 | |
was a highlight and you'd
like to see them back gain next | 0:46:34 | 0:46:37 | |
week, all the details you need
are on your screen now. | 0:46:37 | 0:46:39 | |
The vote will open at
the end of the show. | 0:46:39 | 0:46:47 | |
They are all in shock behind be.
Aston got a four? | 0:46:47 | 0:46:51 | |
We're halfway through,
let's see how the leaderboard looks. | 0:46:51 | 0:46:57 | |
We have five couples left to dance. | 0:47:00 | 0:47:02 | |
Tess. | 0:47:02 | 0:47:07 | |
And, our next couple
is Ruth Langsford and her | 0:47:07 | 0:47:09 | |
partner Anton du Beke. | 0:47:09 | 0:47:10 | |
APPLAUSE | 0:47:10 | 0:47:12 | |
They're doing the paso doble. | 0:47:12 | 0:47:14 | |
In this routine, Ruth
will be a Spanish senorita | 0:47:14 | 0:47:17 | |
from Seville and Anton will be
the manly, macho matador. | 0:47:17 | 0:47:19 | |
That's if Ruth allows it. | 0:47:19 | 0:47:21 | |
You were amazing on Saturday night.
I think you get slightly better | 0:47:29 | 0:47:33 | |
every week. Thank you. I'm over the
terror and now I'm enjoying the | 0:47:33 | 0:47:37 | |
dance. You have gained such
confidence. You made little mistakes | 0:47:37 | 0:47:43 | |
but you carried on. Is a rare chance
we can -- is a chance we can enjoy | 0:47:43 | 0:47:51 | |
it and it go well? Don't hold your
breath! This week, the paso doble. | 0:47:51 | 0:47:59 | |
It is fiery and fast, but I have to
bring the performance, stop being | 0:47:59 | 0:48:04 | |
self-conscious, and the count and
the rhythm of the dance changes and | 0:48:04 | 0:48:08 | |
I have to remember where. Five,
six... The easiest way for success | 0:48:08 | 0:48:13 | |
in the dance is to count out loud.
Two, three... Oh, four. When you | 0:48:13 | 0:48:21 | |
can't remember the steps, it makes
you panic. Then you can't remember | 0:48:21 | 0:48:25 | |
the steps even more, like a vicious
circle. You need to not be surprised | 0:48:25 | 0:48:30 | |
by what comes next. It's ridiculous,
isn't it? Just frustration and | 0:48:30 | 0:48:36 | |
embarrassment. I love the paso
doble, but I find it hard and I'm | 0:48:36 | 0:48:42 | |
working hard. Three and four... I
hope, on Saturday, I can bring it to | 0:48:42 | 0:48:47 | |
the floor. | 0:48:47 | 0:48:48 | |
Dancing the paso doble,
Ruth Langsford and | 0:48:51 | 0:48:52 | |
Anton du Beke. | 0:48:52 | 0:48:54 | |
APPLAUSE | 0:48:54 | 0:48:57 | |
MUSIC:
The Shady Dame From Seville. | 0:48:57 | 0:49:01 | |
APPLAUSE | 0:50:32 | 0:50:42 | |
!. Come on, we are live. | 0:51:04 | 0:51:10 | |
Your husband's face was a picture.
That was fabulous. Sorry about that. | 0:51:21 | 0:51:30 | |
The ending wasn't planned. | 0:51:30 | 0:51:31 | |
From tears in training | 0:51:31 | 0:51:32 | |
to laughter on the dance floor. | 0:51:32 | 0:51:39 | |
What did you think of this
senorita's paso technique, Bruno? | 0:51:39 | 0:51:47 | |
Skip it! There is one thing, Anton,
she will never pass for a bull. And | 0:51:47 | 0:51:54 | |
you look like Manuel from Fawlty
Towers. Murder on the dance floor - | 0:51:54 | 0:52:08 | |
what more do you want?
APPLAUSE | 0:52:08 | 0:52:12 | |
Cray? -- Craig? This is from a film,
this choreography, which was | 0:52:12 | 0:52:27 | |
essentially a drag act, which is
essentially what we got to know. It | 0:52:27 | 0:52:31 | |
is entertainment versus technique. I
think you are being really smart, | 0:52:31 | 0:52:35 | |
Anton, by choosing the entertainment
group, because at least the people | 0:52:35 | 0:52:38 | |
at home will vote for it, but I
can't possibly. Booing I can't tell | 0:52:38 | 0:52:49 | |
you how hurt I am, and can I say,
surprised. Ruth, if you could hold | 0:52:49 | 0:52:59 | |
onto a narrative like that all the
way through a dance, I want to watch | 0:52:59 | 0:53:03 | |
it every time. You came alive. The
looks you gave Anton, it was just | 0:53:03 | 0:53:10 | |
divine. It was like, come over here!
Put him in his place, I love that. | 0:53:10 | 0:53:16 | |
When it came together was those
wonderful cakes as you came round. | 0:53:16 | 0:53:23 | |
You controlled those. -- kicks.
Don't give up on the content or the | 0:53:23 | 0:53:31 | |
technique, you are going somewhere. | 0:53:31 | 0:53:42 | |
Bays-mac... You represent absolute
joy, so I'm sure there's not a | 0:53:43 | 0:53:57 | |
household in England that didn't
enjoy that. -- Shirley. You had some | 0:53:57 | 0:54:07 | |
great promenade positions in there.
You had syncopated separation, the | 0:54:07 | 0:54:13 | |
start of the grand step, some basic
steps in there. We had them all. | 0:54:13 | 0:54:20 | |
That was a very interesting paso
doble. They enjoyed it. Thank you. | 0:54:20 | 0:54:29 | |
Such a charmer. And you always give
us fantastic entertainment. Off you | 0:54:29 | 0:54:33 | |
go, darling. | 0:54:33 | 0:54:36 | |
Ruth and Anton! | 0:54:36 | 0:54:46 | |
I think that might be the best thing
I've ever seen. Did I trip you? No. | 0:54:51 | 0:54:59 | |
I will discuss it with you later. It
was so fun. Can we stop saying fun | 0:54:59 | 0:55:07 | |
and start saying marvellous art? It
was absolutely phenomenal. | 0:55:07 | 0:55:11 | |
The scores are in. | 0:55:11 | 0:55:13 | |
The judges have their scores. | 0:55:13 | 0:55:14 | |
Craig Revel Horwood. | 0:55:14 | 0:55:15 | |
Darcey Bussell. | 0:55:15 | 0:55:16 | |
Shirley Ballas. | 0:55:16 | 0:55:17 | |
Bruno Tonioli. | 0:55:17 | 0:55:27 | |
Same as last week. We did a sensible
dance last week and got 22. That was | 0:55:30 | 0:55:35 | |
fantastic. If that was 22, we've run
the mark. | 0:55:35 | 0:55:42 | |
If you think that Ruth
and Anton deserve to remain | 0:55:42 | 0:55:45 | |
in the competition, please make sure
that you give them your vote. | 0:55:45 | 0:55:48 | |
All the details are
up on your screen. | 0:55:48 | 0:55:50 | |
You will be able
to show your support when the vote | 0:55:50 | 0:55:53 | |
opens after all our
couples have danced. | 0:55:53 | 0:55:56 | |
This is how we will end this.
Everyone lie down! Dancing next is | 0:55:56 | 0:56:07 | |
Debbie McGee, and her partner
Giovanni Panisse. | 0:56:07 | 0:56:15 | |
Last week, Debbie celebrated her
first 10s from the judges, this week | 0:56:15 | 0:56:18 | |
she celebrated her birthday. | 0:56:18 | 0:56:19 | |
Giovanni got her an amazing present
but some more 10s would be | 0:56:19 | 0:56:22 | |
the icing on the cake. | 0:56:22 | 0:56:28 | |
I loved doing the charleston with
you, I do like I was living the | 0:56:28 | 0:56:31 | |
dream. I will give you my queen of
Latin crown. You deserve it. A nine | 0:56:31 | 0:56:41 | |
and three tens, I am going to go for
40. And see if we can try and get | 0:56:41 | 0:56:49 | |
it. In the week they are tackling
the tango, it's deadly's birthday. | 0:56:49 | 0:56:59 | |
Happy birthday! Giovanni has a
surprise in store. Here we are! My | 0:56:59 | 0:57:03 | |
goodness! We are going to go to
London. In a helicopter? Yes. Sorry | 0:57:03 | 0:57:15 | |
about him, but he is with me. It
amazed me, the detail you could see | 0:57:15 | 0:57:23 | |
from a helicopter. We followed the
river, you could see the Houses of | 0:57:23 | 0:57:27 | |
Parliament. Wow! Look at that over
there. That's Buckingham Palace. | 0:57:27 | 0:57:34 | |
Your Majesty! I will never forget
this birthday. It has just been | 0:57:34 | 0:57:41 | |
incredible. Hopefully, our tango
will take off and we'll be propelled | 0:57:41 | 0:57:45 | |
into next week. | 0:57:45 | 0:57:47 | |
Dancing the tango, Debbie McGee and
Giovanni Pernice. | 0:57:49 | 0:57:52 | |
APPLAUSE | 0:57:53 | 0:57:56 | |
MUSIC: I Gotta Feeling. | 0:57:56 | 0:57:59 | |
CHEERING AND APPLAUSE. | 0:59:25 | 0:59:35 | |
Debbie and Giovanni. Happy birthday.
Superb. Just brilliant. | 0:59:40 | 0:59:45 | |
Top of the leaderboard
for the last two weeks. | 0:59:45 | 0:59:48 | |
How did Debbie tonight, Craig? | 0:59:48 | 0:59:55 | |
Oh, what? This is a first. I have
never seen... | 0:59:55 | 1:00:08 | |
Oh! | 1:00:08 | 1:00:13 | |
My goodness. Amazing, amazing. That
is... We are speechless, literally. | 1:00:13 | 1:00:27 | |
Darcey. That was strange. Honestly.
Literally cannot believe it. OK, | 1:00:27 | 1:00:44 | |
straight point, you gave meeting
goals down my back. That was | 1:00:44 | 1:00:47 | |
extraordinary. -- you gave me
tingles. I do not think I have ever | 1:00:47 | 1:00:58 | |
seen a tango like that from a
celebrity. Amazing. It is getting | 1:00:58 | 1:01:03 | |
better. Surely. Debbie McGee, that
was a beautiful international tango. | 1:01:03 | 1:01:13 | |
You had fast feet. You had no rise
and fall. For me, it was | 1:01:13 | 1:01:20 | |
outstanding. Every week, you are
flying high and that was | 1:01:20 | 1:01:26 | |
unbelievable. Congratulations, that
is one of the most difficult dances | 1:01:26 | 1:01:31 | |
and you executed it with first
class. Bruno. My darling, it was | 1:01:31 | 1:01:37 | |
like watching a tango masterclass.
Flawless. Voila. I think they liked | 1:01:37 | 1:01:48 | |
it. Incredible. Well done, Debbie.
Phenomenal. Happy birthday! | 1:01:48 | 1:01:54 | |
Debbie and Giovanni! | 1:01:54 | 1:01:56 | |
Superb. | 1:01:56 | 1:02:03 | |
CHEERING
Well done. Well, well done. That has | 1:02:07 | 1:02:17 | |
never happened. Craig getting up and
doing that. You had a wonderful | 1:02:17 | 1:02:21 | |
week. Yesterday you found out Ed
Sheeran is a massive fan. I cannot | 1:02:21 | 1:02:25 | |
speak. | 1:02:25 | 1:02:27 | |
The scores are in. | 1:02:27 | 1:02:28 | |
The judges have their scores. | 1:02:28 | 1:02:29 | |
Craig Revel Horwood. | 1:02:29 | 1:02:37 | |
CHEERING | 1:02:37 | 1:02:37 | |
Darcey Bussell. | 1:02:37 | 1:02:40 | |
Shirley Ballas. | 1:02:40 | 1:02:42 | |
Bruno Tonioli. | 1:02:42 | 1:02:52 | |
Debbie! Debbie! Thank you. He is
tearful. Perfect score has never | 1:03:00 | 1:03:10 | |
happened so early in the series.
Well done. If there tango was the | 1:03:10 | 1:03:20 | |
one for you, then please vote. | 1:03:20 | 1:03:24 | |
All the details you need
are on the screen now so you can get | 1:03:24 | 1:03:27 | |
behind them when the
vote opens later. | 1:03:27 | 1:03:29 | |
Plus, if you want to know more
about our celebrities, | 1:03:29 | 1:03:31 | |
listen to the brand new Strictly
podcast or head to the website | 1:03:31 | 1:03:34 | |
bbc.co.uk/strictly. | 1:03:34 | 1:03:35 | |
This week, Gemma shows us
how to make a pancake | 1:03:35 | 1:03:38 | |
and Davood shows off his rare
snow-globe collection. | 1:03:38 | 1:03:44 | |
Are you all right? I am looking
forward to Davood's snow globe. Make | 1:03:44 | 1:03:49 | |
of that what you will. | 1:03:49 | 1:03:52 | |
Dancing next for your votes
is Jonnie Peacock and his | 1:03:52 | 1:03:54 | |
partner, Oti Mabuse. | 1:03:54 | 1:03:55 | |
APPLAUSE | 1:03:55 | 1:04:01 | |
Jonnie and Oti were criticized
for their cha cha last week | 1:04:01 | 1:04:04 | |
but tonight they've got a chance
to salsa their way back | 1:04:04 | 1:04:07 | |
in the judges' good books. | 1:04:07 | 1:04:13 | |
I loved Halloween and dressing up as
a pirate but it did not go as well | 1:04:13 | 1:04:18 | |
as it should have. It went wrong
from the get go. There was no | 1:04:18 | 1:04:22 | |
rotation and it lacked body action.
I was nervous at the Results Show. | 1:04:22 | 1:04:27 | |
We were in the danger zone. But we
picked ourselves up and we go again. | 1:04:27 | 1:04:37 | |
This week we will be dancing the
salsa. Shimmy! The salsa is about | 1:04:37 | 1:04:42 | |
the party and feeling fun. I love
with the salsa you get to lift | 1:04:42 | 1:04:49 | |
again. I like to come up with new
lifts, dangerous lifts. It will be a | 1:04:49 | 1:04:53 | |
challenge. Are you OK? It is scary
when you do a lift for the first | 1:04:53 | 1:05:02 | |
time. It can go wrong easily. Pretty
much her safety in my hands. The | 1:05:02 | 1:05:10 | |
lifts are cool. They are quite
dangerous. She has put a lot of | 1:05:10 | 1:05:15 | |
trust in me. I have to try my best
to learn the technique and make sure | 1:05:15 | 1:05:20 | |
I do it right. We just did a run
through in the studio for the first | 1:05:20 | 1:05:24 | |
time and I think it went OK. The
salsa is having fun and having a | 1:05:24 | 1:05:29 | |
good time and if we can show that
and nail the lifts, the dance should | 1:05:29 | 1:05:32 | |
be great. | 1:05:32 | 1:05:35 | |
Dancing the salsa,
Jonnie Peacock and Oti Mabuse. | 1:05:35 | 1:05:39 | |
MUSIC: Turn Me On | 1:05:39 | 1:05:49 | |
CHEERING AND APPLAUSE | 1:07:09 | 1:07:19 | |
Jonnie and Oti. My mum is watching.
Cover it up. So much trust in this | 1:07:26 | 1:07:36 | |
relationship and you can see the
trust in the partnership. The lifts. | 1:07:36 | 1:07:43 | |
A hot series of lifts. The arms. How
you handled Oti throwing herself at | 1:07:43 | 1:07:49 | |
you and on the turns how you managed
those. You lack a lot of hip | 1:07:49 | 1:07:55 | |
rotation but you make up with it
with the upper body, the EE is, you | 1:07:55 | 1:08:01 | |
were comfortable. You have no fear
and it is a fabulous attitude, keep | 1:08:01 | 1:08:06 | |
that up -- ease. Surely. I'm sorry,
Bruno. I am on. You always deliver. | 1:08:06 | 1:08:25 | |
Your strength. The fearless attack
on the lifts. She was in a spin | 1:08:25 | 1:08:30 | |
dryer, so much in the air and
turning but you always manage to | 1:08:30 | 1:08:35 | |
catch her. You did not drop her, I
thought you were going to. And you | 1:08:35 | 1:08:41 | |
had a nice move on the upper half.
It must translate down. The salsa is | 1:08:41 | 1:08:46 | |
on the hip. You kept it going up
here while it should be a little | 1:08:46 | 1:08:50 | |
bit... I need lessons from you.
Surely. I was right, it was you. | 1:08:50 | 1:09:04 | |
Week number seven and what is with?
It is not necessarily always the | 1:09:04 | 1:09:08 | |
lower half of the body but you can
have a natural pulse with the upper | 1:09:08 | 1:09:14 | |
body and that is what you have. You
did a double under arm turn and you | 1:09:14 | 1:09:19 | |
kept the pulse. You are finding
rhythms that suit Jonnie Peacock. | 1:09:19 | 1:09:24 | |
Thank you. Craig. I would like to
see more salsa but the beauty is you | 1:09:24 | 1:09:35 | |
showed Oti, which is amazing, you
presented her well. The lifts were | 1:09:35 | 1:09:40 | |
spectacular. A little bit more
rotation, but I loved it. Not bad | 1:09:40 | 1:09:49 | |
from them. Well done, Jonnie. Well
done. Jonnie, well done, darling. | 1:09:49 | 1:10:06 | |
Last week... They are animals! You
did not like the cha-cha last week. | 1:10:06 | 1:10:11 | |
You did not like it as much but out
there, you looked joyful and in | 1:10:11 | 1:10:16 | |
rehearsals and when I see you on It
Takes Two. You have to go out and | 1:10:16 | 1:10:21 | |
have fun which is what I tried to
do. Maybe I do not have the hips | 1:10:21 | 1:10:25 | |
just yet but you have to try to have
fun. | 1:10:25 | 1:10:28 | |
Scores are in. | 1:10:28 | 1:10:30 | |
The judges have their scores. | 1:10:30 | 1:10:31 | |
Craig Revel Horwood... | 1:10:31 | 1:10:32 | |
Darcey Bussell... | 1:10:32 | 1:10:36 | |
Shirley Ballas... | 1:10:36 | 1:10:39 | |
Bruno Tonioli... | 1:10:39 | 1:10:49 | |
We will take that. You are so happy.
I was so stressed. | 1:10:49 | 1:10:55 | |
If you enjoyed Jonnie and Oti's
salsa and want to vote | 1:10:55 | 1:10:58 | |
for them, all the details
are on your screen now | 1:10:58 | 1:11:00 | |
and voting will open once
all of our couples have performed. | 1:11:00 | 1:11:09 | |
Still to come, Davood and Nadiya
performed the American Smooth. We | 1:11:09 | 1:11:14 | |
have Claudia Fragapane and Kimberly
McDonald. | 1:11:14 | 1:11:19 | |
Up next is Susan Calman
and her partner, Kevin Clifton. | 1:11:19 | 1:11:24 | |
Tonight they're doing a jive
to a Shakin' Stevens classic, | 1:11:24 | 1:11:27 | |
and I'm sure they're going to bring
This Ole House down. | 1:11:27 | 1:11:30 | |
Game Of Thrones inspired Halloween
week was brilliant. It really was. | 1:11:37 | 1:11:45 | |
Four people in the room were less
pleased. It may have lacked | 1:11:45 | 1:11:49 | |
everything foxtrot is about. We will
pick ourselves up and come back | 1:11:49 | 1:11:54 | |
fighting. Comeback jiving. We will
not give up. We never give up. This | 1:11:54 | 1:12:00 | |
week we are dancing the jive. It
looks like a lot of fun. During | 1:12:00 | 1:12:05 | |
training, Susan got a visit from her
number one supporter, her wife. We | 1:12:05 | 1:12:10 | |
are doing the jive today. We have
put a lot in. I can see you are | 1:12:10 | 1:12:17 | |
working hard. Would you like to see
the jive? I would love to see it. | 1:12:17 | 1:12:24 | |
Seeing Susan dances two words, utter
joy. Well done, I loved it. It was | 1:12:24 | 1:12:30 | |
nice for her to pop by and see what
we get up to in the training room. | 1:12:30 | 1:12:34 | |
Would you like to learn from Kevin
Clifton? I would love to. I think | 1:12:34 | 1:12:39 | |
she enjoyed the jive. She had a go
and realises how tiring it is. Good | 1:12:39 | 1:12:46 | |
luck for Saturday. You will get
better and better. You are amazing. | 1:12:46 | 1:12:52 | |
It has been lovely to have my wife
in the training room and hopefully I | 1:12:52 | 1:12:55 | |
will take all of the support into
our jive. | 1:12:55 | 1:13:00 | |
Dancing the jive,
Susan Calman and her | 1:13:00 | 1:13:01 | |
partner, Kevin Clifton. | 1:13:01 | 1:13:02 | |
MUSIC: This Ole House | 1:13:02 | 1:13:05 | |
APPLAUSE | 1:14:38 | 1:14:47 | |
You were Jiving your | 1:14:52 | 1:14:53 | |
little heart out. | 1:14:53 | 1:14:54 | |
Was that as exhausting as it looked? | 1:14:54 | 1:15:02 | |
You gave some good face. Shirley,
you always love watching Susan. Do | 1:15:02 | 1:15:10 | |
you need... ? Did you love that?
I've got some bad news: I would | 1:15:10 | 1:15:18 | |
never let you pick my house, but you
can jive round my kitchen any day of | 1:15:18 | 1:15:23 | |
the week. You give us some slick | 1:15:23 | 1:15:32 | |
can jive round my kitchen any day of
the week. You give us some slick. | 1:15:32 | 1:15:33 | |
You showed how you can use pure
basics and still give entertainment. | 1:15:33 | 1:15:37 | |
You are back. You did very well. She
is back on the market. You didn't | 1:15:37 | 1:15:51 | |
sell this jive, you gazumped it. You
were pumping it. She was giving it | 1:15:51 | 1:15:58 | |
everything she had. When we talk
about this pumping action, it is | 1:15:58 | 1:16:03 | |
elasticity on the leg. Some people
do it stiffly, kicking in and out, | 1:16:03 | 1:16:07 | |
but you had that lovely pumping
going through. Great rhythm and | 1:16:07 | 1:16:10 | |
timing. Well done. You are back. Two
out of two saying you are back. | 1:16:10 | 1:16:16 | |
Craig, you scored Susan a three last
week - better tonight? | 1:16:16 | 1:16:21 | |
It is more than a three. It is a
vast improvement on last week. It | 1:16:21 | 1:16:26 | |
is, however, sadly a little flat.
You are not quite doing the | 1:16:26 | 1:16:31 | |
preparation for the kick. The timing
was fantastic and the synchronicity | 1:16:31 | 1:16:36 | |
was amazing. Susan, you were pumping
out those kicks. The energy did not | 1:16:36 | 1:16:48 | |
fail at all. Well done on the
stamina and everything. You were | 1:16:48 | 1:16:52 | |
constantly coming back into sync on
the sequencing, and I loved your | 1:16:52 | 1:16:55 | |
facial expressions. They were
priceless. You didn't give anything | 1:16:55 | 1:16:59 | |
away. I would've liked a little more
contraction, but this is your dance. | 1:16:59 | 1:17:08 | |
She's back! | 1:17:08 | 1:17:08 | |
Susan and Kevin! | 1:17:08 | 1:17:15 | |
Well done. Really, really good. I'm
really proud of you. Kevin and | 1:17:15 | 1:17:21 | |
Susan, they said you are back, that
that was your dance. You must be | 1:17:21 | 1:17:25 | |
over the moon, because last week,
they gave you quite are not back. It | 1:17:25 | 1:17:30 | |
wasn't the best. Quite good to come
back with a jive. That is what | 1:17:30 | 1:17:36 | |
Strictly is about, taking the
comments on board and coming back | 1:17:36 | 1:17:39 | |
dancing. Keep dancing, that's the
point of the show. Exactly. I didn't | 1:17:39 | 1:17:45 | |
get it - that's why we say! You must
be incredibly proud. Incredibly | 1:17:45 | 1:17:51 | |
proud. Two weeks in a row they came
down quite hard on us, but her | 1:17:51 | 1:17:55 | |
attitude in training never change.
She was always positive and worked | 1:17:55 | 1:17:59 | |
really hard. I could not be more
proud. | 1:17:59 | 1:18:01 | |
The judges have their scores. | 1:18:01 | 1:18:02 | |
Craig Revel Horwood... | 1:18:02 | 1:18:03 | |
Darcey Bussell... | 1:18:03 | 1:18:04 | |
Shirley Ballas... | 1:18:04 | 1:18:06 | |
Bruno Tonioli... | 1:18:06 | 1:18:16 | |
Well done. And your wife is so
happy. | 1:18:23 | 1:18:33 | |
If you thought Susan
and Kevin's Jive was fantastic | 1:18:33 | 1:18:35 | |
and you want to see them back again
next week, then please make sure | 1:18:35 | 1:18:38 | |
that they get your vote. | 1:18:38 | 1:18:39 | |
All the details are up
on your screen and voting will open | 1:18:39 | 1:18:42 | |
very shortly as we only have one
couple left to dance. | 1:18:42 | 1:18:45 | |
Tess. | 1:18:45 | 1:18:53 | |
And our final couple
are Davood Ghadami and his | 1:18:53 | 1:18:56 | |
partner Nadiya Bychkova. | 1:18:56 | 1:18:57 | |
Last week the judges
said their Rumba looked amazing | 1:18:57 | 1:18:59 | |
but they thought it lacked
proper Rumba steps. | 1:18:59 | 1:19:02 | |
So, for this week's American Smooth,
Davood and Nadiya are aiming | 1:19:02 | 1:19:05 | |
for both style and content. | 1:19:05 | 1:19:07 | |
I really enjoyed performing that
dance. There's nothing like it. It | 1:19:13 | 1:19:17 | |
had a haunting feel. The dance was
beautiful, the song was beautiful, | 1:19:17 | 1:19:21 | |
the style is very hard to grab hold
of and go for. I loved the feeling | 1:19:21 | 1:19:25 | |
and emotion, but there wasn't enough
rumba in there for me. It was my | 1:19:25 | 1:19:30 | |
favourite dance. I know, I genuinely
came out of it thinking that I had | 1:19:30 | 1:19:35 | |
achieved something. Foxtrot, it is
very important to get the footwork | 1:19:35 | 1:19:45 | |
right. American Smooth. It isn't one
of the most difficult dancers. The | 1:19:45 | 1:19:51 | |
movement should be gliding on the
floor. That is why I have to get him | 1:19:51 | 1:19:56 | |
to get his footwork right. Too
early. Five, six. It may look like | 1:19:56 | 1:20:04 | |
we walking together, but there is so
much going on. There are aspects | 1:20:04 | 1:20:07 | |
where you step on your toes,
sometimes on your heel, some steps | 1:20:07 | 1:20:10 | |
are long, and it has to be elegant,
so you have to know what you're | 1:20:10 | 1:20:14 | |
doing. It is a long road ahead, but
if it goes right, this choreography | 1:20:14 | 1:20:20 | |
could be beautiful. I need to get
the lifts right as well. Don't lift | 1:20:20 | 1:20:23 | |
me. It's not this. You have to get
the framework, get the technique | 1:20:23 | 1:20:28 | |
right, get the lift right, but if we
don't get it right it could go come | 1:20:28 | 1:20:33 | |
crashing down. But I'm not going to
let that happen. -- it could all | 1:20:33 | 1:20:41 | |
come crashing down. | 1:20:41 | 1:20:42 | |
Dancing the American Smooth,
Davood Ghadami and his partner, | 1:20:42 | 1:20:44 | |
Nadiya Bychkova. | 1:20:44 | 1:20:46 | |
MUSIC: This Will Be
(An Everlasting Love) | 1:20:46 | 1:20:48 | |
CHEERING AND APPLAUSE | 1:22:16 | 1:22:26 | |
What a finale! The audience are on
their feet. Congratulations, Davood. | 1:22:29 | 1:22:37 | |
Enjoy that? Bruno has given you a
standing ovation. Lovely lifts. You | 1:22:37 | 1:22:48 | |
were like movie stars. A dashing
leading man, and you were gorgeous | 1:22:48 | 1:22:55 | |
as well. You really swept all of us
off our feet. There was the twinkle | 1:22:55 | 1:23:00 | |
of the eye of Gene Kelly, the
incredible hulk, and a performance | 1:23:00 | 1:23:09 | |
value of Fred Astaire. You did it
all in that dance. Thank you. | 1:23:09 | 1:23:13 | |
Sensational. Craig? It needs more
swing and sway. It would be amazing | 1:23:13 | 1:23:24 | |
if you had that. It is so difficult
for the celebrity meant to do that, | 1:23:24 | 1:23:28 | |
but I loved it. The release,
incredible. I loved that routine, | 1:23:28 | 1:23:37 | |
absolutely loved it. Darcey...
Really controlled, smooth | 1:23:37 | 1:23:45 | |
transitions, a bit of Hollywood
glamour that you brought to that. | 1:23:45 | 1:23:47 | |
Most impressive was how you let her
and got into that lift. You lock | 1:23:47 | 1:23:52 | |
your elbow. It was so impressive,
how you recovered, and got into the | 1:23:52 | 1:24:00 | |
nice, fast end. Fabulous! I think
you were totally awesome. I agree | 1:24:00 | 1:24:10 | |
with Darcey, the lift was amazing.
You have four legs, four arms, two | 1:24:10 | 1:24:17 | |
centres, and everything seems to be
in the right place and you are able | 1:24:17 | 1:24:20 | |
to move well today. Congratulations!
I think she likes it! Brilliant | 1:24:20 | 1:24:25 | |
finale. I think it lifted all of us.
Thank you so much, Davood and | 1:24:25 | 1:24:33 | |
Nadiya. | 1:24:33 | 1:24:39 | |
Davood, really, really well done.
You look quite shocked at the great | 1:24:43 | 1:24:48 | |
comments. They can be pernickety,
and you said in rehearsals, this | 1:24:48 | 1:24:56 | |
will be his break-out dance. She
never told me! You just did that | 1:24:56 | 1:25:01 | |
American Smooth on Strictly Come
Dancing. I really enjoyed it. | 1:25:01 | 1:25:09 | |
Scores are in. | 1:25:09 | 1:25:10 | |
The judges have their scores. | 1:25:10 | 1:25:11 | |
Craig Revel Horwood... | 1:25:11 | 1:25:12 | |
Darcey Bussell... | 1:25:12 | 1:25:13 | |
Shirley Ballas... | 1:25:13 | 1:25:14 | |
Bruno Tonioli... | 1:25:14 | 1:25:24 | |
Well done. Not the fringe!
Congratulations, your first nines. | 1:25:28 | 1:25:39 | |
If you were swept away by Davood
and Nadiya's American Smooth, | 1:25:39 | 1:25:42 | |
then please make sure
you vote for them. | 1:25:42 | 1:25:44 | |
All the details you need
are on screen now and the vote | 1:25:44 | 1:25:46 | |
will open in a few moments. | 1:25:46 | 1:25:48 | |
That's it. | 1:25:48 | 1:25:49 | |
All ten couples have performed
and it's time to look | 1:25:49 | 1:25:51 | |
at the leaderboard. | 1:25:51 | 1:25:56 | |
Up at the top, Debbie and Giovanni.
At the other end, Ruth and Anton, | 1:25:56 | 1:26:02 | |
with 22. | 1:26:02 | 1:26:03 | |
Remember you can | 1:26:03 | 1:26:04 | |
change all of that by | 1:26:04 | 1:26:05 | |
picking up the phone
or going online and | 1:26:05 | 1:26:07 | |
voting for your favourite. | 1:26:07 | 1:26:08 | |
The vote is now... | 1:26:08 | 1:26:09 | |
..open! | 1:26:09 | 1:26:11 | |
Calls to the short number
from a mobile cost 15p. | 1:26:11 | 1:26:14 | |
Calls to the long number
cost 15p plus your | 1:26:14 | 1:26:16 | |
network's access charge
and | 1:26:16 | 1:26:17 | |
please ask the bill
payers' permission. | 1:26:17 | 1:26:19 | |
You can vote online
by visiting bbc.co.uk/strictly | 1:26:19 | 1:26:20 | |
where you will also find
terms and conditions. | 1:26:20 | 1:26:22 | |
Voting closes at 8.45 tonight. | 1:26:22 | 1:26:24 | |
Please don't try to vote
if you're watching on demand. | 1:26:24 | 1:26:27 | |
To help you decide,
here's a reminder of | 1:26:27 | 1:26:29 | |
tonight's performances
and the all-important | 1:26:29 | 1:26:30 | |
vote information. | 1:26:30 | 1:26:39 | |
It's been a brilliant
night in the ballroom. | 1:29:28 | 1:29:31 | |
Our ten couples have done
all they can and now they're | 1:29:31 | 1:29:34 | |
relying on your support -
so please pick up the phone or go | 1:29:34 | 1:29:37 | |
online to give them your vote. | 1:29:37 | 1:29:39 | |
Voting closes tonight at 8.45,
so you don't have much longer | 1:29:39 | 1:29:42 | |
to vote for your favourite. | 1:29:42 | 1:29:44 | |
You could help them stay out
of the Dance Off in tomorrow night's | 1:29:44 | 1:29:48 | |
Results show at 7.15 when one more
couple will be eliminated and have | 1:29:48 | 1:29:51 | |
to leave Strictly Come Dancing. | 1:29:51 | 1:29:52 | |
Also on the show tomorrow night,
performing their latest single | 1:29:52 | 1:29:54 | |
'Caught by the Wind',
the brilliant Stereophonics | 1:29:54 | 1:29:56 | |
will be here. | 1:29:56 | 1:30:00 | |
And we have something
really special lined up - | 1:30:00 | 1:30:03 | |
our professional dancers will be
doing a fantastic group | 1:30:03 | 1:30:05 | |
routine set to a medley
of Prince's greatest hits. | 1:30:05 | 1:30:09 | |
Including When Doves Cry,
Let's Go Crazy and of | 1:30:09 | 1:30:12 | |
course Purple Rain -
we can't wait. | 1:30:12 | 1:30:14 | |
That's all tomorrow night at 7.15. | 1:30:14 | 1:30:16 | |
Yes, make sure you tune in for that. | 1:30:16 | 1:30:18 | |
We'll see you then,
and in the meantime... | 1:30:18 | 1:30:20 | |
BOTH: Keep dancing. | 1:30:20 | 1:30:25 |