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You gave us all the charm of the
silent movies. I loved it, I thought | 0:07:42 | 0:07:47 | |
it was brilliant. That was like ten
for me. I would never let you pinged | 0:07:47 | 0:07:56 | |
my house but you can jive around my
kitchen any day of the week. The | 0:07:56 | 0:08:03 | |
timing was fantastic and the
synchronicity was amazing. It's | 0:08:03 | 0:08:08 | |
about having fun and going for it
and that's what we did. You two were | 0:08:08 | 0:08:12 | |
like movie stars out there! It was
amazing. There was an incident on | 0:08:12 | 0:08:23 | |
the turn but apart from that nice
job. Definitely going in the right | 0:08:23 | 0:08:29 | |
direction. I just wish I had done
better. So much in the air and | 0:08:29 | 0:08:37 | |
turning but you always managed to
catch. Fabulous attitude, keep that | 0:08:37 | 0:08:42 | |
up. You can do everything, at times
you have two let yourself go | 0:08:42 | 0:08:51 | |
especially in the salsa. It was
clunky and a bit heavy. We can see | 0:08:51 | 0:08:58 | |
what you are capable of. The scores
were not great but I had fun, I | 0:08:58 | 0:09:02 | |
enjoyed it. This number is from a
drag act which is essentially what | 0:09:02 | 0:09:09 | |
we got tonight. We ended up with
murder on the dance floor. What can | 0:09:09 | 0:09:16 | |
I say? I will never forget this
dance. It was a bit bouncy in areas, | 0:09:16 | 0:09:22 | |
generally it should be a lot more
flat. It had too much attack, it | 0:09:22 | 0:09:28 | |
lacked grace, some things don't
always work out darling. We are | 0:09:28 | 0:09:33 | |
still here, still alive and kicking.
You put it right in cha-cha-cha. You | 0:09:33 | 0:09:41 | |
are the dancing Queen, what an
opening. The best cha-cha-cha this | 0:09:41 | 0:09:47 | |
season so far. I am in absolute
shock. Every week you are flying | 0:09:47 | 0:09:54 | |
high and that was just unbelievable. | 0:09:54 | 0:09:57 | |
I cannot believe it. | 0:10:00 | 0:10:03 | |
What an amazing night, the stars
have given it the very best in the | 0:10:27 | 0:10:34 | |
ballroom but who will remain in the
competition? Here is a recapture | 0:10:34 | 0:10:38 | |
powder performances have left them
on the leaderboard. | 0:10:38 | 0:10:41 | |
How have your vote changed all that?
It is time to find out which couple | 0:10:48 | 0:10:53 | |
will be forced to face the dance
off, the are in. The first couple | 0:10:53 | 0:11:00 | |
safely through to next week in no
particular order is... | 0:11:00 | 0:11:06 | |
Alexandra and Gorka. CHEERING
APPLAUSE | 0:11:13 | 0:11:17 | |
Thank you. Thank you so much.
Surviving for another week will | 0:11:17 | 0:11:25 | |
be... | 0:11:25 | 0:11:31 | |
Jonnie and Oti! CHEERING
APPLAUSE | 0:11:37 | 0:11:45 | |
Thank you. Thank you. Back to dance
again are... | 0:11:45 | 0:11:55 | |
Debbie and Giovanni! CHEERING
APPLAUSE | 0:12:02 | 0:12:08 | |
Thank you. Thank you. | 0:12:08 | 0:12:11 | |
Remaining in the show for another
week are... | 0:12:14 | 0:12:21 | |
Susan and Kevin! CHEERING
APPLAUSE | 0:12:26 | 0:12:30 | |
Yes! Thank you! Thank you. | 0:12:30 | 0:12:39 | |
And now the first couple who must
compete for survival in the dance | 0:12:39 | 0:12:44 | |
off is... | 0:12:44 | 0:12:47 | |
Aston and Janette. The rest of you
will have to wait a little longer to | 0:12:56 | 0:13:05 | |
find out your fate. Aston and
Janette please come and join me. | 0:13:05 | 0:13:11 | |
CHEERING
APPLAUSE | 0:13:11 | 0:13:18 | |
So sorry. First time in the dance
off. We are all shocked, how do you | 0:13:18 | 0:13:27 | |
feel? Like I said, I feel like I
have let Janette down a little bit. | 0:13:27 | 0:13:31 | |
But we had fun. We will try and have
fun now. We will just do it again. | 0:13:31 | 0:13:39 | |
Should we get some advice from these
four? This is his first time in the | 0:13:39 | 0:13:45 | |
dance off, what is your advice to
get through it? My suggestion is you | 0:13:45 | 0:13:50 | |
not only focus on your technique,
don't overly focus, bring your | 0:13:50 | 0:13:56 | |
performing skills because you have
got exquisite performing skills and | 0:13:56 | 0:13:59 | |
just because it is ballroom it does
not mean it is devoid of energy. | 0:13:59 | 0:14:04 | |
Just go for it, do the best you can.
Great advice. Sprinkle that special | 0:14:04 | 0:14:14 | |
bit of magic. We wish you all the
best of luck, we will see you later. | 0:14:14 | 0:14:19 | |
Claudia, over to you. | 0:14:19 | 0:14:21 | |
I have four very happy couples who
survived the spotlight, it is your | 0:14:25 | 0:14:29 | |
birthday on Monday Susan, is this
the best present ever? I am 43 on | 0:14:29 | 0:14:34 | |
Monday and it will be the best
birthday in 43 years because I get | 0:14:34 | 0:14:38 | |
to dance with this guy. That's such
a sweet thing to say. I don't want | 0:14:38 | 0:14:45 | |
anything else for my birthday than
to carry on dancing with this | 0:14:45 | 0:14:49 | |
gorgeous handsome young guy because
it's literally the best thing which | 0:14:49 | 0:14:52 | |
has ever happened to me. APPLAUSE
You are so sweet. You must be so | 0:14:52 | 0:15:00 | |
happy, you both looked incredibly
shocked and relieved and the good | 0:15:00 | 0:15:03 | |
news is you are back to the ballroom
next week with the foxtrot. How | 0:15:03 | 0:15:07 | |
happy are you to still be in the
competition? I don't know why but it | 0:15:07 | 0:15:12 | |
felt like that could be the one back
there, we were both a bit worried. | 0:15:12 | 0:15:19 | |
Again the people voting, it takes
you back, it's amazing. Very happy | 0:15:19 | 0:15:23 | |
to get back to ballroom. I am sure
the judges will be happy too. | 0:15:23 | 0:15:28 | |
Hopefully, fingers crossed. Debbie
the perfect 40, was that just... | 0:15:28 | 0:15:36 | |
CHEERING
Was it the perfect end to a fabulous | 0:15:36 | 0:15:44 | |
birthday week? Yes, every day has
got better this week, I am in a | 0:15:44 | 0:15:48 | |
dream. It was so thrilling, I cannot
tell you how I feel. Worked so hard | 0:15:48 | 0:15:53 | |
on the tango, I was so thrilled for
both of us. I've never had a feeling | 0:15:53 | 0:16:04 | |
like that, it was electric. | 0:16:04 | 0:16:10 | |
both of us. I've never had a feeling
like that, it was electric. We | 0:16:10 | 0:16:12 | |
both of us. I've never had a feeling
like that, it was electric. We all | 0:16:12 | 0:16:12 | |
get very excited about this, next
week you are doing the Argentine | 0:16:12 | 0:16:15 | |
tango. Are you thrilled as well? I
had to ask the other day what are | 0:16:15 | 0:16:26 | |
the different dances, can you show
me them on YouTube, I am just | 0:16:26 | 0:16:29 | |
getting used to | 0:16:29 | 0:16:40 | |
# Anything is | 0:17:18 | 0:17:21 | |
# Set the needle down Take
it back to the start | 0:17:22 | 0:17:32 | |
# Help yourself to what you want
# Get caught by the wind | 0:17:32 | 0:17:38 | |
# Believing you can fly
# Celebrate everything | 0:17:38 | 0:17:42 | |
# Sunbathing on the roof watching in | 0:17:42 | 0:17:50 | |
# Believing you can live
Yeah forever and a day | 0:17:55 | 0:18:05 | |
# Every chain got a broken link | 0:18:05 | 0:18:11 | |
# Jump off the boat,
you can swim or sink | 0:18:11 | 0:18:15 | |
# Swallows dive through
the summer nights | 0:18:15 | 0:18:20 | |
# Something beautiful,
money just don't buy | 0:18:20 | 0:18:25 | |
# Help yourself to what you want
Get caught by the wind | 0:18:25 | 0:18:30 | |
# Believing you can fly
Celebrate everything | 0:18:30 | 0:18:35 | |
# Sunbathing on the roof
Watching aeroplanes | 0:18:35 | 0:18:43 | |
# Believing you can live
Yeah forever and a day | 0:18:43 | 0:18:48 | |
# Don't say it's over
Yeah forever and a day | 0:18:48 | 0:18:49 | |
# It's never
over | 0:18:49 | 0:18:52 | |
# There's always time to change | 0:18:52 | 0:18:54 | |
# And start again today | 0:18:54 | 0:19:02 | |
# Right
now Wolves in the woods | 0:19:02 | 0:19:05 | |
# Don't play by the rules
From mouth to ear | 0:19:05 | 0:19:14 | |
# Anything's possible | 0:19:14 | 0:19:16 | |
# Help yourself to what you want | 0:19:16 | 0:19:18 | |
# Get caught by the wind
Believing you can fly | 0:19:18 | 0:19:20 | |
# Celebrate everything
Sunbathing on the roof | 0:19:20 | 0:19:30 | |
# Watching aeroplanes
Believing you can live | 0:19:31 | 0:19:35 | |
# Yeah forever and a day | 0:19:35 | 0:19:36 | |
# Oh yeah, Oo yeah | 0:19:36 | 0:19:39 | |
# Wooaaaah woaaah | 0:19:39 | 0:19:42 | |
# Oh yeah, celebrate everything | 0:19:42 | 0:19:45 | |
# Oh yeaaaaaaah | 0:19:45 | 0:19:46 | |
# Help yourself to what you want | 0:19:46 | 0:19:49 | |
# Get caught by the wind
Believing you can fly | 0:19:49 | 0:19:53 | |
# Celebrate everything
Sunbathing on the roof | 0:19:53 | 0:19:58 | |
# Watching aeroplanes
Believing you can live | 0:19:58 | 0:20:01 | |
# Yeah forever and a day #. | 0:20:01 | 0:20:11 | |
CHEERING
APPLAUSE | 0:20:23 | 0:20:27 | |
Thank you, it's time for a dance
debrief, please welcome the judges. | 0:20:39 | 0:20:51 | |
Welcome, how am I doing? Posture?
Beautiful, beautiful posture. I love | 0:20:51 | 0:20:58 | |
you. Thank you for coming up, often
on Saturday you do not have time to | 0:20:58 | 0:21:05 | |
explain the detail, this is your
chance. Surely I will start with | 0:21:05 | 0:21:10 | |
you, what made the dance so special
for Davood and Nadiya, you gave him | 0:21:10 | 0:21:16 | |
nine. They had wonderful posture,
great footwork, beautiful frame. I | 0:21:16 | 0:21:22 | |
think he stepped up his game and the
left was absolutely out of this | 0:21:22 | 0:21:25 | |
world. APPLAUSE
. Thank you, I would like to talk to | 0:21:25 | 0:21:33 | |
you about Gemma and Ali Aljaz,
what's the answer? To be picked up, | 0:21:33 | 0:21:45 | |
where there is some hesitation here
already, it's such a shame because | 0:21:45 | 0:21:49 | |
if you hesitate you have to go for
it, it's incredibly important you | 0:21:49 | 0:21:53 | |
focus and go for something, you do
not hesitate. So there was a bit of | 0:21:53 | 0:21:58 | |
fear there but it's about hitting
the position, you cannot be soft, | 0:21:58 | 0:22:02 | |
you have to be taught in the court
and shape herself and left out of | 0:22:02 | 0:22:06 | |
it. Not sink into it. Have to be
long and flat for him to be able to | 0:22:06 | 0:22:12 | |
have any resistance. If she starts
to have buckling then all the | 0:22:12 | 0:22:16 | |
support will buckle and you have a
clumsy left. This meant and | 0:22:16 | 0:22:21 | |
everything, all I'm saying, those
details are really important. Never | 0:22:21 | 0:22:27 | |
before, never have you stood up,
walked around the desk and bowed at | 0:22:27 | 0:22:35 | |
the feet of a celebrity, the first
question is are you ill? And that's | 0:22:35 | 0:22:43 | |
a genuine question, and the second
is what made it ten this early? I am | 0:22:43 | 0:22:50 | |
not ill, I was just taken away by
the routine, it was technically | 0:22:50 | 0:22:53 | |
brilliant. This is a ballroom tango,
it's not an Argentine tango with | 0:22:53 | 0:23:00 | |
lots of clicking and kicking and
lots of lifts, none of that, you | 0:23:00 | 0:23:04 | |
cannot rely on that showbiz pizzazz
in this particular dance. You have | 0:23:04 | 0:23:11 | |
to be technically correct, you have
to be technically accurate and | 0:23:11 | 0:23:15 | |
remain level and be soft, and it was
brilliant. For us it's totally | 0:23:15 | 0:23:20 | |
thrilling. The subtlety of the
interpretation, the quality of | 0:23:20 | 0:23:27 | |
movement, it was flawless. It is
what professionals in force | 0:23:27 | 0:23:32 | |
throughout their careers, when you
see that happen in front of your | 0:23:32 | 0:23:35 | |
very eyes on a live show, we have to
applaud. Thank you so much. I would | 0:23:35 | 0:23:45 | |
like to talk about Alexandra and
Gorka, people have found the cha-cha | 0:23:45 | 0:23:50 | |
so hard, it's been a stumbling block
but you said she was a goddess. She | 0:23:50 | 0:23:55 | |
was, we keep talking about food
placemen -- foot placement, look how | 0:23:55 | 0:24:03 | |
precise and clean it is and when she
lets it go, oh my gosh she sells it. | 0:24:03 | 0:24:09 | |
She sells it with accuracy. All of
the power is directed and focused | 0:24:09 | 0:24:15 | |
and precise and she does exactly
what needs to be done, that is why | 0:24:15 | 0:24:19 | |
she got ten. We have two end with
honestly one of the funniest moments | 0:24:19 | 0:24:27 | |
these guys, they brought the house
down, literally. Hold on. Hold on. | 0:24:27 | 0:24:37 | |
Going, going, gone! I love that Ruth
went with it! Extraordinary. You | 0:24:37 | 0:24:48 | |
have to love them. Judges so much,
thanks. Let's hear it for the | 0:24:48 | 0:24:53 | |
judges. Four couples have made it
through to next week so who will be | 0:24:53 | 0:24:58 | |
joining them?
All the couples eager to make it | 0:24:58 | 0:25:03 | |
through to next week but one of them
or join Aston and Janette in the | 0:25:03 | 0:25:07 | |
dance off, let's find out who. In no
particular order returning to the | 0:25:07 | 0:25:16 | |
ballroom next Saturday are... | 0:25:16 | 0:25:21 | |
Joe and Katya. CHEERING
APPLAUSE | 0:25:27 | 0:25:31 | |
Thank you! | 0:25:31 | 0:25:36 | |
Also back our... | 0:25:40 | 0:25:46 | |
Ruth and Anton! CHEERING
APPLAUSE | 0:25:54 | 0:25:57 | |
Thank you! Thank you! Thank you!
Thank you! | 0:25:57 | 0:26:07 | |
Safe to dance another day will be...
Davood and Nadiya! CHEERING | 0:26:11 | 0:26:23 | |
APPLAUSE
Thank you. | 0:26:23 | 0:26:29 | |
That means Gemma and Aljaz and
Mollie and AJ, one of you is safe, | 0:26:35 | 0:26:39 | |
one of you is in the dance off. The
couple in the bottom two tonight he | 0:26:39 | 0:26:45 | |
will compete in the dance off is... | 0:26:45 | 0:26:50 | |
Mollie and AJ. Gemma and Aljaz, well
done, you are through to next | 0:26:54 | 0:27:01 | |
Saturday. Mollie and a J, please
come and join me. I am so sorry. | 0:27:01 | 0:27:10 | |
Second time here. You must be so
disappointed. We are gutted, deja | 0:27:10 | 0:27:16 | |
vu, but it was completely my fault.
I tripped him up. | 0:27:16 | 0:27:20 | |
A tiny little mistake first time
round. Yeah. Bruno, Mollie has been | 0:27:25 | 0:27:30 | |
here before, can you give her a
boost ahead of the dance-off? | 0:27:30 | 0:27:34 | |
Saturday night's dance was very well
judged, well-placed, don't overthink | 0:27:34 | 0:27:39 | |
it, don't start thinking I'm going
to do a mistake. That will make you | 0:27:39 | 0:27:43 | |
go all tense and you will be able to
perform. This is the first time | 0:27:43 | 0:27:46 | |
you've ever danced, go out there,
enjoy, do your best, that's all you | 0:27:46 | 0:27:50 | |
can do. Thank you. Good advice.
Enjoy yourself, do your best, no | 0:27:50 | 0:27:58 | |
we're all behind you. Thank you,
thanks. See you later. | 0:27:58 | 0:28:02 | |
Thank you, Tess, four more couples
safe until next week. You are | 0:28:03 | 0:28:10 | |
shaking, Ruth Langsford. Gemma
Bonner huge congratulations, well | 0:28:10 | 0:28:12 | |
done. I know it was scary being left
until then. You were like... It | 0:28:12 | 0:28:20 | |
wasn't, no. I'm sorry. You were
incredibly washes, you got terrible | 0:28:20 | 0:28:26 | |
motion sickness in the Foxtrot. How
do you feel when I say you've got | 0:28:26 | 0:28:30 | |
the Viennese waltz next week? Last
time the judges said I had to keep | 0:28:30 | 0:28:34 | |
my eye on something, Darcey said to
keep my eye on something, I'll take | 0:28:34 | 0:28:37 | |
that on board for next week. Well
done, thank you. Ruth, | 0:28:37 | 0:28:45 | |
extraordinary, an extraordinary
dance on Saturday night. A bit | 0:28:45 | 0:28:48 | |
unforgettable, that one. It's all
ingrained in our heads, in a good | 0:28:48 | 0:28:54 | |
way! Every week different tack,
different look. You've got too, | 0:28:54 | 0:28:58 | |
haven't you, it Strictly. Will you
be doing that next March? Get why | 0:28:58 | 0:29:03 | |
have your own hair when you can have
all this, really? Good girl. Davood | 0:29:03 | 0:29:09 | |
you had a great Saturday night will
you be putting that particular lift | 0:29:09 | 0:29:13 | |
into every dance? Every day, we can
do it now if you want. Interesting. | 0:29:13 | 0:29:19 | |
Thank you. Well done, you must be
over the moon. Really happy, yeah, | 0:29:19 | 0:29:23 | |
thank you. I can't believe I'm
asking this with this fabulous make | 0:29:23 | 0:29:28 | |
up... You have got the dreaded
rumba. Next week. I mean, it's very | 0:29:28 | 0:29:35 | |
difficult... They say it's difficult
but I'll come in with an open mind, | 0:29:35 | 0:29:39 | |
wiggling hips and do exactly what
I'm told. Wiggly hips! We can't | 0:29:39 | 0:29:44 | |
wait. Huge congratulations to all of
you, well done. If you would like to | 0:29:44 | 0:29:51 | |
devour every morsel of Strictly
available, joined a fantastic Zoe | 0:29:51 | 0:29:56 | |
weekdays on BBC Two. The clocks have
gone back, bonfire night is almost | 0:29:56 | 0:30:02 | |
over, still 50 sleeps till
Christmas. Now what? | 0:30:02 | 0:30:05 | |
Oh yes, I have some of that. I mean
we're in for a treat. Don't be shy, | 0:30:08 | 0:30:14 | |
enjoy yourself! That's more like it.
You learn something every night on | 0:30:14 | 0:30:19 | |
this show. We've more than enough
sparkle to see you through those | 0:30:19 | 0:30:22 | |
long winter nights. | 0:30:22 | 0:30:23 | |
We are here with our dance-off
couples Mollie and AJ, Aston and | 0:30:32 | 0:30:36 | |
Janette. What is worth remembering
is this exact stage last year Ore | 0:30:36 | 0:30:40 | |
was here and went on to win.
Absolutely right. You look so sad | 0:30:40 | 0:30:45 | |
but you're going to go out there and
you're just going to smash it, is | 0:30:45 | 0:30:50 | |
that how you feel? I hope so, we'll
give it absolutely everything, we | 0:30:50 | 0:30:54 | |
are so sad because we've loved every
minute of this journey. You have to | 0:30:54 | 0:30:59 | |
go out there and... Fingers crossed
that's what we'll do. Enormous luck, | 0:30:59 | 0:31:02 | |
get into position. Let's hear it for
Mollie and AJ. APPLAUSE | 0:31:02 | 0:31:11 | |
CHEERING
Lets talk to you, Aston. How will | 0:31:11 | 0:31:16 | |
you go out there and tackle the
dance-off? Honestly, enjoy it, I've | 0:31:16 | 0:31:21 | |
loved every minute of this whole
experience. Especially this dance, | 0:31:21 | 0:31:24 | |
dance into one of my favourite
songs, great routine made up by | 0:31:24 | 0:31:28 | |
Janette. I'm just going to go and
enjoy it. Best of luck from us. It's | 0:31:28 | 0:31:32 | |
always tough to say goodbye to any
couple but unfortunately someone | 0:31:32 | 0:31:36 | |
must go tonight. Dancing first to
stay in the competition, please give | 0:31:36 | 0:31:39 | |
a big hand to Mollie and AJ. | 0:31:39 | 0:31:42 | |
APPLAUSE
CHEERING | 0:33:12 | 0:33:19 | |
And now, fighting for their place in
the competition, it is Aston and | 0:33:27 | 0:33:30 | |
Janette. | 0:33:30 | 0:33:33 | |
MUSIC: Who's Lovin' You - Jackson
five. | 0:34:23 | 0:34:31 | |
APPLAUSE
CHEERING | 0:35:23 | 0:35:29 | |
So well done to both couples. You
can do no more. Judges, it's time to | 0:35:39 | 0:35:45 | |
decide. | 0:35:45 | 0:35:46 | |
Remember, this is based on that
stance and that stands alone. I'm | 0:35:51 | 0:35:54 | |
about as each of you the name of the
person you think deserves to stay | 0:35:54 | 0:35:58 | |
and why. The couple with the most
votes will remain in the competition | 0:35:58 | 0:36:02 | |
and the other couple is out of
Strictly Come Dancing. In the event | 0:36:02 | 0:36:05 | |
of a split decision head Judge
Shirley will have the casting vote. | 0:36:05 | 0:36:09 | |
Mollie and AJ, Aston and Janette,
this is it. Craig, who will you save | 0:36:09 | 0:36:16 | |
and why? Both couples improved on
the night, which was wonderful to | 0:36:16 | 0:36:18 | |
see. But based purely on technique,
for me, the better dance of the | 0:36:18 | 0:36:25 | |
evening goes to Mollie and AJ.
APPLAUSE | 0:36:25 | 0:36:31 | |
Congratulations, that is one vote
for you. Darcey, who do you think | 0:36:31 | 0:36:35 | |
deserves to stay and why? I so wish
I didn't have to choose between | 0:36:35 | 0:36:42 | |
these two wonderful couples. I've so
enjoy their performances and both of | 0:36:42 | 0:36:45 | |
them improved their game. And the
couple I'd like to save, just on a | 0:36:45 | 0:36:53 | |
more assured performance, is Aston
and Janette. One vote apiece. Bruno | 0:36:53 | 0:37:02 | |
who do you want to stay in Strictly
Come Dancing and why? Well I want | 0:37:02 | 0:37:06 | |
you both to stay if it was up to me
I would keep you both, because | 0:37:06 | 0:37:09 | |
you're both wonderful, both much
improved, you all seem to have | 0:37:09 | 0:37:14 | |
ironed out a lot of little problems
you had on Saturday night. One | 0:37:14 | 0:37:19 | |
couple really, I felt, transformed
the performance tonight. And it had | 0:37:19 | 0:37:23 | |
much more power, more impact, it
flowed more, for that reason, I | 0:37:23 | 0:37:27 | |
would like to save Aston and
Janette. APPLAUSE | 0:37:27 | 0:37:37 | |
That is 2-1 votes. For Aston and
Janette. As head Judge Shirley as | 0:37:37 | 0:37:41 | |
the casting vote, which other couple
she now chooses will stay in | 0:37:41 | 0:37:46 | |
Strictly Come Dancing. So, surely,
who will you save and why? Again, | 0:37:46 | 0:37:52 | |
very difficult two fantastic
couples. Very difficult to do. But | 0:37:52 | 0:37:59 | |
on technical accuracy, beautiful
flow and full engagement during the | 0:37:59 | 0:38:03 | |
dance, I'm saving Mollie and AJ.
APPLAUSE | 0:38:03 | 0:38:05 | |
CHEERING
That means we're going to have to | 0:38:05 | 0:38:11 | |
say goodbye to Aston and Janette.
Please come and join me. Mollie and | 0:38:11 | 0:38:19 | |
AJ, congratulations, we'll see you
next week. Oh dear me, so, so sorry. | 0:38:19 | 0:38:29 | |
We're so sorry to see you go. Have
you enjoyed this experience? I've | 0:38:29 | 0:38:39 | |
honestly, every second. Every second
of this. I've had friends you've | 0:38:39 | 0:38:42 | |
done the show before and they've
gone, you're going to have the most | 0:38:42 | 0:38:45 | |
amount of fun from start to finish
whatever it is. They were lying, | 0:38:45 | 0:38:49 | |
everything from this lady to every
single person in here, yourself, | 0:38:49 | 0:38:55 | |
Claudia, all of you amazing lot
appear I get to see, and spend so | 0:38:55 | 0:38:58 | |
much time with them and learn from.
I've made some amazing friends. | 0:38:58 | 0:39:03 | |
Honestly, it's been amazing.
Personally for me the highlight was | 0:39:03 | 0:39:10 | |
in Movie Week dressed as trolls, it
was unforgettable. I won't forget | 0:39:10 | 0:39:13 | |
that in a long time. Janette
anything you'd like to say? I just | 0:39:13 | 0:39:18 | |
have to say, honestly, I don't think
I am ever going to have the | 0:39:18 | 0:39:21 | |
opportunity to dance with someone
like you again. Someone who is so | 0:39:21 | 0:39:26 | |
talented, so lovely, such a good
friend. And I just have to say thank | 0:39:26 | 0:39:33 | |
you. Thank you. APPLAUSE
Thank you so much. We thoroughly | 0:39:33 | 0:39:41 | |
enjoyed you being in the show,
Aston. We've enjoyed every minute, | 0:39:41 | 0:39:46 | |
sorry to have to say it, please
prepare for your last dance. | 0:39:46 | 0:39:51 | |
Sadly, Aston and Janette .com the
sixth couple to leave Strictly 2017, | 0:39:56 | 0:40:02 | |
they will join Zoe on its takes to
on BBC Two. -- at two. | 0:40:02 | 0:40:07 | |
We'll be back next Saturday at
6:45pm with some more routines from | 0:40:09 | 0:40:15 | |
the Strictly stars and brilliant
professional dancers. Next Sunday | 0:40:15 | 0:40:18 | |
the Results Show will feature a
special group routine to mark | 0:40:18 | 0:40:22 | |
Remembrance Day. Now with their
final dance, Aston and Janette. | 0:40:22 | 0:40:27 | |
APPLAUSE | 0:41:30 | 0:41:32 | |
I'm shocked and devastated Aston and
Janette have gone. I love Aston and | 0:41:38 | 0:41:46 | |
Janette, I think they're superstars,
they've lit up the studio every | 0:41:46 | 0:41:48 | |
week. I didn't want anyone to be in
the bottom to commit horrendous, not | 0:41:48 | 0:41:53 | |
a nice feeling. I feel being in the
dance-off for a second time felt | 0:41:53 | 0:41:57 | |
like a nightmare being reality.
Mixed but a sweet right now. This is | 0:41:57 | 0:42:02 | |
what the com petition is about,
we're very happy we're still here. | 0:42:02 | 0:42:07 | |
We're thankful for them every single
week putting us through. Really | 0:42:07 | 0:42:11 | |
excited for next week, bring it on.
The Rumba. You're a beauty. Hello! | 0:42:11 | 0:42:19 | |
Just kidding. | 0:42:19 | 0:42:20 |