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CHEERING AND APPLAUSE. | 0:00:55 | 0:01:02 | |
# When I wake up, well,
I know I'm gonna be | 0:01:13 | 0:01:17 | |
# I'm gonna be the man
who wakes up next to you | 0:01:17 | 0:01:22 | |
# And when I go out,
yeah, I know I'm gonna be | 0:01:22 | 0:01:27 | |
# I'm gonna be the man
who goes along with you | 0:01:27 | 0:01:36 | |
# When I come home, yeah,
I know I'm gonna be | 0:01:36 | 0:01:38 | |
# I'm gonna be the man
who's coming home to you | 0:01:38 | 0:01:42 | |
# And when I'm dreaming, well,
I know I'm gonna dream | 0:01:42 | 0:01:45 | |
# I'm gonna dream about
the time when I'm with you | 0:01:45 | 0:01:54 | |
# But I would walk 500 miles
the time when I'm with you | 0:01:54 | 0:01:56 | |
#
And I would walk 500 more | 0:01:56 | 0:01:59 | |
# Just to be the man
who walked a thousand | 0:01:59 | 0:02:04 | |
# Miles to fall down
at your door | 0:02:04 | 0:02:12 | |
# When I'm lonely, | 0:02:12 | 0:02:13 | |
well, I know I'm gonna be | 0:02:13 | 0:02:15 | |
# (Ooh, ooh, ooh, I'm gonna be
the man who's lonely without you | 0:02:15 | 0:02:19 | |
# And if I grow old,
well, I know I'm gonna be | 0:02:19 | 0:02:22 | |
# I'm gonna be the man who's
growing old with you | 0:02:22 | 0:02:27 | |
# But I would walk 500 miles
growing old with you | 0:02:27 | 0:02:30 | |
# And I would walk 500 more | 0:02:30 | 0:02:33 | |
# Just to be the man
who walked a thousand | 0:02:33 | 0:02:43 | |
# Miles to fall down
at your door | 0:02:43 | 0:02:48 | |
# But I would walk 500 miles
at your door | 0:02:48 | 0:02:52 | |
# (Ooh,ooh, ooh) And I
would walk 500 more | 0:02:52 | 0:02:59 | |
# (Ooh, ooh, ooh, ooh) Just to be
the man who walked a thousand | 0:02:59 | 0:03:02 | |
# Miles to fall down
at your door | 0:03:02 | 0:03:09 | |
# When I wake up, well
I hope I'm gonna be | 0:03:27 | 0:03:31 | |
# I'm gonna be the man
who's waking up to you | 0:03:31 | 0:03:35 | |
# And when I'm dreamin',
well I know I'm gonna dream | 0:03:35 | 0:03:41 | |
# I'm gonna dream about
the time I had with you. | 0:03:41 | 0:03:49 | |
APPLAUSE. | 0:03:54 | 0:04:00 | |
This is Strictly Come
Dancing - The Results. | 0:04:12 | 0:04:18 | |
On Remembrance Sunday. | 0:04:18 | 0:04:21 | |
Please welcome your hosts... | 0:04:21 | 0:04:22 | |
Tess Daly... | 0:04:22 | 0:04:23 | |
And Claudia Winkleman. | 0:04:23 | 0:04:29 | |
Hello, and welcome to
Strictly Come Dancing - The Results. | 0:04:29 | 0:04:34 | |
A huge thank you to our professional
dancers for that beautiful | 0:04:34 | 0:04:37 | |
Remembrance Day routine,
choreographed by Chris | 0:04:37 | 0:04:39 | |
Scott and accompanied
by the RAF Spitfires Choir. | 0:04:39 | 0:04:49 | |
Once again, we are delighted
to welcome injured servicemen, | 0:04:49 | 0:04:51 | |
women and staff from
the Defence Medical Rehabilitation | 0:04:51 | 0:04:53 | |
Centre at Headley Court. | 0:04:53 | 0:04:56 | |
Thank you so much for
joining us tonight. | 0:04:56 | 0:05:06 | |
We had another memorable night
in the Ballroom on Saturday. | 0:05:06 | 0:05:09 | |
Nine celebrities are left, but only
eight can make it to Blackpool. | 0:05:16 | 0:05:19 | |
Your votes have been combined
with the judges' scores, | 0:05:19 | 0:05:21 | |
and the two couples with the lowest
overall points will face each | 0:05:21 | 0:05:24 | |
other in the dance-off. | 0:05:24 | 0:05:25 | |
And then the decision of who stays
and who goes is down | 0:05:25 | 0:05:28 | |
to our ballroom experts... | 0:05:28 | 0:05:33 | |
Please welcome the judges! | 0:05:33 | 0:05:37 | |
Shirley Ballas and Bruno Tonioli. | 0:05:37 | 0:05:39 | |
And Craig Revel Horwood
and Darcey Bussell. | 0:05:39 | 0:05:42 | |
CHEERING AND APPLAUSE. | 0:05:43 | 0:05:47 | |
Thank you, judges. | 0:05:49 | 0:05:54 | |
Also on the show tonight,
we have a music performance | 0:05:57 | 0:05:59 | |
from the one and only
Seal. | 0:05:59 | 0:06:01 | |
APPLAUSE. | 0:06:01 | 0:06:03 | |
Plus, the Judges will be expanding
on some of their comments | 0:06:03 | 0:06:06 | |
from Saturday night when we go
through the performances | 0:06:06 | 0:06:08 | |
frame-by-frame. | 0:06:08 | 0:06:10 | |
Very soon, we'll reveal the first
couple in the dance-off. | 0:06:10 | 0:06:13 | |
But before that, here's a recap
of every swivel and chasse | 0:06:13 | 0:06:15 | |
from Saturday night. | 0:06:15 | 0:06:17 | |
APPLAUSE. | 0:06:17 | 0:06:20 | |
Blackpool is on the horizon, but
whose Strictly Big Dipper ride is | 0:06:25 | 0:06:35 | |
ending. I love Blackpool. I have to
get there. The nerves have kicked | 0:06:35 | 0:06:41 | |
in, because Blackpool is the
pinnacle of ballroom dancing. It is | 0:06:41 | 0:06:48 | |
the ambition, but you don't want too
get your hopes up, because somebody | 0:06:48 | 0:06:52 | |
isn't going to get there. We know
how exciting it will be. It is | 0:06:52 | 0:06:56 | |
something I would love to be part
of. I would love everybody to go | 0:06:56 | 0:07:00 | |
through. The fact that Aston went
last week I think has unnerved | 0:07:00 | 0:07:04 | |
everybody. You have to be fun and
enjoy the process and the journey | 0:07:04 | 0:07:08 | |
and everything about Strictly. You
can be the one that goes. I want to | 0:07:08 | 0:07:14 | |
do my tango as well as I can. If I
go out I want to go out on a high. | 0:07:14 | 0:07:19 | |
We are back in the hold, that is
lovely. Straightaway. That is the | 0:07:19 | 0:07:24 | |
wrong way to look. I look that way.
I have been in the bottom two the | 0:07:24 | 0:07:27 | |
last two weeks and it knocks your
confidence. I want to give it | 0:07:27 | 0:07:31 | |
everything. We are live in five
minutes, guys. Are we ready? Good | 0:07:31 | 0:07:38 | |
luck. Live on Saturday from the BBC.
Let the good times roll! You never | 0:07:38 | 0:07:50 | |
cease to amaze me. That was
incredible. It was the essence of | 0:07:50 | 0:07:58 | |
salsa and infused with the spirit of
the youth. You executed it to the | 0:07:58 | 0:08:03 | |
best of your ability. For me, this
was good. That was a smouldering | 0:08:03 | 0:08:10 | |
Latin lover with a caring and tender
touch. I think you're the dark | 0:08:10 | 0:08:15 | |
horse. All the steps were there, but
it does lack emotion in the body. | 0:08:15 | 0:08:23 | |
The performance is as important as
the technique. Let it out. Fingers | 0:08:23 | 0:08:29 | |
crossed we get to Blackpool. I hope
the dance we have done was good | 0:08:29 | 0:08:33 | |
enough. Your posture is the main
thing that bothers me. Lovely | 0:08:33 | 0:08:40 | |
footwork, strong heels. Outstanding
the focus and drama. I thought that | 0:08:40 | 0:08:45 | |
went well. I loved every second of
it. That core strength you have to | 0:08:45 | 0:08:50 | |
keep working at that. That will help
your balance. It didn't quite happen | 0:08:50 | 0:08:56 | |
tonight. We are waving Blackpool
goodbye. It is scary, but I'm so | 0:08:56 | 0:09:02 | |
proud of her. It wasn't my favourite
today. I felt you were trotting. You | 0:09:02 | 0:09:10 | |
were out of your depth. Five. I
caught it at the end. That was | 0:09:10 | 0:09:15 | |
squary. I have noticed you were
better a couple of weeks ago. Not | 0:09:15 | 0:09:22 | |
the best. I'm concerned. I'm in a
risky position. You were first | 0:09:22 | 0:09:34 | |
class. Extraordinary. I commend you,
how you get it - you go for that | 0:09:34 | 0:09:39 | |
lift. You're amazing. Nine. Loved
it. From beginning to end I haven't | 0:09:39 | 0:09:46 | |
stopped smiling. You're a
magnificent creature. You connected | 0:09:46 | 0:09:50 | |
well with one another and I thought
it was superb. You're getting better | 0:09:50 | 0:10:00 | |
and better week-by-week. You are on
the way up. Amazing. Ten. 15, | 0:10:00 | 0:10:09 | |
16-year-old boy in me is screaming
to go to Blackpool. The 35-year-old | 0:10:09 | 0:10:13 | |
man is as well. | 0:10:13 | 0:10:23 | |
CHEERING AND APPLAUSE. | 0:10:27 | 0:10:29 | |
Another unforgettable night. | 0:10:32 | 0:10:34 | |
We're now left with nine Strictly
stars who are all desperate to find | 0:10:34 | 0:10:37 | |
out if they will make it
to Blackpool - the home of ballroom. | 0:10:37 | 0:10:40 | |
Here's a reminder of how Saturday
night's performances | 0:10:40 | 0:10:42 | |
left our couples on the leaderboard. | 0:10:42 | 0:10:46 | |
At the top we have Dawood and
Nadiya. | 0:10:46 | 0:10:49 | |
But how have your votes
changed all of that? | 0:10:57 | 0:10:59 | |
It's time to find out who will be
first to face the dance-off. | 0:10:59 | 0:11:02 | |
The results are in. | 0:11:02 | 0:11:05 | |
In no particular order,
the first couple safely | 0:11:05 | 0:11:07 | |
through to next week is... | 0:11:07 | 0:11:16 | |
Dawood and Nadiya. Yes. Thank you.
Thank you. | 0:11:22 | 0:11:31 | |
Dancing in next week's
Blackpool special will be... | 0:11:31 | 0:11:42 | |
Molly and AJ! | 0:11:50 | 0:12:00 | |
Remaining in the competition
for another week are... | 0:12:04 | 0:12:14 | |
Joe and Kelly. Thank you. | 0:12:20 | 0:12:32 | |
The first couple who must compete
for survival in the dance-off is... | 0:12:32 | 0:12:42 | |
Jonny and Oti. | 0:12:50 | 0:12:53 | |
The rest of you will have to wait
a little longer to find out | 0:12:53 | 0:12:56 | |
if you've made it through. | 0:12:56 | 0:13:00 | |
Jonnie and Oti, please come and join
me. I'm so sorry to find you here. | 0:13:00 | 0:13:05 | |
That's OK. How does it feel. It is
part of show, it is fun and we have | 0:13:05 | 0:13:11 | |
got to try and do it better and hold
that shoulder down. Craig, you were | 0:13:11 | 0:13:19 | |
pretty harsh on Jonnie on Saturday.
Can y give us some constructive | 0:13:19 | 0:13:26 | |
advice. Concentrate on your hand
shaping and your balance. And let | 0:13:26 | 0:13:32 | |
your face light up. I've seen you in
do that before and I didn't see it | 0:13:32 | 0:13:37 | |
on Saturday night. So really
concentrate on that. And you could | 0:13:37 | 0:13:41 | |
win the day. That lovely face light
up and that lovely smile. It is | 0:13:41 | 0:13:47 | |
still there. We will see you later.
Claudia, over to you. Thank you. I | 0:13:47 | 0:13:56 | |
have three very happy couples, one
very shocked Where did you first go | 0:13:56 | 0:14:10 | |
on holiday? One of my first holidays
was pontoons in Blackpool, very | 0:14:10 | 0:14:17 | |
happy memories! You are doing a
dance anthem, what's the song? Right | 0:14:17 | 0:14:22 | |
On Time! It's like the speakers were
actually next to me! Davood, | 0:14:22 | 0:14:31 | |
brilliant dance on Saturday night,
fantastic comments. You look like | 0:14:31 | 0:14:35 | |
you were in shock. I'm in complete
shock. But I get to be James Bond! | 0:14:35 | 0:14:41 | |
It's amazing! Fantastic. Nadiya
Comaneci has never been to | 0:14:41 | 0:14:46 | |
Blackpool. You have been and impeded
the many times. How would you | 0:14:46 | 0:14:50 | |
describe it to him? Is the most
amazing place to dance. Have you | 0:14:50 | 0:14:54 | |
been to New York? No. Have you been
to Paris? I'm really quite | 0:14:54 | 0:15:01 | |
sheltered, aren't I! I need to get
out more! It's better than all of | 0:15:01 | 0:15:05 | |
them, that's all I can say! I can't
believe it, I'm so shocked. Thank | 0:15:05 | 0:15:11 | |
you so much for everyone who has
voted. | 0:15:11 | 0:15:13 | |
CHEERING AND APPLAUSE
Your reaction was extraordinary. It | 0:15:13 | 0:15:21 | |
seems ridiculous, but it means so
much to all of us, because we are | 0:15:21 | 0:15:25 | |
working so hard. My Nan is up north,
she will be able to come and watch, | 0:15:25 | 0:15:30 | |
so it means the world to us.
Congratulations, darling. Well done, | 0:15:30 | 0:15:34 | |
AJ, well done. | 0:15:34 | 0:15:36 | |
As it's Remembrance Sunday,
our judges and some of our couples | 0:15:36 | 0:15:38 | |
joined some very special people
to help with this | 0:15:38 | 0:15:41 | |
year's Poppy Appeal. | 0:15:41 | 0:15:46 | |
We are taking part in the British
Legion's Poppy Day, to pay respects | 0:15:46 | 0:15:52 | |
to our Armed Forces, past and
present. Poppies! Who won the poppy? | 0:15:52 | 0:15:57 | |
Thank you so much! At three of
London's busiest train stations, | 0:15:57 | 0:16:02 | |
Waterloo, Paddington and King's
Cross, we are hoping to raise | 0:16:02 | 0:16:05 | |
awareness and money for the popular
appeal. The Wiggo, thank you! -- for | 0:16:05 | 0:16:10 | |
the Poppy Appeal. I need a pain! --
the Wiggo. This is very important. | 0:16:10 | 0:16:19 | |
It's not just about remembrance,
this money will go and help a lot of | 0:16:19 | 0:16:23 | |
service men and women who have been
through traumatic events. It's a way | 0:16:23 | 0:16:27 | |
for the British public to look after
those people that have put | 0:16:27 | 0:16:30 | |
everything on the line for our
country. We have to thank these | 0:16:30 | 0:16:34 | |
guys. They go to seriously dangerous
and scary environments. Without | 0:16:34 | 0:16:39 | |
them, we wouldn't be standing here
in this safe environment. Poppies! | 0:16:39 | 0:16:44 | |
Poppy Day is really important to me
and my family. My father was in the | 0:16:44 | 0:16:56 | |
Army for 27 years, and my mother was
in the wrens. We have a lot of | 0:16:56 | 0:17:00 | |
widows and children who have lost
mothers and fathers, and they need | 0:17:00 | 0:17:02 | |
our help, too. I am a war widow, it
means an awful lot to me, not only | 0:17:02 | 0:17:05 | |
because I like to support the Army,
but I have seen the good work that | 0:17:05 | 0:17:09 | |
they do with some of my fellow
widows. Ledbury do the honours! My | 0:17:09 | 0:17:11 | |
father was in the Navy for 20 years.
I have a real connection to the | 0:17:11 | 0:17:15 | |
services. My husband is a serving
member of the Armed Forces. I am | 0:17:15 | 0:17:20 | |
also a veteran, so we always donate.
A lot of people come back from the | 0:17:20 | 0:17:24 | |
war and really need a lot of help.
We need to look after them in the | 0:17:24 | 0:17:27 | |
way they are deserving to beat. All
of the money that the Royal British | 0:17:27 | 0:17:31 | |
Legion raises provides support for
injured personnel and for families. | 0:17:31 | 0:17:37 | |
Long may it continue. People, please
don't ever forget! | 0:17:37 | 0:17:40 | |
CHEERING AND APPLAUSE
The atmosphere has been really | 0:17:40 | 0:17:45 | |
amazing. We have had the Strictly
crew down here with the Grenadier | 0:17:45 | 0:17:48 | |
Guards. A little bit of max lift,
darling! It was a ten out of ten for | 0:17:48 | 0:17:56 | |
me! | 0:17:56 | 0:17:58 | |
Keep dancing!
CHEERING AND APPLAUSE | 0:18:04 | 0:18:07 | |
How lovely to see so much support
for such an important cause. | 0:18:07 | 0:18:10 | |
Very soon, we'll be revealing our
next couple in the dance-off. | 0:18:10 | 0:18:13 | |
But before that, performing his
latest single, Autumn Leaves, | 0:18:13 | 0:18:16 | |
it's the wonderful Seal. | 0:18:16 | 0:18:18 | |
APPLAUSE. | 0:18:18 | 0:18:24 | |
# The falling leaves
drift by my window | 0:18:37 | 0:18:45 | |
# The autumn leaves of red
and gold | 0:18:45 | 0:18:53 | |
# I see your lips, the summer
kisses | 0:18:53 | 0:19:00 | |
# The sunburned
hands I used to hold | 0:19:00 | 0:19:09 | |
# Since you went away,
the days grow long | 0:19:09 | 0:19:17 | |
# And soon I'll hear
old winter's song | 0:19:17 | 0:19:25 | |
# But I miss you most
of all my darling | 0:19:25 | 0:19:34 | |
# When autumn leaves start to fall
of all my darling | 0:19:34 | 0:19:42 | |
CHEERING AND APPLAUSE | 0:20:07 | 0:20:10 | |
# Since you went away,
the days grow longer | 0:20:13 | 0:20:20 | |
# And soon I'll
hear old winter's song | 0:20:20 | 0:20:28 | |
# But I miss you most
of all my darling | 0:20:28 | 0:20:35 | |
# When autumn leaves
start to fall #. | 0:20:35 | 0:20:45 | |
APPLAUSE. | 0:20:50 | 0:20:54 | |
CHEERING AND APPLAUSE | 0:21:13 | 0:21:16 | |
Thank you to the fantastic Seal,
and our professional | 0:21:19 | 0:21:21 | |
dancers, Anton and Nadiya. | 0:21:21 | 0:21:29 | |
For that special tribute on
remembrance weekend. | 0:21:29 | 0:21:34 | |
It's | 0:21:34 | 0:21:35 | |
time now for a dance debrief. | 0:21:35 | 0:21:36 | |
Please welcome the judges. | 0:21:36 | 0:21:37 | |
MUSIC: Rhythm Is A Dancer by Snap! | 0:21:37 | 0:21:41 | |
Thank you so much for coming up
here, you perfect for some! On | 0:21:41 | 0:21:45 | |
Saturday night, you often don't get
the chance to expand. This is where | 0:21:45 | 0:21:49 | |
you can. I'd like to ask you first,
surely, about Joe. You are calling | 0:21:49 | 0:21:54 | |
him the dock walls. He has
practically grown a tale! -- the | 0:21:54 | 0:22:00 | |
dark horse. Why is the rhombus so
difficult for a man? First of all, | 0:22:00 | 0:22:05 | |
he has got to lead the lady and keep
a beautiful frame. But I've found he | 0:22:05 | 0:22:09 | |
was so involved in the dance,
constantly changing weight from foot | 0:22:09 | 0:22:14 | |
to foot. Beautiful leading ability,
and the beautiful body action that | 0:22:14 | 0:22:20 | |
he had. Thank you so much.
APPLAUSE | 0:22:20 | 0:22:25 | |
Darcey, let's talk about the food.
We saw a different side to him. He | 0:22:25 | 0:22:30 | |
is -- about Davood. He is normally
serious. He can be | 0:22:30 | 0:22:36 | |
is -- about Davood. He is normally
serious. He can be quirky, but also | 0:22:36 | 0:22:37 | |
incredibly nimble. On the swivel and
the lovely spring in it, incredibly | 0:22:37 | 0:22:42 | |
supple. Also with the speed of the
lifts, how he is able to get her | 0:22:42 | 0:22:48 | |
around. Nadiya is a tall girl as
well. This one, I loved the last | 0:22:48 | 0:22:53 | |
one. This is amazing how he is able
to throw her really high. Superb! | 0:22:53 | 0:22:58 | |
one. This is amazing how he is able
to throw her really high. Superb! | 0:22:58 | 0:23:00 | |
APPLAUSE
He stayed in character all the way | 0:23:00 | 0:23:06 | |
through, it was difficult but he
made it look effortless. Craig, on | 0:23:06 | 0:23:11 | |
Saturday night you talked about
Alexandra and Gorka. You said they | 0:23:11 | 0:23:15 | |
added more syllables! But it was
only one word. | 0:23:15 | 0:23:18 | |
added more syllables! But it was
only one word. Can you expand? Well, | 0:23:18 | 0:23:21 | |
I loved this particular section, it
was just fantastic. I mean, she was | 0:23:21 | 0:23:25 | |
really detailed in this
specifically, and with the forward | 0:23:25 | 0:23:30 | |
chose, she was bringing her feet
together and swivelling beautifully | 0:23:30 | 0:23:33 | |
and replacing her | 0:23:33 | 0:23:34 | |
together and swivelling beautifully
and replacing her weight. She did | 0:23:34 | 0:23:36 | |
really, really well. It is a
difficult answer and it is primarily | 0:23:36 | 0:23:39 | |
led by the man.
APPLAUSE | 0:23:39 | 0:23:43 | |
Thank you so much. Bruno, let's talk
about the by. I know that some of | 0:23:43 | 0:23:48 | |
the spins she didn't | 0:23:48 | 0:23:50 | |
about the by. I know that some of
the spins she didn't quite get -- | 0:23:50 | 0:23:51 | |
talk about Debbie. I don't know if
it was him or her that was in the | 0:23:51 | 0:23:55 | |
wrong position and lost the grid.
Nevertheless, the floor of the | 0:23:55 | 0:23:59 | |
movement... Look at this lift! Look
at that. Most people do the salsa in | 0:23:59 | 0:24:05 | |
a very jagged, staccato way. And you
shouldn't, it | 0:24:05 | 0:24:07 | |
a very jagged, staccato way. And you
shouldn't, it should be lovely, | 0:24:07 | 0:24:09 | |
flowing and sensual. She did that
without ever losing the rhythm. We | 0:24:09 | 0:24:14 | |
are off to Blackpool next week. We
talk about it with such excitement. | 0:24:14 | 0:24:18 | |
Surely, I found a photo of you. You
made the final 17 times. Here you | 0:24:18 | 0:24:24 | |
are in Blackpool -- Shirley. Can you
just share with the group, what | 0:24:24 | 0:24:29 | |
makes it so special? Were like it's
the biggest venue in the world, it | 0:24:29 | 0:24:34 | |
hosts the biggest Championships in
the world for juniors and adults and | 0:24:34 | 0:24:37 | |
I've been blessed to be going there
since I was seven years old, for me | 0:24:37 | 0:24:42 | |
it holds a special place in my
heart. Plus, I'm going home to the | 0:24:42 | 0:24:45 | |
North of England. Brilliant, thank
you very much. We are all coming | 0:24:45 | 0:24:49 | |
with you! Everyone! We will all love
that! Let's hear it for the judges | 0:24:49 | 0:24:59 | |
CHEERING AND APPLAUSE | 0:24:59 | 0:25:06 | |
Three couples have already reserved
their seats on the coach up to | 0:25:06 | 0:25:09 | |
Blackpool.
He will be joining them? -- who will | 0:25:09 | 0:25:12 | |
be. | 0:25:12 | 0:25:13 | |
Thanks, Claudia. | 0:25:13 | 0:25:14 | |
All our couples want to dance
in the world-famous Tower Ballroom. | 0:25:14 | 0:25:18 | |
But sadly, one of them will join
Jonnie and Oti in the dance-off. | 0:25:18 | 0:25:21 | |
It's time to find out who it will
be. | 0:25:21 | 0:25:24 | |
In no particular order... | 0:25:24 | 0:25:25 | |
Going through to next week are... | 0:25:25 | 0:25:35 | |
Alexandra and Gorka!
APPLAUSE | 0:25:39 | 0:25:46 | |
Surviving for another
week will be... | 0:25:49 | 0:25:59 | |
Debbie and Giovanni!
APPLAUSE | 0:26:04 | 0:26:09 | |
Thank you! Thank you so much! | 0:26:09 | 0:26:12 | |
Safely through to our
Blackpool special are... | 0:26:12 | 0:26:22 | |
Gemma and Aljaz should! | 0:26:27 | 0:26:33 | |
APPLAUSE
Thank you! | 0:26:36 | 0:26:38 | |
So, that means Ruth and Anton and
Susan and Kevin, one of you is safe, | 0:26:44 | 0:26:49 | |
and one of you is in the dance-off. | 0:26:49 | 0:26:53 | |
I can reveal that the couple | 0:26:53 | 0:26:55 | |
in the bottom two tonight
who will compete in | 0:26:55 | 0:26:57 | |
the dance-off is... | 0:26:57 | 0:27:05 | |
Ruth and Anton. So, Susan and Kevin,
congratulations, you are through to | 0:27:05 | 0:27:13 | |
Blackpool. Ruth and Anton, please
come and join me. | 0:27:13 | 0:27:21 | |
Oh, I'm so sorry, so, so sorry. Is
it disappointing to find yourself in | 0:27:30 | 0:27:37 | |
the dance-off? Well, I haven't been
in the dance-off yet, so well do my | 0:27:37 | 0:27:41 | |
best, I love the dance and I love
the song, it has happy memories for | 0:27:41 | 0:27:44 | |
me. I'll just go and enjoy it. Have
a lovely time. If it's going to be | 0:27:44 | 0:27:49 | |
the last one for me, I will enjoy
it. Bruno, how can they get the fox | 0:27:49 | 0:27:54 | |
back into the trot in the
dance-off?! Try not to go wrong! You | 0:27:54 | 0:28:01 | |
know, if you go wrong, just kind of
mask it very well. Smoke and | 0:28:01 | 0:28:07 | |
mirrors, darling. Smoke and mirrors,
he says. We wish you all the very | 0:28:07 | 0:28:15 | |
best for the dance-off, and we'll
see you later on. | 0:28:15 | 0:28:22 | |
Four more happy couples
are through to Blackpool. | 0:28:22 | 0:28:26 | |
Very well done. Debbie, you are
dancing to a Spice Girls medley. A | 0:28:26 | 0:28:31 | |
samba. Giovanni, which Spice Girl is
Debbie? Definitely cheeky spice! | 0:28:31 | 0:28:40 | |
There wasn't actually a cheeky
spies! A cheeky spice girl! OK, stop | 0:28:40 | 0:28:45 | |
speaking! I love you, it's going to
be amazing. We are so excited, we | 0:28:45 | 0:28:55 | |
just want to thank everybody for
voting for us. Blackpool here we | 0:28:55 | 0:29:01 | |
come! Alexandra, the last time you
are in Blackpool, you will with the | 0:29:01 | 0:29:03 | |
Queen? Yes, I sang for the Queen,
and it was amazing. How | 0:29:03 | 0:29:08 | |
extraordinary. How does that great
competitive during quickstep with | 0:29:08 | 0:29:12 | |
this creature?! It's going to be the
same level. I would say that doing | 0:29:12 | 0:29:17 | |
quickstep with gawker might be
better! We are going to have a great | 0:29:17 | 0:29:23 | |
time, I'm so excited that I could
scream! The wait a quickstep across | 0:29:23 | 0:29:27 | |
the huge dance floor. It is the
first time for me dancing in | 0:29:27 | 0:29:31 | |
Blackpool. I'm very excited. Well
done, Alexandra and Gorka, well | 0:29:31 | 0:29:38 | |
done. Susan, you have never been to
Blackpool. I've never been there in | 0:29:38 | 0:29:43 | |
my life. What would you like to say
for the lovely people getting you | 0:29:43 | 0:29:47 | |
the? I cannot thank you enough. We
are doing Kevin Clifton's paso | 0:29:47 | 0:29:50 | |
doble, that you have always wanted
to do. I have been pitching this | 0:29:50 | 0:29:55 | |
number for five years and it never
gets across the line. They finally | 0:29:55 | 0:29:58 | |
said to me, if you make it to
Blackpool, you can do it at | 0:29:58 | 0:30:02 | |
Blackpool this year. I'm so excited!
Thank you for getting us that! You | 0:30:02 | 0:30:06 | |
first dance at Blackpool when you
are only eight years old. That's | 0:30:06 | 0:30:11 | |
right. I'm really old now! Are going
to want to say how many years that | 0:30:11 | 0:30:15 | |
is, but I've been going the... It's
just a really special and important | 0:30:15 | 0:30:19 | |
place to be. We can't thank people
enough for voting for us. When we | 0:30:19 | 0:30:23 | |
got past -- into this, edition, we
didn't think we would get past week | 0:30:23 | 0:30:29 | |
one. We thought we would make it to
win three. Going to Blackpool is so | 0:30:29 | 0:30:33 | |
important to use the purer we go
every year with my family, I was | 0:30:33 | 0:30:37 | |
there into my it's got so many
amazing childhood memories for me. | 0:30:37 | 0:30:44 | |
And it's my birthday as well that we
can! The white well done, you had | 0:30:44 | 0:30:49 | |
such a wonderful reaction. What
would you like to state your lovely | 0:30:49 | 0:30:56 | |
dance partner? I made it this year!
I love. I can't wait to go back to | 0:30:56 | 0:31:01 | |
the ballroom, it's the most special
place to dance and you are going to | 0:31:01 | 0:31:05 | |
absolutely love it, I can't wait for
you to see it! | 0:31:05 | 0:31:11 | |
Now every year our celebrities dream
of spending a Saturday night in a | 0:31:11 | 0:31:17 | |
very special seaside town. I can't
believe Blackpool is one week away. | 0:31:17 | 0:31:26 | |
I have never been to Blackpool. It
would be incredible if I got to | 0:31:26 | 0:31:29 | |
dance there. My whole Strictly
journey has been leading up to that | 0:31:29 | 0:31:34 | |
moment in Blackpool. All the
professional dancers tell us... It | 0:31:34 | 0:31:39 | |
is the spiritual home of ballroom.
It would be unbelievable. It has | 0:31:39 | 0:31:43 | |
been a dream of mine ooh the fact we
have a chance is phenomenal. | 0:31:43 | 0:31:48 | |
Blackpool is such a big deal. There
is nine of us left and we are like | 0:31:48 | 0:31:53 | |
family. The reality is... One won't
be going. To dance there would be an | 0:31:53 | 0:32:04 | |
honour. | 0:32:04 | 0:32:08 | |
APPLAUSE. | 0:32:08 | 0:32:09 | |
One of these couples will make it
to the Tower Ballroom. | 0:32:09 | 0:32:11 | |
The other will be leaving
the competition and | 0:32:11 | 0:32:13 | |
joining Zoe on Monday. | 0:32:13 | 0:32:16 | |
How will you go into this? I will
enjoy it. If it is my last dance, it | 0:32:16 | 0:32:22 | |
is with this man and I loved it the
first time. I hope I can catch the | 0:32:22 | 0:32:27 | |
hat and cane again. Good start. Good
luck, please get into position. Good | 0:32:27 | 0:32:33 | |
luck. Good luck. | 0:32:33 | 0:32:38 | |
How much do you want to be in
Blackpool? It would be lovely. With | 0:32:40 | 0:32:46 | |
being this close, everyone wants to
get there. But we have got go out | 0:32:46 | 0:32:49 | |
and have fun. Like Ruth said, we
have to have fun and even if it is | 0:32:49 | 0:32:53 | |
our last dance, we get it to do it
with Oti. He is amazing. You have | 0:32:53 | 0:33:00 | |
the best partnership. Best of luck.
We will see you later. We hate | 0:33:00 | 0:33:07 | |
saying goodbye to anyone, but
someone must go tonight. Dancing | 0:33:07 | 0:33:13 | |
first, give a big hand to Ruth and
Anton! | 0:33:13 | 0:33:17 | |
MUSIC: Mac The Knife. | 0:33:29 | 0:33:35 | |
CHEERING AND APPLAUSE. Oh! Well if
that was the last one, I loved it. | 0:34:54 | 0:35:05 | |
Now fighting for their chance to
dance next week it is Jonnie and | 0:35:05 | 0:35:11 | |
Oti. | 0:35:11 | 0:35:13 | |
MUSIC: Sun Like You. -- Someone Like
You. | 0:35:41 | 0:35:53 | |
CHEERING AND APPLAUSE. Oh! | 0:36:58 | 0:37:10 | |
Well done to both couples. | 0:37:10 | 0:37:11 | |
You can do no more. | 0:37:11 | 0:37:21 | |
Judges, it's time to decide. | 0:37:22 | 0:37:28 | |
Based on that dance, | 0:37:28 | 0:37:29 | |
and that dance alone,
I'm about to ask each | 0:37:29 | 0:37:31 | |
of you the name of the couple
you think deserves to stay and why. | 0:37:31 | 0:37:35 | |
The couple with the most votes
will remain in the competition, | 0:37:35 | 0:37:37 | |
meaning the other couple is out
of Strictly Come Dancing. | 0:37:37 | 0:37:40 | |
In the event of a split decision,
Head Hudge, Shirley, | 0:37:40 | 0:37:42 | |
you will have the casting vote. | 0:37:42 | 0:37:44 | |
Ruth, Anton, Jonnie and Oti this is
it. Craig who will you save and why. | 0:37:44 | 0:37:50 | |
The person who took the notice and
criticisms that we dealt out on | 0:37:50 | 0:37:54 | |
board and improved actually in the
dance-off and for me personally was | 0:37:54 | 0:37:59 | |
the better dance, I would like to
save Jonnie and Oti. Well done, one | 0:37:59 | 0:38:08 | |
vote for you. What do you think
deserves to stay and why? The couple | 0:38:08 | 0:38:14 | |
I would like to save on the element
of difficulty and having no | 0:38:14 | 0:38:18 | |
mistakes, that is Jonnie and Oti.
Two votes for Jonnie and Oti. If | 0:38:18 | 0:38:25 | |
Bruno chooses to save you, also that
means you are indeed through to | 0:38:25 | 0:38:29 | |
Blackpool. What do you want to stay?
I would to say the couple I think | 0:38:29 | 0:38:35 | |
has improved, it was cleaner and
more emotionally involving, for that | 0:38:35 | 0:38:40 | |
reason I save Jonnie and Oti. That
means we will say goodbye to Ruth | 0:38:40 | 0:38:47 | |
and Anton. Congratulations to Jonnie
and Oti, we will | 0:38:47 | 0:38:57 | |
see you next week. Shirl do you
agree? Yes, I would have saved | 0:38:57 | 0:39:02 | |
Jonnie and Oti. I'm so sorry. Come
here. Oh! So sorry. Don't be. Thank | 0:39:02 | 0:39:12 | |
you. So sorry to see you go. Just
before Blackpool. You have provided | 0:39:12 | 0:39:22 | |
us with so much joy. We will never
forget the paso last week. I'm | 0:39:22 | 0:39:31 | |
disappointed for Anton, because he
should be at Blackpool. I'm so | 0:39:31 | 0:39:34 | |
sorry. Well done. Don't say sorry,
you have been a wonderful | 0:39:34 | 0:39:39 | |
partnership. He has made this whole
thing so much fun. I have loved it. | 0:39:39 | 0:39:45 | |
Even the judges' comments, even
Craigs. He knows I love him really. | 0:39:45 | 0:39:49 | |
All the wonderful people up there
deserve to be going to Blackpool. | 0:39:49 | 0:39:55 | |
But you Anton Du Beke... Are the
most fabulous man, so funny and a | 0:39:55 | 0:40:02 | |
beautiful dancer and I hope we will
be friends for a long time. Forever. | 0:40:02 | 0:40:07 | |
You are amazing. Anton what would
you like to say? I want to say thank | 0:40:07 | 0:40:16 | |
you to Ruth, because you are
amazing. And I love you. Oh! From | 0:40:16 | 0:40:21 | |
the heart! He loves you. We will
miss these two in Blackpool. Sorry | 0:40:21 | 0:40:30 | |
to send you off. Off you go for your
last dance. Ruth and Anton become | 0:40:30 | 0:40:39 | |
the seventh couple to leave Strictly
2017 and they will join Zoe on It | 0:40:39 | 0:40:47 | |
Takes Two. For more go to the
web-site. We will be back on | 0:40:47 | 0:40:55 | |
Saturday live from the Tower
Ballroom in Blackpool. Now with | 0:40:55 | 0:41:00 | |
their final dance it is Ruth and
Anton. | 0:41:00 | 0:41:05 | |
MUSIC: Don't Let the Sun Go Down On
Me. | 0:41:14 | 0:41:25 | |
We have had this special sparkle
that we will miss. She is amazing | 0:42:06 | 0:42:13 | |
and she will be a real loss. How do
you do it. Keep dancing. Keep | 0:42:13 | 0:42:22 | |
dancing. We made to it Blackpool.
Bring on the hard work and I can't | 0:42:22 | 0:42:29 | |
wait. We are through to Blackpool
which is something I never thought | 0:42:29 | 0:42:34 | |
would happen in a million billion
years. We're having the time of our | 0:42:34 | 0:42:39 | |
lives. Blackpool, baby. A bit cold.
But we are going to | 0:42:39 | 0:42:45 |