Browse content similar to Week 10. Check below for episodes and series from the same categories and more!
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A-ma-zing.
A-ma-zing. | 0:00:05 | 0:00:08 | |
Last week strictly packed its
ballings and hot-footed to the | 0:00:08 | 0:00:11 | |
seaside.
Some stars illuminated the Tower | 0:00:11 | 0:00:17 | |
Ballroom. 24 carat gold. While
others didn't shine so brightly. It | 0:00:17 | 0:00:22 | |
needed more of sort of everything.
But in the end it was Jonny whose | 0:00:22 | 0:00:28 | |
roller-coaster came to a halt.
This week, our celebrities's work | 0:00:28 | 0:00:34 | |
loads are doubling. Training for one
dance was tough enough. Now we have | 0:00:34 | 0:00:40 | |
two very different dances. We will
be side by side dancing | 0:00:40 | 0:00:45 | |
competitively for the first time. ?
This will be the first ever paso | 0:00:45 | 0:00:50 | |
doble-athon. One slip and there be
no hiding. To win this competition | 0:00:50 | 0:00:55 | |
you have to stand out from the
crowd. | 0:00:55 | 0:00:57 | |
Live from the BBC, this
is Strictly Come Dancing! | 0:01:44 | 0:01:47 | |
Please welcome your
hosts, Tess Daly... | 0:01:47 | 0:01:54 | |
And Claudia Winkleman. | 0:01:54 | 0:02:03 | |
CHEERING AND APPLAUSE | 0:02:03 | 0:02:13 | |
CHEERING AND APPLAUSE | 0:02:14 | 0:02:16 | |
Hello, and welcome to
Strictly Come Dancing! | 0:02:16 | 0:02:18 | |
In last week's Blackpool special,
we saw some truly spectacular | 0:02:18 | 0:02:22 | |
performances, and it was Alexandra
who quickstepped her way | 0:02:22 | 0:02:25 | |
to the top of the leaderboard
with a near perfect score of 39. | 0:02:25 | 0:02:28 | |
In a shock dance-off,
it was Jonnie and Oti and Debbie | 0:02:28 | 0:02:31 | |
and Giovanni who faced each other,
and sadly, it was | 0:02:31 | 0:02:35 | |
Jonnie who lost out. | 0:02:35 | 0:02:38 | |
We are now left with seven
celebrities who will have | 0:02:38 | 0:02:40 | |
to raise their game once more
if they want to make it to next | 0:02:40 | 0:02:44 | |
week's quarterfinal. | 0:02:44 | 0:02:45 | |
Also tonight, we have
a Strictly exclusive. | 0:02:45 | 0:02:46 | |
Our couples will be taking part
in our first ever paso-dobla-thon. | 0:02:46 | 0:02:49 | |
Capes optional. | 0:02:49 | 0:02:56 | |
I'm already on board. | 0:02:56 | 0:02:57 | |
All seven couples will be
competing against each other, | 0:02:57 | 0:02:59 | |
at the same time, on this dance
floor, which means extra marks up | 0:02:59 | 0:03:02 | |
for grabs for everyone. | 0:03:02 | 0:03:06 | |
And dishing out those extra
marks will be these four. | 0:03:06 | 0:03:08 | |
Please welcome the judges. | 0:03:08 | 0:03:12 | |
Darcey Bussell. | 0:03:12 | 0:03:15 | |
Bruno Tonioli. | 0:03:15 | 0:03:18 | |
Craig Revel Horwood. | 0:03:18 | 0:03:19 | |
And Shirley Ballas. | 0:03:19 | 0:03:27 | |
APPLAUSE
# | 0:03:27 | 0:03:30 | |
APPLAUSE | 0:03:30 | 0:03:31 | |
The judges, everyone. | 0:03:31 | 0:03:34 | |
Ole. | 0:03:34 | 0:03:38 | |
Our couples are backstage. | 0:03:38 | 0:03:40 | |
They're eager to impress
you not once, but twice. | 0:03:40 | 0:03:44 | |
So let's get them out here. | 0:03:44 | 0:03:45 | |
Please welcome our Strictly stars. | 0:03:45 | 0:03:49 | |
EastEnders star Davood Ghadami
and his partner, Nadiya Bychkova. | 0:03:50 | 0:03:55 | |
Popstar Mollie King and her
partner, AJ Pritchard. | 0:03:55 | 0:04:00 | |
Actress and radio presenter
Gemma Atkinson and her | 0:04:00 | 0:04:03 | |
partner, Aljaz Skorjanec. | 0:04:03 | 0:04:06 | |
Entertainer and radio
broadcaster Debbie McGee | 0:04:06 | 0:04:08 | |
and her partner, Giovanni Pernice. | 0:04:08 | 0:04:10 | |
From Holby City, Joe McFadden
and his partner, Katya Jones. | 0:04:10 | 0:04:15 | |
Comedian and presenter Susan Calman
and her partner, Kevin Clifton. | 0:04:15 | 0:04:19 | |
Singer and theatre star
Alexandra Burke and her | 0:04:19 | 0:04:21 | |
partner, Gorka Marquez. | 0:04:21 | 0:04:28 | |
CHEERING AND APPLAUSE
. | 0:04:28 | 0:04:39 | |
CHEERING AND APPLAUSE . | 0:04:39 | 0:04:40 | |
And then there were seven. | 0:04:40 | 0:04:42 | |
The group may be getting smaller
but we're expecting big things | 0:04:42 | 0:04:45 | |
in the ballroom tonight. | 0:04:45 | 0:04:46 | |
You will be able to vote
for your favourites later on. | 0:04:46 | 0:04:49 | |
Your votes will be added
to the judges' scores to decide | 0:04:49 | 0:04:51 | |
which two couples will face
the dance-off in Sunday | 0:04:51 | 0:04:54 | |
night's result show. | 0:04:54 | 0:04:56 | |
And dancing first tonight is Joe
and his partner, Katya. | 0:04:56 | 0:05:04 | |
For tonight's dance they're
a couple of workers building | 0:05:04 | 0:05:08 | |
a New York skyscraper. | 0:05:08 | 0:05:09 | |
After last week's flying clock,
we know Joe's got a head for heights | 0:05:09 | 0:05:13 | |
but has he got the fast feet
for the quickstep? | 0:05:13 | 0:05:17 | |
How was Blackpool? I really enjoy
it. I thought it was brilliant. To | 0:05:20 | 0:05:26 | |
put op an ambitious routine, I was
having a ball. That was exciting. | 0:05:26 | 0:05:30 | |
The attitude you brought to this
dance. What a routine. | 0:05:30 | 0:05:38 | |
We want to take risks. . Safe is not
a good thing to be. And to still be | 0:05:38 | 0:05:43 | |
here, week ten. I am so proud of
you. Well done. Salsa. Tick. | 0:05:43 | 0:05:51 | |
Today has been very tiring. The
hardest part of the quickstep is | 0:05:51 | 0:05:56 | |
maintaining the energy, and
remembering which rhythms you are | 0:05:56 | 0:05:59 | |
going into. What did I do wrong? It
is set on a skyscraper. So we get to | 0:05:59 | 0:06:08 | |
go to New York? No but we might take
it to new heights. | 0:06:08 | 0:06:14 | |
It is the shard. When the lift doors
opened, oh, this is high. It was | 0:06:14 | 0:06:22 | |
overwhelming. You can see all of
London, from one point. Look at the | 0:06:22 | 0:06:27 | |
view. Spectacular. London Eye. Tower
Bridge. It is such a beautiful | 0:06:27 | 0:06:33 | |
place. It is awe-inspiring. Now we
have seen this amazing London | 0:06:33 | 0:06:38 | |
skyline, remember that feeling, and
you have to channel it into your | 0:06:38 | 0:06:41 | |
dance.
Let us hope we are both on Cloud | 0:06:41 | 0:06:46 | |
Nine after performing at the
weekend. | 0:06:46 | 0:06:48 | |
weekend. | 0:06:48 | 0:06:51 | |
Dancing the quickstep, Joe McFadden
and his partner, Katya Jones. | 0:06:51 | 0:06:56 | |
MUSIC: Jumpin' Jack
by Big Bad Voodoo Daddy. | 0:06:58 | 0:07:08 | |
APPLAUSE
You will need a lie down after that. | 0:08:51 | 0:09:03 | |
What an energetic quickstep, they
are on their feet. A good start for | 0:09:03 | 0:09:06 | |
Joe. Brilliant. | 0:09:06 | 0:09:13 | |
While you two get your breath
back, let's welcome our | 0:09:13 | 0:09:15 | |
fabulous live singers. | 0:09:15 | 0:09:16 | |
It's Hayley, Lance, Andrea,
Tommy and of course Dave Arch | 0:09:16 | 0:09:19 | |
and his brilliant orchestra. | 0:09:19 | 0:09:23 | |
APPLAUSE
Fantastic. | 0:09:23 | 0:09:27 | |
APPLAUSE Fantastic. | 0:09:27 | 0:09:28 | |
What an energetic quickstep. | 0:09:28 | 0:09:29 | |
Shirley, you love Joe's energy,
did you love that? | 0:09:29 | 0:09:33 | |
You are definitely going on your way
to next week. You were unbelievable! | 0:09:33 | 0:09:38 | |
So let me tell you, you had a
mixture between basic steps, | 0:09:38 | 0:09:46 | |
intermediate steps and advanced. You
had beautiful chassises, double the | 0:09:46 | 0:09:52 | |
time, so many things, in there, your
posture was great. When you took | 0:09:52 | 0:09:56 | |
your hand and put them behind your
back and you went opposite side by | 0:09:56 | 0:10:01 | |
side, that is a well-known technique
in my industry and it is for superb | 0:10:01 | 0:10:07 | |
dancers that get that sensitivity of
touch between two people. It was | 0:10:07 | 0:10:10 | |
superb!
APPLAUSE | 0:10:10 | 0:10:14 | |
High praise.
The sky is the limit for Joe. | 0:10:14 | 0:10:22 | |
Excellent workmanship. Master
builder Joe. Solid technique, | 0:10:22 | 0:10:28 | |
beautiful detail, especially the
footwork. It was so light, so | 0:10:28 | 0:10:32 | |
accurate and yet you managed to
enhance all the rhythmal subtleties | 0:10:32 | 0:10:39 | |
in the music. Everything was spot
on. I love that hopping round step | 0:10:39 | 0:10:44 | |
you did, that was just brilliant. By
the way... | 0:10:44 | 0:10:47 | |
APPLAUSE
You can build my extension any time, | 0:10:47 | 0:10:51 | |
darling. After this. I will book you
in. For a refit. Craig? I thought | 0:10:51 | 0:10:57 | |
you were holding a bit of tension in
your top line. But, I have to admit | 0:10:57 | 0:11:03 | |
it was clean, it was light, it was
bright, the phasing through the | 0:11:03 | 0:11:07 | |
whole dance was exceptional, the use
of the floor, in fact stupendous | 0:11:07 | 0:11:13 | |
darling.
Stupendous. Darcey? Wonderfully | 0:11:13 | 0:11:18 | |
authentic, it was a gorgeous
routine, it was quick, light, | 0:11:18 | 0:11:21 | |
spirited. How you played with the
music as the judges have said, I | 0:11:21 | 0:11:25 | |
would say your right elbow was
bobbing a little bit, if you could | 0:11:25 | 0:11:28 | |
fix that, it is true, but how you
filled the floor with the skip, | 0:11:28 | 0:11:34 | |
skip, oh... Skip, skip, such
wonderful moves. Brilliant. Thank | 0:11:34 | 0:11:42 | |
you so much. Fantastic comments.
Can't rest on your laurels. The paso | 0:11:42 | 0:11:47 | |
doble is later on. Great start. Well
done, Joe and Katya. | 0:11:47 | 0:11:51 | |
CHEERING AND APPLAUSE | 0:11:51 | 0:11:58 | |
Well done. I love, during the
comments you looked very happy but | 0:11:59 | 0:12:05 | |
it is your face, because you must be
so proud of him, you worked very | 0:12:05 | 0:12:08 | |
hard, I know there was a dance strap
you hate. That is getting burned. | 0:12:08 | 0:12:14 | |
She knows what it could be, so that
is why she is happy. You enjoyed it. | 0:12:14 | 0:12:19 | |
It must have been hard, you were on
such a high after Blackpool but to | 0:12:19 | 0:12:23 | |
get back in the training room, I
think you said it is like Cheaming | 0:12:23 | 0:12:31 | |
Everest in flip-flops on Mondays You
keep on going. He worked so hard. | 0:12:31 | 0:12:35 | |
The energy for the dance we kept
building the stamina. Well done. The | 0:12:35 | 0:12:40 | |
scores are in. | 0:12:40 | 0:12:42 | |
The judges have their scores. | 0:12:42 | 0:12:46 | |
Climbing Everest | 0:12:56 | 0:12:56 | |
CHEERING AND APPLAUSE
Wow. Wow. That could have been such | 0:12:58 | 0:13:06 | |
a different story. That is your
highest score. You haven't had a ten | 0:13:06 | 0:13:12 | |
for a while. It has been far too
long. | 0:13:12 | 0:13:17 | |
Very well done. Well done do you and
your choreography, if you thought | 0:13:17 | 0:13:22 | |
the quickstep was an excellent start
and you want to give them your vote | 0:13:22 | 0:13:25 | |
all the details you need are on the
screen now. | 0:13:25 | 0:13:30 | |
Please don't call yet
as voting won't open | 0:13:30 | 0:13:31 | |
until the end of the show. | 0:13:31 | 0:13:33 | |
Now later on, all of our
couples will take part | 0:13:33 | 0:13:35 | |
in the paso-dobla-thon. | 0:13:35 | 0:13:36 | |
So to get us all in the mood,
it's time for a little | 0:13:36 | 0:13:40 | |
Spanish guitar and some
terms and conditions. | 0:13:40 | 0:13:46 | |
Calls to the short number
from a mobile cost 15p. | 0:13:46 | 0:13:49 | |
Calls to the long number cost 15p
plus your network's access | 0:13:49 | 0:13:51 | |
charge and please ask
the bill payer's permission. | 0:13:51 | 0:13:54 | |
You can vote online by visiting
bbc.co.uk/strictly where you will | 0:13:54 | 0:13:56 | |
also find terms and conditions. | 0:13:56 | 0:14:00 | |
The vote won't open
until after the paso- | 0:14:00 | 0:14:02 | |
dobla-thon, so please don't vote
until then as your vote won't count | 0:14:02 | 0:14:07 | |
and you may be charged. | 0:14:07 | 0:14:10 | |
Thanks, Ramon. | 0:14:10 | 0:14:14 | |
Tess. | 0:14:14 | 0:14:19 | |
Next up, it's Alexandra
and her partner, Gorka. | 0:14:19 | 0:14:26 | |
Alexandra is really enjoying her
Strictly experience. | 0:14:26 | 0:14:30 | |
It's fair to say she's
fallen in love with dance. | 0:14:30 | 0:14:33 | |
And tonight, she's performing
the dance of love, the rumba. | 0:14:33 | 0:14:42 | |
I loved Blackpool. I knew it was
going to be fun, it was going to be | 0:14:42 | 0:14:46 | |
an epic week. I didn't think it
would be that good. The detail, the | 0:14:46 | 0:14:52 | |
style, the accuracy, it was magic.
You did something that could come | 0:14:52 | 0:14:57 | |
out of a classic Hollywood movie. It
was that good. | 0:14:57 | 0:15:02 | |
Every dream box was ticked, because
of that moment. | 0:15:02 | 0:15:09 | |
We are dancing the rumba to the song
A low by Beyonce. One of my greatest | 0:15:09 | 0:15:14 | |
achievements was to sing with
Beyonce. When I listen to this song | 0:15:14 | 0:15:19 | |
it reminds me of the People around
me who are so loving and supportive. | 0:15:19 | 0:15:24 | |
The rumba is very slow. It means we
have to fill all the movements | 0:15:24 | 0:15:29 | |
between the steps with our body and
hips. The rumba is really hard. | 0:15:29 | 0:15:34 | |
Because it is so slow and how
emotionally attached I am to the | 0:15:34 | 0:15:38 | |
song, I am finding it difficult to
relax. To help with the motion, | 0:15:38 | 0:15:44 | |
Gorka has invited along Alexandra
boyfriend. I want you two to try to | 0:15:44 | 0:15:49 | |
dance the rumba together so we can
get the feeling we will create when | 0:15:49 | 0:15:54 | |
we are dancing. Let's give it a go.
One, very good, two. Josh has helped | 0:15:54 | 0:15:59 | |
me to relax. I hope I can channel
that emotion into the dance with | 0:15:59 | 0:16:06 | |
Gorka. Good luck with the dance on
Saturday. I will be watching and | 0:16:06 | 0:16:10 | |
sending you lots of love. | 0:16:10 | 0:16:12 | |
Dancing the rumba, Alexandra Burke
and her partner, Gorka Marquez. | 0:16:12 | 0:16:15 | |
MUSIC: "Halo" by Beyonce. | 0:16:15 | 0:16:17 | |
CHEERING | 0:17:55 | 0:18:05 | |
Alexandra and Gorka, gorgeous.
Beautiful when you dance. | 0:18:09 | 0:18:11 | |
Your boyfriend's watching at home
I'm sure he enjoyed that. | 0:18:11 | 0:18:14 | |
And you enjoyed
dancing to that song. | 0:18:14 | 0:18:16 | |
Yes. | 0:18:16 | 0:18:17 | |
Top of the leaderboard last week,
how did Alexandra do tonight, Bruno? | 0:18:17 | 0:18:23 | |
Well, we got the drama of the week
sorted, the torment, the conflicted | 0:18:23 | 0:18:29 | |
emotions, it was like a couple going
through a break-up and then getting | 0:18:29 | 0:18:32 | |
back together at the end. It was
really like a drama set to music. I | 0:18:32 | 0:18:39 | |
like very much the interpretation.
At times, I felt like you could have | 0:18:39 | 0:18:44 | |
extended a little bit more the
lines. It was so acted that you | 0:18:44 | 0:18:48 | |
could have stretched a little bit
more through your body, especially | 0:18:48 | 0:18:52 | |
on the hips, but I was very
intrigued by the performance. Thank | 0:18:52 | 0:18:58 | |
you. The passion. Craig. You needed
straight lens in your rumba waltz. | 0:18:58 | 0:19:06 | |
The reaches, as Bruno said, you need
to fondle extend them. Further | 0:19:06 | 0:19:14 | |
expert -- further extend them. I
thought you were missing the | 0:19:14 | 0:19:18 | |
placement. Unlike Bruno, I felt it
was more of the technical display | 0:19:18 | 0:19:22 | |
and I felt it lacked any connection
and chemistry. I really did. It is | 0:19:22 | 0:19:28 | |
only my opinion. But you should be
proud of yourself, it was a | 0:19:28 | 0:19:32 | |
beautiful dance. Thank you. Darcey.
I can see you have worked incredibly | 0:19:32 | 0:19:39 | |
hard trying to finish of those lines
with your feet and everything. There | 0:19:39 | 0:19:43 | |
were some really nice accents. This
was the first time I have seen you | 0:19:43 | 0:19:49 | |
not express, it is the music, you
have such an ability to express the | 0:19:49 | 0:19:53 | |
music through your body. For me, I
was not seeing that desire, and as | 0:19:53 | 0:20:00 | |
Craig said, that connection, which
was unusual. I would have liked to | 0:20:00 | 0:20:05 | |
see more caress and resistance
through the floor of your feet, but | 0:20:05 | 0:20:09 | |
you are stunning dance. I just
expect more. They are getting very | 0:20:09 | 0:20:14 | |
picky. The quarterfinals are only a
week away. As your resident rumba | 0:20:14 | 0:20:20 | |
expert, where do you stand? I
thought you had quite nice emotion. | 0:20:20 | 0:20:24 | |
That part was good. I feel that
perhaps, when you dance to your | 0:20:24 | 0:20:32 | |
cha-cha, you got over this
brilliantly straight leg, you locked | 0:20:32 | 0:20:35 | |
it and moved your body weight over
it. To date look like your feet were | 0:20:35 | 0:20:40 | |
in front of your body. You wanted to
step. You stepped on every beat of | 0:20:40 | 0:20:45 | |
the music. There are four beats,
three steps, and one should be a | 0:20:45 | 0:20:52 | |
halt. The whole part is the part
where you can give more emotion. If | 0:20:52 | 0:20:57 | |
you are constantly moving on every
single step, busy, busy, you do not | 0:20:57 | 0:21:01 | |
have that moment in time. But you
are a great performer, you will come | 0:21:01 | 0:21:06 | |
back strong, well done. Thank you.
Not your best comments, but three | 0:21:06 | 0:21:17 | |
weeks to the final, they are getting
picky. You can come back fighting in | 0:21:17 | 0:21:20 | |
the paso-dobla-thon. Let's hear it
for Alexandra and Gorka. | 0:21:20 | 0:21:24 | |
CHEERING | 0:21:24 | 0:21:30 | |
Well done. Thank you. You love the
quickstep last week on that bouncy | 0:21:30 | 0:21:35 | |
floor. Talk about a gear change?
Yes, one fast and once loved. You | 0:21:35 | 0:21:41 | |
were worried because you said if it
is law they will see all my | 0:21:41 | 0:21:44 | |
mistakes. It is important to grow
and learn. I enjoyed this dance. I | 0:21:44 | 0:21:49 | |
felt so great with you and I had a
wonderful time on stage but it is | 0:21:49 | 0:21:52 | |
good to get that kind of criticism
so I can work towards something and | 0:21:52 | 0:21:57 | |
hopefully get better. OK, good girl.
Well done. | 0:21:57 | 0:22:03 | |
The scores are in. | 0:22:03 | 0:22:06 | |
The judges have their scores. | 0:22:06 | 0:22:08 | |
I felt the Halo. That is great. I
thought it was going to be worse. | 0:22:18 | 0:22:26 | |
Very well done. | 0:22:26 | 0:22:29 | |
If you don't want Alexandra and
Gorka to be out of the competition, | 0:22:29 | 0:22:32 | |
then you will need to make sure
they get your vote. | 0:22:32 | 0:22:35 | |
All the details you need to see them
dance again next week | 0:22:35 | 0:22:38 | |
are on your screen now. | 0:22:38 | 0:22:39 | |
Please don't call yet as the vote
won't open until later on. | 0:22:39 | 0:22:42 | |
Still to come, Mollie and AJ
quickstep and Debbie and Giovanni | 0:22:42 | 0:22:45 | |
perform an Argentine tango. | 0:22:45 | 0:22:46 | |
Tess. | 0:22:46 | 0:22:47 | |
Next tonight, Gemma
and her partner, Aljaz. | 0:22:47 | 0:22:52 | |
This week, Gemma's doing
a samba, the party dance, | 0:22:52 | 0:22:57 | |
and after receiving her first tens
of the series for last | 0:22:57 | 0:23:00 | |
week's American smooth,
she's got plenty to celebrate. | 0:23:00 | 0:23:02 | |
The routine starts with them in bed.
I bet she's dreaming of a place in | 0:23:02 | 0:23:07 | |
the quarterfinal. What a cracking
weekend we had. Saturday night Fever | 0:23:07 | 0:23:12 | |
in Blackpool. It is too good to be
true. That is what it felt like on | 0:23:12 | 0:23:18 | |
Saturday. I had to keep pinching
myself. You got a standing ovation | 0:23:18 | 0:23:22 | |
from Shirley. Two names, two tens.
Hi-fi. This week we are doing the | 0:23:22 | 0:23:30 | |
samba. The samba is a lot more
complicated than what I thought. It | 0:23:30 | 0:23:36 | |
is so confusing. There is a lot to
it, it is hard. The samba is fast | 0:23:36 | 0:23:41 | |
and punchy. It sounds like Thai
boxing. You know that outside of | 0:23:41 | 0:23:46 | |
dancing I do Thai boxing. Do you
fancy seeing what it is all about? | 0:23:46 | 0:23:52 | |
Yes. Really? Years. OK, Aljaz, this
is without train. Let's get some | 0:23:52 | 0:23:58 | |
gloves on. I am scared. I've even
skipped like a dancer. I think | 0:23:58 | 0:24:10 | |
coming here is definitely going to
help. Seeing Gemma, how much energy | 0:24:10 | 0:24:15 | |
she has when she does boxing, we
need to put that on the ballroom | 0:24:15 | 0:24:19 | |
floor. Just being in this
environment has given me a little | 0:24:19 | 0:24:28 | |
boost of energy, more confidence.
Hopefully we will have a knockout | 0:24:28 | 0:24:32 | |
performance on Saturday. | 0:24:32 | 0:24:38 | |
Dancing the samba, Gemma Atkinson
and her partner, Aljaz Skorjanec. | 0:24:38 | 0:24:40 | |
MUSIC: "The River of
Dreams" by Billy Joel. | 0:24:41 | 0:24:49 | |
CHEERING | 0:26:20 | 0:26:30 | |
Gemma and Aljaz. The crowd are going
wild. Come on. They are sleeping on | 0:26:32 | 0:26:36 | |
the job. Come on. You can leave your
pyjamas over there. You're | 0:26:36 | 0:26:46 | |
exhausted. Well done. | 0:26:46 | 0:26:53 | |
Craig, you were blown away
by her ballroom last week. | 0:26:53 | 0:26:55 | |
How was her Latin tonight? | 0:26:55 | 0:26:59 | |
In the promenade, your hands looked
like soup ladles. You need to sort | 0:26:59 | 0:27:03 | |
them out. It was lumpy and awkward
at times. I felt this dance exposed | 0:27:03 | 0:27:10 | |
your weaknesses, sadly. Rubbish. The
dream has turned into a nightmare. | 0:27:10 | 0:27:18 | |
Darcey. The whole narrative of this
dance was a little strange. It was a | 0:27:18 | 0:27:23 | |
sleepy party and I wanted it to come
alive and have the vibe of the | 0:27:23 | 0:27:28 | |
carnival like the samba should be.
It never woke up for me. It kind of | 0:27:28 | 0:27:31 | |
came through your body, the posture
and everything. Craig is right, that | 0:27:31 | 0:27:38 | |
free arm was not really directed.
The body should follow through right | 0:27:38 | 0:27:42 | |
into the arm, it should have
direction as much as your legs and | 0:27:42 | 0:27:46 | |
feet. All those technical things. I
do not believe this is your dance. | 0:27:46 | 0:27:52 | |
What do you think, Shirley? I quite
liked the bedroom scene. They looked | 0:27:52 | 0:27:58 | |
as snug as a bug in a rug. You look
like you did not want to get up but | 0:27:58 | 0:28:03 | |
once you got started... Let me
clarify what I feel Craig means by | 0:28:03 | 0:28:08 | |
lumpy. When you hit the promenade
run you do one, two, three and you | 0:28:08 | 0:28:13 | |
do the movement. The non-standing
like should be passing beneath the | 0:28:13 | 0:28:17 | |
body ready for the next step. It
should be like one, two, three. That | 0:28:17 | 0:28:22 | |
is what gives the feeling that it
stops a little bit and it can lead | 0:28:22 | 0:28:26 | |
lumpy. You did a nice Volta. I was
quite pleased. Well done. Focus on | 0:28:26 | 0:28:34 | |
that. Thanks, Aljaz. Bruno. It was
an absolutely perfect samba with a | 0:28:34 | 0:28:45 | |
hangover. It was the morning after
the night before. Absolutely right. | 0:28:45 | 0:28:49 | |
I have been there myself. Quite a
few times. Get on with it. The thing | 0:28:49 | 0:28:56 | |
is, you cannot let the
interpretation, which I thought was | 0:28:56 | 0:29:00 | |
very clever, you have to try
different things to keep interest. | 0:29:00 | 0:29:07 | |
But the interpretation stop to the
rhythm flowing through your body. | 0:29:07 | 0:29:10 | |
The samba is almost like being
hypnotised. You never lose that | 0:29:10 | 0:29:14 | |
sense of rhythm. It is continuous. I
think it is because you were trying | 0:29:14 | 0:29:18 | |
to play so many different parts, you
lost it a bit, but it was very cute. | 0:29:18 | 0:29:24 | |
Sometimes you try things and they
work better than others, but good | 0:29:24 | 0:29:28 | |
for you for trying something
different. Thank you. Those are the | 0:29:28 | 0:29:34 | |
comments. You have another dance to
go. I do not understand it. I do not | 0:29:34 | 0:29:41 | |
speak English. Off you go. | 0:29:41 | 0:29:46 | |
You smashed it.
Well done darling. | 0:29:52 | 0:29:57 | |
Last week again, was absolutely
amaze, you didn't like the samba, | 0:29:57 | 0:30:01 | |
you didn't like the rolling. I did
enjoy that, I thought it was fun to | 0:30:01 | 0:30:05 | |
do a dance that was different to the
last one. Bruno loved the fact you | 0:30:05 | 0:30:09 | |
were trying something different.
Thank you Bruno. I would rather try | 0:30:09 | 0:30:15 | |
and fail than not try. I am really
proud of you. | 0:30:15 | 0:30:21 | |
An excellent voltas, whatever they
are. | 0:30:21 | 0:30:23 | |
An excellent voltas,
whatever they are. | 0:30:23 | 0:30:24 | |
The scores are in. | 0:30:24 | 0:30:25 | |
The judges have their scores. | 0:30:25 | 0:30:31 | |
Massive progress! It is normally the
other way round. It is normally the | 0:30:44 | 0:30:51 | |
celebrity... | 0:30:51 | 0:30:51 | |
It is | 0:30:51 | 0:30:53 | |
If you enjoyed Gemma and Aljaz's
samba and you want to see them | 0:30:53 | 0:30:56 | |
dance again next week,
then please vote for them. | 0:30:56 | 0:30:58 | |
All the details you need are up
on your screen now and voting | 0:30:58 | 0:31:01 | |
will open after the paso-dobla-thon. | 0:31:01 | 0:31:02 | |
There is all of this still to come. | 0:31:02 | 0:31:12 | |
It has been an intense week, every
part of my body aches, I have a | 0:31:14 | 0:31:19 | |
friction burn on my side. Things are
getting more serious. | 0:31:19 | 0:31:24 | |
Think about beat and whether you are
low and high on the steps. A lot to | 0:31:24 | 0:31:29 | |
take in.
It is vital that you move when you | 0:31:29 | 0:31:33 | |
are meant to, because otherwise you
end up kicking each other and | 0:31:33 | 0:31:36 | |
getting entwined in each other. I
have to pick up the pace, I am | 0:31:36 | 0:31:40 | |
moving like a snail. I need to get
going. Do the correct steps. Oh, | 0:31:40 | 0:31:46 | |
that is a good tip! | 0:31:46 | 0:31:49 | |
Oh, that is a good tip! | 0:31:49 | 0:31:50 | |
I can't wait to see all that,
and I'm really looking forward | 0:31:50 | 0:31:53 | |
to Susan's routine set
on a cruise ship. | 0:31:53 | 0:31:55 | |
Where is Susan going
on her cruise ship? | 0:31:55 | 0:31:57 | |
Alaska. | 0:31:57 | 0:31:58 | |
OK, because I would like to know. | 0:31:58 | 0:32:00 | |
Alaska! | 0:32:00 | 0:32:02 | |
Good. | 0:32:02 | 0:32:04 | |
And when she tells you, let me know. | 0:32:04 | 0:32:06 | |
Alaska, Claud, Alaska! | 0:32:06 | 0:32:10 | |
If it's too much trouble,
I'll ask her myself. | 0:32:10 | 0:32:19 | |
Our next couple is Mollie
and her partner, AJ. | 0:32:19 | 0:32:27 | |
Tonight they're dancing to a swing
version of the Rihanna song | 0:32:27 | 0:32:30 | |
Umbrella, so get ready
for a quickstep from | 0:32:30 | 0:32:32 | |
Mollie and her brolly. | 0:32:32 | 0:32:35 | |
Blackpool was amazing. When we were
doing that spin, for the first time | 0:32:41 | 0:32:47 | |
ever, everything went into slow
motion, it was a feeling I will | 0:32:47 | 0:32:50 | |
never forget. Really you are getting
better, well done. | 0:32:50 | 0:32:55 | |
All I can do is my best, if she sees
an improvement, that is the biggest | 0:32:55 | 0:33:02 | |
compliment I could ask for.
This week we have the quickstep, I | 0:33:02 | 0:33:08 | |
am so excited about it, this looks
so much fun. You have to be like | 0:33:08 | 0:33:14 | |
lightening round the floor, the fact
I have to move fast is daunting. | 0:33:14 | 0:33:18 | |
Daunting. Have to be revenge niced
together, we have to stay calm | 0:33:18 | 0:33:25 | |
together so we stay matched. I get
so nervous on the Saturday night, I | 0:33:25 | 0:33:29 | |
know last time we did a ballroom I
tripped up. I need to build my | 0:33:29 | 0:33:34 | |
confidence up. Here a timely visit
from her biggest fan. You are so big | 0:33:34 | 0:33:40 | |
aren't you. This afternoon my nephew
and sister came down to visit us. | 0:33:40 | 0:33:46 | |
Did you watch us dancing? Shall we
watch it again? Yes. I have the best | 0:33:46 | 0:33:51 | |
family in the world. Their support
means everything to me. We love | 0:33:51 | 0:33:57 | |
watching Mollie dancing an we can't
wait for Saturday. William loved the | 0:33:57 | 0:34:01 | |
dance. I hope more than anything I
don't let them down this weekend. | 0:34:01 | 0:34:06 | |
Auntie Mollie. | 0:34:06 | 0:34:08 | |
Auntie Mollie. | 0:34:08 | 0:34:10 | |
Dancing the quickstep, Mollie King
and her partner, AJ Pritchard. | 0:34:10 | 0:34:12 | |
MUSIC: "Umbrella" by The Base-balls. | 0:34:12 | 0:34:22 | |
CHEERING AND APPLAUSE
Yes, yes. Beautiful job. Beautiful | 0:36:06 | 0:36:13 | |
job Mollie and AJ. Standing ovation
in the studio. Well done. | 0:36:13 | 0:36:17 | |
Listen to that.
CHEERING AND APPLAUSE | 0:36:17 | 0:36:23 | |
What a reaction from the audience.
That must feel good. Oh, perfectly | 0:36:23 | 0:36:28 | |
matched. You have such great
chemistry, I can see how hard you | 0:36:28 | 0:36:32 | |
have been working. | 0:36:32 | 0:36:33 | |
have been working. | 0:36:33 | 0:36:34 | |
Darcey, last week you saw a real
improvement, what about tonight? | 0:36:34 | 0:36:37 | |
Very good Mollie. It was so
confident, focussed, it was assured. | 0:36:37 | 0:36:44 | |
With all that footwork, the
complexity, how you kept it clean | 0:36:44 | 0:36:49 | |
and crisp impressive. It is so
exhausting and I could see the | 0:36:49 | 0:36:53 | |
second half the shoulders started to
rise, so keep those down, and you | 0:36:53 | 0:36:56 | |
know it is in the feet. Making sure
we never notice when you are coming | 0:36:56 | 0:37:00 | |
to the end. Keep that energy level
right until the very end. Well done. | 0:37:00 | 0:37:04 | |
Thank you.
APPLAUSE | 0:37:04 | 0:37:08 | |
Shirley. Well Mollie you have made
huge strides when it comes to your | 0:37:08 | 0:37:15 | |
frame and the three-quarters of the
way round today you were amazing, I | 0:37:15 | 0:37:20 | |
agree with Darcey you ran out of
stamina which affected the end. The | 0:37:20 | 0:37:25 | |
way you kept your arms, like wing,
they were like wings, and they flew | 0:37:25 | 0:37:29 | |
this time, there was no hanging, no
sagging, you kept it up. That showed | 0:37:29 | 0:37:35 | |
me your core was improving, then
your footwork improve, you did | 0:37:35 | 0:37:40 | |
rolling pivots, you step forward,
turned, that is one of the most | 0:37:40 | 0:37:45 | |
difficult things.
Very good. Well done, Shirley is | 0:37:45 | 0:37:48 | |
applauding you. Brow know. The fog
has lifted. What we have got, a | 0:37:48 | 0:37:57 | |
bright, lively clear quickstep. You
have improved so much. Usually, what | 0:37:57 | 0:38:03 | |
happened in the past, in the flow of
things you never clearly finished | 0:38:03 | 0:38:08 | |
the movement, you were doing fast
turn, and it was a bit wobbly at the | 0:38:08 | 0:38:13 | |
end. Tonight, no, my darling, there
you were, clear and crisp, keeping | 0:38:13 | 0:38:21 | |
the lines beautiful, placed
footwork, keep going, that is the | 0:38:21 | 0:38:23 | |
way to get to the final.
That is what we like to hear. Craig. | 0:38:23 | 0:38:31 | |
I am seeing the effort in your
footwork being reproduced in your | 0:38:31 | 0:38:35 | |
top line, you dropped the ball
really towards the end of it. I | 0:38:35 | 0:38:40 | |
thought you were jolty on some of
the runs and there was something | 0:38:40 | 0:38:43 | |
happened at the end, I don't know
what that was supposed to be. That | 0:38:43 | 0:38:48 | |
was my fault. Whatever it was, it
wasn't anything. You are making so | 0:38:48 | 0:38:56 | |
much progress, I have to agree with
them. Wonderful to see. It really is | 0:38:56 | 0:39:00 | |
wonderful to see. They all can see
improvement. Just when it matters | 0:39:00 | 0:39:05 | |
the most you step it up to the
place. Can't wait to see you in the | 0:39:05 | 0:39:09 | |
paso doble. Well done, Mollie and
AJ. | 0:39:09 | 0:39:14 | |
APPLAUSE | 0:39:14 | 0:39:19 | |
Well done. They love you. They love
you. All you want is to hear that | 0:39:22 | 0:39:29 | |
you have improved and all four said
it That is biggest compliment ever. | 0:39:29 | 0:39:34 | |
I know I am not naturally the best
dancer here but I am just trying so | 0:39:34 | 0:39:39 | |
hard, if you can notice an
improvement so that is so much for | 0:39:39 | 0:39:42 | |
me and thank you for you, for
putting up with me. The scores are | 0:39:42 | 0:39:47 | |
in. | 0:39:47 | 0:39:49 | |
The judges have their scores. | 0:39:49 | 0:39:58 | |
APPLAUSE
Yes! They are all shouting kiss, we | 0:40:07 | 0:40:18 | |
would all like it, but, OK, we will
wait till the wrap. Can I share this | 0:40:18 | 0:40:21 | |
with the group. That is your first
nine. I know! Plaus plaus. Week ten | 0:40:21 | 0:40:28 | |
and it is your highest score. Thank
you Bruno. They are shouting, OK. | 0:40:28 | 0:40:34 | |
They are shouting kiss, we will
ignore them. If you love the | 0:40:34 | 0:40:38 | |
quickstep and want to see them next
week make sure you vote. | 0:40:38 | 0:40:43 | |
All the details you need
to are on your screen now | 0:40:43 | 0:40:46 | |
and the vote will open
towards the end of the show. | 0:40:46 | 0:40:50 | |
They are like, do it now. AJ. Come
on! | 0:40:50 | 0:40:59 | |
This has taken a weird turn. | 0:41:01 | 0:41:03 | |
This has taken a weird turn. | 0:41:03 | 0:41:04 | |
Still to come, Debbie
is in Argentina. | 0:41:04 | 0:41:06 | |
I think she took the wrong exit
driving back from Blackpool. | 0:41:06 | 0:41:09 | |
Dancing next is Davood
and his partner Nadiya. | 0:41:09 | 0:41:17 | |
Last week, Davood delivered
a James Bond paso that would have | 0:41:17 | 0:41:20 | |
impressed Daniel Craig,
but for tonight's waltz, | 0:41:20 | 0:41:22 | |
the only Craig he has
to win over is this one. | 0:41:22 | 0:41:30 | |
Blackpool. Amazing. I think it is
the most memorable performance. | 0:41:32 | 0:41:37 | |
Absolutely. I don't think I will
forget it I think you have earned | 0:41:37 | 0:41:42 | |
your license to thrill. To get good
marks and knowing Nadiya was | 0:41:42 | 0:41:47 | |
pleased. I was emotional because I
felt like we achieved something | 0:41:47 | 0:41:53 | |
good. Mission accomplished.
It is a different style of dance | 0:41:53 | 0:41:58 | |
week for Davood. Waltz in general,
it is a difficult dance, especially | 0:41:58 | 0:42:03 | |
for a man to lead me into every
step. You have to make sure your | 0:42:03 | 0:42:07 | |
weight is in the right position,
your alignment, the relationship | 0:42:07 | 0:42:12 | |
with your partner. Davood struggles
a bit, every movement is a different | 0:42:12 | 0:42:16 | |
timing. There are beats you have to
hold and positions you have to hold, | 0:42:16 | 0:42:20 | |
if they are not right it will be
obvious. You have to remember the | 0:42:20 | 0:42:23 | |
rise and fall which is important in
the waltz. One and two, three. On | 0:42:23 | 0:42:27 | |
the one, this is the lowest point
and you start to rise on two, and on | 0:42:27 | 0:42:31 | |
three is the highest point when you
are on your toe, and it is again, | 0:42:31 | 0:42:36 | |
one two three. Practising the one,
two, three of the waltz. Even got my | 0:42:36 | 0:42:40 | |
hand in the right position. One,
two, three, OK. Keep working on it. | 0:42:40 | 0:42:46 | |
Straighten your elbow this way. Have
have been working hard all week, I | 0:42:46 | 0:42:50 | |
hope we get it right when it count,
because it can be such a beautiful | 0:42:50 | 0:42:55 | |
ballroom dance and I didn't want to
risk it not looking that way. | 0:42:55 | 0:43:01 | |
ballroom dance and I didn't want
to risk it not looking that way. | 0:43:01 | 0:43:04 | |
Dancing the waltz, Davood Ghadami
and his partner, Nadiya Bychkova. | 0:43:04 | 0:43:13 | |
MUSIC: "With You I'm Born Again"
by Billy Preston and Syreeta. | 0:43:13 | 0:43:23 | |
CHEERING | 0:44:48 | 0:44:58 | |
Wonderful. A wonderful waltz.
Another standing ovation. | 0:45:03 | 0:45:07 | |
Another strong performance. | 0:45:07 | 0:45:12 | |
Soak it up. Beautiful. | 0:45:12 | 0:45:13 | |
You've stripped things back tonight. | 0:45:13 | 0:45:22 | |
He has proved himself an
all-rounder. He has delivered for | 0:45:22 | 0:45:26 | |
two weeks in a row. Has he done it
tonight? I do believe he has. You | 0:45:26 | 0:45:32 | |
have taking me back in time. Here
are breath of fresh air. Matt Teale | 0:45:32 | 0:45:37 | |
suit is stunning. I stripped back
version of the classic waltz. The | 0:45:37 | 0:45:41 | |
most beautiful clothes when you
brought your feet together. Not too | 0:45:41 | 0:45:45 | |
much beautiful -- not too much
popping and dipping. On a beautiful | 0:45:45 | 0:45:51 | |
even plain. Bruno, I'll be looking
at the quarterfinal is? Definitely. | 0:45:51 | 0:45:56 | |
Look at them. They look like movie
stars. Gorgeous. A gorgeous waltz. | 0:45:56 | 0:46:03 | |
It was stylish, it was extremely
elegant, it was simple but so | 0:46:03 | 0:46:08 | |
effective. I was totally charmed. We
all were. Beautiful. Craig. The only | 0:46:08 | 0:46:16 | |
thing it needed was more swing and
sway, which is that forward and back | 0:46:16 | 0:46:20 | |
were side to side movement, which is
very difficult. The professionals | 0:46:20 | 0:46:26 | |
have that, obviously, but elegance,
Grace, taste, gentility, darling, | 0:46:26 | 0:46:33 | |
simplicity, beautiful. High praise.
Darcey. It was effortless. The care | 0:46:33 | 0:46:38 | |
that you had on hold with Nadiya,
the control, no affectations, I love | 0:46:38 | 0:46:46 | |
that. The amount of travel as well
and this lovely romance. My kind of | 0:46:46 | 0:46:50 | |
waltz. For someone who had not dance
before Strictly, you make it look | 0:46:50 | 0:46:57 | |
easy. Effortlessly brilliant. It is
Davood and Nadiya. | 0:46:57 | 0:47:03 | |
CHEERING
Very, very well done. As they said, | 0:47:03 | 0:47:13 | |
Tess said and the judges said,
simple. You wanted to strip it back. | 0:47:13 | 0:47:22 | |
Yes, we decided to do that. Lucky
socks. They are back on. Excellent, | 0:47:22 | 0:47:26 | |
they have not been washed. | 0:47:26 | 0:47:28 | |
The scores are in. | 0:47:28 | 0:47:33 | |
Will the judges please reveal their
scores? | 0:47:33 | 0:47:35 | |
Very well done. The same score as
last week. So happy, so happy, thank | 0:47:44 | 0:47:50 | |
you. | 0:47:50 | 0:47:53 | |
If you would like to see
Davood and Nadiya in next | 0:47:53 | 0:47:56 | |
week's quarterfinal,
then you will need to | 0:47:56 | 0:47:58 | |
show them your support. | 0:47:58 | 0:47:59 | |
All the details you need to vote
for them are up on your screen now. | 0:47:59 | 0:48:02 | |
Voting will open later on. | 0:48:02 | 0:48:03 | |
Plus, if you want more exclusive
information about Strictly, | 0:48:03 | 0:48:06 | |
then please head to the website. | 0:48:06 | 0:48:07 | |
This week, Gorka reveals his horse
whispering background. | 0:48:07 | 0:48:09 | |
Tess. | 0:48:09 | 0:48:12 | |
I know. They just did a horse
impression. Everything is complete. | 0:48:12 | 0:48:17 | |
Dancing next is Debbie and Giovanni. | 0:48:17 | 0:48:21 | |
Last week, Debbie found
herself in the bottom two | 0:48:21 | 0:48:24 | |
and survived the dance-off. | 0:48:24 | 0:48:26 | |
Tonight she's got to put that drama
behind her and focus on the intense | 0:48:26 | 0:48:30 | |
drama of the Argentine tango. | 0:48:30 | 0:48:38 | |
Saturday, I really love doing the
dance. I was just really sad to be | 0:48:38 | 0:48:42 | |
in the dance-off. It might have been
me that went. I did feel that I give | 0:48:42 | 0:48:48 | |
it an extra something to prove that
we deserve to still be in the | 0:48:48 | 0:48:53 | |
competition. I will save Debbie and
Giovanni. We have lots of hard work | 0:48:53 | 0:48:57 | |
ahead of us, one of the biggest
performing challenges that I have | 0:48:57 | 0:49:00 | |
ever faced in my life. The Argentine
tango is a really intimate dance. It | 0:49:00 | 0:49:08 | |
is very, very difficult. I am really
tired. My brain does not want to | 0:49:08 | 0:49:13 | |
work. I felt my age today. I could
not push it any further than I was | 0:49:13 | 0:49:17 | |
pushing it. To help Debbie get her
groove back, Giovanni takes her to | 0:49:17 | 0:49:26 | |
see a demonstration by former
Argentine tango world champion | 0:49:26 | 0:49:32 | |
Vincent Simoni. Your noses touch,
sensual. Of course. Not only do you | 0:49:32 | 0:49:38 | |
dance with the top, your feet have
another story to tell. It is the | 0:49:38 | 0:49:44 | |
look and they embrace that you guys
are going to have when you dance | 0:49:44 | 0:49:48 | |
this beautiful dance. It is all
about the Passion of every single | 0:49:48 | 0:49:52 | |
step. I think they are going to do
an amazing tango. I feel totally | 0:49:52 | 0:49:57 | |
inspired. If I can perform this
well, this will be one of my most | 0:49:57 | 0:50:03 | |
memorable weeks on Strictly. | 0:50:03 | 0:50:09 | |
Dancing the Argentine tango,
Debbie McGee and her | 0:50:09 | 0:50:10 | |
partner, Giovanni Pernice. | 0:50:10 | 0:50:12 | |
MUSIC: "Por Una Cabeza". | 0:50:12 | 0:50:16 | |
CHEERING | 0:51:52 | 0:51:58 | |
Wow! | 0:52:08 | 0:52:11 | |
Yes. Mesmerising. Just sensational.
Look how happy Giovanni is. Listen | 0:52:11 | 0:52:21 | |
to the audience. Multiple splits. So
flexible. Focus, Sharp. I know the | 0:52:21 | 0:52:33 | |
dance-off is not a nice place to be,
but you meant business tonight. How | 0:52:33 | 0:52:37 | |
did she do? Debbie, the queen of
Buena ciders. More than that, you | 0:52:37 | 0:52:46 | |
really use the dance floor tonight.
Like it was a canvas. Your legs, | 0:52:46 | 0:52:51 | |
they were like a paintbrush in the
hand of a great artist. Drawing the | 0:52:51 | 0:52:57 | |
most beautiful pictures you could
imagine. It was splendid. Thank you. | 0:52:57 | 0:53:03 | |
More artistry. Do you agree, Craig?
You truly amaze me. You're totally | 0:53:03 | 0:53:09 | |
unbelievable. I wish I could dance
like you, my darling. I do have one | 0:53:09 | 0:53:17 | |
small note, however, there is always
something. Your legs, if you do this | 0:53:17 | 0:53:24 | |
again, and I hope you do one day,
you're like action is a little bit | 0:53:24 | 0:53:28 | |
too placed. The man leads and the
like should sort of plot. It should | 0:53:28 | 0:53:35 | |
be a loose leg and that makes it
look a little bit more spectacular, | 0:53:35 | 0:53:41 | |
but while. Craig wants to be you. --
but wow. The articulation and the | 0:53:41 | 0:53:51 | |
line in those legs is outstanding.
Beautiful. Your balance, with the | 0:53:51 | 0:53:56 | |
amount of technical detail, is
extraordinary. I only have one | 0:53:56 | 0:54:00 | |
little pic, and I can because you're
stunning, when you had that amazing | 0:54:00 | 0:54:06 | |
circle lift. If you could hold your
frame. It was like you were taken by | 0:54:06 | 0:54:11 | |
surprise. But my goodness, the end,
that little French, I loved it. -- | 0:54:11 | 0:54:22 | |
little fringe. I found the whole
thing to be quite emotional. I am a | 0:54:22 | 0:54:30 | |
57-year-old woman, I pride myself on
my balance, but I have never seen | 0:54:30 | 0:54:35 | |
balance like that. Your outstanding.
Thank you, judges. High praise | 0:54:35 | 0:54:40 | |
indeed. What about that ladies and
gentlemen? | 0:54:40 | 0:54:47 | |
CHEERING | 0:54:47 | 0:54:53 | |
Well done, sweetheart. You were in
the dance-off. You felt that was | 0:54:57 | 0:55:01 | |
going to happen but you did not
mind. You have struggled this week. | 0:55:01 | 0:55:06 | |
Yes, I pulled a muscle in my back
three weeks ago. With all the lifts, | 0:55:06 | 0:55:12 | |
it really played up, so with a
couple of days left, we thought we | 0:55:12 | 0:55:15 | |
would have to cut them, and I have
really pushed it. Very well done. | 0:55:15 | 0:55:21 | |
Working hard. The scores are in. The
judges have their scores. | 0:55:21 | 0:55:32 | |
Yes, yes, well done. Very, very well
done. You must be over the moon with | 0:55:43 | 0:55:50 | |
those scores. Jealous. | 0:55:50 | 0:55:56 | |
If you thought Debbie and Giovanni's
traditional Argentine tango | 0:55:56 | 0:55:58 | |
was perfect, then you will need
to give them your vote. | 0:55:58 | 0:56:00 | |
All the details are on your screen
now, and the vote will open | 0:56:00 | 0:56:04 | |
at the end of the show. | 0:56:04 | 0:56:05 | |
Well done. | 0:56:05 | 0:56:05 | |
Still to come, the paso-dobla-thon. | 0:56:05 | 0:56:10 | |
Imagine the Black Friday sales set
to Spanish music. | 0:56:10 | 0:56:11 | |
Tess. | 0:56:11 | 0:56:13 | |
Our final couple to dance
before the paso-dobla-thon | 0:56:13 | 0:56:15 | |
is Susan and her partner,
Kevin. | 0:56:15 | 0:56:19 | |
Last week's paso saw Susan
at the bottom of the leaderboard. | 0:56:19 | 0:56:24 | |
Tonight's American smooth is set
on board a luxury liner but will it | 0:56:24 | 0:56:27 | |
be good enough to see them cruising
through to next week's quarterfinal? | 0:56:27 | 0:56:30 | |
To do that number in that wonderful
dress, in Blackpool, was just | 0:56:36 | 0:56:40 | |
brilliant. At times it looked like a
paso doble that had shrunk in the | 0:56:40 | 0:56:46 | |
wash. 25, bottom of the leaderboard.
I was sure we were going to be in | 0:56:46 | 0:56:52 | |
the dance-off. Susan and Kevin. It
was just the euphoria of thinking | 0:56:52 | 0:56:57 | |
that we were going to go through.
Well done. This week we are dancing | 0:56:57 | 0:57:03 | |
the American smooth foxtrot to
beyond the sea. At courting couple | 0:57:03 | 0:57:10 | |
on the deck of the ship, having a
romantic dance. I should get you | 0:57:10 | 0:57:14 | |
more in the mood so I have arranged
a trip on the Waverley, the world's | 0:57:14 | 0:57:20 | |
last seagoing paddle steamer. That
sounds great. Shall we have Anna | 0:57:20 | 0:57:25 | |
Holligan five. Ahoy. -- an ahoy
five. Here we go. And we are there. | 0:57:25 | 0:57:38 | |
Kevin, it is like Titanic, so
romantic. Here we go. This is where | 0:57:38 | 0:57:43 | |
the action is. We have had a great
day. Susan took me the Waverley. I | 0:57:43 | 0:57:48 | |
was pretending I was captain,
steering the ship. How inspired do | 0:57:48 | 0:57:54 | |
you feel about our dance? Inspired
enough to dance right now. We have | 0:57:54 | 0:57:58 | |
worked really hard in the training
week. I hope it is full steam ahead | 0:57:58 | 0:58:06 | |
for are American smooth. | 0:58:06 | 0:58:10 | |
Dancing the American smooth,
Susan Calman and her | 0:58:10 | 0:58:12 | |
partner, Kevin Clifton. | 0:58:12 | 0:58:13 | |
MUSIC: "Beyond The Sea"
by Bobby Darin. | 0:58:13 | 0:58:14 | |
CHEERING AND APPLAUSE | 0:59:51 | 0:59:57 | |
You American smoothie, that was
lovely. Well done. Well done. Thank | 1:00:06 | 1:00:09 | |
you. I think I counted three lifts.
Yes. One very high one. Some lovely | 1:00:09 | 1:00:17 | |
bench work too. Craig, has Susan
done enough to stay away from the | 1:00:17 | 1:00:22 | |
bottom of the leader board? Probably
not. There was gapping, your feet | 1:00:22 | 1:00:27 | |
never closed, your hand were plonky,
timing issue, getting on to and off | 1:00:27 | 1:00:32 | |
the bench. Legs had a mind of their
own in that last lift. You need to | 1:00:32 | 1:00:36 | |
think about where you are going to
put them. As an entertainment piece | 1:00:36 | 1:00:40 | |
I thought it was sweet and
charmingful Darcey. There was a | 1:00:40 | 1:00:46 | |
glimmer of Hollywood films there, it
was cool, charge, sophisticated and | 1:00:46 | 1:00:50 | |
it was never overdone, which was
nice, it was subtle. I could see you | 1:00:50 | 1:00:58 | |
had your Fred Astaire, you could
have have crated more -- created | 1:00:58 | 1:01:02 | |
more sweeping lines, in the
transitions you get the feet | 1:01:02 | 1:01:05 | |
together every time to make sure
they are cleaning it up. I enjoyed | 1:01:05 | 1:01:10 | |
the lovely liftings and everything.
A bit more of that would have been | 1:01:10 | 1:01:13 | |
fabulous. Shirley? Think you looked
beautiful today Susan, I want to | 1:01:13 | 1:01:19 | |
comment on that. Thank you. Your
setting, the music the cheeky kiss | 1:01:19 | 1:01:26 | |
with Kevin, the entertainment factor
for the audience is outstanding but | 1:01:26 | 1:01:29 | |
it is coming to that time in the
competition where you need | 1:01:29 | 1:01:33 | |
particularly in this dance, to feel
your standing leg flexed and long | 1:01:33 | 1:01:38 | |
strides back, much more technique I
would have liked today in the | 1:01:38 | 1:01:41 | |
foxtrot. It missed out on that but
you did do some entertain work. | 1:01:41 | 1:01:46 | |
Thank you very much. Bruno? Beyond
the sea and beyond belief. I was | 1:01:46 | 1:01:54 | |
going to scream iceberg ahead, she's
going to go down, but you didn't. | 1:01:54 | 1:01:57 | |
You were saved by the bench. She
went up and down so many times it | 1:01:57 | 1:02:03 | |
was like a bouncing ball. But the
thing is with you, you have at this | 1:02:03 | 1:02:08 | |
stage you are beyond criticism, what
you do, you do a charming turn, I | 1:02:08 | 1:02:12 | |
love watching you, people love
watching you, you are approachable. | 1:02:12 | 1:02:20 | |
But they all say technically you are
not quite as advanced as you could | 1:02:20 | 1:02:24 | |
be at this stage, so, if you stay in
apply a bit more technique because | 1:02:24 | 1:02:29 | |
entertainment value is there, but
technically you need to work a bit | 1:02:29 | 1:02:32 | |
harder. OK, no problem. Thank you
very much indeed. Hugely | 1:02:32 | 1:02:38 | |
entertaining and you have one more
dance to go. Absolutely. | 1:02:38 | 1:02:44 | |
CHEERING AND APPLAUSE | 1:02:44 | 1:02:49 | |
Work | 1:02:58 | 1:02:58 | |
Work | 1:02:59 | 1:02:59 | |
THEY CHANT "Kiss". There you go. We
absolutely loved that dance, and | 1:02:59 | 1:03:06 | |
what I adore is you said this is the
best week you have had. This is my | 1:03:06 | 1:03:10 | |
favourite week, doing a bid of Fred
and Ginger with Kevin, a bit of | 1:03:10 | 1:03:15 | |
romance, it was a delight. The
scores are in. | 1:03:15 | 1:03:25 | |
The judges have their scores. | 1:03:25 | 1:03:35 | |
That is all right. We are going to
win the paso doble-athon. Well done. | 1:03:37 | 1:03:51 | |
If you think Susan and Kevin deserve
a place in next week's quarterfinal, | 1:03:54 | 1:03:57 | |
then please make sure
they get your vote. | 1:03:57 | 1:03:59 | |
All the details you need
are on screen now and voting | 1:03:59 | 1:04:01 | |
will open after the paso-dobla-thon. | 1:04:01 | 1:04:02 | |
Right, off you go. | 1:04:02 | 1:04:04 | |
You have about four
minutes to get ready. | 1:04:04 | 1:04:05 | |
While Susan and Kevin get changed,
let's see how the leaderboard looks. | 1:04:05 | 1:04:08 | |
But with a maximum of seven extra
marks up for grabs tonight, | 1:04:08 | 1:04:11 | |
all of that could change. | 1:04:11 | 1:04:16 | |
Over the years we've had
a waltzathon, a quickstep-athon, | 1:04:16 | 1:04:19 | |
even a cha cha challenge
but never a paso-dobla-thon. | 1:04:19 | 1:04:22 | |
So what does it mean? | 1:04:22 | 1:04:25 | |
How does it work? | 1:04:25 | 1:04:26 | |
And here's the big one,
should chorizo ever be | 1:04:26 | 1:04:28 | |
allowed in a paella? | 1:04:28 | 1:04:29 | |
To answer at least two of those
questions, here's Shirley. | 1:04:29 | 1:04:36 | |
This is the paso doble-athon. The
chance to see all seven couples | 1:04:39 | 1:04:44 | |
dancing at the same time on the
Strictly dance floor. So how will it | 1:04:44 | 1:04:50 | |
work? The couples will draw their
starting positions on the floor out | 1:04:50 | 1:04:54 | |
of a hat. So everything is fair and
square. Rule one. All couples must | 1:04:54 | 1:05:00 | |
remain on the floor and dance for
the entire duration of the song. | 1:05:00 | 1:05:04 | |
Rule two. Lifts are not allowed. Any
couple seen to be doing a lift will | 1:05:04 | 1:05:12 | |
be automatically disqualified. You
have been warned. Rule three. It is | 1:05:12 | 1:05:19 | |
really important that couples
respect the direction of the dance. | 1:05:19 | 1:05:22 | |
That means travelling in an
anticlockwise direction, and they | 1:05:22 | 1:05:27 | |
should also by a wear of the other
couples' positions. No bumping into | 1:05:27 | 1:05:31 | |
each other.
And finally. Capes are optional. So | 1:05:31 | 1:05:40 | |
what will we be looking for? As
judges we want to see proper paso | 1:05:40 | 1:05:44 | |
doble technique. This means strong
leg and foot action. Strong | 1:05:44 | 1:05:49 | |
charactererisation of the dance.
Beautiful floor craft and don't | 1:05:49 | 1:05:53 | |
forget to shape your body.
So how will the couples be scored? | 1:05:53 | 1:05:59 | |
The first placed couple will receive
a score of seven. Amazing. The | 1:05:59 | 1:06:05 | |
seventh placed couple will receive a
score of one. Oh dear. The paso | 1:06:05 | 1:06:11 | |
doble-athon scores will be combined
with the scores from the couple's | 1:06:11 | 1:06:15 | |
individual dances, to create a new
total score, which could truly | 1:06:15 | 1:06:20 | |
change the look on the leaderboard.
Let's do this. Ole. | 1:06:20 | 1:06:28 | |
Thank you very much Shirley. So, to
recap whoever comes first in the | 1:06:28 | 1:06:32 | |
paso doble-athon will get an extra
seven marks, whoever comes second | 1:06:32 | 1:06:36 | |
will get six and so on and the
bottom couple will receive the one | 1:06:36 | 1:06:39 | |
extra mark. | 1:06:39 | 1:06:45 | |
Shirley, with so many
people on the floor, | 1:06:45 | 1:06:47 | |
what can they do to stand out? | 1:06:47 | 1:06:50 | |
Well each couple to stand out, they
have to listen to the music and they | 1:06:50 | 1:06:54 | |
will dance to an epic piece of
music, today, it has many different | 1:06:54 | 1:07:00 | |
rhythm, and also some really crash
highlights, so when you hear that | 1:07:00 | 1:07:04 | |
bang you should see everybody stop,
twice there is a first highlight and | 1:07:04 | 1:07:07 | |
a second one. So they have to really
get in tune and they have to avoid | 1:07:07 | 1:07:12 | |
each other. Put your elbows out,
whatever you do don't stop because | 1:07:12 | 1:07:17 | |
the music is phrased so good luck to
all of them. Quite difficult. | 1:07:17 | 1:07:25 | |
Hello! | 1:07:25 | 1:07:26 | |
Hello! | 1:07:26 | 1:07:27 | |
Thank you, judges. | 1:07:27 | 1:07:28 | |
That noise means the wait
is finally over and it's time | 1:07:28 | 1:07:31 | |
for the paso-dobla-thon to commence. | 1:07:31 | 1:07:32 | |
Please welcome all
the couples to the | 1:07:32 | 1:07:34 | |
floor for the paso-dobla-thon! | 1:07:34 | 1:07:38 | |
APPLAUSE | 1:07:38 | 1:07:48 | |
APPLAUSE | 1:07:51 | 1:07:52 | |
MUSIC: "Espana Cano". | 1:07:52 | 1:08:02 | |
CHEERING AND APPLAUSE
Brilliant. | 1:10:00 | 1:10:08 | |
Drama on the dance floor.
Oh well done. So well done to all | 1:10:08 | 1:10:19 | |
our couples. | 1:10:19 | 1:10:20 | |
So well done to all our couples. | 1:10:20 | 1:10:24 | |
What a sight to behold! | 1:10:24 | 1:10:27 | |
Let's see what the judges thought. | 1:10:27 | 1:10:29 | |
Bruno, our first ever
paso-dobla-thon. | 1:10:29 | 1:10:30 | |
What did you make of it? | 1:10:30 | 1:10:40 | |
Oh, a stampeding power, more than
the bull run. It has much flavour of | 1:10:40 | 1:10:45 | |
Spain as the most delicious paellla.
At times there was a bit of a jam | 1:10:45 | 1:10:51 | |
here and there but I think
considering you have nerve done this | 1:10:51 | 1:10:56 | |
before, managing the floor, not
having any accidents, you did all a | 1:10:56 | 1:11:00 | |
great job. Well done.
APPLAUSE | 1:11:00 | 1:11:04 | |
I think he liked it. | 1:11:04 | 1:11:06 | |
APPLAUSE I think he liked it. | 1:11:06 | 1:11:07 | |
So, there is an extra seven marks up
for grabs for the winning couple. | 1:11:07 | 1:11:13 | |
This could turn the leader
board on its head. | 1:11:13 | 1:11:15 | |
Shirley, starting with seventh
place, please reveal the results | 1:11:15 | 1:11:18 | |
of the paso-dobla-thon. | 1:11:18 | 1:11:18 | |
That the most exciting thing I have
seen, it was amazing. | 1:11:18 | 1:11:22 | |
And difficult. You were good but we
have come to the following decision. | 1:11:22 | 1:11:31 | |
So into seventh place... Susan and
Kevin. | 1:11:31 | 1:11:43 | |
APPLAUSE
Into sixth place... Mollie and AJ | 1:11:43 | 1:11:53 | |
APPLAUSE
Into fifth place... Gemma and Aljaz. | 1:11:53 | 1:12:01 | |
APPLAUSE
Into fourth place... Davood and | 1:12:01 | 1:12:11 | |
Nadiya. Nadiya.
APPLAUSE | 1:12:11 | 1:12:18 | |
Into third place... Debbie and
Giovanni. | 1:12:18 | 1:12:22 | |
APPLAUSE
Well done. | 1:12:22 | 1:12:28 | |
Into second place... Joe and Katya.
APPLAUSE | 1:12:28 | 1:12:36 | |
Into first place Alexandra and
Gorka. | 1:12:36 | 1:12:39 | |
CHEERING AND APPLAUSE
Thank you. So much. So Alexandra and | 1:12:39 | 1:12:48 | |
Gorka came first in the paso
doble-athon and have an extra seven | 1:12:48 | 1:12:52 | |
mark, congratulations to you both.
And commiserations to Susan and | 1:12:52 | 1:12:57 | |
Kevin who finished last and receive
just one extra mark, but they were | 1:12:57 | 1:13:00 | |
excellent. They were. Take a look at
how that has affected the | 1:13:00 | 1:13:06 | |
leaderboard.
It is Joe and Katya with 44 at the | 1:13:06 | 1:13:14 | |
top. At the bottom are Susan and
Kevin with a score of 22. | 1:13:14 | 1:13:20 | |
At the bottom are Susan
and Kevin with a score of 22. | 1:13:20 | 1:13:23 | |
But remember it's not just
about the judges scores tonight. | 1:13:23 | 1:13:25 | |
You can change everything bypicking
up the phone or going online to vote | 1:13:25 | 1:13:28 | |
for your favourites. | 1:13:28 | 1:13:29 | |
Judges, your work is not
over, don't relax. | 1:13:29 | 1:13:32 | |
I still have one more very
important job for you. | 1:13:32 | 1:13:37 | |
Audience you, too. | 1:13:37 | 1:13:38 | |
The vote is now,
three, two, one, open! | 1:13:38 | 1:13:45 | |
Calls to the short number
from a mobile cost 15p. | 1:13:45 | 1:13:47 | |
Calls to the long number cost 15p
plus your network's access | 1:13:47 | 1:13:50 | |
charge and please ask
the bill payer's permission. | 1:13:50 | 1:13:52 | |
Or alternatively you can vote online
for free at bbc.co.uk/strictly | 1:13:52 | 1:13:54 | |
where you will also find full
terms and conditions. | 1:13:54 | 1:13:56 | |
The vote closes at 8:40. | 1:13:56 | 1:13:58 | |
Please don't try to vote
if you're watching on demand. | 1:13:58 | 1:14:00 | |
To help you decide, here's
a reminder of our couples' | 1:14:00 | 1:14:02 | |
routines and the all
important vote information. | 1:14:02 | 1:14:12 | |
CHEERING | 1:16:11 | 1:16:15 | |
What a busy and brilliant night it's
been in the ballroom. | 1:16:15 | 1:16:18 | |
Our seven stars have dazzled and now
they're relying on you. | 1:16:18 | 1:16:21 | |
So please pick up the phone or go
online to give them your support. | 1:16:21 | 1:16:25 | |
Remember, voting closes
at 8:40 tonight. | 1:16:25 | 1:16:27 | |
Your votes could help your favourite
couple avoid the dance-off | 1:16:27 | 1:16:31 | |
in tomorrow night's results show
when our next celebrity | 1:16:31 | 1:16:33 | |
will be eliminated from
Strictly Come Dancing. | 1:16:33 | 1:16:35 | |
Only six couples can make it
through to next week's quarterfinal, | 1:16:35 | 1:16:39 | |
which just happens to be a musicals
special and no-one | 1:16:39 | 1:16:42 | |
wants to miss out. | 1:16:42 | 1:16:43 | |
Yes. | 1:16:43 | 1:16:45 | |
Also, tomorrow night,
we have a very special performance | 1:16:45 | 1:16:47 | |
from Kelly Clarkson. | 1:16:47 | 1:16:48 | |
She'll be here performing her latest
single, Meaning Of Life. | 1:16:48 | 1:16:52 | |
And we have a spectacular
fashion-themed routine | 1:16:52 | 1:16:54 | |
from our professional dancers. | 1:16:54 | 1:16:55 | |
It's so good, it's already trending. | 1:16:55 | 1:16:58 | |
So for all that, make sure you join
us back here in the ballroom | 1:16:58 | 1:17:02 | |
tomorrow night at 7:20. | 1:17:02 | 1:17:03 | |
In the meantime, keep dancing! | 1:17:03 | 1:17:07 |