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APPLAUSE | 0:00:53 | 0:01:02 | |
MUSIC: One Night Only | 0:01:05 | 0:01:15 | |
MUSIC: One Night Only | 0:01:26 | 0:01:36 | |
MUSIC: Listen | 0:02:26 | 0:02:36 | |
MUSIC: Listen | 0:03:11 | 0:03:18 | |
MUSIC: Listen | 0:03:25 | 0:03:35 | |
MUSIC: Dreamgirls | 0:04:27 | 0:04:37 | |
APPLAUSE | 0:04:51 | 0:05:01 | |
VOICEOVER: This is Strictly Come
Dancing - The Results. | 0:05:11 | 0:05:16 | |
Please welcome your hosts... | 0:05:16 | 0:05:18 | |
Tess Daly... | 0:05:18 | 0:05:20 | |
And Claudia Winkleman... | 0:05:20 | 0:05:21 | |
HUGE APPLAUSE | 0:05:21 | 0:05:31 | |
Hello and welcome to
Strictly Come Dancing - | 0:05:31 | 0:05:33 | |
The Results. | 0:05:33 | 0:05:37 | |
A huge thank you to the stars
of Dreamgirls and our | 0:05:37 | 0:05:40 | |
professional dancers for that
glittering opening routine. | 0:05:40 | 0:05:44 | |
APPLAUSE | 0:05:44 | 0:05:45 | |
On Saturday night,
our celebrities made amazing song | 0:05:45 | 0:05:48 | |
and dance of this weekend's
Musicals Special. | 0:05:48 | 0:05:51 | |
Later on we will reveal
which of our remaining celebrities | 0:05:51 | 0:05:55 | |
are safely through to
next week's semifinal. | 0:05:55 | 0:05:59 | |
Sadly, one couple won't make it. | 0:05:59 | 0:06:02 | |
Your votes have been combined
with the judges scores, | 0:06:02 | 0:06:05 | |
and the two couples with the lowest
overall points will face each | 0:06:05 | 0:06:08 | |
other in the dance-off. | 0:06:08 | 0:06:09 | |
The decision of who stays
and who goes will then | 0:06:09 | 0:06:11 | |
be down to these four. | 0:06:11 | 0:06:12 | |
Please welcome the judges. | 0:06:12 | 0:06:13 | |
APPLAUSE | 0:06:13 | 0:06:14 | |
Shirley Ballas and Bruno Tonioli. | 0:06:14 | 0:06:18 | |
And Craig Revel Horwood
and Darcey Bussell. | 0:06:18 | 0:06:25 | |
APPLAUSE | 0:06:25 | 0:06:32 | |
Thank you, judges. | 0:06:32 | 0:06:36 | |
Dreamy. | 0:06:36 | 0:06:41 | |
Also on the show tonight,
three stars of the West End, | 0:06:41 | 0:06:47 | |
Amber Riley, Beverley Knight
and Cassidy Janson - aka | 0:06:47 | 0:06:50 | |
Leading Ladies - will be performing
the classic I'm Every Woman. | 0:06:50 | 0:06:53 | |
APPLAUSE | 0:06:53 | 0:06:54 | |
Plus, the judges will be
discussing Saturday night's | 0:06:54 | 0:06:56 | |
performances in more detail
frame by frame. | 0:06:56 | 0:07:03 | |
Soon, we will reveal the first
couple in the dance-off. | 0:07:03 | 0:07:06 | |
But first, here's a reminder
of what happened when our Strictly | 0:07:06 | 0:07:08 | |
stars took on some of the greatest
show tunes of all time... | 0:07:08 | 0:07:11 | |
APPLAUSE | 0:07:11 | 0:07:14 | |
Another opening of another show, a
chance to see... Hello! It's a big | 0:07:14 | 0:07:21 | |
week this week, a quarterfinal. Not
only that. It is Musicals Week. | 0:07:21 | 0:07:32 | |
week this week, a quarterfinal. Not
only that. It is Musicals Week. | 0:07:32 | 0:07:36 | |
Everyone Is So Excited And I Think
We Can Get Into all our own | 0:07:36 | 0:07:40 | |
characters. I will try to charm the
judges. | 0:07:40 | 0:07:45 | |
It feels like we are all in a West
End show. Everyone is dolled up and | 0:07:45 | 0:07:51 | |
looks amazing. It's incredible.
We are all at that point where we | 0:07:51 | 0:07:58 | |
are thinking, its quarterfinals, but
we need to make sure we got on stage | 0:07:58 | 0:08:01 | |
to have the best time, because
nobody knows what's going to happen, | 0:08:01 | 0:08:04 | |
knows what weird is going to go.
Live in five, everybody... -- which | 0:08:04 | 0:08:11 | |
way it will go. My favourite! Its
quarterfinals! We expect nothing but | 0:08:11 | 0:08:20 | |
the best. Shall we let the show
begins? Its curtain time, and away | 0:08:20 | 0:08:28 | |
we go! The flexibility, the acting
skills, off the charts. Fantastic! | 0:08:28 | 0:08:41 | |
I'm glad she said my acting was
good! Joe has been great from the | 0:08:41 | 0:08:47 | |
beginning but is getting better and
better, and Katya's choreography is | 0:08:47 | 0:08:51 | |
genius. Your quality of movement is
better and better. I don't agree at | 0:08:51 | 0:08:58 | |
all. I liked it, but I didn't love
it. I thought you got it just right. | 0:08:58 | 0:09:03 | |
Hard work!
For me it looked a little laboured | 0:09:03 | 0:09:11 | |
and heavy. You had your swanlike
posture, and immaculate frame. My | 0:09:11 | 0:09:18 | |
partner, I love you! | 0:09:18 | 0:09:19 | |
You did start off so immaculately
but there were balance problems. | 0:09:21 | 0:09:30 | |
Love the style, the Argentine Tango.
A bit gutted I do didn't it more | 0:09:30 | 0:09:37 | |
justice. Practically perfect, well
done! Brilliant. | 0:09:37 | 0:09:44 | |
The amount of detail you give us,
fabulous! | 0:09:44 | 0:09:56 | |
Ten for you... It will be a memory
etched in everybody's hearts for a | 0:09:56 | 0:10:00 | |
long time. It is just beautiful. I
am purring with delight. Absolutely | 0:10:00 | 0:10:05 | |
seamless. Ten! Oh!
APPLAUSE | 0:10:05 | 0:10:25 | |
Some truly show
stopping performances. | 0:10:31 | 0:10:33 | |
Six celebrities are waiting
in the wings all desperate to know | 0:10:33 | 0:10:41 | |
if they will be in next
week's semifinal. | 0:10:41 | 0:10:43 | |
Here's how the leaderboard looked
at the end of Saturday night. | 0:10:43 | 0:10:50 | |
But how have your votes
changed all of that? | 0:10:50 | 0:10:53 | |
The results are in... | 0:10:53 | 0:10:58 | |
In no particular order... | 0:10:58 | 0:11:01 | |
The first couple safely
through to next week is... | 0:11:01 | 0:11:11 | |
Debbie and Giovanni!
APPLAUSE | 0:11:20 | 0:11:25 | |
Thank you, thank you! | 0:11:25 | 0:11:34 | |
Going through to next
week's semifinal is... | 0:11:34 | 0:11:42 | |
Joe and Katya!
APPLAUSE | 0:11:47 | 0:11:52 | |
Thank you so much, thank you.
LAUGHTER | 0:11:52 | 0:12:01 | |
The first couple who must
compete for survival | 0:12:01 | 0:12:05 | |
in the dance-off is... | 0:12:05 | 0:12:15 | |
Davood and Nadiya. The rest of you
will have to wait a little longer to | 0:12:17 | 0:12:24 | |
find out if you are through. Davood
and Nadiya, please come down and | 0:12:24 | 0:12:27 | |
join me. | 0:12:27 | 0:12:36 | |
Dearie me. | 0:12:36 | 0:12:37 | |
No one wants to be in this position
especially this close | 0:12:37 | 0:12:42 | |
to the semifinal.... | 0:12:42 | 0:12:47 | |
You have to expect a lower down on
the table, but it is a great dance | 0:12:47 | 0:12:50 | |
to do. We will do the dance again,
and hopefully we will get on, and | 0:12:50 | 0:12:56 | |
enjoy it. Yes! Lets get some tips on
how to improve. Shirley, you said | 0:12:56 | 0:13:07 | |
Davood had balance issues. What can
he do? Strength in your court, no | 0:13:07 | 0:13:12 | |
fidgeting on your feet, but
otherwise bring those wonderful | 0:13:12 | 0:13:16 | |
performances you brought us week
after week -- strength in your core. | 0:13:16 | 0:13:22 | |
We wish you the very best of luck
and we will see later on. Claudia, | 0:13:22 | 0:13:28 | |
over the year. Thank you, Tess! --
over to you. | 0:13:28 | 0:13:42 | |
I have two sets of semifinalists
with me.... | 0:13:42 | 0:13:52 | |
We are glad. To get through to the
semifinals is enormous, it just | 0:13:52 | 0:13:57 | |
feels incredible. Well done, but I
have news for you. You have to learn | 0:13:57 | 0:14:01 | |
to map dances, and incredibly the
jive and the foxtrot. How will you | 0:14:01 | 0:14:11 | |
tackle it? The hardest one first or
both together? Perhaps the jive | 0:14:11 | 0:14:16 | |
because it is my favourite, so we
will start with a big push, and then | 0:14:16 | 0:14:21 | |
maybe the foxtrot. Enormous luck,
and congratulations. Thank you. | 0:14:21 | 0:14:25 | |
APPLAUSE
Joe, another one, congratulations! | 0:14:25 | 0:14:32 | |
APPLAUSE
And you worked incredibly hard. I | 0:14:32 | 0:14:37 | |
just want to know, what is harder,
learning all those lines as a heart | 0:14:37 | 0:14:41 | |
surgeon or are learning two dances
with this creature? I will let you | 0:14:41 | 0:14:46 | |
know, but I think I would rather do
heart surgery and brain surgery at | 0:14:46 | 0:14:49 | |
the same time because you don't have
to do it live. I will let you know | 0:14:49 | 0:14:53 | |
next week. You will be fine! | 0:14:53 | 0:15:03 | |
to do it live. I will let you know
next week. You will be fine! You | 0:15:03 | 0:15:04 | |
have been very honest. You said it
was incredibly hard. It was, we | 0:15:04 | 0:15:10 | |
started off slow and that will help
us in the semifinal. He has | 0:15:10 | 0:15:16 | |
progressed so much. Well done to you
both. | 0:15:16 | 0:15:20 | |
Now, it's time to welcome three
stars from the West End stage. | 0:15:20 | 0:15:23 | |
Performing "I'm Every Woman" it's
the Leading Ladies - | 0:15:23 | 0:15:25 | |
Amber Riley, Beverley Knight
and Cassidy Janson. | 0:15:25 | 0:15:27 | |
APPLAUSE. | 0:15:27 | 0:15:28 | |
# Whatever you want,
whatever you need. | 0:15:45 | 0:15:53 | |
# Anything you want done, baby. | 0:15:53 | 0:15:56 | |
# I'll do it naturally. | 0:15:56 | 0:16:03 | |
# 'Cause I'm every
woman (every woman). | 0:16:03 | 0:16:08 | |
# It's all in me,
it's all in me, yeah! | 0:16:08 | 0:16:18 | |
# I can cast a spell,
of secrets you can tell. | 0:16:37 | 0:16:40 | |
# Mix a special brew,
put fire in of you. | 0:16:40 | 0:16:42 | |
# Anytime you feel danger or fear. | 0:16:42 | 0:16:45 | |
# Then instantly
I will appear 'cause. | 0:16:45 | 0:16:50 | |
# I'm every woman, it's all in me. | 0:16:50 | 0:16:55 | |
# Anything you want done, baby,
I'll do it naturally. | 0:16:55 | 0:17:05 | |
# I can sense your needs. | 0:17:10 | 0:17:11 | |
# Like rain unto the seeds. | 0:17:11 | 0:17:13 | |
# I can make a rhyme
of confusion in your mind. | 0:17:13 | 0:17:15 | |
# And when it comes back to some
good old-fashioned love. | 0:17:15 | 0:17:25 | |
# I'm every woman, it's all in me. | 0:17:34 | 0:17:36 | |
# Anything you want done, baby,
I'll do it naturally. | 0:17:36 | 0:17:39 | |
# I'm every woman, it's all in me. | 0:17:39 | 0:17:43 | |
# I can read your
thoughts right now. | 0:17:43 | 0:17:45 | |
# Every one from A to Z,
whoa whoa whoa, whoa whoa whoa. | 0:17:45 | 0:17:53 | |
# I ain't braggin'
'cause I am the one. | 0:18:05 | 0:18:07 | |
# You just ask me,
ooh, it shall be done. | 0:18:07 | 0:18:10 | |
# And don't bother to
compare, I've got it. | 0:18:10 | 0:18:12 | |
# Whoa whoa whoa, whoa whoa whoa. | 0:18:12 | 0:18:14 | |
# Whoa whoa whoa. | 0:18:14 | 0:18:22 | |
# Whoa whoa whoa. | 0:18:22 | 0:18:27 | |
# I'm every woman, I'm every woman. | 0:18:27 | 0:18:31 | |
# I'm every woman, I'm every woman. | 0:18:31 | 0:18:35 | |
# I'm every woman, I'm every woman. | 0:18:35 | 0:18:39 | |
# I'm every woman, I'm every woman. | 0:18:39 | 0:18:42 | |
# I'm every woman, I'm every woman. | 0:18:42 | 0:18:46 | |
# I'm every woman, I'm every woman. | 0:18:46 | 0:18:51 | |
# I'm every woman, I'm every woman. | 0:18:51 | 0:18:54 | |
# I'm every woman, I'm every woman. | 0:18:54 | 0:18:59 | |
# I'm every woman, I'm every woman. | 0:18:59 | 0:19:03 | |
APPLAUSE. | 0:19:03 | 0:19:09 | |
Thank you to The Leading Ladies
and our professional dancers. | 0:19:20 | 0:19:22 | |
It's time now for a dance debrief
please welcome the judges. | 0:19:22 | 0:19:25 | |
MUSIC: You Can't Stop The Beat | 0:19:25 | 0:19:27 | |
APPLAUSE. | 0:19:27 | 0:19:36 | |
I love it. I love this stance, it is
getting longer and longer. On | 0:19:36 | 0:19:43 | |
Saturday night sometimes you have
limited time. You can on file if you | 0:19:43 | 0:19:49 | |
will. Let us start with you surely,
Debbie and Giovanni, you said it was | 0:19:49 | 0:19:56 | |
beautiful, but you said her dismount
was amazing. She did a beautiful | 0:19:56 | 0:20:03 | |
circular left. She ended up going
into a fleckerl. Thank you so much. | 0:20:03 | 0:20:18 | |
Darcey, I would like to talk to you
about Gemma and Alijaz, you only | 0:20:18 | 0:20:23 | |
gave them a seven, why is that? The
frame and just went. She got to | 0:20:23 | 0:20:31 | |
relax. Everything is moving in the
upper body. We do not appreciate how | 0:20:31 | 0:20:36 | |
difficult it is to maintain it. By
the end as you get tired, it starts | 0:20:36 | 0:20:42 | |
to show and in the frame, it has to
be so fixed, this vertical line, so | 0:20:42 | 0:20:48 | |
that everything else looks easy and
effortless. Craig, let us talk about | 0:20:48 | 0:20:57 | |
Alexandra and Gorka, you loved it,
you said she was better than Gorka, | 0:20:57 | 0:21:02 | |
what is the issue with the Number
10? I find things wrong with things. | 0:21:02 | 0:21:11 | |
Honestly. Alexandra is great but
there is still some detail that she | 0:21:11 | 0:21:16 | |
is missing in the propeller step,
she is not bringing her knees | 0:21:16 | 0:21:21 | |
together. She does a barrel in turn,
girls do not normally do it. If you | 0:21:21 | 0:21:27 | |
are going to do it, one that places
the body to the floor and you need | 0:21:27 | 0:21:33 | |
to be facing it. She was too
vertical and upright for it. Her | 0:21:33 | 0:21:40 | |
knees were completely apart. You
lock the knee into here and then you | 0:21:40 | 0:21:48 | |
do a little propeller step. Hers was
out here, darling. I prefer it when | 0:21:48 | 0:21:55 | |
it is out there. We are coming up to
the final and we have to be picky. | 0:21:55 | 0:22:01 | |
It is sometimes not perfect. Thank
you. Quite scared. Bruno, I want to | 0:22:01 | 0:22:08 | |
talk about Joe and Katya. You adored
his characterisation. It was so | 0:22:08 | 0:22:15 | |
vivid, relative to the time and
place. You were right there in | 0:22:15 | 0:22:22 | |
Berlin in 1931. It is a good samba.
He is not cheating. The content was | 0:22:22 | 0:22:30 | |
as good as the character. Thank you.
We have to share this with the | 0:22:30 | 0:22:40 | |
group. This is what happened just
before we went live on Saturday | 0:22:40 | 0:22:45 | |
night, an extra contestant was in
the room. This is what happened. Oh | 0:22:45 | 0:22:52 | |
my goodness! | 0:22:52 | 0:23:02 | |
APPLAUSE. We love you, Ed! Thank you
very much. Let's hear it for the | 0:23:03 | 0:23:16 | |
judges. | 0:23:16 | 0:23:18 | |
Two couples are currently safely
through to our Semi-Final. | 0:23:18 | 0:23:20 | |
Who will be joining them? | 0:23:20 | 0:23:21 | |
Tess. | 0:23:21 | 0:23:23 | |
APPLAUSE CONTINUES | 0:23:23 | 0:23:24 | |
Thanks, Claudia. | 0:23:24 | 0:23:33 | |
One of our couples will join Davood
and Nadiya in the dance-off. | 0:23:33 | 0:23:36 | |
It's time to find out who. | 0:23:36 | 0:23:38 | |
In no particular order... | 0:23:38 | 0:23:39 | |
Securing a place in next
week's Semi-Final are... | 0:23:39 | 0:23:49 | |
Mollie and AJ! | 0:23:55 | 0:24:05 | |
Thank you!
APPLAUSE. Alexandra and Gorka and | 0:24:05 | 0:24:18 | |
Jimmy -- and Gemma and Alijaz. | 0:24:18 | 0:24:21 | |
One of you is safe. | 0:24:21 | 0:24:22 | |
One of you is in the dance-off. | 0:24:22 | 0:24:24 | |
I can reveal that the couple
in the bottom two tonight | 0:24:24 | 0:24:26 | |
who will compete in
the dance-off is... | 0:24:26 | 0:24:32 | |
Alexandra and Gorka. | 0:24:33 | 0:24:43 | |
Gemma and Alijaz, congratulations,
you are through to the semifinal | 0:24:43 | 0:24:47 | |
next week. Alexandra and worker,
please come and join me. | 0:24:47 | 0:24:51 | |
CHEERING AND APPLAUSE. -- Alexandra
and Gorka. Here we are again. Two | 0:24:51 | 0:25:02 | |
weeks in a row, lots of gasps in the
room. How does it feel? We are | 0:25:02 | 0:25:08 | |
gutted. I hope I can say that for
you as well. We will try our best | 0:25:08 | 0:25:14 | |
and that is all that matters. We
have so much fun. It is dance were | 0:25:14 | 0:25:23 | |
weak have been able to laugh and
smile and play a little character, | 0:25:23 | 0:25:28 | |
let us do it again. Craig you were
the only charge who did not give | 0:25:28 | 0:25:34 | |
Alexandra a Number 10, how can she
improve? I cannot believe you're in | 0:25:34 | 0:25:40 | |
the dance-off again. It is crazy. It
is lunacy. There is not much you can | 0:25:40 | 0:25:49 | |
do to improve, but you could put
your knees together and the | 0:25:49 | 0:25:53 | |
propeller step, I want you to go out
there and dance for your life and | 0:25:53 | 0:25:58 | |
for your mother. Go out there and
give it your all. Exactly the same. | 0:25:58 | 0:26:09 | |
We all loved it. Your beautiful
smile lights up the room. Gorgeous. | 0:26:09 | 0:26:14 | |
We will see you later. | 0:26:14 | 0:26:18 | |
Claudia, over to you.... | 0:26:18 | 0:26:19 | |
APPLAUSE. | 0:26:19 | 0:26:22 | |
Thanks, Tess. | 0:26:22 | 0:26:23 | |
I'm here with four couples
who have all made it | 0:26:23 | 0:26:25 | |
through to our Semi-Final. | 0:26:25 | 0:26:28 | |
You look like you have not even
exhaled. You got a number six from | 0:26:28 | 0:26:34 | |
Craig and you were on the bottom of
the Leader Board. Did you think that | 0:26:34 | 0:26:40 | |
was you? I said, we need to go
through the steps again before we | 0:26:40 | 0:26:45 | |
get the results. I am thrilled that
people have voted and we are here. | 0:26:45 | 0:26:50 | |
Thank you so much, from the bottom
of our dancing pirates. Well done. | 0:26:50 | 0:26:57 | |
Mollie, a semifinalist. You have
trained over 300 hours in this | 0:26:57 | 0:27:04 | |
competition. How happy are you? I
cannot put it into words. I am over | 0:27:04 | 0:27:16 | |
the moon. I am so grateful to you,
we train every hour of the day, per | 0:27:16 | 0:27:23 | |
AJ must be like, not again! I am so
grateful. Thank you to anyone who | 0:27:23 | 0:27:30 | |
voted for us. Your dedication is
outstanding, you are willing to | 0:27:30 | 0:27:36 | |
train over 300 hours. Only half that
time is spent kissing! I am joking! | 0:27:36 | 0:27:44 | |
I am joking! I'm joking! | 0:27:44 | 0:27:50 | |
If you adore the ballroom
and are always eager for more then | 0:27:50 | 0:27:53 | |
why restrict your Strictly action
to just the weekend? | 0:27:53 | 0:27:55 | |
Zoe, over to you... | 0:27:55 | 0:27:59 | |
Musicals week might be coming to a
close but we love to make a song and | 0:27:59 | 0:28:03 | |
dance of things here at It Takes
Two. We have got glitz and glamour | 0:28:03 | 0:28:09 | |
galore. And plenty of show stopping
moments. Debbie McGee, you are a | 0:28:09 | 0:28:21 | |
lucky woman. Join me for It Takes
Two every week night on BBC Two. | 0:28:21 | 0:28:28 | |
APPLAUSE. | 0:28:28 | 0:28:31 | |
Thanks, Zoe. | 0:28:31 | 0:28:32 | |
Davood and Nadiya,
and Alexandra and Gorka. | 0:28:32 | 0:28:34 | |
Their next performance
will be their last opportunity | 0:28:34 | 0:28:35 | |
to try and win over the judges. | 0:28:35 | 0:28:42 | |
You enjoyed this stance a lot on
Saturday night, the audience loved | 0:28:42 | 0:28:46 | |
it, how are you going to attack the
dance. I have to enjoy it in the | 0:28:46 | 0:28:50 | |
same way. It could be our last
dance. I want to go out on a real | 0:28:50 | 0:28:57 | |
high and enjoy every minute of it.
It was a powerful dance, lovely and | 0:28:57 | 0:29:03 | |
fun. Please get into position. Let
us hear it for Davood and Nadiya. | 0:29:03 | 0:29:14 | |
Alexandra, how much do you want to
be here next week? It means so much | 0:29:14 | 0:29:19 | |
to me that we have already made it
this far. It is such a blessing and | 0:29:19 | 0:29:24 | |
an absolute privilege to do this
show. True happiness. And Davood is | 0:29:24 | 0:29:35 | |
like a brother to me and I love him
to pieces. Best of luck, sweetheart. | 0:29:35 | 0:29:47 | |
Someone that -- | 0:29:47 | 0:29:51 | |
None of our couples
want to leave especially this close | 0:29:51 | 0:29:54 | |
to the Semi-Final, but sadly
someone must go tonight. | 0:29:54 | 0:29:56 | |
Dancing first to stay
in the competition, please | 0:29:56 | 0:29:58 | |
give a big hand to | 0:29:58 | 0:29:59 | |
Davood and Nadiya. | 0:29:59 | 0:30:01 | |
APPLAUSE. | 0:30:01 | 0:30:05 | |
MUSIC: Phantom Of The Opera | 0:30:05 | 0:30:07 | |
MUSIC: Phantom Of The Opera | 0:30:32 | 0:30:42 | |
MUSIC: Phantom Of The Opera | 0:31:08 | 0:31:18 | |
APPLAUSE | 0:31:45 | 0:31:55 | |
And now fighting for
a place in the Semi-Final, | 0:32:07 | 0:32:09 | |
it is Alexandra and Gorka. | 0:32:09 | 0:32:12 | |
MUSIC:
Supercalifragilisticexpialidocious | 0:32:17 | 0:33:09 | |
APPLAUSE | 0:33:56 | 0:34:06 | |
Well done to both of you. | 0:34:08 | 0:34:13 | |
They really could have done no more! | 0:34:13 | 0:34:16 | |
Now it's time to find out
who will be back to dance again | 0:34:16 | 0:34:22 | |
in next week's Semi-Final. | 0:34:22 | 0:34:23 | |
Judges, it's time to decide. | 0:34:23 | 0:34:25 | |
Based on that dance,
and that dance alone, I'm | 0:34:25 | 0:34:27 | |
about to ask each of you the name
of the couple you think | 0:34:27 | 0:34:30 | |
deserves to stay and why. | 0:34:30 | 0:34:31 | |
The couple with the most
votes will remain in | 0:34:31 | 0:34:33 | |
the competition, meaning
the other couple is | 0:34:33 | 0:34:35 | |
out of Strictly Come Dancing. | 0:34:35 | 0:34:45 | |
In the event of a split decision,
Head Judge Shirley, | 0:34:48 | 0:34:50 | |
you will have the casting vote. | 0:34:50 | 0:34:52 | |
This is it. | 0:34:52 | 0:34:53 | |
Craig, who are you
going to save and why? | 0:34:53 | 0:34:55 | |
This couple were out there on a
mission and completely and utterly | 0:34:55 | 0:34:57 | |
named it. That couple is Alexandra
and Gorka. One vote for Alexandra | 0:34:57 | 0:35:10 | |
and Gorka. | 0:35:10 | 0:35:10 | |
Darcey, who do you think
deserves to stay in the | 0:35:10 | 0:35:13 | |
competition and why? | 0:35:13 | 0:35:14 | |
competition and why? | 0:35:14 | 0:35:14 | |
Both couples gave 100% and night and
it is tough to see anybody go but | 0:35:14 | 0:35:19 | |
there was one that totally outshine
the other and that was Alexandra and | 0:35:19 | 0:35:22 | |
Gorka. Two votes for Alexandra and
Gorka, which means if Bruno chooses | 0:35:22 | 0:35:34 | |
to save them they are through to the
semifinal. | 0:35:34 | 0:35:36 | |
Bruno, who do you want
to stay in Strictly | 0:35:36 | 0:35:38 | |
Come Dancing and why? | 0:35:38 | 0:35:41 | |
Stronger, powerful, overall better,
Alexandra and Gorka. That means we | 0:35:41 | 0:35:48 | |
are going to have to say goodbye to
Davood and Nadiya. Alexandra and | 0:35:48 | 0:35:54 | |
Gorka, congratulations. We will see
you in next week's semifinal. | 0:35:54 | 0:36:01 | |
Shirley, although it will make
no difference to the | 0:36:01 | 0:36:03 | |
result, did you agree? | 0:36:03 | 0:36:05 | |
Alexandra and Gorka. | 0:36:05 | 0:36:13 | |
Gorka and Alexandra, OK. | 0:36:13 | 0:36:14 | |
Davood and Nadiya, we're
so sorry to see you go. | 0:36:14 | 0:36:18 | |
We are going to miss you guys!
Personal highlights, Blackpool | 0:36:18 | 0:36:23 | |
Tower, have you enjoyed your
Strictly experience? I provide the | 0:36:23 | 0:36:29 | |
best time and I never thought I
would reach this far, never thought | 0:36:29 | 0:36:32 | |
I would get to this point, to meet
such amazing people, some of them | 0:36:32 | 0:36:35 | |
left up there. Every comment I
appreciated, good and bad. Lovely to | 0:36:35 | 0:36:44 | |
meet you, Claudia, and to dance in
front of audiences like this it has | 0:36:44 | 0:36:47 | |
honestly been a real gift.
I have never done anything like this | 0:36:47 | 0:36:53 | |
before, so it has been an
unforgettable experience, and I will | 0:36:53 | 0:36:56 | |
spend the next couple of weeks at
home dancing with my two beautiful | 0:36:56 | 0:37:00 | |
girls who are now such big fans of
this show. I bet they are proud of | 0:37:00 | 0:37:05 | |
you. They are. And now URI dancer!
Obviously and into thanks many | 0:37:05 | 0:37:13 | |
people, my beautiful family and my
wife -- you are a dancer. This is | 0:37:13 | 0:37:18 | |
her first year on this show, and I
think she has done well, Alexandra. | 0:37:18 | 0:37:24 | |
APPLAUSE
Brilliant choreography. She is a | 0:37:24 | 0:37:28 | |
brilliant partner, and she is a
great teacher and now she is a | 0:37:28 | 0:37:31 | |
really really good friend and I am
so pleased to have met you. Aw! What | 0:37:31 | 0:37:37 | |
a lovely speech. You are a
gentleman. Would you like to say | 0:37:37 | 0:37:44 | |
something to Davood? Just a big
thank you, and I am such a lucky | 0:37:44 | 0:37:47 | |
girl to have had you as my partner.
It is such a privilege to be a part | 0:37:47 | 0:37:51 | |
of your journey, because I think it
was incredible. The way you improved | 0:37:51 | 0:37:58 | |
and came so far, I am so proud of
you. Thank you for teaching me to | 0:37:58 | 0:38:04 | |
dance. Thank you. | 0:38:04 | 0:38:04 | |
Off you go and prepare
for your last dance. | 0:38:04 | 0:38:08 | |
Sorry to see you go. Sadly, Davood
and Nadiya become the tenth couple | 0:38:08 | 0:38:16 | |
to leave Strictly Come Dancing. | 0:38:16 | 0:38:20 | |
They will join Zoe on It Takes Two
on Monday on BBC2. | 0:38:20 | 0:38:23 | |
For more exclusive content
and all the news on | 0:38:23 | 0:38:25 | |
our couples go to
bbc.co.uk/strictly. | 0:38:25 | 0:38:26 | |
We'll be back next Saturday
at 6:45 for the 2017 | 0:38:26 | 0:38:29 | |
Semi-final when our five
remaining couples must | 0:38:29 | 0:38:30 | |
perform not one, but two dances. | 0:38:30 | 0:38:32 | |
But now, with their final farewell,
it's Davood and Nadiya... | 0:38:32 | 0:38:42 | |
CLAPPING | 0:38:45 | 0:38:47 | |
MUSIC: So Long, Farewell | 0:38:47 | 0:38:57 | |
MUSIC: So Long, Farewell | 0:39:11 | 0:39:21 | |
MUSIC: So Long, Farewell | 0:39:25 | 0:39:35 | |
APPLAUSE | 0:39:38 | 0:39:46 |