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It semifinals week on Strictly. And
with just two dancer standing in the | 0:00:08 | 0:00:16 | |
wake of being in the final. These
things will be the difference | 0:00:16 | 0:00:21 | |
between our bands being ordinary and
extraordinary. Being focused. | 0:00:21 | 0:00:26 | |
Fearless. Fast. Flexible. Dedicated.
Determined. Disciplined. Strong. And | 0:00:26 | 0:00:56 | |
as the band strikes up... And the
dancing shoes go on... The most | 0:00:56 | 0:01:03 | |
important thing I've got to be is
ready. | 0:01:03 | 0:01:07 | |
Live from the BBC, this is Strictly
Come Dancing - The Semi Final! | 0:01:53 | 0:02:00 | |
Please welcome your hosts... | 0:02:00 | 0:02:04 | |
Tess Daly... | 0:02:04 | 0:02:05 | |
And Claudia Winkleman... | 0:02:05 | 0:02:15 | |
Hello and welcome to Strictly Come
Dancing - the Semi Final! | 0:02:26 | 0:02:34 | |
Last week was our Musicals
Special and all our | 0:02:34 | 0:02:36 | |
stars shone brightly
on the Strictly stage. | 0:02:36 | 0:02:38 | |
But sadly, there will be no
encore for Davood and Nadiya | 0:02:38 | 0:02:41 | |
after they lost
out in the dance off | 0:02:41 | 0:02:42 | |
to Alexandra and Gorka. | 0:02:42 | 0:02:46 | |
Tonight, the stakes
couldn't be higher. | 0:02:46 | 0:02:49 | |
Not only are we one week
away from the final, but | 0:02:49 | 0:02:51 | |
the pressure is really
on as our five remaining | 0:02:51 | 0:02:54 | |
couples will dance not
one, but two brand new | 0:02:54 | 0:02:56 | |
routines. | 0:02:56 | 0:03:02 | |
And watching their every dance
move will be these four. | 0:03:02 | 0:03:05 | |
Please welcome the judges. | 0:03:05 | 0:03:10 | |
Darcey Bussell. | 0:03:10 | 0:03:12 | |
Bruno Tonioli. | 0:03:12 | 0:03:15 | |
Craig Revel Horwood. | 0:03:15 | 0:03:17 | |
And Shirley Ballas. | 0:03:17 | 0:03:27 | |
The judges, everyone. | 0:03:31 | 0:03:33 | |
Remarkable. | 0:03:33 | 0:03:35 | |
Our couples are backstage
and with a place in | 0:03:35 | 0:03:37 | |
next week's final up
for grabs, they're more | 0:03:37 | 0:03:39 | |
determined than ever to impress. | 0:03:39 | 0:03:41 | |
So let's get them out here. | 0:03:41 | 0:03:43 | |
Please welcome... | 0:03:43 | 0:03:44 | |
Our Strictly Stars. | 0:03:44 | 0:03:48 | |
Pop star Mollie King,
and her partner AJ Pritchard. | 0:03:48 | 0:03:53 | |
Actress and radio
presenter, Gemma Atkinson | 0:03:53 | 0:03:56 | |
and her partner Aljaz Skorjanec. | 0:03:56 | 0:03:59 | |
Entertainer and radio broadcaster,
Debbie McGee and her | 0:03:59 | 0:04:01 | |
partner Giovanni Pernice. | 0:04:01 | 0:04:03 | |
From Holby City, Joe McFadden
and his partner Katya Jones. | 0:04:03 | 0:04:08 | |
Singer and theatre
star Alexandra Burke | 0:04:08 | 0:04:11 | |
and her partner Gorka Marquez. | 0:04:11 | 0:04:21 | |
There they are, our famous
five semi-finalists. | 0:04:27 | 0:04:30 | |
Congratulations
on making it this far. | 0:04:30 | 0:04:32 | |
We wish you the best of luck. | 0:04:32 | 0:04:35 | |
The judges' scores for both
dances will be added | 0:04:35 | 0:04:37 | |
together to decide where
the couples end up on | 0:04:37 | 0:04:39 | |
the leaderboard. | 0:04:39 | 0:04:41 | |
Those scores will be
combined with your votes | 0:04:41 | 0:04:43 | |
and the two couples
with the lowest overall | 0:04:43 | 0:04:45 | |
points will face the dance
off in tomorrow night's | 0:04:45 | 0:04:47 | |
results show. | 0:04:47 | 0:04:49 | |
Sadly, one of our five
couples will not make it | 0:04:49 | 0:04:52 | |
through to next week's final. | 0:04:52 | 0:04:54 | |
Dancing first tonight is Joe
and and his partner Katya. | 0:04:54 | 0:05:00 | |
Dancing first tonight is Joe
and his partner Katya. | 0:05:01 | 0:05:07 | |
Joe's been working hard this week
learning two new routines, | 0:05:07 | 0:05:10 | |
but he's had encouragement
from Katya and his army of | 0:05:10 | 0:05:13 | |
supporters up and down the country. | 0:05:13 | 0:05:22 | |
Saturday night went well! It felt
like everything came together at the | 0:05:22 | 0:05:32 | |
right time. You're acting skills
were off the chart. Could not have | 0:05:32 | 0:05:38 | |
been better. Great marks, great
comments. Incredible. We are through | 0:05:38 | 0:05:46 | |
to our first semifinal. We are in it
together! This week, the first dance | 0:05:46 | 0:05:51 | |
we are doing is the American Smooth,
based on the foxtrot. I'm pleased we | 0:05:51 | 0:05:55 | |
are doing the American Smooth this
week, because it gives us the chance | 0:05:55 | 0:05:59 | |
to shine. There are a couple of big
lifts in there, which are quite | 0:05:59 | 0:06:04 | |
ambitious. But at this point, you
have to take risks. I have a | 0:06:04 | 0:06:09 | |
surprise for Joe, a video to show
him how much surprised he has. Good | 0:06:09 | 0:06:14 | |
luck, Joe, all of the Scots are
behind you. We have watched you from | 0:06:14 | 0:06:20 | |
day one. Congratulations on
everything you have done so far. | 0:06:20 | 0:06:25 | |
Everyone is behind you, well done.
Good luck, Joe and Katya. I hope you | 0:06:25 | 0:06:31 | |
get through to the final and I hope
you win. Katya and Joe, we love you. | 0:06:31 | 0:06:39 | |
Isn't that sweet? Giving us those
messages gives us the boost to | 0:06:39 | 0:06:43 | |
plough on and hopefully get through
to the final. Let's do it for 'em. | 0:06:43 | 0:06:48 | |
Dancing the American smooth,
Joe McFadden and Katya Jones. | 0:06:48 | 0:06:52 | |
MUSIC: Have You Met Miss Jones? | 0:06:52 | 0:07:00 | |
CHEERING AND APPLAUSE. How about
that? Joe and Katya. Listen to that! | 0:08:23 | 0:08:38 | |
That is quite a reception. | 0:08:38 | 0:08:41 | |
First dance of the semi-final
and what a dance! | 0:08:41 | 0:08:43 | |
Before we hear from the judges,
let's welcome our fabulous | 0:08:43 | 0:08:49 | |
live singers, Hayley, Jamie, | 0:08:49 | 0:08:51 | |
Andrea, Tommy and of
course, Dave Arch and his | 0:08:51 | 0:08:53 | |
brilliant orchestra. | 0:08:53 | 0:09:00 | |
That was the best of Joe's dances.
What a glorious way to open the | 0:09:00 | 0:09:10 | |
semifinal! We have four women and
one man, and I have to say that your | 0:09:10 | 0:09:17 | |
personality is exquisite. Your
timing was extraordinary. Your lifts | 0:09:17 | 0:09:22 | |
were great, and you had the most
glorious movements from foot to foot | 0:09:22 | 0:09:26 | |
today. Well done. Bruno? I think it
is good news for you, Joe. That | 0:09:26 | 0:09:40 | |
lift, I'm still palpitating. I
thought you were going to tie her | 0:09:40 | 0:09:44 | |
into a knot. How do you get out of
that one smoothly? It was | 0:09:44 | 0:09:50 | |
miraculous. It was so complicated.
But you did it with such ease. And I | 0:09:50 | 0:09:57 | |
particularly liked the side to side
sections. It was nicely in sync. It | 0:09:57 | 0:10:03 | |
had a lovely, jazzy swing. Very
nice. Craig? You lost a bit of | 0:10:03 | 0:10:13 | |
balance going into the second round
in hold. It could have been a bit | 0:10:13 | 0:10:18 | |
smoother if I'm honest. I thought
your posture was sometimes leaning a | 0:10:18 | 0:10:22 | |
bit towards Katya. But the lifts
were fantastic. Stylish, wonderful. | 0:10:22 | 0:10:35 | |
Was it smooth enough for you,
Darcey? I enjoyed those lifts. They | 0:10:35 | 0:10:40 | |
could have been incredibly awkward.
But the dismount was smooth. And the | 0:10:40 | 0:10:46 | |
preparations into them as well, you
brought plenty of glamour, lovely | 0:10:46 | 0:10:51 | |
sweeping lines, just what I wanted.
Just what we wanted too. I can't | 0:10:51 | 0:10:57 | |
wait to see what you do with the
Argentine tango next. It is Joe and | 0:10:57 | 0:11:04 | |
Katya! Well done. Can I just
officially say, you are the first | 0:11:04 | 0:11:18 | |
Scot to make it to the semifinal. So
I hear, that's amazing. I know you | 0:11:18 | 0:11:24 | |
love getting messages of support. It
gives you the energy to keep going. | 0:11:24 | 0:11:33 | |
My mouth is dry now. | 0:11:33 | 0:11:35 | |
Just to be in the semifinal, I'm
overjoyed. You are Mr positive. | 0:11:57 | 0:12:02 | |
If you enjoyed Joe and
Katya's American Smooth | 0:12:02 | 0:12:04 | |
and want to see them in next
week's final, please vote. | 0:12:04 | 0:12:07 | |
All the details are on the screen
now and voting won't open | 0:12:07 | 0:12:10 | |
until later on in the show. | 0:12:10 | 0:12:17 | |
Next week is the grand final, not
sure if we mentioned it. So who | 0:12:17 | 0:12:27 | |
better to help me out with the terms
and conditions than last year's | 0:12:27 | 0:12:30 | |
winner? | 0:12:30 | 0:12:30 | |
MUSIC: Runaway Baby. | 0:12:30 | 0:12:40 | |
Ore, while you are here, do you mind
doing this? It would be my pleasure. | 0:12:45 | 0:12:55 | |
Here we go. | 0:12:55 | 0:13:02 | |
Thank you, Ore. | 0:13:18 | 0:13:20 | |
Tess. | 0:13:20 | 0:13:25 | |
Our next couple is Alexandra
and her partner Gorka. | 0:13:25 | 0:13:32 | |
There's no denying last week
was a disappointment for Alexandra. | 0:13:32 | 0:13:34 | |
But she's kept busy learning two
new routines and she's kept smiling | 0:13:34 | 0:13:37 | |
thanks to some lovely messages
from her supporters. | 0:13:37 | 0:13:47 | |
How do you feel about Saturday? To
make it to the quarterfinals was | 0:13:47 | 0:13:52 | |
insane. Being in the dance-off,
people see us as performers and go, | 0:13:52 | 0:13:57 | |
they can handle it, but actually,
it's the most scary feeling to be in | 0:13:57 | 0:14:01 | |
that position. It's so big for me to
do this. I have wanted to do it for | 0:14:01 | 0:14:07 | |
so long | 0:14:07 | 0:14:08 | |
do this. I have wanted to do it for
so long. And here we are, and I | 0:14:08 | 0:14:10 | |
don't want this journey to end. My
first dance this week is the | 0:14:10 | 0:14:16 | |
Viennese waltz. I just have to make
sure my feet are in the right place | 0:14:16 | 0:14:21 | |
at the right time, because
technically, it's quite difficult. | 0:14:21 | 0:14:27 | |
Today, I have a surprise for
Alexandra. Alexandra, your | 0:14:27 | 0:14:34 | |
beautiful. Go, Alexandra and Gorka!
Good luck, Alexandra. You're an | 0:14:34 | 0:14:43 | |
absolute inspiration. I love you,
Alexandra and Gorka. You make me | 0:14:43 | 0:14:49 | |
feel so much emotion when you dance.
Watching the video showed me how | 0:14:49 | 0:14:53 | |
much love there is out there. Please
keep up the emotion in your dances. | 0:14:53 | 0:15:00 | |
I hope you win. My family is rooting
for you 100%. It has definitely | 0:15:00 | 0:15:07 | |
picked me up. I need to go out there
and give it my all. Do it for those | 0:15:07 | 0:15:11 | |
who support us and make them proud. | 0:15:11 | 0:15:14 | |
Dancing the Viennese Waltz,
Alexandra Burke and Gorka Marquez. | 0:15:14 | 0:15:22 | |
APPLAUSE. | 0:15:22 | 0:15:24 | |
MUSIC: Everybody Hurts | 0:15:24 | 0:16:43 | |
APPLAUSE | 0:16:58 | 0:17:06 | |
Yes, Alexandra and Gorka, just
breath taking. Listen to that. | 0:17:12 | 0:17:18 | |
Listen to that reception. Listen,
well done my darling. Breath taking. | 0:17:18 | 0:17:23 | |
Shirley is on her feet. So
emotional. Excellent, classy. It had | 0:17:23 | 0:17:35 | |
a soft dreamy quality. Flowing like
there is no tomorrow. What you did, | 0:17:35 | 0:17:39 | |
the use of your arms tonight, it was
caressing the air, reaching through | 0:17:39 | 0:17:45 | |
space and at the same time emoating.
It felt like the softest, silk est | 0:17:45 | 0:17:57 | |
pashmina and you want to be wrarpd
around it all night. Brilliant. So | 0:17:57 | 0:18:01 | |
are you, Bruno. Craig, what did you
think? One place your feet didn't | 0:18:01 | 0:18:06 | |
come togethering in that routine.
Come on! I can't get as mushy as | 0:18:06 | 0:18:12 | |
Bruno, darling. A good amount of
rotation, I thought. Not many | 0:18:12 | 0:18:15 | |
surprises, actually. We expected you
to do really well, and you did. It's | 0:18:15 | 0:18:20 | |
really surprising actually that you
are using your arms so well. So that | 0:18:20 | 0:18:24 | |
I totally agree with Bruno. It's
just beautiful. Really beautiful. | 0:18:24 | 0:18:30 | |
Arms and fingers. Darcey. Thank you,
Bruno. There was this wonderful | 0:18:30 | 0:18:41 | |
ethereal quality. Like you are
coming off the clouds. You kept it | 0:18:41 | 0:18:44 | |
going, even when the music picked up
you could have over pushed it, you | 0:18:44 | 0:18:48 | |
didn't. You kept it incredibly
graceful and elegant. The control, | 0:18:48 | 0:18:53 | |
oh, my goodness. I really felt it.
It was right, how you used the music | 0:18:53 | 0:18:57 | |
until the very last beat, how you
finished off every line - exquisite. | 0:18:57 | 0:19:12 | |
Everything came together. I have to
congratulate wardrobe, that dress, | 0:19:12 | 0:19:17 | |
the outfit was stunning. Stunning.
Everything happened, you know. So | 0:19:17 | 0:19:23 | |
sincere in your movement. Everything
about you is sincere. How you | 0:19:23 | 0:19:29 | |
finished in your space and how you
held your fingers as if you were | 0:19:29 | 0:19:34 | |
holding a porcelain egg. Everything
about it was stunning. You are | 0:19:34 | 0:19:38 | |
stunning. Thank you. Thank you
Judges, four out of four. We will | 0:19:38 | 0:19:45 | |
look forward to seeing what she will
do with the Salsa. Alexandra and | 0:19:45 | 0:19:50 | |
Gorka, beautiful.
APPLAUSE | 0:19:50 | 0:19:57 | |
So lovely for you to get comments
like that. I think we can officially | 0:20:03 | 0:20:07 | |
say you've had quite a week of it.
Yes. It's been a tough week. The | 0:20:07 | 0:20:12 | |
love and support completely over
powers anything else. I'm so happy. | 0:20:12 | 0:20:16 | |
So happy. So. Hay. Two such
different dances. Yes. Do you feel | 0:20:16 | 0:20:21 | |
like - wait, I'm spinning, I'm doing
the Salsa or is it fine. Did you go | 0:20:21 | 0:20:26 | |
- brilliant. I'm looking forward to
the Salsa, we both are. All right. I | 0:20:26 | 0:20:38 | |
think he's delighted. OK - stop. The
scores are in. Will the judges | 0:20:38 | 0:20:44 | |
please reveal their scores... | 0:20:44 | 0:20:47 | |
YES! Look at me, no more caffeine
for you. | 0:21:06 | 0:21:18 | |
If you think Alexandra
and Gorka deserve a place | 0:21:18 | 0:21:20 | |
in next week's Final,
then please make sure | 0:21:20 | 0:21:22 | |
they get your vote. | 0:21:22 | 0:21:23 | |
All the details you need
to show your support | 0:21:23 | 0:21:26 | |
are on the screen now and remember,
voting won't open until each | 0:21:26 | 0:21:29 | |
couple has danced twice. | 0:21:29 | 0:21:31 | |
Let's hear it for Alexandra and
Gorka. | 0:21:31 | 0:21:38 | |
Still to come, Gemma
and Aljaz Rumba under a full moon. | 0:21:38 | 0:21:41 | |
Tess. | 0:21:41 | 0:21:42 | |
Look who I've found,
it's one of last year's | 0:21:42 | 0:21:44 | |
finalists, Danny Mac. | 0:21:44 | 0:21:49 | |
Danny, can you give us a sense
of what our ssemi-finalists | 0:21:49 | 0:21:51 | |
are going through tonight? | 0:21:51 | 0:21:53 | |
It's the scariest week of the entire
season and the hardest because you | 0:21:53 | 0:21:56 | |
have half the time to learn a dance,
and you do two of them. This is the | 0:21:56 | 0:22:02 | |
one out of them all that you don't
want to go out. The worse to go out | 0:22:02 | 0:22:05 | |
on because you are so close. I'm
feeling for them all. Touching | 0:22:05 | 0:22:08 | |
distance. So close. They are doing
brilliantly so far. | 0:22:08 | 0:22:16 | |
Our next semi-finalists
are Mollie and her partner AJ. | 0:22:16 | 0:22:21 | |
APPLAUSE | 0:22:21 | 0:22:22 | |
Their first dance
tonight is the Samba. | 0:22:22 | 0:22:24 | |
It's got a real party vibe
and Mollie's hoping it'll | 0:22:24 | 0:22:26 | |
help her get an invite
to the biggest party | 0:22:26 | 0:22:28 | |
of the season - our Grand Final. | 0:22:28 | 0:22:30 | |
APPLAUSE | 0:22:30 | 0:22:31 | |
Saturday night was amazing.
Unbelievable, wasn't it? You did so | 0:22:33 | 0:22:37 | |
well. You have improved so much. I'm
stunned. Thank you. I thought you | 0:22:37 | 0:22:42 | |
got it just right. 6. 7. 9. To get a
9 from the Latin queen, Shirley, | 0:22:42 | 0:22:50 | |
does life get better than that?
Semi-final! My first dance this week | 0:22:50 | 0:22:57 | |
is the samba. Mollie is struggling
with the different rhythms. There | 0:22:57 | 0:23:03 | |
are so many different rhythms in the
samba. The samba rolls are the | 0:23:03 | 0:23:07 | |
hardest things ever. They look
effortless. They are so hard. You | 0:23:07 | 0:23:10 | |
have to look like you are really not
trying as well, which is the hardest | 0:23:10 | 0:23:14 | |
thing of everything. I have a
surprise for you. Because you have | 0:23:14 | 0:23:17 | |
been working so hard, I've got a
treat. Aw! We love you Mollie and | 0:23:17 | 0:23:22 | |
AJ. We thought you were o good at
Blackpool.. They are so cute. Good | 0:23:22 | 0:23:28 | |
luck, Mollie. You are brill yanlt.
We loved your rumba. You are the | 0:23:28 | 0:23:34 | |
best in the whole competition. We
put so much into it, to see that | 0:23:34 | 0:23:38 | |
people are enjoying what we are
doing is the most amazing feeling in | 0:23:38 | 0:23:41 | |
the world. That's amazing... I can't
believe that. I wish I could go out | 0:23:41 | 0:23:47 | |
there and thank each of them. Their
support brought us to the | 0:23:47 | 0:23:51 | |
semi-finals, which I'm so grateful
for. I have to go out there and give | 0:23:51 | 0:23:55 | |
it everything I've got for each one
of those people. I hope you win the | 0:23:55 | 0:24:00 | |
Finals. You can do it! | 0:24:00 | 0:24:03 | |
APPLAUSE | 0:24:03 | 0:24:05 | |
Dancing the Samba,
Mollie King and AJ Pritchard. | 0:24:05 | 0:24:07 | |
APPLAUSE | 0:24:07 | 0:24:08 | |
MUSIC: Whenever, Wherever | 0:24:08 | 0:24:14 | |
APPLAUSE | 0:25:36 | 0:25:42 | |
Having a little chat. I don't know
what you're talking about. You | 0:25:51 | 0:25:54 | |
looked so happy when you were
dancing. Loved every minute. Do you | 0:25:54 | 0:25:59 | |
know how cold it is outside? Nippy
out there. It is a bit nippy. The | 0:25:59 | 0:26:04 | |
samba is of course one of the
toughest dances to make look good. | 0:26:04 | 0:26:08 | |
How did Mollie do, Craig? The palm
trees had more bounce in them than | 0:26:08 | 0:26:15 | |
that. The rolls look awkward.
Difficulty going from one step to | 0:26:15 | 0:26:22 | |
the next. You were sometimes behind
with the music. You weren't actually | 0:26:22 | 0:26:26 | |
dancing on time with the music. It
wasn't your best. We have to hope | 0:26:26 | 0:26:31 | |
that your next dance is going to
lift, but that wasn't great, | 0:26:31 | 0:26:35 | |
darling. Sorry. Moving on, Darcey.
Mollie you looked the part. You | 0:26:35 | 0:26:43 | |
looked like a gold goddess. It's
notoriously difficult. I felt you | 0:26:43 | 0:26:52 | |
were chasing the music. It's
difficult. Because of that your | 0:26:52 | 0:26:54 | |
balance was in the wrong places. It
became very jerky. The transitions | 0:26:54 | 0:26:59 | |
from one rhythm to the next it
didn't connect at all. Sadly, this | 0:26:59 | 0:27:03 | |
is not your dance. OK, sorry.
Shirley. I liked all the little bits | 0:27:03 | 0:27:10 | |
when your body was going and your
roll. You had some really good solo | 0:27:10 | 0:27:17 | |
pieces when you were separated. You
got that little bit lost when you | 0:27:17 | 0:27:23 | |
got together. You got stationary
samba walks and slow rhythm going on | 0:27:23 | 0:27:27 | |
there. Yes, there were one or two
little places. Overall, I thought | 0:27:27 | 0:27:32 | |
you were really going for it. That's
all that matters. Thank you, | 0:27:32 | 0:27:36 | |
Shirley. We are seeing positives.
Tonight you missed the flight to | 0:27:36 | 0:27:42 | |
Brazil. That's what happened. He was
in Rio, you were still stuck at the | 0:27:42 | 0:27:48 | |
airport. It's all-timing. Southern
Rail has better timing than you | 0:27:48 | 0:27:54 | |
tonight, come on. It's very
difficult. It's 's a rhythm cally | 0:27:54 | 0:28:08 | |
dance. If it doesn't happen through
your body it looks forced. You can | 0:28:08 | 0:28:14 | |
let your hair down, yeah. It's all
very well. It is the semi-final. It | 0:28:14 | 0:28:19 | |
wasn't your best dance. Then again,
as Craig said, you are back, you do | 0:28:19 | 0:28:23 | |
another, I'm sure you will do much
better. Thank you very much judges. | 0:28:23 | 0:28:27 | |
It's not your best, we all loved it.
You have another chance to impress | 0:28:27 | 0:28:31 | |
with your waltz later on. I'm
looking forward to that. Well done, | 0:28:31 | 0:28:34 | |
darling. Thank you. It's Mollie and
AJ. Thank you. | 0:28:34 | 0:28:41 | |
APPLAUSE | 0:28:41 | 0:28:44 | |
Don't say sorry. | 0:28:46 | 0:28:48 | |
Listen, can I tell you something.
Focus on Shirley. Shirley was | 0:28:50 | 0:28:53 | |
adorable. She was positive. She
loved your solo bits, her favourite | 0:28:53 | 0:29:00 | |
parts of the whole competition. You
always said to Zoe on It Takes Two | 0:29:00 | 0:29:07 | |
you tried to avoid the samba you
said there is no dance on earth less | 0:29:07 | 0:29:12 | |
suited to your character. You need
to look natural. Like it comes | 0:29:12 | 0:29:15 | |
naturally to you. Oh, my goodness
I'm thinking about every step out | 0:29:15 | 0:29:20 | |
there. It doesn't suit me this
dance. I gave it everything. You | 0:29:20 | 0:29:23 | |
went out there and gave 100%. You
did. You gave it 100%. He loved it | 0:29:23 | 0:29:28 | |
and Shirley loved it. The scores are
in. The judges' scores are in... | 0:29:28 | 0:29:39 | |
It is like they won the lottery!
Well done. | 0:29:59 | 0:30:03 | |
If you want to keep these
two in the competition, | 0:30:03 | 0:30:05 | |
all the information you need
is on your screen now. | 0:30:05 | 0:30:08 | |
You will be able to vote for Mollie
and AJ when voting opens later on. | 0:30:08 | 0:30:11 | |
Remember to wait until all our
couples have danced twice. | 0:30:11 | 0:30:14 | |
I'll tell you when. | 0:30:14 | 0:30:18 | |
Look, adorable! | 0:30:18 | 0:30:20 | |
Still to come, Debbie
and Giovanni perform a Jive. | 0:30:20 | 0:30:22 | |
Dancing next is Gemma
and her partner Aljaz. | 0:30:22 | 0:30:24 | |
APPLAUSE. | 0:30:24 | 0:30:28 | |
Last week, Gemma's Quickstep went
down a storm with the audience, | 0:30:28 | 0:30:31 | |
but it didn't really
impress the Judges. | 0:30:31 | 0:30:35 | |
Luckily, she gets two chances
to prove herself tonight, | 0:30:35 | 0:30:37 | |
starting with the Rumba. | 0:30:37 | 0:30:39 | |
APPLAUSE | 0:30:39 | 0:30:46 | |
Saturday, I thought it went well. I
thought we delivered the best dance | 0:30:46 | 0:30:51 | |
we have so far. You had a macular
frame. You did some fantastic, | 0:30:51 | 0:30:57 | |
beautiful footwork. That was
something we had worked on. I was | 0:30:57 | 0:31:02 | |
disappointed with this cause this
week, but there is no point | 0:31:02 | 0:31:05 | |
wallowing. You have to take it on
the chin, bring it into the | 0:31:05 | 0:31:08 | |
rehearsal room and take it into the
next dance. Our first dance is a | 0:31:08 | 0:31:13 | |
rumba. We are just working on making
sure the legs are straight, the | 0:31:13 | 0:31:18 | |
waiters on the right leg, your feet
are on the right counts. Everything | 0:31:18 | 0:31:24 | |
I have done time in-wise over the
last 11 weeks goes out of the window | 0:31:24 | 0:31:28 | |
for rumba. She is not picking it up
as fast as she normally does. I have | 0:31:28 | 0:31:34 | |
struggled today. Aljaz sat me down
and said he had a surprise for me. | 0:31:34 | 0:31:39 | |
Gemma, you're my favourite dancer.
Do this for the north. We love you, | 0:31:39 | 0:31:44 | |
Gemma and Aljaz! Good luck, Gemma
and Aljaz. Good luck, Gemma. I love | 0:31:44 | 0:31:54 | |
the way you dance. Good luck, Gemma
and Aljaz! It means so much to know | 0:31:54 | 0:32:02 | |
that people believe in what we are
doing. I want to do everyone who is | 0:32:02 | 0:32:07 | |
supporting me proud. Good luck,
Gemma and Aljaz, get a ten! | 0:32:07 | 0:32:12 | |
Dancing the Rumba, Gemma Atkinson
and Aljaz Skorjanec. | 0:32:12 | 0:32:14 | |
APPLAUSE | 0:32:14 | 0:32:16 | |
MUSIC: Beneath Your Beautiful | 0:32:16 | 0:32:23 | |
APPLAUSE | 0:33:50 | 0:34:00 | |
Absolutely beautiful. Gemma and
Aljaz, yes! Beautiful routine. So | 0:34:00 | 0:34:19 | |
romantic. Did you fall in love,
Darcey? There was a lovely or | 0:34:19 | 0:34:23 | |
between you. It was an intensely
romantic rumba. The eye contact, the | 0:34:23 | 0:34:30 | |
beautiful slow swivel that you were
able to control and just catch | 0:34:30 | 0:34:34 | |
Aljaz's eyes really took me. I could
see how hard you were working, | 0:34:34 | 0:34:39 | |
especially on the straight leg. You
were creating great resistance. I | 0:34:39 | 0:34:42 | |
would just love all that hard work
that you put into those legs and all | 0:34:42 | 0:34:47 | |
that control, I would love to see
you breathe into your body so that | 0:34:47 | 0:34:53 | |
we could see that emotion come
through the body. You had amazing | 0:34:53 | 0:34:56 | |
legs. Shirley? First of all, you
have a beautiful set of pins, | 0:34:56 | 0:35:11 | |
beautiful looking legs for this
dance. I want to commend you firstly | 0:35:11 | 0:35:14 | |
on your choreography. It was nice to
see half of it in basic and the | 0:35:14 | 0:35:20 | |
other half, you went into advanced
choreography. Some beautiful elbows, | 0:35:20 | 0:35:24 | |
wrists and hands in the beginning.
Just one small issue. I agree with | 0:35:24 | 0:35:28 | |
Darcey, I did feel you have some
connection with your partner, it | 0:35:28 | 0:35:32 | |
just lacks some musicality in the
middle, some continuous movement. | 0:35:32 | 0:35:36 | |
But there were other things I
enjoyed, so well done. Very nice, | 0:35:36 | 0:35:42 | |
darling. Proper are correct, sends
you will, but not smutty. Very good | 0:35:42 | 0:35:52 | |
-- sensual, but not smutty. I could
see how much attention you put to | 0:35:52 | 0:35:58 | |
the placement of your leg to get the
right placement. The lead lines were | 0:35:58 | 0:36:01 | |
good. But you have to be careful. If
you are over thinking, it stops the | 0:36:01 | 0:36:07 | |
flow from the leg through the body,
and the continuous movement at the | 0:36:07 | 0:36:15 | |
rumba requires sometimes stops. Make
sure it happens all the time. There | 0:36:15 | 0:36:20 | |
are no pauses. It is continuous.
Otherwise, very nice. Craig, last | 0:36:20 | 0:36:30 | |
week you scored Gemma ASICS. Better
tonight? The upper body was a bit in | 0:36:30 | 0:36:36 | |
inanimate. Also a bit torpid. That
is what they are saying. The | 0:36:36 | 0:36:43 | |
straight legs were wonderful. The
hip action, you got, but the upper | 0:36:43 | 0:36:47 | |
body wasn't working as hard as the
lower body. If you could marry the | 0:36:47 | 0:36:51 | |
two, it would have been genius. But
I love the routine. And you have | 0:36:51 | 0:36:59 | |
another dance later, which means
another chance. You have the time go | 0:36:59 | 0:37:04 | |
next. You are like a giddy child
tonight! Adorable. Gemma and Aljaz! | 0:37:04 | 0:37:15 | |
You smashed it! After you, my lady.
Well done. Most of the judges adored | 0:37:15 | 0:37:30 | |
it. And we should tell the group,
you do a radio show. You are about | 0:37:30 | 0:37:34 | |
4.30 every morning and you have to
learn two dances this week. This was | 0:37:34 | 0:37:39 | |
your first week of wobbling. My
breakdown! But they loved your | 0:37:39 | 0:37:45 | |
choreography. The scores are in. | 0:37:45 | 0:37:47 | |
Happy? Yes. | 0:38:07 | 0:38:09 | |
If you enjoyed Gemma
and Aljaz's Rumba and would | 0:38:09 | 0:38:11 | |
like to see them dance in next
week's Final, you will need | 0:38:11 | 0:38:15 | |
to give them your vote. | 0:38:15 | 0:38:17 | |
All the details you need
are on your screen, | 0:38:17 | 0:38:19 | |
but you will not be able to vote
until all our couples | 0:38:19 | 0:38:22 | |
have performed twice. | 0:38:22 | 0:38:23 | |
Plus, if you want to know more
about Strictly, go to the website. | 0:38:23 | 0:38:26 | |
This week, Craig on the perfect
Christmas condiments. | 0:38:26 | 0:38:28 | |
Tess. | 0:38:28 | 0:38:29 | |
Our next couple is Debbie
and her partner Giovanni. | 0:38:29 | 0:38:31 | |
APPLAUSE. | 0:38:31 | 0:38:37 | |
Training for two new dances has
really put the pressure | 0:38:37 | 0:38:41 | |
on Debbie and, as always,
Giovanni's been there | 0:38:41 | 0:38:43 | |
offering support, but this
week he hasn't been | 0:38:43 | 0:38:45 | |
the only one. | 0:38:45 | 0:38:46 | |
APPLAUSE. | 0:38:46 | 0:38:54 | |
Saturday night, we had beautiful
comments from the judges. | 0:38:54 | 0:38:58 | |
Impressive. The best one was Craig.
Leg! Dancing to Memory was special | 0:38:58 | 0:39:11 | |
because I could feel the emotion
within the music. Our first dance | 0:39:11 | 0:39:17 | |
this week is the jive. I have always
struggled with the Latin dances, and | 0:39:17 | 0:39:21 | |
I don't think the jive will be any
different. It's so fast, so I have a | 0:39:21 | 0:39:27 | |
lot of hard work to do. We have a
lovely message from the people | 0:39:27 | 0:39:34 | |
outside. Ready? I love watching you
and Giovanni. Last week was | 0:39:34 | 0:39:40 | |
incredible. I am sure whatever you
have got coming up will be awesome. | 0:39:40 | 0:39:45 | |
You have shown everyone that it
doesn't matter what age you are, you | 0:39:45 | 0:39:49 | |
can do anything. So go on and win!
Debbie and Giovanni, we watched you | 0:39:49 | 0:39:55 | |
every week. Goal, Debbie, go! Your
amazing! | 0:39:55 | 0:40:10 | |
Debbie and Giovanni, you're the
winner 's! Makes us realise how many | 0:40:13 | 0:40:16 | |
people are enjoying what we are
doing. Can't believe it. It's just | 0:40:16 | 0:40:20 | |
so lovely. | 0:40:20 | 0:40:21 | |
Dancing the Jive, Debbie McGee
and Giovanni Pernice. | 0:40:21 | 0:40:23 | |
APPLAUSE | 0:40:23 | 0:40:25 | |
MUSIC: I'm So Excited. | 0:40:25 | 0:40:35 | |
APPLAUSE | 0:42:00 | 0:42:10 | |
Oh, yes, Debbie! Debbie and
Giovanni, a standing ovation in the | 0:42:13 | 0:42:19 | |
studio. Well done. I think he is
more out of breath than you are! It | 0:42:19 | 0:42:33 | |
was very fast. We are all excited
after that. Are you, Shirley? I am | 0:42:33 | 0:42:39 | |
very excited because to be honest, I
was a bit nervous because of the | 0:42:39 | 0:42:44 | |
beautiful straight leg we talked
about in rumba. I was nervous about | 0:42:44 | 0:42:46 | |
whether you could get down, but you
were bending that standing leg. You | 0:42:46 | 0:42:52 | |
were really giving it. A beautiful
blend of swing. Nice straight legs | 0:42:52 | 0:42:57 | |
when you did the chicken walks. You
chose some nice choreography and | 0:42:57 | 0:43:01 | |
coupled together with the flicks and
kicks. You did a grand job, well | 0:43:01 | 0:43:04 | |
done. Debbie always delivers on time
and in perfect condition. Your | 0:43:04 | 0:43:17 | |
timing is incredible. You're so
sharp, it crackles. You are crispier | 0:43:17 | 0:43:23 | |
than a kettle crisp. You don't miss
any detail. You managed to maintain | 0:43:23 | 0:43:29 | |
the energy. It was a sparkling jive.
Craig, hope you were impressed? I | 0:43:29 | 0:43:37 | |
felt it lacked a little retraction.
I also felt your body could be more | 0:43:37 | 0:43:43 | |
over your feet. For me, it looked a
bit spiky and stiff. And your facial | 0:43:43 | 0:43:51 | |
expressions were bothering me
tonight. They reminded me of our | 0:43:51 | 0:43:57 | |
past contestant Judge Rinder! Who is
in the audience tonight. It did put | 0:43:57 | 0:44:04 | |
me off slightly, but your timing is
immaculate. Your energy is second to | 0:44:04 | 0:44:09 | |
none. Darcey? Eddie, that was fast
and sweet. Your agility, I am | 0:44:09 | 0:44:20 | |
shocked -- Debbie. That energy, how
neat, how crisp those kicks are, it | 0:44:20 | 0:44:26 | |
is extraordinary and you just don't
tire. What are you taking? I want to | 0:44:26 | 0:44:31 | |
know. I want some of that. It is
outstanding, what you give every | 0:44:31 | 0:44:38 | |
night. Amazing. That is your first
dance done and we are all hoping for | 0:44:38 | 0:44:45 | |
a fabulous foxtrot later. Debbie and
Giovanni. | 0:44:45 | 0:44:52 | |
Well done. | 0:44:54 | 0:44:57 | |
You are like a unicorn. The stamina
you needed for that, it is favourite | 0:44:59 | 0:45:05 | |
dance. Did that put you under more
pressure? It did. He's 27, I'm | 0:45:05 | 0:45:11 | |
heading for 60. Keeping up with him
was very, very difficult. You didn't | 0:45:11 | 0:45:15 | |
slow it down. I believed Debbie said
in the training room, "I'm 59, go | 0:45:15 | 0:45:21 | |
slower." It doesn't matter she did
better than me tonight. You can see. | 0:45:21 | 0:45:26 | |
Fantastic. The scores are in. Will
the judges please reveal their | 0:45:26 | 0:45:31 | |
scores... | 0:45:31 | 0:45:33 | |
Happier with the 9s. When the 7 came
out they went, "what." | 0:45:47 | 0:45:54 | |
If you want to see Debbie
and Giovanni dancing in the Final, | 0:45:54 | 0:45:57 | |
then they will need your vote. | 0:45:57 | 0:45:58 | |
All the information
you need is on your | 0:45:58 | 0:46:00 | |
screen now and you will be able
to show your support very soon. | 0:46:00 | 0:46:03 | |
We are halfway through. Let's look
at the leared board. | 0:46:03 | 0:46:06 | |
-- leaderboard. | 0:46:10 | 0:46:12 | |
But with one more routine
to perform, that could change. | 0:46:17 | 0:46:19 | |
There is still all
of this left to come. | 0:46:19 | 0:46:24 | |
This Foxtrot is going to be pure
technique. | 0:46:24 | 0:46:27 | |
I know how important it is that I
get every little detail right. | 0:46:27 | 0:46:31 | |
I know how important it is that I
get every little detail right. I've | 0:46:31 | 0:46:33 | |
always wanted to learn the waltz, is
it heel lead, ball flat. Where is my | 0:46:33 | 0:46:38 | |
head looking? Keeping pushing out.
So much to think about. The around | 0:46:38 | 0:46:45 | |
Tyne Tango you have to feel the
music and let it get inside you and | 0:46:45 | 0:46:48 | |
express it. The tango is quite
powerful and strong. It's all heels | 0:46:48 | 0:46:54 | |
and it's bent legs. It's quite
difficult to do at the minute. There | 0:46:54 | 0:46:57 | |
is no time to think about what you
are doing. I have to be doing the | 0:46:57 | 0:47:02 | |
Salsa in my sleep because if you
think about the next step, you have | 0:47:02 | 0:47:06 | |
already missed a beat. | 0:47:06 | 0:47:08 | |
I cannot wait to see all of that. | 0:47:10 | 0:47:17 | |
And Mollie and AJ are
doing a romantic Waltz. | 0:47:17 | 0:47:19 | |
Now can we please just talk
about the elephant in the room? | 0:47:19 | 0:47:22 | |
You mean, are Mollie
and AJ a couple or not? | 0:47:22 | 0:47:25 | |
No. | 0:47:25 | 0:47:25 | |
That elephant in the room. | 0:47:25 | 0:47:32 | |
I'll get him. | 0:47:32 | 0:47:37 | |
It's time to welcome back Joe
and his partner Katya. | 0:47:37 | 0:47:42 | |
APPLAUSE | 0:47:42 | 0:47:43 | |
Over the series, Joe has
been seen as the dark | 0:47:43 | 0:47:45 | |
horse of the competition. | 0:47:45 | 0:47:46 | |
Can he gallop through to next week
or will he fall at the final hurdle? | 0:47:46 | 0:47:50 | |
Let's see what the judges think. | 0:47:50 | 0:47:51 | |
APPLAUSE | 0:47:51 | 0:47:53 | |
Let us talk about Joe. He has been a
slow burner for me. It's taken him a | 0:47:53 | 0:47:58 | |
while to believe in himself. His
Viennese Waltz, suddenly leg became | 0:47:58 | 0:48:06 | |
the gentleman. He was leading Katya.
For me he brings all the small | 0:48:06 | 0:48:11 | |
nusiances to the dance. I remember
his Paso. His shaping. He landed it, | 0:48:11 | 0:48:21 | |
nailed. It I think he my may be the
surprise. Joe's weakness is he looks | 0:48:21 | 0:48:27 | |
outside his body and judges himself.
That stops him from being musical. | 0:48:27 | 0:48:38 | |
Katya believes in him and he can
produce the goods. It comes | 0:48:38 | 0:48:41 | |
together. When he gets the character
right, it chicked in on that | 0:48:41 | 0:48:44 | |
Charleston. He knew what he was
doing. From that point he never | 0:48:44 | 0:48:49 | |
looked back. Joe's next dance,
Argentine tango. That fills me with | 0:48:49 | 0:48:58 | |
a little bit of secret excitement.
Oh, really. For me a little bit of | 0:48:58 | 0:49:03 | |
hesitation, actually. For the lifts,
especially. When I saw his lines in | 0:49:03 | 0:49:15 | |
the paso doble I think it will be
outstanding. Will he nail it or feet | 0:49:15 | 0:49:21 | |
fail it? They are going OK 90% at
the time. We are clipping each other | 0:49:21 | 0:49:26 | |
in the ankle or the foot. The lifts
are ambitious. They expect us to | 0:49:26 | 0:49:32 | |
take risks. Hopefully, that's what
we're going to do. | 0:49:32 | 0:49:38 | |
Dancing the Argentine Tango,
Joe McFadden and Katya Jones. | 0:49:38 | 0:49:40 | |
APPLAUSE | 0:49:40 | 0:49:41 | |
MUSIC: Human | 0:49:41 | 0:49:45 | |
APPLAUSE | 0:51:23 | 0:51:26 | |
Joe, Joe, Joe! Thank you. Listen to
that. That was incredible. Thank | 0:51:28 | 0:51:35 | |
you. Oh, look around. | 0:51:35 | 0:51:42 | |
Oh, my goodness. | 0:51:46 | 0:51:49 | |
That was incredible. I've never seen
a lift like that before I don't | 0:51:51 | 0:51:56 | |
think in all these years in the
show. You never will again. I never | 0:51:56 | 0:51:59 | |
will again. Superhuman. That was the
last chance to prove yourself worthy | 0:51:59 | 0:52:04 | |
in the final? Yes, it was. What did
you think, Bruno? Argentine Tango | 0:52:04 | 0:52:10 | |
from a different anning well a
modern twist, and yet it was very | 0:52:10 | 0:52:14 | |
true to the style and the feel of
the dance. The choreography, the way | 0:52:14 | 0:52:19 | |
you reflected the dramatic arch was
superb, darling. Fantastic job. That | 0:52:19 | 0:52:26 | |
ending was dramatic. I've never seen
it before. You lost balance! You | 0:52:26 | 0:52:35 | |
know what I mean. It was just a
little fly in the ointment. | 0:52:35 | 0:52:41 | |
Otherwise, I mean, excellent.
Really, really good. Tiny | 0:52:41 | 0:52:44 | |
imperfection. I'm only human! You
are right, he's only human after | 0:52:44 | 0:52:52 | |
all. Your walking steps were ploddy
and obvious. You weren't creating an | 0:52:52 | 0:53:00 | |
A frame I know you weren't going for
that type of around Tyne tango. | 0:53:00 | 0:53:05 | |
Could you have had a looser leg in
the ganchos. You took a risk, did it | 0:53:05 | 0:53:11 | |
pay off with its incentiveness? I
think it did, darling. So well done. | 0:53:11 | 0:53:16 | |
It did. It did. The audience
reaction is incredible. This was | 0:53:16 | 0:53:23 | |
wonderfully daring. It is all about
taking the risks. You took them | 0:53:23 | 0:53:28 | |
with... Om, my goodness it was scary
and surprising just as we want an | 0:53:28 | 0:53:35 | |
Argentine tango. I love the
contemporary edgeto it. Very nice. | 0:53:35 | 0:53:41 | |
The control, how you took charge of
the dance, one balance, we were side | 0:53:41 | 0:53:47 | |
on to that. How you controlled and
directed Katya from the beginning to | 0:53:47 | 0:53:51 | |
the end, she reacted to every move
you did, it was perfect. I know that | 0:53:51 | 0:53:57 | |
core would have made you very, very
happy, Darcey. Shirley. Well, I said | 0:53:57 | 0:54:03 | |
halfway through the season that you
were the dark horse and detail Joe. | 0:54:03 | 0:54:08 | |
I think you've pushed the
boundaries. | 0:54:08 | 0:54:11 | |
I saw the mishap and off balance.
You pushed the boundaries. You | 0:54:11 | 0:54:17 | |
danced the Argentine tango. You
didn't stand there while she flicked | 0:54:17 | 0:54:20 | |
and kicked. You took part and were
involved. The pivots with the | 0:54:20 | 0:54:26 | |
gaunchos, did I say it right? I'm
learning that word. Fantastic | 0:54:26 | 0:54:31 | |
pivots, spectacular. I saw that
mishap, otherwise a great routine. | 0:54:31 | 0:54:35 | |
Thank you, cheers. They have
commended you on your bravery. You | 0:54:35 | 0:54:39 | |
have done all you can. They have
done their all, will it be enough? | 0:54:39 | 0:54:42 | |
Let's hope so. Joe and Katya. Thank
you, thank you. | 0:54:42 | 0:54:51 | |
APPLAUSE | 0:54:51 | 0:54:53 | |
Well done, Joe and Katya. The judges
so impressed. Thank you. You have | 0:54:55 | 0:55:01 | |
taken risks you two, especially
then, the semi-final, could you have | 0:55:01 | 0:55:05 | |
played it safe? No room for safe.
She doesn't allow me to use the word | 0:55:05 | 0:55:10 | |
safe or fatigued. Those words don't
exist. Really well done. Amazing. | 0:55:10 | 0:55:14 | |
The scores are in. The judges have
their scores... | 0:55:14 | 0:55:19 | |
35, same score as last time. Well
done. Three lovely 9s. | 0:55:35 | 0:55:41 | |
If you want to see these humans
dancing again in next week's Final, | 0:55:41 | 0:55:44 | |
please make sure you vote
for Joe and Katya. | 0:55:44 | 0:55:46 | |
You will be able to do so when lines
open at the end of the show. | 0:55:46 | 0:55:50 | |
Tess. | 0:55:50 | 0:55:53 | |
Back for their second dance, it's
Alexandra and her partner Gorka. | 0:55:53 | 0:55:58 | |
APPLAUSE | 0:55:58 | 0:55:59 | |
Over the series, Alexandra
has experienced quite | 0:55:59 | 0:56:01 | |
a few highs and lows. | 0:56:01 | 0:56:07 | |
She's topped the leaderboard more
than anyone else, but she's also | 0:56:07 | 0:56:10 | |
been in the Dance Off twice. | 0:56:10 | 0:56:11 | |
Let's see what the Judges
have to say about her | 0:56:11 | 0:56:14 | |
Strictly experience. | 0:56:14 | 0:56:21 | |
Alexand this series has been
outstanding and brought her best to | 0:56:21 | 0:56:25 | |
the table. From the first step it's
beautiful to watch. Her speed of | 0:56:25 | 0:56:30 | |
movement that she really shines. I
totally fell in love with Alexandra | 0:56:30 | 0:56:37 | |
when she came out with her Paso, she
had the passion, the fire. She seems | 0:56:37 | 0:56:44 | |
to get in touch with the character
of the music as much as she does the | 0:56:44 | 0:56:48 | |
technique. You see a total
performer. Proud Merry. I love ared | 0:56:48 | 0:56:56 | |
that. Her power. She unleashed
energy. Her consistency is | 0:56:56 | 0:57:01 | |
extraordinary. Week 8, the arrange
Argentine tango. She did a | 0:57:01 | 0:57:13 | |
quickstep. Overall she has wowed us.
She set a standard that is so high. | 0:57:13 | 0:57:19 | |
How is she going to top it? This
week she has the Salsa. It will be | 0:57:19 | 0:57:26 | |
interesting to see if she has the
rhythms, rotate her body joochl she | 0:57:26 | 0:57:31 | |
has the right energy to interpret
the Salsa. If she doesn't over | 0:57:31 | 0:57:35 | |
analyse she could be sensational. We
were at the point where it's | 0:57:35 | 0:57:40 | |
serious, but you have to show you
are loving life with the Salsa. It's | 0:57:40 | 0:57:44 | |
fun, energetic. I need to not over
think it and just go with the flow. | 0:57:44 | 0:57:49 | |
1, 2, 3. Perfect. If we can say we
are here at the final, that would | 0:57:49 | 0:57:54 | |
melt both of our hearts. | 0:57:54 | 0:57:56 | |
Dancing the Salsa,
Alexandra Burke and Gorka Marquez. | 0:58:02 | 0:58:04 | |
APPLAUSE | 0:58:04 | 0:58:05 | |
MUSIC: Finally | 0:58:05 | 0:58:15 | |
APPLAUSE | 0:59:30 | 0:59:39 | |
Oh, boy! Yes, yes, yes! Three out of
four of the judges are on their | 0:59:39 | 0:59:53 | |
feet. So other studio audience.
Bruno is going crazy. Finally, | 0:59:53 | 1:00:04 | |
Alexandra dance is a salsa. That was
worth the wait. You have been | 1:00:04 | 1:00:10 | |
consistently brilliant throughout
the competition. How was it for you, | 1:00:10 | 1:00:14 | |
Craig? The rotation in the hip,
isolation, body rolls, continuous | 1:00:14 | 1:00:21 | |
flow... Absolutely fabulous! So glad
he spoke the truth. I love it when | 1:00:21 | 1:00:35 | |
that happens. I love it too. I was
actually jealous. I wanted to be at | 1:00:35 | 1:00:40 | |
your private disco. What a routine.
The amount of detail in the | 1:00:40 | 1:00:48 | |
beginning with just your salsa basic
and then the nice little flick and | 1:00:48 | 1:00:51 | |
then the term, so many great
details. If you're not in that | 1:00:51 | 1:00:57 | |
final, I am going to get into his
speedos! Shirley? I'm still on the | 1:00:57 | 1:01:16 | |
speedos! Oh, my goodness, foot to
foot, super clear, lots of rhythm. | 1:01:16 | 1:01:23 | |
It was party time all the way. Thank
you, Shirley! They were partying | 1:01:23 | 1:01:33 | |
with you, especially Bruno.
# ooh, I wonder dance with somebody! | 1:01:33 | 1:01:40 | |
# I want to feel the heat with
somebody, with somebody just like | 1:01:40 | 1:01:45 | |
you. It might be December, but it
felt like a Midsummer in Puerto | 1:01:45 | 1:01:55 | |
Rico! Love you, honey. Love you too,
darling. I think they liked it, safe | 1:01:55 | 1:02:05 | |
to say. Amazing comments. Will they
be enough to get you through to the | 1:02:05 | 1:02:09 | |
final? Fingers crossed. Alexandra
and Gorka! | 1:02:09 | 1:02:22 | |
Well done. How extraordinary. The
judge is swapping swimwear. I don't | 1:02:29 | 1:02:38 | |
know what it means, but I think its
a good thing. You make it look | 1:02:38 | 1:02:42 | |
effortless. But it isn't. You
trained so hard. What did you think | 1:02:42 | 1:02:50 | |
of that reaction? I am so
overwhelmed. We are having the best | 1:02:50 | 1:02:54 | |
time. We are at the semifinals. This
is great. Let's just have some fun. | 1:02:54 | 1:03:00 | |
The scores are in. | 1:03:00 | 1:03:01 | |
Oh, my God! I'm so happy for you.
You trained so hard. You had a | 1:03:31 | 1:03:41 | |
difficult week. We could not be
happier for you. If Alexandra and | 1:03:41 | 1:03:47 | |
Gorka's salsa was the one for you,
please vote. | 1:03:47 | 1:03:50 | |
All the details are on the screen
now and voting will open | 1:03:50 | 1:03:53 | |
later on in the show. | 1:03:53 | 1:03:56 | |
You OK? Yeah. | 1:03:56 | 1:03:57 | |
Still to come, Gemma dances
a Tango to My Sharona, | 1:03:57 | 1:04:00 | |
which I believe is Italian
for My Sharon. | 1:04:00 | 1:04:03 | |
Happy? Very happy! | 1:04:03 | 1:04:07 | |
Tess. | 1:04:07 | 1:04:12 | |
So excited about that 40, aren't we? | 1:04:12 | 1:04:14 | |
About to dance for the second
time tonight is Mollie | 1:04:14 | 1:04:16 | |
and her partner AJ. | 1:04:16 | 1:04:18 | |
APPLAUSE. | 1:04:18 | 1:04:20 | |
AJ has always believed
in Mollie, but it's only been | 1:04:20 | 1:04:24 | |
over these last few weeks
that Mollie's started | 1:04:24 | 1:04:26 | |
to believe in herself. | 1:04:26 | 1:04:27 | |
Can she make it through
to next week's final? | 1:04:27 | 1:04:29 | |
Let's find out what
the Judges think. | 1:04:29 | 1:04:31 | |
APPLAUSE. | 1:04:31 | 1:04:39 | |
Mollie and AJ. For me, they are the
epitome of chemistry. I can see | 1:04:39 | 1:04:44 | |
sparks flying between these two. She
is wonderful in hold. The rotation | 1:04:44 | 1:04:52 | |
in the Viennese waltz was
outstanding. The question is, can | 1:04:52 | 1:04:57 | |
she maintained that? I understand
that she has a wobbly core. She gets | 1:04:57 | 1:05:00 | |
her shoulders a bit too high. But
with the quick step, beautiful | 1:05:00 | 1:05:06 | |
frame. That is the way to get to the
final. What I admire about Mollie, | 1:05:06 | 1:05:12 | |
she has been in the bottom two
twice. It's given her that fighting | 1:05:12 | 1:05:16 | |
spirit and she has come back
stronger. For Mollie to be a | 1:05:16 | 1:05:23 | |
finalist, she needs to really up her
game. She is utterly charming, a | 1:05:23 | 1:05:28 | |
beautiful girl to watch. She could
surprise us. There is always a | 1:05:28 | 1:05:33 | |
surprise. Mollie is doing the waltz.
This could be good for her. AJ will | 1:05:33 | 1:05:40 | |
have the ability to control her, and
that could be her chance to shine. | 1:05:40 | 1:05:45 | |
She could do quite well. There are
so many different elements to the | 1:05:45 | 1:05:50 | |
waltz, the ball flat, the heel lead,
the pivots. There are so much going | 1:05:50 | 1:05:55 | |
on. Because it is the semifinal, the
judges will be very picky about the | 1:05:55 | 1:06:00 | |
frame, the posture. Push away from
me. The song is really slow. Every | 1:06:00 | 1:06:09 | |
step I take has to be done really
well. In the semifinals, I can't | 1:06:09 | 1:06:14 | |
afford to make a mistake. | 1:06:14 | 1:06:16 | |
Dancing the Waltz,
Mollie King and AJ Pritchard. | 1:06:16 | 1:06:18 | |
APPLAUSE | 1:06:18 | 1:06:21 | |
MUSIC: Angel | 1:06:21 | 1:06:31 | |
CHEERING AND APPLAUSE. | 1:08:07 | 1:08:11 | |
Well done. What a wonderful waltz
from Mollie and AJ. Such a lovely | 1:08:11 | 1:08:22 | |
connection between these two. You
looked like you were lost in | 1:08:22 | 1:08:29 | |
dancing. Were you, Darcey? It had
all the elements of a truly serene, | 1:08:29 | 1:08:34 | |
romantic waltz. There were some
lovely, beautiful qualities at the | 1:08:34 | 1:08:40 | |
beginning, especially in your
posture. You held onto that all the | 1:08:40 | 1:08:42 | |
way through, only until the very
end. I know that is when it becomes | 1:08:42 | 1:08:47 | |
hard for you in terms if that left
shoulder comes up in those pivots. | 1:08:47 | 1:08:53 | |
But there was so much good in there,
and you really focused. I did love | 1:08:53 | 1:08:59 | |
the quality, I just felt there was
an edge of nerves. There was a bit | 1:08:59 | 1:09:05 | |
of that stiff right arm. But still a
very nice job. There are a lot of | 1:09:05 | 1:09:14 | |
nerves tonight. I think you are much
more comfortable in the waltz than | 1:09:14 | 1:09:22 | |
the samba. I will nickname you the
pivot queen. No matter what ballroom | 1:09:22 | 1:09:27 | |
dance you have got, you do your
pivots so beautifully, correct | 1:09:27 | 1:09:30 | |
footwork, right side of the body.
You looked really comfortable in | 1:09:30 | 1:09:34 | |
that. Was there a tiny hiccup?
Sorry. It doesn't matter, because | 1:09:34 | 1:09:40 | |
you had your beautiful frame. You
are a gorgeous girl and executed it | 1:09:40 | 1:09:46 | |
well. Congratulations. Don't get
upset. Bruno? It was good, you | 1:09:46 | 1:09:53 | |
regain your control and you went
down the route of a classic, proper | 1:09:53 | 1:09:56 | |
ballroom waltz, which is harder to
do because you don't have all these | 1:09:56 | 1:10:00 | |
adornments. So you really have to
control it and you did that | 1:10:00 | 1:10:04 | |
beautifully. You have a wonderful
purity of lines. Yes, you got a bit | 1:10:04 | 1:10:10 | |
tight and you did a slight mistake,
but much, much better. Thank you. Do | 1:10:10 | 1:10:17 | |
you agree, Craig? Aside from the
mistakes, your left shoulder does | 1:10:17 | 1:10:23 | |
tend to rise. But my darling, you
have redeemed yourself. Thank | 1:10:23 | 1:10:28 | |
goodness! We all loved it. It was
beautiful, as are you. You have a | 1:10:28 | 1:10:36 | |
little tear, darling! Don't cry, you
were gorgeous. I was so nervous. You | 1:10:36 | 1:10:45 | |
loved it -- we loved it, didn't we,
ladies and gentlemen? Mollie and AJ! | 1:10:45 | 1:10:59 | |
Mollie! Mollie! Please, don't be
sad. You worked so hard on this. | 1:10:59 | 1:11:08 | |
They much preferred it to the other
dance. It was gorgeous. Your | 1:11:08 | 1:11:15 | |
improvement is unbelievable. Thank
you. The nerves are just getting to | 1:11:15 | 1:11:19 | |
me. I feel like it's all crumbling
away. No. There is no crumble other | 1:11:19 | 1:11:24 | |
than apple, and I will bring it to
your room. | 1:11:24 | 1:11:30 | |
Well done, baby. That is no
crumbling. This is your highest | 1:11:50 | 1:11:54 | |
score so far in the competition.
Really? Mollie! Mollie! They love | 1:11:54 | 1:12:05 | |
her. | 1:12:05 | 1:12:06 | |
If you want Mollie and AJ to Waltz
through to next week's final, | 1:12:06 | 1:12:09 | |
please vote for them. | 1:12:09 | 1:12:10 | |
All the details you need
are on your screen, so you can vote | 1:12:10 | 1:12:13 | |
for them towards the end
of the show. | 1:12:13 | 1:12:17 | |
They are saying, please! | 1:12:17 | 1:12:18 | |
Tess. | 1:12:18 | 1:12:19 | |
Our next couple to take to the floor
for the second time tonight is Gemma | 1:12:19 | 1:12:23 | |
and her partner Aljaz. | 1:12:23 | 1:12:24 | |
APPLAUSE | 1:12:24 | 1:12:26 | |
Gemma's had an up and down series, | 1:12:26 | 1:12:28 | |
she's scored 4, she's scored 10
and everything in between. | 1:12:28 | 1:12:31 | |
Does she have what it takes
to make it to the Final? | 1:12:31 | 1:12:33 | |
Let's see what the judges think. | 1:12:33 | 1:12:35 | |
APPLAUSE | 1:12:35 | 1:12:42 | |
Gemma, you never know what's going
to happen. Great at ballroom, and | 1:12:42 | 1:12:47 | |
then the next week, she has a Latin
and just collapses. Don't overthink | 1:12:47 | 1:12:50 | |
it. These thoughts cannot be seen in
a performance. The fear when she | 1:12:50 | 1:12:57 | |
attends Latin is so revealing. That
is what she has got to change. Bush | 1:12:57 | 1:13:02 | |
she surprised me with her American
Smooth, amazing. The lines you had | 1:13:02 | 1:13:08 | |
were great. She had glimpses of
absolute pure brilliance. She flowed | 1:13:08 | 1:13:14 | |
across the floor seamlessly. She
will have to bring that if she wants | 1:13:14 | 1:13:17 | |
to get into the final. This week,
Gemma, tango. The Big Questions I'm | 1:13:17 | 1:13:25 | |
optimistic for her tango. I think
she can produce the goods. The | 1:13:25 | 1:13:35 | |
finalists in Strictly Come Dancing
have to be extraordinary. We want to | 1:13:35 | 1:13:39 | |
see perfection. Can Gemma deliver?
The first thing that makes a good | 1:13:39 | 1:13:46 | |
tango is keeping your posture
perfect. I'm nervous about | 1:13:46 | 1:13:53 | |
everything in the tango. The only
thing that makes me feel safe in the | 1:13:53 | 1:13:59 | |
dance is that I'm doing it with
Aljaz. Gemma is a bit scared of the | 1:13:59 | 1:14:02 | |
tango the moment. I can't remember
what I was going to ask you. I can't | 1:14:02 | 1:14:09 | |
remember the steps and I feel like I
am letting Aljaz down. I am still | 1:14:09 | 1:14:13 | |
thinking about what's coming next.
This tango could make or break our | 1:14:13 | 1:14:19 | |
semifinal. I've got to do it right. | 1:14:19 | 1:14:24 | |
Dancing the Tango, Gemma Atkinson
and Aljaz Skorjanec. | 1:14:24 | 1:14:25 | |
APPLAUSE | 1:14:25 | 1:14:27 | |
MUSIC: My Sharona | 1:14:27 | 1:14:37 | |
APPLAUSE | 1:16:01 | 1:16:10 | |
It is make-or-break time now in the
competition, in the semi-finals. | 1:16:14 | 1:16:19 | |
Come on over. So much determination,
Gemma. We can see how much it means | 1:16:19 | 1:16:24 | |
to you. Well done, darling. Superb
routine. Lots of pressure on our | 1:16:24 | 1:16:29 | |
stars tonight. Did Gemma deliver
when it counts? I thought she did | 1:16:29 | 1:16:33 | |
very well. Delivered two different
dances this week. You came out, you | 1:16:33 | 1:16:37 | |
have done the rumba and attacked
your tango. When you were facing us | 1:16:37 | 1:16:42 | |
you looked at us like - I'm going to
give you that surly look. It was | 1:16:42 | 1:16:49 | |
lovely.
I thought you did really well today | 1:16:49 | 1:16:51 | |
in your tango. Bruno. You were
giving the judges the marching | 1:16:51 | 1:16:59 | |
orders. I'm going to do this if it
kills me. Lovely figures, lovely | 1:16:59 | 1:17:03 | |
lineses. Be careful, when you over
push a tango it gets steppy. It only | 1:17:03 | 1:17:09 | |
happened a couple of times.
Otherwise it really had a beautiful, | 1:17:09 | 1:17:13 | |
beautiful quality. Very nice indeed.
Well done. Craig. I would like to | 1:17:13 | 1:17:20 | |
have seen more V shaping in the
upper body. Your left hand also the | 1:17:20 | 1:17:24 | |
palms should be facing the floor,
not attached to Aljaz' back. I loved | 1:17:24 | 1:17:29 | |
it. I thought it was great. It had
attack. It was good. He said loved | 1:17:29 | 1:17:36 | |
twice. Darcey. And he's smiling,
look. Yes. Gemma, the determination, | 1:17:36 | 1:17:43 | |
the passion. You were going for. It
I loved that facial expression. That | 1:17:43 | 1:17:53 | |
followed right down your core. Very
nice work, very happy. Very happy. | 1:17:53 | 1:17:57 | |
That is your last dance done. It's
out of your hands now. Best of luck. | 1:17:57 | 1:18:01 | |
Go upstairs and chill out with
Claudia. Gemma and Aljaz. YES! | 1:18:01 | 1:18:10 | |
APPLAUSE. | 1:18:10 | 1:18:12 | |
You must be so happy those comments.
I can't believe it. Shirley loved. | 1:18:16 | 1:18:22 | |
It they were full of positivity. We
mentioned it earlier, you had a hard | 1:18:22 | 1:18:27 | |
week? It's been difficult. The
dances are different, rumba straying | 1:18:27 | 1:18:34 | |
legs on your toe. Tango bent legs.
It's hard work. Never done it | 1:18:34 | 1:18:39 | |
before. Not one single dance step in
her life. Very good job doing two in | 1:18:39 | 1:18:44 | |
one week. Good job. The scores are
in. The judges' scores are in... | 1:18:44 | 1:18:52 | |
Thank you very much. 32, well done. | 1:19:01 | 1:19:08 | |
If you want to see Gemma
and Aljaz in the Final, then | 1:19:08 | 1:19:11 | |
all the information you need to vote
for them is on your screen now. | 1:19:11 | 1:19:14 | |
You don't have long to wait. | 1:19:14 | 1:19:16 | |
Voting will open in a few moments,
as we only have one | 1:19:16 | 1:19:19 | |
couple left to dance. | 1:19:19 | 1:19:22 | |
I so love supportive wife in the
back going - do it, write down the | 1:19:22 | 1:19:26 | |
number. Tess. | 1:19:26 | 1:19:30 | |
Our final couple to dance tonight
is Debbie and her partner Giovanni. | 1:19:30 | 1:19:35 | |
APPLAUSE | 1:19:35 | 1:19:36 | |
Debbie and Giovanni
have performed some | 1:19:36 | 1:19:37 | |
amazing routines over the series
and are just one more dance away | 1:19:37 | 1:19:40 | |
from a place in the Final. | 1:19:40 | 1:19:41 | |
Can they do it? | 1:19:41 | 1:19:42 | |
Let's ask the judges. | 1:19:42 | 1:19:45 | |
Can we just talk about the
fab-u-lous Debbie McGee. We did not | 1:19:49 | 1:20:00 | |
know she was going toibl a do what
she has. She works hard. She has put | 1:20:00 | 1:20:08 | |
the energy in of a 20-year-old. That
endear dears letter to my house. | 1:20:08 | 1:20:15 | |
That tango was beautifully precise.
I couldn't find one thing wrong with | 1:20:15 | 1:20:20 | |
it. 10, 10, 10, 10 - amazing. It's
slightly too over placed and I don't | 1:20:20 | 1:20:26 | |
see the character and the
personality come through the dance. | 1:20:26 | 1:20:30 | |
But she had a turn in the Charleston
when she came alive. The lady, for | 1:20:30 | 1:20:48 | |
me, is fantastic. She is doing the
Foxtrot. Excellent dance. Her poise | 1:20:48 | 1:20:53 | |
is going to chien shine. It will be
her bubble. She will love this | 1:20:53 | 1:20:58 | |
dance. I really struggle with
getting the feet right and getting | 1:20:58 | 1:21:02 | |
the head right. This routine is just
all about pure technique. 1, 2, 3. | 1:21:02 | 1:21:11 | |
1, 2, 3. Head. Hopefully within the
next few day it is will all come | 1:21:11 | 1:21:16 | |
together like a jigsaw puzzle.
There, nice. There are only five | 1:21:16 | 1:21:21 | |
couples left. So I know the Foxtrot
has to be the best it possibly can | 1:21:21 | 1:21:25 | |
be to get us through to the final. | 1:21:25 | 1:21:28 | |
Dancing the Foxtrot,
Debbie McGee and Giovanni Pernice. | 1:21:34 | 1:21:36 | |
APPLAUSE | 1:21:36 | 1:21:37 | |
MUSIC: Isn't She Lovely | 1:21:37 | 1:21:42 | |
APPLAUSE | 1:23:11 | 1:23:16 | |
Debbie and Giovanni. Isn't she
lovely - yes, she is. How was it | 1:23:29 | 1:23:46 | |
Bruno? Strictly gorgeous. If you
don't make it to the final necks | 1:23:46 | 1:23:54 | |
week I will dance with your tutu, no
knickers and a tiara. The mind truly | 1:23:54 | 1:24:07 | |
boggles. He shocked himself now,
look. Don't keep promises you can't | 1:24:07 | 1:24:12 | |
keep. Craig. We can only hope and
pray that doesn't happen, darling. | 1:24:12 | 1:24:18 | |
You were too long out of hold. I
think Giovanni you know that, don't | 1:24:18 | 1:24:21 | |
you, darling. I have deducted one
point for that. He didn't hear you. | 1:24:21 | 1:24:30 | |
Repeat yourself. The whole last bit
completely was miles long. We don't | 1:24:30 | 1:24:35 | |
need to discuss that. You know the
rules. You used the floor completely | 1:24:35 | 1:24:39 | |
well. It flowed brilliantly. You
maintained body contact all the way | 1:24:39 | 1:24:45 | |
through and I loved it. Thank you.
He loved that. Darcey. Stunningly | 1:24:45 | 1:24:51 | |
effortless. I've said it before. The
freedom you gave to that dance, for | 1:24:51 | 1:24:57 | |
something that was incredibly
technical. How you constantly | 1:24:57 | 1:25:00 | |
changed directions. All those
transitions were so smooth, so | 1:25:00 | 1:25:05 | |
elegant. That was nice. Wow. Thank
you. Shirley. Well, I truly do think | 1:25:05 | 1:25:14 | |
you are heaven sent. I think you are
the most beautiful lady. I think you | 1:25:14 | 1:25:19 | |
are elegant, I think you are
gorgeous. I think you had beautiful | 1:25:19 | 1:25:23 | |
sweeping moments. You both looked
involved. The music was lovely. The | 1:25:23 | 1:25:30 | |
atmosphere was lovely. Thank you for
closing our show like that. It was | 1:25:30 | 1:25:34 | |
amazing. No higher praise than that
from Shirley. Let's see where that | 1:25:34 | 1:25:41 | |
leaves you on the leaderboard. Let's
hear it for Debbie and Giovanni, | 1:25:41 | 1:25:47 | |
ladies and gentlemen.
Well done, darling. What a week, two | 1:25:47 | 1:25:56 | |
such different dances. Everybody has
had them, you loved the Foxtrot? I | 1:25:56 | 1:26:01 | |
love doing it with Giovanni.
Beautiful dance. To hear Shirley say | 1:26:01 | 1:26:07 | |
thank you for closing our semi-final
must fill you with joy. It's been | 1:26:07 | 1:26:11 | |
hard? It's been really hard. I have
butterflies in my stomach. That is | 1:26:11 | 1:26:16 | |
incredible. Isn't she lovely? She is
lovely. Nicely done, Giovanni. The | 1:26:16 | 1:26:22 | |
scores are in. Would the judges'
please reveal their scores... | 1:26:22 | 1:26:34 | |
APPLAUSE
Beautiful, beautiful. | 1:26:49 | 1:26:59 | |
If you think it would be lovely
to see Debbie and Giovanni dancing | 1:26:59 | 1:27:02 | |
in next week's Final,
then they will need your vote. | 1:27:02 | 1:27:05 | |
All the details you need
are on screen, but please don't call | 1:27:05 | 1:27:08 | |
yet as you won't be able
to show your support | 1:27:08 | 1:27:10 | |
until the vote opens later. | 1:27:10 | 1:27:12 | |
So, all of our couples have
performed two routines, | 1:27:12 | 1:27:14 | |
but where does that leave them
on the semi-final leaderboard? | 1:27:14 | 1:27:17 | |
That is their combined scores. | 1:27:31 | 1:27:33 | |
But you can change all of that. | 1:27:33 | 1:27:35 | |
If you want to see your favourite
couple dancing one more time | 1:27:35 | 1:27:38 | |
in next week's Final,
you know what to do because... | 1:27:38 | 1:27:40 | |
The vote is now - OPEN. | 1:27:40 | 1:27:41 | |
Calls to the short number
from a mobile cost 15p. | 1:27:41 | 1:27:44 | |
Calls to the long number cost
15p plus your network's | 1:27:44 | 1:27:46 | |
access charge and, please,
ask the bill payers permission. | 1:27:46 | 1:27:48 | |
You can vote online by visiting
bbc.co.uk/strictly where you will | 1:27:48 | 1:27:51 | |
also find terms and conditions. | 1:27:51 | 1:27:53 | |
The vote closes at 8.50pm. | 1:27:53 | 1:27:54 | |
Please don't try to vote
if you're watching On Demand. | 1:27:54 | 1:27:58 | |
To help you decide, here's
a reminder of tonight's performances | 1:27:58 | 1:28:00 | |
and the all important vote
information. | 1:28:00 | 1:28:05 | |
To vote: | 1:28:20 | 1:28:30 | |
All five of our remaining couples
have done all they can | 1:30:55 | 1:30:58 | |
in the ballroom tonight,
but only four can it make it | 1:30:58 | 1:31:00 | |
to next week's final. | 1:31:00 | 1:31:01 | |
No one wants to fall
at the final hurdle. | 1:31:01 | 1:31:03 | |
Here is why Joe, Alexandra,
Gemma, Mollie and Debbie | 1:31:03 | 1:31:06 | |
all want to make it. | 1:31:06 | 1:31:14 | |
There is a sense of achievement from
having got this far. It's the | 1:31:14 | 1:31:19 | |
greatest feeling to have got through
to the semifinals. It's been an | 1:31:19 | 1:31:24 | |
amazing experience. This is the
final hurdle for us. This is it. In | 1:31:24 | 1:31:30 | |
the back of your mind, there is
always that feeling, it might be you | 1:31:30 | 1:31:33 | |
that kicked off this week. There is
no thinking it's in the bag, because | 1:31:33 | 1:31:39 | |
it's not. Do one wrong thing, you
are gone. When you are waiting for | 1:31:39 | 1:31:43 | |
your name to be called out, it's
horrible. The feeling when the red | 1:31:43 | 1:31:48 | |
light hits you, it's so difficult.
If we go this week, that will really | 1:31:48 | 1:31:54 | |
got me down to earth. Making it to
the final would be incredible. It is | 1:31:54 | 1:32:00 | |
just there in front of me. I would
love to see this journey through to | 1:32:00 | 1:32:05 | |
the end. It would make my dreams
come true to get through to the | 1:32:05 | 1:32:09 | |
final. | 1:32:09 | 1:32:10 | |
Our couples have given it their all
in tonight's semi-final, | 1:32:10 | 1:32:13 | |
delivering ten tremendous routines. | 1:32:13 | 1:32:15 | |
They all want to be in next week's
Grand Final, but now | 1:32:15 | 1:32:18 | |
they can do no more. | 1:32:18 | 1:32:19 | |
They're all relying on your
support to get there. | 1:32:19 | 1:32:22 | |
Voting closes at 8.50pm tonight,
so you don't have much | 1:32:22 | 1:32:25 | |
longer to vote for your
favourite couples. | 1:32:25 | 1:32:27 | |
Your votes could help them avoid
the last Dance Off of the series | 1:32:27 | 1:32:30 | |
in tomorrow night's Results Show
at 7.15pm, when sadly, one more | 1:32:30 | 1:32:33 | |
couple will be eliminated
from Strictly Come Dancing, | 1:32:33 | 1:32:35 | |
just one week before the final. | 1:32:35 | 1:32:38 | |
Also on tomorrow's show,
our professional dancers | 1:32:38 | 1:32:41 | |
will perform a brilliant
Lindy Hop themed routine. | 1:32:41 | 1:32:44 | |
And we have a very special
performance from Craig David | 1:32:44 | 1:32:47 | |
featuring Bastille. | 1:32:47 | 1:32:51 | |
So for all of that and to find out
which of our stars will be | 1:32:51 | 1:32:55 | |
dancing in the Final,
please join us tomorrow at 7.15pm. | 1:32:55 | 1:33:02 | |
Stay tuned to BBC One for Michael
McIntyre's big show. | 1:33:02 | 1:33:07 | |
And in the meantime... | 1:33:07 | 1:33:08 | |
BOTH: Keep dancing! | 1:33:08 | 1:33:13 |