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Right you lot, listen up. Each of you have worked your socks off to | :00:24. | :00:29. | |
get this far. You don't want to throw it away. What happens here | :00:29. | :00:34. | |
will stay with us for the rest of your lives. So let's get out, | :00:34. | :00:39. | |
fulfil those dreams, put on your dancing shoes and show Wembley you | :00:40. | :00:49. | |
can dance! APPLAUSE | :00:49. | :00:51. | |
Dobson, Donovan, Healey, Jones, Judd, Grant. Grant, do I not like | :00:51. | :01:00. | |
that? All right. Perhaps I do like it! | :01:00. | :01:06. | |
Savage. Savage. Wembley, here I come. Those others, they're going | :01:06. | :01:16. | |
:01:16. | :01:20. | ||
to miss the bus. This week is huge. The Wembley | :01:20. | :01:24. | |
butterflies have well and truly kicked in. The competition is | :01:24. | :01:29. | |
fierce. The stars need to give it 110%. | :01:29. | :01:35. | |
They are all ready to play the beautiful ballroom game. This is | :01:35. | :01:42. | |
Strictly Come Dancing 2011. Get stuck in! | :01:42. | :01:52. | |
:01:52. | :01:52. | ||
Apology for the loss of subtitles for 86 seconds | :01:52. | :03:18. | |
From Wembley there, is Strictly MUSIC: | :03:18. | :03:28. | |
:03:28. | :03:28. | ||
Apology for the loss of subtitles for 86 seconds | :03:28. | :05:28. | |
# It's a kinda magic CHEERING AND APPLAUSE | :05:28. | :05:35. | |
Live from Wembley, please welcome your hosts Sir Bruce Forsyth and | :05:36. | :05:45. | |
:05:46. | :05:49. | ||
Tess Daly. Listen to that. | :05:49. | :05:53. | |
. CHEERING AND APPLAUSE Thank you. | :05:53. | :06:03. | |
:06:03. | :06:08. | ||
CHEERING AND APPLAUSE Sit down. Sit down. Save yourselves, | :06:08. | :06:11. | |
for goodness sake. Good evening, ladies and gentlemen | :06:11. | :06:16. | |
and children, welcome to Strictly Come Dancing. Isn't it a big place | :06:16. | :06:20. | |
this? It is. There is over 6,000 people | :06:20. | :06:22. | |
out there. I know. I know. | :06:22. | :06:26. | |
I think I will have to do the next bit in stages. All the people on my | :06:26. | :06:32. | |
left, nice to see you, to see you. ALL: Nice. | :06:32. | :06:37. | |
The people on my right, it is nice to say to see you, to see. | :06:37. | :06:40. | |
ALL: Nice. And all the people in front of me, | :06:40. | :06:44. | |
nice to see you, to see you. ALL: Nice. | :06:44. | :06:50. | |
You are so much better than last week. | :06:50. | :07:00. | |
:07:00. | :07:02. | ||
I can't go on like this, we'll be in the Ten O'Clock News. | :07:03. | :07:12. | |
:07:13. | :07:22. | ||
This is the biggest weekend of dancing yet. | :07:22. | :07:29. | |
This arena has played host to so many superstars, but who will join | :07:29. | :07:33. | |
the Wembley hall of fame and who will leave this competition? | :07:33. | :07:37. | |
Whatever happens we have got a sell out crowd here and they are baying | :07:37. | :07:42. | |
for ballroom, who are we to argue, Brucie? Shall we? We certainly | :07:42. | :07:51. | |
shall. It is time to meet the stars, you can get down there, don't worry. | :07:51. | :08:01. | |
:08:01. | :08:01. | ||
Apology for the loss of subtitles for 86 seconds | :08:01. | :08:54. | |
Let's meet the stars of our show. CHEERING AND APPLAUSE | :08:54. | :09:03. | |
There they are. There they all are. | :09:03. | :09:07. | |
Are you applauding yourselves? For goodness sake! I know you're all | :09:07. | :09:13. | |
trying to come to terms with this vast arena, but just think of it as | :09:13. | :09:19. | |
the Coliseum and you're going to be thrown to the lions! | :09:19. | :09:21. | |
LAUGHTER And there they are, champing at the | :09:21. | :09:24. | |
bit. There we are, the judges. All right, | :09:24. | :09:28. | |
I don't want to put you off in anyway at all. | :09:28. | :09:33. | |
A big thank you to everyone at Wembley who by buying tickets | :09:33. | :09:38. | |
raised over �102,000 for Children In Need. | :09:38. | :09:43. | |
CHEERING AND APPLAUSE Thank you, it is amazing. Keep donating. All the | :09:43. | :09:47. | |
details will be at the end of the programme. | :09:47. | :09:52. | |
�102,000, thank you all of you. It is incredible. Tonight our couples | :09:52. | :09:56. | |
are performing to some of Britain's best loved hits. It is our | :09:57. | :10:03. | |
celebration of the best of British. Our judges will be scoring and our | :10:03. | :10:06. | |
couples will be ranked on the leaderboard. | :10:06. | :10:09. | |
Scores will be combined with your votes and sadly one of our couples | :10:09. | :10:13. | |
will be leaving the arena, with the ballroom dreams in tatters. | :10:14. | :10:18. | |
He is right, you know. That's the biggest ah, we have ever | :10:18. | :10:19. | |
had. It is, indeed. | :10:19. | :10:24. | |
If you are a digital viewer, you can press the live button for | :10:24. | :10:34. | |
:10:34. | :10:37. | ||
commentary, we have Karen Hardy and Martine ma Martine Mc Cutcheon. | :10:37. | :10:41. | |
Hello guys. Hello. | :10:41. | :10:46. | |
Who gave her a line? I didn't give her a line. | :10:46. | :10:53. | |
Our first couple is Robbie Savage and his partner, Ola. | :10:53. | :10:59. | |
CHEERING AND APPLAUSE Now they are doing the salsa. It is | :10:59. | :11:04. | |
a dance that requires the three Ss, that normally means sexually, saucy | :11:04. | :11:13. | |
and sassy, but in Robbie's case it means styling, shampoo and set. | :11:13. | :11:15. | |
LAUGHTER I like that. | :11:15. | :11:25. | |
:11:25. | :11:26. | ||
Last week proved to be my best dance. | :11:26. | :11:30. | |
You are constantly moving in the right direction. | :11:30. | :11:33. | |
I thought the whole routine was good. | :11:33. | :11:39. | |
My aim is to get a seven or an eight or a nine. | :11:40. | :11:47. | |
We did it! Our best score. I'm dancing the salsa at Wembley, | :11:47. | :11:50. | |
life doesn't get much better than that. It is a tough dance with | :11:50. | :11:54. | |
tricks and lifts, but if I can pull it off I think the crowd will love | :11:54. | :11:58. | |
it. I can't believe we're playing at Wembley this weekend. We're so | :11:58. | :12:01. | |
excited. Robbie, you know what... Don't | :12:01. | :12:09. | |
worry, I feel at home out there. Me and Wembley have history! | :12:09. | :12:14. | |
I love you, Robbie. I can't stop mate, I've got to get | :12:14. | :12:24. | |
:12:24. | :12:28. | ||
to Wembley. Good luck, Robbie. | :12:28. | :12:35. | |
This is it. Are you ready for me, Wembley? | :12:35. | :12:41. | |
Robbie, what are you doing? It's Wembley Stadium. Its the big one, | :12:41. | :12:46. | |
are you ready? You know we're dancing at Wembley Arena, not | :12:46. | :12:56. | |
:12:56. | :13:08. | ||
Wembley Stadium. Dancing the salsa Robbie Savage and | :13:08. | :13:18. | |
:13:18. | :13:52. | ||
MUSIC: MUSIC: Let Me Entertain You by | :13:52. | :14:02. | |
:14:02. | :14:02. | ||
Apology for the loss of subtitles for 86 seconds | :14:02. | :15:00. | |
What a start! What a great routine. Look at you, look at you! Come here, | :15:00. | :15:09. | |
you marvellous pair. Enjoy it. These are moments she will never | :15:09. | :15:19. | |
:15:19. | :15:20. | ||
forget. Well, I think they liked it! I do think they liked it! | :15:20. | :15:25. | |
Absolutely marvellous. Whilst you two take a breather, it's a good | :15:25. | :15:27. | |
time to welcome our fabulous singers, Dave Arch and his | :15:27. | :15:34. | |
wonderful orchestra. APPLAUSE Not forgetting our judges, | :15:34. | :15:44. | |
:15:44. | :15:46. | ||
welcome. Len is very worried this week about the Italian debt crisis. | :15:46. | :15:49. | |
What happened was he lent Bruno a couple of pounds for a cappuccino | :15:49. | :15:59. | |
:15:59. | :16:01. | ||
and he hasn't got it back yet. It may seem a bit futile. Len, what do | :16:01. | :16:05. | |
you think? I know what is at Wembley, but you treat this like | :16:05. | :16:10. | |
the FA Cup final. I don't know what happened, you tried to straddle a | :16:10. | :16:18. | |
goal post or something. It was wild and savage. Unfortunately. Against | :16:18. | :16:22. | |
that, it was great entertainment and a wonderful start to the | :16:22. | :16:28. | |
evening. APPLAUSE It was great entertainment. | :16:28. | :16:34. | |
You could bring variety back. Robbie, your opened the show like | :16:34. | :16:39. | |
it was your own rock concert. Full of gusto and energy. I love the | :16:39. | :16:43. | |
left's, crazy as they were. It did not have the salsa feel, but aside | :16:43. | :16:46. | |
from that, it was great entertainment. | :16:46. | :16:56. | |
:16:56. | :16:58. | ||
APPLAUSE Bruno? Robi... The salsa is the dance of courtship. You went | :16:58. | :17:07. | |
at it as if it was a primeval fertility rite. You were throwing | :17:07. | :17:15. | |
Ola into unimaginable positions. Len is right. Because of that, it | :17:15. | :17:19. | |
lost the slinky knits in the timing. It has to be more refined, but I | :17:19. | :17:29. | |
:17:29. | :17:29. | ||
appreciate the effort. Craig? flat fitted throughout. -- flat- | :17:30. | :17:36. | |
footed. Your hips were devoid of any rotation whatsoever. I liked | :17:36. | :17:44. | |
your upper body, and the arm work. You liked that? And also that | :17:44. | :17:53. | |
wonderful left. Don't ever attend a jump in second like that without | :17:53. | :17:58. | |
straightening your legs and getting some height, darling. Never mind | :17:58. | :18:05. | |
all that, we loved it! Off you go, be proud. Wonderful. | :18:05. | :18:15. | |
:18:15. | :18:17. | ||
APPLAUSE Well done, you. Kicking it off at Wembley, to a | :18:17. | :18:24. | |
standing ovation. Have you cut your nose? Not again! You have done the | :18:24. | :18:28. | |
double. You have played football in the stadium and dance appear Reina. | :18:28. | :18:32. | |
How did it feel? That was for the public and the supporters. They | :18:32. | :18:41. | |
have been brilliant. And how does the ballroom compare to the boss of | :18:41. | :18:46. | |
a football match? Tonight it was perfect, 6500 people. And the cat | :18:46. | :18:51. | |
suit. That will get a few votes all suit. That will get a few votes all | :18:51. | :19:01. | |
:19:01. | :19:18. | ||
by itself! Time to get the scores Was that fair? What do you think? | :19:18. | :19:23. | |
Call this number later on the show if you want Robbie to entertain you | :19:23. | :19:30. | |
on the dance floor next week. Please don't call until we let you | :19:30. | :19:34. | |
know that lines are open. If you do, your vote won't count and you may | :19:34. | :19:36. | |
be charged. The couple with the lowest combined judges' scores and | :19:36. | :19:39. | |
viewer votes will leave the competition. We're up and running, | :19:39. | :19:43. | |
Wembley are you loving it?! I think that's a yes. Over to you, Bruce. | :19:43. | :19:49. | |
Now for our next couple, Alex Jones and her partner James. | :19:49. | :19:59. | |
:19:59. | :20:27. | ||
I've always wanted to do that at Wembley. Besides that, I didn't | :20:27. | :20:37. | |
:20:37. | :20:39. | ||
have a joke. Here is Alex and James Last Saturday, the pressure was to | :20:39. | :20:47. | |
start the show off on a high. I think it worked. It was so full of | :20:47. | :20:50. | |
verve and gusto, I thought it was terrific! It was an incredible | :20:50. | :21:00. | |
:21:00. | :21:01. | ||
opening. It was a joy. The tango is everything that Alex is not. I need | :21:01. | :21:05. | |
to see that you're more assertive and strong, more powerful. Stop | :21:05. | :21:10. | |
smiling. Who is the most assertive person you know? My director Ron | :21:10. | :21:15. | |
The One Show. There you go. Come with me. -- my director on The One | :21:15. | :21:18. | |
Show. Here we are outside the studios and apparently I'm going to | :21:18. | :21:26. | |
do some directing. You need to get more assertive. Read that, and I | :21:26. | :21:31. | |
will talk to you through this. Let's go for a rehearsal. Welcome | :21:31. | :21:35. | |
to The One Show, I'm Alex Jones. Take this seriously. I have not | :21:35. | :21:44. | |
finished. This is live television, no time to mess about. Six days | :21:44. | :21:47. | |
into the rickshaw challenge... are looking at the wrong camera. | :21:47. | :21:50. | |
How difficult can this be? difficult as you make the tangle | :21:50. | :21:55. | |
look. Enough of your cheek. That is all for this night -- that is all | :21:56. | :22:00. | |
for tonight. Seriously, you're not concentrating. Are you angry? | :22:00. | :22:05. | |
forced on so you are ready for the tango at Wembley! Put me down! Put | :22:05. | :22:15. | |
:22:15. | :22:15. | ||
Apology for the loss of subtitles for 86 seconds | :22:15. | :24:16. | |
APPLAUSE Lovely, lovely. Alex and James, you have done so | :24:16. | :24:22. | |
well. It was beautiful. It was beautiful. There you are. I was | :24:22. | :24:28. | |
enthralled. That was lovely. What do you think? From the jive last | :24:28. | :24:32. | |
week, to a seductive tango, the transition from one style to | :24:32. | :24:37. | |
another has been brilliant. You have taken to the tango so well. It | :24:37. | :24:42. | |
was atmospheric, you had drama, and most importantly, it was believable. | :24:42. | :24:47. | |
Good job. Really good job. APPLAUSE You have done well, | :24:47. | :24:55. | |
absolutely. Now, Bruno? Alex, so fascinating, so Lorraine, so poised, | :24:55. | :25:00. | |
so stylish! I loved that look that you make touch me, but I do not | :25:00. | :25:04. | |
know if you can afford me. You got it absolutely right! | :25:04. | :25:13. | |
APPLAUSE I don't think anybody could fool you. Craig? I believe we | :25:13. | :25:22. | |
may be seeing some improvement. APPLAUSE oh, yes! | :25:23. | :25:31. | |
Come on! But you do need to. Your foot on the drag. It was sharp, it | :25:31. | :25:36. | |
was to cattle, it was theatrical and intense. All of those wonderful | :25:36. | :25:45. | |
things. -- staccato. Len, staggered? I don't trust Craig when | :25:45. | :25:50. | |
he is nice because the next one out is going to turn nasty. People | :25:50. | :25:56. | |
think I am hard to please but I'm not. This is what I like. The tango, | :25:56. | :26:03. | |
dance to beautifully. Fabulous. don't ask for much, just | :26:03. | :26:09. | |
perfection! It was beautiful. Well done. Improving all the time. It is | :26:09. | :26:19. | |
:26:19. | :26:20. | ||
a long way, but it is worth it. Welcome. The judges loved it. | :26:20. | :26:26. | |
can't believe it. Greeks see some improvement. High praise indeed. | :26:26. | :26:29. | |
is just brilliant. It is a fantastic experience to be here, | :26:29. | :26:33. | |
but to do a dance that we have really enjoyed this week, and to | :26:33. | :26:38. | |
pull that off, it has been amazing. Seven weeks in, dancing in front of | :26:38. | :26:44. | |
that enormous audience, he won a long way from The One Show now. | :26:44. | :26:52. | |
Does it feel good? Amazing. This Does it feel good? Amazing. This | :26:52. | :27:02. | |
:27:02. | :27:20. | ||
Congratulations. 35, your highest score. Can I say, I am so proud of | :27:20. | :27:24. | |
you. The first week, I was a little scared. You were more than scared! | :27:24. | :27:28. | |
Now he tells you! It is such a privilege to dance with you. You | :27:28. | :27:33. | |
are such a wonderful person. Thank you. I think we're going to have | :27:33. | :27:41. | |
tears in a minute. Well done. down this number, 09015 22 20 13, | :27:42. | :27:45. | |
and call later if you want Alex to 'relax' knowing she is on next | :27:45. | :27:48. | |
week's dancing bill. That sound good to you, Alex? Back to you, | :27:48. | :27:52. | |
Bruce. Now for our next couple. Holly Valance and her partner, | :27:52. | :28:02. | |
:28:02. | :28:06. | ||
Very popular tonight. Because of Artem's injury, Brendan has been on | :28:06. | :28:16. | |
standby to dance with Holly. We are delighted that Artem is able to | :28:16. | :28:24. | |
carry on. And you are as well. And you we have wholly in training with | :28:24. | :28:34. | |
:28:34. | :28:36. | ||
both of them. Artem was injured last week saw Brendan was my man. | :28:36. | :28:40. | |
That is a lot of responsibility. I was a little nervous. It ended up | :28:40. | :28:44. | |
being one of the most fun nights. Considering you have changed | :28:44. | :28:48. | |
partners, you have done exceptionally well. It feels | :28:48. | :28:52. | |
strange to see her dance with Brendan. He did an amazing job. | :28:52. | :28:56. | |
was a fun dynamic and it worked. We came out with something that was | :28:56. | :29:05. | |
positive. In case the injury returns, Brendan is here again in | :29:05. | :29:12. | |
training. Brendan and Artem were giving each other a lot of | :29:12. | :29:17. | |
attention. I am in the corner, trying to work out what is going on. | :29:17. | :29:24. | |
Don't mind me. You would like me to join in now? I think there is a | :29:24. | :29:30. | |
romance going on. I don't think I'm part of it. What is it? It is just | :29:30. | :29:37. | |
Dancer stuff. It is nice, all this time together. That was nice. | :29:37. | :29:42. | |
love spending time with Brendan. He is a good partner. At this point in | :29:42. | :29:47. | |
the competition, everyone that is left is very, very good. Going out | :29:47. | :29:53. | |
at Wembley, that makes me sick. It is getting scary. Again? As it | :29:53. | :29:59. | |
turns out, Artem is fit and raring to go so we will go all out there | :29:59. | :30:09. | |
:30:09. | :30:28. | ||
Dancing the quickstep, Holly MUSIC: | :30:28. | :30:38. | |
:30:38. | :30:38. | ||
Apology for the loss of subtitles for 86 seconds | :30:38. | :32:03. | |
MUSIC: CHEERING AND APPLAUSE | :32:03. | :32:13. | |
:32:13. | :32:13. | ||
What about it? Holly and Artem and that was | :32:13. | :32:17. | |
wonderful. It was more like the Olympics, isn't it, around here. | :32:17. | :32:24. | |
Bruno. Holly, Holly, at times you are | :32:24. | :32:31. | |
thrilling and at times you're maddening. I know you're capable, | :32:31. | :32:35. | |
but there are moments that are splendid and then it looks like | :32:35. | :32:41. | |
that either you overthink or you go behind it. Stop it. I want you you | :32:41. | :32:44. | |
to go for it, my darling, because you can. | :32:44. | :32:51. | |
Is he getting through? Thank you. Right, Craig. | :32:51. | :32:55. | |
Fantastic single pirouette on the stairs, really tough to do | :32:55. | :32:59. | |
especially in heels. It went a little bit horribly wrong after | :32:59. | :33:07. | |
that moment. You lost timing after that and your weight is travelling | :33:07. | :33:11. | |
too far forward for Artem as he is going around. You need to keep | :33:11. | :33:15. | |
together and keep your centre and tighten the whole thing up really. | :33:15. | :33:19. | |
But it was a good job and a fantastic routine. | :33:20. | :33:28. | |
OK. There was a terrific use of space. You started up on the stage | :33:28. | :33:33. | |
and down and around the thing. That I thought was great and it is great | :33:33. | :33:36. | |
for the quickstep, but because it was so fast and so intense, it did | :33:36. | :33:41. | |
lose a little bit of control now and again, but it was fast and full | :33:41. | :33:45. | |
on and well done to you both. APPLAUSE | :33:46. | :33:50. | |
Fast and full on. We will finish with Alesha, darling. | :33:50. | :33:53. | |
This morning you didn't know who you would be dancing with and that | :33:53. | :33:57. | |
must have been unsettling and the quickstep really suits you. You had | :33:57. | :34:01. | |
a really light and effortless feel, but the guys are right you did lose | :34:01. | :34:06. | |
a little bit of control, but overall I liked it. | :34:06. | :34:16. | |
:34:16. | :34:20. | ||
We loved it. Off you go. Off you go. Well done Artem and Holly. | :34:20. | :34:26. | |
Mixed comments from the judges. Mostly positive, but you brought | :34:26. | :34:34. | |
the audience to their feet here in the arena. | :34:34. | :34:35. | |
APPLAUSE Describe what the atmosphere is | :34:35. | :34:40. | |
like. I'm shaking. I'm so happy I made it | :34:40. | :34:45. | |
this far. Well done you guys. Will the judges please reveal their | :34:45. | :34:54. | |
scores. Craig Revel Horwood. 7. Goodman. | :34:54. | :35:04. | |
:35:04. | :35:04. | ||
Alesha Dixon. 8. And Bruno Tonioli. 8. Pm | :35:04. | :35:12. | |
Make a a note of the number. If you enjoyed Holly's quickstep | :35:12. | :35:21. | |
and you want to fast-track her into next week. We have Harry and | :35:21. | :35:26. | |
Russell and Jason. You don't want to miss miss it. | :35:26. | :35:31. | |
For our next couple, we have Anita Dobson and her partner, Robin. | :35:31. | :35:34. | |
CHEERING AND APPLAUSE Another lovely couple. Another | :35:34. | :35:42. | |
lovely couple. Now, Anita said to me, "Bruce, I would love to see a | :35:42. | :35:52. | |
:35:52. | :35:52. | ||
Mexican wave at Wembley. Can you organise it for me?" Here goes, | :35:52. | :36:02. | |
:36:02. | :36:03. | ||
"Seat F 78." Hello Manwell. APPLAUSE | :36:03. | :36:07. | |
Anita, can you see him? I hope you were' watching -- you're watching. | :36:07. | :36:16. | |
I think it was one of our strongest performances. | :36:16. | :36:22. | |
Queen of drama, you can tango. And then we went from up there to | :36:22. | :36:27. | |
down there. We found out wherp in the last two | :36:27. | :36:31. | |
-- we were in the last two I was completely shocked and devastated. | :36:31. | :36:40. | |
I was thinking, "Does that mean I'm out?" I don't have any words. | :36:40. | :36:45. | |
I'm still here and I get to go to Wembley so I'm absolutely thrilled. | :36:45. | :36:50. | |
In order for Anita to bounce back this week, I think she needs to | :36:50. | :36:58. | |
pull a little bit of inspiration from something or someone. | :36:58. | :37:03. | |
I'm here in good old Albert Square. How does it feel to be back here? | :37:03. | :37:12. | |
Weird, but I loved Angie. You don't make me anything, Denis. | :37:12. | :37:16. | |
You could knock her down and the next day she would be up ready to | :37:16. | :37:21. | |
rock. If I can get a feeling of that survival instinct. What do you | :37:21. | :37:25. | |
have to do to get a drink around here? Outrageous, that would never | :37:26. | :37:30. | |
have happened in my day. Anita is already a survivor. This | :37:30. | :37:34. | |
would help give her that extra nudge to give an extra good | :37:34. | :37:40. | |
performance at the weekend. It is Wembley, are you ready for it | :37:40. | :37:46. | |
Anita? I don't know. We'll just have to wait and see won't we? | :37:46. | :37:56. | |
:37:56. | :37:57. | ||
CHEERING AND APPLAUSE Dancing the samba, Anita Dobson and | :37:58. | :38:07. | |
:38:08. | :38:08. | ||
Apology for the loss of subtitles for 86 seconds | :38:08. | :39:48. | |
MUSIC: Come on Eileen by Dexys CHEERING AND APPLAUSE | :39:48. | :39:54. | |
They loved it. They loved it. Well done, that was beautiful. | :39:54. | :40:01. | |
Do you do the washing up in those gloves? Craig, start us off. | :40:01. | :40:08. | |
Your shoulders were hunched almost all the way through that. You were | :40:08. | :40:13. | |
leaning too far forward from the top of your torso, it was very very | :40:13. | :40:16. | |
muddy and murky footwork. Your thumb that was sticking out like | :40:16. | :40:20. | |
this, it would be nice to tuck that baby under. We're getting very | :40:20. | :40:25. | |
specific now, I mean, you know the semi-finals are coming up so I'm | :40:25. | :40:30. | |
just trying to help you, darling. On a good note, the timing was very, | :40:31. | :40:37. | |
very good and you have gorgeous movement. | :40:37. | :40:39. | |
APPLAUSE OK, Len. | :40:39. | :40:49. | |
:40:49. | :41:00. | ||
Well, what I like, you come out every dance and you give it 100%. | :41:00. | :41:01. | |
APPLAUSE It could have been a little sharper | :41:02. | :41:04. | |
and crisper here and there, it it could have been a little sharper | :41:04. | :41:06. | |
and crisp, but I thought your thumbs were particularly attractive. | :41:06. | :41:07. | |
Well done to you. APPLAUSE | :41:07. | :41:10. | |
Especially in those gloves. Alesha. Bundles of energy and full of | :41:10. | :41:14. | |
personality, you created a party atmosphere, Anita, nobody can take | :41:14. | :41:21. | |
that away from you. I don't think you you embodied that samba grove | :41:21. | :41:24. | |
and I disagree with Craig, you lost timing, but your spirit and | :41:24. | :41:29. | |
enthusiasm always carries you throw the dance and the crowd loves you. | :41:29. | :41:36. | |
APPLAUSE They do. They do. Anita, I love you | :41:36. | :41:40. | |
because you always really work it and play it for all it's worth. | :41:40. | :41:45. | |
What happened was there was so much fire up above you forgot the fire | :41:45. | :41:51. | |
down below. The samba required such a sharp and precise execution and | :41:51. | :41:55. | |
at the same time you have to create the party atmosphere so to get the | :41:55. | :41:58. | |
two together is very, very hard and you did well, but you know | :41:58. | :42:02. | |
sometimes we all have dances that don't quite come out as we expect. | :42:03. | :42:06. | |
It is a bit like that. Would you like to be my favourite? Yes, | :42:06. | :42:12. | |
please. You are my favourite as usual. Well | :42:12. | :42:18. | |
done, Robin. Off you go. That's it. CHEERING AND APPLAUSE | :42:18. | :42:25. | |
Thank you, Robin and Anita. CHEERING AND APPLAUSE | :42:25. | :42:28. | |
Come on Anita, more like! What is it like performing in front | :42:28. | :42:33. | |
of that audience? It's fantastic. APPLAUSE | :42:33. | :42:40. | |
I loved it. I loved it. Len said you gave it 100%. You can't do much | :42:40. | :42:43. | |
more than that. We saw how being in the bottom two affected you last | :42:43. | :42:49. | |
week. You don't want a repeat performance of that, do you, Anita? | :42:49. | :42:52. | |
And this was the hardest dance. We don't want a repeat performance | :42:52. | :42:56. | |
of that, do we, Wembley? The scores are in. | :42:56. | :43:01. | |
The judges have their scores, Craig Revel Horwood. | :43:01. | :43:08. | |
Len Goodman? Alesha Dixon. | :43:08. | :43:18. | |
:43:18. | :43:20. | ||
Bruno Tonioli. Well done, Anita. | :43:20. | :43:26. | |
Call this number when lines open later if you don't want Anita to be | :43:26. | :43:31. | |
in the bottom two later. Who is your favourite? Who ever it is are | :43:31. | :43:39. | |
going to need your vote. Next up is Harry Judd and his | :43:39. | :43:48. | |
partner... CHEERING AND APPLAUSE | :43:48. | :43:52. | |
Yes, and they are doing the salsa. It is a saucy dance and in order to | :43:52. | :43:55. | |
embrace the flavour of this dance, Harry may have to perform with his | :43:55. | :44:00. | |
shirt open! Would you like Harry to dance with | :44:00. | :44:07. | |
his shirt open? CHEERING AND APPLAUSE | :44:07. | :44:17. | |
:44:17. | :44:18. | ||
Ask a silly! Like a lot of savages, I liked the Argentine tango, it was | :44:18. | :44:23. | |
a great dance. The judges had great comments. You will never be | :44:23. | :44:27. | |
stronger. You will be never be more attractive. It was filth and I | :44:27. | :44:31. | |
liked it. It was my first time at the top of | :44:31. | :44:34. | |
the leaderboard. That felt amazing. | :44:34. | :44:39. | |
Yeah, it was awesome. Oh, we have the big one. | :44:40. | :44:43. | |
We yes, the salsa. And it is tough. | :44:43. | :44:46. | |
Real tough. Men and the salsa can't really be | :44:46. | :44:50. | |
friends. I'm struggling with the hips. | :44:50. | :44:53. | |
It is all about the hips. You have to have the hips. | :44:54. | :44:59. | |
And he doesn't. Can we swap hips? I don't want your | :44:59. | :45:03. | |
hips. I'm becoming obsessed, I'm | :45:03. | :45:06. | |
practising everywhere. It is embarrassing. It's not. | :45:07. | :45:11. | |
It is. Harry, will you stop it? It is | :45:11. | :45:16. | |
embarrassing. I just wish you wouldn't undermine | :45:16. | :45:20. | |
me in front of people. I don't. | :45:20. | :45:25. | |
Are you sure you should behaving that? Why? Well a moment on the | :45:25. | :45:29. | |
lips is a lifetime on the hips. had a breakthrough at lunch. I | :45:29. | :45:34. | |
think I can do it. Oh yes. Yes. | :45:34. | :45:39. | |
I'll have what she's having. And three days later here we are. I | :45:39. | :45:45. | |
never expected it to be so magical. It is so special. I couldn't be | :45:45. | :45:55. | |
:45:55. | :45:55. | ||
Apology for the loss of subtitles for 86 seconds | :45:55. | :47:48. | |
CHEERING AND APPLAUSE How about that?! Look at this place. Harry | :47:48. | :47:57. | |
and Aliona, look! They are eating it up. Eat it up, enjoy it. Well | :47:57. | :48:06. | |
done. Let us start with you, Len. Not that is what I call foul on | :48:06. | :48:13. | |
Samba. You went for it, non-stop. - - a full on Samba. It was high | :48:13. | :48:20. | |
energy. I would have liked, Harry, and don't start on May, because I | :48:20. | :48:24. | |
know you have a way with you, but I would have liked more hip action. | :48:25. | :48:30. | |
The back step, this is the truth, please listen to me. On the back | :48:30. | :48:34. | |
step, it is too big, and so you cannot get your bum over your back | :48:34. | :48:40. | |
leg because the step is too big. It should have been more compact. But | :48:40. | :48:49. | |
I loved it. Well done. Thank goodness. Alesha? I thought you | :48:49. | :48:54. | |
handle that with these. There was a natural feel to the dancing. -- | :48:54. | :48:58. | |
handle the that with ease. The left, going into the splits, that was | :48:58. | :49:06. | |
brilliant. Good job. What a team you are. Bruno? I think you are | :49:06. | :49:10. | |
overdressed for the occasion! I think you should have worn my | :49:10. | :49:19. | |
costume. It would have fitted to perfectly. It was sexy, pulsating, | :49:19. | :49:23. | |
vibrant and playful. Work on your bum, but we can talk about that | :49:23. | :49:32. | |
later. APPLAUSE It is technical. I know, I | :49:32. | :49:38. | |
know. You will get a technical knockout in a minute. I love the | :49:38. | :49:45. | |
routine and I thought the left was spectacular. But it did not have | :49:45. | :49:55. | |
the groove at all. It was badly paced. He did have the groove. | :49:55. | :50:03. | |
got the groove. Don't listen to that. We love you. We loved you. Go | :50:03. | :50:13. | |
:50:13. | :50:20. | ||
on, you were marvellous. Off you go and be very proud. Well done. Give | :50:20. | :50:26. | |
him his shirt back! Bruno said he was overdressed, but Brendan, that | :50:26. | :50:34. | |
is outrageous. You just got over 6000 people standing. Feel-good? | :50:34. | :50:39. | |
Amazing. What an experience. Thank you to everyone who is supporting | :50:39. | :50:45. | |
us. We are having an amazing time. How did it feel being centre stage | :50:45. | :50:48. | |
without the rest of McFly? I am happy being at the back, as the | :50:48. | :50:55. | |
drummer but I loved it, thank you so much. Time for the judges' | :50:55. | :51:05. | |
:51:05. | :51:21. | ||
A 34. The number to jot down for later on, 09015 22 20 11, if you | :51:21. | :51:26. | |
enjoyed Harry's salsa and you want him back next Saturday. All our | :51:26. | :51:30. | |
stars as a -- have a ticket to ride if they want a return journey to | :51:30. | :51:34. | |
next week, they're going to need your vote. Over to you, Bristol. | :51:35. | :51:44. | |
Thank you. Next tonight, Russell Grant and his partner, Flavia. A's | :51:44. | :51:51. | |
-- APPLAUSE We have seen Russell loves to sing. | :51:51. | :51:55. | |
He cannot stop singing to the number he is dancing to. We have | :51:55. | :52:00. | |
seen it, all these weeks. I told him that I love singing as well and | :52:00. | :52:05. | |
I use any opportunity to sing. I had been doing that all high-life. | :52:05. | :52:13. | |
# Is the name of the game and I wanna play the game with few... # | :52:13. | :52:23. | |
Don't laugh, it will hurt! Here they are in training. American | :52:23. | :52:28. | |
smooth with no surprises? Not if Russell has anything to do with it. | :52:28. | :52:32. | |
I could not wait to do a quick change. When I came out from behind | :52:32. | :52:39. | |
the screen, there was such a reaction. He could not wait to get | :52:39. | :52:49. | |
:52:49. | :52:49. | ||
out of the closet! Immortal, darling. I am planning on hanging | :52:49. | :52:59. | |
around for a long time. This week, Wembley. It is Baker. It is | :52:59. | :53:05. | |
spectacular. -- it is big. I love it. It is the biggest ever live | :53:05. | :53:12. | |
Strictly audience. I love it. It is a dream come true. The song we are | :53:12. | :53:17. | |
dancing to this week, it tells us to reach for the stars. And that is | :53:17. | :53:21. | |
what we're going to do. I wanted to bring you here because I was | :53:21. | :53:26. | |
brought up in Middlesex. My family have lived here for centuries. | :53:26. | :53:33. | |
There is a great view across to Wembley. Look, over there. Wow. | :53:33. | :53:38. | |
reckon the stars will shine on us. Absolutely. They have got enough | :53:38. | :53:45. | |
here so far, thank you so much, to the stars above. # You and me, we | :53:45. | :53:55. | |
:53:55. | :53:58. | ||
can light up the sky."Wembley, we come. Dancing the jive, Russell | :53:58. | :54:08. | |
:54:08. | :54:08. | ||
Apology for the loss of subtitles for 86 seconds | :54:08. | :55:59. | |
You can't help loving it. Absolutely! You have done it again! | :55:59. | :56:09. | |
Look at them, standing up. I know you like being sent up, but by | :56:09. | :56:17. | |
Canon! Just when you think you have seen it all. -- by a cannon. The | :56:17. | :56:20. | |
best entrance I have seen on Strictly. Actually, I was secretly | :56:21. | :56:24. | |
hoping that he would do a little tour around the arena, but jokes | :56:24. | :56:30. | |
aside, I am so pleased that you got to Wembley, because what you lacked | :56:30. | :56:35. | |
in technique, you made up for in entertainment. I love you, Russell. | :56:35. | :56:43. | |
Bruno? Russell, the incredible flying machine! Like a satellite, | :56:43. | :56:50. | |
in orbit, an orbit of madness. I loved the peek-a-boo thing at the | :56:50. | :56:55. | |
end. It has nothing to do with jive, but I loved it. | :56:55. | :57:05. | |
:57:05. | :57:11. | ||
APPLAUSE You cannot say fairer than that. Craig? Gumbo springs to mind. | :57:11. | :57:21. | |
:57:21. | :57:28. | ||
-- Dumbo. BOOING. Revolutionary. Have you got anything to add to | :57:28. | :57:36. | |
that? Not really. The thing is, I do not care how many great dancers | :57:36. | :57:41. | |
they have, and how many series of Strictly Come Dancing there are, | :57:41. | :57:46. | |
people will always say"Do you remember when Russell Grant flew | :57:46. | :57:53. | |
out of that can in?"It was an iconic number that will always be | :57:53. | :57:59. | |
remembered. -- that can in. As entertainment, you're the top. | :57:59. | :58:03. | |
You're so right. CHEERING AND APPLAUSE I do not know about | :58:03. | :58:11. | |
reaching for the stars, but you are one. Off you go. Thank you, Gris. - | :58:11. | :58:21. | |
:58:21. | :58:31. | ||
He deserves those kisses. It was an iconic moment. It was an explosive | :58:31. | :58:37. | |
first. Did you enjoy you're maiden voyage? Goodness, isn't Wembley | :58:37. | :58:42. | |
Mark Willis?! APPLAUSE Amazing. And you used to | :58:42. | :58:46. | |
live here. -- Mark Willis. What is it like returning here as a | :58:46. | :58:50. | |
ballroom hero? I used to walk here to play football, but I never | :58:50. | :58:55. | |
thought I would come out of the canon. I have just had the best | :58:55. | :59:00. | |
time of my life. Thank you, Britain, for getting us here. Thank you so | :59:00. | :59:10. | |
:59:10. | :59:22. | ||
For the sheer insanity of it all, seven! | :59:22. | :59:31. | |
APPLAUSE 24 out of 40. We love it. Make a note of this number, 09015 | :59:31. | :59:37. | |
22 20 11, and call later if you want Russell, are a human | :59:37. | :59:42. | |
cannonball, to be fired on to next week's dance floor. Will it be | :59:42. | :59:48. | |
written in the stars? I don't know, but these people are my friends and | :59:48. | :59:53. | |
this is marvellous. He is feeling the love. We're having a lovely | :59:53. | :59:59. | |
time. Keep up-to-date with all the goings-on backstage online. We have | :59:59. | :00:04. | |
some sneaky behind the scenes pictures. Falls on Twitter. We are | :00:04. | :00:12. | |
feeling the love it. Back to you, a Our next couple is Chelsee Healey | :00:12. | :00:22. | |
:00:22. | :00:23. | ||
and her partner, Pasha. Now they are doing the samba. It is | :00:23. | :00:28. | |
a party dance. So all 6,000 of you, just pretend that you're at a | :00:28. | :00:33. | |
partyment the band is playing. Everyone is having a good time and | :00:33. | :00:35. | |
Len Goodman is is buying the drinks! | :00:35. | :00:40. | |
Now there is a first! LAUGHTER | :00:40. | :00:48. | |
Here they are in training. I didn't expect last week to go as | :00:48. | :00:52. | |
well as it did. I don't expect you to be able to | :00:52. | :00:54. | |
dance with this much ease and elegance. | :00:54. | :00:57. | |
It is nice to surprise people, but I'm still surprising myself because | :00:57. | :01:00. | |
some of the things that I've done, I don't think I can do myself | :01:00. | :01:03. | |
anyway. You're starting to tick all my | :01:03. | :01:07. | |
boxes. Well done. Wembley, here we come. | :01:07. | :01:10. | |
She is is so excited. I can't wait. | :01:10. | :01:15. | |
It is November and cold and grey so this week, we're trying to create a | :01:15. | :01:18. | |
routine that really warms up the Wembley crowd. | :01:18. | :01:23. | |
I'm hoping that my samba does bring sunshine, but at the moment I'm | :01:23. | :01:27. | |
thinking it will bring a thunderstorm instead. What's wrong, | :01:27. | :01:31. | |
Chelsee? It is this weather and it gets me down. | :01:31. | :01:35. | |
But we are doing samba, it is all about sunshine, just use your | :01:35. | :01:45. | |
:01:45. | :01:47. | ||
Thank you. It is not bad this samba lark, is | :01:47. | :01:57. | |
:01:57. | :02:04. | ||
Pasha, I'm loving this. It is Pasha, I think doing the samba at | :02:04. | :02:09. | |
Wembley will be like being on summer holiday. | :02:09. | :02:13. | |
Here we are, Wembley Arena. That's in front of 6,000 people, we can't | :02:13. | :02:17. | |
do that. Just remember the sunshine. Come on. | :02:17. | :02:25. | |
CHEERING AND APPLAUSE Dancing the samba, Chelsee Healey | :02:25. | :02:35. | |
:02:35. | :02:35. | ||
Apology for the loss of subtitles for 86 seconds | :02:35. | :03:25. | |
MUSIC: Spice Up Your Life by The MUSIC: Spice Up Your Life by The | :03:25. | :03:35. | |
:03:35. | :04:14. | ||
CHEERING AND APPLAUSE There they go again. They're on | :04:14. | :04:22. | |
their feet. They're on their feet again. Oh, Chelsee my darling, that | :04:22. | :04:28. | |
was just so wonderful. Pasha, what a job you're doing with her. That | :04:28. | :04:35. | |
was fantastic. Bruno. Chelsee, you're so rhythmic. You | :04:36. | :04:42. | |
have got a feeling for the music. Bless you baby. It was going so | :04:42. | :04:46. | |
well, but I'm telling you, it was near perfect | :04:46. | :04:51. | |
Oh, near perfect. APPLAUSE | :04:51. | :04:54. | |
What did Craig think? Your arm was placed a little bit too high on one | :04:54. | :04:59. | |
section. You missed a turn at the beginning which for your -- through | :04:59. | :05:04. | |
your timing off, but your finishes darling, are generally excellent. | :05:04. | :05:09. | |
All the way through the spins were fantastic. The bounce was fantastic. | :05:09. | :05:14. | |
Brilliant. APPLAUSE | :05:14. | :05:18. | |
Right, Craig, sorry, Len. I thought you were brave to do that | :05:18. | :05:24. | |
first little section on your own out there in this huge arena. | :05:24. | :05:26. | |
APPLAUSE That took a bit of nerve. Took a | :05:26. | :05:32. | |
bit of doing. That spiced up my night because it was full on, full | :05:32. | :05:39. | |
of energy, a proper samba. Well done to you guys. A proper samba. | :05:39. | :05:44. | |
Now Alesha. A very, very strong opening, Chelsee. You had great arm | :05:44. | :05:48. | |
placement as usual. You captured the spirit of the samba. You had | :05:48. | :05:54. | |
that natural bounce that we want to see and I think you're really | :05:54. | :05:57. | |
coming into your own. Be very proud. Off you go. | :05:58. | :06:02. | |
CHEERING AND APPLAUSE Pasha and Chelsee. A marvellous job | :06:02. | :06:08. | |
done. Off you go, a great performance. | :06:08. | :06:13. | |
CHEERING AND APPLAUSE How nerve-wracking was that? That | :06:13. | :06:20. | |
was, I have never been so nervous in my life. It is so overwhelming, | :06:20. | :06:25. | |
yeah and that's it. I love her to bits. Bruno said it | :06:25. | :06:29. | |
was near perfect. Yeah. High praise, indeed. | :06:30. | :06:36. | |
The dance floor is six times than big -- six times bigger than normal. | :06:36. | :06:46. | |
:06:46. | :06:58. | ||
I can feel it.. It is true, she is APPLAUSE | :06:58. | :07:08. | |
:07:08. | :07:11. | ||
Top scores, Chelsee. Well deserved. Right we have got one more | :07:11. | :07:16. | |
performance to come and it promises to be a big old supplies of | :07:16. | :07:21. | |
ballroom. Time for our final couple, Jason | :07:21. | :07:25. | |
Donovan and his partner, Kristina Rihanoff. | :07:25. | :07:33. | |
CHEERING AND APPLAUSE Now then. As you know, as you know, | :07:33. | :07:38. | |
Jason is Australian and some of the most feared creepy crawlies in the | :07:38. | :07:44. | |
world come from Australia. The funnel-webbed spider, the red fire | :07:44. | :07:49. | |
ant and the most feared of all, of the creepy crawlies is Craig Revel | :07:49. | :07:56. | |
Horwood! LAUGHTER | :07:56. | :08:01. | |
It is the only one. It sends a cold shiver down my back. Anyway, here | :08:01. | :08:11. | |
:08:11. | :08:12. | ||
The waltz was probably up there as one of my best dance. I went in | :08:12. | :08:17. | |
there with a big smile on my face. I'm telling you, it was very, very | :08:17. | :08:19. | |
good. I do know the competition is | :08:19. | :08:23. | |
hotting up. There are some extremely good dancers and if we're | :08:23. | :08:31. | |
going to go the distance, I'm going to have to dig deeper. I can't wait | :08:31. | :08:36. | |
to get back to Wembley Arena, I performed there in the past, but to | :08:36. | :08:43. | |
dance there, it will be amazing. I feel like Don Johnson from Miami | :08:43. | :08:47. | |
Vice and we are dance to go an 80s classic. | :08:47. | :08:50. | |
Try to smile. Jason, I know it is a hard dance, | :08:50. | :08:56. | |
but remember the 80s? You have got to search your memories for | :08:56. | :09:03. | |
inspiration. How about this for for some 80s inspiration. | :09:03. | :09:10. | |
# Stand and deliver deliver # No, no, Jason, not this kind of 80s. | :09:10. | :09:14. | |
# Too many dreams can be broken in two # | :09:14. | :09:23. | |
Stop it. Stop it, enough. What's with the hair? What is that? | :09:23. | :09:29. | |
# Wake me up before you go go # That's more like it, Jason. | :09:29. | :09:34. | |
# Don't leave me hanging on like a yo-yo # | :09:34. | :09:44. | |
:09:44. | :09:44. | ||
Apology for the loss of subtitles for 86 seconds | :09:44. | :11:28. | |
MUSIC: Wake Me Up Before You Go Go CHEERING AND APPLAUSE | :11:28. | :11:34. | |
Here they go again. Jason and Kristina. | :11:34. | :11:38. | |
CHEERING AND APPLAUSE What a routine! | :11:38. | :11:42. | |
All go. Wake me up, wake everybody up. Craig, what did you think? | :11:43. | :11:51. | |
suppose that would have been phenomenal if it wasn't for that | :11:51. | :11:56. | |
last moment where you lost it with the whole kick section there and of | :11:56. | :12:06. | |
:12:06. | :12:06. | ||
course, the two lifts. Amazing. Amazing. | :12:06. | :12:09. | |
APPLAUSE Len. I'm really disappointed for | :12:09. | :12:13. | |
you because I can tell by your foot placement, the bounce, you've | :12:13. | :12:23. | |
:12:23. | :12:24. | ||
worked your socks off on getting those right and it is live, if it | :12:24. | :12:27. | |
wasn't, you would have done it again and get it perfect. I have | :12:27. | :12:31. | |
got to agree with Craig, I am starting to see more and more lifts | :12:31. | :12:37. | |
creeping into the routines so I'm not going to penalise you for that | :12:37. | :12:43. | |
tonight, if I start to see lifts, I will knock off points. Unlucky. | :12:43. | :12:48. | |
Well, it is the rules, ladies and gents. Don't start getting on me. | :12:48. | :12:50. | |
Unlucky. All right, Alesha. | :12:50. | :12:53. | |
It is a shame Jason because you were doing so well. I thought the | :12:53. | :12:57. | |
kicks, the flicks, everything your side by sides were great. The | :12:57. | :13:01. | |
energy from start to finish was incredible and you should still be | :13:01. | :13:07. | |
proud even though you went wrong because you picked yourself back up | :13:07. | :13:09. | |
again. People still don't realise the | :13:09. | :13:13. | |
hours and hours that all these people spend rehearsing and | :13:13. | :13:16. | |
training. They don't realise it because that's it. Bruno, what do | :13:17. | :13:21. | |
you think? Well, Jason, the beginning it looked like you turned | :13:21. | :13:27. | |
back the hands of time. You were an energetic teenager going for it. It | :13:27. | :13:33. | |
was mag nif icant -- magnificent, I think the occasion overwhelmed you | :13:33. | :13:42. | |
and you lost time and your step, but otherwise up to there amazing. | :13:42. | :13:47. | |
Amazing. Well done, both of you. Kristina and Jason. Away you go. | :13:47. | :13:54. | |
CHEERING AND APPLAUSE It is a wonder they have got the | :13:54. | :13:59. | |
energy to get back. Did you love it, Wembley? | :13:59. | :14:04. | |
ALL: Yes. I love the T-shirt. | :14:04. | :14:12. | |
Yeah, I mean, what can I say? The situation did overwhelm me, but you | :14:12. | :14:16. | |
know, I really enjoyed TI loved being at Wembley. Thank you | :14:16. | :14:26. | |
:14:26. | :14:27. | ||
everyone for coming tonight. APPLAUSE | :14:27. | :14:30. | |
Thank you very much, there is the most incredible atmosphere, you | :14:30. | :14:32. | |
have you have sung here at Wembley Arena. It is a different experience. | :14:32. | :14:35. | |
It is like being an athlete when you dance, but no, great tonight. | :14:35. | :14:39. | |
It is strenuous? Yeah, I just wish he had got them last couple of | :14:39. | :14:48. | |
kicks, but that's life. It is time to get the scores from | :14:48. | :14:58. | |
:14:58. | :15:05. | ||
Write down this number, 09015 22 20 14, and call shortly if you don't | :15:05. | :15:09. | |
want our Aussie to 'Go go' from the competition. Have you got more to | :15:09. | :15:19. | |
:15:19. | :15:19. | ||
give Jason? Judges' scores alone may not be enough to save your | :15:19. | :15:22. | |
favourite but remember you, the people of Britain are the fifth | :15:22. | :15:25. | |
judge! That's it. All our couples have done Wembley proud with their | :15:25. | :15:31. | |
fabulous routines. So let's take a fabulous routines. So let's take a | :15:31. | :15:41. | |
:15:41. | :15:44. | ||
look at the leaderboard. Alex and James and Chelsee and Pasha, at the | :15:44. | :15:49. | |
top. At the bottom, Russell and Flavia have three points. Remember, | :15:49. | :15:59. | |
:15:59. | :15:59. | ||
the phone lines are now open, so Calls cost 15p from a BT landline. | :15:59. | :16:02. | |
Other operators may vary and calls from mobiles will be considerably | :16:02. | :16:05. | |
higher. Lines close at 8.45pm tonight. Voting details can be | :16:05. | :16:07. | |
found at bbc.co.uk/strictly. To help you decide, here's a reminder | :16:07. | :16:11. | |
of tonight's Wembley Wonders and the all important numbers. It's | :16:11. | :16:21. | |
:16:21. | :16:21. | ||
Apology for the loss of subtitles for 86 seconds | :16:21. | :18:40. | |
been a big night for ballroom, I I think you'll agree, it's been a | :18:40. | :18:43. | |
big night for ballroom. All our eight remaining couples have given | :18:43. | :18:47. | |
us a Wembley experience that we won't forget. So pick up the phone, | :18:47. | :18:49. | |
your votes can change everything! Your stars need you because one | :18:49. | :18:54. | |
couple must leave. Find out who in Sunday's results show at 7.25pm. | :18:54. | :19:04. | |
:19:04. | :19:34. | ||
All that is left to do is thank all Chelsee and Pasha. Harry and Aliona. | :19:34. | :19:44. | |
:19:44. | :20:08. |