Week 8 Strictly Come Dancing


Week 8

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Right you lot, listen up. Each of you have worked your socks off to

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get this far. You don't want to throw it away. What happens here

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will stay with us for the rest of your lives. So let's get out,

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fulfil those dreams, put on your dancing shoes and show Wembley you

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can dance! APPLAUSE

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Dobson, Donovan, Healey, Jones, Judd, Grant. Grant, do I not like

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that? All right. Perhaps I do like it!

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Savage. Savage. Wembley, here I come. Those others, they're going

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to miss the bus. This week is huge. The Wembley

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butterflies have well and truly kicked in. The competition is

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fierce. The stars need to give it 110%.

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They are all ready to play the beautiful ballroom game. This is

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Strictly Come Dancing 2011. Get stuck in!

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Apology for the loss of subtitles for 86 seconds

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From Wembley there, is Strictly MUSIC:

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Apology for the loss of subtitles for 86 seconds

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# It's a kinda magic CHEERING AND APPLAUSE

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Live from Wembley, please welcome your hosts Sir Bruce Forsyth and

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Tess Daly. Listen to that.

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. CHEERING AND APPLAUSE Thank you.

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CHEERING AND APPLAUSE Sit down. Sit down. Save yourselves,

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for goodness sake. Good evening, ladies and gentlemen

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and children, welcome to Strictly Come Dancing. Isn't it a big place

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this? It is. There is over 6,000 people

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out there. I know. I know.

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I think I will have to do the next bit in stages. All the people on my

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left, nice to see you, to see you. ALL: Nice.

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The people on my right, it is nice to say to see you, to see.

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ALL: Nice. And all the people in front of me,

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nice to see you, to see you. ALL: Nice.

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You are so much better than last week.

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I can't go on like this, we'll be in the Ten O'Clock News.

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This is the biggest weekend of dancing yet.

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This arena has played host to so many superstars, but who will join

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the Wembley hall of fame and who will leave this competition?

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Whatever happens we have got a sell out crowd here and they are baying

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for ballroom, who are we to argue, Brucie? Shall we? We certainly

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shall. It is time to meet the stars, you can get down there, don't worry.

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Apology for the loss of subtitles for 86 seconds

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Let's meet the stars of our show. CHEERING AND APPLAUSE

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There they are. There they all are.

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Are you applauding yourselves? For goodness sake! I know you're all

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trying to come to terms with this vast arena, but just think of it as

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the Coliseum and you're going to be thrown to the lions!

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LAUGHTER And there they are, champing at the

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bit. There we are, the judges. All right,

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I don't want to put you off in anyway at all.

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A big thank you to everyone at Wembley who by buying tickets

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raised over �102,000 for Children In Need.

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CHEERING AND APPLAUSE Thank you, it is amazing. Keep donating. All the

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details will be at the end of the programme.

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�102,000, thank you all of you. It is incredible. Tonight our couples

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are performing to some of Britain's best loved hits. It is our

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celebration of the best of British. Our judges will be scoring and our

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couples will be ranked on the leaderboard.

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Scores will be combined with your votes and sadly one of our couples

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will be leaving the arena, with the ballroom dreams in tatters.

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He is right, you know. That's the biggest ah, we have ever

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had. It is, indeed.

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If you are a digital viewer, you can press the live button for

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commentary, we have Karen Hardy and Martine ma Martine Mc Cutcheon.

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Hello guys. Hello.

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Who gave her a line? I didn't give her a line.

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Our first couple is Robbie Savage and his partner, Ola.

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CHEERING AND APPLAUSE Now they are doing the salsa. It is

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a dance that requires the three Ss, that normally means sexually, saucy

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and sassy, but in Robbie's case it means styling, shampoo and set.

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LAUGHTER I like that.

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Last week proved to be my best dance.

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You are constantly moving in the right direction.

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I thought the whole routine was good.

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My aim is to get a seven or an eight or a nine.

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We did it! Our best score. I'm dancing the salsa at Wembley,

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life doesn't get much better than that. It is a tough dance with

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tricks and lifts, but if I can pull it off I think the crowd will love

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it. I can't believe we're playing at Wembley this weekend. We're so

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excited. Robbie, you know what... Don't

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worry, I feel at home out there. Me and Wembley have history!

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I love you, Robbie. I can't stop mate, I've got to get

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to Wembley. Good luck, Robbie.

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This is it. Are you ready for me, Wembley?

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Robbie, what are you doing? It's Wembley Stadium. Its the big one,

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are you ready? You know we're dancing at Wembley Arena, not

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Wembley Stadium. Dancing the salsa Robbie Savage and

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MUSIC: MUSIC: Let Me Entertain You by

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Apology for the loss of subtitles for 86 seconds

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What a start! What a great routine. Look at you, look at you! Come here,

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you marvellous pair. Enjoy it. These are moments she will never

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forget. Well, I think they liked it! I do think they liked it!

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Absolutely marvellous. Whilst you two take a breather, it's a good

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time to welcome our fabulous singers, Dave Arch and his

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wonderful orchestra. APPLAUSE Not forgetting our judges,

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welcome. Len is very worried this week about the Italian debt crisis.

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What happened was he lent Bruno a couple of pounds for a cappuccino

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and he hasn't got it back yet. It may seem a bit futile. Len, what do

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you think? I know what is at Wembley, but you treat this like

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the FA Cup final. I don't know what happened, you tried to straddle a

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goal post or something. It was wild and savage. Unfortunately. Against

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that, it was great entertainment and a wonderful start to the

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evening. APPLAUSE It was great entertainment.

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You could bring variety back. Robbie, your opened the show like

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it was your own rock concert. Full of gusto and energy. I love the

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left's, crazy as they were. It did not have the salsa feel, but aside

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from that, it was great entertainment.

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APPLAUSE Bruno? Robi... The salsa is the dance of courtship. You went

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at it as if it was a primeval fertility rite. You were throwing

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Ola into unimaginable positions. Len is right. Because of that, it

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lost the slinky knits in the timing. It has to be more refined, but I

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appreciate the effort. Craig? flat fitted throughout. -- flat-

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footed. Your hips were devoid of any rotation whatsoever. I liked

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your upper body, and the arm work. You liked that? And also that

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wonderful left. Don't ever attend a jump in second like that without

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straightening your legs and getting some height, darling. Never mind

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all that, we loved it! Off you go, be proud. Wonderful.

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APPLAUSE Well done, you. Kicking it off at Wembley, to a

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standing ovation. Have you cut your nose? Not again! You have done the

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double. You have played football in the stadium and dance appear Reina.

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How did it feel? That was for the public and the supporters. They

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have been brilliant. And how does the ballroom compare to the boss of

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a football match? Tonight it was perfect, 6500 people. And the cat

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suit. That will get a few votes all suit. That will get a few votes all

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by itself! Time to get the scores Was that fair? What do you think?

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Call this number later on the show if you want Robbie to entertain you

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on the dance floor next week. Please don't call until we let you

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know that lines are open. If you do, your vote won't count and you may

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be charged. The couple with the lowest combined judges' scores and

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viewer votes will leave the competition. We're up and running,

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Wembley are you loving it?! I think that's a yes. Over to you, Bruce.

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Now for our next couple, Alex Jones and her partner James.

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I've always wanted to do that at Wembley. Besides that, I didn't

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have a joke. Here is Alex and James Last Saturday, the pressure was to

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start the show off on a high. I think it worked. It was so full of

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verve and gusto, I thought it was terrific! It was an incredible

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opening. It was a joy. The tango is everything that Alex is not. I need

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to see that you're more assertive and strong, more powerful. Stop

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smiling. Who is the most assertive person you know? My director Ron

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The One Show. There you go. Come with me. -- my director on The One

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Show. Here we are outside the studios and apparently I'm going to

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do some directing. You need to get more assertive. Read that, and I

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will talk to you through this. Let's go for a rehearsal. Welcome

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to The One Show, I'm Alex Jones. Take this seriously. I have not

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finished. This is live television, no time to mess about. Six days

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into the rickshaw challenge... are looking at the wrong camera.

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How difficult can this be? difficult as you make the tangle

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look. Enough of your cheek. That is all for this night -- that is all

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for tonight. Seriously, you're not concentrating. Are you angry?

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forced on so you are ready for the tango at Wembley! Put me down! Put

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Apology for the loss of subtitles for 86 seconds

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APPLAUSE Lovely, lovely. Alex and James, you have done so

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well. It was beautiful. It was beautiful. There you are. I was

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enthralled. That was lovely. What do you think? From the jive last

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week, to a seductive tango, the transition from one style to

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another has been brilliant. You have taken to the tango so well. It

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was atmospheric, you had drama, and most importantly, it was believable.

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Good job. Really good job. APPLAUSE You have done well,

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absolutely. Now, Bruno? Alex, so fascinating, so Lorraine, so poised,

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so stylish! I loved that look that you make touch me, but I do not

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know if you can afford me. You got it absolutely right!

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APPLAUSE I don't think anybody could fool you. Craig? I believe we

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may be seeing some improvement. APPLAUSE oh, yes!

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Come on! But you do need to. Your foot on the drag. It was sharp, it

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was to cattle, it was theatrical and intense. All of those wonderful

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things. -- staccato. Len, staggered? I don't trust Craig when

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he is nice because the next one out is going to turn nasty. People

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think I am hard to please but I'm not. This is what I like. The tango,

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dance to beautifully. Fabulous. don't ask for much, just

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perfection! It was beautiful. Well done. Improving all the time. It is

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a long way, but it is worth it. Welcome. The judges loved it.

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can't believe it. Greeks see some improvement. High praise indeed.

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is just brilliant. It is a fantastic experience to be here,

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but to do a dance that we have really enjoyed this week, and to

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pull that off, it has been amazing. Seven weeks in, dancing in front of

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that enormous audience, he won a long way from The One Show now.

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Does it feel good? Amazing. This Does it feel good? Amazing. This

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Congratulations. 35, your highest score. Can I say, I am so proud of

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you. The first week, I was a little scared. You were more than scared!

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Now he tells you! It is such a privilege to dance with you. You

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are such a wonderful person. Thank you. I think we're going to have

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tears in a minute. Well done. down this number, 09015 22 20 13,

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and call later if you want Alex to 'relax' knowing she is on next

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week's dancing bill. That sound good to you, Alex? Back to you,

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Bruce. Now for our next couple. Holly Valance and her partner,

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Very popular tonight. Because of Artem's injury, Brendan has been on

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standby to dance with Holly. We are delighted that Artem is able to

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carry on. And you are as well. And you we have wholly in training with

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both of them. Artem was injured last week saw Brendan was my man.

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That is a lot of responsibility. I was a little nervous. It ended up

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being one of the most fun nights. Considering you have changed

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partners, you have done exceptionally well. It feels

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strange to see her dance with Brendan. He did an amazing job.

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was a fun dynamic and it worked. We came out with something that was

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positive. In case the injury returns, Brendan is here again in

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training. Brendan and Artem were giving each other a lot of

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attention. I am in the corner, trying to work out what is going on.

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Don't mind me. You would like me to join in now? I think there is a

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romance going on. I don't think I'm part of it. What is it? It is just

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Dancer stuff. It is nice, all this time together. That was nice.

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love spending time with Brendan. He is a good partner. At this point in

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the competition, everyone that is left is very, very good. Going out

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at Wembley, that makes me sick. It is getting scary. Again? As it

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turns out, Artem is fit and raring to go so we will go all out there

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Dancing the quickstep, Holly MUSIC:

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Apology for the loss of subtitles for 86 seconds

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MUSIC: CHEERING AND APPLAUSE

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What about it? Holly and Artem and that was

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wonderful. It was more like the Olympics, isn't it, around here.

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Bruno. Holly, Holly, at times you are

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thrilling and at times you're maddening. I know you're capable,

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but there are moments that are splendid and then it looks like

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that either you overthink or you go behind it. Stop it. I want you you

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to go for it, my darling, because you can.

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Is he getting through? Thank you. Right, Craig.

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Fantastic single pirouette on the stairs, really tough to do

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especially in heels. It went a little bit horribly wrong after

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that moment. You lost timing after that and your weight is travelling

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too far forward for Artem as he is going around. You need to keep

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together and keep your centre and tighten the whole thing up really.

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But it was a good job and a fantastic routine.

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OK. There was a terrific use of space. You started up on the stage

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and down and around the thing. That I thought was great and it is great

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for the quickstep, but because it was so fast and so intense, it did

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lose a little bit of control now and again, but it was fast and full

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on and well done to you both. APPLAUSE

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Fast and full on. We will finish with Alesha, darling.

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This morning you didn't know who you would be dancing with and that

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must have been unsettling and the quickstep really suits you. You had

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a really light and effortless feel, but the guys are right you did lose

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a little bit of control, but overall I liked it.

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We loved it. Off you go. Off you go. Well done Artem and Holly.

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Mixed comments from the judges. Mostly positive, but you brought

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the audience to their feet here in the arena.

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APPLAUSE Describe what the atmosphere is

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like. I'm shaking. I'm so happy I made it

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this far. Well done you guys. Will the judges please reveal their

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scores. Craig Revel Horwood. 7. Goodman.

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Alesha Dixon. 8. And Bruno Tonioli. 8. Pm

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Make a a note of the number. If you enjoyed Holly's quickstep

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and you want to fast-track her into next week. We have Harry and

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Russell and Jason. You don't want to miss miss it.

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For our next couple, we have Anita Dobson and her partner, Robin.

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CHEERING AND APPLAUSE Another lovely couple. Another

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lovely couple. Now, Anita said to me, "Bruce, I would love to see a

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Mexican wave at Wembley. Can you organise it for me?" Here goes,

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"Seat F 78." Hello Manwell. APPLAUSE

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Anita, can you see him? I hope you were' watching -- you're watching.

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I think it was one of our strongest performances.

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Queen of drama, you can tango. And then we went from up there to

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down there. We found out wherp in the last two

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-- we were in the last two I was completely shocked and devastated.

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I was thinking, "Does that mean I'm out?" I don't have any words.

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I'm still here and I get to go to Wembley so I'm absolutely thrilled.

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In order for Anita to bounce back this week, I think she needs to

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pull a little bit of inspiration from something or someone.

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I'm here in good old Albert Square. How does it feel to be back here?

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Weird, but I loved Angie. You don't make me anything, Denis.

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You could knock her down and the next day she would be up ready to

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rock. If I can get a feeling of that survival instinct. What do you

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have to do to get a drink around here? Outrageous, that would never

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have happened in my day. Anita is already a survivor. This

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would help give her that extra nudge to give an extra good

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performance at the weekend. It is Wembley, are you ready for it

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Anita? I don't know. We'll just have to wait and see won't we?

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CHEERING AND APPLAUSE Dancing the samba, Anita Dobson and

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Apology for the loss of subtitles for 86 seconds

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MUSIC: Come on Eileen by Dexys CHEERING AND APPLAUSE

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They loved it. They loved it. Well done, that was beautiful.

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Do you do the washing up in those gloves? Craig, start us off.

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Your shoulders were hunched almost all the way through that. You were

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leaning too far forward from the top of your torso, it was very very

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muddy and murky footwork. Your thumb that was sticking out like

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this, it would be nice to tuck that baby under. We're getting very

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specific now, I mean, you know the semi-finals are coming up so I'm

:40:25.:40:30.

just trying to help you, darling. On a good note, the timing was very,

:40:31.:40:37.

very good and you have gorgeous movement.

:40:37.:40:39.

APPLAUSE OK, Len.

:40:39.:40:49.
:40:49.:41:00.

Well, what I like, you come out every dance and you give it 100%.

:41:00.:41:01.

APPLAUSE It could have been a little sharper

:41:02.:41:04.

and crisper here and there, it it could have been a little sharper

:41:04.:41:06.

and crisp, but I thought your thumbs were particularly attractive.

:41:06.:41:07.

Well done to you. APPLAUSE

:41:07.:41:10.

Especially in those gloves. Alesha. Bundles of energy and full of

:41:10.:41:14.

personality, you created a party atmosphere, Anita, nobody can take

:41:14.:41:21.

that away from you. I don't think you you embodied that samba grove

:41:21.:41:24.

and I disagree with Craig, you lost timing, but your spirit and

:41:24.:41:29.

enthusiasm always carries you throw the dance and the crowd loves you.

:41:29.:41:36.

APPLAUSE They do. They do. Anita, I love you

:41:36.:41:40.

because you always really work it and play it for all it's worth.

:41:40.:41:45.

What happened was there was so much fire up above you forgot the fire

:41:45.:41:51.

down below. The samba required such a sharp and precise execution and

:41:51.:41:55.

at the same time you have to create the party atmosphere so to get the

:41:55.:41:58.

two together is very, very hard and you did well, but you know

:41:58.:42:02.

sometimes we all have dances that don't quite come out as we expect.

:42:03.:42:06.

It is a bit like that. Would you like to be my favourite? Yes,

:42:06.:42:12.

please. You are my favourite as usual. Well

:42:12.:42:18.

done, Robin. Off you go. That's it. CHEERING AND APPLAUSE

:42:18.:42:25.

Thank you, Robin and Anita. CHEERING AND APPLAUSE

:42:25.:42:28.

Come on Anita, more like! What is it like performing in front

:42:28.:42:33.

of that audience? It's fantastic. APPLAUSE

:42:33.:42:40.

I loved it. I loved it. Len said you gave it 100%. You can't do much

:42:40.:42:43.

more than that. We saw how being in the bottom two affected you last

:42:43.:42:49.

week. You don't want a repeat performance of that, do you, Anita?

:42:49.:42:52.

And this was the hardest dance. We don't want a repeat performance

:42:52.:42:56.

of that, do we, Wembley? The scores are in.

:42:56.:43:01.

The judges have their scores, Craig Revel Horwood.

:43:01.:43:08.

Len Goodman? Alesha Dixon.

:43:08.:43:18.
:43:18.:43:20.

Bruno Tonioli. Well done, Anita.

:43:20.:43:26.

Call this number when lines open later if you don't want Anita to be

:43:26.:43:31.

in the bottom two later. Who is your favourite? Who ever it is are

:43:31.:43:39.

going to need your vote. Next up is Harry Judd and his

:43:39.:43:48.

partner... CHEERING AND APPLAUSE

:43:48.:43:52.

Yes, and they are doing the salsa. It is a saucy dance and in order to

:43:52.:43:55.

embrace the flavour of this dance, Harry may have to perform with his

:43:55.:44:00.

shirt open! Would you like Harry to dance with

:44:00.:44:07.

his shirt open? CHEERING AND APPLAUSE

:44:07.:44:17.
:44:17.:44:18.

Ask a silly! Like a lot of savages, I liked the Argentine tango, it was

:44:18.:44:23.

a great dance. The judges had great comments. You will never be

:44:23.:44:27.

stronger. You will be never be more attractive. It was filth and I

:44:27.:44:31.

liked it. It was my first time at the top of

:44:31.:44:34.

the leaderboard. That felt amazing.

:44:34.:44:39.

Yeah, it was awesome. Oh, we have the big one.

:44:40.:44:43.

We yes, the salsa. And it is tough.

:44:43.:44:46.

Real tough. Men and the salsa can't really be

:44:46.:44:50.

friends. I'm struggling with the hips.

:44:50.:44:53.

It is all about the hips. You have to have the hips.

:44:54.:44:59.

And he doesn't. Can we swap hips? I don't want your

:44:59.:45:03.

hips. I'm becoming obsessed, I'm

:45:03.:45:06.

practising everywhere. It is embarrassing. It's not.

:45:07.:45:11.

It is. Harry, will you stop it? It is

:45:11.:45:16.

embarrassing. I just wish you wouldn't undermine

:45:16.:45:20.

me in front of people. I don't.

:45:20.:45:25.

Are you sure you should behaving that? Why? Well a moment on the

:45:25.:45:29.

lips is a lifetime on the hips. had a breakthrough at lunch. I

:45:29.:45:34.

think I can do it. Oh yes. Yes.

:45:34.:45:39.

I'll have what she's having. And three days later here we are. I

:45:39.:45:45.

never expected it to be so magical. It is so special. I couldn't be

:45:45.:45:55.
:45:55.:45:55.

Apology for the loss of subtitles for 86 seconds

:45:55.:47:48.

CHEERING AND APPLAUSE How about that?! Look at this place. Harry

:47:48.:47:57.

and Aliona, look! They are eating it up. Eat it up, enjoy it. Well

:47:57.:48:06.

done. Let us start with you, Len. Not that is what I call foul on

:48:06.:48:13.

Samba. You went for it, non-stop. - - a full on Samba. It was high

:48:13.:48:20.

energy. I would have liked, Harry, and don't start on May, because I

:48:20.:48:24.

know you have a way with you, but I would have liked more hip action.

:48:25.:48:30.

The back step, this is the truth, please listen to me. On the back

:48:30.:48:34.

step, it is too big, and so you cannot get your bum over your back

:48:34.:48:40.

leg because the step is too big. It should have been more compact. But

:48:40.:48:49.

I loved it. Well done. Thank goodness. Alesha? I thought you

:48:49.:48:54.

handle that with these. There was a natural feel to the dancing. --

:48:54.:48:58.

handle the that with ease. The left, going into the splits, that was

:48:58.:49:06.

brilliant. Good job. What a team you are. Bruno? I think you are

:49:06.:49:10.

overdressed for the occasion! I think you should have worn my

:49:10.:49:19.

costume. It would have fitted to perfectly. It was sexy, pulsating,

:49:19.:49:23.

vibrant and playful. Work on your bum, but we can talk about that

:49:23.:49:32.

later. APPLAUSE It is technical. I know, I

:49:32.:49:38.

know. You will get a technical knockout in a minute. I love the

:49:38.:49:45.

routine and I thought the left was spectacular. But it did not have

:49:45.:49:55.

the groove at all. It was badly paced. He did have the groove.

:49:55.:50:03.

got the groove. Don't listen to that. We love you. We loved you. Go

:50:03.:50:13.
:50:13.:50:20.

on, you were marvellous. Off you go and be very proud. Well done. Give

:50:20.:50:26.

him his shirt back! Bruno said he was overdressed, but Brendan, that

:50:26.:50:34.

is outrageous. You just got over 6000 people standing. Feel-good?

:50:34.:50:39.

Amazing. What an experience. Thank you to everyone who is supporting

:50:39.:50:45.

us. We are having an amazing time. How did it feel being centre stage

:50:45.:50:48.

without the rest of McFly? I am happy being at the back, as the

:50:48.:50:55.

drummer but I loved it, thank you so much. Time for the judges'

:50:55.:51:05.
:51:05.:51:21.

A 34. The number to jot down for later on, 09015 22 20 11, if you

:51:21.:51:26.

enjoyed Harry's salsa and you want him back next Saturday. All our

:51:26.:51:30.

stars as a -- have a ticket to ride if they want a return journey to

:51:30.:51:34.

next week, they're going to need your vote. Over to you, Bristol.

:51:35.:51:44.

Thank you. Next tonight, Russell Grant and his partner, Flavia. A's

:51:44.:51:51.

-- APPLAUSE We have seen Russell loves to sing.

:51:51.:51:55.

He cannot stop singing to the number he is dancing to. We have

:51:55.:52:00.

seen it, all these weeks. I told him that I love singing as well and

:52:00.:52:05.

I use any opportunity to sing. I had been doing that all high-life.

:52:05.:52:13.

# Is the name of the game and I wanna play the game with few... #

:52:13.:52:23.

Don't laugh, it will hurt! Here they are in training. American

:52:23.:52:28.

smooth with no surprises? Not if Russell has anything to do with it.

:52:28.:52:32.

I could not wait to do a quick change. When I came out from behind

:52:32.:52:39.

the screen, there was such a reaction. He could not wait to get

:52:39.:52:49.
:52:49.:52:49.

out of the closet! Immortal, darling. I am planning on hanging

:52:49.:52:59.

around for a long time. This week, Wembley. It is Baker. It is

:52:59.:53:05.

spectacular. -- it is big. I love it. It is the biggest ever live

:53:05.:53:12.

Strictly audience. I love it. It is a dream come true. The song we are

:53:12.:53:17.

dancing to this week, it tells us to reach for the stars. And that is

:53:17.:53:21.

what we're going to do. I wanted to bring you here because I was

:53:21.:53:26.

brought up in Middlesex. My family have lived here for centuries.

:53:26.:53:33.

There is a great view across to Wembley. Look, over there. Wow.

:53:33.:53:38.

reckon the stars will shine on us. Absolutely. They have got enough

:53:38.:53:45.

here so far, thank you so much, to the stars above. # You and me, we

:53:45.:53:55.
:53:55.:53:58.

can light up the sky."Wembley, we come. Dancing the jive, Russell

:53:58.:54:08.
:54:08.:54:08.

Apology for the loss of subtitles for 86 seconds

:54:08.:55:59.

You can't help loving it. Absolutely! You have done it again!

:55:59.:56:09.

Look at them, standing up. I know you like being sent up, but by

:56:09.:56:17.

Canon! Just when you think you have seen it all. -- by a cannon. The

:56:17.:56:20.

best entrance I have seen on Strictly. Actually, I was secretly

:56:21.:56:24.

hoping that he would do a little tour around the arena, but jokes

:56:24.:56:30.

aside, I am so pleased that you got to Wembley, because what you lacked

:56:30.:56:35.

in technique, you made up for in entertainment. I love you, Russell.

:56:35.:56:43.

Bruno? Russell, the incredible flying machine! Like a satellite,

:56:43.:56:50.

in orbit, an orbit of madness. I loved the peek-a-boo thing at the

:56:50.:56:55.

end. It has nothing to do with jive, but I loved it.

:56:55.:57:05.
:57:05.:57:11.

APPLAUSE You cannot say fairer than that. Craig? Gumbo springs to mind.

:57:11.:57:21.
:57:21.:57:28.

-- Dumbo. BOOING. Revolutionary. Have you got anything to add to

:57:28.:57:36.

that? Not really. The thing is, I do not care how many great dancers

:57:36.:57:41.

they have, and how many series of Strictly Come Dancing there are,

:57:41.:57:46.

people will always say"Do you remember when Russell Grant flew

:57:46.:57:53.

out of that can in?"It was an iconic number that will always be

:57:53.:57:59.

remembered. -- that can in. As entertainment, you're the top.

:57:59.:58:03.

You're so right. CHEERING AND APPLAUSE I do not know about

:58:03.:58:11.

reaching for the stars, but you are one. Off you go. Thank you, Gris. -

:58:11.:58:21.
:58:21.:58:31.

He deserves those kisses. It was an iconic moment. It was an explosive

:58:31.:58:37.

first. Did you enjoy you're maiden voyage? Goodness, isn't Wembley

:58:37.:58:42.

Mark Willis?! APPLAUSE Amazing. And you used to

:58:42.:58:46.

live here. -- Mark Willis. What is it like returning here as a

:58:46.:58:50.

ballroom hero? I used to walk here to play football, but I never

:58:50.:58:55.

thought I would come out of the canon. I have just had the best

:58:55.:59:00.

time of my life. Thank you, Britain, for getting us here. Thank you so

:59:00.:59:10.
:59:10.:59:22.

For the sheer insanity of it all, seven!

:59:22.:59:31.

APPLAUSE 24 out of 40. We love it. Make a note of this number, 09015

:59:31.:59:37.

22 20 11, and call later if you want Russell, are a human

:59:37.:59:42.

cannonball, to be fired on to next week's dance floor. Will it be

:59:42.:59:48.

written in the stars? I don't know, but these people are my friends and

:59:48.:59:53.

this is marvellous. He is feeling the love. We're having a lovely

:59:53.:59:59.

time. Keep up-to-date with all the goings-on backstage online. We have

:59:59.:00:04.

some sneaky behind the scenes pictures. Falls on Twitter. We are

:00:04.:00:12.

feeling the love it. Back to you, a Our next couple is Chelsee Healey

:00:12.:00:22.
:00:22.:00:23.

and her partner, Pasha. Now they are doing the samba. It is

:00:23.:00:28.

a party dance. So all 6,000 of you, just pretend that you're at a

:00:28.:00:33.

partyment the band is playing. Everyone is having a good time and

:00:33.:00:35.

Len Goodman is is buying the drinks!

:00:35.:00:40.

Now there is a first! LAUGHTER

:00:40.:00:48.

Here they are in training. I didn't expect last week to go as

:00:48.:00:52.

well as it did. I don't expect you to be able to

:00:52.:00:54.

dance with this much ease and elegance.

:00:54.:00:57.

It is nice to surprise people, but I'm still surprising myself because

:00:57.:01:00.

some of the things that I've done, I don't think I can do myself

:01:00.:01:03.

anyway. You're starting to tick all my

:01:03.:01:07.

boxes. Well done. Wembley, here we come.

:01:07.:01:10.

She is is so excited. I can't wait.

:01:10.:01:15.

It is November and cold and grey so this week, we're trying to create a

:01:15.:01:18.

routine that really warms up the Wembley crowd.

:01:18.:01:23.

I'm hoping that my samba does bring sunshine, but at the moment I'm

:01:23.:01:27.

thinking it will bring a thunderstorm instead. What's wrong,

:01:27.:01:31.

Chelsee? It is this weather and it gets me down.

:01:31.:01:35.

But we are doing samba, it is all about sunshine, just use your

:01:35.:01:45.
:01:45.:01:47.

Thank you. It is not bad this samba lark, is

:01:47.:01:57.
:01:57.:02:04.

Pasha, I'm loving this. It is Pasha, I think doing the samba at

:02:04.:02:09.

Wembley will be like being on summer holiday.

:02:09.:02:13.

Here we are, Wembley Arena. That's in front of 6,000 people, we can't

:02:13.:02:17.

do that. Just remember the sunshine. Come on.

:02:17.:02:25.

CHEERING AND APPLAUSE Dancing the samba, Chelsee Healey

:02:25.:02:35.
:02:35.:02:35.

Apology for the loss of subtitles for 86 seconds

:02:35.:03:25.

MUSIC: Spice Up Your Life by The MUSIC: Spice Up Your Life by The

:03:25.:03:35.
:03:35.:04:14.

CHEERING AND APPLAUSE There they go again. They're on

:04:14.:04:22.

their feet. They're on their feet again. Oh, Chelsee my darling, that

:04:22.:04:28.

was just so wonderful. Pasha, what a job you're doing with her. That

:04:28.:04:35.

was fantastic. Bruno. Chelsee, you're so rhythmic. You

:04:36.:04:42.

have got a feeling for the music. Bless you baby. It was going so

:04:42.:04:46.

well, but I'm telling you, it was near perfect

:04:46.:04:51.

Oh, near perfect. APPLAUSE

:04:51.:04:54.

What did Craig think? Your arm was placed a little bit too high on one

:04:54.:04:59.

section. You missed a turn at the beginning which for your -- through

:04:59.:05:04.

your timing off, but your finishes darling, are generally excellent.

:05:04.:05:09.

All the way through the spins were fantastic. The bounce was fantastic.

:05:09.:05:14.

Brilliant. APPLAUSE

:05:14.:05:18.

Right, Craig, sorry, Len. I thought you were brave to do that

:05:18.:05:24.

first little section on your own out there in this huge arena.

:05:24.:05:26.

APPLAUSE That took a bit of nerve. Took a

:05:26.:05:32.

bit of doing. That spiced up my night because it was full on, full

:05:32.:05:39.

of energy, a proper samba. Well done to you guys. A proper samba.

:05:39.:05:44.

Now Alesha. A very, very strong opening, Chelsee. You had great arm

:05:44.:05:48.

placement as usual. You captured the spirit of the samba. You had

:05:48.:05:54.

that natural bounce that we want to see and I think you're really

:05:54.:05:57.

coming into your own. Be very proud. Off you go.

:05:58.:06:02.

CHEERING AND APPLAUSE Pasha and Chelsee. A marvellous job

:06:02.:06:08.

done. Off you go, a great performance.

:06:08.:06:13.

CHEERING AND APPLAUSE How nerve-wracking was that? That

:06:13.:06:20.

was, I have never been so nervous in my life. It is so overwhelming,

:06:20.:06:25.

yeah and that's it. I love her to bits. Bruno said it

:06:25.:06:29.

was near perfect. Yeah. High praise, indeed.

:06:30.:06:36.

The dance floor is six times than big -- six times bigger than normal.

:06:36.:06:46.
:06:46.:06:58.

I can feel it.. It is true, she is APPLAUSE

:06:58.:07:08.
:07:08.:07:11.

Top scores, Chelsee. Well deserved. Right we have got one more

:07:11.:07:16.

performance to come and it promises to be a big old supplies of

:07:16.:07:21.

ballroom. Time for our final couple, Jason

:07:21.:07:25.

Donovan and his partner, Kristina Rihanoff.

:07:25.:07:33.

CHEERING AND APPLAUSE Now then. As you know, as you know,

:07:33.:07:38.

Jason is Australian and some of the most feared creepy crawlies in the

:07:38.:07:44.

world come from Australia. The funnel-webbed spider, the red fire

:07:44.:07:49.

ant and the most feared of all, of the creepy crawlies is Craig Revel

:07:49.:07:56.

Horwood! LAUGHTER

:07:56.:08:01.

It is the only one. It sends a cold shiver down my back. Anyway, here

:08:01.:08:11.
:08:11.:08:12.

The waltz was probably up there as one of my best dance. I went in

:08:12.:08:17.

there with a big smile on my face. I'm telling you, it was very, very

:08:17.:08:19.

good. I do know the competition is

:08:19.:08:23.

hotting up. There are some extremely good dancers and if we're

:08:23.:08:31.

going to go the distance, I'm going to have to dig deeper. I can't wait

:08:31.:08:36.

to get back to Wembley Arena, I performed there in the past, but to

:08:36.:08:43.

dance there, it will be amazing. I feel like Don Johnson from Miami

:08:43.:08:47.

Vice and we are dance to go an 80s classic.

:08:47.:08:50.

Try to smile. Jason, I know it is a hard dance,

:08:50.:08:56.

but remember the 80s? You have got to search your memories for

:08:56.:09:03.

inspiration. How about this for for some 80s inspiration.

:09:03.:09:10.

# Stand and deliver deliver # No, no, Jason, not this kind of 80s.

:09:10.:09:14.

# Too many dreams can be broken in two #

:09:14.:09:23.

Stop it. Stop it, enough. What's with the hair? What is that?

:09:23.:09:29.

# Wake me up before you go go # That's more like it, Jason.

:09:29.:09:34.

# Don't leave me hanging on like a yo-yo #

:09:34.:09:44.
:09:44.:09:44.

Apology for the loss of subtitles for 86 seconds

:09:44.:11:28.

MUSIC: Wake Me Up Before You Go Go CHEERING AND APPLAUSE

:11:28.:11:34.

Here they go again. Jason and Kristina.

:11:34.:11:38.

CHEERING AND APPLAUSE What a routine!

:11:38.:11:42.

All go. Wake me up, wake everybody up. Craig, what did you think?

:11:43.:11:51.

suppose that would have been phenomenal if it wasn't for that

:11:51.:11:56.

last moment where you lost it with the whole kick section there and of

:11:56.:12:06.
:12:06.:12:06.

course, the two lifts. Amazing. Amazing.

:12:06.:12:09.

APPLAUSE Len. I'm really disappointed for

:12:09.:12:13.

you because I can tell by your foot placement, the bounce, you've

:12:13.:12:23.
:12:23.:12:24.

worked your socks off on getting those right and it is live, if it

:12:24.:12:27.

wasn't, you would have done it again and get it perfect. I have

:12:27.:12:31.

got to agree with Craig, I am starting to see more and more lifts

:12:31.:12:37.

creeping into the routines so I'm not going to penalise you for that

:12:37.:12:43.

tonight, if I start to see lifts, I will knock off points. Unlucky.

:12:43.:12:48.

Well, it is the rules, ladies and gents. Don't start getting on me.

:12:48.:12:50.

Unlucky. All right, Alesha.

:12:50.:12:53.

It is a shame Jason because you were doing so well. I thought the

:12:53.:12:57.

kicks, the flicks, everything your side by sides were great. The

:12:57.:13:01.

energy from start to finish was incredible and you should still be

:13:01.:13:07.

proud even though you went wrong because you picked yourself back up

:13:07.:13:09.

again. People still don't realise the

:13:09.:13:13.

hours and hours that all these people spend rehearsing and

:13:13.:13:16.

training. They don't realise it because that's it. Bruno, what do

:13:17.:13:21.

you think? Well, Jason, the beginning it looked like you turned

:13:21.:13:27.

back the hands of time. You were an energetic teenager going for it. It

:13:27.:13:33.

was mag nif icant -- magnificent, I think the occasion overwhelmed you

:13:33.:13:42.

and you lost time and your step, but otherwise up to there amazing.

:13:42.:13:47.

Amazing. Well done, both of you. Kristina and Jason. Away you go.

:13:47.:13:54.

CHEERING AND APPLAUSE It is a wonder they have got the

:13:54.:13:59.

energy to get back. Did you love it, Wembley?

:13:59.:14:04.

ALL: Yes. I love the T-shirt.

:14:04.:14:12.

Yeah, I mean, what can I say? The situation did overwhelm me, but you

:14:12.:14:16.

know, I really enjoyed TI loved being at Wembley. Thank you

:14:16.:14:26.
:14:26.:14:27.

everyone for coming tonight. APPLAUSE

:14:27.:14:30.

Thank you very much, there is the most incredible atmosphere, you

:14:30.:14:32.

have you have sung here at Wembley Arena. It is a different experience.

:14:32.:14:35.

It is like being an athlete when you dance, but no, great tonight.

:14:35.:14:39.

It is strenuous? Yeah, I just wish he had got them last couple of

:14:39.:14:48.

kicks, but that's life. It is time to get the scores from

:14:48.:14:58.
:14:58.:15:05.

Write down this number, 09015 22 20 14, and call shortly if you don't

:15:05.:15:09.

want our Aussie to 'Go go' from the competition. Have you got more to

:15:09.:15:19.
:15:19.:15:19.

give Jason? Judges' scores alone may not be enough to save your

:15:19.:15:22.

favourite but remember you, the people of Britain are the fifth

:15:22.:15:25.

judge! That's it. All our couples have done Wembley proud with their

:15:25.:15:31.

fabulous routines. So let's take a fabulous routines. So let's take a

:15:31.:15:41.
:15:41.:15:44.

look at the leaderboard. Alex and James and Chelsee and Pasha, at the

:15:44.:15:49.

top. At the bottom, Russell and Flavia have three points. Remember,

:15:49.:15:59.
:15:59.:15:59.

the phone lines are now open, so Calls cost 15p from a BT landline.

:15:59.:16:02.

Other operators may vary and calls from mobiles will be considerably

:16:02.:16:05.

higher. Lines close at 8.45pm tonight. Voting details can be

:16:05.:16:07.

found at bbc.co.uk/strictly. To help you decide, here's a reminder

:16:07.:16:11.

of tonight's Wembley Wonders and the all important numbers. It's

:16:11.:16:21.
:16:21.:16:21.

Apology for the loss of subtitles for 86 seconds

:16:21.:18:40.

been a big night for ballroom, I I think you'll agree, it's been a

:18:40.:18:43.

big night for ballroom. All our eight remaining couples have given

:18:43.:18:47.

us a Wembley experience that we won't forget. So pick up the phone,

:18:47.:18:49.

your votes can change everything! Your stars need you because one

:18:49.:18:54.

couple must leave. Find out who in Sunday's results show at 7.25pm.

:18:54.:19:04.
:19:04.:19:34.

All that is left to do is thank all Chelsee and Pasha. Harry and Aliona.

:19:34.:19:44.
:19:44.:20:08.

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