Browse content similar to Week 8 Results. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE CHEERING AND APPLAUSE | :03:51. | :04:01. | |
:04:01. | :04:02. | ||
Please welcome your hosts, and Claudia Winkleman and Tess Daly. | :04:02. | :04:11. | |
That is amazing. Amazing. CHEERING AND APPLAUSE How good was | :04:11. | :04:18. | |
that? Unbelievable. What an incredible | :04:18. | :04:25. | |
way to kick off. This weekend has been our biggest Strictly ever with | :04:25. | :04:32. | |
a supersized dancehall, outstanding performances and of course our | :04:32. | :04:41. | |
6,000 strong crowd. Let's hear you Wembley. | :04:41. | :04:48. | |
The atmosphere is brilliant. After our spectacular tribute to the | :04:48. | :04:56. | |
original Fab Four, we have our very own fabulous foursome, please | :04:56. | :05:06. | |
:05:06. | :05:08. | ||
welcome, Craig, Bruno, Alesha and Len. | :05:08. | :05:12. | |
We have plenty of crowd pleasers. We have. | :05:12. | :05:21. | |
We have the line-up of three Brit Award winners. We have Il Divo. | :05:21. | :05:29. | |
CHEERING AND APPLAUSE James Morrison. And the wonderful | :05:29. | :05:33. | |
Jessie J. CHEERING AND APPLAUSE | :05:33. | :05:37. | |
First let's see see what happened when our couples stepped out tonne | :05:37. | :05:42. | |
to the dance floor -- out on to the dance floor and heard the crowd on | :05:42. | :05:50. | |
Saturday night. Kicks, flicks. | :05:50. | :06:00. | |
:06:00. | :06:01. | ||
I want to nail this routine. Wembley. What a fantastic night! | :06:01. | :06:08. | |
Robbie, you opened the show like it was your own rock concert. | :06:08. | :06:15. | |
Well done, Robbie Savage. Don't ever attempt a jump like that. | :06:15. | :06:25. | |
:06:25. | :06:27. | ||
It was all a bit wild and savage, So fascinating. So alluring. So | :06:27. | :06:32. | |
poised. So stylish. This is what I like, the proper | :06:32. | :06:39. | |
tango. You danced beautifully. Fabulous! | :06:39. | :06:43. | |
Nine. Nine. | :06:43. | :06:48. | |
Nine. I never expected to get to nine. It | :06:48. | :06:52. | |
couldn't have gone better. Because it was so fast and so | :06:52. | :06:58. | |
intense, it did lose a little bit of control now and again. | :06:58. | :07:03. | |
When we were in a spin, I thought my head might come off. It didn't. | :07:03. | :07:07. | |
You had a light and effortless way about the way you dance. | :07:07. | :07:11. | |
Although it was nerve-wracking, I wish we could perform to this lot | :07:11. | :07:19. | |
every single week. In all honestly, you totally | :07:20. | :07:22. | |
embodied this samba groove. This is a tough dance. | :07:22. | :07:27. | |
There was so much fire up above, you forgot the fire down below. | :07:27. | :07:30. | |
Breathe now, darling. You come out every dance and you | :07:30. | :07:34. | |
give it 100%. The atmosphere is electric out | :07:34. | :07:44. | |
there. I can well imagine if I was a girl | :07:44. | :07:54. | |
:07:54. | :07:56. | ||
and looking at Harry and going, "Yum, yum.". I think you | :07:56. | :08:06. | |
:08:06. | :08:13. | ||
Definitely the best entrance I have seen on Strictly. | :08:13. | :08:20. | |
The feeling was unbelievable. Dumbo springs to mind. | :08:20. | :08:23. | |
Dumbo was the elephant with the big ears. | :08:23. | :08:28. | |
It was such entertainment, it is just a shame he can't dance. | :08:28. | :08:36. | |
I loved that bit when she was behind the screen. Up it went. | :08:36. | :08:43. | |
You are a little ball of fire. for me, spiced up my night. | :08:43. | :08:53. | |
:08:53. | :08:55. | ||
I'm glad I spiced up his night. You lost it with the whole kick | :08:55. | :08:59. | |
section there. But amazing. | :08:59. | :09:06. | |
If I'm honest, I'm a little disappointed. I think the occasion | :09:06. | :09:13. | |
overwhelmed you, but otherwise amazing. | :09:13. | :09:17. | |
I got back to where I needed to get back to so that's the main thing. | :09:17. | :09:23. | |
Who would have thought it, top of the leaderboard, joint top Alex | :09:23. | :09:33. | |
:09:33. | :09:38. | ||
An unforgettable night, but who got your votes and and whose Strictly | :09:38. | :09:41. | |
experience will end here. The experience will end here. The | :09:41. | :09:47. | |
results are in. In no particular order the first | :09:47. | :09:57. | |
:09:57. | :10:00. | ||
couple through to next week is... Anita and Robin. | :10:00. | :10:10. | |
:10:10. | :10:21. | ||
CHEERING AND APPLAUSE Also through are... | :10:21. | :10:27. | |
Robbie and Ola. CHEERING AND APPLAUSE | :10:27. | :10:32. | |
Thank you. Thank you. Wow. | :10:32. | :10:42. | |
:10:42. | :10:45. | ||
Well done. Dancing again next week are... | :10:45. | :10:47. | |
Alex and James. Yes! | :10:47. | :10:57. | |
:10:57. | :10:58. | ||
CHEERING AND APPLAUSE Well done. | :10:58. | :11:03. | |
And now in the bottom two tonight and in danger of leaving the | :11:03. | :11:13. | |
:11:13. | :11:15. | ||
competition are... Russell and Flavia. | :11:15. | :11:23. | |
The rest of you will have to wait to learn your fate. Bruno, it has | :11:23. | :11:26. | |
been a shock result tonight. Is this a turning point in the | :11:26. | :11:29. | |
competition? Are you surprised to see Russell and Flavia in the | :11:29. | :11:35. | |
see Russell and Flavia in the bottom two? I am and I am not, | :11:35. | :11:43. | |
Russell is right up there at the top for entertainment. This is a | :11:43. | :11:47. | |
dance competition and it gets really competitive and technically | :11:47. | :11:53. | |
he is far below some of our best dancers. So I do understand both | :11:53. | :12:02. | |
points, but if he has to go, I will really miss him. I will miss him. | :12:02. | :12:04. | |
APPLAUSE Will Russell with fired from the | :12:04. | :12:07. | |
competition? Over to Claudia. I have three | :12:07. | :12:17. | |
:12:17. | :12:19. | ||
ecstatic couples with me here. So Anita, look at your face. No. No. | :12:19. | :12:23. | |
You were in the bottom two last week and your little face when Tess | :12:23. | :12:27. | |
said your name. I was called out first. Thank you. | :12:27. | :12:32. | |
Thank you. Thank you. APPLAUSE | :12:32. | :12:35. | |
Did you think this might be your time to go? I thought, you know, | :12:35. | :12:40. | |
maybe, yeah. All week I have been thinking, but this guy got me | :12:40. | :12:43. | |
through so I'm really happy. Thank you. | :12:43. | :12:48. | |
Congratulations. Robbie, how was it for you opening the biggest show | :12:48. | :12:56. | |
Strictly has ever done? Were you terrified? Did you love it? But it | :12:56. | :13:02. | |
was the most amazing experience. That was Better than playing in a | :13:02. | :13:05. | |
Carling Cup Final in front of 100,000 people. | :13:05. | :13:10. | |
You are adorable. You know, I was one of the most | :13:10. | :13:14. | |
most hated footballers in the world, but the public must be doing | :13:14. | :13:16. | |
something for us. Thank you very much. | :13:16. | :13:24. | |
You look emotional. Don't cry, Robbie. | :13:24. | :13:28. | |
You are so sweet. Alex, joint top of the leaderboard. | :13:28. | :13:32. | |
What happened? Were you over the moon? I am not often speechless, | :13:32. | :13:35. | |
but that was one of those times. The Strictly experience has been | :13:35. | :13:41. | |
superb, but I never thought nine would be even possible. I didn't | :13:41. | :13:51. | |
:13:51. | :13:57. | ||
think a seven would be possible! LAUGHTER | :13:57. | :13:59. | |
What bigger way than to celebrate being at Wembley than a performance | :13:59. | :14:00. | |
being at Wembley than a performance from the mighty James Morrison and | :14:00. | :14:10. | |
:14:10. | :14:19. | ||
the outstanding Jessie J. # How can I find you | :14:19. | :14:23. | |
# When you're always hiding from yourself | :14:23. | :14:28. | |
# Playing hide and seek with me # Till it gets too dark | :14:28. | :14:35. | |
# Too dark inside your shell # Why do I even try | :14:35. | :14:38. | |
# When you take me for granted # I should know better by now | :14:38. | :14:41. | |
# When you call I already hear that crashing sound | :14:41. | :14:47. | |
# As it all falls down # It's never too late to turn it | :14:47. | :14:53. | |
back around # Yeah, I know you can | :14:53. | :14:56. | |
# Don't bury your demons deep in the ground | :14:57. | :15:06. | |
:15:07. | :15:07. | ||
# When it all falls down # The only way is up, up, up | :15:07. | :15:17. | |
:15:17. | :15:18. | ||
# The only way is up, up # I watch your spirit break | :15:18. | :15:22. | |
# As it shatters into a million pieces | :15:22. | :15:27. | |
# Just like glass I see right through you | :15:27. | :15:30. | |
# And your parade of excuses # Feels like groundhog day | :15:30. | :15:34. | |
# You say the same things over and over | :15:34. | :15:42. | |
# There's that look in your eye # And I hear that crashing sound | :15:42. | :15:48. | |
# As it all falls down # It's never too late to turn it | :15:48. | :15:53. | |
back around # Yeah, I know you can | :15:53. | :15:57. | |
# Don't bury your demons deep in the ground | :15:57. | :16:07. | |
:16:07. | :16:07. | ||
# When it all falls down # The only way is up, up, up | :16:07. | :16:17. | |
:16:17. | :16:20. | ||
# The only way is up, up # It's your love that's strong | :16:20. | :16:22. | |
# It's the only thing that keeps me holding on | :16:22. | :16:26. | |
# It's your heart that's weak # But it's not too weak to bring | :16:26. | :16:36. | |
:16:36. | :16:37. | ||
you back to me # It's never too late to turn it | :16:37. | :16:42. | |
back around # Yeah, I know you can | :16:42. | :16:46. | |
# Don't bury your demons deep in the ground | :16:46. | :16:56. | |
:16:56. | :16:57. | ||
# When it all falls down # It's never too late to turn it | :16:57. | :17:03. | |
back around # Never too late | :17:03. | :17:13. | |
:17:13. | :17:15. | ||
# The only way is up # The only way is up, up, up | :17:15. | :17:25. | |
:17:25. | :17:44. | ||
# The only way is up, up CHEERING AND APPLAUSE | :17:44. | :17:50. | |
Absolutely brilliant. It is time to welcome the judges'. | :17:50. | :17:55. | |
Thank you for joining me in this area. Of course, we can't do this | :17:55. | :18:05. | |
:18:05. | :18:08. | ||
section alone. We need to be joined by... Len's, Len's. | :18:08. | :18:11. | |
Len's lens managed to pick up certain details. I have got | :18:11. | :18:16. | |
surprises for the gang. First up, this is you, lovely Craig, arriving, | :18:16. | :18:22. | |
flying through the air. Here is a close up. Ah, that is delightful. | :18:22. | :18:28. | |
Look at you properly going for it. Ten out of ten! | :18:28. | :18:35. | |
APPLAUSE Oh yes. | :18:35. | :18:40. | |
Amazing. Amazing, of course, you did rehearse this last week. Let's | :18:40. | :18:43. | |
just have a clip of that. Here we go. You have just finished | :18:43. | :18:47. | |
rehearsing. Who comes to join you? You have got a special guest. Who | :18:47. | :18:57. | |
:18:57. | :19:04. | ||
is it? Who is it? APPLAUSE | :19:04. | :19:07. | |
I have got to tell you, Craig, while Brian was at the judging desk, | :19:07. | :19:08. | |
he recorded a second message for you. | :19:08. | :19:18. | |
:19:18. | :19:20. | ||
Craig, you really need to work on your singing. I am shocked and | :19:20. | :19:23. | |
horrified. Len, we are going to talk to you, | :19:23. | :19:26. | |
but before we do, we have a wonderful clip from Saturday night. | :19:26. | :19:32. | |
This is you and Craig thinking you're not being filmed! Here we go. | :19:32. | :19:39. | |
Look at you. Oh, all snuggled. Look at you. | :19:39. | :19:49. | |
:19:49. | :19:53. | ||
Twirling, heel-lead no doubt. APPLAUSE | :19:53. | :19:56. | |
Now Len, I would love to talk to you about Robbie and Ola, they | :19:56. | :19:58. | |
started off the show on Saturday night. We have fantastic slow-mo of | :19:59. | :20:01. | |
his leap frog. Here he goes, running, running. | :20:01. | :20:07. | |
running, running. Here we go, here we go. | :20:08. | :20:12. | |
He went or it? He could have ruined his prospects there, I'm telling | :20:12. | :20:18. | |
you. I'm telling you, it was touch and go, if she could have had a | :20:18. | :20:22. | |
crossan or whatever it was, but what a great start to the show. | :20:22. | :20:26. | |
Full on. I believe it is not a croissant! | :20:26. | :20:32. | |
But let's call it that from now. Alesha, let's talk about Jason's | :20:32. | :20:39. | |
jive. Can we look at this bit? Fabulous on time, would you believe. | :20:39. | :20:43. | |
He is incredible. The jive is a test of your stamina and he kept | :20:43. | :20:47. | |
the energy from start to finish. Yes, he made a mistake, but he | :20:47. | :20:50. | |
picked himself up and he carried on and it didn't take away from the | :20:50. | :20:54. | |
fact that it it is an incredible jive to watch. There was a lot of | :20:54. | :20:59. | |
expectation on this jive as well. Closing it in style. | :20:59. | :21:03. | |
The pressure, it was enormous. I want to you talk to you, please, | :21:03. | :21:11. | |
Craig about Harry and Aliona. You liked his armography! | :21:11. | :21:14. | |
I did, indeed. I have no idea what that means. | :21:14. | :21:24. | |
:21:24. | :21:24. | ||
Let's look at a slow-mo clip. That's armography. This was | :21:25. | :21:33. | |
fantastic. APPLAUSE | :21:33. | :21:36. | |
When you look at that, do you regret the eight? No, if he had a | :21:36. | :21:40. | |
little bit more rotation in the hip, I could have given him more, but | :21:40. | :21:45. | |
sadly it was missing, the back-step, wean it, Len? It was, indeed | :21:45. | :21:49. | |
Bruno, one of my favourite clips. This is you getting into the medley | :21:49. | :21:54. | |
at the beginning. Look at you. Look at you. | :21:54. | :21:56. | |
LAUGHTER It gets better. Here we go. Here we | :21:56. | :22:06. | |
:22:06. | :22:09. | ||
Bruno Tonioli still has got it! Watch what you do to Alesha. Stay | :22:09. | :22:19. | |
:22:19. | :22:28. | ||
I have a gift for all of us, for you four and for the arena. | :22:29. | :22:33. | |
This is only going to make you laugh more. Here is, we always end | :22:33. | :22:38. | |
with him, the Grant! Have a look. Look at his face. Look, | :22:38. | :22:48. | |
:22:48. | :22:58. | ||
Flavia, hand stand, head-stand, peek-a-boo! | :22:58. | :23:08. | |
:23:08. | :23:11. | ||
LAUGHTER Let's hear it for the judges. | :23:11. | :23:13. | |
APPLAUSE We have seen our three couples make | :23:13. | :23:16. | |
a success of Wembley, but who will be joining them? | :23:16. | :23:24. | |
Who is in danger? Who is safe? It is time to find out. | :23:24. | :23:34. | |
:23:34. | :23:35. | ||
In no particular order, dancing again next Saturday are... | :23:35. | :23:45. | |
:23:45. | :23:47. | ||
Chelsee and Pasha. CHEERING AND APPLAUSE | :23:47. | :23:57. | |
:23:57. | :24:05. | ||
Thank you. Also safe are... | :24:05. | :24:15. | |
:24:15. | :24:23. | ||
Harry and Aliona. CHEERING AND APPLAUSE | :24:24. | :24:26. | |
So that means Jason and Kristina and Holly and Artem, one of you is | :24:26. | :24:28. | |
safe. One of you is in the bottom two. | :24:28. | :24:38. | |
:24:38. | :24:40. | ||
I can reveal that the couple in the bottom two tonight is... | :24:40. | :24:50. | |
Holly and Artem. Jason and Kristina, congratulations, | :24:50. | :24:56. | |
you're through to next week. Alesha, we started this competition | :24:56. | :25:00. | |
with 14 couples. Next week we will be down to seven. Do you think | :25:00. | :25:05. | |
Holly and Artem deserve a place amongst them? 100%. Holly and Artem | :25:05. | :25:08. | |
deserve to be in the top seven. They are one of the strongest | :25:08. | :25:12. | |
couples in the competition. They have had a difficult couple of | :25:12. | :25:16. | |
week's with Artem's injury. I hope if they survive that they come back | :25:16. | :25:22. | |
fighting strong because I believe Holly can go go all the way. I | :25:22. | :25:25. | |
don't want her to lose confidence because of this. | :25:25. | :25:29. | |
Big surprises tonight. Thanks, Alesha. Over to you, Claudia. | :25:29. | :25:33. | |
Thank you, Tess. They are a multinational quartet who put the | :25:34. | :25:40. | |
pop into opera. Here to perform time to say Goodbye, give it up for | :25:40. | :25:50. | |
:25:50. | :26:05. | ||
CHEERING AND APPLAUSE # Quando sono solo | :26:05. | :26:15. | |
# Sogno all'orizzonte # E mancan le parole | :26:15. | :26:25. | |
:26:25. | :26:38. | ||
# Si lo so che non c'e luce # In una stanza | :26:38. | :26:48. | |
:26:48. | :26:48. | ||
# Quando manca il sole # Time to say goodbye | :26:48. | :26:58. | |
:26:58. | :27:06. | ||
# Horizons are never far # If I live on this life with pride | :27:06. | :27:10. | |
# It's time to say goodbye # Quando sei lontana | :27:10. | :27:14. | |
# Sogno all'orizzonte # E io si lo so | :27:14. | :27:24. | |
:27:24. | :27:25. | ||
# Che sei con me con me # Con me con me | :27:25. | :27:35. | |
:27:35. | :27:40. | ||
# Time to say goodbye # Horizons are never far | :27:40. | :27:50. | |
# If I live on this land with pride # Holding eternal love in my heart | :27:50. | :27:58. | |
# I will go # On ships over seas that I now | :27:58. | :28:08. | |
:28:08. | :28:09. | ||
know # No, they don't exist any more | :28:09. | :28:15. | |
# It's time to say goodbye # So with you | :28:15. | :28:20. | |
# I will go # On ships over seas that I now | :28:20. | :28:30. | |
:28:30. | :28:33. | ||
know # No they don't exist any more | :28:33. | :28:43. | |
:28:43. | :29:15. | ||
Tonight's bottom two couples are here. Russell, we are shocked, are | :29:16. | :29:21. | |
you shocked? No, not at all. I've got to Wembley. That was always my | :29:21. | :29:27. | |
goal. It was fantastic. CHEERING AND APPLAUSE You are so | :29:27. | :29:33. | |
sweet. Being fired out of the canon at Wembley. How does that rate in | :29:33. | :29:36. | |
lifetime achievements? It is just one of the best things that ever | :29:36. | :29:40. | |
happened to me and I thought I would be gone by Octoberish and | :29:40. | :29:47. | |
here I'm in the middle of November. I'm in Wembley, I'm in Middlesex, | :29:47. | :29:54. | |
my home county and I'm with friends and I'm happy. | :29:54. | :29:55. | |
APPLAUSE Holly, this is also another shock. | :29:55. | :30:04. | |
Did you foresee this? A little bit. I had a niggling feeling and I told | :30:04. | :30:08. | |
Russell and I hoped he could tell me. We have worked so hard and it | :30:08. | :30:13. | |
has been the most amazing journey. If it ended on a night like this, | :30:13. | :30:17. | |
it is not too bad. This is magic. We just loved it. | :30:18. | :30:20. | |
Russell or Holly is about to leave the competition. We don't want | :30:20. | :30:23. | |
either of them to leave, do we, Wembley? | :30:23. | :30:29. | |
AUDIENCE: They are very obedient. Here is | :30:29. | :30:34. | |
what we love about them. I'm loving doing Strictly. It is | :30:34. | :30:40. | |
wonderful. I love getting up on Monday and starting a new challenge, | :30:40. | :30:44. | |
a new dance and I'm around adorable people. I'm so happy that I have | :30:44. | :30:48. | |
Artem as a partner, he pushes me to get better. I'm in the Strictly | :30:48. | :30:54. | |
bubble right now and should the bubble burst, I will be gutted and | :30:54. | :30:57. | |
not being part of it will break my heart. | :30:57. | :31:02. | |
You know my Strictly experience has been just so amazing. There is a | :31:02. | :31:08. | |
lot of love I feel out there which is happening for every week thav | :31:08. | :31:14. | |
been on. It is like willing you to go on. | :31:14. | :31:20. | |
It taught me about friendship, love, and music and happiness. You know | :31:21. | :31:30. | |
:31:31. | :31:37. | ||
what I would miss if I I was voted out? Everything and everyone. | :31:37. | :31:38. | |
APPLAUSE Russell and Flavia and Holly and | :31:38. | :31:40. | |
Artem, one of you is about to leave the competition for good. | :31:40. | :31:49. | |
It is the moment of truth. Russell, Len said, "I don't care | :31:49. | :31:54. | |
how many great dances they have and how many series of Strictly there | :31:54. | :32:01. | |
are, people will always say, do you remember when when Russell Grant | :32:01. | :32:08. | |
flew out of that canon?" Holly, Bruno said you are like a | :32:08. | :32:14. | |
thoroughbred, not quite broken in. But did the public agree? | :32:14. | :32:24. | |
I can now reveal that the couple leaving tonight is... | :32:24. | :32:31. | |
Russell and Flavia. APPLAUSE | :32:31. | :32:34. | |
I have had a lovely time, darling. Absolutely wonderful. Thank you so | :32:34. | :32:40. | |
much. We will see you next week. | :32:40. | :32:42. | |
APPLAUSE Russell and Flavia. | :32:42. | :32:45. | |
Well done, baby. Come and join me my darlings. | :32:45. | :32:55. | |
:32:55. | :32:55. | ||
Come on over. Come on over. In fact, a stand ovation -- a standing | :32:55. | :32:59. | |
ovation every sing m week that they dance -- every single week that | :32:59. | :33:07. | |
they danced. Russell, what has been your Strictly highlight? I know | :33:07. | :33:11. | |
every show I have done has been a highlight. It has been fantastic. | :33:11. | :33:16. | |
The public have been great. The audiences have been great. I have I | :33:17. | :33:20. | |
have learnt from the judges. I have listened to the judges, but most of | :33:20. | :33:25. | |
all, I have had the most fantastic partner in Flavia Cacace. | :33:25. | :33:29. | |
Absolutely. CHEERING AND APPLAUSE | :33:30. | :33:32. | |
Is there anything you would like to say to Russell? I would just like | :33:32. | :33:36. | |
to say, and I completely agree with everyone out there who loves you, | :33:36. | :33:39. | |
because you are a true inspiration and it has been a pleasure and joy | :33:39. | :33:45. | |
partnering you. Thank you, my angel. | :33:45. | :33:53. | |
Russell it has been a pleasure. Off you go. | :33:53. | :33:59. | |
I hope it is a good number. Russell and Flavia made it to | :33:59. | :34:06. | |
Wembley and can leave with their heads held high. They will be | :34:06. | :34:10. | |
joining Zoe Ball for Strictly Come joining Zoe Ball for Strictly Come | :34:10. | :34:14. | |
Dancing: It Takes Two on Monday. For the latest, please go to the | :34:14. | :34:19. | |
website and you can follow Strictly on Twitter. | :34:19. | :34:25. |