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Last weekend Wembley played host to the biggest ever Strictly on record. | :00:16. | :00:26. | |
:00:26. | :00:27. | ||
Over 6,000 people in the arena. It was bolder, louder, faster and | :00:27. | :00:37. | |
:00:37. | :00:41. | ||
higher than ever before! But our cuddly cannonball's explosive | :00:41. | :00:44. | |
entrance blasted him out of the ballroom for good. This week our | :00:44. | :00:48. | |
stars have been on their best behaviour in front of her Royal | :00:48. | :00:57. | |
Highness the Duchess of Cornwall. Tonight, our magnificent 7 are | :00:57. | :01:05. | |
coming out all guns blazing. They're tackling not one, but... | :01:05. | :01:12. | |
Two dances this week. Oh my God, two. I am scared of it. It's back, | :01:12. | :01:18. | |
more brutal than after, the Strictly swingathon. So, sharpen | :01:18. | :01:24. | |
those elbows, and get ready for some ballroom Archie bargy. This is | :01:24. | :01:34. | |
:01:34. | :02:10. | ||
Strictly Come Dancing 2011. Bring Live from Television Centre, please | :02:10. | :02:18. | |
welcome your hosts, Sir Bruce Forsyth and Tess Daly. | :02:18. | :02:28. | |
:02:28. | :02:36. | ||
I have got her! Thank you. APPLAUSE AND CHEERING. What a | :02:36. | :02:46. | |
:02:46. | :02:48. | ||
lovely crowd. Aren't they just! Thank you so much. Just a minute! | :02:48. | :02:53. | |
And sit down, I didn't tell you to stand up, sit down! In case people | :02:53. | :02:56. | |
get the wrong impression. Good evening, ladies and gentlemen, and | :02:56. | :03:00. | |
children, welcome to Strictly Come Dancing. It's nice to see you, to | :03:00. | :03:08. | |
see you... AUDIENCE: Mice! It's nice to see you, Bruce. Wasn't | :03:08. | :03:11. | |
Wembley great? I loved it, after the show hundreds of people came | :03:11. | :03:17. | |
down on to the floor and lined up for our autographs, judges, dancers, | :03:17. | :03:24. | |
us. No, it was fantastic. One little lady came up and she said | :03:24. | :03:27. | |
can I have your autograph, Sir Bruce. I said, of course, my dear. | :03:27. | :03:32. | |
Are you a big fan? She said, no, I wanted to get home and the queue | :03:32. | :03:42. | |
:03:42. | :03:45. | ||
for you was the shortest. LAUGHTER. Last week Wembley was a wonderful | :03:45. | :03:49. | |
away day but now our seven wonders of the ballroom world are back here | :03:49. | :03:53. | |
on home soil where it matters most. Yes, the competition is getting | :03:53. | :03:58. | |
serious. All our couples are now contenders for the glitterball | :03:58. | :04:03. | |
trophy. Tonight they're dancing not once, but twice. Not only do invest | :04:03. | :04:09. | |
a face or ballroom or Latin routine, they've have to face the chaos of | :04:09. | :04:13. | |
the swingathon. All the couples are dancing to impress at the same time. | :04:13. | :04:19. | |
It could be carnage. I love a bit of carnage. Now it's time to meet | :04:19. | :04:29. | |
:04:29. | :04:29. | ||
Apology for the loss of subtitles for 49 seconds | :04:29. | :05:18. | |
APPLAUSE AND CHEERING. Look at them! There they are. I | :05:19. | :05:23. | |
just would like to say you have all bonded so well overed weeks and you | :05:23. | :05:28. | |
are all such good friends now. And I just know there will be sadness | :05:28. | :05:33. | |
in your hearts as you trample over each other to get to the final! I | :05:33. | :05:37. | |
just know it's going to happen, you can see it in their eyes. Tonight, | :05:37. | :05:41. | |
as always, our judges will be scoring and the couples will be | :05:41. | :05:44. | |
ranked on the leaderboard. Those scores will then be combined with | :05:44. | :05:49. | |
your votes and, sadly, one couple's ballroom bubble will burst. If you | :05:49. | :05:54. | |
are a digital viewer you can press the red button for live commentary. | :05:54. | :06:02. | |
We have Karen Hardy and this week with her Sara Cox. Hello! Our first | :06:02. | :06:10. | |
couple is Anita Dobson and her partner Brendan. APPLAUSE. | :06:10. | :06:18. | |
There they are. Brendan is back. This week Anita is dancing with | :06:19. | :06:26. | |
Brendan because Robin has an injury. She can do this because Brendan is | :06:26. | :06:30. | |
not on stand-by to dance with Holly any more, because Artem is better. | :06:30. | :06:34. | |
Although the week before Brendan did dance with Holly which he could | :06:34. | :06:39. | |
do because he wasn't dancing with Lulu. Although next week if Anita | :06:40. | :06:47. | |
gets through she will be back dancing with Robin. And Brendan | :06:47. | :06:53. | |
will be dancing with is anyone's guess. I am worn out! Me too. | :06:53. | :06:59. | |
hope that's cleared that up. Any questions? No questions. I know you | :06:59. | :07:09. | |
:07:09. | :07:14. | ||
have! You hope it might be you. Seeing 6,000 people so pleased to | :07:14. | :07:21. | |
see us all there was just joyful. I just thought you will never get | :07:21. | :07:30. | |
this opportunity again. You come out and you give it 100%. Bundles | :07:30. | :07:37. | |
of energy and creative party atmosphere. I have played Wembley, | :07:37. | :07:41. | |
I have danced with this fantastic dancer. That's the jewel in the | :07:41. | :07:47. | |
Crown. The competition's getting really | :07:47. | :07:52. | |
serious now and Robin's hurt his foot. I am here in Charing Cross | :07:52. | :07:57. | |
Hospital for my severe foot infection. I don't know what I am | :07:57. | :08:05. | |
going to do. Hello. What! Yes, of course I will. | :08:05. | :08:11. | |
Whenever duty calls. # I need a hero... | :08:12. | :08:15. | |
It is I, Sir Brendan. Care to dance? It's been a very exciting | :08:15. | :08:19. | |
week. First of all, I have a new partner and we all had a very | :08:19. | :08:25. | |
special visit from her Royal Highness the Duchess of Cornwall. | :08:25. | :08:29. | |
Nice to see you again. It's been a while. You are a huge example, if I | :08:29. | :08:36. | |
may say so, for our generation. watched some of us rehears and | :08:36. | :08:40. | |
kindly awarded my efforts a nine, but she did give everyone a nine. | :08:40. | :08:44. | |
Tonight I am going to give the cha- cha my very best for Robin. Get | :08:44. | :08:52. | |
well soon, please. Dancing the cha-cha-cha, Anita | :08:52. | :09:02. | |
:09:02. | :09:02. | ||
Apology for the loss of subtitles for 49 seconds | :09:02. | :10:47. | |
APPLAUSE AND CHEERING. Well done you, fantastic! How about | :10:47. | :10:52. | |
it! Look, Anita. Look what you have done to this crowd. And Brendan, | :10:52. | :10:58. | |
what a start. Absolutely marvellous. A great start. OK, sit yourselves | :10:58. | :11:07. | |
down. I wouldn't mind but she only went in for a service. Now then... | :11:07. | :11:12. | |
Cheeky! While you get your breath back, it's a good time to welcome | :11:12. | :11:19. | |
our fabulous singers, Dave Arch and his wonderful, wonderful orchestra. | :11:19. | :11:23. | |
APPLAUSE. Lovely, and not forgetting our judges, come on! | :11:24. | :11:29. | |
APPLAUSE. And after the show last week you | :11:29. | :11:33. | |
might have seen it on the results show, Len was dancing with Craig. | :11:33. | :11:39. | |
Did you see that? Len, it was very funny. And Craig, you need to work | :11:39. | :11:49. | |
:11:49. | :11:50. | ||
on your heel leads and your arm placement, darling. Darling, arm | :11:50. | :11:54. | |
placement all over the shop. What did you think of this? Let me first | :11:54. | :11:59. | |
of all commend you on coming to the aid of a damsel in distress. Not | :11:59. | :12:03. | |
only that, I thought you did a great rue tune, it was full of -- | :12:03. | :12:07. | |
routine. It was full of content. The cha-cha is a difficult chance | :12:07. | :12:11. | |
and -- dance and you came ut out and showed your personality. There | :12:11. | :12:15. | |
was a bit you were solo, you are a great actress and it came out in | :12:16. | :12:20. | |
this dance. Straighten your legs a bit more and you will get more hip | :12:20. | :12:27. | |
action. Wish I had tried that years ago as well! Alesha? I have similar | :12:27. | :12:30. | |
issues with this dance to what I had last week. It was a little bit | :12:30. | :12:35. | |
messy in places. I am still not sure if you are entirely in body, | :12:35. | :12:39. | |
and the dance through your body. A lot is in your face and is it did | :12:39. | :12:44. | |
lack a little bit of tension, but it was cute, pleasant. Len is right | :12:44. | :12:48. | |
you coped really well. The partner change hasn't tpaebgtd you -- | :12:48. | :12:51. | |
affected you either. I commend you for that. Overall, you have done a | :12:51. | :13:00. | |
very good job. Good point. To dance with someone new. Bruno? Anita, the | :13:00. | :13:04. | |
Uptown Girl doesn't mind a bit of grease! There's still plenty of | :13:04. | :13:08. | |
fuel in the tank. It was bright, lively, great variety of steps. | :13:08. | :13:13. | |
Plenty of content. The chemistry with Brendan, Brendan goes with | :13:13. | :13:19. | |
everything! It's like parmesan, tastes good anywhere. You stretch | :13:19. | :13:24. | |
the back of the leg and then you will get a bit more precision but I | :13:24. | :13:32. | |
really enjoyed it. Well done. Thank you. Now then, Craig? For me it | :13:32. | :13:35. | |
lacked pressure on the balls to the floor, therefore the leg | :13:35. | :13:39. | |
straightening would have helped. Len is absolutely right. There was | :13:39. | :13:44. | |
a lack of sharpness, I am afraid in your finishes, which is unfortunate. | :13:44. | :13:51. | |
Also, there was no true dynamic to it. For me, that was what was | :13:51. | :13:54. | |
missing. You have fantastic turns, though. They are absolutely | :13:54. | :14:04. | |
brilliant. APPLAUSE. You were dynamic to all of us. You were, | :14:04. | :14:13. | |
well done again. You are getting to be irreplacable! | :14:13. | :14:23. | |
APPLAUSE. Come on, my little darling. Are you | :14:23. | :14:27. | |
happy Brendan came to your rescue? I am, it's been an amazing week. | :14:27. | :14:32. | |
Thank you so much. My pleasure, doing it for you and Robin. How is | :14:32. | :14:36. | |
Robin doing? He sounded much better when I spoke to him last and he | :14:36. | :14:40. | |
said it's frustrating being at home and in the being here. I bet it is. | :14:40. | :14:42. | |
Bruno said plenty of fuel in the tank. You are going to need that | :14:42. | :14:48. | |
later, what are the tactics for the swingathon? Anything goes. Least of | :14:48. | :14:51. | |
all stamina, because these guys are going to be having to watch out, | :14:51. | :14:56. | |
isn't that right?! Keep the routine going, boys and girls. The scores | :14:56. | :15:06. | |
:15:06. | :15:22. | ||
30. Now, a message from Robin, he says I am so overwhelmingly proud | :15:22. | :15:28. | |
of Anita, that was fabulous. It's so hard being this side of the TV. | :15:28. | :15:32. | |
Come back soon! We all wish you a speedy recovery, Robin. Thank you | :15:32. | :15:38. | |
very much. If you want to dial the number call: The lines open later | :15:38. | :15:44. | |
if you want Anita to get VIP tickets through to next Saturday. | :15:44. | :15:47. | |
Please don't call until lines are open, if you do your vote won't | :15:47. | :15:53. | |
count and you may be charged. The couple with the lowest scores and | :15:53. | :15:56. | |
votes will leave the competition. We have seven stars left, they're | :15:56. | :16:00. | |
all magnificent, but who will be going ye-ha tomorrow night? Over to | :16:00. | :16:06. | |
you, Bruce. Thank you, Tess! For our next couple, Holly Valance and | :16:06. | :16:14. | |
her partner Artem. APPLAUSE. Now then, last week Holly was in the | :16:14. | :16:18. | |
bottom two. I said, are you going to be able to come back fighting? | :16:18. | :16:22. | |
She said, of course I am. I am an Australian, Bruce. I said no, Holly, | :16:22. | :16:32. | |
:16:32. | :16:34. | ||
you are an Australian Sheila. LAUGHTER. It even made Craig laugh! | :16:34. | :16:37. | |
An Australian Bruce is a man. I would have thought she would have | :16:38. | :16:46. | |
known that. Here they are in The energy that comes with dancing | :16:46. | :16:50. | |
in a place like Wembley, you can't really describe it. I wish we could | :16:50. | :16:55. | |
perform to this lot every week. times you are thrilling and at | :16:55. | :16:59. | |
times you are maddening! It's getting frustrating hearing the | :16:59. | :17:02. | |
same comments each week. I think I am too relaxed about things. | :17:02. | :17:07. | |
Getting into the bottom two it made for an exciting night. I thought I | :17:07. | :17:17. | |
was going out, but I got saved! Every week I get fairly similar | :17:17. | :17:21. | |
critique. You got to go for it. Holly needs to get over trying to | :17:21. | :17:31. | |
:17:31. | :17:32. | ||
be safe. OK try full out this time. That was. I don't know why I can't | :17:32. | :17:38. | |
let go. Until this one time in high school. | :17:38. | :17:48. | |
Hi. Hey. Do you want to dance? way. Your dancing is too crazy. Not | :17:48. | :17:58. | |
cool. That's why I struggle a bit sometimes. It's OK. Just let it go | :17:58. | :18:05. | |
for the foxtrot. Holly is working really hard this week. Better, you | :18:05. | :18:08. | |
did well. Think of that. I am hoping this is going to be the | :18:08. | :18:15. | |
dance where the judges see me finally giving it all I got. | :18:15. | :18:25. | |
:18:25. | :18:25. | ||
Apology for the loss of subtitles for 49 seconds | :18:25. | :19:58. | |
Dancing the foxtrot, Holly Valance APPLAUSE AND CHEERING. | :19:59. | :20:08. | |
Holly, Holly, come on, look at this! Enjoy it! Artem, how are you | :20:08. | :20:13. | |
feeling, all right? Great. I tell you, great. Alesha, what did you | :20:13. | :20:21. | |
think? Seductive foxtrot. I loved the beginning, I have to be honest | :20:21. | :20:25. | |
when I heard this song I wasn't sure it would work work with this | :20:25. | :20:31. | |
style, but it did, you totally owned it. Well done. Right, now | :20:31. | :20:39. | |
then, Bruno? Holly! You sassy teaser. The beginning was like | :20:39. | :20:48. | |
Gypsy Rose Lee. You did it. Then you pulled back, a bit distant and | :20:48. | :20:53. | |
cold and you give the heat back on. Breathtaking, sexy, hot. Everything | :20:53. | :20:59. | |
I wanted from you. That's the way to go. APPLAUSE. Absolutely. You | :20:59. | :21:02. | |
didn't know you could be sophisticated, did you? She didn't | :21:02. | :21:10. | |
know. Craig? I was extremely concerned when the music cracked on, | :21:10. | :21:14. | |
I thought there's no way this is going to be a foxtrot. I thought it | :21:14. | :21:20. | |
was an extremely detrimental track to pick or choose for it. But you | :21:20. | :21:30. | |
:21:30. | :21:30. | ||
know what, I thought it was fantastic! Well done. Yeah, you | :21:30. | :21:36. | |
surprised us all then. Len, what did you think? Well, you know, | :21:37. | :21:44. | |
there was a time I would go out and give it all, for me this is what - | :21:44. | :21:48. | |
listen, the foxtrot you did was good, I liked it. It was nice and | :21:48. | :21:53. | |
basic. But you see when you watch dancing, and I am not saying that I | :21:53. | :21:58. | |
didn't like the dance, because I did, but your eyes are looking at | :21:58. | :22:02. | |
one thing and your ears are taking in something else, because of the | :22:02. | :22:07. | |
music. For me, it just disturbed me a little bit. I would have... Well, | :22:07. | :22:14. | |
it did. I am a timewatch in a digital age, I guess. I would have | :22:14. | :22:17. | |
preferred it if it had been a traditional foxtrot. However, what | :22:17. | :22:24. | |
I saw of the foxtrot I liked. Well done. I don't know what that meant. | :22:24. | :22:34. | |
:22:34. | :22:39. | ||
It was wonderful. We loved it. Come on! APPLAUSE AND CHEERING. | :22:39. | :22:44. | |
Scorching hot in red! Amazing. You owned it said Alesha. Did you feel | :22:44. | :22:47. | |
you had a point to prove after last week? I just wanted to have more | :22:47. | :22:50. | |
fun and let go and do all the things the judges have been telling | :22:50. | :22:53. | |
me to do. I think we did. You took that advice and you ran with it. | :22:53. | :23:00. | |
Yeah. Fantastic. That's what Craig said. Very impressed. The scores | :23:00. | :23:10. | |
:23:10. | :23:35. | ||
APPLAUSE. Hot score. Make a note of this number. They're saying go on | :23:35. | :23:40. | |
Holly! We started with 14, we are down to seven, but who feels lucky | :23:40. | :23:46. | |
tonight? Who is going to get your vote? Back to you, Bruce. Thank you. | :23:46. | :23:55. | |
For our next couple, Alex Jones and her partner James. APPLAUSE. | :23:55. | :24:00. | |
Lovely, lovely. Alex is desperate to get through to next week. I said | :24:00. | :24:04. | |
is that because you want to be one step nearer the final? She said no, | :24:04. | :24:08. | |
it will be my turn to dance with Brendan. | :24:08. | :24:18. | |
:24:18. | :24:21. | ||
Is that what you said? Here they Intense is probably the word to | :24:21. | :24:25. | |
describe Wembley. Nerve-racking and the best experience all rolled into | :24:25. | :24:30. | |
one. I remember being amazed at these comments that were sort of | :24:30. | :24:34. | |
coming out of Craig's phoult. mouth. It was sharp, theatrical, | :24:34. | :24:40. | |
all those wonderful things. When the nines started coming I | :24:40. | :24:43. | |
literally thought I was going to pass out. To have a score like that, | :24:43. | :24:46. | |
I mean, that's just something I never thought that we would achieve | :24:46. | :24:56. | |
:24:56. | :24:56. | ||
as a couple. Every week I am like can we do the | :24:56. | :25:00. | |
Charleston. No, we can't. But this week we are doing the Charleston. | :25:00. | :25:04. | |
We came in with with lots of confidence and then we started to | :25:04. | :25:13. | |
teach Alex the dance. And it's... Yeah... Almost, almost. It looked | :25:13. | :25:16. | |
awful, but you were almost right with the steps. The dream dance is | :25:16. | :25:20. | |
turning into a bit of a nightmare. I know what I have done wrong there. | :25:20. | :25:29. | |
It's like somebody's put a rocket up my bum. The hands are moving, | :25:29. | :25:31. | |
the legs are moving at the same time, but in different directions. | :25:31. | :25:37. | |
My body went this way and my hands that way. It's kind of like doing | :25:37. | :25:45. | |
this. No, that. You know what I mean! That arm scares me. Last week | :25:45. | :25:52. | |
we were top of the leaderboard, but this week, well, who knows? | :25:52. | :26:02. | |
:26:02. | :26:02. | ||
Apology for the loss of subtitles for 49 seconds | :26:02. | :27:52. | |
Dancing the Charleston, Alex Jones APPLAUSE AND CHEERING. | :27:52. | :28:02. | |
Three standing ovations tonight! Look at it! How about you two, what | :28:02. | :28:09. | |
a night. Three standing ovations we have had. Thank you. Well done, | :28:09. | :28:19. | |
Alex and James. Bruno? It's Alex the funny girl! It had a good old | :28:19. | :28:23. | |
sraudville feel. I love the goofiness you put in, the swing, up | :28:23. | :28:27. | |
and down, legs in the air. A couple of things, you lost timing a couple | :28:27. | :28:33. | |
of times. It has to be like scissors on the swivel. But so | :28:33. | :28:38. | |
funny, it's great to see the funny side of you. It is lovely to see | :28:38. | :28:44. | |
the funny side. Craig? Are we going to see the funny side of you? | :28:45. | :28:52. | |
Never! No, darling. I felt you took a major step backwards tonight. | :28:52. | :28:59. | |
no! I will tell you why, precision and finishes, lack of swivel when | :28:59. | :29:02. | |
you needed it enormously. Not understanding the dance and the | :29:02. | :29:05. | |
extreme nature that one has to go to in this dance, if, for instance, | :29:05. | :29:10. | |
you are raising your shoulders it needs to be extreme. You know, the | :29:10. | :29:19. | |
whole dance is about extreme. I just felt it was mediocre. Oh, no! | :29:19. | :29:24. | |
Len, what what about you? I found it fun and entertaining. It was | :29:24. | :29:27. | |
enjoyable to watch. There was a lot going on. They're right to a degree, | :29:27. | :29:32. | |
it was lacking in the detail. Little things just needed to be | :29:32. | :29:36. | |
crisper. But we all enjoyed watching it. It was good fun. Well | :29:36. | :29:44. | |
done. It certainly was. Alesha is smiling. I thought it was quirky, | :29:44. | :29:47. | |
sweet, really funny. I knew this dance would suit you. It was almost | :29:47. | :29:50. | |
made for your personality. You two have developed such a great | :29:50. | :29:54. | |
partnership and it shows. And I really look forward to seeing you | :29:54. | :30:00. | |
dance every week. Good job, Alex. James, you are a team. Well done. | :30:00. | :30:10. | |
:30:10. | :30:12. | ||
Off you go. APPLAUSE AND CHEERING. The Charleston is a dance you have | :30:12. | :30:16. | |
wanted to do since day one, did you enjoy it? I did and I would love to | :30:16. | :30:22. | |
do it again. We have had a fun week. Bruno loved the goofiness. Craig | :30:22. | :30:27. | |
said major step backwards. That is harsh. Mediocre? Standing ovation | :30:27. | :30:31. | |
in the studio. Exactly. At the end of the day, of course the judges | :30:31. | :30:34. | |
are there, everyone else seems to be nice, it's just Craig to be | :30:34. | :30:39. | |
honest with you. He needs to get a sense of humour. The scores are in | :30:39. | :30:49. | |
:30:49. | :31:05. | ||
now, so you might want to take that 29. And lots of sshh from Alex to | :31:05. | :31:09. | |
James. I think it was better than that. This girl's never danced | :31:09. | :31:12. | |
before, where she is today - that was a difficult routine. She told | :31:12. | :31:17. | |
it and it was better than that score. What do you think? Jot down | :31:17. | :31:22. | |
this number. Phone later if you enjoyed Alex's | :31:22. | :31:26. | |
cheeky Charleston and you want her to be one of our our quart- | :31:26. | :31:30. | |
finalists next week. Who will survive that infamous swingathon? | :31:30. | :31:34. | |
It comes with a health warning, everybody on the floor at the same | :31:34. | :31:42. | |
time. Beware of flying limbs. Robbie Savage's nose. Oh! Back to | :31:42. | :31:48. | |
you, Bruce. What's going on up there tonight? Now our next couple, | :31:48. | :31:57. | |
Robbie Savage, talking of him, and his partner, Ola. APPLAUSE. | :31:57. | :32:03. | |
Robbie told me he's thinking of doing the BBC show Who Do You Think | :32:03. | :32:06. | |
You Are. I said good idea, but why that show? He said I like the idea | :32:06. | :32:16. | |
of a whole programme devoted to checking out my roots. LAUGHTER. | :32:16. | :32:23. | |
That's funny, isn't it! I thought that was a good one. Here they are | :32:23. | :32:32. | |
in training. # I am the one and only... I felt | :32:32. | :32:37. | |
like Robbie Will ams -- Williams on Saturday night. You opened the show | :32:37. | :32:40. | |
like it was your own rock concert. It was great entertainment and a | :32:40. | :32:48. | |
great start to the show. I gave it absolutely everything. Shirt ripped | :32:48. | :32:58. | |
:32:58. | :32:59. | ||
apart, leapfrogs, Ola over my head. It was all wild and savage. It was | :32:59. | :33:06. | |
entertaining, that's what people want. I delivered it. Next target: | :33:06. | :33:15. | |
Blackpool. I love being on Strictly, but as my parents can't make it to | :33:15. | :33:20. | |
the show, because my father is ill, we have decided to bring Strictly | :33:20. | :33:26. | |
to my parents. Something's missing. Never in a million years did I | :33:26. | :33:30. | |
think I would see him on Strictly Come Dancing, so I am totally over | :33:30. | :33:40. | |
:33:40. | :33:50. | ||
the moon. Ten. I was a bit of a Now you know where I get my bad | :33:50. | :33:54. | |
dancing from! He doesn't get any movement at all from me. I get it | :33:54. | :34:04. | |
:34:04. | :34:04. | ||
from the postman. Dancing the samba, Robbie Savage | :34:04. | :34:14. | |
:34:14. | :34:14. | ||
Apology for the loss of subtitles for 49 seconds | :34:14. | :35:53. | |
APPLAUSE AND CHEERING. A standing ovation! What a finish! | :35:53. | :36:03. | |
:36:03. | :36:04. | ||
There is the old team colours. Look at that. What did he say! Nothing, | :36:04. | :36:10. | |
I didn't think so. Craig, oh, what is he going to think of that? A | :36:10. | :36:15. | |
male stripper, I mean, I ask you. Craig, I can read it in your face. | :36:15. | :36:21. | |
Let's just start with the bounce, shall we, darling. It was way too | :36:21. | :36:25. | |
exaggerated, I am afraid. At least it was there. It made it look a | :36:25. | :36:29. | |
little bit unnatural because it was overdone. Your fingers, I am afraid, | :36:29. | :36:36. | |
are still looking like they belong in a ten pin bowling ball. Mostly | :36:36. | :36:41. | |
they've been rectified but especially in the running | :36:41. | :36:48. | |
promenades. And that last bit, darling the reveal to no avail, was | :36:48. | :36:55. | |
I think inessential. Got a wonderful reaction, though. Len? | :36:55. | :37:02. | |
Well, it was what you call a shamba. There was samba and a lot of good | :37:02. | :37:07. | |
content. You did well. The fall aways, the running with the peuf | :37:07. | :37:14. | |
peuf -- pivots. See then you somehow get possessed and you have | :37:14. | :37:19. | |
to reveal - it turns into Match of the Day all of a sudden. Just do it, | :37:19. | :37:27. | |
you do it good. Then you stick all that stuff in. LAUGHTER. Go on, | :37:27. | :37:34. | |
Len! Show us. I might pull something important. No, I can't. | :37:34. | :37:39. | |
think it's the first time we have seen a male dancer's legs on the | :37:39. | :37:44. | |
show, actually. Not that I am looking for it. Alesha, what did | :37:44. | :37:48. | |
you think, darling? I love that you are relaxed and having fun with | :37:48. | :37:51. | |
this competition. It's clearly having a positive effect on you, | :37:51. | :37:55. | |
which is wonderful. As far as the dance goes, some really nice | :37:55. | :37:58. | |
movements - there was nice movements in there and last week | :37:58. | :38:05. | |
was entertaining and this week was entertaining. Well done, Robbie. | :38:05. | :38:13. | |
Bruno? Robbie, that's an interesting look! I go for briefs | :38:13. | :38:19. | |
myself. It wasn't the lightest of samba. It was a bit heavy. It was | :38:19. | :38:24. | |
like a kangaroo with lead feet. I mean, you tried. It wasn't | :38:25. | :38:34. | |
:38:35. | :38:36. | ||
completely successful, but you can always go home stripping. Well done. | :38:36. | :38:44. | |
Such fun, off you go. APPLAUSE AND CHEERING. | :38:44. | :38:51. | |
Yes, the Savage samba! Dancing to You Sexy Thing, was that your idea? | :38:51. | :38:56. | |
Yes, it was his idea. Ignore Craig, I think the audience loved those | :38:56. | :39:05. | |
knees. Ola has been dancing for ten years now, I thought it was better | :39:05. | :39:09. | |
than that the judges scores, you have been dancing 20 years, I | :39:09. | :39:12. | |
thought it was a much better score than that. You deserve much better. | :39:12. | :39:22. | |
:39:22. | :39:36. | ||
Oh, thank you. He is a sent. -- 25 out of 40. Oh, dear. We all | :39:36. | :39:40. | |
thought it was entertaining and someone back there said great hand | :39:40. | :39:48. | |
placement. Don't know what they were talking about. Call this | :39:48. | :39:51. | |
number, if you enjoyed the samba and would like Robbie to dance | :39:51. | :39:58. | |
again next week. Talking of next week, you all have front row seats | :39:58. | :40:02. | |
for the movie special but all our stars are going to need an | :40:02. | :40:06. | |
admission ticket first and that's where your votes come in. Over to | :40:06. | :40:13. | |
you, Bruce. Thank you, Tess. Next up Chelsee and her partner Pasha. | :40:13. | :40:19. | |
APPLAUSE. Another great couple. Now they're doing the Argentine tango, | :40:19. | :40:25. | |
and for this dance Chelsee needs to be passionate. She asked me for | :40:25. | :40:30. | |
some advice and said what do you need to be passionate? I said a | :40:30. | :40:34. | |
week's notice. Don't laugh, it's not funny! It used to be five | :40:34. | :40:40. | |
minutes and I am dreading when it's a fortnight. Anyway, here they are | :40:40. | :40:44. | |
- I made myself laugh then! Haven't done that for years. Here they are | :40:44. | :40:54. | |
Walking on to the Wembley dancefloor was such a surreal sort | :40:54. | :40:57. | |
of feeling. When I seen the audience, I just thought what am I | :40:57. | :41:07. | |
doing here? Chelsee! To be joint top of the leaderboard, I don't | :41:07. | :41:12. | |
think I deserved to be there but if they want to put me there I am so | :41:12. | :41:17. | |
grateful. Tango requires a lot of passion. To be honest it's quite | :41:17. | :41:22. | |
cheesy and it's just not me. Passion. At the moment Chelsee | :41:22. | :41:27. | |
struggles a little bit. She sees me more as a brother and not that hot | :41:27. | :41:34. | |
guy she is lusting after. I am not saying it's just Pasha, I think in | :41:34. | :41:38. | |
general I am not really a passionate girl. Probably the only | :41:38. | :41:43. | |
girl that doesn't want you, if that makes you better. If I had the man | :41:43. | :41:47. | |
of my dreams I would found it easier. Who is your dream man? | :41:47. | :41:57. | |
:41:57. | :42:01. | ||
has to be quite funny. OK. Pasha, the man I want needs to be strong. | :42:01. | :42:10. | |
No, Pasha, that's not what I meant. I meant passion! OK, got it. Go on | :42:10. | :42:20. | |
:42:20. | :42:25. | ||
then, that will do! All right then, Dancing the Argentine tango, | :42:25. | :42:35. | |
:42:35. | :42:35. | ||
Apology for the loss of subtitles for 49 seconds | :42:35. | :44:29. | |
Another one, every routine! Look at that, Chelsee. All for you. They | :44:29. | :44:36. | |
loved it. And I loved it. You are such a little gem, you really are. | :44:36. | :44:45. | |
And you didn't close the door. It wasn't all over. Len? Of course it | :44:45. | :44:49. | |
was good, but I don't get this. You are an actress, you just got to act | :44:49. | :44:55. | |
the dance. You don't have to blooming ehroep with the guy. -- | :44:55. | :45:02. | |
elope. Gordon Bennett! There's no intensity about it. I liked it! | :45:02. | :45:09. | |
It's the best dance I have seen tonight. So don't get on my wick. | :45:09. | :45:15. | |
Get into it! All right. I will get you one of your pills in a minute. | :45:15. | :45:20. | |
Alesha? Technically it was strong, it was sharp. You executed it well. | :45:20. | :45:23. | |
I just want you to lose your inhibitions because when you do you | :45:23. | :45:26. | |
are going to go through the roof to the next level. Excellent job. | :45:26. | :45:33. | |
Wonderful. Bruno? Oh, you are a goody-goody little girl, aren't | :45:33. | :45:42. | |
you? Yes, you are. The footwork, intricacy, great shapes, precise. I | :45:43. | :45:48. | |
loved it, but I want you to be badder. Len is right. You really | :45:48. | :45:52. | |
have to go in there. You have to get that tango. You have to feel it | :45:52. | :45:55. | |
in your body because you are such a good dancer and he is right, it | :45:55. | :46:01. | |
will get you to the next level. Sorry, Alesha. I am used to it! | :46:01. | :46:06. | |
Craig? What Bruno was trying to demonstrate was the A-frame which | :46:06. | :46:09. | |
was sadly mising from the dance but there was a high level of | :46:09. | :46:13. | |
difficulty in that routine that you coped with brilliantly, I have to | :46:13. | :46:23. | |
:46:23. | :46:24. | ||
say. You do lack that solar plexus connection. Work on that if you get | :46:24. | :46:29. | |
to do it again, darling, because it is fabulous. You should be very | :46:30. | :46:38. | |
proud of yourself. Well done the pair of you. APPLAUSE AND CHEERING. | :46:38. | :46:45. | |
Come on our Chelsee! They loved it. Standing ovation. Len's best dance | :46:45. | :46:49. | |
of the night but Bruno wants you to be badder. Have you got it in you? | :46:49. | :46:55. | |
Of course I can be badder. I don't know if I could do it on telly. | :46:55. | :47:05. | |
:47:05. | :47:21. | ||
Come on then, that deserves a big hug. 35. Made up, thank you so much. | :47:21. | :47:26. | |
Well done. She's made up. The number to call at the end of the | :47:26. | :47:29. | |
show, if you want to show support for Chelsee and you would love to | :47:29. | :47:37. | |
see her dance next weekend. Sound good? It sounds amazing. All right. | :47:38. | :47:42. | |
You can look at all the latest goings on, on the website. Over to | :47:42. | :47:48. | |
you, Bruce. Thank you, Tess. Our next couple is Jason Donovan and | :47:48. | :47:52. | |
his partner Kristina. APPLAUSE. | :47:52. | :47:58. | |
Another very popular couple. Jason was very upset at making a mistake | :47:58. | :48:02. | |
last week. I said don't worry about it, I made a mistake as well. He | :48:02. | :48:08. | |
said what mistake did you make? I said well I gave Ola a kiss on the | :48:09. | :48:12. | |
cheek and it turned out to be Robbie Savage. I wouldn't have | :48:12. | :48:20. | |
known if it wasn't for the stubble. No, that's not true, because I felt | :48:20. | :48:24. | |
Ola's cheek, it's as soft as a baby's arm. Here they are - don't | :48:24. | :48:34. | |
know what's the matter with me I want to nail this routine, | :48:34. | :48:37. | |
because it's a good one. Performing the jive at Wembley would have to | :48:37. | :48:41. | |
go down as one of the most incredible experiences of my life. | :48:41. | :48:47. | |
Great atmosphere. Great show. Then, unfortunately, life happens. | :48:47. | :48:52. | |
Something goes wrong. I suppose that would have been phenomenonal, | :48:52. | :48:58. | |
if it wasn't for that last moment. I did let the side down a little | :48:58. | :49:05. | |
bit, which I am so gutted about. Really sad. One little move. It was | :49:05. | :49:13. | |
an incredible show tonight. Special. Not without drama. Yes. | :49:13. | :49:18. | |
Charleston is all about smiling, getting the facial expressions just | :49:18. | :49:22. | |
right and making sure the moves are sort of cheeky in some sort of way. | :49:22. | :49:29. | |
It's going to be fun. Jason really needs to sell this dance. Smile all | :49:29. | :49:34. | |
the way. Sell it! That's better. Really got to sell this dance. | :49:34. | :49:40. | |
I reckon I can do that. Are you thinking the tango can go- | :49:40. | :49:49. | |
go? That the paso is passe? Well, you need the Charleston. Be the | :49:49. | :49:56. | |
envoy of your -- envy of your friends. You can drive it away | :49:56. | :50:01. | |
today. This incredible offer ends Saturday, so hurry. Please allow 30 | :50:01. | :50:06. | |
days for delivery, no refunds. Batteries not included. The | :50:06. | :50:15. | |
Charleston, coming to a ballroom near you. Dancing the Charleston, | :50:15. | :50:25. | |
:50:25. | :50:25. | ||
Apology for the loss of subtitles for 49 seconds | :50:25. | :52:12. | |
APPLAUSE AND CHEERING. Another one! Routine after routine, | :52:13. | :52:20. | |
what a night. And that was stunning. Well done the pair of you. Kristina | :52:20. | :52:30. | |
:52:30. | :52:32. | ||
and Jason, well done. Absolutely. Now, then. Oh dear. Bruno? High | :52:32. | :52:37. | |
energy, slap-stick. You kept it good and the facial expressions, | :52:37. | :52:47. | |
:52:47. | :52:48. | ||
nobody can use you of -- can accuse you of using botox. Absolutely | :52:48. | :52:54. | |
flying. Craig? A smile on your face? I was willing it to be | :52:54. | :53:01. | |
perfect. And then that disastrous kick section. But that, I have to | :53:01. | :53:10. | |
say, was a Charleston. Yeah, it certainly was. Len? I have nothing | :53:11. | :53:14. | |
else to say that these two haven't said. It was truly fabulous. Well | :53:14. | :53:22. | |
done. Well, there you are. Alesha? I loved the energy, the routine. It | :53:22. | :53:26. | |
was fun. You are a hard worker, Jason. It's really paying off. Good | :53:26. | :53:36. | |
:53:36. | :53:40. | ||
job. We can't say any more, we love you. APPLAUSE AND CHEERING. | :53:40. | :53:47. | |
Yes, it was all white on the night! Lots of energy, lots of fun. I | :53:47. | :53:50. | |
really enjoyed that routine. That was fun. All that character acting, | :53:50. | :53:54. | |
you must have relished that? I find that's the greatest place to start. | :53:54. | :53:59. | |
When there's a character there you can really sort of explore the | :53:59. | :54:03. | |
moment. The Charleston is a dance that suits you. Thank you. Is he | :54:03. | :54:06. | |
through -- if you are through to next week what can we look forward | :54:06. | :54:09. | |
to for movie week? We can look forward to lots more | :54:09. | :54:13. | |
characterisations. A lot of that. Yeah, it's going to be big on | :54:13. | :54:23. | |
:54:23. | :54:40. | ||
Yes, the nines are out. Write down this number and call later if | :54:40. | :54:44. | |
Jason's Charleston was right up your Ramsey Street and you want to | :54:44. | :54:50. | |
see him dance again next Saturday. All right! The swingathon is | :54:50. | :54:54. | |
looming large, it's going to be organised ballroom chaos. You don't | :54:54. | :54:59. | |
want to be going anywhere. Back to you, Bruce. | :54:59. | :55:05. | |
Time for our next couple, Harry Judd and his partner Aliona. | :55:05. | :55:11. | |
Another popular couple. When Harry danced with his shirt open last | :55:11. | :55:18. | |
week - all right! 6,000 people at Wembley screamed and screamed with | :55:18. | :55:24. | |
excitement. I said, all that noise must have made you deaf as a post. | :55:24. | :55:34. | |
:55:34. | :55:38. | ||
He said 6.30. Think about it. Here I am not letting go of this curtain, | :55:38. | :55:42. | |
I am scared. In Wembley in front of 6,000 people was a very scary | :55:42. | :55:50. | |
experience, but at the same time very exhilarating. Being in a band | :55:50. | :55:53. | |
I never had aspirations of dancing at Wembley, but now it's happened | :55:53. | :55:59. | |
it was a special experience. So I have danced at Wembley, not bad. | :55:59. | :56:03. | |
There's only seven couples left, we are going to have to work hard and | :56:03. | :56:09. | |
pull out all the stops now. It's a quickstep for a reason! There's so | :56:09. | :56:13. | |
many different rhythms in it and so many different steps. I feel like | :56:13. | :56:17. | |
an idiot. It's so quick that if you mess up once it's very hard to get | :56:17. | :56:23. | |
back into it. And quick and quick... I think Aliona has something to | :56:23. | :56:27. | |
help me out. I am not entirely sure what it is. OK, Harry, it's time to | :56:27. | :56:36. | |
get to work. What is this? A piano. She pt want -- she wanted to test | :56:36. | :56:42. | |
my speed and footwork so first up Chop Sticks and then the notes to | :56:42. | :56:45. | |
the song we are dancing on Saturday. Let's see if you can move your feet | :56:45. | :56:52. | |
quick enough to our song. To be honest I couldn't really see what | :56:52. | :56:55. | |
the fuss was about. I found it quite easy. When it comes to my | :56:55. | :57:05. | |
feet I reckon I can pretty much do anything. Thank you very much! | :57:05. | :57:15. | |
:57:15. | :57:15. | ||
Apology for the loss of subtitles for 49 seconds | :57:15. | :58:53. | |
Dancing the quickstep, Harry Judd APPLAUSE AND CHEERING. | :58:53. | :59:03. | |
:59:03. | :59:06. | ||
Look at this! They're loving it! Oh, Harry and Aliona, that was so good. | :59:06. | :59:14. | |
Seven dances, seven standing ovations. Absolutely. Craig, start | :59:14. | :59:24. | |
:59:24. | :59:25. | ||
us off. Uh... You have a lazy left foot. You will let my lazy right | :59:25. | :59:35. | |
:59:35. | :59:37. | ||
foot in a minute. It's oddly and strangely sickled and slightly | :59:37. | :59:42. | |
pigeon-toeed. That's all I could find wrong with it, though. So you | :59:42. | :59:49. | |
are being pernickety. Len, anything to add? Wide elbows, great movement, | :59:49. | :59:53. | |
lovely sway. Sway is hard to get, you have the sway. Harry, I think | :59:53. | :59:59. | |
the highest mark I have given you so far this series is an eight. You | :59:59. | :00:03. | |
could get a nine tonight, I am telling you. Oh, Len's being | :00:03. | :00:07. | |
generous. Alesha? My favourite moment as a judge is to be able to | :00:07. | :00:10. | |
sit back, relax and enjoy the show and just take it for what it is. | :00:10. | :00:20. | |
:00:20. | :00:23. | ||
That was outstanding. Lovely. Bruno? Harry, tremendous assurance, | :00:23. | :00:27. | |
polish of detail. Elegance, sophisticated. You were moving | :00:27. | :00:37. | |
:00:37. | :00:37. | ||
beautifully and that sway, you can sway away with anyone! Superb! | :00:37. | :00:41. | |
about this lady? The work you have done with him is marvellous. Off | :00:41. | :00:51. | |
:00:51. | :00:53. | ||
you go, wonderful. APPLAUSE AND CHEERING. | :00:53. | :00:57. | |
Wow. Outstanding said Alesha. You have been at the top of the | :00:57. | :01:00. | |
leaderboard, you have reached Wembley. You must be thinking | :01:00. | :01:04. | |
glitterball trophy around about now? Not at all. We are taking it | :01:04. | :01:11. | |
week by week, honestly. I am happy to just still be here, having fun. | :01:11. | :01:15. | |
We are just doing our best. swingathon is next, have you got | :01:15. | :01:20. | |
anything left in the tank? Hopefully, it's in a few minutes, | :01:20. | :01:30. | |
:01:30. | :01:37. | ||
isn't it! He can barely breathe the Sorry, Harry. No nine, it's a ten | :01:37. | :01:47. | |
:01:47. | :01:55. | ||
APPLAUSE AND CHEERING. 39 out of 40, the highest score of the series. | :01:55. | :02:04. | |
How does it feel? Amazing. Aliona is amazing. Thank you. The number | :02:04. | :02:11. | |
to jot down and call later, if you want McFly's Harry to dance to the | :02:11. | :02:18. | |
beat of the ballroom drum next weekend. Everybody needs your votes. | :02:18. | :02:22. | |
Elbow and knee pads at the ready, you two need to get changed | :02:22. | :02:25. | |
sharpish. Go, go, go! These guys are already changed, as you can see. | :02:25. | :02:29. | |
We are minutes away from the Strictly swingathon. We have seen | :02:29. | :02:33. | |
seven stunning performances, and the night is far from over. Now our | :02:33. | :02:39. | |
intrepid stars will boldly go where very few have gone before. Come | :02:39. | :02:49. | |
:02:49. | :02:50. | ||
back James Jordan! This is what awaits them. The swingathon, come | :02:50. | :02:57. | |
on! Swing is a fast, energetic jive. Lots of kicks, lots of throws. | :02:57. | :03:07. | |
Lifts, and it's a mixture of jive, with a bit of lindy hop, all | :03:07. | :03:11. | |
different genres put together. Swingathon! We get a chance to | :03:11. | :03:14. | |
compare all the couples together. We will be looking for couples that | :03:15. | :03:19. | |
can dance with a real high energy performance and they've got to | :03:19. | :03:23. | |
maintain it from the first, to the last bar of music. I think I am | :03:23. | :03:30. | |
going to need oxygen. The rules? There are no rules. Just get out | :03:30. | :03:36. | |
there and wow the judges. Bring on the swingathon! This will be the | :03:36. | :03:39. | |
battle of the ballroom. We are going to have seven couples out on | :03:39. | :03:46. | |
that floor. If you haven't got rhythm what else have you got? A | :03:46. | :03:50. | |
push. One by one we decide who goes and who stays. The first couple to | :03:50. | :03:55. | |
leave the floor will get one added to their score. The next couple two | :03:55. | :04:00. | |
and so it will go on and the last couple standing will get seven | :04:00. | :04:05. | |
added to their score for their individual dance. Either me and you | :04:05. | :04:10. | |
are going to be fighting or we can double team. Let's double team. | :04:10. | :04:15. | |
are going to go out on that dancefloor and own it. I am going | :04:15. | :04:23. | |
to be King tonight! We are going to do our best. It's truly the war on | :04:23. | :04:30. | |
the floor. It's going to be war on the floor! | :04:30. | :04:35. | |
So to recap, whoever stays swinging the longest will be given the | :04:35. | :04:40. | |
maximum score of send and the first couple eliminated will score one, | :04:40. | :04:43. | |
then two and so on. These scores will be added to tonight's | :04:43. | :04:47. | |
leaderboard which which which means this week everybody will be marked | :04:47. | :04:52. | |
out of 47. As always on Strictly, head judge Len will have the | :04:52. | :04:56. | |
deciding say. Len, what advice do you have for our stars? Well, the | :04:56. | :05:01. | |
thing is they've got to get into their own little areas, basically | :05:01. | :05:05. | |
stay there, because I think you have got to really focus and you | :05:05. | :05:10. | |
have got to come out from start to finish and give it your all. Do as | :05:10. | :05:14. | |
many steps as possible. Keep that thing going. Keep the energy high | :05:14. | :05:20. | |
and keep going from the beginning, right through. Harry and Aliona are | :05:20. | :05:24. | |
almost ready. Bruno, how how difficult is it to dance full-on | :05:24. | :05:29. | |
with that intensity with 14 people on the floor. It's very hard. It's | :05:29. | :05:34. | |
like a cat fight. You have to really maintain the momentum. You | :05:34. | :05:37. | |
can never deflate. You have to keep the adrenalin going and then you | :05:37. | :05:41. | |
have to keep the timing. What happens if you get distracted and | :05:41. | :05:46. | |
lose timing, the judges will get you out immediately. You make a | :05:46. | :05:49. | |
mistake, you have to do that. You have to create your space, stand | :05:49. | :05:52. | |
out from the competition and make an impression for the right reasons. | :05:52. | :05:59. | |
It's ruthless. So no pressure base skhreu -- basically! I believe | :05:59. | :06:04. | |
everybody is ready. The time for talk is over. It's time for action. | :06:04. | :06:09. | |
Let's bring our send stars back for -- seven stars back for the | :06:09. | :06:13. | |
Strictly swingathon. Will our celebrities and and their | :06:13. | :06:23. | |
:06:23. | :06:56. | ||
professional partner please take to Will Robbie and Ola please leave | :06:56. | :07:06. | |
:07:06. | :07:36. | ||
Will Anita and Brendan please leave Will Holly and Artem please leave | :07:36. | :07:46. | |
:07:46. | :08:17. | ||
Will Jason and Kristina please Will Alex and James please leave | :08:17. | :08:27. | |
:08:27. | :08:40. | ||
Will Chelsee and Pasha please leave the floor. | :08:40. | :08:50. | |
:08:50. | :08:59. | ||
So winning tonight's swingathon are APPLAUSE AND CHEERING. Come on over | :08:59. | :09:08. | |
here! We have our winners. The last couple dancing with a maximum score | :09:08. | :09:18. | |
:09:18. | :09:20. | ||
of seven, Harry and Aliona. APPLAUSE AND CHEERING. Just a | :09:20. | :09:26. | |
minute, haven't you had enough! You just go on and on. Craig, what did | :09:26. | :09:31. | |
the winning couple here have that the others didn't? Stamina, mainly! | :09:31. | :09:40. | |
Exactly. The athleticism, that was really an athletic programme, | :09:40. | :09:45. | |
everything was on time. I loved the body ripple as well. It was | :09:45. | :09:50. | |
absolutely great. They just finished the other dance, the | :09:50. | :09:55. | |
quickstep. The last dance and then to do that, that's incredible. | :09:55. | :10:03. | |
done. Alesha, Robbie and Ola out first. What went wrong? | :10:03. | :10:06. | |
anything in particular, it's so difficult to focus on all the | :10:06. | :10:10. | |
couples. Some couples stand out more than others. They all did | :10:10. | :10:16. | |
brilliant. It's a test of endurance. Thank you so much the judges. | :10:16. | :10:20. | |
difficult. Right, while they get their breath back, and please get | :10:20. | :10:25. | |
some breath back, let's see how the swingathon affected the leaderboard. | :10:25. | :10:30. | |
Here is how it shapes up. At the top with a maximum of seven points | :10:30. | :10:37. | |
Harry and Aliona. Down there at the bottom with one point Robbie and | :10:37. | :10:41. | |
Ola. Remember you can change all that because the phonelines are now | :10:41. | :10:51. | |
:10:51. | :10:52. | ||
open. APPLAUSE AND CHEERING. Thanks for the cheer, Bruce! Lines are | :10:52. | :11:01. | |
going to close at 8.4 4.00pm tonight -- 8.4 5 tonight. To help | :11:01. | :11:06. | |
you decide here's a reminder of all tonight's dancing and the all- | :11:07. | :11:16. | |
:11:17. | :11:17. | ||
Apology for the loss of subtitles for 49 seconds | :11:17. | :13:15. | |
Wow, what a might, Bruce. I hope you will agree we have seen some | :13:15. | :13:25. | |
wonderful performances. Next Saturday night is movie night. Our | :13:25. | :13:33. | |
magnificent seven want to be movie stars, but sadly, one couple, their | :13:33. | :13:37. | |
ballroom dreams will end up on the cutting room floor. Your votes can | :13:37. | :13:41. | |
change everything. Your stars really do need you. In the results | :13:41. | :13:47. | |
show tomorrow Tess and Claudia will say a fond farewell to our next | :13:47. | :13:53. |