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This is Strictly Come Dancing: The Wow! A fabulous foxtrot, what a way | :03:14. | :03:17. | |
to start our Sunday results show. Saturday night saw our seven | :03:17. | :03:20. | |
couples surpass themselves as they danced twice for the first time | :03:20. | :03:24. | |
this series. They proved their stamina in the swingathon, but who | :03:24. | :03:28. | |
has outstayed their welcome? We will find out soon. First, it's | :03:28. | :03:37. | |
time to welcome four people who enjoy the finer things in dance, | :03:38. | :03:41. | |
our connoisseurs of choreography, Craig, Len, Alesha and Bruno. | :03:41. | :03:45. | |
APPLAUSE. You are looking chirpy tonight! Before we hear from our | :03:45. | :03:49. | |
judges let's find out what's in store on tonight's show with our | :03:49. | :03:55. | |
Claudia. Thank you, Tess. We will be looking | :03:55. | :04:00. | |
through Len's lens. Cee Lo Green joins us and our srepb Anton and | :04:00. | :04:05. | |
Erin will be whirling us around the dancefloor with the Viennese waltz. | :04:05. | :04:15. | |
:04:15. | :04:16. | ||
First, let's look at all the action from Saturday night. What a show. | :04:16. | :04:24. | |
feel really nervous. Have a good one. We are ready to | :04:24. | :04:34. | |
:04:34. | :04:36. | ||
Rock 'n' Roll. Anita, the Uptown Girl doesn't mind a bit of grease! | :04:36. | :04:40. | |
Brendan, let me first of all commend you on coming to the aid of | :04:40. | :04:49. | |
a damsel in distress. He really is my knight in shining armour. | :04:49. | :04:55. | |
should be really proud. Thank you tpo saying that. Isn't he adorable! | :04:55. | :05:05. | |
:05:05. | :05:07. | ||
Yes! I thought it was fantastic! Well done. Very demure and alluring, | :05:07. | :05:10. | |
you totally owned it, Holly. Everything I wanted from you, | :05:10. | :05:18. | |
that's the way to go. A little bit modern in the music for my taste. I | :05:18. | :05:22. | |
gave it an eight and I was determine the not to like it, but I | :05:22. | :05:32. | |
:05:32. | :05:34. | ||
couldn't help myself. I felt it was mediocre. You took a major step | :05:34. | :05:39. | |
backwards tonight. She hasn't taken a step backwards. I am the one | :05:39. | :05:44. | |
teaching her every day. We didn't make mistakes, the dance was all | :05:44. | :05:54. | |
:05:54. | :05:56. | ||
there. Six! Come on! Robbie, why he had to take his trousers off in | :05:56. | :06:02. | |
front of everyone I do not know. done it! It wasn't completely | :06:02. | :06:11. | |
successful but you can always go on stripping. | :06:11. | :06:16. | |
Chelsee could have easily been a ten. I just want you to to lose | :06:16. | :06:19. | |
your inhibitions because when you do you are going to go through the | :06:19. | :06:25. | |
roof to the next level. There's no intensity about it. You | :06:25. | :06:30. | |
don't have to blooming elope with the guy, just act the dance more. | :06:31. | :06:36. | |
We were advised on more passion. Shall we go and practise now? | :06:36. | :06:46. | |
Pasha. That, I have to say, was a Charleston. Yeah! I am the one and | :06:46. | :06:56. | |
only! Facial expressions, nobody can accuse you of using botox. | :06:56. | :07:04. | |
was truly fabulous, well done. Harry Judd, brilliant. That was | :07:04. | :07:14. | |
:07:14. | :07:17. | ||
outstanding. You can sway away with anyone! Superb! It's a ten from me. | :07:17. | :07:21. | |
The first three tens of the series now. A little bit speechless | :07:21. | :07:31. | |
:07:31. | :07:35. | ||
tonight. So fast and there's so much going | :07:35. | :07:38. | |
on. You have seven couples and you have four judges' opinions and | :07:38. | :07:45. | |
between us we have to try and make a decision. I loved it. It was | :07:45. | :07:52. | |
great fun. We have Harry right up there and we have poor old Robbie | :07:52. | :07:56. | |
right down there. So what's going to happen? I don't know. This has | :07:56. | :08:05. | |
been a fabulous full-on night. APPLAUSE AND CHEERING. A | :08:05. | :08:08. | |
spectacular night. But whose performance hit the spot and who | :08:08. | :08:17. | |
missed the mark? The results are in. In no particular order, the first | :08:17. | :08:26. | |
couple safe and dancing again next week are... | :08:26. | :08:36. | |
:08:36. | :09:07. | ||
Also through are... The next couple safe is... | :09:07. | :09:17. | |
:09:17. | :09:23. | ||
In the bottom two tonight, and in danger of leaving the competition | :09:23. | :09:33. | |
:09:33. | :09:34. | ||
are... Holly and Artem. Again! The rest of | :09:34. | :09:44. | |
:09:44. | :09:44. | ||
you have to wait to learn your fate. APPLAUSE. Bruno, Holly looked like | :09:44. | :09:48. | |
she had a big breakthrough on Saturday. Are you disappointed to | :09:48. | :09:52. | |
see her in the bottom two? Bitterly disappointed! To be honest, it may | :09:52. | :09:56. | |
not have been a traditional foxtrot all the way through but her | :09:56. | :09:59. | |
performance was one of the best she's ever given. The music was | :10:00. | :10:05. | |
very, very difficult to interpret as a traditional foxtrot. So she | :10:05. | :10:08. | |
put sequences in that were extremely right for the feel of the | :10:08. | :10:12. | |
music. She was sexy, sassy so I don't understand it. Can she | :10:12. | :10:17. | |
survive again? I hope so because really she delivered what we asked | :10:17. | :10:23. | |
of her. What more can you do? you so much, Bruno. Over to you, | :10:23. | :10:27. | |
Claudia. Thank you, Tess. | :10:27. | :10:33. | |
Congratulations to our first three safe couples. APPLAUSE. Really, | :10:33. | :10:38. | |
really well done. Harry, your dance was brilliant. We can discuss this | :10:38. | :10:41. | |
in a minute but can I talk about the swingathon. I was watching that | :10:41. | :10:47. | |
and you danced out there competitively for about 18 minutes. | :10:47. | :10:51. | |
You were doing handstands. Was it difficult? It was exhausting but a | :10:51. | :10:54. | |
lot of fun, I think the guys will agree, that was one of the | :10:54. | :10:59. | |
highlights for us. Really good fun. Amazing. Three tens. Your little | :10:59. | :11:05. | |
face and your face, you must be incredibly proud? Overwhelmed. | :11:05. | :11:10. | |
Speechless last night and it was an amazing night. Hopefully we can | :11:10. | :11:19. | |
continue that. Good, very well done. I am clapping. Chelsee, movie week | :11:19. | :11:27. | |
next week. What are you doing? are doing Shrek. I am being Shrek's | :11:27. | :11:31. | |
wife, I think. I have never seen it. Chelsee, you are coming around to | :11:32. | :11:36. | |
mine. She has a green face, you know? And funny ears. Should I not | :11:36. | :11:40. | |
scare you? No, it's going to be brilliant. She is a Princess, | :11:40. | :11:45. | |
though? She is a Princess. It's all right, we will rent the DVD. You | :11:45. | :11:50. | |
are going to be amazing. Jason, congratulations. Thank you so much. | :11:50. | :11:54. | |
You are all getting on brilliantly, but is it now getting competitive? | :11:54. | :11:58. | |
As you feel those lights do you think I hope I dance better than | :11:58. | :12:02. | |
anybody else? Well, it's always been sort of an element of | :12:02. | :12:05. | |
competition, I suppose. But it's really sort of about the journey | :12:05. | :12:10. | |
and not the destination so much, I think for a lot of us. Journey not | :12:10. | :12:14. | |
the destination, I am having a t- shirt made! Say no more. You have | :12:14. | :12:18. | |
outdone yourself. That was brilliant. Now he became a | :12:18. | :12:22. | |
worldwide phenomenon as one half of Gnarls Barkley and is described as | :12:22. | :12:27. | |
the greatest male voice in American music today. Singing Anyway, please | :12:27. | :12:34. | |
put your hands together for the sensational Cee Lo Green! | :12:34. | :12:44. | |
:12:44. | :12:50. | ||
# I know I'm stingy with my money # And it's hard to get some from me | :12:50. | :12:55. | |
# But you still love me anyway # Your mother seems to like me | :12:55. | :13:01. | |
# But your father wants to fight me # But you still love me anyway | :13:01. | :13:04. | |
# I take you out on dates # And I always show up late | :13:04. | :13:11. | |
# But you still love me anyway # There's no one else like this | :13:11. | :13:16. | |
# That would put up with my... # And still love me anyway | :13:16. | :13:20. | |
# Because no matter what I do # I know I can count on you | :13:20. | :13:24. | |
# Because baby you still love me anyway | :13:24. | :13:27. | |
# For worse or for better # You make me better | :13:27. | :13:34. | |
# I know you still love me anyway #. Because no matter what I do | :13:34. | :13:43. | |
# I know I can count on you # You still love me anyway | :13:43. | :13:49. | |
# I know you still love me anyway # I only see you every now and then | :13:49. | :13:54. | |
# And I am on the road again # But you still love me anyway | :13:54. | :13:56. | |
# And when this relationship's not working | :13:56. | :13:59. | |
# That's when all your friends start flirting | :14:00. | :14:03. | |
# And my eyes may wander but that is not OK | :14:03. | :14:08. | |
# So I make it up to you # With a brand new spare of shoes | :14:08. | :14:14. | |
# You still love me anyway # And I will surely miss the way | :14:14. | :14:22. | |
you put up with my... # I will make it up to you some day | :14:22. | :14:28. | |
# You still love me anyway # For worse or for better | :14:28. | :14:38. | |
:14:38. | :14:54. | ||
# You make me better # No one loves me quite like you do | :14:54. | :15:04. | |
:15:04. | :15:21. | ||
girl # You still love me anyway | :15:22. | :15:29. | |
# For worse or for better # I know you still love me anyway | :15:29. | :15:39. | |
:15:39. | :16:00. | ||
# Still love me anyway # Thank you darling for loving me | :16:00. | :16:10. | |
:16:10. | :16:13. | ||
APPLAUSE AND CHEERING. Absolutely brilliant. It's now time to welcome | :16:13. | :16:17. | |
the judges! APPLAUSE. This is when you come up | :16:17. | :16:23. | |
here and we look at the details of the dances. We cannot do this alone. | :16:23. | :16:33. | |
:16:33. | :16:33. | ||
Oh no, we need the help of... lens! This is where we just look at | :16:33. | :16:37. | |
the tiny bits we might have missed. First, we have a clip that you are | :16:37. | :16:42. | |
going to like. Let's be honest, Brendan brilliant at dancing. He | :16:42. | :16:47. | |
stepped in many times this series. He's not just excellent at dancing, | :16:47. | :16:55. | |
he is also excellent at singing. Have a listen. | :16:55. | :17:05. | |
:17:05. | :17:09. | ||
Note up her mind... # I am in love with an uptown girl. Isn't that | :17:09. | :17:15. | |
brilliant! A great performance, though. Len, I am going to ask you | :17:15. | :17:23. | |
about Harry. I am just wild about Harry! Because so far you haven't | :17:23. | :17:30. | |
even given him that high a mark. tell you what he did, he came out | :17:30. | :17:35. | |
and kept that hold throughout the dance. Beautiful posture. You are | :17:35. | :17:40. | |
not going to believe it, like a gazelle. Another one. He is off. | :17:40. | :17:49. | |
And another. Still got body contact. Faster than wind from a duck's bum. | :17:49. | :17:54. | |
Look at the line. I don't get overexcited. This quickstep was | :17:54. | :17:59. | |
fast and full-on and yet great control. Honestly, it absolutely | :17:59. | :18:07. | |
deserved a ten, Craig. APPLAUSE. totally agree. Good. Let's not have | :18:07. | :18:11. | |
an argument yet. Alesha, let's talk about Holly and Artem, a shock | :18:11. | :18:17. | |
they're in the bottom two. Such a shame. Have a look at these | :18:17. | :18:20. | |
extraordinary kicks. She looks amazing. She looks incredible. | :18:20. | :18:25. | |
Every week we say to Holly she has so much potential and there's more | :18:25. | :18:29. | |
to give. I felt she really did give more in this routine. She's | :18:29. | :18:36. | |
stunning. Look how beautiful! did a modern twist on the foxtrot. | :18:36. | :18:46. | |
They did a superb job. It's a shame, she raised her game this week. | :18:46. | :18:51. | |
APPLAUSE. Craig, can we talk about Chelsee, because I know you were | :18:51. | :18:58. | |
impressed. It looked amazing on the telly on Saturday with those kicks. | :18:58. | :19:02. | |
It was, gorgeous, beautifully placed, all of that. It's just her | :19:02. | :19:05. | |
frame I had a problem with. She should be almost leaning into him | :19:05. | :19:13. | |
more. Look at that! Gorgeous. But she could have had a little bit | :19:13. | :19:20. | |
more freedom within her legs, actually. What? In English. Freedom | :19:20. | :19:26. | |
within your legs, that's having a nap. They don't have to be as | :19:26. | :19:31. | |
controlled. It makes it look faster. It still was brilliant, come on. | :19:31. | :19:37. | |
It's one of the best we have seen. Absolutely wonderful. Bruno, I want | :19:37. | :19:41. | |
to talk... APPLAUSE. Yes, good, people are clapping and I like it. | :19:41. | :19:47. | |
Let's talk about Alex and James. I loved it. She's adorable. She had a | :19:47. | :19:53. | |
good time. Charleston is about a good time. She saw the funny side. | :19:53. | :19:59. | |
Look at her there, Finding Nemo! Swimming in the sea. Where am I? | :19:59. | :20:02. | |
She just let herself go and it's good to see. Obviously, there were | :20:02. | :20:07. | |
some tiny little details. She was undermarked. I thought she was | :20:07. | :20:12. | |
highly undermarked! There were timing issues and it's that elusive | :20:12. | :20:17. | |
scissors action in the feet when you do the Charleston. It has to go | :20:17. | :20:25. | |
incredibly - you know, like sharper scissors. That was good! APPLAUSE. | :20:25. | :20:29. | |
You got to go for it. It's very hard. It's not easy. I think she | :20:29. | :20:34. | |
did very, very well. What I love most about you, while you were | :20:34. | :20:40. | |
doing that - do that face, Len. Utter disgust! Disgust and dismay. | :20:40. | :20:44. | |
And bitter jealousy. Other than that, let me just talk to you | :20:44. | :20:50. | |
briefly about Ola Jordan. We have all known and loved, smily, | :20:50. | :20:57. | |
adorable. Gorgeous, amazing. Mid- riff. Brilliant dancer. She turned | :20:57. | :20:59. | |
on Saturday. This is what happened when you guys said would you mind | :21:00. | :21:05. | |
leaving the floor in the swingathon. Here is little gentle Ola Jordan. | :21:05. | :21:15. | |
:21:15. | :21:25. | ||
APPLAUSE. I have never seen anything like it. Let's hear it for | :21:25. | :21:31. | |
the judges! APPLAUSE. Next Saturday Strictly Come Dancing | :21:31. | :21:34. | |
heads to the movies. Take your front row seat for an exclusive | :21:34. | :21:44. | |
:21:44. | :21:52. | ||
In 2011 14 celebrities stood like giants. | :21:52. | :21:59. | |
But now only seven remain. A new breed of dancer is arising. | :21:59. | :22:02. | |
first rule of Dance Club is we don't talk about Dance Club. Gosh, | :22:03. | :22:09. | |
Harry, sorry, I have already texted everybody about it. Oops! | :22:09. | :22:19. | |
:22:19. | :22:28. | ||
Arggh! Some will rise. What's the matter? Holly, I think I might be | :22:28. | :22:38. | |
:22:38. | :22:43. | ||
the one. You are not the one, Mr Donovan. And some will fall. Join | :22:43. | :22:53. | |
me and I will complete your training. I will never join you! | :22:53. | :23:02. | |
Robbie Savage, I am your father! No! But all will dance. Strictly | :23:02. | :23:07. | |
Movie Night, coming to your screens Saturday. Cheer up, Robbie. I was | :23:07. | :23:16. | |
only joking. I am, in fact, your brother. | :23:16. | :23:21. | |
APPLAUSE AND CHEERING. I cannot wait. Now three couples are already | :23:21. | :23:27. | |
set to premiere next week in Movie Night. Who else will join them? | :23:27. | :23:31. | |
Over to you, Tess. Thank you, Claudia. Three couples | :23:31. | :23:40. | |
are left but who is safe and who is in danger? It's time to find out. | :23:40. | :23:50. | |
:23:50. | :23:52. | ||
In no particular order, safely through to next week are... | :23:52. | :24:02. | |
:24:02. | :24:08. | ||
So that means Anita and Brendan, and Robbie and Ola, one of you is | :24:08. | :24:12. | |
safe and one of you is in the bottom two. | :24:12. | :24:22. | |
:24:22. | :24:23. | ||
I can reveal that the couple in the bottom two tonight is... | :24:24. | :24:31. | |
Anita and Brendan. Robbie and Ola, congratulations, you are through | :24:31. | :24:36. | |
again to dance next week. APPLAUSE. Alesha, you commended | :24:36. | :24:40. | |
Anita on coping with a new partner this week. Do you think this | :24:40. | :24:44. | |
upheaval might have contributed to her being in the bottom two? | :24:44. | :24:48. | |
don't think it's contributed, but it must be unsettling to have to | :24:48. | :24:52. | |
change partners because you are getting to a comfort zone and I I | :24:52. | :24:56. | |
always said about Anita I think she is a wonderful dancer, but as we | :24:56. | :25:00. | |
say some dances don't suit you. But she is an inspiration. I think she | :25:00. | :25:08. | |
is adorable and I wish her luck. all do. Len, next week it's Movie | :25:08. | :25:13. | |
Night, are you excited? Come on! Last year when we had movie night | :25:13. | :25:17. | |
it was fantastic. I think it was one of the highlight weeks of the | :25:17. | :25:21. | |
series and I just can't wait to see it because you get an extra | :25:21. | :25:25. | |
dimension coming in, not only do you get the dancing, you get the | :25:25. | :25:29. | |
theme and they try and choreograph to that. It's an extra challenge to | :25:29. | :25:33. | |
the couples. Last year it was great, and I am sure this year it's going | :25:33. | :25:39. | |
to be just as blood. It promises -- just as good. Thank you, judges. | :25:40. | :25:45. | |
Over to you, Claudia. Now for a treat, they're the indisputed King | :25:45. | :25:52. | |
and Queen of the ballroom. It's the one and only Anton and Erin! | :25:52. | :26:02. | |
:26:02. | :26:02. | ||
Apology for the loss of subtitles for 98 seconds | :26:02. | :27:40. | |
APPLAUSE AND CHEERING. Tonight's bottom two couples are | :27:40. | :27:45. | |
here. Holly, I am - sorry that you are both sitting here, but Holly | :27:45. | :27:48. | |
this is your second time. How disappointed are you? It's not my | :27:48. | :27:52. | |
favourite feeling in the world, but if we went out then I think our | :27:52. | :27:56. | |
last dance was pretty decent and I had a lot of fun doing it. It's | :27:56. | :28:00. | |
been the most incredible opportunity and made so many great | :28:00. | :28:05. | |
mates. Craig thought it was a fantastic dance. That's got to be | :28:05. | :28:09. | |
some consolation? That always feels nice if Craig says something nice, | :28:09. | :28:15. | |
because it happens so rarely. it when it happens. Anita, again | :28:15. | :28:20. | |
your second time in the bottom two. We could form a club. We don't have | :28:20. | :28:25. | |
time. How sad are you to be here and is it horrible to be here? I | :28:25. | :28:29. | |
know you two are getting on brilliantly, but you are without | :28:29. | :28:33. | |
your Robin? I have had a wonderful opportunity, I got to dance with | :28:33. | :28:39. | |
Robin and Brendan. How lucky am I? I have had nothing but great fun. I | :28:39. | :28:43. | |
have no complaints. How sad would you be if this Strictly journey | :28:43. | :28:47. | |
ended now? Of course I would be sad but I am just glad I did it. | :28:47. | :28:52. | |
Brilliant. Holly or Anita are about to be knocked out of the | :28:52. | :28:55. | |
competition. Here is why we have enjoyed watching them. | :28:55. | :29:02. | |
I think the best part of it has to be training with Robin. I did hope | :29:02. | :29:05. | |
that I would push the goal-posts and challenge myself and go as far | :29:06. | :29:10. | |
as I could. I am two thirds of the way through, so I think for an old | :29:10. | :29:17. | |
bird that's not bad. At this point I think if you have to go, accept | :29:17. | :29:22. | |
it gratefully and graciously. So I will go with regret, but with many, | :29:23. | :29:32. | |
many happy memories. My Strictly journey has been pretty | :29:32. | :29:37. | |
epic. I have changed partners. We have had injuries on both sides. I | :29:37. | :29:43. | |
have learned new things. It's just been pretty full-on. I am not ready | :29:43. | :29:47. | |
to go home yet. We are not far from the end now. If I can just hang on | :29:47. | :29:52. | |
that little bit longer, there's many things to be thankful for and | :29:52. | :29:55. | |
if the competition is over I will be devastated. | :29:55. | :30:00. | |
APPLAUSE Holly and Artem, and Anita and | :30:00. | :30:05. | |
Brendan, one of you is about to leave the competition for good. | :30:05. | :30:14. | |
It's the moment of truth. Holly, Len said your eyes are | :30:14. | :30:17. | |
looking at one thing and your ears are taking in something else and | :30:17. | :30:24. | |
for me it disturbed me. Anita, Bruno said there's still plenty of | :30:24. | :30:30. | |
fuel in the tank. But did the public agree? | :30:30. | :30:40. | |
:30:40. | :30:41. | ||
I can now reveal that the couple leaving tonight is... | :30:41. | :30:51. | |
Anita and Brendan. It's all right. That means Holly | :30:51. | :30:55. | |
and Artem, we will see you next week. Anita and Brendan, please | :30:55. | :31:04. | |
come and join me. Come on over. You have been exceptional. APPLAUSE AND | :31:04. | :31:10. | |
CHEERING. She gave it her all, didn't she, Brendan? She did. | :31:10. | :31:20. | |
:31:20. | :31:23. | ||
Standing ovation. Take that in. Anita, throughout the competition, | :31:23. | :31:26. | |
of course, you have danced with Robin. Sadly, he couldn't compete | :31:26. | :31:33. | |
this week. He has been suffering with a foot infection. It must be | :31:33. | :31:38. | |
tough now not to have him by your side. We have him on the line now. | :31:38. | :31:44. | |
Robin, are you there? I am sheer. Hey, baby. Anita, my darling, I | :31:44. | :31:48. | |
just want to say you have been absolutely incredible and I am so | :31:48. | :31:53. | |
sorry I couldn't be there with you tonight and to everybody who's | :31:53. | :31:59. | |
voted for you and it's been a pleasure to work with you. You have | :31:59. | :32:04. | |
been one of the most enthusiastic hard-working people I have ever, | :32:04. | :32:14. | |
:32:14. | :32:14. | ||
ever met and I am going to miss you Anita, would you like to say | :32:14. | :32:24. | |
something to Robin? He made this the most humourous, enjoyable, fun, | :32:24. | :32:27. | |
wonderful learning experience I could ever have imagined. Thank you | :32:27. | :32:35. | |
so much! APPLAUSE. Thanks, Robin. Brendan, thank you | :32:35. | :32:39. | |
for standing in. Anita, thank you. You are one wonderful lady. You | :32:39. | :32:43. | |
have been an inspiration. Can I just say thank you to Brendan, too. | :32:43. | :32:48. | |
Without him I wouldn't have done this week. Sorry, Robin. Sorry, | :32:48. | :32:53. | |
Anita. Off you go and prepare for your last dance my little | :32:53. | :32:58. | |
sweetheart. You will be missed! I can't bear this part of the show! | :32:58. | :33:03. | |
It's getting tougher as we say a sad goodbye to another couple. | :33:03. | :33:10. | |
Anita and hopefully Robin will join Zoe on Monday's It Takes Two. | :33:10. | :33:14. | |
exclusives and all the gossip, please go to our website. And Bruce | :33:14. | :33:18. |