Browse content similar to Week 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The footballer went for the full Monty. That's an interesting look. | :00:23. | :00:28. | |
McFly's poster boy took 39 steps to an almost perfect score. Our Welsh | :00:29. | :00:34. | |
wonder girl got into choppy waters. BOOING | :00:34. | :00:41. | |
And for Anita, it turned out to be the last picture show. | :00:41. | :00:46. | |
Quarter-finals, baby. This is where you need to lift your game. Yeah! | :00:46. | :00:50. | |
Tonight it's the main feature, and it promises to be box office gold. | :00:50. | :00:56. | |
Show me the rumba. Are you talking to me? Bravo! Six movie idols with | :00:56. | :01:00. | |
blockbuster ballroom ambitions. Glitter ball, dead ahead! But who | :01:01. | :01:07. | |
will live up to the hype? Sorry. And who will get a panning from the | :01:07. | :01:13. | |
critics? Shut up! May the force of ballroom be with you. I'm your | :01:13. | :01:19. | |
father. Nooo! This is Strictly... Movie Night! We'll be back! | :01:19. | :01:29. | |
:01:29. | :01:29. | ||
Apology for the loss of subtitles for 42 seconds | :01:29. | :02:12. | |
It's a movie special on Strictly # I know where I'm going to go | :02:12. | :02:18. | |
# I'm going to pick up my baby # And take her to the picture show | :02:18. | :02:27. | |
# Everybody in the neighbourhood # Is dressing up to be there too- | :02:27. | :02:34. | |
oo-oo # And with all I have | :02:34. | :02:38. | |
# Is a lengthy excuse # Saturday night | :02:38. | :02:44. | |
# At the pictures # When you're hugging with your | :02:44. | :02:48. | |
baby # Up and in the balcony | :02:48. | :02:55. | |
# Well, it's technoscope # And the popcorn in the candy | :02:55. | :02:58. | |
stand # Makes it all seem twice as good | :02:58. | :03:06. | |
# There is always lots of pretty girls | :03:06. | :03:08. | |
# But they never can compare to the girl | :03:08. | :03:15. | |
# Sitting by my side # Saturday night at the movies # | :03:15. | :03:19. | |
CHEERING AND APPLAUSE # When you're hugging with your | :03:19. | :03:20. | |
baby # Up in the balcony | :03:20. | :03:28. | |
# Oh, Saturday night at the movies # Who cares what picture you see | :03:28. | :03:32. | |
# When you're hugging with your baby # | :03:32. | :03:42. | |
:03:42. | :04:08. | ||
welcome your hosts, Sir Bruce Hold on! Hold on. Exciting moment! | :04:08. | :04:14. | |
Oh, dear. Oh, dear. Anyway, good evening, ladies, gentlemen and | :04:14. | :04:18. | |
children. Welcome to Strictly Come Dancing. It's nice to see you, to | :04:18. | :04:23. | |
see you... Nice! And it's nice to see you, Bruce. It's movie week. | :04:23. | :04:32. | |
Are you so excited? I'm excited. Not now, Addison. No, in the warm- | :04:32. | :04:36. | |
up, she wouldn't leave me alone. She's got a friend. I don't know | :04:36. | :04:39. | |
who she is. LAUGHTER | :04:39. | :04:45. | |
Moving on... She's keen. Tonight, our couples will dance to a song | :04:45. | :04:50. | |
that represents a famous movie. At one time, a producer wanted me to | :04:50. | :04:53. | |
dance with all the female dancers on the show, and they were told to | :04:53. | :04:58. | |
pretend they were all madly in love with me. I said, "What film did | :04:58. | :05:08. | |
that represent?" She said, "Mission No, that's not funny. What are you | :05:08. | :05:13. | |
laughing at? I'm not laughing. hope nobody told you to laugh. | :05:13. | :05:18. | |
That's all I hope. Lights, camera, action. Our A-listers are ready to | :05:18. | :05:23. | |
show us the ballroom. Yes, this could be a night of movie magic | :05:23. | :05:28. | |
with only five places live - five places - | :05:28. | :05:34. | |
LAUGHTER Shut up. It was her... Putting you | :05:34. | :05:39. | |
off. With five places in the semi- finals up for grabs. I think | :05:39. | :05:44. | |
they're ready on set. Shall we? think we'd better, yes. Action. | :05:44. | :05:49. | |
Roll the cameras. It's time to meet - I hope I fall - meet the movie | :05:49. | :05:59. | |
:05:59. | :05:59. | ||
Apology for the loss of subtitles for 42 seconds | :05:59. | :06:42. | |
stars in our show. I don't! Yes, What about them? There they all are. | :06:42. | :06:47. | |
There they all are. I'm just checking to make sure Brendan isn't | :06:47. | :06:49. | |
still here - LAUGHTER | :06:49. | :06:55. | |
And I also have a very important role in this evening's movie night. | :06:55. | :07:01. | |
If anyone fancies a choc-ice, I'll be standing over there. On to me. | :07:01. | :07:04. | |
You, yes. Our judges will be scoring, and our couples will then | :07:04. | :07:08. | |
be ranked on the leader board. Those scores will then be combined | :07:08. | :07:13. | |
with your votes, and sadly, one couple's ballroom dreams will not | :07:13. | :07:17. | |
come true - shame, shame, shame, only two weeks short of the Grand | :07:17. | :07:23. | |
Final in Blackpool. That's right. If you're a digital viewer, press | :07:23. | :07:29. | |
the red button for live commentary. We have with us comedian Rory | :07:29. | :07:39. | |
:07:39. | :07:43. | ||
Now, then, our first couple tonight is Robbie Savage and his partnerola. | :07:43. | :07:48. | |
-- partner ola. They're our first couple. There they are. Everybody | :07:48. | :07:54. | |
loved them. I said to Robbie, I bet I know what film you'll be dancing | :07:54. | :08:04. | |
:08:04. | :08:07. | ||
too. He said, "What?" I said, Good luck to everyone tonight. Here | :08:07. | :08:17. | |
Last Saturday I was incredibly nervous. There was so much to think | :08:17. | :08:21. | |
about in the routine. There were promenades and runs. I just knew I | :08:21. | :08:27. | |
had an ace up my sleeve. It wasn't completely successful, the psalm | :08:27. | :08:34. | |
back, but you can always go on stripping. 25 points. I was | :08:34. | :08:38. | |
completely and utterly left adrift at the bottom of the leader board. | :08:38. | :08:43. | |
Things weren't looking good. But the public saved me again, | :08:43. | :08:48. | |
which was absolutely fantastic. Now we're in the quarter-finals. How | :08:48. | :08:52. | |
has that happened? This room, ballroom, a quick step - I'm going | :08:52. | :08:57. | |
to try to go and get my best score. You know we're dancing to a song | :08:58. | :09:03. | |
from Reservoir Dogs. My God, we're going to look sensational. Well, | :09:03. | :09:08. | |
you don't quite have the right look for it. Come on in. Who are you? | :09:08. | :09:13. | |
Have you come to fit me for a suit? No, Robbie. He's here to cut your | :09:13. | :09:18. | |
hair. Whoa, Whoa, Whoa! Hold it right there, mister. I think you'll | :09:18. | :09:25. | |
find it's Ola that needs a haircut. Whoa, Whoa, Whoa, Savage. Don't try | :09:25. | :09:30. | |
to turn this around. We have been friends for some time now but I | :09:30. | :09:36. | |
won't hesitate to blow your hair off. Let's put our tools down, and | :09:36. | :09:44. | |
let's talk. Don't make me do this. Ahh! No!! I hope you're pleased | :09:44. | :09:54. | |
:09:54. | :09:54. | ||
Apology for the loss of subtitles for 42 seconds | :09:54. | :11:43. | |
with yourself, Ola. I don't think Well done. Well done. Wasn't that | :11:43. | :11:52. | |
wonderful? Great. Oh, Ola, a beautiful routine, a lovely routine. | :11:52. | :11:57. | |
Lovely, but a bit overdressed, a bit - | :11:57. | :11:59. | |
LAUGHTER For you - and you - the pair of you. | :11:59. | :12:03. | |
Anyway, while you get your breath back, it's a good time to welcome | :12:03. | :12:08. | |
our fabulous singer Dave Arch and his wonderful, wonderful orchestra. | :12:08. | :12:11. | |
APPLAUSE Also, our judges. Welcome, our | :12:11. | :12:17. | |
judges. APPLAUSE | :12:17. | :12:23. | |
And just when you thought it was safe to go back on to the | :12:23. | :12:30. | |
dancefloor - (THEME FROM JAWS) | :12:30. | :12:36. | |
Even our judges have their own movie music. Now, if you judges | :12:36. | :12:43. | |
were in films, Alesha would be A Star is Born. Ahh! And the three of | :12:43. | :12:53. | |
:12:53. | :12:53. | ||
you would be The Good, the Bad and the Ugly! Oh! Make up your mind who | :12:53. | :12:59. | |
is who. All right, then? But, Len, only kidding, of course. What did | :12:59. | :13:03. | |
you think of that? I'll tell you what, Robbie, you have given me a | :13:03. | :13:07. | |
lot of pleasure all through this series, and you didn't disappoint | :13:07. | :13:10. | |
again tonight. You've got the enthusiasm. | :13:10. | :13:12. | |
APPLAUSE You've got that sportsman's will to | :13:12. | :13:16. | |
win, but it was a little bit rough around the edges for me, you know? | :13:16. | :13:21. | |
I'm sorry. You made the best of what you've got. Now, this is the | :13:21. | :13:25. | |
nitty-gritty. Someone's going to go home, and I just hope it's not you. | :13:25. | :13:31. | |
I haven't seen the others, but it wasn't top notch. Oh, well, a lot | :13:31. | :13:36. | |
of disappointment here, but Alesha? Robbie, you're a smooth operator. | :13:36. | :13:40. | |
Last week it was all about the entertainer. This week you're back | :13:40. | :13:44. | |
in business, good posture, light footed. It was clean. It was | :13:45. | :13:51. | |
definitely a cool quick step and I liked it. What about Bruno? Yeah, I | :13:51. | :13:56. | |
love the combination of sharp looks and clear attitude. The way you | :13:56. | :14:00. | |
were strutting your stuff - somewhere between Kate Moss and | :14:01. | :14:04. | |
Russell Brand. In a strange way, it works. You put a lot of tricky | :14:04. | :14:09. | |
footwork into this quick step. You really, really paid a lot of | :14:09. | :14:13. | |
attention to your erect posture. You tried really hard, and I saw an | :14:13. | :14:16. | |
improvement. And I thought it was better. Your ballroom is better. | :14:16. | :14:23. | |
Yes. Yes. They all agree. OK. Craig, now, what did you, you think? | :14:23. | :14:27. | |
knee pulses at the beginning were completely out of time. Your head | :14:27. | :14:31. | |
position needs to go a lot more left, darling and lacked any swing | :14:31. | :14:35. | |
or sway, sadly, which made it stiff. I thought you could drive the dance | :14:35. | :14:37. | |
a little bit more. BOOING | :14:37. | :14:43. | |
It was sort of like a rabbit - it was a little bit like a rabbit | :14:43. | :14:48. | |
doing a trot around. BOOING | :14:48. | :14:52. | |
I did love the concept, and I did love your performance of it. | :14:52. | :15:01. | |
APPLAUSE You can say no more. Did you say | :15:01. | :15:05. | |
knee pulses? I didn't know you could take a pulse with your knee! | :15:05. | :15:10. | |
Brucey, thank you. A bit over- dressed, as I said, but off you go. | :15:11. | :15:18. | |
Off you go. Hey, Robbie, I'm surrounded, you may notice, by all | :15:19. | :15:24. | |
the great and the good - Hollywood's finest - hello! Shrek | :15:24. | :15:30. | |
on my right. "One cool quick step" - is that the fastest you have ever | :15:30. | :15:35. | |
moved your feet? The fastest I have moved in ten years. Is it? You have | :15:35. | :15:39. | |
come a long way. You have started this competition with two left feet, | :15:39. | :15:43. | |
and now you're two weeks away from the final. How do you feel about | :15:43. | :15:46. | |
that? It would be amazing, you know? I have never danced, and ten | :15:46. | :15:52. | |
weeks into it, to perform a quick step in front of so many people - | :15:52. | :15:56. | |
ten weeks ago, I couldn't dance. It has been a tough week. I'm just | :15:56. | :16:06. | |
:16:06. | :16:28. | ||
glad I got through it. The scores scores for Robbie and all Ola. The | :16:28. | :16:32. | |
number to call is on your screen. Want to be there? Yeah. You would | :16:32. | :16:40. | |
love to be there. Please don't call because if you do, your votes won't | :16:40. | :16:46. | |
count, and you'll be charged. There is plenty more movie madness to | :16:46. | :16:51. | |
come. Grab the popcorn and settle in. Sweet or salty? | :16:52. | :16:57. | |
Sweet! Sweet. Now, next, Harry Judd and his partner Aliona. He was | :16:57. | :17:01. | |
wonderful last week with the quick step, the two of them. They're | :17:02. | :17:08. | |
dancing to the theme from the movie Robin Hood, and Harry told me all | :17:08. | :17:14. | |
about him. He said Robin once was imprisoned at the top of the castle | :17:14. | :17:18. | |
tower and still managed to escape. I said, "How did he manage that?" | :17:18. | :17:25. | |
He said, "He had a ladder in his tights."! I'm sorry. I'm sorry. | :17:25. | :17:35. | |
:17:35. | :17:38. | ||
What a - what a stupid joke. I Last week was absolutely amazing. | :17:38. | :17:45. | |
That was outstanding. Superb. certainly didn't expect three tens. | :17:45. | :17:51. | |
Sorry, Harry, no nines. It's a ten. But there is room for improvement - | :17:51. | :17:56. | |
obviously - one more point. The swing-a-thon was awesome. To top it | :17:56. | :18:02. | |
off, we won it. That was even better. Top of the leader board and | :18:02. | :18:08. | |
winners of the swing-a-thon. # What a feeling # | :18:08. | :18:11. | |
This week it's movie week. Quite used to it. I am dancing to the | :18:11. | :18:17. | |
song from Robin Hood Prince of Thieves. Robin Hood wears tights in | :18:17. | :18:22. | |
the movie. We should get you some. You definitely won't be getting me | :18:22. | :18:27. | |
in tights. You heard it here. "If you ever want to dance with Aliona | :18:27. | :18:35. | |
in the -- again, meet me in the forest, lots of love, the Sheriff | :18:35. | :18:40. | |
of Nottingham". Aliona, where are you? This isn't is funny. Aliona? | :18:40. | :18:50. | |
:18:50. | :18:56. | ||
Harry, help. Right, Rottingham, let's find out | :18:56. | :19:00. | |
who you really are. Brendan, what do you think you're doing? I just | :19:00. | :19:06. | |
wanted the chance to dance again this week. Your dancing days are | :19:06. | :19:16. | |
:19:16. | :19:16. | ||
Apology for the loss of subtitles for 42 seconds | :19:16. | :21:05. | |
over. Anita was your last chance. Oh, Harry, look! Look what you've | :21:05. | :21:13. | |
done! Aliona, look what you've done. That was wonderful. Well, Aliona, | :21:13. | :21:18. | |
you've got him in a different mood this week, a different Harry, a | :21:18. | :21:22. | |
different Harry. Alesha, did that get you? The best number I have | :21:22. | :21:28. | |
seen from a male celebrity in a long time. Oh! It was touching. It | :21:29. | :21:32. | |
was sensitive. It was very romantic. He had good hip action, good | :21:32. | :21:37. | |
control. It was by no means awkward. It looked very natural and very | :21:37. | :21:42. | |
convincing. Thank you. Lovely, very nice. Bruno? I should say, Harry, I | :21:42. | :21:45. | |
was very apprehensive because usually at this stage a rumba can | :21:45. | :21:49. | |
break or make a man! And I tell you, you turned something that could | :21:49. | :21:54. | |
have been tragic into a little bit of magic. You pitched it just right, | :21:54. | :21:58. | |
the right balance of romance and passion, a great mix of steps, a | :21:58. | :22:03. | |
good - a few basics here and there, but great shapes. You did a great | :22:03. | :22:03. | |
job. APPLAUSE | :22:03. | :22:08. | |
Thank you very much, Len. It was a gamble this week to have that dance. | :22:08. | :22:12. | |
Craig, what did you think? Well, it was hard not to notice that you've | :22:12. | :22:20. | |
obviously been working on your hip action. Were were you looking? | :22:20. | :22:25. | |
to the tightness of those trousers, but I have to say, I did love it. | :22:25. | :22:31. | |
It was simple. It was clean. It was basic. One small - one small... | :22:31. | :22:37. | |
one! Wobbly movement over here, sadly, but... Oh, sadly, just one - | :22:37. | :22:42. | |
oh. Len? A little bit spikey in the hands on occasions, Harry. Spikey? | :22:42. | :22:49. | |
Yeah. Listen. Someone - you know, it's movie | :22:49. | :22:53. | |
night, and someone's dreams are going to be left on the cutting | :22:53. | :22:57. | |
room floor, but I tell you what - it won't be you. | :22:57. | :23:00. | |
APPLAUSE Can't say more than that. Well done, | :23:00. | :23:10. | |
:23:10. | :23:17. | ||
Aliona. Well done, Harry. Off you powerball. Did you feel the power | :23:17. | :23:21. | |
of that rumba? I did. I loved it. Everyone has been saying how tough | :23:21. | :23:26. | |
it is, which it is. I really enjoyed it this week. A convincing | :23:26. | :23:29. | |
job you made of it. You're top of the leader board. Are you feeling | :23:29. | :23:33. | |
the pressure to stay on top? I tell you, there is pressure every week | :23:33. | :23:38. | |
to stay on top, but we're just focusing week to week to do our | :23:38. | :23:42. | |
best and enjoying ourselves. you wearing the kept underneath? | :23:42. | :23:47. | |
must admit, I kept the nights from before for the winter, just in case. | :23:47. | :23:57. | |
:23:57. | :24:13. | ||
score. I had a dream of that number. The dream came true, Harry. Write | :24:13. | :24:19. | |
down this number and call later if our Harry had you all aquiver and | :24:19. | :24:29. | |
:24:29. | :24:29. | ||
you want him to make your day next Saturday - do you? Do you? Punk! | :24:29. | :24:33. | |
got there in the end! With 12 gruelling weeks with barely a day | :24:33. | :24:38. | |
off, nobody wants to leave a day before the semi-final, but who is | :24:38. | :24:43. | |
going to get your vote? Thank you. Now for our next couple, | :24:43. | :24:52. | |
Alex Jones and her partner James. Now, they're dancing to the title | :24:52. | :24:58. | |
track of the film Pretty Woman, Richard Gere - yes. Didn't you love | :24:58. | :25:02. | |
that movie? Oh, it was such a wonderful movie, and I remember she | :25:02. | :25:06. | |
thought that he'd gone back to New York, but he surprised her by | :25:06. | :25:12. | |
turning up in a white stretch limo with a bunch of flowers. I got so | :25:12. | :25:19. | |
emotional. I cried in the end. But then I - I always get upset | :25:19. | :25:23. | |
when I run out of popcorn. APPLAUSE | :25:23. | :25:27. | |
You know, you've got that big thing - anyway, I'll be all right in a | :25:27. | :25:37. | |
Last weekend, we performed the Charleston. | :25:37. | :25:41. | |
# Oh, sometimes I get a good feeling # | :25:41. | :25:45. | |
Everybody stood up, which is an amazing feeling, and I thought, God, | :25:45. | :25:51. | |
that went well, didn't it? I felt you took a major step backwards | :25:51. | :25:55. | |
tonight. Oh, sit down, everybody. Turns out | :25:55. | :26:01. | |
it wasn't that amazing. It was mediocre!! James was furious, and | :26:01. | :26:06. | |
he didn't do a good job of hiding # A riot | :26:06. | :26:09. | |
# I predict a riot # But at the end of the day, the | :26:09. | :26:14. | |
people at home decided to keep us in, and that's what's important. | :26:14. | :26:18. | |
This week we're dancing the American smooth, which is like a | :26:18. | :26:22. | |
foxtrot with lifty bits, and we're dancing it to the tune of Pretty | :26:22. | :26:27. | |
Woman. I love that film. This is not a race. I don't know what's | :26:27. | :26:32. | |
happened to James. Don't turn your head! But he's become a little bit | :26:32. | :26:36. | |
tough. I know I'm always really harsh on you, but you've made it | :26:36. | :26:40. | |
all the way to the quarter-finals, and I want you to go and treat | :26:40. | :26:50. | |
:26:50. | :26:52. | ||
yourself. Thanks, James. Where is she? Bye! | :26:52. | :26:57. | |
# Well, she's all you'd ever want # She's the kind I'd like to flaunt | :26:57. | :27:00. | |
and take to dinner # She's a lady | :27:00. | :27:06. | |
# Whoa, Whoa, Whoa # Hi! Where have you been? You told | :27:06. | :27:12. | |
me to treat myself. I meant get myself lunch. Big mistake - huge | :27:12. | :27:22. | |
:27:22. | :27:22. | ||
Apology for the loss of subtitles for 42 seconds | :27:22. | :29:05. | |
mistake! Didn't you like it? It was great. | :29:05. | :29:13. | |
It was great, a happy ending, yeah. All right. Bruno? My darling, don't | :29:13. | :29:19. | |
worry because Pretty Woman is an understatement. You were absolutely | :29:19. | :29:20. | |
gorgeous! APPLAUSE | :29:20. | :29:25. | |
Fabulous transitions in and out of lifts, great turns, fluid. There | :29:25. | :29:30. | |
was a tiny incident, but... Yes. tell you, it doesn't spoil the | :29:30. | :29:36. | |
gorgeousness of this dance. It was absolutely lovely. Well, lovely - | :29:36. | :29:41. | |
that's great. All right, then, Craig? You have finally learned how | :29:41. | :29:45. | |
to put "sexy" into dance. APPLAUSE | :29:45. | :29:52. | |
Oh! Because you know that. Well, you do now, yes. It was all going | :29:52. | :29:56. | |
swimmingly well, and then there was just these feather steps. Listen, I | :29:56. | :30:00. | |
loved the dance. I thought you did it great. The lifts were clean and | :30:00. | :30:05. | |
good. You came out and really sold it - just that little incident, but | :30:05. | :30:09. | |
well done to you. APPLAUSE | :30:09. | :30:13. | |
And Alesha? A beautiful song and a gorgeous routine, which you danced | :30:13. | :30:18. | |
with elegance and class, and for me, you have been consistently | :30:18. | :30:22. | |
improving in this competition, and I think you deserve credit for that. | :30:22. | :30:28. | |
The improvement - the improvement... It was beautiful, honestly. Don't | :30:28. | :30:33. | |
beat yourself up because I can tell... She's a bit disappointing. | :30:33. | :30:37. | |
It was stunning. It was stunning. It was wonderful. Thank you. | :30:37. | :30:40. | |
the improvement over the weeks has been tremendous. You wait until you | :30:40. | :30:45. | |
look back at some of the other shows, and you'll see, you're doing | :30:45. | :30:49. | |
marvellous. No, no. That's what it's all about, this show, | :30:49. | :30:52. | |
improvement. And you have improved. Off you go. Off you go. | :30:52. | :31:02. | |
:31:02. | :31:08. | ||
beat yourself up. The audience loved it, right? I'm sorry. | :31:08. | :31:11. | |
CHEERING AND APPLAUSE Dress date again! Dress date. I | :31:11. | :31:15. | |
understand Pretty Woman is your favourite movie of all time. Mine | :31:15. | :31:21. | |
too! Yours is Ghost. She knows you so well. It must be a dream come | :31:21. | :31:25. | |
true ballroom dancing. Completely. It was such a nice song to do. I | :31:25. | :31:33. | |
wanted to wear the dress and to feel like a film star for the day. | :31:33. | :31:40. | |
No wardrobe malfunctions there. Do you reckon James could double as a | :31:40. | :31:46. | |
Richard Gere double? Perhaps if we take the lipstick off the cheek! | :31:46. | :31:56. | |
:31:56. | :32:09. | ||
Write down this number. Call when lines open later if you want our | :32:09. | :32:14. | |
Pretty Woman to get to dance again next Saturday! Coming up in our | :32:14. | :32:18. | |
movie night special, Jason is going to be singing in the rain with his | :32:18. | :32:24. | |
American smooth, and Chelsee is going to be driving with Shrek. | :32:24. | :32:29. | |
Yeah, he's in the building. See, in there? I'm green with envy. Back to | :32:29. | :32:38. | |
Now for our next couple, Holly Valance and her partner, Artem, a | :32:38. | :32:43. | |
very popular lady and a wonderful dancer. Yes, they're performing to | :32:43. | :32:48. | |
the soundtrack of that marvellous film Zorro. Holly said she thought | :32:48. | :32:53. | |
I would make a good Zorro. I said, "Is that because I could handle | :32:54. | :33:00. | |
myself in a sword fight?" No. She said, "Because you would look so | :33:00. | :33:05. | |
much better in a mask". How could a beautiful girl like that be so | :33:05. | :33:10. | |
horrible to me? I hope she doesn't tell me! Anyway, here they are in | :33:10. | :33:14. | |
training. We're ready to rock 'n' roll. | :33:14. | :33:18. | |
I definitely get 100% from my foxtrot, and I got to do a bit of | :33:18. | :33:24. | |
solo dancing. I didn't muck up one move, which I couldn't believe. | :33:24. | :33:31. | |
Holly! Probably the dance I am most proud of so far. I thought it was | :33:31. | :33:37. | |
fantastic! Well done! I have heard him say it too many times, but I | :33:37. | :33:42. | |
might make it my ring tone. I was disappointed we were in the bottom | :33:42. | :33:46. | |
two - again. I feel like I am letting Artem down again. I am just | :33:46. | :33:51. | |
last glad we have the opportunity to come back for another week. I am | :33:51. | :33:58. | |
so amped up about getting to do the paso, my passion and fire - it | :33:58. | :34:03. | |
suits me better than the fluffier stuff. It's about facing up to each | :34:03. | :34:06. | |
other. I think Artem has something up his sleeve to help me get into | :34:06. | :34:16. | |
:34:16. | :34:41. | ||
not being in the bottom two and getting into the semi-final - that | :34:41. | :34:51. | |
:34:51. | :34:51. | ||
Apology for the loss of subtitles for 42 seconds | :34:51. | :36:53. | |
would be a dream. love Irish dancing. Yes. Craig, we | :36:53. | :36:59. | |
will start off with you. That, my darling, must be your personal best. | :36:59. | :37:07. | |
Thank you. The skirt worked. The only thing is you do look at the | :37:07. | :37:12. | |
floor always. You need to bring the eye line up, darling. Yes. She just | :37:12. | :37:16. | |
wants to know where it is. Lovely to know there's a floor there. | :37:16. | :37:21. | |
Right. Len? This competition is all about not where you start, but | :37:21. | :37:26. | |
where you finish, and I tell you, you're finishing strong. Well done. | :37:27. | :37:31. | |
There again - the improvement. It is the improvement, especially over | :37:31. | :37:37. | |
these last three or four weeks. Alesha? I was rooting for you the | :37:37. | :37:41. | |
whole way, Holly. Your arms and hands were superb. I loved the | :37:41. | :37:45. | |
routine, Artem. I love this week you were really fighting - sorry, | :37:45. | :37:48. | |
the table! You were working it. You were totally there character, and | :37:48. | :37:55. | |
you have stepped it up a notch. Good for you. Well done, my darling. | :37:55. | :38:02. | |
Well done. Finally, Holly, you sources re! That's what I want! And | :38:02. | :38:12. | |
:38:12. | :38:14. | ||
I have to point out, the flam enkco a capella sequence is wrong. In | :38:14. | :38:17. | |
that Dan, sometimes you do look down because you have to build it | :38:17. | :38:27. | |
:38:27. | :38:28. | ||
up and bring it up - even higher. She was brilliant. You do. You have | :38:28. | :38:33. | |
to bring it up. You have to look on the floor when you do that. It was | :38:33. | :38:37. | |
wonderful. Artem, a marvellous routine. Off you go, and be proud. | :38:37. | :38:47. | |
:38:47. | :38:56. | ||
Be proud. audience and the judges. This was | :38:56. | :39:01. | |
the dance you were waiting to do. Was it worth the wait? I absolutely | :39:01. | :39:07. | |
loved it. The choreography was amazing, getting to stamp my feet. | :39:07. | :39:11. | |
Your personal dance. You're fighting to stay out of the bottom | :39:11. | :39:16. | |
two. Absolutely. We're working hard to do it. Hopefully, tonight we'll | :39:16. | :39:21. | |
do it, but fingers crossed - we're ten out of 12 weeks, can't complain. | :39:21. | :39:31. | |
:39:31. | :39:50. | ||
The passion was phenomenal. Loved the bag. The audience are happy | :39:50. | :39:57. | |
about that. Your personal best score of the series. Well done, | :39:57. | :40:03. | |
Holly. Make a note of the number. Call this number later if you don't | :40:03. | :40:13. | |
:40:13. | :40:17. | ||
want Holly and indeed Artem to say hasta la vista to Strictly. | :40:17. | :40:22. | |
Bbc.co.uk/strictly for to have a nosey on the latest in ballroom. | :40:22. | :40:29. | |
And with the final coming up, there is plenty going on, a bit like | :40:29. | :40:38. | |
behind me - behave, children. Over to you, Brucey. Next up is Jason | :40:38. | :40:42. | |
Donocan -- Donovan and his partner Kristina. Another popular couple! | :40:42. | :40:47. | |
Now, they're dancing to Singing in the Rain, the greatest of all | :40:47. | :40:52. | |
musicals. Jason came up to me today and said, "Bruce, can you possibly | :40:52. | :40:58. | |
help me?" I said, "Of course. You want me to choreograph the routine | :40:58. | :41:05. | |
or just a bit of voice coaching for singing?" He said, "No, I just want | :41:05. | :41:10. | |
to borrow your umbrella?" So I gave him my umbrella and walked away and | :41:10. | :41:17. | |
left him - lying there. Can't believe that! Oh, oh, oh. Here they | :41:17. | :41:27. | |
:41:27. | :41:28. | ||
The Charleston was dance I was happy with. It was truly fabulous. | :41:28. | :41:32. | |
Well done. Some great scores. But I felt we were going to do a little | :41:32. | :41:39. | |
bit better in the swing-a-thon. It's the Juddmeister and that | :41:39. | :41:43. | |
Chelsee - those two are on fire. This week I am officially the | :41:43. | :41:52. | |
oldest person in the competition - wow! Never felt old in my life. I | :41:52. | :41:56. | |
know it's kind of hard. We were dancing the classic American smooth | :41:56. | :42:01. | |
to Singing in the Rain. This is the final push. There is some | :42:01. | :42:07. | |
competition. You just have to keep digging deeper. Hey, Jason. What's | :42:07. | :42:10. | |
with the umbrella? Ever since we have started this competition, the | :42:10. | :42:16. | |
most strangest things have happened to me. I am standing at a bus stop. | :42:16. | :42:22. | |
Suddenly, it starts raining. I put my brolly up. The other people look | :42:22. | :42:28. | |
at me like I'm crazy. I sit down for a breather in the park. Again | :42:28. | :42:32. | |
it starts raining - the bloke next to me, completely dry as a bone. | :42:32. | :42:39. | |
And to make matters worse, I can't even eat a sandwich without getting | :42:39. | :42:45. | |
wet. Maybe you just need some rest. What are you doing? Exactly what I | :42:45. | :42:54. | |
say! Yeah, OK. Hmm. # I'm never going to stop the rain | :42:54. | :42:59. | |
by complaining # Kristina, what are you doing? | :42:59. | :43:03. | |
just trying to help you to get into the mood of the dance. Really | :43:03. | :43:13. | |
:43:13. | :43:13. | ||
Apology for the loss of subtitles for 42 seconds | :43:13. | :45:21. | |
Well done. And Kristina - listen to that. So lovely. What a great | :45:21. | :45:27. | |
number, a great, great number. Now, then, what's going on here? We were | :45:27. | :45:32. | |
just chatting. Some excitement tonight. OK. We'll get on with the | :45:32. | :45:38. | |
excitement in just a second. Len? Singing in the Rain is such an | :45:38. | :45:42. | |
iconic dance, and as soon as you hear the music, your expectation | :45:42. | :45:47. | |
are enormous and Gene Kelly's shoes are big to fill, but I tell you | :45:47. | :45:51. | |
what, I loved it. The actual foxtrot was right on the money, | :45:52. | :45:58. | |
lovely footwork. Jason, you did really, really well. Well done! | :45:58. | :46:03. | |
Well done. Cheer up. It's over. It's over. Alesha? A wonderful | :46:03. | :46:07. | |
concept which suits you down to a tee. The beginning on the own was | :46:07. | :46:10. | |
fabulous. The lift section was brilliant. It was elegantly played, | :46:10. | :46:15. | |
and you made it look easy, and I am really happy for you, Jason, | :46:15. | :46:19. | |
because I genuinely believe you deserve to be in the semi-finals. | :46:19. | :46:23. | |
She said it. She said it. Now, then... Jason goes to Hollywood! | :46:23. | :46:27. | |
And I tell you, actually, you took a huge risk with this and Len | :46:27. | :46:31. | |
pointed it out. I am not going to repeat it because we're talking | :46:31. | :46:35. | |
about one of the best movies ever made, but you made it your own. It | :46:35. | :46:41. | |
was a clever tribute, beautifully set up. The foxtrot was classic, | :46:41. | :46:46. | |
excellently executed, well placed, and a great Hollywood ending. It | :46:46. | :46:48. | |
was a very, very special performance. I loved it. | :46:48. | :46:53. | |
APPLAUSE Well, I can't wait for Craig. Craig, | :46:53. | :46:57. | |
what did you think? It's getting boring now. Everyone's good! | :46:57. | :47:06. | |
LAUGHTER Uh, I really loved it. I really did. | :47:06. | :47:12. | |
A lot of charisma. It was just really fantastic, really. | :47:12. | :47:18. | |
Marvellous! You're really good tonight, Craig. Isn't he good? | :47:18. | :47:22. | |
know, behaved. Get off before he changes his mind - quick. Off you | :47:22. | :47:32. | |
:47:32. | :47:35. | ||
Len said you filled Gene Kelly's shoes. Was that a glorious feeling? | :47:35. | :47:40. | |
Well, it felt right, and I - before the actual dance, I sort of thought, | :47:40. | :47:43. | |
just relax and enjoy it, and particularly the first section I | :47:43. | :47:51. | |
felt was right in the pocket, but it was - as Craig would say, it was | :47:51. | :47:55. | |
a bonzer, mate. More lifts than you have ever done. Do you think that's | :47:55. | :47:59. | |
enough to get you into the semis next week? Well, we try hard, and | :47:59. | :48:03. | |
there is some talent here. A lot of competition. Let's just hope the | :48:03. | :48:13. | |
:48:13. | :48:29. | ||
public vote for us and want us to Woo! It's raining tens! Raining | :48:29. | :48:34. | |
tens. Congratulations. Well deserved, a fabulous routine. Call | :48:34. | :48:41. | |
this number later did you want our very own Aussie Gene Kelly to come | :48:41. | :48:49. | |
back like a boomerang next week. Does that sound bonser, Jason? | :48:49. | :48:52. | |
overwhelmed. Thank you very much. Your vote could mean the difference | :48:52. | :48:54. | |
between your favourite staying or going. | :48:55. | :49:00. | |
Back to you. Thank you, Tess. Our next couple | :49:01. | :49:10. | |
tonight is Chelsee Heeley and her partner Pasha. What a night tonight. | :49:10. | :49:20. | |
:49:20. | :49:21. | ||
They're dancing to the theme from the movie Shrek. The movie features | :49:21. | :49:26. | |
all the famous cartoon characters like Sleeping Beauty, who sleeps | :49:26. | :49:33. | |
for a hundred years - big deal - did you counted up all my afternoon | :49:33. | :49:38. | |
naps! Here they are in training. When I step on to the dancefloor, | :49:38. | :49:41. | |
it's a very scary feeling. There was a lack of intensity to the | :49:41. | :49:46. | |
dance. I didn't show what I should have been showing. Just act the | :49:46. | :49:50. | |
dance more. The steps were great. You nailed them. The passion is the | :49:50. | :49:55. | |
next step. I enjoyed it so much. To get on that floor and dance each | :49:55. | :49:59. | |
week, I enjoy it so much. I really don't want it to be the end. It's | :50:00. | :50:02. | |
coming to the end of the competition. The level of dancing | :50:02. | :50:05. | |
is really high, and judges are looking for better and better | :50:06. | :50:09. | |
performances each week. I am kind of proud of myself for once. I | :50:09. | :50:13. | |
never thought I would get this far. This week I am dancing the jive to | :50:13. | :50:18. | |
a song from the movie Shrek. Come on, Princess, smile. Apparently I | :50:18. | :50:25. | |
am playing the Us Princess, a beautiful long dress, a tiara. I | :50:25. | :50:31. | |
reckon it's probably the nearest I'll get to being a Princess. | :50:31. | :50:38. | |
trip was organised to Shrek, the Musical in the West End, so it will | :50:38. | :50:42. | |
help me get into character. people in there will help you get | :50:42. | :50:48. | |
all dressed up into character. you on stage. OK, Chelsee, are you | :50:48. | :50:54. | |
ready? Aaaah! # Hey, now, you're an all-star # | :50:54. | :50:59. | |
There has been some sort of mistake. Look at me. You look perfect. | :50:59. | :51:06. | |
thought you said I was going to be a Princess. But you are a Princess, | :51:06. | :51:11. | |
Princess Fiona. That's how she looks. But definitely still a | :51:11. | :51:21. | |
:51:21. | :51:21. | ||
Apology for the loss of subtitles for 42 seconds | :51:21. | :53:16. | |
Princess? That's how she looks. They deserve that. Chelsee, have a | :53:16. | :53:21. | |
look. Look. And down here. Acknowledge them here. And the | :53:21. | :53:30. | |
judges were jumping up and down. What a dance! What a dance. What a | :53:31. | :53:38. | |
dance! Huh? That was really good. Thank you! Oh, my darling, I'm | :53:38. | :53:44. | |
telling you, the fairy tale really has a happy ending. This gets you | :53:44. | :53:54. | |
:53:54. | :53:55. | ||
fast-tracked to the semis, I am sure. Absolutely. It was wonderful. | :53:55. | :54:01. | |
OK. Craig? It is, darling, a little disconcerting, I have to say. I | :54:01. | :54:05. | |
love the routine. You need to pick your knees up a little bit more. | :54:05. | :54:09. | |
It's a small detail, but it was incredible. | :54:09. | :54:12. | |
BOOING I was just saying it was incredible. | :54:12. | :54:22. | |
:54:22. | :54:22. | ||
Applause. Details. OK. Who cares! Who cares. On the ceiling. | :54:22. | :54:28. | |
goodness sake! I got in just before Len there. If you're not back next | :54:28. | :54:37. | |
week, I'll pickle me walnuts! did I say? What did I say? And | :54:37. | :54:43. | |
Alesha, my darling. Chelsee and Shrek, you look amazing. Listen. It | :54:43. | :54:49. | |
was cute. It was fun. It was punchy and playful. You were kicking and | :54:49. | :54:52. | |
turning like nobody's business. You found your dance. It was incredible. | :54:52. | :55:00. | |
Thank you so much. Yes! And I know I turned down the part | :55:01. | :55:04. | |
of the donkey, but it was so wonderful to watch you... Thank you, | :55:04. | :55:09. | |
Bruce. And the atmosphere - you have given us a wonderful finish to | :55:09. | :55:19. | |
:55:19. | :55:28. | ||
Wow, in a word - a bit green around the - a bit off colour there, Pasha. | :55:28. | :55:32. | |
Can you hear me?! You were described as a Princess earlier on | :55:32. | :55:37. | |
in the competition. Now you actually got to play one tonight. | :55:37. | :55:42. | |
How did it feel? Amazing. Princess dress - it's just a shame about the | :55:42. | :55:49. | |
Prince. All he needs is a Prince. Do you feel like you're starring in | :55:50. | :55:57. | |
your own Strictly bonanza of a movie? Um, I don't know! "Fairy | :55:57. | :56:07. | |
:56:07. | :56:33. | ||
tale fast tracked to the semis" 39 out of 40 - your highest score, | :56:33. | :56:38. | |
Chelsee... Yes. And the best reaction to a ten all night. Right. | :56:38. | :56:43. | |
Jot down the number and call when lines open very shortly if our | :56:43. | :56:47. | |
Chelsee's jive had you up in the aisles cheering. We're two weeks | :56:47. | :56:51. | |
from the final in Blackpool. Can you believe it, Chelsee? No. It's | :56:51. | :56:54. | |
coming up. Do you want to be there? I would love to, yeah. That's it. | :56:54. | :57:00. | |
All of our scene-stealing couples have brought us blockbuster | :57:00. | :57:10. | |
:57:10. | :57:14. | ||
performances tonight. Here is how Remember, you can change that | :57:14. | :57:16. | |
because the phone lines are now open. | :57:16. | :57:26. | |
:57:26. | :57:34. | ||
Get voting. 8.30pm they close. Details can be found at | :57:34. | :57:44. | |
bbc.co.uk/strictly. Brendan? Here to help to remind me of those | :57:44. | :57:54. | |
:57:54. | :57:54. | ||
Apology for the loss of subtitles for 42 seconds | :57:54. | :59:47. | |
I hope you agree it's been a silver screen classic, and I'm sure our | :59:48. | :59:54. | |
movie stars didn't disappoint. Next weekend it's the semi-finals, but | :59:54. | :59:58. | |
alas for one couple their ballroom dream will be gone with the wind, | :59:58. | :00:01. | |
unfortunately. Pick up the phone and dial those numbers because your | :00:01. | :00:07. | |
votes can change everything. Your stars really do need you. In the | :00:07. | :00:12. | |
Results Show tomorrow at 7.25pm, Tess and Claudia will say a sad | :00:12. | :00:15. | |
cheerio to one of our couples. It's sad, but that's what's going to | :00:15. | :00:19. | |
happen, and we'll be back in the ballroom next Saturday at the | :00:19. | :00:24. | |
slightly earlier time of 6.30pm because they'll be doing two dances | :00:24. | :00:30. |