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APPLAUSE Welcome to Movie Night. This is | 0:00:39 | 0:00:49 | |
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Apology for the loss of subtitles for 144 seconds | 0:00:49 | 0:03:14 | |
Yes! What a cheeky Charleston start to our results show. Thank you very | 0:03:14 | 0:03:19 | |
much. It was Saturday night at the movies as our Strictly A-listers | 0:03:19 | 0:03:24 | |
gave six Oscar-winning performers, but only five stars will get an | 0:03:24 | 0:03:29 | |
extended run to next week's semi- final. Who will be having another | 0:03:29 | 0:03:32 | |
Saturday Night Fever and who will be Stayin' Alive? We'll find out. | 0:03:33 | 0:03:39 | |
First, it's time to welcome our judges, Craig Revel-Horwood Craig. | 0:03:39 | 0:03:46 | |
-- Craig, Len, Alesha and Bruno. Before we hear from our judge, | 0:03:46 | 0:03:50 | |
let's see what other features we have on the show tonight. Thank you. | 0:03:50 | 0:03:56 | |
We have a blockbuster show tonight. Alfie Boe has a licence to thrill | 0:03:56 | 0:04:04 | |
was his James Bond thriller, more from Len's lens, and our | 0:04:04 | 0:04:08 | |
professional actors will be taking us back to the golden age of | 0:04:08 | 0:04:12 | |
Hollywood. First, here's a rerun, plus plenty of extras. | 0:04:12 | 0:04:22 | |
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# Saturday night at the movies # It's going into the finals! Woo! | 0:04:24 | 0:04:34 | |
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I don't know what they'll say about You are a smooth operator. You were | 0:04:38 | 0:04:43 | |
strutting your stuff somewhere between Kate Moss and Russell Brand. | 0:04:43 | 0:04:50 | |
You made the best of what you have. It wasn't top notch. I was | 0:04:50 | 0:04:55 | |
disappointed. But it was still a point, so... The best dance I have | 0:04:55 | 0:05:00 | |
seen from a male celebrity in a long time - rumba. That is the | 0:05:00 | 0:05:10 | |
0:05:10 | 0:05:10 | ||
hardest dance for men, so I thought he did a great job. You have | 0:05:10 | 0:05:15 | |
obviously been working on your hip action. I had a dream last night I | 0:05:15 | 0:05:23 | |
got four nines. Nine! Nine! Nine. am so happy. I am loving her. | 0:05:23 | 0:05:27 | |
Pretty Woman is an understatement. You were absolutely gorgeous. There | 0:05:27 | 0:05:30 | |
was a tiny incident. There is nothing like the feeling when | 0:05:30 | 0:05:35 | |
you're out there dancing, but also, I'm stuck, and I don't know what to | 0:05:35 | 0:05:43 | |
do about it. Alex! I think there is something about me. I think they | 0:05:43 | 0:05:50 | |
just don't like me. I think I'll have to wear shorts and a T-shirt. | 0:05:50 | 0:05:58 | |
Good golly, Ms Holly. Holly, you sources re. A that, my darling, | 0:05:58 | 0:06:07 | |
must be your personal best. Ten! got tens! Holy moly. She was just a | 0:06:07 | 0:06:12 | |
revelation, really came out and sold it. I felt like I was dreaming | 0:06:12 | 0:06:18 | |
it. It wasn't really happening. Do you know what I mean? Jason goes to | 0:06:18 | 0:06:20 | |
Hollywood! It was a very, very special performance. I loved it. | 0:06:20 | 0:06:27 | |
APPLAUSE Woo-hoo! Really happy for you, | 0:06:27 | 0:06:32 | |
Jason, because I genuinely believe you deserve to be in the semifinals. | 0:06:32 | 0:06:38 | |
I was looking at Craig thinking what is he going to say? It's | 0:06:39 | 0:06:43 | |
getting boring now. Everyone is good. So overwhelmed by this | 0:06:43 | 0:06:47 | |
experience! Woo-hoo! # Then I saw her face # | 0:06:47 | 0:06:49 | |
Little Ms Dynamite. Fast track to the semis! | 0:06:49 | 0:06:59 | |
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APPLAUSE Woo-hoo! You found your dance. | 0:06:59 | 0:07:06 | |
everyone loved it! Nine! And a ten off Len. Didn't expect that one. | 0:07:06 | 0:07:10 | |
That girl is an absolute crackerjack - the standard of | 0:07:10 | 0:07:15 | |
dancing has just got better and better. Top of the leader board, | 0:07:15 | 0:07:20 | |
Chelsee, down at the bottom, Robbie, but I'll tell you what - I'm going | 0:07:20 | 0:07:29 | |
to sleep and dream of tonight's A spectacular night of dancing, but | 0:07:29 | 0:07:37 | |
who is heading for a semi-final next week and who has had their | 0:07:38 | 0:07:42 | |
last week? The results are in. In no particular order, the first | 0:07:42 | 0:07:52 | |
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couple safe and dancing again in Alex and James. | 0:08:01 | 0:08:11 | |
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Oh! Oh, oh! How did that happen? Also through are: | 0:08:18 | 0:08:28 | |
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Chelsee and Pasha. Yes! Ahh! Thank Now, in the bottom two tonight and | 0:08:37 | 0:08:47 | |
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in danger of leaving the Jason and Kristina. The rest of you | 0:08:52 | 0:09:01 | |
will have to wait to learn your fate. Bruno, you gave Jason a ten | 0:09:01 | 0:09:05 | |
on Saturday night. Yes! disappointed would you be to not | 0:09:05 | 0:09:09 | |
see him here next week? I am very disappointed. I think if he has to | 0:09:09 | 0:09:13 | |
go, we all will miss him because I'm telling you one thing - he | 0:09:13 | 0:09:19 | |
always gives everything he's got to what he does - full-on, out there, | 0:09:19 | 0:09:26 | |
a very honest performer. Absolutely. And Saturday night, he gave a very | 0:09:26 | 0:09:28 | |
well-crafted performance. It was an excellent tribute to the Hollywood | 0:09:28 | 0:09:32 | |
golden age. It was spot on for what the brief was. It was subtle, | 0:09:32 | 0:09:36 | |
clever, beautifully produced. I - you know, at this stage, it's | 0:09:36 | 0:09:39 | |
tragic, really, because we really loved them all. They have all done | 0:09:40 | 0:09:44 | |
so well, and it would be really sad to see him go because I thought he | 0:09:44 | 0:09:49 | |
did really well. Not even a ten can save you from the bottom two. | 0:09:49 | 0:09:53 | |
Standards are high thank you, Bruno. Over to you, Claudia. Thank you, | 0:09:53 | 0:09:57 | |
Tess. Massive congratulations to our first two safe couples. You are | 0:09:57 | 0:10:04 | |
through. I have to say, if it was Strictly Come Reactions, you would | 0:10:04 | 0:10:08 | |
both win! I think you might be in shock, Alex. I'm completely in | 0:10:08 | 0:10:13 | |
shock. I am just wondering if they have counted the votes up properly. | 0:10:13 | 0:10:17 | |
Can I just confirm, we have. Honestly, that's been sorted. But | 0:10:17 | 0:10:21 | |
your little face - you were like my toddler, just, what, what? Because | 0:10:21 | 0:10:24 | |
you were quite disappointed after your dance on Saturday night. | 0:10:24 | 0:10:28 | |
because I just thought it's highly likely it would be your last one, | 0:10:28 | 0:10:32 | |
and I just thought, oh, I wish I could have got through it and done | 0:10:32 | 0:10:36 | |
it as we'd rehearsed it, but I am so grateful. I preferred your | 0:10:36 | 0:10:43 | |
version of the routine! You have been absolutely delightful. Chelsee, | 0:10:43 | 0:10:45 | |
you were absolutely radiant on Saturday night. Thank you. | 0:10:45 | 0:10:51 | |
favourite thing, as you know, about you, is I say, "Do you now know you | 0:10:51 | 0:10:57 | |
can dance?" And you always say, "No, but thanks!" And tens! I know. It | 0:10:57 | 0:11:01 | |
was an amazing, overwhelming surprise. I can't tell you how | 0:11:01 | 0:11:03 | |
happy I am. A massive congratulations to both of you. Now | 0:11:03 | 0:11:10 | |
a treat - he's one of the world's most successful tenors, performing | 0:11:10 | 0:11:17 | |
a trilogy of 007 - apologies - classics - please welcome the | 0:11:17 | 0:11:27 | |
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heart was an open book # You used to say live and let live | 0:11:35 | 0:11:41 | |
# But in this ever-changing world in which we live in | 0:11:41 | 0:11:51 | |
0:11:51 | 0:11:51 | ||
Apology for the loss of subtitles for 144 seconds | 0:11:51 | 0:12:36 | |
# Makes you give in and cry # Makes me feel sad for the rest | 0:12:36 | 0:12:46 | |
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# Nobody does it half as good as # Baby, you're the best # | 0:12:48 | 0:12:58 | |
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# Time enough for life # To unfold | 0:13:12 | 0:13:17 | |
# All the precious things life has in store | 0:13:17 | 0:13:27 | |
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# We have all the time in the world # If that's all we have | 0:13:32 | 0:13:42 | |
0:13:42 | 0:13:47 | ||
# You will find we need nothing CHEERING AND APPLAUSE | 0:13:47 | 0:13:55 | |
# Live and let die! # Live and let die | 0:13:55 | 0:14:05 | |
0:14:05 | 0:14:15 | ||
# Live and let die # # Live and let die! # Live and let | 0:14:15 | 0:14:25 | |
0:14:25 | 0:14:42 | ||
Absolutely brilliant. It's time to welcome the judges. Hey-hey-hey! | 0:14:42 | 0:14:47 | |
This is when we look at the details, the specifics. I have said it | 0:14:47 | 0:14:53 | |
before. I'll say it again. We can't do this alone. No. We will be | 0:14:53 | 0:15:00 | |
joined in - good girl, Alesha. I love it! We will be joined with... | 0:15:00 | 0:15:04 | |
Len's lens. Before we get into the specifics of the dancing, I've got | 0:15:04 | 0:15:07 | |
something to show you, one of my favourites - nice to always have a | 0:15:07 | 0:15:11 | |
bit of encouragement before you dance. This is what happened to | 0:15:11 | 0:15:17 | |
Kristina just before she performed. Gorgeous, gorgeous, Kristina. | 0:15:17 | 0:15:27 | |
0:15:27 | 0:15:28 | ||
You wicked - but she's gorgeous! She certainly is. OK. We'll go one | 0:15:28 | 0:15:34 | |
by one - first off, Len, talk about Chelsee and Pasha. Good boy! Well, | 0:15:34 | 0:15:40 | |
that's what I'm doing, OK? You love it. Darn my breeches. Well, I don't | 0:15:40 | 0:15:45 | |
know what that mean, but all right! Let's have a look at those fabulous | 0:15:45 | 0:15:51 | |
kicks again in slow-mo. Look. so crisp, clean, perfect | 0:15:51 | 0:16:01 | |
synchronicity. Look at that. I could not believe that a | 0:16:01 | 0:16:05 | |
celebrity could get to that standard in a few days. This girl | 0:16:05 | 0:16:09 | |
is an absolute crackerjack. I tell you, she really is. She absolutely | 0:16:09 | 0:16:15 | |
is. Alesha, Holly and Artem - I mean, this studio, they went | 0:16:15 | 0:16:18 | |
absolutely nuts. They did. Let's have a look at this phenomenal move. | 0:16:18 | 0:16:23 | |
Look. I want to say to you, knee spins - not one - here we go - off | 0:16:23 | 0:16:29 | |
you go, Artem. Love it. I couldn't take my eyes off Holly - her hands, | 0:16:29 | 0:16:34 | |
her arms, her body - she was incredible. I really, really hope | 0:16:34 | 0:16:38 | |
the audience at home what we could feel in the studio. It was electric. | 0:16:38 | 0:16:42 | |
I really hope that was picked up on by the audience. You say every week, | 0:16:42 | 0:16:46 | |
go on! Push it. She did. I could see it in her face, her | 0:16:46 | 0:16:50 | |
determination, the way she was placing her body. She upped it this | 0:16:50 | 0:16:58 | |
week. Good for her, really, really proud of her. Ooh! That means | 0:16:58 | 0:17:02 | |
business! Absolutely phenomenal. Look. Bruno is feeling it. I can | 0:17:02 | 0:17:06 | |
tell. But I just love them. I really love what they do. To be | 0:17:06 | 0:17:10 | |
honest, it's a natural response for all the work they put in, and | 0:17:10 | 0:17:13 | |
Saturday night, they were special, special. Craig, let me talk to you | 0:17:13 | 0:17:17 | |
about Jason and Kristina's lift because it wasn't just one, then it | 0:17:17 | 0:17:21 | |
went into "flooping" - I don't think it's called that. Look at | 0:17:21 | 0:17:27 | |
this. Here we go. You need a lot of balance for that, actually. I think | 0:17:27 | 0:17:33 | |
they have done a brilliant job. I think Kristina is an immaculate | 0:17:33 | 0:17:35 | |
choreographer. She always choreographs for the celebrities | 0:17:35 | 0:17:39 | |
and absolutely brilliant. I think she did a magnificent job with this | 0:17:39 | 0:17:44 | |
routine. It was gorgeous. Wonderful. Let's talk about Alex and James - | 0:17:44 | 0:17:48 | |
so sweet. Bless her. So shocked to be through. She talked about her | 0:17:48 | 0:17:52 | |
dress being caught. It was caught for about an hour. Have a look at | 0:17:52 | 0:18:02 | |
0:18:02 | 0:18:03 | ||
this. What happened is she focused fabulous. Look at these lifts - the | 0:18:03 | 0:18:08 | |
ease at which she goes in and out of it - she was floating. She was | 0:18:08 | 0:18:12 | |
beautiful. It was a tiny little thing, so she still got nines | 0:18:12 | 0:18:17 | |
across. She shouldn't beat herself up because the performance was | 0:18:17 | 0:18:22 | |
great. You see, her skirt is still caught, and she did it with total | 0:18:22 | 0:18:26 | |
aplomb. I have loved so many clips. This might be the one I'll be | 0:18:26 | 0:18:33 | |
taking home just to play myself every morning. Goodman... Yes. | 0:18:33 | 0:18:37 | |
adore you. I didn't know you were such a good singer. Here we go. | 0:18:37 | 0:18:40 | |
Here we go. # Saturday night at the movies # | 0:18:40 | 0:18:50 | |
0:18:50 | 0:18:55 | ||
Oh, no! LAUGHTER | 0:18:55 | 0:19:00 | |
Still going. He's still going! You can't stop him! Love it, love it, | 0:19:00 | 0:19:03 | |
love it. Look at Craig laughing. That never happens. Absolutely | 0:19:03 | 0:19:10 | |
brilliant. What a voice, eh? Totally untrained - Alfie Boe, eat | 0:19:10 | 0:19:14 | |
your heart out. Yeah, yeah! I know. You are the main tenor. Thank you | 0:19:14 | 0:19:20 | |
very much. As always, the judges! APPLAUSE | 0:19:20 | 0:19:24 | |
Now, two couples have already secured their places in the semi- | 0:19:24 | 0:19:28 | |
final, but who else will be joining them? Over to you, Tess. Thanks, | 0:19:28 | 0:19:33 | |
Claudia. Three couples left, and only two places in our final five. | 0:19:33 | 0:19:43 | |
0:19:43 | 0:19:43 | ||
But who will be there? It's time to In no particular order, safely | 0:19:43 | 0:19:51 | |
through to dance again next week are: | 0:19:51 | 0:20:01 | |
0:20:01 | 0:20:16 | ||
Harry and Aliona. So that means Robbie and Ola and | 0:20:16 | 0:20:20 | |
Holly and Artem - one of you is safe. One of you is in the bottom | 0:20:20 | 0:20:30 | |
two. I can reveal that the couple in the bottom two tonight is: | 0:20:30 | 0:20:34 | |
Robbie and Ola. APPLAUSE | 0:20:34 | 0:20:38 | |
So Holly and Artem, congratulations. You're through to next week's semi- | 0:20:38 | 0:20:48 | |
So Len, Robbie and Ola found themselves in the bottom two. It is | 0:20:48 | 0:20:52 | |
the semi-final next week. The competition is getting tougher and | 0:20:52 | 0:20:55 | |
tougher. Do you think it could be his time to go? No, I don't want | 0:20:55 | 0:20:59 | |
him to go because I have enjoyed him so much. Yes, yes! | 0:20:59 | 0:21:02 | |
APPLAUSE The audience is agreeing with you. | 0:21:02 | 0:21:07 | |
In Robbie, the revelation - week one, it was - he gave him a two, | 0:21:07 | 0:21:10 | |
and he has gradually grown and grown, and you know, he always | 0:21:10 | 0:21:16 | |
comes out and gives it the 100% full-on, full of energy. He's got | 0:21:16 | 0:21:20 | |
the sportsman mentality - give it all you've got. Good luck to him. | 0:21:20 | 0:21:24 | |
Thank you very much. Len, over to you, Claudia. | 0:21:24 | 0:21:28 | |
Thank you, Tess. Now transporting us back to the glamour of | 0:21:28 | 0:21:33 | |
Hollywood's heyday and inspired by the music of Fred Astaire and the | 0:21:33 | 0:21:35 | |
The Ratpack, please welcome our fantastic professional dancers. | 0:21:35 | 0:21:45 | |
0:21:45 | 0:21:45 | ||
Apology for the loss of subtitles for 144 seconds | 0:21:45 | 0:25:02 | |
(MUSIC: WHO WANTS TO BE A Absolutely brilliant. Now, | 0:25:02 | 0:25:06 | |
tonight's bottom two couples are here. Jason, how shocked are you? | 0:25:06 | 0:25:12 | |
When your name was called out, the whole of the studio audience went, | 0:25:12 | 0:25:20 | |
huh! It has been an incredible journey. When you put so much into | 0:25:20 | 0:25:29 | |
AUDIENCE: AHH! You want to go the whole way. I am really proud of | 0:25:29 | 0:25:35 | |
what we have done. Kristina, you have done a great job. You have had | 0:25:35 | 0:25:38 | |
a great time and done fantastically well. Hopefully, you'll be back | 0:25:38 | 0:25:42 | |
next week. Don't take that the wrong way. You're all right. I'm | 0:25:42 | 0:25:47 | |
worried about you. I'm OK. Robbie, you must be shocked as well. I know | 0:25:47 | 0:25:50 | |
how much you have loved it. How much do you want to be here next | 0:25:50 | 0:25:54 | |
week? I would love to be here, but you know, I've won already with the | 0:25:54 | 0:25:58 | |
people's perception - the public perception of me. Ola's transformed | 0:25:58 | 0:26:03 | |
me into - I have just had the best time of my life. It has been a | 0:26:03 | 0:26:08 | |
great experience, but if I went out tonight instead of Jason - Jason is | 0:26:08 | 0:26:14 | |
far better than me and so is Kristina. Honestly, I mean it. I | 0:26:14 | 0:26:19 | |
hope the public vote me out tonight. Jason or Robbie are about to be | 0:26:19 | 0:26:23 | |
knocked out of the competition. What? Can I just add to that, if I | 0:26:23 | 0:26:27 | |
can? Taxi. LAUGHTER | 0:26:27 | 0:26:30 | |
This competition is about different people from different areas, and | 0:26:30 | 0:26:35 | |
what Rob has achieved, what Alex has achieved, what Chelsee, what | 0:26:35 | 0:26:40 | |
Harry - what we have all achieved I think is absolutely phenomenal, and | 0:26:40 | 0:26:45 | |
that's a tough thing to do. Jason or Robbie are about to be knocked | 0:26:45 | 0:26:49 | |
out of the competition. Here's what we have loved about them. | 0:26:49 | 0:26:52 | |
experience with Strictly I have to say has been up there in some of | 0:26:52 | 0:26:55 | |
the most incredible things I've done. The best thing about being a | 0:26:55 | 0:26:59 | |
part of Strictly is the audience, you know, and the buzz I actually | 0:26:59 | 0:27:04 | |
get when a routine comes off and people feel excited for you. | 0:27:04 | 0:27:07 | |
Working with Kristina has been absolutely amazing, and I hope that | 0:27:07 | 0:27:11 | |
with the effort I have put in, I do her proud in whatever way we go in | 0:27:11 | 0:27:21 | |
0:27:21 | 0:27:27 | ||
of the greatest nights of my life. I felt like a rock star, 6,500 | 0:27:27 | 0:27:32 | |
people - a standing ovation, wow! I have enjoyed my Strictly experience | 0:27:32 | 0:27:37 | |
more than anything in the world - amazing. How I have gotten so far, | 0:27:37 | 0:27:42 | |
how has that happened? I do not know. To get dot semi-final would | 0:27:42 | 0:27:46 | |
make me realise, I must not be that bad of a guy. My heart is in the | 0:27:46 | 0:27:53 | |
right place. I think the public have seen that. | 0:27:53 | 0:27:57 | |
Jason and Kristina and Robbie and Ola, one of you is about to leave | 0:27:57 | 0:28:07 | |
0:28:07 | 0:28:11 | ||
the competition for good. It's the are pretty big to fill, but he | 0:28:11 | 0:28:18 | |
loved it. Robby, Craig said it was like a rabbit doing a trot-around. | 0:28:18 | 0:28:23 | |
But he loved the concept and loved the performance, but what do the | 0:28:23 | 0:28:33 | |
0:28:33 | 0:28:50 | ||
public think? I can now reveal that We'll see you next week in the | 0:28:50 | 0:28:58 | |
semi-final. Well done. Robbie and Ola, please come and join me. Come | 0:28:58 | 0:29:03 | |
on over, you two. You have been absolutely brilliant. They're on | 0:29:03 | 0:29:08 | |
their feet in the studio. Can you hear that? | 0:29:08 | 0:29:14 | |
CHEERING AND APPLAUSE For you. You came here a footballer, | 0:29:14 | 0:29:17 | |
and you are leaving here a dancer. What's your highlights the last | 0:29:17 | 0:29:21 | |
three months of Strictly, Robbie? It's just been everything, I think. | 0:29:21 | 0:29:25 | |
People didn't know who I was before I come on to this show. I was not a | 0:29:25 | 0:29:29 | |
nice person on the football pitch, but I hopefully changed people's | 0:29:29 | 0:29:34 | |
perceptions. I am just a normal, decent guy. He's all right! Ola, | 0:29:34 | 0:29:38 | |
anything you would like to say to Robbie? Thank you so much. I had | 0:29:38 | 0:29:42 | |
such a brilliant time with you. Teaching you was brilliant. Thank | 0:29:42 | 0:29:45 | |
you so much. She has been unbelievable. We're going to miss | 0:29:45 | 0:29:51 | |
our two blond bombshells I reckon. Robbie, you played a blinder. Off | 0:29:51 | 0:30:00 | |
you go. Have your last dance. It's an emotional farewell to another | 0:30:01 | 0:30:08 | |
couple. They'll join Zoe on Monday at 6.30pm on BBC Two. For all the | 0:30:08 | 0:30:12 | |
backstage gossip, please log on to our website. Next week be prepared | 0:30:12 | 0:30:15 | |
for nail-biting semi-final and a double elimination. Join Bruce and | 0:30:15 | 0:30:20 |