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Week's Strictly blockbuster cast delivered a movie special. There | :00:17. | :00:24. | |
were top-ten reviews. Ten. Our princess's fairytale | :00:24. | :00:31. | |
routine had everyone green with envy. Fast-track to the semi! | :00:31. | :00:34. | |
Mr Blond's highlights were cut short! | :00:34. | :00:41. | |
A little bit like a rabbit doing a trot! Our footballer got a red card. | :00:41. | :00:50. | |
And our Famous Five go mad in the ballroom. They've got two dances to | :00:50. | :00:56. | |
get their heads around. Ahhh! | :00:56. | :01:01. | |
Ahhh! The grand final at Blackpool beckons. Who will face this | :01:01. | :01:07. | |
weekend's double elimb nation? feeling sick. Who will get to see | :01:07. | :01:14. | |
the ill lum nations? Pick me. please. This is Strictly Come | :01:14. | :01:24. | |
:01:24. | :02:03. | ||
Live from Television Centre, this is the Strictly Come Dancing semi- | :02:03. | :02:12. | |
final. Please welcome your hosts, Sir Bruce16 -- Sir Bruce Forsyth | :02:12. | :02:20. | |
and Tess Daly. CHEERING AND APPLAUSE | :02:20. | :02:24. | |
Well, yes! We've done it. You can see through that! | :02:24. | :02:30. | |
I know you can. There we are. Well, just sit down. | :02:30. | :02:38. | |
I thought they were going! You're not going anywhere. Strictly | :02:38. | :02:45. | |
Come Dancing - it's nice to see you, to see you.... AUDIENCE: Nice. | :02:45. | :02:49. | |
is nice to see you. Two of our couples will leave us before next | :02:49. | :02:54. | |
week's final in Blackpool. feeling very nostalgic actually. | :02:54. | :02:58. | |
This is our last night in this studio. | :02:58. | :03:04. | |
AUDIENCE: AHH! LOOK AT THAT FLOOR, SO MUCH HISTORY. | :03:04. | :03:09. | |
RUSSELL GRANT RODE THE Bull just there. That is where Robbie hit his | :03:09. | :03:19. | |
:03:19. | :03:19. | ||
nose on the camera. I remember! And that's where Nancy went wrong. | :03:19. | :03:27. | |
There, and there, and over there, there... | :03:27. | :03:33. | |
In fact everywhere. Everywhere - yes! | :03:34. | :03:38. | |
Our five remaining couples are dancing for next week's grand final. | :03:38. | :03:43. | |
They'll have to do it the hard way - by dancing twice. Tonight, they | :03:43. | :03:47. | |
have to give it everything they want, if they want to reach | :03:47. | :03:55. | |
Blackpool. Double the fear - it's a ballroom blowout. Shall we unleash | :03:55. | :04:01. | |
them? Consider them unleashed! It is time to meet the stars of | :04:01. | :04:08. | |
Strictly. Waterloo Road's Chelsee Healey and | :04:08. | :04:18. | |
:04:18. | :04:45. | ||
CHEERING AND APPLAUSE There they all are. | :04:45. | :04:48. | |
Looking fabulous. Tonight the judges will score the routines and | :04:48. | :04:52. | |
our couples will be rankeden the leaderboard. Those scores will be | :04:52. | :04:57. | |
combined with your votes. We will open the phone lines at the end of | :04:57. | :05:07. | |
the show. You'll have your favourite into the final. We have | :05:07. | :05:14. | |
Karen Hardy and her co-host is Fern Britton. The first couple tonight | :05:14. | :05:19. | |
is Harry Judd and his partner, Aliona. | :05:19. | :05:27. | |
They are popular! Now then, Harry asked me if I | :05:27. | :05:33. | |
thought he was getting on all right with his dancing. I said, "Getting | :05:33. | :05:39. | |
on all right? Haven't you heard all the women scream when you wriggle | :05:39. | :05:44. | |
your hips? You're not only getting on all right, you're getting on my | :05:44. | :05:54. | |
:05:54. | :05:56. | ||
nerves!" he's become a rival. Here I really felt the nerves last week | :05:56. | :06:02. | |
because I knew there was no rom for error. I am beyond -- room for | :06:02. | :06:08. | |
error. I am beyond nervous. I knew the pressure was on. Someone's | :06:08. | :06:13. | |
dreams are going to be left on the cutting room floor. I tell you what, | :06:13. | :06:20. | |
it won't be you. I am so happy. Although I was pleased with our | :06:20. | :06:25. | |
dance we were third from bottom on the leaderboard. When I found out | :06:25. | :06:30. | |
we were through I actually screamed out. I did the loudest silent | :06:30. | :06:36. | |
scream I've ever done. I am just pleased. We are through to one more | :06:36. | :06:45. | |
week. Semi-finals. This week we have two dances, the | :06:45. | :06:52. | |
Charleston and the Viennese waltz. They are different, real contrasts. | :06:52. | :06:56. | |
Blackpool is the home to ballroom dancing. To get the chance to dance | :06:56. | :07:00. | |
there would be insane. I'd be lieing if I said I didn't want to | :07:00. | :07:06. | |
win, but I would love everyone to do well. I would just like to do a | :07:06. | :07:10. | |
little bit better. What's wrong, Harry? I cannot stop thinking about | :07:10. | :07:15. | |
what all the others are up to. What if they're better than me? | :07:15. | :07:19. | |
can't worry about that. I have an idea. | :07:19. | :07:26. | |
OK, you'll need this, all right? I'll stay in contact. | :07:26. | :07:34. | |
One, two, three, four.... Aliona, have you got me? | :07:34. | :07:40. | |
I can't help but have the feeling that someone's watching us. Been | :07:40. | :07:48. | |
compromised, abort, abort, abort! What's wrong with this? It's worse | :07:49. | :07:58. | |
:07:59. | :07:59. | ||
Apology for the loss of subtitles for 114 seconds | :07:59. | :09:53. | |
than I thought. We've got practise CHEERING AND APPLAUSE | :09:53. | :09:59. | |
You can't stop these people! Look at that, Harry. They are wild about | :09:59. | :10:05. | |
Harry. I tell you that. While you two take a breather, it's a good | :10:05. | :10:14. | |
time to welcome our fabulous singers, Dave Arch and his | :10:14. | :10:18. | |
wonderful orchestra. That was marvellous. Not forgoting our | :10:19. | :10:23. | |
judges. Welcome the judges. CHEERING AND APPLAUSE. They are all | :10:23. | :10:27. | |
getting ready, of course, for the long bus ride up to Blackpool. | :10:27. | :10:34. | |
Craig will be watching DVDs, Len will read a book. Alesha will read | :10:34. | :10:40. | |
her magazines. For six hours Bruno will be singing "The Wheels on the | :10:40. | :10:46. | |
bus Go Round and Round." I wish we could do it tonight, but maybe | :10:46. | :10:53. | |
another time. Two things were revealed, Aliona's middif and your | :10:53. | :10:58. | |
talent. I tell you what, that's the way to start a semi-final. I'm Just | :10:58. | :11:01. | |
Wild About Harry. I said it a few weeks ago, nothing has changed. If | :11:01. | :11:06. | |
you can come out and do a Viennese waltz to that standard, you will be | :11:06. | :11:15. | |
at the Tower Ballroom. Off you go. Go on, off you go. | :11:15. | :11:25. | |
:11:25. | :11:28. | ||
Here he is. We salute you, yes, we are all wild about Harry. A | :11:28. | :11:31. | |
standing ovation. Can you believe you are just one dance away? From | :11:31. | :11:35. | |
the grand final? I cannot believe I am still here. There are five of us | :11:35. | :11:39. | |
left. It has been an amazing experience. Such talented people | :11:39. | :11:43. | |
left. I am pleased to be here. have set the benchmark with that. | :11:43. | :11:47. | |
Do you think your Viennese waltz can maintain the standard? I hope | :11:47. | :11:53. | |
so. We will always do our best. We'll see. The scores are ready. | :11:53. | :12:03. | |
:12:03. | :12:20. | ||
What about that, Harry? One point off perfection - 39 out | :12:20. | :12:26. | |
of 40. You have set the standard. Anyone more nervous than you were | :12:26. | :12:32. | |
before? Brilliant! Fabulous! Jot down the number. | :12:32. | :12:37. | |
Call at the end of the show if you are wild about Harry and you want | :12:37. | :12:42. | |
him to dance in the final next week. Please don't call until we let you | :12:42. | :12:47. | |
know that lines are open. If you do it will not count and you may be | :12:47. | :12:52. | |
charged. This week we have double | :12:52. | :12:58. | |
elimination. Our semi-final has liftoff. Did you enjoy that ladies | :12:58. | :13:03. | |
and Gents? CHEERING AND APPLAUSE | :13:03. | :13:09. | |
Now, for our next couple Alex Jones and her partner, James. | :13:09. | :13:15. | |
Now Alex has been nursing a bit of an injury this week. To make sure | :13:15. | :13:21. | |
she doesn't make it worse she's going to dance in a Welsh way. A | :13:21. | :13:29. | |
Welsh way... I said, how do you mean a Welsh way. She said | :13:29. | :13:39. | |
:13:39. | :13:44. | ||
"Caerphilly." I said, "Lo vleeee." Stupid joke. | :13:44. | :13:51. | |
Anywhere, here they are in training. Last week, everything was looking | :13:51. | :13:56. | |
good. The dress was lovely, the story was lovely. Then it just went | :13:56. | :14:00. | |
horribly wrong. There's nothing wrong than being out there dancing | :14:00. | :14:06. | |
and think, here I go, I'm stuck and I don't know what to do about it. | :14:06. | :14:11. | |
can tell... She is disapointed. loved the dance. You came out and | :14:11. | :14:16. | |
really sold it. Just that little incident, but well done to you. | :14:16. | :14:21. | |
Love them. It was a mess. They could have really slated us. | :14:21. | :14:27. | |
results are in. In my head I expected the worst. | :14:27. | :14:33. | |
Alex and James.... I cannot believe I'm still here. | :14:33. | :14:43. | |
:14:43. | :14:47. | ||
How did that happen? This week, we are dancing the waltz | :14:47. | :14:52. | |
and the salsa. This won't go well. We are dancing | :14:52. | :15:00. | |
to a song called 1-2-3-4. Counting to the music should be easy. It's | :15:00. | :15:05. | |
not. Five, six, seven, eight, nine, ten. | :15:05. | :15:12. | |
Robbie and I used to say, oh, there are the glad yea ters. Harry, Jason, | :15:12. | :15:18. | |
Holly and Chelsee. Now it is those four and it's me! I want her to | :15:18. | :15:28. | |
:15:28. | :15:38. | ||
If I had known he was that easy I could have become a gladiator in | :15:38. | :15:48. | |
:15:48. | :15:48. | ||
week two. Come on - get up, we have training to do.... Now! | :15:48. | :15:58. | |
:15:58. | :15:58. | ||
Apology for the loss of subtitles for 114 seconds | :15:58. | :17:31. | |
Dancing the waltz Alex Jones and They won't keep in their seats, | :17:31. | :17:39. | |
look! Look at that. It was beautiful. I tell you | :17:39. | :17:45. | |
something, Alex, you've turned into a natural dancer. Oh, thank you. | :17:45. | :17:49. | |
Natural dancer. Alesha? You know, I was thinking, it's such a shame | :17:49. | :17:54. | |
that you've doubted yourself in the past because it's dancing like that | :17:54. | :17:59. | |
why you're in the semi-final, why you deserve to be in the semi-final. | :17:59. | :18:03. | |
Remember where you started and where you are now. You've, a long | :18:03. | :18:08. | |
way. You should be really proud. Improvement. You must look at it, | :18:08. | :18:15. | |
at your first week. You really are the belle of the ball. Elegant, | :18:15. | :18:19. | |
poised, graceful, lovely spins and I particularly liked the face to | :18:19. | :18:24. | |
face, out of hold section, which is so difficult. You were so in touch | :18:24. | :18:27. | |
with him. It was like the anticipation of a moment that was | :18:27. | :18:30. | |
going to last forever. She's absolutely right, you've improved | :18:30. | :18:40. | |
:18:40. | :18:42. | ||
leaps and bounds. Great to see. then, Craig? You lost your neck on | :18:42. | :18:50. | |
occasion, largely due... When did you lose that? Due to the raising | :18:50. | :18:54. | |
of the shoulder. Moving forward on the heel was missing a lot, but I | :18:54. | :19:00. | |
have to agree with these guyed, you have come such a long, long way. | :19:00. | :19:06. | |
You really have. Incredible. What about you, Len? You looked | :19:06. | :19:12. | |
beautiful. You danced beautiful. You deserve to be here in this | :19:12. | :19:18. | |
semi-final. Don't doubt it. Well done. There you are. Encouragement. | :19:18. | :19:28. | |
:19:28. | :19:35. | ||
I'm so thrilled for you. Off you go. Four months in, do you feel lick a | :19:35. | :19:42. | |
natural dancer now? No! Oh, come on. No James has worked tirelessly and | :19:42. | :19:45. | |
we're still in the semi-final is a shock to both of us. We're so | :19:45. | :19:49. | |
pleased to be here. Judges have spoke about your improvement. Has | :19:49. | :19:53. | |
it been harder this week learning steps for two different dances? | :19:53. | :20:00. | |
It's been a bit a nightmare, it has. But you know, we also thought it | :20:00. | :20:06. | |
could be our last week. Hopefully the salsa's all right. That's | :20:06. | :20:16. | |
:20:16. | :20:32. | ||
coming up. Could go either way. The Well done. Really good. Very strong | :20:32. | :20:42. | |
:20:42. | :20:47. | ||
Five couples, two dances, one dream - the chance to dance for the | :20:47. | :20:52. | |
glitterball trophy. Who's going to get your vote? Back to you, Bruce. | :20:52. | :20:56. | |
Now for our next couple, Chelsee Healey and her partner, Pasha. | :20:56. | :21:03. | |
CHEERING She is a little sweet heart. Last | :21:03. | :21:08. | |
week, shell see dances to a song from the movie Shrek. They had all | :21:08. | :21:12. | |
the props, a castle and even a donkey, over in this corner here. | :21:12. | :21:18. | |
She said "Was that the first time you've ever had a donkey on the | :21:18. | :21:24. | |
Strictly dance floor?" I said, "Oh, no, in nine series, we've had lots | :21:24. | :21:32. | |
of donkeys! And a few silly asses. No names, but we know who they R | :21:32. | :21:40. | |
and so do they. Right, here they are in training. | :21:40. | :21:45. | |
There was a lot of pressure last week. It had to be amazing to get | :21:45. | :21:49. | |
to the semi-finals and I haven't got a clue how we done it. This | :21:49. | :21:56. | |
gets you fast tracked to the semi-s. If you're not back next week, I'll | :21:56. | :22:02. | |
pickle my walnuts. To get such an amazing score, especially off Len, | :22:02. | :22:06. | |
that's the best score Len's given me. You were superb. Thank you so | :22:06. | :22:11. | |
much, Bruce. That means so much. mean it. To be top of the | :22:11. | :22:15. | |
leaderboard is one of the best feelings. It puts you on such a | :22:15. | :22:18. | |
high. No-one could bring me down. It was a brilliant feeling. I | :22:18. | :22:23. | |
thought we was going to go the first week, to still be here in the | :22:23. | :22:27. | |
semi-finals is just a dream come true. | :22:27. | :22:31. | |
I'm dancing the paso doble, as well as the American smooth. It's double | :22:31. | :22:36. | |
the time, it's double the work. It's double the pressure. I'm never | :22:36. | :22:39. | |
going to get two dances ready. The character for the American smooth | :22:39. | :22:44. | |
is more of a Princess. The paso doble is more of a proud, feisty | :22:44. | :22:49. | |
woman. Do you want to go to Blackpool? Yes. Well, then get off | :22:49. | :22:53. | |
your phone, stop booking your trip there. You'll get there by dancing | :22:53. | :22:57. | |
well. What's up? I have an idea. What are you doing? I'm going to | :22:57. | :23:07. | |
:23:07. | :23:07. | ||
check out the competition. Maintenance, come to check the | :23:07. | :23:14. | |
lights, mate. No worries. Are you that guy off the dancing programme? | :23:14. | :23:17. | |
Strictly, yeah. That's right. you think that | :23:17. | :23:26. | |
# Too many broken hearts... # No, that's Jason. He's my favourite. | :23:26. | :23:31. | |
I think the lights are OK now. We need to crack on, we have serious | :23:31. | :23:41. | |
:23:41. | :23:45. | ||
competition. Well, you better Dancing the American smooth, | :23:45. | :23:55. | |
:23:55. | :23:55. | ||
Apology for the loss of subtitles for 114 seconds | :23:55. | :25:40. | |
Dancing the American smooth, CHEERING AND APPLAUSE You are | :25:40. | :25:46. | |
wonderful, you really are. Look at them. Look at these people! | :25:46. | :25:55. | |
CHEERING That was lovely. That was, was that | :25:55. | :25:59. | |
for Blackpool that merry-go-round thing at the end? Yeah. Did you | :25:59. | :26:04. | |
enjoy that? I loved it, yeah. look lovely doing it, I tell you | :26:04. | :26:09. | |
that. Lovely. Bruno start us off. Chelsee my darling, let me say that | :26:09. | :26:14. | |
you have an almost a natural shine, it's like a south sea pearl. Are | :26:15. | :26:19. | |
you glowing when you are dancing. Your upper body fluidity is | :26:19. | :26:23. | |
extraordinary. The way you phrase the music, you have an instinct to | :26:23. | :26:27. | |
go from fast to slow, to stay in a movement in the way that your | :26:27. | :26:31. | |
dances, it takes years to master. Have you that naturally. It was | :26:31. | :26:38. | |
beautiful. There was that split, you got stuck in the split, drop to | :26:38. | :26:47. | |
the floor a little bit. Otherwise it was excellent. Len? Let's see | :26:47. | :26:51. | |
what Craig has to say? Your arms are absolutely exquisite, they | :26:51. | :26:58. | |
really, really are. I have to say, for someone slightly vertically | :26:58. | :27:07. | |
challenged, you create an enormously long, - I don't know | :27:07. | :27:12. | |
what that means? Short darling. You create beautiful long lines. It's | :27:12. | :27:16. | |
fantastic to watch. The shoulder lift for me was less impressive. I | :27:16. | :27:20. | |
thought that was slightly ugly to be honest. Just getting in and out | :27:20. | :27:25. | |
of it, there was a wobble, a bent leg, coming out of it wasn't nice. | :27:25. | :27:29. | |
Some moments felt slightly rushed as well. You were rushing into some | :27:29. | :27:34. | |
of the moves rather than going through the moves. And of course, | :27:34. | :27:40. | |
that Nazi bent leg on the drag split was hor -- that nasty bent | :27:40. | :27:49. | |
leg on the drag split was horrific. But I thought it was terrific. | :27:49. | :27:56. | |
Len? Chelsee Healey, it was like the Chelsea Flower Show, full of | :27:56. | :28:01. | |
lovely moments, beautiful. In full bloom, you were. There I loved the | :28:01. | :28:05. | |
way, it was like daffodils blowing in the breeze, lovely and smooth | :28:05. | :28:10. | |
round the floor, absolutely great. Bruno is right, there was a little | :28:10. | :28:14. | |
incidents on the splity thing, but you know, no, it was good. Trust me, | :28:14. | :28:24. | |
:28:24. | :28:24. | ||
it was good. Chelsee and Pasha, off you go! | :28:24. | :28:34. | |
:28:34. | :28:35. | ||
CHEERING In full bloom tonight, our Chelsee. | :28:35. | :28:40. | |
Yes, blossoming like a beautiful flower. Any nerves out there. You | :28:40. | :28:46. | |
couldn't see it. Yeah. I'm still shaking. Yeah. It's a different | :28:46. | :28:50. | |
atmosphere tonight. Yeah. A lot of tension. You're in touching | :28:50. | :28:56. | |
distance of the final. Can you quite believe the fairy-tale? | :28:56. | :29:01. | |
No. Enjoying it? I'm loving it. is speechless. Pasha, time after | :29:01. | :29:05. | |
time your girl has delivered, hasn't he? She's wonderful. And | :29:05. | :29:10. | |
she's a hard worker. Thank you Paddy Ashdown. | :29:10. | :29:20. | |
:29:20. | :29:32. | ||
-- Pash. There's a ten in there. I want to | :29:32. | :29:39. | |
see that smile, there it is. Write down this number and call later, if | :29:39. | :29:43. | |
you think Chelsee deserves to be in the grand final next Saturday. | :29:44. | :29:46. | |
Looking forward to that, do you want to be there? Yeah, more than | :29:46. | :29:50. | |
anything. Your vote could sends your favourite through. You have | :29:50. | :29:58. | |
that power. Back to you Bruce. Now, I couldn't hear you Tess! | :29:58. | :30:02. | |
Right, now for our next couple, Holly Valance and her partner Artem. | :30:02. | :30:10. | |
APPLAUSE Now Holly has been doing some | :30:10. | :30:15. | |
modelling this week. She was photographed covered head to toe in | :30:15. | :30:21. | |
gold paint. Just like in the Bond movie. Remember that? She said, | :30:21. | :30:29. | |
"Bruce, if you saw me covered in gold paint, what would you do? I'd | :30:29. | :30:33. | |
stick you in an envelope and send you off to get some cash for gold." | :30:33. | :30:41. | |
Might be worth a few bob that. Here they are in training. | :30:41. | :30:45. | |
After finding herself in the bottom two twice in a row, Holly was | :30:45. | :30:49. | |
determined not to make it a hat- trick on Saturday night. I felt | :30:49. | :30:55. | |
paso was fighting for my place in the competition and I loved it. I | :30:55. | :30:59. | |
loved swishing my skirt around. I loved getting to stomp my feet to | :30:59. | :31:06. | |
the beat. That, my darling, must be your personal best. Amazing. | :31:06. | :31:09. | |
loved that this week you're really fighting. You've stepped it up a | :31:09. | :31:19. | |
:31:19. | :31:20. | ||
notch. Good for you. Ten. I have never got a ten for anything in | :31:20. | :31:30. | |
:31:30. | :31:30. | ||
life. We just got into the semi- finals. We have two very tricky | :31:30. | :31:34. | |
dances, the charleston and Argentine tango. It's all hopping | :31:34. | :31:39. | |
and jumping. This week is even more difficult than I could have | :31:39. | :31:43. | |
imagined. Oh, that's hard. I'm trying not to drop dead. We're both | :31:44. | :31:47. | |
feeling the pressure. Wre not on schedule, where we're supposed to | :31:47. | :31:57. | |
:31:57. | :31:59. | ||
I'm not sure what's going to happen. We are all at a level now where the | :31:59. | :32:03. | |
competition is so difficult. That was much better. I know everyone is | :32:03. | :32:07. | |
going to bring their A game. I'm going to rely on healthy sabotage | :32:08. | :32:17. | |
:32:18. | :32:20. | ||
Harry, what's wrong with you? have no idea. | :32:20. | :32:30. | |
:32:30. | :32:30. | ||
Apology for the loss of subtitles for 114 seconds | :32:30. | :34:41. | |
Great song choice. What's that? D CHEERING AND APPLAUSE | :34:41. | :34:46. | |
Holly look. Artem, look. There they are. They loved it. | :34:46. | :34:52. | |
It was classy. That was a classy, classy tango. | :34:52. | :35:00. | |
Craig, start us off. Quiet, controlled. Sedubg ive. The | :35:00. | :35:05. | |
rotation. I loved that little story there. You were reacting completely | :35:05. | :35:09. | |
to Artem's lead. It was absolutely gorgeous. | :35:09. | :35:19. | |
CHEERING AND APPLAUSE Sum it up in one word, Craig - it | :35:19. | :35:23. | |
was classy. I'm not usually a lover of props | :35:23. | :35:28. | |
and things, but I thought that worked really well. It was clever. | :35:28. | :35:33. | |
It was clean and, may I just say, watching this semi-final, it's | :35:33. | :35:38. | |
really difficult to believe, not only yourself, Holly, but all of | :35:38. | :35:42. | |
our celebrities, they are only beginners. To see the standard of | :35:42. | :35:46. | |
dancing we have seen, it's fantastic. Well done! | :35:46. | :35:53. | |
Well said. Very well said. Now then, Alesha. You created some | :35:53. | :35:56. | |
beautiful lines. Your leg extensions were stunning. With you, | :35:57. | :36:01. | |
Holly, I have to say, I don't think you have been given enough credit. | :36:01. | :36:05. | |
Last week and tonight show you are a real contender. This style of | :36:05. | :36:12. | |
dance suits you. You are, you are. | :36:12. | :36:16. | |
Holly, I love the concept, beautiful, bad and dangerous. | :36:16. | :36:21. | |
Coiled in the chair, when you strike to be handled with extreme | :36:21. | :36:25. | |
care and attention because you don't know what you're getting | :36:25. | :36:32. | |
yourself in for. With promises, promises to be fulfilled later on. | :36:32. | :36:37. | |
Apart from the dancing, it was very, very good. | :36:37. | :36:42. | |
It was played extremely well. I got He got it and you had it. Off you | :36:42. | :36:47. | |
go. You've got it, off you go. Lovely and Artem - a good job with | :36:47. | :36:57. | |
:36:57. | :36:59. | ||
High praise from the judges. Well deserved. A real contender. Craig | :37:00. | :37:05. | |
said he loved the story. Did you enjoy telling the story? I loved it. | :37:05. | :37:09. | |
It is one of my favourite dances. I am glad to still be here and to | :37:09. | :37:13. | |
have done it. It was intense and fabulous. You've had teared in -- | :37:13. | :37:17. | |
tears in training this week. How demanding has it been? Double the | :37:17. | :37:22. | |
workload in half the time. We're not professionals, these guys know | :37:22. | :37:27. | |
what they're doing in two seconds. It's overwhelming. I think we're | :37:27. | :37:33. | |
all in the same exact boat. Double the dancing, double the training, | :37:33. | :37:43. | |
:37:43. | :37:57. | ||
talking the pressure. Let's see if Come on then. | :37:57. | :38:01. | |
Write down this number: Call when the lines open later F | :38:01. | :38:05. | |
you would like to see Holly give a towering performance in Blackpool | :38:06. | :38:10. | |
next Saturday. Do you want some of that action? I want a lot of action. | :38:11. | :38:16. | |
All right then! Nearly four months have past and all our stars are | :38:16. | :38:20. | |
feeling the ballroom burn. Who can handle the heat? Over to you, | :38:20. | :38:28. | |
Bruce!. Yeah! Over to you, Bruce! Next up | :38:28. | :38:34. | |
is Jason Donovan and his partner, Kristina. | :38:34. | :38:40. | |
Now, his first dance tonight is a samba. It is to a famous Michael | :38:40. | :38:43. | |
Jackson track. He's very worried about getting it wrong. I said, | :38:43. | :38:48. | |
well if you get it wrong, don't blame it on the sunshine. | :38:48. | :38:53. | |
Don't blame it on the moonlight, don't blame it on the good times, | :38:53. | :39:02. | |
just blame it on the boogie. # Just blame it on the good times | :39:02. | :39:12. | |
:39:12. | :39:17. | ||
# Just blame it on the.... AUDIENCE: Cheers. | :39:17. | :39:21. | |
Be quiet, I'll clear this place. And you, you'll be the first to go. | :39:21. | :39:28. | |
Right, here they are in chaining. -- in training. | :39:28. | :39:35. | |
The week was incredible. It looked like it was going to be the perfect | :39:35. | :39:40. | |
night. It was a very special performance. I loved it. The scores | :39:40. | :39:44. | |
came in, positive all around. Unfortunately we found ourselves in | :39:44. | :39:49. | |
the bottom two. Jason and Kristina. It's not the | :39:49. | :39:54. | |
greatest feeling in the world. I was disappointed. Kristina of | :39:55. | :40:01. | |
course was ex -- extremely upset. I'm worried about you. | :40:01. | :40:06. | |
I was sad and emotional. Like I thought I was not ready for the | :40:06. | :40:13. | |
journey that I expected to be over. The couple leaving tonight is | :40:13. | :40:19. | |
Robbie and Ola. I would have been gutted to have left in the quarter- | :40:19. | :40:23. | |
finals. We will come back in the semi-finals with something I am | :40:23. | :40:28. | |
really, really proud of. This week we are dancing the | :40:28. | :40:34. | |
argentin tango and the samba. I have to say, they could not be more | :40:34. | :40:38. | |
different. Dance like nobody's watching. She's the man! Why did | :40:38. | :40:43. | |
you wait three months to tell me that! You want to get out there and | :40:43. | :40:48. | |
give it something. The idea of the samba is just to go out there and | :40:48. | :40:51. | |
enjoy yourself, get the hand movement going, the hip movement. I | :40:51. | :40:57. | |
am thinking of having a great time. Three, four, five.... Am I worried | :40:57. | :41:01. | |
about the other guys in the competition? No! | :41:01. | :41:11. | |
:41:11. | :41:19. | ||
Can you give me five? OK, so I'm a little bit curious, | :41:19. | :41:28. | |
but I am not worried... Much! Dancing the samba Jason Donovan and | :41:29. | :41:38. | |
:41:39. | :41:39. | ||
Apology for the loss of subtitles for 114 seconds | :41:39. | :43:27. | |
D CHEERING AND APPLAUSE You didn't let us down. | :43:28. | :43:37. | |
What a couple you are. All right, Len? It was full of all | :43:37. | :43:44. | |
the steps I like to see. Running promenades. I saw so many steps I | :43:44. | :43:49. | |
can recognise. Plus, your bum was going to town. I tell you what! | :43:49. | :43:56. | |
Give it some. Go on my son give it a bit of welly! What happened to | :43:56. | :44:00. | |
you, you get over excited and you lose the timing a little bit. You | :44:00. | :44:05. | |
get mixed up in the euphoria of the whole thing. You lost the timing | :44:05. | :44:13. | |
here and there, but full of energy. Well done to you. | :44:13. | :44:18. | |
Right, Alesha, my darling. Jason, I am sure you were worried when you | :44:18. | :44:23. | |
got the samba for the semi-final. Believe me, you have nothing to be | :44:23. | :44:28. | |
worried about. You created fun. You created a wonderful atmosphere. You | :44:28. | :44:36. | |
created the spirit of the samba. That's what we wanted to feel. | :44:36. | :44:42. | |
And Bruno? Well, you got carried away by the moment. Wigling your | :44:42. | :44:46. | |
bum, bright and gay. You lost the timing and you know, once you lose | :44:47. | :44:52. | |
it in a dance that is so rhythmic, it's difficult to get back on it. | :44:52. | :45:02. | |
:45:02. | :45:02. | ||
It was more fun than singing the mar di gras. A bit messy, but fun! | :45:02. | :45:08. | |
Craig? There was a massive fusion of energy which we always get from | :45:08. | :45:12. | |
you. You come in 100%, which is fantastic. Sadly a little bit out | :45:13. | :45:17. | |
of time, which we talked about. You could have done without the daddy | :45:17. | :45:23. | |
dancing moment over there. I would have eliminated that. I like the | :45:23. | :45:33. | |
:45:33. | :45:41. | ||
infusion of disco and samba. Have a little sip of that - you've | :45:41. | :45:47. | |
earned that. Otherwise I get the teeth over the mouth.... James | :45:47. | :45:52. | |
knows the story. Big smiles. samba is a notoriously difficult | :45:52. | :45:56. | |
dance. You don't want it really in the semi-final. How was it for you? | :45:56. | :46:00. | |
I have to say, at this point in the competition it's about having fun. | :46:00. | :46:04. | |
Going out there and enjoying yourself. That's what we did | :46:04. | :46:06. | |
tonight. We found ourselves in a position last week and you know, | :46:06. | :46:11. | |
you know, I guess at this point you just have to enjoy it. That's what | :46:11. | :46:17. | |
we tried to do tonight, have some fun. The judges mentioned lost | :46:17. | :46:23. | |
timing, the audience didn't notice it. Let's hope the cameras were on | :46:23. | :46:31. | |
side. What can we expect from your Argentine tango? Some fire. | :46:31. | :46:41. | |
:46:41. | :46:54. | ||
Gosh, I hope, not a bit of tension. Not your highest zor date, but | :46:54. | :47:04. | |
strong all the same. Will you talk us out with that. Yes! Make a note | :47:04. | :47:10. | |
of this number: Call later if you want to keep Jason clear of the | :47:10. | :47:14. | |
bottom two elimination positions this week. We've reached the half- | :47:14. | :47:19. | |
way stage. Five dances down, five new dances to come. Let's look at | :47:19. | :47:29. | |
:47:29. | :47:37. | ||
It's only halfway and every one of our couples has another chance to | :47:37. | :47:40. | |
impress tonight. They've done famously well already. They're | :47:40. | :47:50. | |
:47:50. | :47:55. | ||
searching for the elusive Time good get the glitterball ready | :47:55. | :48:05. | |
:48:05. | :48:08. | ||
for the final. It's gone! Time to call in five intrepid explorers. | :48:08. | :48:14. | |
say, Len, what the devil seems to be the bother? I need you to find | :48:14. | :48:19. | |
the glitterball. Listen, old boy, is there a reward? Like lashings of | :48:19. | :48:23. | |
Ginger Beer? No, but I can offer you a trip to Blackpool. Oh, Len, | :48:23. | :48:27. | |
you are a brick. This is a perfect job for the Famous Five. Or how | :48:27. | :48:33. | |
about the super six. Brendan! thought I could be like your knight | :48:34. | :48:38. | |
in shining armour and help with the quest. No! Where shall we jolly | :48:38. | :48:43. | |
well start? With the obvious, Russell Grant. What did she say? | :48:43. | :48:49. | |
I'm not entirely sure. Let's start with Russell Grant. | :48:49. | :48:57. | |
Look at those trousers, they're so triegt. We know it's you. Give us | :48:57. | :49:01. | |
our trophy. How very dare you. I have enough glitterballs in my life, | :49:01. | :49:07. | |
thank you very much. If not you, which devil took it? Between us, I | :49:07. | :49:10. | |
saw Craig acting suspiciously earlier on. I always knew he was a | :49:10. | :49:20. | |
:49:20. | :49:21. | ||
bad egg. You're my little secret. They'll never see you. You're all | :49:21. | :49:29. | |
mine. Hold it right there, mister. I knew it. Well, what can I say. | :49:30. | :49:34. | |
We're looking for the glitterball. Have you seen it? No, not since | :49:34. | :49:41. | |
last year. Of course, last year's champion, Kara. Now what's she | :49:41. | :49:46. | |
saying? Oh, the poor girl is hungry. Who the devil could it be? The 2010 | :49:46. | :49:54. | |
champion, Kara. That's what I said! Come on. Kara, did you really take | :49:54. | :49:59. | |
our trophy? Actually I think you'll find that it's mine until the final. | :49:59. | :50:06. | |
Wait a minute... Brendan! I just wanted the chance to hold it one | :50:06. | :50:11. | |
last time. Not likely, chum. Another victory for the Famous Five. | :50:11. | :50:21. | |
:50:21. | :50:21. | ||
What she said. Hooray! Enjoyable that, wasn't it? Very nice. We now | :50:21. | :50:29. | |
go into the next phase. First up is Harry and his partner Aliona. As | :50:30. | :50:35. | |
you know, they're doing two dances each. Lots and lots of stamina will | :50:35. | :50:37. | |
be needed. I promise, I'll do my best to keep going. | :50:37. | :50:42. | |
LAUGHTER I go it through -- I go through it | :50:42. | :50:46. | |
with them, you know. Here's what the judges have to say about Harry | :50:46. | :50:56. | |
:50:56. | :50:57. | ||
and Aliona. Harry Judd, when a contender. | :50:57. | :51:03. | |
a semi-finalist, if ever I saw one. I tell you what, very good, you are, | :51:03. | :51:09. | |
I tell you. Harry's got the lot. He is the complete package. I have a | :51:10. | :51:12. | |
sneaky suspicion that Harry would always be good. I didn't realise | :51:12. | :51:19. | |
how G he has surprised me. You make ballroom dancing look cool. He has | :51:19. | :51:25. | |
the physique. He's very -- it's very important in dance. That was a | :51:25. | :51:29. | |
very fit, tight, muscular, masculine performance. To execute | :51:29. | :51:37. | |
the moves if you are not equipped... You know. He has a fantastic body. | :51:37. | :51:42. | |
Cheek these two out. Also he has great rhythm obviously because he's | :51:42. | :51:49. | |
a drummer. That really helps him on the dance floor. Harry, you can | :51:49. | :51:52. | |
dance. Harry Judd's quickstep, that's the level he needs to be at | :51:52. | :52:00. | |
to make it to Blackpool. That was outstanding. Superb! Very rarely we | :52:00. | :52:06. | |
see the sway. As well as leading with such confidence, especially in | :52:06. | :52:13. | |
the turns. He got it right. It was three tens. Harry Judd's Argentine | :52:14. | :52:17. | |
tango for me I would have liked to have seen a little bit more drama | :52:17. | :52:23. | |
throughout the dance. I don't think he's a run away winner. If he can | :52:23. | :52:26. | |
maintain this level of dancer, he can get into the final, but | :52:26. | :52:30. | |
anything can happen. The second dance of the night is | :52:31. | :52:34. | |
the Viennese waltz. It's going to be really important. There's no | :52:34. | :52:38. | |
room to be in the bottom two. The bottom two go home. This week we've | :52:38. | :52:43. | |
got to give it that extra push. Getting to the semi-finals has been | :52:43. | :52:51. | |
amazing. Now I'm here, I would love to go to Blackpool. Now or never. | :52:51. | :53:01. | |
:53:01. | :53:01. | ||
Apology for the loss of subtitles for 114 seconds | :53:01. | :54:46. | |
Dancing the Viennese waltz, Harry CHEERING AND APPLAUSE They're still | :54:46. | :54:53. | |
wild about Harry and Harry's wild about them. Beautiful. A lovely | :54:53. | :54:58. | |
second dance. Beautiful. Really, really well. Now then, I can't stop | :54:58. | :55:04. | |
them. Alesha? Harry, why have you been | :55:04. | :55:08. | |
hiding behind the drums for so many years? You are such a talented guy. | :55:08. | :55:12. | |
That was exquisite. It was confident, effortless, just | :55:12. | :55:15. | |
beautifully played. I'm so happy for you. | :55:15. | :55:25. | |
:55:25. | :55:26. | ||
We all are. And Bruno? Harry, the Prince and the show girl. The | :55:26. | :55:30. | |
romance unfolding, with every step was so perfectly judged, so | :55:30. | :55:34. | |
perfectly placed, so perfectly driven. It had class. It had | :55:34. | :55:44. | |
romance. It had style. I'm telling you, you're dancing royalty. | :55:44. | :55:51. | |
Craig? It's a slightly odd Viennese for me because it was despondent | :55:51. | :55:55. | |
and sort of melancholy which I thought was a very interesting take | :55:55. | :56:00. | |
on it. Because normally it's like really fast moving, but this was | :56:00. | :56:04. | |
just gorgeous to watch, I've got to say, to the point of being | :56:04. | :56:08. | |
smouldering, it really was. I would just move your head slightly to the | :56:08. | :56:13. | |
left, a little bit more. Just a little bit more and then I possibly | :56:13. | :56:16. | |
wouldn't have spotted on the fleckerl, but that's just personal | :56:16. | :56:24. | |
choice I think. Just move your head slightly to the right I think. | :56:24. | :56:30. | |
Right, OK Len. A couple of bars walking down the stairs into a | :56:30. | :56:34. | |
contracheck, straight into the fleckerl no, messing about. | :56:34. | :56:39. | |
Beautifully executed. Lovely natural turns, reverse turns. | :56:39. | :56:42. | |
Lovely sway. Beautiful swing of the body throughout. I'm going to be | :56:42. | :56:48. | |
like Henry VIII, take him to the tower, ballroom, Blackpool. | :56:48. | :56:52. | |
APPLAUSE Well done. Everybody loves it. | :56:52. | :57:02. | |
:57:02. | :57:08. | ||
You're so good. You are so good! Go Fair to say the judges absolutely | :57:08. | :57:12. | |
loved it, in the a dry eye in the house. It was exquisite. Len says | :57:12. | :57:15. | |
take him to the tower. That was your last shot at getting to the | :57:15. | :57:21. | |
final. How did it feel? Amazing. Possibly our last dance. Certainly | :57:21. | :57:25. | |
the last dance here. I want to say thank you to alyonya, just in case | :57:25. | :57:30. | |
because she's been amazing and the judges' comments are incredible. | :57:30. | :57:36. | |
But it's down to Aliona's hard work. Bruno said dancing royalty. Your | :57:37. | :57:44. | |
band mate Dougie has been crowned king... Queen, sorry king. What do | :57:44. | :57:49. | |
you reckon to a McFly double and you claiming the glitterball trophy. | :57:49. | :57:54. | |
Dougie's done amazingly well. I'm just happy to still be here. Harry | :57:54. | :57:58. | |
the humble. You know, there are so many great people here. You just | :57:58. | :58:08. | |
:58:08. | :58:30. | ||
don't know. Not you Brendan. 39 out of 406789 well done. Shaking | :58:30. | :58:40. | |
:58:40. | :58:42. | ||
his head in disbelief. Believe it, you're worth it. Head to the left, | :58:42. | :58:46. | |
to the left, did you get it. What did you think? Call this number | :58:46. | :58:50. | |
later if you enjoyed Harry's waltz and you'd love him to be one of the | :58:50. | :58:54. | |
three stars in next Saturday's grand final. Please don't call | :58:54. | :58:58. | |
until I let you know lines are open. If you do, your vote won't count | :58:58. | :59:04. | |
and you may be charged. Who will you be voting for? Next up is Alex | :59:04. | :59:12. | |
Jones and her partner James. APPLAUSE | :59:12. | :59:16. | |
Now Alex is one of the most improved competitors in the show, | :59:16. | :59:20. | |
as we said earlier, from a difficult start, she's gone from | :59:20. | :59:24. | |
strength to strength. Here's what the judges say about Alex and | :59:24. | :59:34. | |
:59:34. | :59:35. | ||
Alex, look at her, the most improved. Good on her for getting | :59:35. | :59:43. | |
into the semi-final. I think she's done really well. It was sharp, sta | :59:43. | :59:48. | |
cato, theatrical, all those wonderful things. It's DVDs, that's | :59:48. | :59:54. | |
what she lacked. She lacked genuine confidence. -- it's confidence. | :59:54. | :59:59. | |
That's what she lacked. She lacked genuine confidence. She is | :59:59. | :00:04. | |
confident to go out there and give it 100%. A confident Alex could get | :00:04. | :00:10. | |
to Blackpool. Believe in yourself. Go for it all the way. She.tango at | :00:10. | :00:16. | |
Wembley. All of a sudden, she got it all together. Look at that, what | :00:16. | :00:20. | |
style. She didn't make any mistakes. Then you know the charleston, the | :00:20. | :00:25. | |
following week, she got all a bit over the place. I think she has to | :00:25. | :00:29. | |
be constant. Ballroom, I think she's better. The Latin she still | :00:29. | :00:36. | |
hasn't the confidence of using all she has to maximum effect. It was | :00:36. | :00:39. | |
so demure and hesitant. I don't know, it's a performance. Have you | :00:39. | :00:44. | |
to get into it. For her to be confident on the stage being sexy, | :00:44. | :00:49. | |
is tricky. I understand it. She's done so well. I thought it was | :00:49. | :00:52. | |
terrific. Well done. She has an incredible personality, which I | :00:52. | :00:56. | |
think gets her through as well. She's joyful. She has an incredible | :00:56. | :01:03. | |
smile. Alex has to prove to the judges, to the viewers and to | :01:03. | :01:09. | |
herself, she's got to believe she's worthy of this final. This is | :01:09. | :01:14. | |
basically it. The second dance that we are performing is the salsa. | :01:14. | :01:17. | |
Because two people will have to leave, it puts massive pressure on | :01:17. | :01:23. | |
us this week. Now I have to go out there and look confident and | :01:23. | :01:29. | |
hopefully, we'll -- it will be enough to get us to Blackpool. | :01:29. | :01:39. | |
:01:39. | :01:39. | ||
Apology for the loss of subtitles for 114 seconds | :01:39. | :03:30. | |
Dancing the salsa, Alex Jones and CHEERING AND APPLAUSE Are you OK? | :03:30. | :03:35. | |
Smile - it's over. Don't worry. You've done it. You've | :03:35. | :03:43. | |
got yet another standing ovation. Bruno? Alex, you can come and scrub | :03:43. | :03:48. | |
my floor any time. Looking like this you'll be booked forever. It's | :03:48. | :03:53. | |
lovely to see you let your hair down. You response to a man very, | :03:53. | :03:58. | |
very well. Every time you do the arm passes very well. You let | :03:58. | :04:02. | |
yourself go. At times, the thing is when you're on your own there are | :04:02. | :04:05. | |
still moments of uncertainty. You have to rise above that because you | :04:05. | :04:09. | |
actually have got everything to sell, even when you're on your own. | :04:09. | :04:13. | |
Don't get lost in the moment and go back to him. You have to sustain. | :04:13. | :04:17. | |
If you make it to bloobg pool you have to get there -- Blackpool, you | :04:17. | :04:23. | |
have to get there, show yourself because you've got it. | :04:23. | :04:28. | |
APPLAUSE Now then, Craig? This routine was a | :04:28. | :04:35. | |
big challenge, I think for you. I think beyond your skill-set, to be | :04:35. | :04:43. | |
honest. AUDIENCE: Boos. You throw yourself undeniably into | :04:43. | :04:48. | |
it without any thought for yourself or concerns. I think that is | :04:48. | :04:53. | |
totally and absolutely brilliant. I really, really do. It took a bit of | :04:53. | :04:58. | |
getting here, but you got it there. You're really into it. Full of | :04:58. | :05:03. | |
personality. Full of gust yo. I was watching your hips go, hip, hip, | :05:03. | :05:10. | |
horrai, here we go! What I love is you now come out giving it | :05:10. | :05:14. | |
everything. That's what you did on this dance. That's the way you have | :05:14. | :05:20. | |
to do it. This is your chance to get into the final. Give it your | :05:20. | :05:25. | |
all. Because you were attacking the dance so much it lost some of the | :05:25. | :05:31. | |
finesse. As a performance, top- notch. | :05:31. | :05:36. | |
Now then, Alesha? I've gree with Len, it was full -- I agree with | :05:36. | :05:42. | |
Len. It was full on. Alex, please be proud and smile, you did a great | :05:42. | :05:48. | |
job. A great job! James, you're a lovely pair. Off | :05:48. | :05:58. | |
:05:58. | :06:01. | ||
Come on, it's over. It's over. Craig says it was a big challenge | :06:01. | :06:06. | |
for you. Did you enjoy letting your hair down? The thing is it might | :06:06. | :06:13. | |
have been our last chance. We had to go for it. The funny thing is | :06:13. | :06:16. | |
yesterday Alex felt self-conscious about doing that dance where she | :06:16. | :06:21. | |
was in tears and was upset about doing the dance. She went out there, | :06:21. | :06:26. | |
as Len and Alesha said, she went out there and gave it 100%. I love | :06:26. | :06:32. | |
a tryer, and she is a tryer. We all love a tryer. How will you feel if | :06:32. | :06:37. | |
this was your last dance with James? It would be absolutely | :06:37. | :06:41. | |
devastating. If it's time to go, it's time to go. I am so proud of | :06:41. | :06:51. | |
:06:51. | :07:02. | ||
her, really. The scores are in. The I don't think Craig likes me and | :07:03. | :07:08. | |
he's taking it out on Al elect. I think he's jealous because I have a | :07:08. | :07:18. | |
:07:18. | :07:21. | ||
peachy bottom and he doesn't. Let's not go there. I love you! | :07:21. | :07:25. | |
All of our stars are feeling the effects of four months' of dancing. | :07:25. | :07:35. | |
:07:35. | :07:39. | ||
They are digging deep to reach the Nexts up is Chelsee and Pasha. | :07:39. | :07:43. | |
It's been a fairytale experience for Chelsee, from the first time | :07:43. | :07:47. | |
she stepped on to the dance floor she's wanted to be a princess. Will | :07:47. | :07:52. | |
she end up as the Queen of the ballroom? Here's what the judges | :07:52. | :08:02. | |
:08:02. | :08:07. | ||
Chelsee, what a surprise. Latin, ballroom, everything. What more | :08:07. | :08:15. | |
could you want in the semi-finals. In the beginning I did not expect | :08:15. | :08:19. | |
to see the level of technique that she has shown. Week after week on | :08:19. | :08:25. | |
this show. You are starting to tick all my boxes. Well done. You know | :08:25. | :08:31. | |
when I realised how good she was? This quickstep. First class. | :08:31. | :08:38. | |
ended too soon. She attacks. She comes out, 100%, plenty of welly. | :08:38. | :08:47. | |
Go on... I don't like to say go on Chelsee. I say go on West Ham! | :08:47. | :08:52. | |
This is a young girl. She has a sentence of rhythm. She comes and | :08:52. | :08:57. | |
does ballroom. Natural lines, posture. She moves her feet | :08:57. | :09:01. | |
beautifully. It takes people years to go through this, continue and | :09:01. | :09:08. | |
never lose the musicalty. You do it beautifully. Chelsee is the | :09:08. | :09:12. | |
revelation. Energy like you cannot believe. She's a firecracker. Look | :09:13. | :09:17. | |
at her go! Chelsee, you're a fire. You keep | :09:17. | :09:21. | |
dancing like that and nobody's going to put you in the corner. | :09:21. | :09:25. | |
Pasha, he has the confidence time and time again to let her start on | :09:25. | :09:29. | |
her own, doing her own thing. My worry is, has she got the | :09:29. | :09:35. | |
confidence to see it through to the final? The final is so close. It's | :09:35. | :09:42. | |
so near, yet so far. The judges have always had | :09:42. | :09:45. | |
brilliant comments, brilliant criticism at the same time. So, for | :09:45. | :09:49. | |
me to do well this week, and hopefully not disappoint them and | :09:49. | :09:59. | |
to get to the finals, it would be - - mean the absolute world to me. | :09:59. | :10:09. | |
:10:09. | :10:09. | ||
Apology for the loss of subtitles for 114 seconds | :10:09. | :12:01. | |
Dancing the paso doblely Chelsee What about that? You are a | :12:01. | :12:09. | |
characterisation. Was that a paso doble? Yeah, paso | :12:09. | :12:13. | |
doble. They love you. Thank you. | :12:13. | :12:20. | |
All right, Chelsee. They won't stop. Chelsee, tell them to stop. | :12:20. | :12:26. | |
You don't want them to stop. Did you enjoy that? Yeah, I absolutely | :12:26. | :12:32. | |
loved it. You absolutely loved it. We all loved it. It was wonderful. | :12:32. | :12:40. | |
What did you think? Paso- personifyed. That was absolutely | :12:40. | :12:46. | |
amazing, fantastic. You are the most incredible dancer. Honestly! | :12:46. | :12:56. | |
It's gob-smackingly good. There we are, Len? Full of mood, | :12:56. | :12:59. | |
full of attitude. Lovely focus between the two of you. What I love | :12:59. | :13:04. | |
about the paso doble when I see it performed properly is the shaping, | :13:04. | :13:11. | |
the whip it and wait. Fast in, wait. Move on again. That's what we got. | :13:11. | :13:18. | |
Paso doble - it was fantastic. Well done! | :13:18. | :13:23. | |
Paso doble it was. Chelsee, you are performing like a true dancer. That | :13:23. | :13:28. | |
was so interesting to watch. Full of content. I am a little bit | :13:29. | :13:32. | |
speechless. Honestly, honey, I don't think you realise how good | :13:32. | :13:36. | |
you are. It was dynamic. You deserve to be in the final. Thank | :13:36. | :13:41. | |
you so much. I keep telling you and you never | :13:41. | :13:48. | |
believe me! She doesn't. She doesn't believe me. | :13:48. | :13:56. | |
Chelsee, look at me. Hot - oh, I could feel the continuous, | :13:56. | :14:01. | |
relentless flow of heat, pressure and steam. It was like the build-up | :14:01. | :14:11. | |
:14:11. | :14:14. | ||
of a storm in the soreching plain of Spain! The flammingo part - it | :14:14. | :14:22. | |
was superb. Fabulous! The paso doble - off you go. Lovely, | :14:22. | :14:32. | |
:14:32. | :14:44. | ||
The Pasha doble, the new name. You are finding it easy? He's a good | :14:44. | :14:48. | |
looking lad. There's still hope. Do you think you have done enough to | :14:48. | :14:53. | |
make the final three? I really, really hope so. It would be a dream | :14:53. | :15:03. | |
:15:03. | :15:29. | ||
come through. -- true. I cannot put The first 40 of the competition. | :15:29. | :15:34. | |
So far, Chelsee... Well done, you. That is incredible. How does it | :15:34. | :15:41. | |
feel? We don't know yet! You're the first. I'm speechless. | :15:41. | :15:47. | |
Pasha's been amazing. You've not been bad yourself! | :15:47. | :15:53. | |
Write this number down: Call later. If you want to see | :15:53. | :15:57. | |
Chelsee run out on to the dance floor in just seven days' time. | :15:57. | :16:07. | |
:16:07. | :16:09. | ||
Enjoy it. Next week's final promises to be | :16:09. | :16:13. | |
our biggest and best yet. If you have a 3D telly it will be a | :16:13. | :16:20. | |
Strictly first for you, you can watch it in 3D. It is being shown | :16:20. | :16:30. | |
:16:30. | :16:35. | ||
in select cinemas across the Have you got your 3-D glasses | :16:36. | :16:45. | |
:16:46. | :17:00. | ||
Oh, yeah. Our next couple are... Holly Valance and her partner Artem. | :17:00. | :17:04. | |
What an eventful time they've had on Strictly. Here's what the judges | :17:04. | :17:14. | |
:17:14. | :17:17. | ||
say about them: Good golly Miss Holly. A worthy semi-finalists. But | :17:17. | :17:25. | |
can she get to Blackpool? This competition is all about not where | :17:25. | :17:31. | |
you start, but where you finish. I tell you your finishing strong. | :17:31. | :17:35. | |
It's not how you go, it's how you land. She's got everything you'd | :17:35. | :17:39. | |
want in a dancer and you think, this girl is going to be brilliant. | :17:39. | :17:44. | |
She hardly does mistakes. The placement is G the lines are good. | :17:44. | :17:48. | |
It looks incredible. Then she seems to switch off. Please just let go. | :17:48. | :17:55. | |
Don't ab frayed. Baby, you've got it. She's needs to keep the energy | :17:55. | :18:01. | |
level up all the way through the dance. You saw more fire in her | :18:01. | :18:06. | |
eyes in the foxtrot, especially with the leg kicks. She was doing | :18:06. | :18:12. | |
it at the camera I was like "go on girl!" Breath taking, sexy hot. | :18:12. | :18:18. | |
Everything I wanted from you. Lake was so risky, special. Lovely. | :18:18. | :18:22. | |
What a number, it was terrific. I loved it. It was beautiful. At that | :18:22. | :18:26. | |
point in the competition, I thought this girl could keep going from | :18:26. | :18:29. | |
strengtodge strength. This, for me, is the dance that shows you're a | :18:29. | :18:34. | |
real contender. Artem had an injury. Then she danced with Brendan. She's | :18:34. | :18:39. | |
had an up and down journey. Once you get to this level, can you not | :18:39. | :18:45. | |
be careful. This is it now. We are aiming towards the title. If she | :18:45. | :18:50. | |
wants to be a finalist, she has to maintain the energy. My second | :18:50. | :18:53. | |
dance of the flight is the charleston, which is tongue-in- | :18:53. | :18:59. | |
cheek fun. The semi is my last chance to show the judge that's we | :18:59. | :19:03. | |
really deserve to be in the Blackpool. In a double elimination | :19:03. | :19:06. | |
F we give it everything and take a few risks and come out there with | :19:06. | :19:13. | |
fire and energy, you never know, we might just make it. | :19:13. | :19:23. | |
:19:23. | :19:23. | ||
Apology for the loss of subtitles for 114 seconds | :19:23. | :21:21. | |
Dancing the charleston, Holly There you go. Holly and Artem, yes! | :21:21. | :21:27. | |
OK. Right Len? It was a charleston with a modern twist. When the music | :21:27. | :21:32. | |
started I thought, I'm not going to like this. But as it went along, I | :21:32. | :21:39. | |
grew to enjoy it. You had great swefls. It could have been a tad | :21:39. | :21:43. | |
slicker. Coming into the twists. I would have like today more slick. | :21:43. | :21:51. | |
Overall very entertaining. Alesha? It was a modern take on the | :21:52. | :21:57. | |
charleston. I loved it. The beginning was cool, DJ Valance was | :21:57. | :21:59. | |
brilliant. You're all exhausted at this stage, it's a real fight to | :21:59. | :22:03. | |
get to the end. You fought your way throughout that dance. I want to | :22:03. | :22:06. | |
commend you for stepping out of your comfort zone. I know that's | :22:06. | :22:11. | |
not a style we're used to seeing you in. Good for you. | :22:11. | :22:16. | |
I have to praise you really for taking rifpgz. Because really | :22:16. | :22:21. | |
sometimes you have to push the boundary to open people's minds. I | :22:21. | :22:24. | |
loved the contemporary interpretation. I've never seen | :22:24. | :22:29. | |
anything like this before. It had some swing, contemporary, the | :22:29. | :22:34. | |
street. The concept of the scratching. The concept was | :22:34. | :22:40. | |
brilliant. There were a few moments of hesitation here and there. It's | :22:40. | :22:43. | |
hard to mix these things. It was excellent. It's great to see people | :22:43. | :22:49. | |
trying new things. And Craig? Well, I guess I've got | :22:49. | :22:54. | |
to thank you Artem for taking these humungous risks because if you | :22:54. | :22:59. | |
didn't, then we'd all be living in the 50s. I think it's wonderful. I | :22:59. | :23:03. | |
loved the idea of a swung charleston. It was brilliant. Was | :23:03. | :23:11. | |
it danced well? Sort of. Did I love the idea? Absolutely. It's sort of | :23:11. | :23:17. | |
like vegemite, you either love it or hate it. And I love it. Stp. | :23:17. | :23:27. | |
:23:27. | :23:34. | ||
You conquered the modern charleston Holly. Do you think you might make | :23:34. | :23:37. | |
it through? I wouldn't say I conquered it. But I didn't die at | :23:38. | :23:47. | |
end. No. That was the hardest dance I've ever done. It was very | :23:47. | :23:51. | |
complicated, but brilliant. It was a lot of fun. I loved that we got | :23:52. | :23:58. | |
to do something modern. Out of your comfort zone and you went for St t. | :23:58. | :24:08. | |
:24:08. | :24:22. | ||
34 out of 40. They felt the fear and they did it any way. Write down | :24:22. | :24:26. | |
this number and call when lines open later, if you think Holly | :24:26. | :24:30. | |
deserves a place to dance in next week's grand final. You want a shot | :24:30. | :24:35. | |
at it? I'd like to have a go. more semi-final routine to go and | :24:35. | :24:42. | |
this promises to be a cracker. Next tonight is Jason Donovan and | :24:42. | :24:46. | |
his partner Kristina. APPLAUSE | :24:46. | :24:52. | |
Now, as an actor, it's no surprise that Jason has brought drama to | :24:53. | :24:57. | |
every single routine he's performed. Here's what the judges say about | :24:57. | :25:07. | |
:25:07. | :25:11. | ||
Jason, I tell you what, he can sell it. He's a performer. That's That's | :25:11. | :25:16. | |
helped him get to this semi-final. You are a real showman. You were in | :25:16. | :25:20. | |
character even before the music started. Jason started really, | :25:20. | :25:25. | |
really strong. Three weeks on the spin, he was top of the leaderboard. | :25:25. | :25:34. | |
Magnificent routine. Jason Donovan is in cha-cha-cha. He is a natural | :25:34. | :25:38. | |
performer. He has got good technique. He puts so much pressure | :25:38. | :25:41. | |
on himself, I mustn't go wrong, and when you're doing that, you go | :25:41. | :25:47. | |
wrong. That amazing jive. It started brilliantly. You could see | :25:47. | :25:52. | |
winding himself up. Then he lost the side flicks, and he was just | :25:52. | :25:58. | |
amazing up till then. The rumba... Please don't hate me I got a little | :25:58. | :26:02. | |
bored. I wanted to feel that sparkle and chemistry. For a man, | :26:02. | :26:07. | |
it's much easier for the girls. can stand there and wiggle about. | :26:07. | :26:13. | |
Exactly and look sexy. Oh, I like it when you look sexy. Stop it. | :26:13. | :26:20. | |
Such drive, you were back in the zone tonight. His performing is | :26:20. | :26:25. | |
fantastic. His facial features are amazing. He railly works the | :26:25. | :26:29. | |
expression. Nobody can accuse you of using botox. What he does he | :26:29. | :26:33. | |
does well. But he can't keep making mistakes. He has to relax and not | :26:33. | :26:36. | |
lose the showmanship if he wants to get to Blackpool. | :26:36. | :26:41. | |
We are one step away from that final. Our second dance tonight is | :26:41. | :26:47. | |
the Argentine tango. It is full of fire, full of passion. It's has to | :26:47. | :26:51. | |
be very powerful and strong. Everybody says I put a lot of | :26:51. | :26:54. | |
pressure on myself. I believe in working hard, but I also believe in | :26:55. | :26:58. | |
having lots of fun. This week I'm going to go out and have a great | :26:58. | :27:01. | |
time. It's the semi-finals. I've got nothing to lose. Let's hope the | :27:01. | :27:09. | |
competition is scared. Dancing the Argentine tango, Jason | :27:09. | :27:19. | |
:27:19. | :27:19. | ||
Apology for the loss of subtitles for 114 seconds | :27:19. | :29:03. | |
CHEERING AND APPLAUSE So many standing ovations. That was | :29:03. | :29:12. | |
wonderful. Look at them. Look at this reaction. | :29:12. | :29:21. | |
Even Alesha. Come on Jason. Jason, let me tell you, it was clean, it | :29:21. | :29:26. | |
was sparp. You started so seductive on the stage. And it built and | :29:26. | :29:30. | |
built. It was so aggressive. I felt you acted it brilliantly. You owned | :29:30. | :29:36. | |
that dance. Sorry Bruce. I'm really excited! | :29:36. | :29:44. | |
was going to say, it was your turn to talk any way. Sorry. I haven't | :29:44. | :29:50. | |
said this for a few years, I'm in charge. Bruno. Jason, it was like | :29:50. | :29:54. | |
watching death by Kristina. A ferocious and relentless attack to | :29:54. | :30:04. | |
:30:04. | :30:06. | ||
the senses. It was like a fight to It was wonderful. Don't look all | :30:06. | :30:11. | |
round there, it was wonderful. Craig? I'd put that woman on an | :30:11. | :30:21. | |
:30:21. | :30:22. | ||
assault charge, darling, after that. Incredible! Lastly, Len? Jason, if | :30:22. | :30:26. | |
you're going to do your best dance of the series, what better time | :30:26. | :30:34. | |
than the semi-final. Yes! Go on the pair of you. It was superb. | :30:34. | :30:44. | |
:30:44. | :30:49. | ||
Wow! What a rousing finale. You owned that dance. Could you have | :30:49. | :30:53. | |
done any more to get into the final? I just feel very emotional | :30:53. | :30:58. | |
about the whole experience, if the truth be known. Because we've | :30:58. | :31:02. | |
worked so hard up until this point. Everyone is very tired. We're going | :31:02. | :31:06. | |
out there tonight, doing our absolute best. Whoever makes it to | :31:06. | :31:10. | |
the final next week, absolutely deserves it, because this is tough. | :31:10. | :31:20. | |
:31:20. | :31:36. | ||
After that, you should be in. The A maximum score. Congratulations. | :31:36. | :31:38. | |
We've got another one in the semi- final. | :31:38. | :31:45. | |
We've been striving for that all series. Make a note of the number | :31:45. | :31:50. | |
if you don't want Jason to miss out on the chance to dance in the grand | :31:50. | :31:53. | |
final next weekend. I know you don't want to miss out Jason. | :31:53. | :31:58. | |
Remember, you the great British public are the fifth judge. Your | :31:58. | :32:00. | |
vote can be difference between your favourite reaching the final or | :32:00. | :32:05. | |
going home tomorrow night. That's it! What a finale. All our couples | :32:05. | :32:08. | |
have danced their hearts out. Not once, but twice. They can do no | :32:08. | :32:12. | |
more. Jason's on the floor. How does the | :32:12. | :32:22. | |
:32:22. | :32:46. | ||
The phone lines are now open. The lines close at 8.45pm. Details | :32:46. | :32:51. | |
can be found at: To help you decide here is a | :32:51. | :33:01. | |
:33:01. | :33:01. | ||
Apology for the loss of subtitles for 114 seconds | :33:01. | :36:06. | |
Wow - what a night. Our famous five tra -- have travelled this far. The | :36:06. | :36:16. | |
:36:16. | :36:18. | ||
glitterball beckons. Getting to Blackpool, I would love | :36:18. | :36:26. | |
to say I did. It's a nice ring to it. I would like to get to | :36:26. | :36:29. | |
Blackpool as badly as anyone left in the competition. It's the | :36:29. | :36:37. | |
ultimate Strictly goal. My main obstacle is actually me. I | :36:37. | :36:43. | |
still don't believe I can dance. I want to get there so bad. It | :36:43. | :36:47. | |
would be such a big achievement. I would feel so proud of myself. I | :36:47. | :36:52. | |
would hope that I was making everyone else proud. I will always | :36:52. | :36:56. | |
remember my kids' reactions, coming home and them waiting for me on the | :36:56. | :37:03. | |
street. I was almost like the local hero. For us it would be a | :37:03. | :37:07. | |
completion of a brilliant, brilliant journey. It will not be | :37:07. | :37:13. | |
an experience we'll ever have again. I am proud of what I've got so far. | :37:13. | :37:18. | |
To be in right now, that's pretty cool actually. People might say | :37:18. | :37:22. | |
they are not fussed, but let me tell you now, they are. Everyone | :37:23. | :37:30. | |
wants to be in that final. CHEERING AND APPLAUSE | :37:30. | :37:40. | |
All of you. I hope you'll agree, it's been a semi-final with ten | :37:40. | :37:45. | |
standing ovations. There can only be three places in the grand final | :37:45. | :37:50. | |
next week, which means in the results show sadly two couples' | :37:50. | :37:54. | |
dreams of winning the glitterball will disappear. | :37:54. | :38:00. | |
That's right. Lines close at 8.45pm. Pick up the phone and dial those | :38:00. | :38:06. | |
numbers. Your stars need you to get them into the final. Tess and | :38:06. | :38:12. |