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Strictly's back! Strictly's back! | 0:00:00 | 0:00:04 | |
14 celebrities have signed up to Strictly cause. There is a lot | 0:00:04 | 0:00:08 | |
pressure. Bring on Strictly. 14 stars are stepping off the | 0:00:08 | 0:00:14 | |
carpet and onto the red hot ballroom floor. The people - the line-up is | 0:00:14 | 0:00:18 | |
really good. Can't wait to see them dancing. The press. On | 0:00:18 | 0:00:25 | |
looks like the best series yet. And the politicians. Looking forward to | 0:00:25 | 0:00:31 | |
the Hokey Cokey. Partnerships been formed. Some look harmonious. | 0:00:31 | 0:00:36 | |
I am so happy. Others, more marriages of convenience. More | 0:00:36 | 0:00:41 | |
explosive than nitroglycerin. One thing is sure, it's time to bring | 0:00:41 | 0:00:48 | |
home the ballroom bacon. Who will sizzle? Taxi! Who will get burnt? | 0:00:48 | 0:00:53 | |
And who will end up with egg on their face? Let's get cracking. | 0:00:53 | 0:00:58 | |
This is a ballroom buffet. Welcome to Strictly Come Dancing 2011. | 0:00:58 | 0:01:08 | |
0:01:08 | 0:01:39 | ||
in! CHEERING AND APPLAUSE . | 0:01:39 | 0:01:43 | |
Live, from Television Centre, please Live, from Television Centre, please | 0:01:43 | 0:01:53 | |
0:01:53 | 0:01:57 | ||
welcome your hosts, Sir Bruce Forsyth and Tess Daly. | 0:01:57 | 0:02:05 | |
Yes! I got you. Don't worry, you are Yes! I got you. Don't worry, you are | 0:02:05 | 0:02:08 | |
all right with me. Hang on to Thank you. Thank you so much. | 0:02:08 | 0:02:15 | |
Please, please, sit down. You are Please, please, sit down. You are | 0:02:15 | 0:02:19 | |
not in church. Good evening, and gentlemen, and children, welcome | 0:02:19 | 0:02:24 | |
to Strictly Come Dancing, it's to see you, to see you - AUDIENCE: | 0:02:24 | 0:02:31 | |
Nice!! Yes, and it's nice to see you, Brucie, as ever. What | 0:02:31 | 0:02:34 | |
line-up this year. Yes, the ever. There's someone for everyone, | 0:02:34 | 0:02:39 | |
even a couple of women my age. LAUGHTER. | 0:02:39 | 0:02:43 | |
Hang on a minute, Bruce, hang on, which couple of women are your age? | 0:02:43 | 0:02:51 | |
Well, if you add them Anita Dobson and Lulu. LAUGHTER | 0:02:51 | 0:02:56 | |
Oh, they like that one, they like Oh, they like that one, they like | 0:02:56 | 0:03:00 | |
it. Well, I didn't expect a laugh there, I really - LAUGHTER - | 0:03:00 | 0:03:06 | |
up! 14 stars have spent three weeks building up to their ballroom debut | 0:03:06 | 0:03:09 | |
live in front of the nation and that can only mean one thing: fear, | 0:03:09 | 0:03:13 | |
lots of it. Yes, tonight seven couples will perform for the first | 0:03:13 | 0:03:18 | |
time and dance either a waltz or a cha-cha-cha. Tomorrow night the | 0:03:18 | 0:03:21 | |
remaining seven couples will the floor. Never mind tomorrow | 0:03:21 | 0:03:31 | |
0:03:31 | 0:03:33 | ||
night, it's time to meet the stars of our show. Wo-ho! | 0:03:33 | 0:03:37 | |
Astrologer to the stars, Russell Astrologer to the stars, Russell | 0:03:37 | 0:03:38 | |
Grant and his partner Flavia Cacace. Grant and his partner Flavia Cacace. | 0:03:38 | 0:03:42 | |
Singing legend Lulu and her partner Singing legend Lulu and her partner | 0:03:42 | 0:03:46 | |
impressionist Rory Bremner and his impressionist Rory Bremner and his | 0:03:47 | 0:03:49 | |
Astrologer to the partner Erin Boag; Waterloo Road's | 0:03:49 | 0:03:56 | |
Chelsee Healey and her partner Pasha Kovalev; | 0:03:56 | 0:04:06 | |
0:04:06 | 0:04:06 | ||
Apology for the loss of subtitles for 46 seconds | 0:04:06 | 0:04:52 | |
There they are, don't they look There they are, don't they look | 0:04:52 | 0:04:57 | |
fantastic? Look at them up together. Oh, wonderful. | 0:04:57 | 0:05:02 | |
they all are. A few weeks ago Bruno described you as a pick 'n' mix, you | 0:05:02 | 0:05:06 | |
know, like a bag of sweets. he is right. We've got Robbie | 0:05:06 | 0:05:16 | |
Savage, a hard centre; Russell Grant, a soft centre. LAUGHTER . And | 0:05:16 | 0:05:20 | |
Edwina and Nancy, a couple of nut clusters. The good news is that none | 0:05:20 | 0:05:24 | |
of our stars are leaving this weekend but the bad news is the | 0:05:24 | 0:05:30 | |
judges will still be scoring. But there's no time to rest their | 0:05:31 | 0:05:32 | |
laurels because scores will be carried forward to next week and | 0:05:32 | 0:05:38 | |
somebody - that means one of you will be the first to leave. | 0:05:38 | 0:05:44 | |
AUDIENCE: : ah! This year we have live commentary | 0:05:44 | 0:05:48 | |
from Karen Hardy and joining her this weekend is Katy Brand. Hi guys, | 0:05:48 | 0:05:56 | |
there they are. Hello. If you want to hear their witty critique, | 0:05:56 | 0:06:01 | |
press the red button on your handset now. It's only when they are | 0:06:01 | 0:06:06 | |
dancing, isn't it? Yes. I don't want any witty critique going on | 0:06:06 | 0:06:11 | |
when I'm doing my jokes. Shall we kick off the series? I think we | 0:06:11 | 0:06:14 | |
should. First up is someone I'm particularly looking forward to | 0:06:14 | 0:06:17 | |
seeing dance, she is such a beautiful girl, | 0:06:17 | 0:06:25 | |
her partner Artem Chigvintsev. CHEERING AND APPLAUSE. | 0:06:25 | 0:06:30 | |
Good luck. Lovely. Hollie said to Good luck. Lovely. Hollie said to | 0:06:30 | 0:06:34 | |
me: why do I have to be first? I said: it was done fairly, I drew the | 0:06:34 | 0:06:42 | |
name out of the hat and it took me 27 goes at it, but - LAUGHTER - | 0:06:42 | 0:06:50 | |
did it eventually. Anyway, here they are in training. | 0:06:50 | 0:07:00 | |
0:07:00 | 0:07:02 | ||
She is a pop temptress but it was She is a pop temptress but it was | 0:07:02 | 0:07:03 | |
She is a pop temptress but it was Neighbours which gave her a big | 0:07:03 | 0:07:03 | |
Neighbours which gave her a big Neighbours which gave her a big | 0:07:03 | 0:07:07 | |
She is a break. I reallied a single just | 0:07:07 | 0:07:12 | |
before I left Neighbours so I went into a serious baptism of fire into | 0:07:12 | 0:07:16 | |
the music industry. I think people assume that I can dance, but when | 0:07:16 | 0:07:24 | |
you are just in music videos, you just have to look funky, and you | 0:07:24 | 0:07:27 | |
have ten dancers behind you. You have a crew making you look | 0:07:27 | 0:07:31 | |
This is just me and Artem, and he last year's winner which means | 0:07:31 | 0:07:39 | |
we've got a lot to live up to as well. That boggles my marbles. | 0:07:39 | 0:07:44 | |
Last year, I won the glitterball and Last year, I won the glitterball and | 0:07:44 | 0:07:47 | |
I also got myself a girlfriend. It would be amazing to win twice in a | 0:07:47 | 0:07:54 | |
row. I'm struggling with the cha cha. Artem doesn't | 0:07:54 | 0:08:00 | |
out willy-nilly. Oh my goodness, what was that? Don't get me wrong, I | 0:08:00 | 0:08:07 | |
don't hate it. You really have to be good, to get down. Is that another | 0:08:07 | 0:08:10 | |
of your compliments? He is hard to please, and even though no one is | 0:08:10 | 0:08:13 | |
kicked off this week, hopefully I will impress the judges with | 0:08:13 | 0:08:22 | |
Dancing the cha-cha-cha, Holly Dancing the cha-cha-cha, Holly | 0:08:22 | 0:08:32 | |
0:08:32 | 0:08:32 | ||
Apology for the loss of subtitles for 46 seconds | 0:08:32 | 0:10:04 | |
come here, the pair of you. Thank come here, the pair of you. Thank | 0:10:04 | 0:10:07 | |
Dancing the cha-cha-cha, you for a lovely start. That was | 0:10:07 | 0:10:12 | |
beautiful. Thank you. I reckon will be great, I really do. Do you | 0:10:12 | 0:10:16 | |
feel glad that one is over? Definitely. Whilst you two get | 0:10:16 | 0:10:21 | |
breath back it's a good time to welcome our fabulous | 0:10:21 | 0:10:25 | |
welcome our fabulous singers, Dave Arch and his wonderful, wonderful | 0:10:25 | 0:10:31 | |
orchestra. APPLAUSE. And, of course, we have our judges, | 0:10:31 | 0:10:35 | |
who I've missed terribly over summer. Alesha, I've missed you | 0:10:35 | 0:10:44 | |
saying those little words of wisdom. I've missed Craig, I've missed you | 0:10:44 | 0:10:48 | |
saying daarhling, daarhling. LAUGHTER. I really missed that. And | 0:10:48 | 0:10:55 | |
Len, I've missed you saying severrrn! And Bruno, I've missed | 0:10:55 | 0:10:59 | |
saying - to be honest, I never know what you are saying. I will speak | 0:10:59 | 0:11:05 | |
very, very slowly. Yes, and little softer. Maybe. Anyway, Len, | 0:11:05 | 0:11:10 | |
let's get stuck in here. What did you think as a first offering? Well, | 0:11:10 | 0:11:14 | |
it's not the best first dance I've ever seen - | 0:11:14 | 0:11:24 | |
0:11:24 | 0:11:25 | ||
AUDIENCE: Oh oh! But I tell you what, it was close. It could have | 0:11:25 | 0:11:31 | |
been a bit crisper in the action. You need to get the natural hip | 0:11:31 | 0:11:34 | |
action but I don't know who is coming but they need to be blooming | 0:11:34 | 0:11:38 | |
good to beat that. Well done. APPLAUSE. | 0:11:38 | 0:11:48 | |
0:11:48 | 0:11:50 | ||
Thank you. OK, Alesha, my darling. Holly, you are a very, very good | 0:11:50 | 0:11:55 | |
dancer, I was very surprised by the standard, your technique is actually | 0:11:55 | 0:11:57 | |
at a high standard for the beginning of the show and I think you could | 0:11:57 | 0:12:02 | |
push it even more. Oh, she will. It's those early stages with | 0:12:02 | 0:12:12 | |
nerve bus I think you are going to be sensational. Bruno, and don't | 0:12:12 | 0:12:20 | |
Holly, you can give plenty of very Holly, you can give plenty of very | 0:12:20 | 0:12:26 | |
tasty eye candy, flowingly sensuous, the footwork was good, the extension | 0:12:26 | 0:12:30 | |
excellent, but with all that it needs more bite. Len was right, you | 0:12:30 | 0:12:33 | |
need to go for it with more strength. Go for it because you've | 0:12:33 | 0:12:37 | |
got it. Thank you. That's wonderful. Absolutely wonderful. | 0:12:37 | 0:12:47 | |
0:12:47 | 0:12:47 | ||
Lovely. Very good, Bruno. The lina. Is working then? | 0:12:47 | 0:12:52 | |
Craig? You need to finish crisply, Craig? You need to finish crisply, | 0:12:52 | 0:12:52 | |
Craig? You need to finish crisply, he had flexed knees throughout, | 0:12:52 | 0:12:54 | |
he had flexed knees throughout, he had flexed knees throughout, | 0:12:54 | 0:12:55 | |
Craig? You there was hardly any straight leg in | 0:12:55 | 0:12:58 | |
there which lacked hip action unfortunately, I didn't like your | 0:12:58 | 0:13:02 | |
walks, they are a bit clumsy but I know you can improve those, I | 0:13:02 | 0:13:05 | |
thought you had fantastic flexibility and I absolutely loved | 0:13:05 | 0:13:09 | |
the layout. However, the first layout, when you did your extension, | 0:13:09 | 0:13:13 | |
unfortunately that didn't quite make it. You never quite got there, | 0:13:13 | 0:13:18 | |
darling, but a lot to work on lot of good actually. Thank you. | 0:13:18 | 0:13:28 | |
Be proud of that. A very good Off you go. Be good to her. Off you | 0:13:28 | 0:13:38 | |
0:13:38 | 0:13:39 | ||
Come on, my darling, first dance of Come on, my darling, first dance of | 0:13:39 | 0:13:45 | |
the pressure, no pressure, and what a dance. Good fun. You've just | 0:13:45 | 0:13:50 | |
kicked off Strictly 2011 with the reigning champion of 2010. Does | 0:13:50 | 0:13:54 | |
get any better? I hope so. The judges think you have more to give. | 0:13:54 | 0:13:58 | |
Would you agree? I definitely agree. It was excellent and | 0:13:58 | 0:14:00 | |
constructive criticism and I am going to really work on it this | 0:14:00 | 0:14:04 | |
week. Artem, do you feel pressure to hold onto the title? I don't | 0:14:04 | 0:14:14 | |
want to think about it, let's take it week by-week. The scores are in. | 0:14:14 | 0:14:24 | |
0:14:24 | 0:14:34 | ||
All right, a strong start, and the All right, a strong start, and the | 0:14:34 | 0:14:40 | |
first severrrn of the series. Has Holly set the standard? Nobody is | 0:14:40 | 0:14:44 | |
leaving tonight and the carry over to next week. Anybody | 0:14:44 | 0:14:49 | |
else nervous? I'm nervous for them. Six more couples tonight, seven | 0:14:49 | 0:14:53 | |
tomorrow. You can't beat in the ballroom, right, Bruce? | 0:14:53 | 0:14:58 | |
right. Now for our next couple, Lobb and his partner Katya | 0:14:58 | 0:15:07 | |
Virshilas. A very popular man. Now, Dan hasn't been sure how to describe | 0:15:07 | 0:15:12 | |
himself on the show. You know, TV presenter, breakfast star, he | 0:15:12 | 0:15:19 | |
to me "Bruce, how would you describe someone who presents breakfast every | 0:15:19 | 0:15:23 | |
day?", I said "A waiter, get me a day?", I said "A waiter, get me | 0:15:23 | 0:15:27 | |
cup of coffee", and he did. I think I've got myself a butler. Anyway, | 0:15:27 | 0:15:35 | |
Daybreak's Dan is swapping his early Daybreak's Dan is swapping his early | 0:15:35 | 0:15:39 | |
morning sofa for the Strictly floor and he is doing it for the | 0:15:39 | 0:15:43 | |
boys. I am trying to champion that man who spends his social | 0:15:43 | 0:15:47 | |
around the dance floor, people watching, as opposed to being | 0:15:47 | 0:15:53 | |
involved. I am fearful of the dancing element of Strictly Come | 0:15:54 | 0:15:57 | |
Dancing. If it was Extremely Come Standing, Extremely Come | 0:15:57 | 0:16:01 | |
the Pub with Your Mates, I would all right about the process, I | 0:16:01 | 0:16:06 | |
think. Isn't she gorgeous? Yes, absolutely. | 0:16:06 | 0:16:11 | |
Blokings, I know you aren't going to believe me because Katya is quite | 0:16:11 | 0:16:18 | |
attractive - but I'm all about dancing. | 0:16:18 | 0:16:19 | |
I'm so looking forward to getting I'm so looking forward to getting | 0:16:19 | 0:16:23 | |
back into the training room. I'm little bit tough but if I am going | 0:16:23 | 0:16:28 | |
to spend ten hours a day in a with someone, I want him to make | 0:16:28 | 0:16:32 | |
laugh. Dan and I are very creatures | 0:16:32 | 0:16:36 | |
going to be a bit of a battle. Listen to what I say. Always | 0:16:36 | 0:16:41 | |
listening. The relationship is complex. You play good cop, bad cop, | 0:16:41 | 0:16:45 | |
don't you? As long as there's more good than bad - we will have our | 0:16:45 | 0:16:50 | |
clashes. I'm not here to be your Mummy. Shut up, just say yes or | 0:16:50 | 0:16:54 | |
no. I think it will be a successful partnership. I like it when you | 0:16:54 | 0:16:59 | |
happy because I know I've something good. | 0:16:59 | 0:17:09 | |
0:17:09 | 0:17:09 | ||
Apology for the loss of subtitles for 46 seconds | 0:17:09 | 0:18:41 | |
Dancing the waltz, Dan Lobb and All right? Very elegant. Oh, very | 0:18:41 | 0:18:41 | |
All right? Very elegant. Oh, very All right? Very elegant. Oh, very | 0:18:41 | 0:18:42 | |
elegant indeed. That was beautiful. elegant indeed. That was beautiful. | 0:18:42 | 0:18:45 | |
Dancing the waltz, Isn't she wonderful? Yes, she's | 0:18:45 | 0:18:49 | |
getting there. Thank you. couple of weeks, we will have her | 0:18:49 | 0:18:54 | |
dancing. OK, good. I'm glad. can I say? Len? It was a bit wooden | 0:18:54 | 0:18:59 | |
and you lacked rise and - and you lacked rise an. | 0:18:59 | 0:19:07 | |
AUDIENCE: Oh oh! Don't get like that already. It | 0:19:07 | 0:19:11 | |
lacked musicality but let me tell you, the hold was good, the footwork | 0:19:11 | 0:19:16 | |
was good, this isn't an easy and for a tall man you did very | 0:19:16 | 0:19:20 | |
well. You are right. The posture was good. You are right. Alesha | 0:19:20 | 0:19:24 | |
darling, what did you think? Very, very elegant, Dan. I know you | 0:19:24 | 0:19:28 | |
so nervous but you had nothing worry about, you looked very | 0:19:28 | 0:19:31 | |
competent, you looked very relaxed, you looked like you were leading | 0:19:31 | 0:19:37 | |
Katya as well and you should proud of yourself. There you are. | 0:19:37 | 0:19:46 | |
Now then, Bruno? Mr Lob, I have to tell you something, it was quite | 0:19:46 | 0:19:50 | |
accomplished for a first go but at times you had such a gloomy look, | 0:19:51 | 0:19:57 | |
you looked like Adrian Chiles on the sofa. It's the Look of Love, you | 0:19:57 | 0:20:00 | |
look at her, lovely smile, beautiful, and then you turn | 0:20:00 | 0:20:03 | |
and you are like that. You have to conduct a performance that is | 0:20:04 | 0:20:08 | |
actually believable all the way through. It takes time, you've got | 0:20:08 | 0:20:13 | |
time to get there. Yes, you were bit nervous, that's why. And you | 0:20:13 | 0:20:23 | |
0:20:23 | 0:20:23 | ||
have a lovely smile, so use it. Thanks, Bruce, so have you. He is | 0:20:23 | 0:20:32 | |
bit lippy. Craig? I thought it was a very tentative lead, unlike | 0:20:32 | 0:20:37 | |
Alesha. You have to be careful you work in parallel. Top line I thought | 0:20:37 | 0:20:41 | |
was hideously rigid which means have no swing or sway or any of | 0:20:41 | 0:20:45 | |
that. Rise and fall unfortunately was all in the knees rather than | 0:20:45 | 0:20:52 | |
going through the heel, and transitions I thought were a bit | 0:20:52 | 0:20:58 | |
crumbly. You need your head more to the left, darling, and | 0:20:58 | 0:21:04 | |
smile! But it was his first time! Exactly, thank you, Alesha. CHEERING | 0:21:04 | 0:21:10 | |
Don't you listen to him. Away you Don't you listen to him. Away you | 0:21:10 | 0:21:20 | |
0:21:20 | 0:21:22 | ||
Dan the man. You were great. You Dan the man. You were great. You | 0:21:22 | 0:21:26 | |
were wonderful. Alesha loved it. Yes, her Mum is my biggest fan | 0:21:26 | 0:21:29 | |
apparently so as long as I keep the Dixon family happy I will be | 0:21:29 | 0:21:38 | |
right. Sorted. Your first taste of Strictly, hungry for more? Erm, | 0:21:38 | 0:21:44 | |
yeah. Yes. Were those three weeks the longest of your life? No, we | 0:21:44 | 0:21:54 | |
0:21:54 | 0:21:56 | ||
started to enjoy it really and to find a rhythm. | 0:21:56 | 0:22:06 | |
0:22:06 | 0:22:18 | ||
24 from the judges. Mr Lobb, as 24 from the judges. Mr Lobb, as | 0:22:18 | 0:22:21 | |
Bruno says. Coming up later we are serving knockout entertainment | 0:22:21 | 0:22:24 | |
Audley Harrison, Robbie Savage Anita Dobson, plus Russell Grant. | 0:22:24 | 0:22:26 | |
Who can predict what's going to happen? Not even Russell can | 0:22:26 | 0:22:30 | |
tonight. Back to you, Bruce. Thank you, Tess. Next up, it's | 0:22:30 | 0:22:40 | |
0:22:40 | 0:22:40 | ||
her partner Brendan Cole. CHEERING. What a couple. What a pair. Now, you | 0:22:40 | 0:22:45 | |
remember three weeks ago when Lulu and Brendan were paired together, | 0:22:45 | 0:22:50 | |
Brendan picked her up and threw her over his shoulder, poor thing. | 0:22:50 | 0:22:53 | |
That's typical Brendan, the competition hasn't even started | 0:22:53 | 0:22:56 | |
he has already done an illegal lift. LAUGHTER. | 0:22:56 | 0:23:01 | |
Will he never learn? By the way, lot of people thought Lulu was | 0:23:01 | 0:23:05 | |
disappointed when she got Brendan. She wasn't disappointed; she was | 0:23:05 | 0:23:13 | |
devastated. LAUGHTER Here they are in training. | 0:23:13 | 0:23:21 | |
Entertainment legend, Lulu. Now, Entertainment legend, Lulu. Now, | 0:23:21 | 0:23:25 | |
what is it she does again? I'm a singer, I'm a song writer, I'm an | 0:23:25 | 0:23:28 | |
actress, I'm a mother, I'm a grandmother, I'm a businessman, | 0:23:28 | 0:23:32 | |
sometimes model. I never talking. Used to have a television | 0:23:32 | 0:23:38 | |
series and I used to get a few dance directions but I've watched them. I | 0:23:38 | 0:23:46 | |
am pretty sad. Brendan Cole! When I was told I had Brendan, I went: oh! | 0:23:46 | 0:23:51 | |
First of all he has a bad boy reputation, secondly he is so tall. | 0:23:51 | 0:23:56 | |
Actually I was thrilled he picked me up and I didn't have to say | 0:23:56 | 0:23:59 | |
more. That was the end of that. think I am a very nice person. Most | 0:23:59 | 0:24:07 | |
people I work with I do get along with. Most. Watch this space. | 0:24:07 | 0:24:09 | |
Lulu is a little ball of energy. Lulu is a little ball of energy. | 0:24:09 | 0:24:13 | |
want to dance, I want to dance. But I didn't expect to struggle quite so | 0:24:13 | 0:24:18 | |
much this early on. That's wrong. That's wrong too. | 0:24:18 | 0:24:22 | |
It's kind of unknown territory. doesn't make any sense. | 0:24:22 | 0:24:26 | |
doesn't make any s sense and that scary. | 0:24:26 | 0:24:28 | |
It's our last rehearsal and she It's our last rehearsal and she | 0:24:28 | 0:24:31 | |
finally gets it. finally gets it. | 0:24:31 | 0:24:32 | |
It's our last rehearsal I feel like it's only just come | 0:24:32 | 0:24:35 | |
together but who knows what will happen when we go and do it | 0:24:35 | 0:24:41 | |
real. I don't know if I'm ready but let's go. | 0:24:41 | 0:24:51 | |
0:24:51 | 0:24:53 | ||
her partner Brendan Cole. MUSIC: "I've Got The Music In Me" | 0:24:53 | 0:25:03 | |
0:25:03 | 0:25:18 | ||
. CLAPPING IN TIME | 0:25:18 | 0:25:28 | |
0:25:28 | 0:25:28 | ||
Apology for the loss of subtitles for 46 seconds | 0:25:28 | 0:26:39 | |
You've done it again. Are you all You've done it again. Are you all | 0:26:39 | 0:26:42 | |
CHEERING right, my darling? Do you want the | 0:26:42 | 0:26:46 | |
paramedics? They are round the corner. Yes. OK, I can send for | 0:26:46 | 0:26:53 | |
them any time you like. No, I'm OK. Well done indeed. You are such a | 0:26:53 | 0:26:57 | |
wonderful sport. Lulu, I just want to thank you for getting the party | 0:26:57 | 0:27:00 | |
started. How about that. ball of energy and you are | 0:27:00 | 0:27:04 | |
and I honestly believe you have of potential. I know it went | 0:27:05 | 0:27:08 | |
wrong but do you know what, my love, it doesn't matter, you've got | 0:27:08 | 0:27:14 | |
first one out the way and you will be back next week. Exactly. Now, | 0:27:14 | 0:27:24 | |
0:27:24 | 0:27:26 | ||
what's that muppet doing there? Lulu, I got to do this: well, well, | 0:27:26 | 0:27:33 | |
well, well! What are you doing? It was singing with Lulu at Wembley | 0:27:33 | 0:27:38 | |
arena, forget all the steps, nobody cares. The energy - I tell you, you | 0:27:38 | 0:27:44 | |
are a great performer. The energy was great. She is. The. The steps | 0:27:44 | 0:27:50 | |
went down the toilet. That's exactly how I choreographed it. | 0:27:50 | 0:27:57 | |
are you talking about? It's my best work. Now then, Craig. | 0:27:57 | 0:27:59 | |
Bite your lip before you say Bite your lip before you say | 0:27:59 | 0:28:05 | |
anything. Oh no, I don't have to hear it really. Complete dance | 0:28:05 | 0:28:08 | |
disaster. Darling, you made it up almost from beginning to end. | 0:28:08 | 0:28:18 | |
0:28:18 | 0:28:18 | ||
Almost. Almost. Almost. OK, well, Craig - Len? What do you think? | 0:28:18 | 0:28:25 | |
There was plenty of boom bang abang but nothing to shout about really. | 0:28:25 | 0:28:30 | |
It's a shame because I've got great expectations for you. I know, no | 0:28:30 | 0:28:34 | |
pressure. I want you to do good but you cannot go wrong. | 0:28:34 | 0:28:38 | |
first rule of this thing and once you do your marks are going to | 0:28:38 | 0:28:43 | |
tumble so just try and work on nailing the choreography, that's the | 0:28:43 | 0:28:50 | |
first job, but it was fun and entertaining so well done. | 0:28:50 | 0:28:55 | |
You are my favourite. LAUGHTER. You are my favourite. LAUGHTER. | 0:28:55 | 0:29:05 | |
0:29:05 | 0:29:08 | ||
Go on, pick her up, off you go. CHEERING. | 0:29:08 | 0:29:11 | |
Come on up here for a little bit of Come on up here for a little bit of | 0:29:11 | 0:29:16 | |
TLC. The audience don't mind that you forgot a few steps, right guys? | 0:29:16 | 0:29:22 | |
AUDIENCE: No! So are you going to dust yourself off for next week's | 0:29:22 | 0:29:26 | |
foxtrot? I really hope so. The dress rehearsal was much better, I | 0:29:26 | 0:29:36 | |
0:29:36 | 0:29:36 | ||
promise you. You nailed it. . | 0:29:36 | 0:29:46 | |
0:29:46 | 0:29:53 | ||
17. Tough scores there. You got the 17. Tough scores there. You got the | 0:29:53 | 0:29:56 | |
first one out of the way. Onwards and upwards. I thought it was | 0:29:56 | 0:30:00 | |
great. Three couples down, we've got four to go. We are expecting | 0:30:00 | 0:30:03 | |
things. It's not like they are under pressure or anything, is it? Back | 0:30:03 | 0:30:10 | |
you, Bruce. Thank you, Tess. Our next couple is Audley Harrison and | 0:30:10 | 0:30:17 | |
his partner Natalie Lowe. APPLAUSE. Now, Audley told me he is a bit | 0:30:17 | 0:30:21 | |
worried about what dancing might to his image because boxing is such | 0:30:21 | 0:30:27 | |
a manly sport. I said: what? Manly sport? You must be joking. Boxing | 0:30:27 | 0:30:34 | |
isn't a manly sport; you spend all day skipping, you wear all those | 0:30:34 | 0:30:39 | |
funny sparkly shorts and then they fight each other over a | 0:30:39 | 0:30:45 | |
LAUGHTER. APPLAUSE. | 0:30:45 | 0:30:55 | |
0:30:55 | 0:30:57 | ||
Not even a handbag! A handbag! I made myself laugh then. Stop it. | 0:30:57 | 0:31:07 | |
0:31:07 | 0:31:07 | ||
Here they are in training. Harrison is hoping to perform as | 0:31:07 | 0:31:12 | |
well on the dance floor as he in the ring. Standing on the | 0:31:12 | 0:31:15 | |
podium, winning the gold medal was an amazing feeling that you can't | 0:31:15 | 0:31:20 | |
describe. The following year it got even more surreal and I got the MBE. | 0:31:20 | 0:31:25 | |
I believe I'm the biggest celebrity that you've had on Strictly before. | 0:31:25 | 0:31:32 | |
Believe me now? Every picture tells a story. Look | 0:31:32 | 0:31:37 | |
at these beauties, size 17 feet. My partner will be the boss. Actually | 0:31:37 | 0:31:44 | |
my wife is the lady boss but she can be temporary. Be gentle with me. | 0:31:44 | 0:31:48 | |
Go for gold, you know. I would absolutely love to hold that | 0:31:48 | 0:31:53 | |
glitterball up. Due to work commitments, Audley starts his | 0:31:53 | 0:31:59 | |
training back home in LA. This not easy. I have finally stepped | 0:31:59 | 0:32:05 | |
foot in the studio with Audley Harrison. I'm now back in London, | 0:32:05 | 0:32:13 | |
finally dancing with Natalie. have three days of rehearsal | 0:32:13 | 0:32:16 | |
compared to everybody else's three weeks. It's now 7.40 and I'm | 0:32:16 | 0:32:21 | |
getting started. Audley would until 3.00am if we could get | 0:32:21 | 0:32:30 | |
studio. We have a long night ahead. Time to get serious, time to rumble. | 0:32:30 | 0:32:40 | |
0:32:40 | 0:32:51 | ||
and his partner Natalie Lowe. MUSIC: "Angel". | 0:32:51 | 0:33:01 | |
0:33:01 | 0:33:01 | ||
Apology for the loss of subtitles for 46 seconds | 0:33:01 | 0:34:29 | |
May I say, Audley, that was very May I say, Audley, that was very | 0:34:29 | 0:34:32 | |
CHEERING elegant. Thank you, Bruce. Was she | 0:34:32 | 0:34:37 | |
good in the clinches? Anyway, Bruno? Oddly, surprisingly, you are so | 0:34:37 | 0:34:43 | |
light and grateful for someone the size of Everest. Yes. That's an | 0:34:43 | 0:34:47 | |
achievement. Watch your eyes and refine the footwork, but well done. | 0:34:47 | 0:34:56 | |
Exactly, I couldn't agree more. Craig? Hands, hands, hands, | 0:34:56 | 0:35:05 | |
spatulaistic. The standing spin was flat-footed and it was not for | 0:35:05 | 0:35:13 | |
am afraid. I think there is a charm about a great | 0:35:13 | 0:35:23 | |
0:35:23 | 0:35:24 | ||
be something. Do me a favour, as you walk by, punch Craig, will you? | 0:35:24 | 0:35:27 | |
Think that's funny, do you? Anyway, Think that's funny, do you? Anyway, | 0:35:27 | 0:35:35 | |
I thought it was very elegant. Off you go. | 0:35:35 | 0:35:43 | |
Come on, you big lad. You survived Come on, you big lad. You survived | 0:35:43 | 0:35:46 | |
the first round, ding ding. You stepped into the ring with people | 0:35:47 | 0:35:52 | |
who want to knock your block off. Right. How did that compare? | 0:35:52 | 0:35:57 | |
that was pretty tough but I enjoyed it. Craig is a tough guy, isn't he? | 0:35:57 | 0:36:02 | |
Are you going to take it on the chin from Craig? I might have to see | 0:36:02 | 0:36:06 | |
later on in the back room. Scores are in. | 0:36:06 | 0:36:16 | |
0:36:16 | 0:36:19 | ||
. BOOING | 0:36:19 | 0:36:28 | |
20. Pretty good. You've had a 20. Pretty good. You've had a | 0:36:28 | 0:36:32 | |
lookout, Craig, he is coming to get you. You can knock him out next week | 0:36:32 | 0:36:40 | |
with the salsa, ain't that Audley? Yes. Our fifth couple | 0:36:40 | 0:36:45 | |
Robbie Savage and his partner Ola Jordan. CHEERING. | 0:36:45 | 0:36:50 | |
Now, I've heard that Robbie is very, very nervous tonight, and that's | 0:36:50 | 0:36:55 | |
quite understandable. I said: don't worry, after you have been on this | 0:36:55 | 0:36:58 | |
show a couple of weeks love you and I bet by the end of | 0:36:58 | 0:37:01 | |
week you will be offered a Would you like to be a villain? He | 0:37:01 | 0:37:07 | |
said: no, Goldilocks. Think about it, for goodness sake. Right, | 0:37:07 | 0:37:14 | |
With over 100 yellow cards and a With over 100 yellow cards and a | 0:37:14 | 0:37:18 | |
reputation as the dirtiest player in the Premiership, it's former | 0:37:18 | 0:37:22 | |
footballing bad boy - savage is trouble here again, it's a red card. | 0:37:22 | 0:37:28 | |
I started in the famous youth team I started in the famous youth team | 0:37:28 | 0:37:29 | |
I started in the famous youth team at Manchester United. My last game | 0:37:29 | 0:37:29 | |
at Manchester United. My last game at Manchester United. My last game | 0:37:30 | 0:37:32 | |
I started in was in May and I finished in my | 0:37:32 | 0:37:38 | |
underpants. COMMENTATOR: Robbie Savage is down to his Y fronts. | 0:37:38 | 0:37:43 | |
Stripping down doesn't come I'm not a stripper. The highlight | 0:37:43 | 0:37:48 | |
for me would be getting to Wembley. I didn't get there as often | 0:37:48 | 0:37:53 | |
would like. On the football field, if you forget you have ten other | 0:37:53 | 0:37:58 | |
team mates screaming at you to get into position. In Strictly, who will | 0:37:58 | 0:38:03 | |
tell you? Nobody. My partner is probably thinking: oh, she is sweet. | 0:38:03 | 0:38:07 | |
But he is in for a shock. I'm coming for him. | 0:38:07 | 0:38:10 | |
Straight, straight. You know are not straight. I'm trying me | 0:38:10 | 0:38:14 | |
best. Robbie needs to stop thinking like a footballer. Stand up, you | 0:38:14 | 0:38:19 | |
are a dancer now. Every thing you do, she orders back. | 0:38:19 | 0:38:22 | |
Straight. Arms out. Stand up. Then I do that right, something else | 0:38:22 | 0:38:31 | |
is wrong. When you pick me up, don't go urgh! I scored | 0:38:31 | 0:38:35 | |
there. He likes when I say he is good. When it's down to | 0:38:35 | 0:38:40 | |
show, it's actually going to happen, isn't it? | 0:38:40 | 0:38:44 | |
Dancing the cha-cha-cha, Robbie Dancing the cha-cha-cha, Robbie | 0:38:44 | 0:38:54 | |
0:38:54 | 0:38:54 | ||
Apology for the loss of subtitles for 46 seconds | 0:38:54 | 0:40:24 | |
Dancing the cha-cha-cha, Robbie Well done, Robbie. The pair of you, | 0:40:24 | 0:40:24 | |
Well done, Robbie. The pair of you, Well done, Robbie. The pair of you, | 0:40:24 | 0:40:28 | |
Dancing the cha-cha-cha, that was really lovely. I couldn't | 0:40:28 | 0:40:35 | |
help noticing, you didn't do these yourself, did you? No. I did. You | 0:40:35 | 0:40:42 | |
haven't time for that. What is that? Camera number 1. See, my arms, I | 0:40:42 | 0:40:51 | |
only get number 4. Craig, off. It was all very Abercrombi and | 0:40:51 | 0:40:58 | |
Fitch, I am afraid, all about the look and no dancing. Just Ola | 0:40:58 | 0:41:02 | |
dancing around you isn't would call a cha-cha-cha. It | 0:41:02 | 0:41:08 | |
what you would call a cha-cha-cha? No, it isn't. Len? Well, the hair | 0:41:09 | 0:41:12 | |
looked nice I thought. There was a tendency for you to be | 0:41:12 | 0:41:17 | |
there while Ola flew about like a wasp in a picnic but there was a lot | 0:41:17 | 0:41:23 | |
of dancing in there. You came out with good intent, plenty of attack | 0:41:23 | 0:41:25 | |
and there have been three footballers on so far on Strictly | 0:41:25 | 0:41:28 | |
and you are the best, so well done. CHEERING. | 0:41:28 | 0:41:34 | |
Well done, number 8. OK, Alesha, what did you think? Robbie, | 0:41:34 | 0:41:37 | |
definitely have to give you an A for effort. You did come out and really | 0:41:37 | 0:41:41 | |
try and it's never easy for to do a cha-cha-cha, | 0:41:41 | 0:41:44 | |
they are a footballer and you do look great together and | 0:41:45 | 0:41:49 | |
a lot of room for growth for you, so be proud of | 0:41:49 | 0:41:58 | |
yourself tonight. Thank you. Good words. Let that sink in. Now, Bruno? | 0:41:58 | 0:42:04 | |
Robbie, you savage. You were Robbie, you savage. You were | 0:42:04 | 0:42:10 | |
completely ravaged. You went at it like a wrestler. There is | 0:42:10 | 0:42:14 | |
certainly requirement, like a lap of glory, hardly any dancing. You've | 0:42:14 | 0:42:20 | |
got to put the dancing in. Don't attack it all the time when it's not | 0:42:20 | 0:42:24 | |
necessary. A bit of finesse will do sometimes. Nice cleavage by the way. | 0:42:24 | 0:42:28 | |
Get off quick, get off quick. Thank you. All right, lovely. Come | 0:42:28 | 0:42:37 | |
on, well done. CHEERING. | 0:42:38 | 0:42:41 | |
Come on, Robbie, back of the net, Come on, Robbie, back of the net, | 0:42:41 | 0:42:41 | |
Come on, Robbie, back of the net, brilliant first effort. Did you wax | 0:42:41 | 0:42:42 | |
brilliant first effort. Did you wax brilliant first effort. Did you wax | 0:42:42 | 0:42:44 | |
Come on, Robbie, especially for us, by the way? No, | 0:42:44 | 0:42:50 | |
it's Ola's birthday and I've let her down. Is it? Happy birthday, Ola. | 0:42:50 | 0:42:53 | |
You are out of your comfort a big way, you were very nervous | 0:42:53 | 0:42:56 | |
tonight, weren't you? Yes. Very nervous. | 0:42:56 | 0:43:05 | |
. BOOING | 0:43:06 | 0:43:15 | |
0:43:16 | 0:43:18 | ||
19. Never mind, you gave 110%, 19. Never mind, you gave 110%, | 0:43:18 | 0:43:21 | |
Robbie. I think I speak for everybody here that we can't wait to | 0:43:21 | 0:43:27 | |
see you back on the dance floor for more next week. At least she looks | 0:43:27 | 0:43:33 | |
Hello, hello, now for our next couple, Anita Dobson and her partner | 0:43:33 | 0:43:38 | |
couple, Anita Dobson and her partner couple, Anita Dobson and her partner | 0:43:38 | 0:43:39 | |
Hello, hello, now Robin Windsor. Anita, a lovely lady. | 0:43:39 | 0:43:45 | |
CHEERING. Now, I said to Anita, I've | 0:43:45 | 0:43:49 | |
definitely seen you somewhere before but can't remember where. She said | 0:43:49 | 0:43:52 | |
"I was in EastEnders for a while", said it's not that, I | 0:43:52 | 0:43:57 | |
soap operas. "I also starred in Hamlet", I said it's not that, I'm | 0:43:57 | 0:44:01 | |
not a fan of Shakespeare. She said "I took my clothes off in the stage | 0:44:01 | 0:44:09 | |
version of Calendar Girls", and said "That's it! I never forget a | 0:44:09 | 0:44:19 | |
face". Come on. Oh blimey, here are in training anyway. | 0:44:19 | 0:44:23 | |
These days she is an Olivier These days she is an Olivier | 0:44:23 | 0:44:28 | |
nominated theatre star but it was as landlady Angie Watts that she shot | 0:44:28 | 0:44:35 | |
to fame. EastEnders changed everything. I did make a record of | 0:44:35 | 0:44:43 | |
# Anyone can fall in love # Just # Anyone can fall in love # Just | 0:44:43 | 0:44:46 | |
after we had recorded it, we were living in a block of flats and all | 0:44:46 | 0:44:53 | |
you could hear was the theme. The hair was iconic, that 80s poodle | 0:44:53 | 0:44:56 | |
look and of course I met Brian his hair was like that naturally, | 0:44:56 | 0:45:01 | |
which was a bit annoying, but I must admit, in the photographs we did | 0:45:01 | 0:45:04 | |
look a bit like brother and sister. The thing I want from Strictly | 0:45:04 | 0:45:10 | |
want to learn to dance, more than anything. | 0:45:10 | 0:45:13 | |
I'm the tough looking guy with the I'm the tough looking guy with the | 0:45:13 | 0:45:18 | |
soft centre. I've got my goal set to hold that glitterball trophy. This | 0:45:18 | 0:45:26 | |
is something you don't see me doing every day. Stop it! Oh Mama. We | 0:45:26 | 0:45:30 | |
have a learner in the house. I'm novice at the beginning of this | 0:45:30 | 0:45:35 | |
journey. We are doing that first. I thought we were, sorry. | 0:45:35 | 0:45:39 | |
hope eventually I will look like are ballroom dancing but I | 0:45:39 | 0:45:44 | |
look like that until it's absolutely drummed into my head. Keep the L | 0:45:44 | 0:45:54 | |
0:45:54 | 0:45:58 | ||
plates on for a while. her partner Robin Windsor. | 0:45:58 | 0:46:08 | |
0:46:08 | 0:46:18 | ||
MUSIC: "Three Times A Lady" CHEERING AND APPLAUSE | 0:46:18 | 0:46:28 | |
0:46:28 | 0:46:33 | ||
CHEERING . | 0:46:33 | 0:46:43 | |
0:46:43 | 0:46:43 | ||
Apology for the loss of subtitles for 46 seconds | 0:46:43 | 0:47:24 | |
What about it, hey? What about that? What about it, hey? What about that? | 0:47:24 | 0:47:25 | |
CHEERING Anita, that was so - thank you | 0:47:25 | 0:47:30 | |
doing the show, and that was so - I'm so happy to be here. You | 0:47:30 | 0:47:34 | |
happy on there, and I was in tears when he left you at the end. I will | 0:47:34 | 0:47:39 | |
be all right in a minute. Right, Alesha? Anita, you are beautiful | 0:47:39 | 0:47:43 | |
watch as a dancer and for me was the most sincere dance of the | 0:47:43 | 0:47:48 | |
night, honestly. Really lovely. Bruno? Elegant, poised, beautifully | 0:47:48 | 0:47:51 | |
acted. Watch the top line though, watch the top line. All right. | 0:47:51 | 0:47:56 | |
Craig? You do need to sort out head placement but I thought that | 0:47:56 | 0:48:06 | |
0:48:06 | 0:48:07 | ||
whole routine was gorgeous. CHEERING AND APPLAUSE. | 0:48:07 | 0:48:10 | |
Watch your headline. Watch your head placement, don't take your head | 0:48:10 | 0:48:15 | |
the shoulders but it's the placement, all right? Wonderful, | 0:48:15 | 0:48:25 | |
wonderful. CHEERING | 0:48:25 | 0:48:28 | |
Anita, can she throw away those L Anita, can she throw away those L | 0:48:28 | 0:48:36 | |
plates, has she passed? We will have an F1 racing driver soon. | 0:48:36 | 0:48:42 | |
you tell me how much you are enjoying your dancing? I'm having | 0:48:42 | 0:48:49 | |
the time of my life, it's the best present anyone has ever given me. | 0:48:49 | 0:48:59 | |
0:48:59 | 0:49:09 | ||
Fab. Great start. Well done, Anita. Fab. Great start. Well done, Anita. | 0:49:09 | 0:49:12 | |
28 out of 40. Now, if you want more Strictly in your lives, and | 0:49:12 | 0:49:17 | |
who wouldn't, then go to the website where you can get all the latest | 0:49:17 | 0:49:24 | |
gossip on our couples and a lot more backstage ballroom. I would hug her | 0:49:24 | 0:49:27 | |
too. Back to you, Bruce. Next tonight | 0:49:27 | 0:49:36 | |
Now, Russell, being an astrologer, Now, Russell, being an astrologer, | 0:49:36 | 0:49:43 | |
told me earlier that he loves gazing at heavenly stars. Russell, you can | 0:49:43 | 0:49:52 | |
gaze as much as you like, I'm here every Saturday. CHEERING | 0:49:52 | 0:49:54 | |
oh, here they are in training, I oh, here they are in training, I | 0:49:54 | 0:50:00 | |
oh, here they are in training, I He was the larger than life darling | 0:50:00 | 0:50:01 | |
He was the larger than life darling He was the larger than life darling | 0:50:01 | 0:50:02 | |
oh, here they are in of breakfast television. Good | 0:50:02 | 0:50:11 | |
morning, my little cherry blossoms. And official royal astrologer. It's | 0:50:11 | 0:50:18 | |
super-star man. I am the high priest of camp and this is me | 0:50:18 | 0:50:23 | |
worshipping. Natural talent oozing out. Do you know, I've not danced | 0:50:23 | 0:50:27 | |
for years. Too fat. But I think if Strictly Come Dancing was | 0:50:27 | 0:50:31 | |
I could eat, I would swallow it whole.Ium,ium. | 0:50:31 | 0:50:41 | |
0:50:41 | 0:50:41 | ||
whole. Yum, yum. It's this fabulous Byzantine energy of the arts all | 0:50:41 | 0:50:45 | |
working creatively together. That was a fabulous line. I will | 0:50:45 | 0:50:50 | |
The biggest thing that my partner is The biggest thing that my partner is | 0:50:50 | 0:50:53 | |
going to have to get used to is we get one chance and one | 0:50:53 | 0:51:00 | |
only. Where is she? Russell real big diva. We like fabulous. | 0:51:00 | 0:51:03 | |
Never says no, never complains, very nuke. We don't know what we are | 0:51:03 | 0:51:09 | |
Strictly Come Dancing is like a new Strictly Come Dancing is like a new | 0:51:09 | 0:51:15 | |
lease of life. It's me as a ballerina, a fairy elephant. I was | 0:51:15 | 0:51:18 | |
so born to do this, and no what happens, I'm going to love | 0:51:18 | 0:51:25 | |
I hope you do too. CHEERING | 0:51:25 | 0:51:29 | |
Dancing the cha-cha-cha, Russell Dancing the cha-cha-cha, Russell | 0:51:29 | 0:51:39 | |
0:51:39 | 0:51:39 | ||
Apology for the loss of subtitles for 46 seconds | 0:51:39 | 0:53:23 | |
Dancing the cha-cha-cha, Russell RAPTUROUS APPLAUSE. Look at that, | 0:53:23 | 0:53:25 | |
RAPTUROUS APPLAUSE. Look at that, RAPTUROUS APPLAUSE. Look at that, | 0:53:25 | 0:53:28 | |
Dancing the cha-cha-cha, did you see that? You are | 0:53:28 | 0:53:32 | |
marvellous, absolutely marvellous. Bruno, what do you think? It's | 0:53:32 | 0:53:40 | |
uncanny, it's like watching Frankie Howard doing Bananarama, it couldn't | 0:53:40 | 0:53:47 | |
be camper if you tried. Craig, please smile. It was definitely the | 0:53:47 | 0:53:57 | |
birth of something, darling, and it certainly wasn't Venus. BOOING. | 0:53:57 | 0:54:07 | |
0:54:07 | 0:54:07 | ||
Len? As the shell opened, I didn't know what to expect but I tell you | 0:54:07 | 0:54:15 | |
what, don't worry about Audley, this is macho. Alesha? First standing | 0:54:15 | 0:54:18 | |
ovation, Russell and I tell you what, let's go clubbing together | 0:54:18 | 0:54:22 | |
because I think he is the man to get the party going. In what direction, | 0:54:22 | 0:54:29 | |
I don't know. But it's going to be fab. Off you go. You are having fun. | 0:54:29 | 0:54:39 | |
0:54:39 | 0:54:52 | ||
You have come out of your shell, You have come out of your shell, | 0:54:52 | 0:54:53 | |
We loved it! Russell. I did. Standing | 0:54:53 | 0:54:58 | |
and in fact you've already made Strictly history because that | 0:54:58 | 0:55:03 | |
without doubt the campest cha cha Strictly has ever seen. Fab, | 0:55:03 | 0:55:07 | |
set our marker. And we've seen a few. How would you rate | 0:55:07 | 0:55:10 | |
experience so far? It's just the most wonderful thing in the | 0:55:10 | 0:55:16 | |
I'm just so happy here, I've got the most fabulous friends. CHEERING. The | 0:55:16 | 0:55:19 | |
most wonderful audience, I'm so happy. You were born to do this, | 0:55:19 | 0:55:24 | |
weren't you? I was and this girl just fabulous. You have | 0:55:24 | 0:55:30 | |
in Flavia. The scores are in. . | 0:55:30 | 0:55:40 | |
0:55:40 | 0:55:41 | ||
BOOING CHEERING. | 0:55:41 | 0:55:49 | |
21 out of 40. Yeah baby, you've got 21 out of 40. Yeah baby, you've got | 0:55:49 | 0:55:51 | |
You've got it! it. Salsa next week. I know. | 0:55:51 | 0:55:56 | |
That's it, we've officially got ballroom glitterball rolling. | 0:55:56 | 0:56:06 | |
0:56:06 | 0:56:16 | ||
Now then, I'm not rubbing it in, Now then, I'm not rubbing it in, | 0:56:16 | 0:56:19 | |
Brendan, those scores will be to next week but for now let's recap | 0:56:19 | 0:56:22 | |
all of tonight's wonderful performances. | 0:56:23 | 0:56:32 | |
0:56:33 | 0:56:33 | ||
Apology for the loss of subtitles for 46 seconds | 0:56:33 | 0:58:21 | |
. Strictly Come Dancing 2011 is on. | 0:58:21 | 0:58:25 | |
Seven down and seven to go. We've only just started. You are going to | 0:58:25 | 0:58:30 | |
get three months of ballroom and banter. We are the banter. Oh good. | 0:58:30 | 0:58:34 | |
Join us tomorrow to see how the nerves are holding up for the rest | 0:58:34 | 0:58:41 |