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14 celebrities at the top of their game. Hello sailor. The best in | 0:00:00 | 0:00:06 | |
their field. The medals, the gold discs, glowing reviews. Now their | 0:00:06 | 0:00:11 | |
past glories mean nothing. All that matters is being the classiest, the | 0:00:11 | 0:00:16 | |
sparkliest, the bestest ballroom dancer of them all. Last night, | 0:00:16 | 0:00:22 | |
seven stars stepped forward. Plenty of Boom Bang-a-Bang. Gorgeous. | 0:00:22 | 0:00:25 | |
Tasty eye candy. Tonight seven more hope to make their mark on the | 0:00:25 | 0:00:30 | |
world of ballroom. It's Saturday night, we're back, and for the next | 0:00:30 | 0:00:35 | |
12 weeks all your ballroom dreams will come true. This is Strictly | 0:00:35 | 0:00:45 | |
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Apology for the loss of subtitles for 40 seconds | 0:00:45 | 0:01:25 | |
Live from Television Centre, please welcome your hosts, Sir Bruce | 0:01:25 | 0:01:35 | |
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Forsyth and Tess Daly! Oh, you surprised me there. You did | 0:01:44 | 0:01:47 | |
surprise me. You look lovely. Thank you very much indeed. | 0:01:47 | 0:01:52 | |
CHEERING Good evening. How excited are they | 0:01:53 | 0:01:57 | |
here. They are lovely. Thank you so much. Good evening, sit down. I | 0:01:57 | 0:02:00 | |
wouldn't mind, but they're staring as well. Good evening, ladies and | 0:02:01 | 0:02:04 | |
gentleman, and children welcome to Strictly Come Dancing. It's nice to | 0:02:04 | 0:02:10 | |
see you, to see you... Nice! Yes. And nice to see you Brucie. What a | 0:02:10 | 0:02:13 | |
great line up of celebrities this year. Have you chosen your | 0:02:13 | 0:02:18 | |
favourite yet? No, but it's either going to be Edwina or Nancy. But | 0:02:18 | 0:02:23 | |
that's always been my problem. do you mean? Well I can't ever | 0:02:23 | 0:02:25 | |
decide whether to go for an Italian or a curry. | 0:02:25 | 0:02:35 | |
0:02:35 | 0:02:38 | ||
LAUGHTER You liked that. Oh, by the way, do | 0:02:38 | 0:02:44 | |
you like the fake tan? I don't like it over my body, never mind. | 0:02:44 | 0:02:48 | |
Looking good Brucie. Last night our seven bright new stars took to this | 0:02:48 | 0:02:52 | |
floor for the very first time. Didn't they shine?! Didn't they do | 0:02:52 | 0:02:58 | |
well. Their torment is over for the weekend. Now it's their fellow | 0:02:58 | 0:03:02 | |
celebrities' turn in the spotlight. It certainly is. Let's meet the | 0:03:03 | 0:03:12 | |
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Apology for the loss of subtitles for 40 seconds | 0:03:13 | 0:04:35 | |
APPLAUSE You look fantastic, all of you, you | 0:04:35 | 0:04:40 | |
really do. There they all are. I had so many letters saying this is | 0:04:40 | 0:04:49 | |
the best line up ever. 14 letters to be exact. One from each of you. | 0:04:49 | 0:04:52 | |
Now it's all about the dancing this weekend. As usual the judges will | 0:04:52 | 0:04:55 | |
be scoring and these scores will be carried over to next week. That's | 0:04:55 | 0:05:01 | |
when you will have your say. So let the judge doz their judging, while | 0:05:01 | 0:05:07 | |
you plump up your cushions, get nice and comfy. I thought it was | 0:05:07 | 0:05:11 | |
jackanory for a minute and settle in for a night of ballroom pleasure. | 0:05:11 | 0:05:19 | |
This year we have live commentary from ex-Strictly champion Karen | 0:05:19 | 0:05:24 | |
Hardy and comedian Katy Brand. Hello! Where are they? Up there. | 0:05:24 | 0:05:30 | |
thought they were in the dunkon. you want to hear them press the red | 0:05:30 | 0:05:34 | |
button on your hand set now. Now, after three weeks' training, let's | 0:05:34 | 0:05:44 | |
0:05:44 | 0:05:44 | ||
find out who is born to ballroom. Shall we? First -- our first couple | 0:05:44 | 0:05:48 | |
tonight is Harry Judd and his partner Aliona Vilani. | 0:05:48 | 0:05:57 | |
APPLAUSE Now as you know, Harry is the | 0:05:57 | 0:06:04 | |
wonderful drummer from the fantastic boy band McFly. McFly, my | 0:06:04 | 0:06:09 | |
flook, what a stupid name for a band. McFly. Sounds like a budget | 0:06:09 | 0:06:14 | |
airline. From Scotland. LAUGHTER | 0:06:14 | 0:06:21 | |
I just thought of that, to myself, evidently. Here they are in | 0:06:21 | 0:06:28 | |
training. Seven number one singles, a BRIT | 0:06:28 | 0:06:34 | |
Award, album sales in excess of eight million. McFly drummer Harry | 0:06:34 | 0:06:38 | |
Judd is hoping he has as much success on the dance floor as of it. | 0:06:38 | 0:06:43 | |
Eight fairly successful years. We've been very lucky. We have the | 0:06:43 | 0:06:47 | |
Guinness world record for the youngest band to debut at number | 0:06:47 | 0:06:53 | |
one. If me and the guys go out, we used to vai boogie. No, mate I | 0:06:53 | 0:06:58 | |
don't think so. I don't think you could call it dancing. I don't | 0:06:58 | 0:07:02 | |
think we dance. We just kind of jump up and down. Sometimes in a | 0:07:02 | 0:07:11 | |
gig if it's intense or if I'm nervous, I have a nervous face. I | 0:07:11 | 0:07:14 | |
just hope that this doesn't happen when I dance. That wouldn't look | 0:07:14 | 0:07:21 | |
good.? I have advice for my new partner, don't fight me, because | 0:07:21 | 0:07:28 | |
there is no point to it. Aliona's an excellent teacher. We both like | 0:07:28 | 0:07:35 | |
to work hard. But we have a good time as well. I'm very happy with | 0:07:35 | 0:07:39 | |
Harry's technical side of things, but if he feels it a bit more it | 0:07:39 | 0:07:42 | |
will be a better performance. You have to smile all the way through | 0:07:42 | 0:07:49 | |
the dance. I have a surprise for you, try drumming while dancing. | 0:07:49 | 0:07:53 | |
thought it was a ridiculous idea, but it did help. Brilliant. Already | 0:07:53 | 0:07:58 | |
looking better. I do feel comfortable with the sticks in my | 0:07:58 | 0:08:03 | |
hands. I would rather dance with her. That was way too good, give me | 0:08:03 | 0:08:13 | |
0:08:13 | 0:08:13 | ||
Apology for the loss of subtitles for 40 seconds | 0:08:13 | 0:10:08 | |
those now! Dancing the cha-cha-cha, Harry, look at that! What a start | 0:10:08 | 0:10:13 | |
to the show. That was wonderful. Whilst you two get your breath back, | 0:10:14 | 0:10:18 | |
it's a good time to welcome our fabulous singers Dave Arch and his | 0:10:18 | 0:10:22 | |
wonderful orchestra. APPLAUSE | 0:10:23 | 0:10:28 | |
Also, a welcome to our judges, which we never did. Our judges of | 0:10:28 | 0:10:35 | |
course, Bruno, Alesha, Len and a special warm welcome to Craig. | 0:10:35 | 0:10:39 | |
Who'll be leaving us at the end of this series. | 0:10:39 | 0:10:44 | |
He doesn't know it yet, but the... LAUGHTER | 0:10:45 | 0:10:50 | |
APPLAUSE But the other three have made up | 0:10:50 | 0:10:56 | |
their minds. Only joking! Only joking, Craig, we couldn't do this | 0:10:56 | 0:11:00 | |
show without you, we'd like to have a damn good try. Len? All the way | 0:11:00 | 0:11:07 | |
through, I was thinking, "Dirty Harry, make my day punk." And I | 0:11:07 | 0:11:17 | |
0:11:17 | 0:11:20 | ||
tell you what - you did! I liked it. I liked the razzmatazz. A little | 0:11:20 | 0:11:27 | |
bit mechanical. But I tell you what, ballistic missilin good you are. -- | 0:11:27 | 0:11:31 | |
blimin good you are. Alesha? You're wasted behind the drums. You look | 0:11:31 | 0:11:35 | |
at home on the dance floor. I love how focused you were, your arm | 0:11:35 | 0:11:39 | |
placement and control was brilliant. You're working the sexy, seductive | 0:11:39 | 0:11:43 | |
look. To be honest, for a first dance, you made it look kind of | 0:11:43 | 0:11:53 | |
0:11:53 | 0:11:54 | ||
easy. Latin really suits you. Good start. | 0:11:54 | 0:12:02 | |
Bruno? That was a very fit, tight, muscular, masculine performance. | 0:12:02 | 0:12:08 | |
Full of confidence and spunk. You really went for it. It's good, it | 0:12:08 | 0:12:14 | |
is the right attitude. It could be a little bit more sinewuous on the | 0:12:14 | 0:12:22 | |
crotch, on the hips from time to time. But very confident debut. | 0:12:22 | 0:12:31 | |
Now then, Craig? For me, it was too placed, too clean, too straight. I | 0:12:31 | 0:12:34 | |
felt you were depositing the steps rather than actually dancing | 0:12:34 | 0:12:39 | |
through them. And it lacked any real forward and back hip action, | 0:12:40 | 0:12:49 | |
I'm afraid. I tell you what,... Rubbish. As debuts goes, this was | 0:12:49 | 0:12:52 | |
very confident. The guy is nervous, come on. | 0:12:52 | 0:12:59 | |
APPLAUSE What was all that about depositing | 0:12:59 | 0:13:04 | |
the steps? I thought that was Craig being nice. I was expecting far | 0:13:04 | 0:13:09 | |
worse from you. You're a nasty piece of work, you know that. | 0:13:09 | 0:13:15 | |
We do have a show to do. It was wonderful, they all loved it. I | 0:13:15 | 0:13:20 | |
loved it. Off you go. Go on. Up the stairs. Harry, what a start! | 0:13:20 | 0:13:30 | |
0:13:30 | 0:13:35 | ||
Wow, he had them on their feet. Len's Dirty Harry, looks like the | 0:13:35 | 0:13:40 | |
hottest October ever. Stepping out from behind the drum kit, are you | 0:13:40 | 0:13:44 | |
enjoying being front of house? did enjoy it. I can't believe how | 0:13:44 | 0:13:50 | |
much. I was really nervous. couldn't see the nerves. I was. I | 0:13:50 | 0:13:53 | |
was shaking. It was great. What do you think Tom and dancey thought? | 0:13:53 | 0:13:58 | |
They were on their feet and looked happy. I hope I did them proud. | 0:13:58 | 0:14:08 | |
0:14:08 | 0:14:25 | ||
Yeah, did them proud? You did us 28 out of 40, Harry, you're | 0:14:25 | 0:14:30 | |
McFlying. Strong start. Harry and Aliona have set the bench mark. Six | 0:14:30 | 0:14:34 | |
more couples are about to follow. Nobody's leaving this weekend. But | 0:14:34 | 0:14:36 | |
the judges' scores still count. They'll be carried over to next | 0:14:37 | 0:14:42 | |
week. We're off. Now, for our next couple, Rory | 0:14:42 | 0:14:52 | |
0:14:52 | 0:14:53 | ||
Bremner and his partner, Erin Boag. Now, Rory used to do some of the | 0:14:53 | 0:14:57 | |
voices for Spitting Image, remember that show? Great show. And he told | 0:14:57 | 0:15:01 | |
me that he still has the Bruce Forsyth puppet in his home. I said | 0:15:01 | 0:15:05 | |
"Is that because you're a fan?" He said "No, I use the chin as a door | 0:15:05 | 0:15:13 | |
stop." Don't you think that's horrible. Aahhh... Here they are in | 0:15:13 | 0:15:23 | |
0:15:23 | 0:15:24 | ||
Man of many faces Rory Bremner. Watch and learn Gordon. He's hoping | 0:15:24 | 0:15:28 | |
to make the right impression on the dance floor. One of the things | 0:15:28 | 0:15:33 | |
people often say, "Just be yourself." Oh, right OK. Success at | 0:15:33 | 0:15:40 | |
last. The impressions come out at odd moments. "It's like banging | 0:15:40 | 0:15:48 | |
your head against a brick wall." In the first week I couldn't resist | 0:15:48 | 0:15:55 | |
the (as Sven-Goran Eriksson ("Well what are you doing? "I'm worried | 0:15:55 | 0:15:59 | |
for Erin, she tends to get the sportsmen. I have a good body for | 0:15:59 | 0:16:09 | |
0:16:09 | 0:16:16 | ||
Let's not go there. I would like to hope so. | 0:16:16 | 0:16:21 | |
Rory has an attention problem. Which leg are you on? In order for | 0:16:21 | 0:16:28 | |
Rory to put it all together in his head, he makes up rhymes. Everybody | 0:16:28 | 0:16:31 | |
likes Bruce Forsyth. Then you have Erin and that's the best part, off | 0:16:31 | 0:16:40 | |
you go. However Rory's brain works, I will go with it. This is the one | 0:16:40 | 0:16:45 | |
chance you get. Can't stop, rewind and do it again. Make me nervous | 0:16:45 | 0:16:52 | |
now. I want my mummy. Dancing the waltz, Rory Bremner and | 0:16:52 | 0:17:02 | |
0:17:02 | 0:17:02 | ||
Apology for the loss of subtitles for 40 seconds | 0:17:02 | 0:18:48 | |
Rory, Rory, hallelujah. That's the best impression of Fred Astaire | 0:18:48 | 0:18:52 | |
I've ever seen. It was lovely. You got the first one over. We start | 0:18:52 | 0:18:57 | |
with you Alesha. That was not bad at all. I loved the facial | 0:18:57 | 0:19:00 | |
expression throughout. You had a beautiful transfixed smile. You | 0:19:00 | 0:19:03 | |
know, what I think you're a bit rough round the edges. Have you to | 0:19:03 | 0:19:07 | |
watch your posture. You hunch over a little bit. Overall, it was | 0:19:07 | 0:19:14 | |
really beautifully played. A good start. A very good start. | 0:19:14 | 0:19:24 | |
0:19:24 | 0:19:24 | ||
Now then, Bruno? Rory's chadge Fred, first impressions, it wasn't bad at | 0:19:24 | 0:19:28 | |
all. For the facial expression, you had a frozen look like you had | 0:19:28 | 0:19:34 | |
overdone it with the botox. It was a bit frozen, my darling. Like | 0:19:34 | 0:19:41 | |
Norma Desmond coming down. Relax, darling, because you're good. | 0:19:41 | 0:19:47 | |
Craig? He's still writing notes time you spot you need to make sure | 0:19:47 | 0:19:51 | |
your head follows your body in any turn. The heel leads were slightly | 0:19:51 | 0:19:58 | |
exaggerated. Your bottom does stick out... That means you lose body | 0:19:58 | 0:20:02 | |
contact sadly. Your started started raising halfway through, but I | 0:20:02 | 0:20:12 | |
thought you danced it with absolute elegance and panache, well done. | 0:20:12 | 0:20:17 | |
Sometimes with Craig, you have to wait till the end. OK Len? Your | 0:20:17 | 0:20:20 | |
impressions don't stop with the voice. That was a first class | 0:20:20 | 0:20:24 | |
impression of a waltz. It was jolly good. Your bum sticks out a bit, | 0:20:24 | 0:20:29 | |
which is true. Your heels were a little bit too deliberate, but I'd | 0:20:29 | 0:20:33 | |
rather see it done like that, than not done at all. I thought for the | 0:20:33 | 0:20:41 | |
first week, that was fantastic. Thank you, Len. Thank you. Were you | 0:20:41 | 0:20:45 | |
being yourself when you did that? He's right, there's a bit more Tony | 0:20:45 | 0:20:49 | |
Blair than Lionel Blair tonight. We'll work on that. | 0:20:49 | 0:20:53 | |
Off you go. A great start Erin, you're doing a good job with him. | 0:20:53 | 0:21:03 | |
0:21:03 | 0:21:04 | ||
Off you go. Come on Rory, you wonderful waltzer. | 0:21:04 | 0:21:09 | |
Way to make a first impression with the judges. That wasn't bad. | 0:21:09 | 0:21:19 | |
Beke when you've got Rory. I have learned a lot from Anton. Are you | 0:21:19 | 0:21:26 | |
looking Anton? You're sacked. Which of your impressions will be dancing | 0:21:26 | 0:21:36 | |
0:21:36 | 0:21:38 | ||
next week? I think Sean Connery. (as Sean) I think it's the salsa. | 0:21:38 | 0:21:48 | |
0:21:48 | 0:22:13 | ||
We'll take it Will Edwina and Jason cha-cha-chas beat ooh la la. | 0:22:13 | 0:22:19 | |
Our third couple is Alex Jones and her partner James Jordan. | 0:22:19 | 0:22:26 | |
APPLAUSE Now, Alex was telling me that she | 0:22:26 | 0:22:32 | |
is distantly related to Tom Jones. I said "But there are so many | 0:22:32 | 0:22:38 | |
joneses in Wales, apart from Tom, that must be fairly common." She | 0:22:38 | 0:22:41 | |
said, "It's not unusual." APPLAUSE | 0:22:41 | 0:22:47 | |
I walked right into that. I felt such a plonker. Here they are in | 0:22:47 | 0:22:53 | |
training. The One Show presenter Alex Jones | 0:22:53 | 0:22:58 | |
is swaping the sofa for the sequins. The One Show follows Strictly every | 0:22:58 | 0:23:04 | |
year. Last year we had the trophy. And I was just mesmerised by this | 0:23:04 | 0:23:08 | |
glitterball. This is the one you want to win! It would look so nice | 0:23:08 | 0:23:13 | |
on a shelf in my lounge. Matt really did well in Strictly last | 0:23:13 | 0:23:18 | |
year. He came second. So everybody in the office is now saying, "You | 0:23:18 | 0:23:23 | |
have to do better than Matt." I've heard that James is a bit of a | 0:23:23 | 0:23:33 | |
0:23:33 | 0:23:35 | ||
joker. I think that's OK. I can I bring humour, comedy, good looks. | 0:23:35 | 0:23:43 | |
This year I have been going to gym, a little more sculpted. I am the | 0:23:43 | 0:23:49 | |
all-round package, I think, every woman's dream partner. I struggle | 0:23:49 | 0:23:53 | |
sometimes to understand Alex. There's a lot to think about, even | 0:23:53 | 0:23:57 | |
for a very simple bit. What did she say? My accent is slightly foreign | 0:23:57 | 0:24:03 | |
to him, but so is his counting to me. Who starts on a two. I've never | 0:24:03 | 0:24:13 | |
heard anybody else count like that. Sorry? Clearly I'm terrified. She | 0:24:13 | 0:24:20 | |
speaks Welsh: I said "If I'm going down you're going with me. Good | 0:24:20 | 0:24:30 | |
luck Alex. Dancing the cha-cha-cha, Alex Jones | 0:24:30 | 0:24:40 | |
0:24:40 | 0:24:40 | ||
Apology for the loss of subtitles for 40 seconds | 0:24:40 | 0:26:21 | |
CHEERING AND APPLAUSE Look at this! What a lovely... Well done the pair | 0:26:21 | 0:26:25 | |
of you. Thank you. You have the first one over with. Did it feel | 0:26:25 | 0:26:30 | |
good for you? It's like having an out of body experience. I wouldn't | 0:26:30 | 0:26:35 | |
know about that. I don't think! Any way Bruno? | 0:26:35 | 0:26:42 | |
darling, when James was leading you, it was very good, but sometimes you | 0:26:42 | 0:26:46 | |
threw away. It was like right exit, crash position, believe in yourself, | 0:26:46 | 0:26:52 | |
go for it all the way, yeah? right. That's what you get with an | 0:26:52 | 0:26:56 | |
out of body experience. But the people loved it. Craig? One foot | 0:26:56 | 0:27:01 | |
should remain on the floor at all times. Sadly there was a lift. I'm | 0:27:01 | 0:27:06 | |
going to overlook it as it's your first time. For me, you looked | 0:27:06 | 0:27:09 | |
incongruous throughout the routine. I thought it was starchy. It was | 0:27:09 | 0:27:14 | |
very stiff. And lacked any excitement. I was very pleased with | 0:27:14 | 0:27:19 | |
you James, that you kept her in hold for most of it Oh, really, | 0:27:19 | 0:27:23 | |
thank you. Do you realise Craig that these celebrities it's their | 0:27:23 | 0:27:27 | |
first week on the show? APPLAUSE | 0:27:27 | 0:27:31 | |
Because we work with them all the time. Some of the celebrities from | 0:27:31 | 0:27:35 | |
yesterday are slightly disheartened, which you can understand. Be a | 0:27:35 | 0:27:43 | |
little bit nicer, maybe? That's why I'm here, darling. | 0:27:43 | 0:27:47 | |
Doi agree with you there. Len? There were parts that were really | 0:27:47 | 0:27:51 | |
good and a few parts that were nearly good. Overall, I thought | 0:27:51 | 0:27:56 | |
first Time Out, excellent job, well done. | 0:27:56 | 0:28:01 | |
We must remember it is the first time - and it takes a lot of guts | 0:28:01 | 0:28:06 | |
to do that. Alesha? I thought it was fun and flirty. You did a | 0:28:06 | 0:28:11 | |
really good job. Alm the goods are there. You're a sexy woman. You | 0:28:11 | 0:28:14 | |
have the package. The confidence, you'll get there. Next week let go | 0:28:15 | 0:28:22 | |
and go for it. It's easy to get up those stairs, | 0:28:22 | 0:28:31 | |
go on. Thank you both. APPLAUSE | 0:28:31 | 0:28:37 | |
Well done Alex. Thank you. They might have shocked The One Show | 0:28:37 | 0:28:41 | |
viewers to see your legs moving. She's got legs. I have. How did she | 0:28:41 | 0:28:45 | |
do? I'm so proud of her, where you've come from to today, it's | 0:28:45 | 0:28:53 | |
unbelievable. Due it. Proud of her? Very proud. What do you think Matt | 0:28:53 | 0:28:57 | |
Baker will say when you see him? will have a critique I'm sure on | 0:28:57 | 0:29:01 | |
Monday morning. I think, you know, we got through it. I mean, when we | 0:29:01 | 0:29:04 | |
first started I didn't even remember what came next after the | 0:29:04 | 0:29:13 | |
first bit, so just to get to the end was amazing. James is happy | 0:29:13 | 0:29:16 | |
about that. James, the new celebrities' hero. The scores are | 0:29:16 | 0:29:26 | |
0:29:26 | 0:29:41 | ||
22, and a good from James. Apart from Craig on the end, that'sityy | 0:29:41 | 0:29:44 | |
good. We have somewhere to go, first week, brilliant. Remember got | 0:29:44 | 0:29:49 | |
thing is nobody's leaving tonight. Sit back, enjoy the sequins and | 0:29:49 | 0:29:52 | |
glamour. Next week the stars will be at your mercy when the phone | 0:29:52 | 0:29:56 | |
lines open. Who will be your favourite? | 0:29:56 | 0:30:06 | |
0:30:06 | 0:30:07 | ||
Now for our next couple, Chelsee Healey and her partner Pasha. | 0:30:07 | 0:30:12 | |
Chelsee is such a popular girl with men of all ages, not just young men, | 0:30:12 | 0:30:16 | |
but older men. As a matter of fact a group of old men have just formed | 0:30:16 | 0:30:24 | |
a fan club for her. The -- the Chelsee Pensioners. It was on CNN | 0:30:24 | 0:30:30 | |
I'm cheling you the truth. Here they are in training. | 0:30:30 | 0:30:34 | |
After making her name in the Waterloo rode classroom, Chelsee is | 0:30:34 | 0:30:41 | |
after top marks in the ballroom. It's my last day, you can still get | 0:30:41 | 0:30:47 | |
struck off. I loved working on Waterloo rode. I used to do dancing | 0:30:47 | 0:30:51 | |
when I was younger. Now the only dancing I do is when I go to the | 0:30:51 | 0:30:54 | |
clubs with my girls. Never in a million years would I have thought | 0:30:54 | 0:30:57 | |
I would do ballroom. It's all elegant and posh and that's just | 0:30:58 | 0:31:04 | |
not me. I'm the baby of Strictly and the baby at home. My mum does | 0:31:04 | 0:31:08 | |
absolutely everything for me. I'm going to be so busy with Waterloo | 0:31:08 | 0:31:11 | |
rode and Strictly, mum, I'm going to need you more than ever. Pasha | 0:31:11 | 0:31:16 | |
is a looker, but it's strictly professional. It's all about the | 0:31:16 | 0:31:20 | |
dancing. Being a new dancer, I want to | 0:31:21 | 0:31:25 | |
British new energy. The reason I started dancing, wur girls. You | 0:31:25 | 0:31:30 | |
have to hold them close and they like it too. It's win, win. This | 0:31:30 | 0:31:34 | |
just isn't me. I've never been described as | 0:31:34 | 0:31:43 | |
graceful before. Baby elephant. know how the waves are on the | 0:31:43 | 0:31:49 | |
ocean? I'm not like a wave. You are, I'm not. I'm going to try my best | 0:31:49 | 0:31:59 | |
0:31:59 | 0:32:01 | ||
and hopefully produce an elegant Dancing the waltz Chelsee Healey | 0:32:01 | 0:32:11 | |
0:32:11 | 0:32:11 | ||
Apology for the loss of subtitles for 40 seconds | 0:32:11 | 0:33:57 | |
CHEERING AND APPLAUSE What about this. Chelsee that was | 0:33:57 | 0:34:05 | |
lovely. Are you all right? You were tossing around like a rag doll for | 0:34:05 | 0:34:09 | |
goodness sake. It was beautiful. Craig, what did you think? | 0:34:09 | 0:34:13 | |
whirling der vish. My goodness, slightly frenzied I have to say, | 0:34:14 | 0:34:18 | |
but I think your phrasing is absolutely excellent. Your pifots | 0:34:18 | 0:34:23 | |
were good. Your turns were great. You had a few balance issues | 0:34:23 | 0:34:27 | |
throughout. You need to know how to land properly and slow down. But | 0:34:27 | 0:34:35 | |
fantastic work. Yes, absolutely. I told you. Beautiful. That's Craig | 0:34:35 | 0:34:43 | |
out of the way for a start, so Len? It started off like Petula Clark | 0:34:43 | 0:34:49 | |
and turned into Lady GaGa at the end... I only say what I see. It | 0:34:49 | 0:34:55 | |
started off with great elegance, listen, overall I liked it Chelsee, | 0:34:55 | 0:34:59 | |
don't think this is nasty, nasty old Craig or something. It started | 0:34:59 | 0:35:03 | |
off very elegant, which I don't expect from a young girl. I imagine | 0:35:03 | 0:35:06 | |
the Latin is going to be hot. You don't expect that elegance. Near | 0:35:06 | 0:35:10 | |
the end you got a bit excited about the whole affair and it just turned | 0:35:10 | 0:35:15 | |
a little bit manic for me. Overall, it was jolly good and well done. | 0:35:15 | 0:35:22 | |
Yeah, well done indeed. Now then, Alesha? First, you look | 0:35:22 | 0:35:27 | |
like a little Princess. I thought it was really lovely. It was | 0:35:27 | 0:35:30 | |
beautifully feminine, dramatic but you kept the romantic side of it as | 0:35:30 | 0:35:33 | |
well. I thought you were elegant. I'm sure you're out of your comfort | 0:35:33 | 0:35:37 | |
zone with doing something like this. You're more of a boot shaker. | 0:35:37 | 0:35:41 | |
However you place today really well, I think that you should be really | 0:35:41 | 0:35:48 | |
proud of yourself tonight. What did I tell you? And Bruno? Chelsee, | 0:35:48 | 0:35:52 | |
darling, I know there were a few schtumbles, you know. That can | 0:35:52 | 0:35:55 | |
throw you a bit. But you do something that is very, very | 0:35:55 | 0:35:59 | |
special. You have the ability naturally to extend your line | 0:35:59 | 0:36:04 | |
through the musical phrases without stopping. It takes people years to | 0:36:04 | 0:36:08 | |
go through lift, continue, and never lose the musicality. Do you | 0:36:08 | 0:36:12 | |
that beautifully darling, you have a talent there. | 0:36:12 | 0:36:19 | |
I'm looking forward to see you grow and grow and grow. And with our new | 0:36:19 | 0:36:21 | |
professional, a wonderful job with her. Three weeks, that's marvellous. | 0:36:22 | 0:36:25 | |
Off you go the pair of you. Be proud. | 0:36:25 | 0:36:35 | |
0:36:35 | 0:36:41 | ||
Come here, darling. A standing ovation an the most popular run up | 0:36:41 | 0:36:45 | |
the stairs yet. Our little Princess. Alesha's Princess. Before Strictly | 0:36:45 | 0:36:50 | |
did you imagine you could be so elegant? No. I've never been | 0:36:50 | 0:36:54 | |
anyone's Princess either. Are you now. You're Pasha's Princess. | 0:36:54 | 0:37:02 | |
For sure. And you're posh. She's like yeah I can be posh on strictly. | 0:37:02 | 0:37:08 | |
I'm trying. You did so well. Love her to bits. Pasha, welcome to the | 0:37:08 | 0:37:13 | |
show. Thank you. Your first Strictly dance, are you happy with | 0:37:13 | 0:37:18 | |
Chelsee? Don't she did amazing in such a small period of time. She | 0:37:18 | 0:37:24 | |
was a real lady. If you don't want Chelsee's scores | 0:37:24 | 0:37:34 | |
0:37:34 | 0:37:50 | ||
Well done Chelsee. OK, three more performances to look forward to and | 0:37:50 | 0:37:56 | |
we are taking you round the globe. We have Italian fire brand Oliver | 0:37:56 | 0:38:05 | |
ol, Australian export Jason Donovan and -- Oliver ol, Australian export | 0:38:05 | 0:38:15 | |
0:38:15 | 0:38:15 | ||
Jason Donovan and Edwina Currie. Next up Edwina Currie and her | 0:38:15 | 0:38:19 | |
partner Vincent Simone. Edwina nervous about dancing on live | 0:38:19 | 0:38:23 | |
television. She even said she was absolutely petrified. I said oh, | 0:38:23 | 0:38:28 | |
for goodness sake, don't be a chicken, curry. | 0:38:28 | 0:38:32 | |
APPLAUSE Oh, come on, it wasn't that bad! | 0:38:32 | 0:38:37 | |
Quite clever in a way. I hope she stays for weeks. I have so many | 0:38:37 | 0:38:39 | |
curry jokes. LAUGHTER | 0:38:39 | 0:38:47 | |
I bet you can't wait, can you? Right, here they are in training. | 0:38:47 | 0:38:57 | |
It was no yol KFOR Edwina when a health scandal about eggs broke. It | 0:38:57 | 0:39:01 | |
left her with a good nickname. don't mind that people remember me | 0:39:01 | 0:39:04 | |
as Eggwina. They know I was the Minister for Health. They know I'm | 0:39:04 | 0:39:07 | |
quite a tough old bird. They don't see the sophisticated lady | 0:39:07 | 0:39:11 | |
underneath. I haven't danced properly since ip used to go to the | 0:39:12 | 0:39:16 | |
Cavern in Liverpool, where we had the Beatles and Gerry & The | 0:39:16 | 0:39:22 | |
Pacemakers. The only way to dance was the cavern stomp. I think I | 0:39:23 | 0:39:26 | |
could fall in love with Vincent. I think I could take him home, cover | 0:39:26 | 0:39:34 | |
him in icing... No, I better not go any further on that. He's lovely. | 0:39:34 | 0:39:38 | |
Ladies, if you're won differing why you're paying the TV license - | 0:39:38 | 0:39:44 | |
hello. Imagine how my partner must feel now, she's over the moon. And | 0:39:44 | 0:39:49 | |
roll and roll. The cha-cha-cha is meant to be fufpb and it's very | 0:39:49 | 0:39:52 | |
touchy-feely. You're very polite when you do that. She should use | 0:39:52 | 0:39:55 | |
this opportunity to be all over me. This is a family programme, you | 0:39:55 | 0:40:01 | |
know? I want her to come across in a way people have never seen her | 0:40:01 | 0:40:06 | |
before, more sensual, more sexy. Make love to the cam ra. I think it | 0:40:06 | 0:40:12 | |
will be a surprise. I want the audience to go (she gasps) not | 0:40:12 | 0:40:17 | |
because I've fallen over, but because they're excited by what | 0:40:18 | 0:40:21 | |
we're doing. Dancing the cha-cha- cha, Edwina Currie and Vincent | 0:40:21 | 0:40:31 | |
0:40:31 | 0:40:31 | ||
Apology for the loss of subtitles for 40 seconds | 0:40:31 | 0:42:18 | |
CHEERING AND APPLAUSE What about that! Oh, that was wonderful! Such | 0:42:18 | 0:42:24 | |
fun. I'm speechless. I know. Of all people, what are you doing in a red | 0:42:24 | 0:42:32 | |
dress? I've heard of Red Ed, but not Red Ed weana. Do you like the | 0:42:32 | 0:42:38 | |
chandelier? Beautiful. The routine was lovely. Len we start with you. | 0:42:38 | 0:42:42 | |
It's a red hot curry, isn't it. APPLAUSE | 0:42:42 | 0:42:45 | |
I knew there was something else. was great fun and you danced it | 0:42:45 | 0:42:49 | |
with full on confidence and I'm proud of you. Well done. | 0:42:49 | 0:42:55 | |
Yes, exactly. So you should be. And Alesha? You pitched that perfectly. | 0:42:55 | 0:43:00 | |
You gave it a go. You had fun and you have quite a good bit of rhythm. | 0:43:00 | 0:43:05 | |
Shaking it out there. I saw you. Very nice. The old cougar got to | 0:43:05 | 0:43:11 | |
dance with the toyboy! You did make the most of it, hands everywhere, | 0:43:11 | 0:43:16 | |
testing the merchandise. A bit messy, but fun. | 0:43:16 | 0:43:21 | |
The old cougar. We all enjoyed it. You wait till you see it back. Off | 0:43:21 | 0:43:31 | |
0:43:31 | 0:43:39 | ||
you go. And Vincent well done. The House of Commons to the house | 0:43:39 | 0:43:43 | |
of ballroom. Welcome. Cheeky, cheeky cha-cha-cha. Was that as | 0:43:43 | 0:43:48 | |
much fun as it looked? I think it was. He is the most amazing teacher. | 0:43:48 | 0:43:53 | |
I'm detecting a certain chemistry there. She's cheeky. We do very | 0:43:53 | 0:43:58 | |
much. Don't we? I think you surprised a few people. Look at the | 0:43:58 | 0:44:08 | |
0:44:08 | 0:44:20 | ||
eyes, she's totally in love with me. 17 out of 40, it is the lowest | 0:44:20 | 0:44:25 | |
score of the night so far. It's seven days -- if seven days seems | 0:44:25 | 0:44:29 | |
too long to wait for Strictly, go to bbc.co.uk/Strictly to get your | 0:44:29 | 0:44:35 | |
fill on gossip, training an the exclusive news. I know I will be. | 0:44:35 | 0:44:39 | |
Our next couple tonight is Nancy Dell'Olio and her partner Anton De | 0:44:39 | 0:44:49 | |
Beke. Now, Nancy as well as being a | 0:44:49 | 0:44:53 | |
lawyer, I've heard Nancy does such a lot of hard work for charity. We | 0:44:53 | 0:44:56 | |
all know that, she's dancing with Anton. | 0:44:56 | 0:45:00 | |
LAUGHTER Sorry Anton, I didn't mean it, I | 0:45:00 | 0:45:08 | |
just read it. Here they are in training. | 0:45:08 | 0:45:12 | |
She's the Italian former First Lady of football, but the British press | 0:45:12 | 0:45:19 | |
can't get enough of her. Just who is Nancy Dell'Olio? Well, Nancy's | 0:45:19 | 0:45:23 | |
very attractive, nice looking, smart, intelligent and most of all, | 0:45:23 | 0:45:29 | |
I think I'm quite feminine. I like to think the press has been | 0:45:29 | 0:45:35 | |
fascinated with me. Wherever I go, it's quite a phenomenon. It's my | 0:45:35 | 0:45:39 | |
50th birthday this year. Obama celebrate the same birthday, but he | 0:45:39 | 0:45:43 | |
didn't call me. Through this experience, who knows what's going | 0:45:43 | 0:45:49 | |
to happen afterwards. Probably I go to Hollywood. | 0:45:49 | 0:45:54 | |
No, I'm not giving you my name. I get so much pleasure from that | 0:45:54 | 0:45:58 | |
moment where I introduce my partner to her left foot and her right foot | 0:45:58 | 0:46:04 | |
and it's at that point she realises they're not the same. | 0:46:04 | 0:46:13 | |
To Nancy, the most important thing is passion. Bella senorina. I had | 0:46:13 | 0:46:17 | |
that last year with Ann, but I fear it could be different. We haven't | 0:46:17 | 0:46:22 | |
been kissing each other yet. I think my passion makes Anton | 0:46:22 | 0:46:27 | |
nervous. It's not essential that you follow me around. He's a man. | 0:46:27 | 0:46:37 | |
0:46:37 | 0:46:40 | ||
He doesn't kiss me back. But I will Dancing the waltz, Nancy Dell'Olio | 0:46:40 | 0:46:50 | |
0:46:50 | 0:46:50 | ||
Apology for the loss of subtitles for 40 seconds | 0:46:50 | 0:48:29 | |
CHEERING AND APPLAUSE They got through it. Come over here. | 0:48:29 | 0:48:35 | |
Yes, bring the dog with you. Absolutely, oh, how do you feel | 0:48:35 | 0:48:40 | |
Nancy, my darling? Having you here is such a thrill. It's almost like | 0:48:40 | 0:48:45 | |
having Italian royalty. I'm so happy to be here. And I don't know, | 0:48:45 | 0:48:50 | |
I've been waiting so long. We were enjoying the show. I'm sorry for | 0:48:50 | 0:48:58 | |
that. Don't worry about that. For my first time. Nobody noticed. | 0:48:58 | 0:49:03 | |
Nancy, on a positive, you are the glamour pus of Strictly this year. | 0:49:03 | 0:49:07 | |
I loved the bit of acting. I had high hopes for this routine. I've | 0:49:07 | 0:49:12 | |
been there, you go wrong, but you carried on. Dust yourself off, come | 0:49:12 | 0:49:14 | |
back next week. That's the main thing. | 0:49:14 | 0:49:21 | |
Don't worry about it. Bruno? Nancy, I was looking forward to the story | 0:49:21 | 0:49:27 | |
telling. I don't know if it was la traviata or Craig in drag doing | 0:49:27 | 0:49:32 | |
panto. It turned into disaster. You looked like a curtain stuck on the | 0:49:32 | 0:49:35 | |
spin cycle. I'm sorry, but I'm sure you'll be back and doing better. It | 0:49:35 | 0:49:44 | |
all went wrong. She has to come back. What he said | 0:49:45 | 0:49:53 | |
is absolutely right. Rehearsal was perfect. It was. Seems like so long | 0:49:53 | 0:49:59 | |
ago now, but it was good. All right Craig? A word of advice, | 0:49:59 | 0:50:08 | |
darling, forget props all together. Yes, good advice. And Len? | 0:50:08 | 0:50:12 | |
reminded me of my Nan was always moaning at my granddad "Get off the | 0:50:12 | 0:50:16 | |
settee and get started". And that's what I felt with you. It was too | 0:50:16 | 0:50:19 | |
long messing about on the settee thing. Then when you got down, | 0:50:19 | 0:50:23 | |
there was a bit of a calamitous thing with the thing. But the | 0:50:23 | 0:50:28 | |
actual bit of dancing is good and I think Nancy you can do a straight | 0:50:28 | 0:50:31 | |
dance with her. This lady can dance. So get on with it. | 0:50:31 | 0:50:37 | |
There you are. You can do it. | 0:50:37 | 0:50:42 | |
Off you go over there, keep smiling Anton. | 0:50:42 | 0:50:52 | |
0:50:52 | 0:51:01 | ||
Come on then. Bellisimo. Your cheerleaders here shouting "We love | 0:51:01 | 0:51:11 | |
0:51:11 | 0:51:11 | ||
you Nancy." Now all the drama, all the glamour. It seems like the | 0:51:11 | 0:51:16 | |
perfect fit for you this show Nancy? I'm happy to be doing the | 0:51:16 | 0:51:21 | |
show. So I'm happy to be here. I'm having a lot of fun. I've been | 0:51:21 | 0:51:25 | |
waiting so long to enjoy the show. A dream to dance with Anton. She's | 0:51:25 | 0:51:30 | |
right you know, I am a dream to dance with. | 0:51:30 | 0:51:34 | |
No feather boas next week. Thanks for that, brilliant. The scores are | 0:51:35 | 0:51:44 | |
0:51:45 | 0:51:57 | ||
Well... Don't worry. Ouch. Don't worry. 12. It's a free one this | 0:51:57 | 0:52:00 | |
week. It will have to be a brilliant salsa next week. That's | 0:52:00 | 0:52:04 | |
right. 13 couples have taken to the floor. We have got just one left. | 0:52:04 | 0:52:12 | |
Are you ready? Next up tonight is Jason Donovan | 0:52:12 | 0:52:22 | |
0:52:22 | 0:52:26 | ||
and his partner Kristina Rihanoff. Now Jason, as you know, is a huge | 0:52:26 | 0:52:28 | |
star in Joseph And His Amazing Technicolor Dreamcoat. It was based | 0:52:29 | 0:52:33 | |
on a story in the Bible and was one of the most successful musicals | 0:52:33 | 0:52:37 | |
ever written. Jason said to me, "You've been in entertainment all | 0:52:37 | 0:52:44 | |
your life. You must know the people behind it." I said "You mean Tim | 0:52:44 | 0:52:51 | |
Rice and Andrew Lloyd Webber?" He said, "No Mathew, Mark, Luke..." | 0:52:51 | 0:53:00 | |
Here they are in training. Superstar Jason Donovan. He can | 0:53:00 | 0:53:06 | |
sing. He can act and he's still everyone's favourite. | 0:53:06 | 0:53:10 | |
professional life began with the television series called Neighbours. | 0:53:10 | 0:53:18 | |
A period in my life I'm very proud of. Especially For You was pure | 0:53:18 | 0:53:22 | |
magic, you know, and obviously the chemistry between Kylie and myself. | 0:53:22 | 0:53:26 | |
If you look back at some of those early performances on Top of the | 0:53:26 | 0:53:34 | |
Pops, dancing has always eluded me. Being paired with Kristina, I | 0:53:34 | 0:53:39 | |
wasn't expecting an embracing moment. I can only think of my wife | 0:53:39 | 0:53:45 | |
at home and think, "What must she think? This woman is on top of me." | 0:53:45 | 0:53:54 | |
But what a great reaction. partner can expect a very dedicated | 0:53:54 | 0:53:58 | |
teacher. Till we get the steps right, he is not getting out of the | 0:53:58 | 0:54:05 | |
studio. I have a mad element to me, as my | 0:54:05 | 0:54:11 | |
son would call it "Dad you're very random." I love the cha-cha-cha. I | 0:54:11 | 0:54:15 | |
have a slight turtle neck. decided to bring a neck brace to | 0:54:15 | 0:54:21 | |
prevent his neck going down. Should I put it on? Yeah. Very good. | 0:54:21 | 0:54:26 | |
Saturday night I will probably be wearing it all day. My biggest | 0:54:26 | 0:54:30 | |
thing is to start well. If it goes wrong, it's life, man, nothing's | 0:54:30 | 0:54:36 | |
perfect. Dancing the cha-cha-cha, Jason | 0:54:36 | 0:54:46 | |
0:54:46 | 0:54:46 | ||
Apology for the loss of subtitles for 40 seconds | 0:54:46 | 0:56:31 | |
CHEERING AND APPLAUSE Look at this now! Yes! They enjoyed that. Look | 0:56:31 | 0:56:40 | |
what you've done. I never knew you could move like that. Underneath | 0:56:40 | 0:56:48 | |
that dreamcoat. I can't speak. tell you... It was great. Bueno? | 0:56:48 | 0:56:57 | |
Jason Donovan is in cha-cha-cha -- cha-cha charge. Now Strictly's in | 0:56:58 | 0:57:02 | |
business. Behave yourself. You'll be out of | 0:57:02 | 0:57:09 | |
business in a minute. Craig? Australian to another, darling, | 0:57:09 | 0:57:19 | |
0:57:19 | 0:57:20 | ||
that was a rip snorter mate, bonser, beauty. | 0:57:20 | 0:57:24 | |
Fair dinku mu. Len? You don't need me to tell you, the audience told | 0:57:24 | 0:57:27 | |
you, best dance of the night, well done. | 0:57:27 | 0:57:34 | |
Yes absolutely. What a pair you are. Alesha? Jason, the boys said it all, | 0:57:34 | 0:57:38 | |
that was fantastic, super fun. Everything we wanted to see in a | 0:57:38 | 0:57:40 | |
cha-cha-cha. Good on you. Best dance of the night. | 0:57:40 | 0:57:44 | |
Thank you so much. Off you go up those stairs. | 0:57:44 | 0:57:54 | |
APPLAUSE Come on Jason. | 0:57:54 | 0:58:01 | |
Still breaking hearts. Razed the roof. It's so exciting. I mean, | 0:58:01 | 0:58:06 | |
what can I say. It's such an amazing thing to be part of. I'm | 0:58:06 | 0:58:12 | |
learning every day and we sort of got that one right, I think. | 0:58:12 | 0:58:16 | |
That's nice. We had to wait for that, but worth the wait. Hard work, | 0:58:16 | 0:58:21 | |
if you put the practice in it pays off. You have a good one here | 0:58:21 | 0:58:26 | |
Kristina? Yes? A great partnership in the making. The judges love it, | 0:58:26 | 0:58:36 | |
0:58:36 | 0:58:59 | ||
Wow! 32, best score of the night. Well deserved. That's it, all 14 | 0:58:59 | 0:59:02 | |
couples have shown us a taste of what's in store. They said the | 0:59:02 | 0:59:06 | |
class of 2011 was the best line up in history. Our stars have really | 0:59:07 | 0:59:08 | |
exceled do you agree ladies and gentleman? | 0:59:08 | 0:59:13 | |
APPLAUSE I think. So | 0:59:13 | 0:59:17 | |
It's promising to be a belter. Here's a round up of the | 0:59:17 | 0:59:27 | |
0:59:27 | 0:59:27 | ||
Apology for the loss of subtitles for 40 seconds | 0:59:27 | 1:01:18 | |
magnificent couple who's have APPLAUSE | 1:01:18 | 1:01:26 | |
Wow! What about it? What a night. Now let's find out about the brand | 1:01:26 | 1:01:33 | |
new series of It Takes Two. Here's Zoe Ball to tell us more. | 1:01:33 | 1:01:37 | |
Hi everyone. Join me every weeknight at 6.30pm on BBC Two in | 1:01:37 | 1:01:41 | |
my glittery new home. I'll bring you the behind-the-scenes gossip, | 1:01:41 | 1:01:44 | |
exclusive news from training and interviews with the celebrities, | 1:01:44 | 1:01:48 | |
dancers and judges. I want to hear from you at home. The contact | 1:01:48 | 1:01:52 | |
details are on the website. Get in touch and I'll see you live at | 1:01:52 | 1:01:58 | |
6.30pm on Monday. Thank you Zoe and good luck with | 1:01:58 | 1:02:02 | |
the series. Now let's have a look at how the judges ranked all our | 1:02:03 | 1:02:12 | |
1:02:13 | 1:02:23 | ||
Tonight's scores will be carried over to next week. Then you'll have | 1:02:23 | 1:02:27 | |
your chance to have your say when the phone lines open. Sadly our | 1:02:27 | 1:02:31 | |
first couple will be leaving Strictly Come Dancing next weekend. | 1:02:31 | 1:02:37 | |
Say it isn't so! It is so. Say it isn't. That means our 14 | 1:02:37 | 1:02:41 | |
celebrities now have just one week to perfect either the salsa or the | 1:02:41 | 1:02:46 | |
foxtrot. They had three weeks training to learn the first dance, | 1:02:46 | 1:02:56 | |
1:02:56 | 1:02:56 | ||
so how will they cope having only one week? I don't envy them! As Zoe | 1:02:56 | 1:03:00 |