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Last weekend, Strictly kicked off. Now were Strictly is in Business! | :00:15. | :00:21. | |
Everyone brought something to the party. Bottoms Up! Summer came out | :00:21. | :00:27. | |
of their shells. You could not be more can be if you tried. Others | :00:27. | :00:32. | |
were spitting feathers and won a Boreham a bird brain forgot how to | :00:32. | :00:40. | |
fly! Nothing to shout about. A bad case of the number twos. And worse. | :00:40. | :00:50. | |
:00:50. | :00:50. | ||
But it was a truly amazing bash. Beauty, mate! Tonight, the ballroom | :00:50. | :00:58. | |
dancers. The competition has just got serious! It is knockout timer. | :00:58. | :01:04. | |
It is enough to make grown celebrities cry. Yeah, yeah, yeah! | :01:04. | :01:14. | |
:01:14. | :01:14. | ||
Apology for the loss of subtitles for 66 seconds | :01:14. | :02:21. | |
welcome your hosts. Bruce Forsyth. What Are you wearing? It's | :02:21. | :02:24. | |
embarrassing, please. Good evening ladies, gentlemen and children. And | :02:24. | :02:27. | |
welcome to Strictly Come Dancing. It's nice to see you... | :02:27. | :02:31. | |
AUDIENCE: To see you nice! And it's nice to see you, Bruce. | :02:31. | :02:38. | |
Are you OK? You look a bit annoyed. Well, I am a bit annoyed. The | :02:38. | :02:42. | |
producer came rushing up to me today and asked if I'd seen this | :02:42. | :02:47. | |
great show on TV. She said, "It's fantastic, Bruce. And it's set in | :02:47. | :02:51. | |
the time when you were a child". And I said, "Oh, you mean Downton | :02:51. | :03:01. | |
:03:01. | :03:10. | ||
Abbey?" She said, "No, Planet And there was one dinosaur called | :03:10. | :03:19. | |
camposaurus. He had a bit of a mince. Come back over here, please. | :03:19. | :03:24. | |
Tonight something big is about to happen. All 14 couples dancing on | :03:24. | :03:34. | |
:03:34. | :03:35. | ||
the same bumper ballroom bill. Boil? Bill. It must be a big | :03:35. | :03:41. | |
boiler. That's right. Last weekend, 14 dancing stars were born. But | :03:41. | :03:44. | |
tonight it's a fight for survival because one couple will be the | :03:44. | :03:48. | |
first to leave the competition. Harsh but true. Adrenaline is | :03:48. | :03:52. | |
coursing through their veins. And blood is pumping through their new | :03:52. | :04:02. | |
:04:02. | :04:03. | ||
buff ballroom bodies. Shall we let them rip, Bruce? What was all that | :04:03. | :04:11. | |
about? Enough talk. It's the stars of our show! Astrologer to the | :04:11. | :04:14. | |
stars Russell Grant and his partner Flavia Cacace. Singing Legend Lulu | :04:14. | :04:19. | |
and her partner Brendan Cole. Comedian and Impressionist Rory | :04:19. | :04:23. | |
Bremner and his partner Erin Boag. Waterloo Road's Chelsee Healey and | :04:23. | :04:28. | |
her partner Pasha Kovalev. TV presenter Dan Lobb and his partner | :04:28. | :04:34. | |
Katya Virshilas. Actress and Pop Princess Holly Valance and her | :04:34. | :04:38. | |
partner Artem Chigvintsev. Olympic champion boxer Audley Harrison and | :04:38. | :04:43. | |
his partner Natalie Lowe. Former MP Edwina Currie and her partner | :04:43. | :04:51. | |
Vincent Simone. McFly's Harry Judd and his partner Aliona Vilani. | :04:51. | :04:56. | |
Actress Anita Dobson and her partner Robin Windsor. Premiership | :04:56. | :05:02. | |
football's Robbie Savage and his partner Ola Jordan. Italian siren | :05:02. | :05:07. | |
Nancy Dell'Olio and her partner Anton Du Beke. The One show's Alex | :05:07. | :05:12. | |
Jones and her partner James Jordan. And finally, stage and screen | :05:12. | :05:22. | |
:05:22. | :05:36. | ||
superstar Jason Donovan and his How about that? Yes. There they all | :05:36. | :05:43. | |
are. I hope you've all got over Craig's comments. He upset half of | :05:43. | :05:45. | |
our dancers last week. Mind you, he's promised things will be | :05:45. | :05:55. | |
:05:55. | :05:59. | ||
different this week. He's going to We've got at mutiny on our hands. | :05:59. | :06:02. | |
Last week the judges scored our celebrities, and those scores will | :06:02. | :06:05. | |
be carried over to tonight. Our 14 couples will perform either a | :06:05. | :06:09. | |
fabulous foxtrot or a sexy salsa. And then you'll have the chance to | :06:09. | :06:14. | |
have your say when the phone lines open at the end of the show. | :06:14. | :06:17. | |
celebrity with the lowest combiined points will be the first to leave | :06:17. | :06:19. | |
the competition. If you're a digital viewer, press the red | :06:19. | :06:23. | |
button for live commentary from ex Strictly champ Karen Hardy. And | :06:23. | :06:28. | |
joining her is last year's finalist Pamela Stephenson. Welcome back. | :06:28. | :06:38. | |
:06:38. | :06:42. | ||
That's nice. But there they are. I'm a come all over the place. -- | :06:42. | :06:46. | |
I'm looking all over the place. Whatever you are saying, I'm saying | :06:46. | :06:54. | |
yes. Our first couple tonight is Chelsee Healey and her partner | :06:54. | :07:04. | |
:07:04. | :07:10. | ||
There she is in her pyjama bottoms. Chelsee said to me today, "If I | :07:10. | :07:13. | |
manage to get to the final I'm going to sing with joy". Typical | :07:13. | :07:23. | |
Chelsee. They only sing when they're winning. Here they are in | :07:23. | :07:33. | |
:07:33. | :07:36. | ||
I was absolutely terrified. look like a princess. I don't sound | :07:36. | :07:44. | |
like one but I looked like one. The comments, I didn't understand. | :07:44. | :07:51. | |
started off like Petula Clark. don't know who she is. Turned into | :07:51. | :07:56. | |
Lady GaGa. I don't look nothing like Lady GaGa. The new dance is | :07:56. | :08:02. | |
the Salsa. It is fast, with lots of hip movement. I look after doing it. | :08:02. | :08:09. | |
We have only one week to get this dance ready. She could so easily | :08:09. | :08:15. | |
distracted. Put your telephone down. Can I go to the toilet? It's hard | :08:15. | :08:24. | |
for me to keep your focus. I wish I had eggs and bacon. I lose my | :08:24. | :08:31. | |
concentration too easily. As you can probably tell. At school, I | :08:31. | :08:36. | |
used to lose a dead quick. Don't confiscate my telephone. To be | :08:36. | :08:42. | |
honest, it's a good thing, because it makes me work harder. The that | :08:42. | :08:47. | |
is so much better. I'm going to concentrate on myself such and the | :08:47. | :08:57. | |
:08:57. | :09:01. | ||
Dancing the salsa, Chelsee Healey MUSIC: "Higher" | :09:01. | :09:11. | |
:09:11. | :09:11. | ||
Apology for the loss of subtitles for 66 seconds | :09:11. | :10:45. | |
How about that? One of four. -- one before. That was great. -- one | :10:45. | :10:52. | |
before. Issues like a little swizzle stick. It's a good time to | :10:52. | :10:58. | |
welcome our singers Dave Arch and his wonderful orchestra. And of | :10:58. | :11:08. | |
course we have our judges. We all know that Craig is Australian. What | :11:08. | :11:18. | |
:11:18. | :11:27. | ||
we all don't know is that recently As a citizen of this country may I | :11:27. | :11:30. | |
welcome you. And on behalf of Great Britain, I'd like to ask, any | :11:30. | :11:40. | |
chance we can appeal? The sorry about that, Craig. Len, | :11:40. | :11:47. | |
what did you make of this? They let anyone in nowadays, don't they? I | :11:48. | :11:54. | |
was a bit chilly around a Willie, but it warned me up a treat. What's | :11:54. | :12:04. | |
:12:04. | :12:04. | ||
wrong with that? You came out and it was full on Nov. For me, your | :12:04. | :12:11. | |
hair was going like crazy. Your trousers were flapping about. | :12:11. | :12:17. | |
You've got to calm down, dear. It was too much. You've got to take | :12:17. | :12:27. | |
:12:27. | :12:29. | ||
good karma. Having said that, it Now then, birthday girl, Alesha. | :12:29. | :12:35. | |
Fund, flirty and fearless. It's all about the personality. Let me tell | :12:35. | :12:41. | |
you, Chelsee, the section you did here was so impressive on your own | :12:41. | :12:46. | |
there. So impressive. I have to commend you for your lifts for the | :12:46. | :12:49. | |
sometimes you do need to watch your control. I would rather you go for | :12:49. | :12:56. | |
it than held back so, overall, for me, it was brilliant. You're doing | :12:56. | :13:02. | |
a good job. Bruno of. I love you thought you had the energy of a | :13:02. | :13:07. | |
wild kick them. Vivacious and wild boars have every Tom Dick and Harry | :13:07. | :13:14. | |
are very hot under the collar. Your timing is good. Your underarm | :13:14. | :13:19. | |
passes were very good. At times, you went slightly off the but for | :13:19. | :13:29. | |
:13:29. | :13:31. | ||
good reasons because you put That a bit at the start, it nearly | :13:31. | :13:41. | |
:13:41. | :13:42. | ||
blew his hat off. A Craig, what did you think? A bit bouncy for me. | :13:42. | :13:48. | |
Sadly, after a reverse lift, getting into the second one was | :13:48. | :13:53. | |
almost a disaster for the but you save it. I really, absolutely loved | :13:53. | :13:59. | |
the alternating under terms Burma. I thought it was brilliant for the | :13:59. | :14:09. | |
:14:09. | :14:18. | ||
High praise. Get off quick why you Commander, Chelsee. First Micro, | :14:18. | :14:24. | |
what a beautiful, uplifting start to the party. Yes, that is what I | :14:24. | :14:29. | |
wanted. Kicking of the show, it is a lot of pressure. Did you enjoy | :14:29. | :14:36. | |
it? I did, I am knackered now! Elegant last week in the waltz, | :14:36. | :14:40. | |
sexy in the salsa, what more have you got to give us? I have got a | :14:40. | :14:45. | |
lot more. If we have something up our sleeves. If she allowed a | :14:45. | :14:48. | |
celebratory phone call home if she gets through to next week? She is | :14:48. | :14:53. | |
allowed one phone call? Only one. These calls are in. It is time to | :14:53. | :15:03. | |
:15:03. | :15:18. | ||
29! A great score. Well done, a great start. This is the number to | :15:18. | :15:23. | |
note down. That is if you want to see Chelsee score next week on the | :15:23. | :15:27. | |
dancefloor. The phone lines to not open until late in the show. Your | :15:27. | :15:31. | |
vote will not count and you may still be charged. Nobody wants the | :15:31. | :15:34. | |
first to go, but the couple were the lowest combined points will be | :15:34. | :15:41. | |
leaving tomorrow night. Someone has got to go! OK, now for our next | :15:41. | :15:51. | |
:15:51. | :15:58. | ||
couple, Edwina Currie and her Now, I... I told Edwina, you. She | :15:58. | :16:04. | |
said, was it when you spoke to the judges? No, when you flashed your | :16:04. | :16:11. | |
knickers, red ones, too! You came on the wrong night, John! What did | :16:11. | :16:17. | |
David Cameron say to expel her from the party? We will find out, here | :16:17. | :16:25. | |
they eye in training. Last week, I did not feel that I did Vincent and | :16:25. | :16:29. | |
me justice, because it was not supposed to be a comedy routine, it | :16:29. | :16:35. | |
was supposed to be a dance. It is a red hot curry. That is how my feet | :16:35. | :16:41. | |
felt by the time we had finished. The Old Cougar Got To Dance with | :16:41. | :16:47. | |
the toy boy! Tasting the merchandise! You ain't seen nothing | :16:48. | :16:57. | |
yet! It is going to be a challenge to restrain the Cougar. All yours. | :16:57. | :17:03. | |
It is a lovely idea, the predatory older woman during off bits of her | :17:03. | :17:11. | |
toyboy. I wish I was 36 again. only a baby. I want my mummy. | :17:11. | :17:15. | |
your money! He is too easy to flirt with. All the wrong images come in | :17:15. | :17:21. | |
to mind. Look closely. I dare not! She is scared of me. I will take | :17:21. | :17:27. | |
control of you. I am scared of what my husband will say! It will be a | :17:27. | :17:31. | |
challenge, but we will control you. As long as Edwina can restrain her | :17:31. | :17:36. | |
wild side, this foxtrot could be very beautiful. This could get his | :17:36. | :17:46. | |
:17:46. | :17:46. | ||
Apology for the loss of subtitles for 66 seconds | :17:46. | :19:43. | |
Dancing the foxtrot, Edwina Currie Wonderful! Oh, Edwina! Romantic, it | :19:43. | :19:50. | |
was beautiful. That was the first time ever that I have dance Dave | :19:50. | :19:55. | |
Arch tart. The first time ever? Oh, and it could be your last! I did | :19:55. | :20:01. | |
not mean that. I just read it, I do not mean it. What did you make of | :20:01. | :20:07. | |
it? Well, I don't worry, I realised it was the first time you had dance | :20:07. | :20:11. | |
they foxtrot. Make the most of that meal, because that could be the | :20:11. | :20:18. | |
last supper. Oh, that is a bit strong. Too much messing about on | :20:18. | :20:24. | |
the table. I knew he was going to say that. I wanted more content of | :20:24. | :20:29. | |
the foxtrot, and unfortunately I did not get it. I thought he might | :20:29. | :20:38. | |
say that. She was going to pay the bill. What did you say to me? | :20:39. | :20:46. | |
Alesha? They are having a little chat. He said, I don't know nothing. | :20:46. | :20:54. | |
That is all of us! Alesha. Getting into character is brilliant, but | :20:54. | :20:58. | |
Len is right, it was too long getting into the dance. But when | :20:58. | :21:03. | |
you're dancing, it looked really nice. So you should be proud. Next | :21:04. | :21:09. | |
time, yes, dancing a little bit longer. Bruno. Naughty Edwina, | :21:09. | :21:13. | |
spending all the time playing under the table. You forgot about the | :21:13. | :21:18. | |
foxtrot, that is what happened. The foxtrot has to have a smooth flow. | :21:18. | :21:23. | |
The little there was, it was like watching a bendy bus negotiating a | :21:23. | :21:28. | |
tight roundabout. You could never quite getting to it. It is true! | :21:28. | :21:33. | |
You have to put a little bit more dancing into your dance show! | :21:33. | :21:37. | |
the first time ever, I would like to see some of you for the first | :21:37. | :21:42. | |
time doing a foxtrot, and she was wearing Tory blue. Grey. Well, when | :21:42. | :21:47. | |
you finally got into it, you're very hunched in your shoulder, your | :21:48. | :21:52. | |
balance was questionable. If you are brave enough to put that leg in | :21:52. | :21:57. | |
the air, make sure you are pounding the foot at least. The one, point. | :21:58. | :22:05. | |
That is it. Not enough Fox. We all loved it, didn't we? We all loved | :22:05. | :22:15. | |
:22:15. | :22:25. | ||
it! Our crew go, it was marvellous. Come on, Edwina. Give us a roar. | :22:25. | :22:30. | |
think you should have this. Show them what you are made of. Too much | :22:30. | :22:34. | |
messing about, Len said. You used to be a politician, you're not | :22:34. | :22:38. | |
going to let him have the last word. I would have said, you really ought | :22:38. | :22:42. | |
to think about supporting the people who do all the hard work, | :22:42. | :22:48. | |
especially Vincent. I tell you, doing the foxtrot for the first | :22:48. | :22:54. | |
time is just an amazing, terrifying experience. She is living every | :22:54. | :23:02. | |
woman's dream. I think so! Oh, yes! Have a look at this. She is not | :23:02. | :23:06. | |
disagreeing, is she? Wait until you see what we can do next time. | :23:06. | :23:16. | |
:23:16. | :23:21. | ||
Exactly. She teases us, the scores Same as last week. Same as last | :23:21. | :23:30. | |
19 out of 40, an improvement on last week, that is what it is all | :23:31. | :23:36. | |
about. Out of interest, Edwina, what would you have for dessert at | :23:36. | :23:40. | |
the Italian restaurant? I would have been sent! What woman | :23:40. | :23:46. | |
wouldn't? This is the number to call when the phone lines open. | :23:46. | :23:49. | |
That is if you would like another helping of Edwina Currie next | :23:49. | :23:53. | |
Saturday and you want to see her back in the ballroom. Over to you, | :23:53. | :23:57. | |
Bruce. Our third couple is Audley Harrison and his partner Natalie | :23:57. | :24:07. | |
:24:07. | :24:12. | ||
I found out... I found out that Wardley has an 86 inch reach, that | :24:12. | :24:17. | |
is from one fist to the other, 86 inches. I wanted to find out just | :24:17. | :24:24. | |
in case I made a mistake and caught him Audrey. Here they hark, that | :24:25. | :24:33. | |
could have been nasty, here they Last week, Audley took it on the | :24:33. | :24:39. | |
chin. Hands, hands, hands! Flat- footed. The left the judges to | :24:39. | :24:45. | |
fight it out. When you walk by, Punch Craig, would you? I should | :24:45. | :24:51. | |
have! I look at Craig Revel Horwood like a pantomime villain. With | :24:51. | :24:55. | |
constructive criticism, I will knuckle down this week. I will give | :24:55. | :25:00. | |
you a Pass this week, but if you don't like me next week, this left | :25:00. | :25:07. | |
hook is coming for you. Oh, my God, Michael Jackson! I am really | :25:07. | :25:16. | |
excited for the salsa, it will be a I am trying to get into it, what | :25:16. | :25:21. | |
you want from me?! I have flat and lazy feet. In boxing, to have | :25:21. | :25:24. | |
placement with your feet? course! Natalie has forced me to | :25:24. | :25:31. | |
get my feet working. That is the only sure you could find in my size, | :25:31. | :25:36. | |
clown shoes? I wanted to find out what it was like to have a size 17 | :25:36. | :25:41. | |
shoe. I am not dancing with the windows. I thought I would try and | :25:41. | :25:48. | |
see what it was like! I cannot take you seriously! Craig Revel Horwood, | :25:48. | :25:56. | |
you are going to be surprised this Dancing the salsa, Audley Harrison | :25:56. | :26:06. | |
:26:06. | :26:06. | ||
Apology for the loss of subtitles for 66 seconds | :26:06. | :27:47. | |
MUSIC: "Don't Stop 'Til You Get How about that? Audley, I have seen | :27:47. | :27:55. | |
a few boxes in America, but you are the best we have ever had, I tell | :27:55. | :28:02. | |
you that. You really are. You have a rhythm about you. Alesha. You lit | :28:02. | :28:06. | |
up the room and put a smile on everybody's face. You tried so hard | :28:06. | :28:11. | |
and you did your best. Of course, lots of improvement but you on the | :28:11. | :28:21. | |
:28:21. | :28:22. | ||
right track. You are enjoying it. And I enjoyed it. Bruno. He cannot | :28:22. | :28:28. | |
lose. You can't do it. The thing is, it was more like disco night down | :28:28. | :28:38. | |
:28:38. | :28:39. | ||
the local pub. The cell set is a different, you lost the Sile -- | :28:39. | :28:44. | |
style of the Salsa. There are certain things like the hip action, | :28:44. | :28:48. | |
the smooth movement of the arms of. But the energy was great and it's | :28:48. | :28:58. | |
:28:58. | :29:00. | ||
All right. I think we know what you mean. Craig. Very flat footed but | :29:00. | :29:05. | |
I'm not surprised with those size feet. All for coming down the | :29:05. | :29:10. | |
stairs. When you run it in a dance routine, you can't run it like a | :29:10. | :29:19. | |
Norman person. -- like a normal person. Very plodding. They are two | :29:19. | :29:22. | |
good they must put up this is only so you don't punch me on your exit. | :29:22. | :29:27. | |
You look like you have got a group going, which is fantastic. And a | :29:27. | :29:35. | |
bit of hip rotation, which we like. Len? When I heard the song, I | :29:35. | :29:41. | |
thought, I would have another this up about five seconds but no, I'm a | :29:41. | :29:47. | |
saying no, it is easy for a bigger man to look clumsy, but you didn't. | :29:47. | :29:56. | |
It was nicely placed. Everything was orderly, Audley, and for a | :29:56. | :30:02. | |
bigger man, you did a good job. wasn't hunched up like a boxer. | :30:02. | :30:12. | |
Wonderful posture. I wish I had posture like that. Well done. | :30:12. | :30:22. | |
:30:22. | :30:30. | ||
They were on their feet appear for you, and that was all some. You | :30:30. | :30:35. | |
brought the ball and fight right here. I had to go for it. I gave it | :30:35. | :30:41. | |
my best shot. It was great. Great fun. It look like you are loving | :30:41. | :30:49. | |
every moment. Audley, how much do you want your size 17s on the floor | :30:49. | :30:57. | |
next week? A Yes, I really do. judges scores are in. Let's have a | :30:57. | :31:01. | |
look. The judges have their scores. Craig Revel Horwood. Len Goodman. | :31:01. | :31:11. | |
:31:11. | :31:22. | ||
23. Is it Craig going to get that left hook? He gave me to good | :31:23. | :31:28. | |
comments. He's off the hook. That's a relief. Call 09015 22 20 07 when | :31:28. | :31:32. | |
lines open later if you think Audley is a force to be reckoned | :31:32. | :31:38. | |
with and you want to see him dancing next week. Remember, one | :31:38. | :31:40. | |
celebrity must leave the competition, which means the | :31:40. | :31:45. | |
pressure to perform is huge. The judges' scores are only half the | :31:45. | :31:49. | |
story. Your votes can help save your favourite couple. Back to you, | :31:49. | :31:56. | |
Bruce. Sorry, right. Now for our next couple, Alex Jones and her | :31:56. | :32:06. | |
:32:06. | :32:10. | ||
Last week, they performed a chat chat chat. This week it's the | :32:10. | :32:20. | |
:32:20. | :32:22. | ||
Before last week, when I stood on the actual studio floor, I felt | :32:22. | :32:27. | |
paralysed with fear, and then, of course, it was a lamb to the | :32:27. | :32:33. | |
slaughterhouse. Very starchy, very stiff, and lacked any excitement. | :32:33. | :32:37. | |
They were not great. Alesha encouraged us to go forward in the | :32:37. | :32:43. | |
competition. You're a sexy woman. Next three, go for it. There's only | :32:43. | :32:49. | |
one way to go and that's upwards, hopefully. The Foxtrot is the most | :32:49. | :32:55. | |
technically demanding of all the ballroom dances. I keep going right. | :32:55. | :33:02. | |
I go left. I have a problem with left and right. Left leg. Right. | :33:02. | :33:08. | |
Today, he has brought in some props. How can I be elegant Indies? | :33:09. | :33:14. | |
don't know but it will be funny. They are weighing me down. | :33:14. | :33:20. | |
should try dancing with you. Which way? Let's go to. Right. | :33:20. | :33:28. | |
slightly irritating at the while -- after a while. Shouldn't have to | :33:28. | :33:38. | |
:33:38. | :33:50. | ||
think what armour to move. I did it Dancing the foxtrot, Alex Jones and | :33:50. | :34:00. | |
:34:00. | :34:00. | ||
Apology for the loss of subtitles for 66 seconds | :34:00. | :35:35. | |
What are you doing over there? Well done. Very good. Lovely. Can you | :35:35. | :35:44. | |
dance, Miss Jones? You certainly can. Lovely. Bruno. Oh, Miss Jones! | :35:44. | :35:49. | |
I had no idea you were such a glamour puss. Equal part | :35:49. | :35:55. | |
sophistication, sex-appeal, elegance, great flow like a young | :35:55. | :36:01. | |
Joan Collins. You lost your frame a couple of times, otherwise, I was | :36:01. | :36:11. | |
:36:11. | :36:20. | ||
pleasantly surprised. There we are. Ballroom are definitely suits you | :36:20. | :36:30. | |
:36:30. | :36:34. | ||
You do go a little bit wobbly sometimes. You get willowy in your | :36:34. | :36:38. | |
body and have to firm up a bit. The key to this competition is to | :36:38. | :36:42. | |
improve each week and that is what you have done. You are much better | :36:42. | :36:51. | |
than last week. Yes, OK. Alesha? was understated and charming. Alex, | :36:51. | :36:57. | |
you can dance, you have just got to believe it. Yes, you are a dancer, | :36:57. | :37:07. | |
:37:07. | :37:14. | ||
He yes! Electrifying, Miss Jones! New | :37:14. | :37:23. | |
training methods there. It worked. There's a long way to go. I know my | :37:23. | :37:33. | |
:37:33. | :37:33. | ||
left and right. Did she get off on the right foot James?! Finding it | :37:33. | :37:37. | |
nerve-racking. Everyone is finding it nerve-racking. I could tell she | :37:37. | :37:47. | |
:37:47. | :37:48. | ||
was nervous. John Nott was ready for a kiss. -- John was ready | :37:48. | :37:58. | |
:37:58. | :38:01. | ||
I was lucky to pick two good ones in the audience. The judges have | :38:01. | :38:08. | |
their scores. Craig Revel Horwood. Len Goodman. Alesha Dixon. Bruno | :38:08. | :38:18. | |
:38:18. | :38:26. | ||
Very happy with those? Very happy. Call 09015 22 20 13 if Alex was | :38:26. | :38:30. | |
your Welsh ONE-der. And you want to see her cutting it on the | :38:30. | :38:34. | |
dancefloor next Saturday. You would like that, wouldn't you, Alex? | :38:34. | :38:37. | |
would love it. Remember lines aren't open yet though. Back to you, | :38:37. | :38:47. | |
:38:47. | :38:48. | ||
Bruce. Next up is Dan Lobb and his Last week he made quite a good job | :38:48. | :38:54. | |
of his ballroom but how we cope with his first Latin dance? Here | :38:54. | :39:04. | |
:39:04. | :39:09. | ||
Firstly, he did an amazing job. found the judges' comments are | :39:09. | :39:16. | |
confusing. Craig battled me -- baffled me. But it did feel as if | :39:16. | :39:23. | |
I'd worked really hard on my transitions. Can I give you some | :39:23. | :39:30. | |
criticism? No. He's a sensitive soul. Should she be more | :39:30. | :39:40. | |
understanding? Yes. I used to be a tennis coach. Show me your forehand. | :39:40. | :39:45. | |
What is that? These are two different things. We have a lot of | :39:45. | :39:55. | |
:39:55. | :40:00. | ||
different works to do. Different Welcome to my world. Have you heard | :40:00. | :40:07. | |
of Tim Henman? No. I beat him. That's not the correct footwear for | :40:07. | :40:13. | |
tennis. Well done, super. Can you see the positive reinforcement I'm | :40:13. | :40:21. | |
giving you. I'm good! But the best one yet. Tennis or dancing? Dancing. | :40:21. | :40:31. | |
:40:31. | :40:41. | ||
Dancing the salsa, Dan Lobb and MUSIC: "Upside Down" | :40:41. | :40:51. | |
:40:51. | :40:51. | ||
Apology for the loss of subtitles for 66 seconds | :40:51. | :42:27. | |
Lovely, well done, Dan Lobb! Really great, I loved the tennis pit as | :42:27. | :42:32. | |
well. Start as off. Thank you so much of the hand spring and the | :42:32. | :42:38. | |
smile, darling, that was nice to save. The rest of it, unfortunately, | :42:38. | :42:45. | |
was not good. That round and round step, I would cut that, that was | :42:45. | :42:50. | |
just horrific. That was his favourite, he was so proud of it! | :42:50. | :42:56. | |
Was he? He was so proud! attractive, sadly, some of it, | :42:56. | :43:03. | |
especially getting in and out of the lists. Len. Well, for a nice | :43:03. | :43:09. | |
change, I cannot quite agree with cougar over most of that. He is | :43:09. | :43:16. | |
correct that the Doe's Kido was a little bit... But having said that, | :43:16. | :43:26. | |
:43:26. | :43:26. | ||
at is that the word for it? All the staff, the bottom line is this for | :43:26. | :43:30. | |
you, I reckon this is the one dance that is going to least suit you, | :43:30. | :43:34. | |
and if that is going to be your worst dance, you have got a long | :43:34. | :43:43. | |
way to go. All right, lovely! Now then, Alesha. I do not think my mum | :43:43. | :43:47. | |
would think that was an attractive. I really wanted to be great, | :43:47. | :43:52. | |
because you have got the goods, the lists were great, the flare at the | :43:52. | :43:57. | |
beginning was really brave. Wasn't it? Latin may not be your strongest, | :43:58. | :44:01. | |
you may be stronger in ballroom, but you have that somewhere to | :44:01. | :44:05. | |
start. If that is your worst one, you have got somewhere to go. | :44:05. | :44:10. | |
missed the rehearsal, but you nailed it there, a true performer. | :44:10. | :44:18. | |
Bruno. Dan Lobb, it rhymes with Bob the Builder, that is what you were | :44:18. | :44:26. | |
like. You were swinging hair like a bag of cement! It was lumbering and | :44:26. | :44:33. | |
heavy. Salsa is smooth and flowing. Good effort, but not a good result. | :44:33. | :44:39. | |
Don't worry about that, you do not look worried. No. There are one, | :44:39. | :44:49. | |
:44:49. | :44:51. | ||
off you go, be proud, it was Come on! It is Dan Lobb the | :44:51. | :44:57. | |
builder! Did you enjoy these somersaults? Yeah, we landed them, | :44:57. | :45:01. | |
that was enjoyable, but the most important thing is that neither of | :45:01. | :45:04. | |
us need hospital treatment, and as far as I'm concerned that is a | :45:04. | :45:09. | |
resounding success. I am very proud of you. Did you enjoy the freedom | :45:09. | :45:13. | |
of the Latin more than the ballroom? I did, yeah, that was | :45:13. | :45:19. | |
quite nice. Disappointing that they thought it was our worst dance. Oh, | :45:19. | :45:25. | |
that is a positive, sorry, I was confused by the judges again! | :45:25. | :45:35. | |
:45:35. | :45:55. | ||
Backhanded compliments, tennis 21, four from Craig. Can I go and | :45:55. | :45:59. | |
sit down? You can in a moment, this is the number to call at the end of | :45:59. | :46:04. | |
the show if he wanted to be a case of Play It Again Dannah next week. | :46:04. | :46:14. | |
:46:14. | :46:23. | ||
Still to come tonight, Oglaigh na Our next couple tonight is Lulu and | :46:23. | :46:33. | |
:46:33. | :46:34. | ||
Now, Lulu is one of those performers who is so successful at | :46:34. | :46:37. | |
singing and so popular with the public that they becomes superstars | :46:37. | :46:44. | |
and unknown by just one name. She is up there with the likes of Kylie, | :46:44. | :46:54. | |
:46:54. | :46:54. | ||
Don't be like that! I will clear the space, sarcasm. Here they are | :46:54. | :47:04. | |
:47:04. | :47:08. | ||
Last week's show was a reality check. Len's words run through my | :47:08. | :47:13. | |
ears. You cannot go wrong, that is the first word of. I have got to | :47:13. | :47:18. | |
nail the steps. You are a great performer. I do not want to hear | :47:18. | :47:24. | |
that a great performer, I am a dancer. My brain cannot take it. | :47:24. | :47:29. | |
is a lot to learn, the foxtrot. feels very weird. It is going to be | :47:29. | :47:33. | |
a tough week. There has got to be a breakthrough in How I learned. I | :47:33. | :47:37. | |
have to write and go over it like a mad thing. And a desperate woman, I | :47:38. | :47:43. | |
will be trying everything. Obviously, with Lulu forgetting | :47:43. | :47:46. | |
most of the routine last week, I had to come up with a bit of a | :47:46. | :47:52. | |
solution. Brain food! And what you're going to enjoy is some | :47:52. | :47:55. | |
lovely berries, but you might not enjoy the Brussels sprouts. Would | :47:55. | :48:04. | |
you least going to enjoy... Me and my friend Ted. You took too long. | :48:04. | :48:13. | |
Nice, that is looking more like a foxtrot. I do think that I have | :48:13. | :48:18. | |
made progress. Are you getting the feel of it? A bit more. I think it | :48:18. | :48:22. | |
is working. You just did the whole thing on your own. I might not have | :48:22. | :48:28. | |
a down completely, but I am keeping my fingers crossed. Dancing the | :48:28. | :48:38. | |
:48:38. | :48:38. | ||
Apology for the loss of subtitles for 66 seconds | :48:38. | :50:31. | |
Lovely, Lola! Great job. Brendan is pleased with you, and I am. That | :50:31. | :50:37. | |
was so good, it really was. Len. Last week he went to pieces, but | :50:37. | :50:41. | |
this week you have got through the routine. That is the start. Now you | :50:41. | :50:45. | |
have to work on the Polish, you have got to work on your feet, they | :50:45. | :50:51. | |
need more conviction, your posture needs to be stronger. But what an | :50:51. | :50:59. | |
improvement on last week, a great improvement! So pleased. Alesha. | :50:59. | :51:03. | |
Yes, so much better than last week, you looked much more focused and in | :51:03. | :51:11. | |
control. It was very atmospheric, and I thought you would not make it | :51:11. | :51:16. | |
through without singing, you cannot help it! But it was lovely. Yes, | :51:16. | :51:24. | |
well done. Now then, Bruno! Mirror, mirror on the wall, who is the | :51:24. | :51:29. | |
prettiest of them all? Star! you were tonight, because you | :51:29. | :51:33. | |
played it with the emotional fragility of a teenager in love | :51:33. | :51:37. | |
whose heart is about to be broken, and you were on it all the way | :51:37. | :51:40. | |
through. Len is right, it needs polishing, but you can dance if you | :51:40. | :51:49. | |
want to. That is it. Now then... Craig. I felt like you were trying | :51:49. | :51:53. | |
to keep up with Brendan, and you ended up chasing in a little bit | :51:53. | :51:57. | |
through the dance. Also, you were looking into his chest a lot of the | :51:57. | :52:03. | |
time. You need to make a decision, either left or right. But lovely | :52:03. | :52:09. | |
pivots, a really gorgeous standing spin. You are still my favourite! | :52:09. | :52:19. | |
:52:19. | :52:27. | ||
Off you go, the pair of you, be Nice one, Brendan, well deserved. | :52:27. | :52:31. | |
You remember it all the steps, how relieved are you? We are so happy | :52:31. | :52:39. | |
for you! I know you are. Don't call it a comeback! Wardley is saying do | :52:39. | :52:45. | |
not call it a comeback. Great storytelling, quite right. | :52:45. | :52:50. | |
Seriously, though, how have you found this? Tougher than you | :52:50. | :52:56. | |
imagined? Oh, believe me! I thought it would be difficult, but not this | :52:56. | :53:00. | |
difficult, and I think my nerves kick in this week. Last week I was | :53:00. | :53:05. | |
trigger-happy, and I screwed it all up, but, yeah, much more difficult. | :53:05. | :53:11. | |
Are you kidding?! You do not know until you come near. The scores are | :53:11. | :53:21. | |
:53:21. | :53:43. | ||
Eddie five out of 40, well done! Do not be shy, says Brendan. We have | :53:43. | :53:50. | |
still got plenty more action to come. Bruce. Next tonight is Holly | :53:50. | :53:58. | |
Valance and Ed Parker Artem Chigvintsev. -- her partner. Last | :53:58. | :54:01. | |
week, highly finished near the top of the leaderboard with their cha- | :54:01. | :54:06. | |
cha-cha, but how will she affair with the salsa? Here they are in | :54:06. | :54:16. | |
:54:16. | :54:16. | ||
Last week, I was the first to perform, and to be honest I look | :54:16. | :54:22. | |
like a fold the Thursday it looked out to walk. It is not the best | :54:23. | :54:26. | |
first as I have seen. I thought it was going horribly wrong, he did a | :54:26. | :54:31. | |
little reversal on me. I tell you what, it was close, well done. | :54:31. | :54:36. | |
makes you feel good, it makes you want to keep trying and do better. | :54:36. | :54:41. | |
I am happy with this. He is never happy! I really want to impress the | :54:41. | :54:45. | |
judges, but I'm not grasping the salsa as quick as I thought I would. | :54:45. | :54:51. | |
It feels so wrong. It is all about performing the dance, selling it to | :54:51. | :54:57. | |
the crowd. You need to go for it, give it 100%? She feels a bit funny | :54:57. | :55:04. | |
to try to be sexy. I do not feel sexy at all! Can you just keep | :55:04. | :55:08. | |
dancing and looking at me? She really finds that hard. I might not | :55:09. | :55:12. | |
look at you, but I might look here. It is quite upsetting and | :55:13. | :55:19. | |
depressing sometimes. What is wrong with his face? Because she is an | :55:19. | :55:24. | |
actress, she has to act it out sexy. I will be selling overpriced | :55:24. | :55:29. | |
tickets. It has to look like our little party on the dance floor, so | :55:29. | :55:36. | |
I really need to go for it and Saturday night. Dancing the salsa, | :55:36. | :55:46. | |
:55:46. | :55:46. | ||
Apology for the loss of subtitles for 66 seconds | :55:46. | :57:33. | |
Be happy! That was lovely. It was really good. Really good. Alesha. | :57:33. | :57:38. | |
Please don't question whether you are sexy or not. You are a goddess. | :57:38. | :57:44. | |
You move so well. Everything is well placed, graceful with sexiness. | :57:44. | :57:49. | |
Please just let go. Don't be afraid of. You have got it in there. You | :57:49. | :57:52. | |
are still questioning yourself and you could be amazing. That was | :57:52. | :58:02. | |
:58:02. | :58:06. | ||
brilliant. Yes, amazing. Bruno. are a stunner with a capital S. You | :58:06. | :58:11. | |
have a top-of-the-range equipment. But you have a few gremlins in they | :58:11. | :58:17. | |
you need to tune out. It's like a Formula car. You need a few laps to | :58:17. | :58:22. | |
get going. You have got plenty of mileage in front of you. Q It Up | :58:22. | :58:31. | |
Baby, because you have got it! Words of wisdom they have. Craig? | :58:31. | :58:38. | |
Some timing issues there. The limbo straddle you did, you could have | :58:38. | :58:44. | |
gone further with that idea. Greater hip rotation, though. Great | :58:44. | :58:48. | |
you're putting those ahead of reps in it, what was good. The routine | :58:48. | :58:58. | |
:58:58. | :59:00. | ||
was great. And Len? My overriding criticism is that you wanted to go | :59:00. | :59:05. | |
faster pulls up it's like pulling off a plaster, and you wanted to | :59:05. | :59:12. | |
pull it off and you kept losing your timing. You flew through | :59:12. | :59:17. | |
Artem's legs once and then twice balls-up it's like you're checking | :59:17. | :59:27. | |
:59:27. | :59:28. | ||
for an oil leak! Apart from that, I thought it was great. Oh, Len. | :59:28. | :59:38. | |
:59:38. | :59:41. | ||
Looking for an oil leak. Thank you, Yes! Salsa suits you. Frankly, all | :59:41. | :59:47. | |
of it does. Holly, you went for it. It was more fun this week, | :59:47. | :59:53. | |
definitely. Holly, you're a laidback Australian. Artem is a | :59:53. | :59:59. | |
steely Russian. How is this working out so well? I do what I'm told and | :59:59. | :00:06. | |
then it works. He has got the right attitude. Bitten by the ballroom | :00:06. | :00:15. | |
bug? Definitely. The judges scores are in. Craig Revel Horwood. Len | :00:16. | :00:25. | |
:00:26. | :00:37. | ||
Goodman. Alesha Dixon. Bruno That says strong score. -- that is | :00:37. | :00:42. | |
a strong score. Call 09015 22 20 06 if you don't want Holly to be given | :00:42. | :00:44. | |
the Kiss Kiss off from the competition. Don't underestimate | :00:44. | :00:47. | |
how much these stars need your vote. Without you they won't be back here | :00:47. | :00:51. | |
next week. And at bbc.co.uk/strictly you can log on | :00:51. | :00:55. | |
for all the latest backstage ballroom. Back to you, Bruce. | :00:56. | :01:05. | |
:01:06. | :01:10. | ||
for our next couple, Rory Bremner Rory asked me earlier who my | :01:10. | :01:20. | |
:01:20. | :01:21. | ||
favourite impressionists were. I said, "Monet and Renoir". | :01:21. | :01:25. | |
I will wait! A little high-brow joke to bring some culture to the | :01:25. | :01:35. | |
:01:35. | :01:40. | ||
show. And it does needed, at times! Nice to see you, to see you nous. | :01:40. | :01:46. | |
Imitation is definitely the best firm of flattery. That was a first- | :01:46. | :01:50. | |
class impression of their walls. Your bottom sticks out a bit but | :01:50. | :01:59. | |
for the first week, that was fantastic. Oh, yes. He was | :01:59. | :02:02. | |
absolutely right so you take those things on board and you think about | :02:03. | :02:06. | |
what they are saying and you change it for next time. To be in the show | :02:06. | :02:16. | |
:02:16. | :02:22. | ||
and get through the dance, it was a 1234567. This week we are dancing | :02:22. | :02:32. | |
of the hokey pokey? No, the Salsa. I'm not very sexy, I don't think. | :02:32. | :02:35. | |
The sell side is not a natural dancer to somebody who comes from | :02:35. | :02:42. | |
Edinburgh. -- the Salsa. We are more used to the Gay Gordons. | :02:43. | :02:49. | |
best thing about Rory, he can change character any time he likes. | :02:49. | :02:55. | |
I found out that Erin has a soft spot for Sean Connery. Beautiful. | :02:55. | :03:05. | |
:03:05. | :03:06. | ||
And tonight, dancing the Salsa, Erin and Sean Connery! Dancing the | :03:06. | :03:16. | |
:03:16. | :03:16. | ||
Apology for the loss of subtitles for 66 seconds | :03:16. | :04:56. | |
MUSIC: "Vehicle" Well done, Rory. Well done, made | :04:56. | :05:06. | |
:05:06. | :05:12. | ||
Was fantastic. I loved it that little step you did. There you are. | :05:12. | :05:19. | |
Stop laughing at yourself, Bruno. You were roaring into action, are | :05:19. | :05:24. | |
full throttle attack, full of energy, yes, but you went wrong. | :05:24. | :05:31. | |
Yes, you did. Sometimes, when you push it too much, you lose the | :05:31. | :05:38. | |
floor and the cells faster have the flow. -- Salsa class to have the | :05:38. | :05:48. | |
:05:48. | :05:56. | ||
flow. You have got to keep it going. Now he's got it! But your first | :05:56. | :06:06. | |
:06:06. | :06:08. | ||
lesson from Bruno. Craig? Like a The way too heavily on the floor. | :06:08. | :06:14. | |
No movement or through any of the steps. I was slightly nervous every | :06:14. | :06:18. | |
step you took. It did not make it feel comfortable at all for the I'm | :06:18. | :06:25. | |
glad it made you feel uncomfortable. You know how I feel now sitting | :06:25. | :06:33. | |
next to you every week! Rory, using exactly what I think about this | :06:33. | :06:36. | |
danceable the it's not a natural dancer or an English man, in his | :06:36. | :06:43. | |
fifties, it's not. We flaunt a lot wobbly bits in front of the public. | :06:43. | :06:51. | |
However, you came out, with high energy, and you gave it a go, and | :06:51. | :06:59. | |
that's what you have got to do. gave it a go, that's it up. Alesha? | :06:59. | :07:05. | |
You were a straight in, lots of personality. For me, you need to | :07:05. | :07:14. | |
loosen up a bit and don't be afraid Up I thought it was a big | :07:14. | :07:18. | |
improvement. Didn't you? Thank you, Rory and Erin. Off you | :07:18. | :07:28. | |
:07:28. | :07:33. | ||
go. Come on. Come on. Show us your salsa shimmy again. Well, yes! | :07:33. | :07:42. | |
got up from the props department. I enjoyed it. I was nervous. If you | :07:42. | :07:48. | |
want to know why they should teach Latin in schools, ask Erin for fob | :07:48. | :07:53. | |
what a fantastic teacher. The best Latin teacher I've ever met. | :07:53. | :08:03. | |
:08:03. | :08:23. | ||
We will take that. I think Sean Connery did too proud in its ulcer. | :08:23. | :08:29. | |
There's always next week. -- I think Sean Connery did you proud in | :08:29. | :08:34. | |
that Salsa. Call 09015 22 20 03 when lines open if you want to see | :08:34. | :08:37. | |
Rory make more of an impression on next week. Please don't call until | :08:37. | :08:41. | |
we let you know that the lines are open. If you do, your vote won't | :08:41. | :08:44. | |
count and you may be charged. Back to you, Bruce. Our next couple is | :08:44. | :08:53. | |
Robbie Savage and his partner Ola Jordan. Robbie asked me if he could | :08:53. | :08:57. | |
bring his family down to watch the show one week. I said, "Of course. | :08:57. | :09:00. | |
Bring them all. I've been doing this show for eight years. I'm used | :09:00. | :09:10. | |
:09:10. | :09:22. | ||
to an audience full of Savages". Last week Robbie Savage took on the | :09:22. | :09:31. | |
biggest game of his life. I gave it everything. It was very Abercrombie | :09:31. | :09:38. | |
and Fitch, I'm afraid, darling. Absolutely no dancing whatsoever. | :09:38. | :09:45. | |
got annihilated. It was hard to swallow. Two. To get a two, I felt | :09:45. | :09:55. | |
worthless. He took it hard, the judge's comments, and he has got to | :09:55. | :10:01. | |
man up. I'm going to get into tough on Apple. I'm going to punch him in | :10:01. | :10:07. | |
the stomach and kick his butt. got an umbrella this week and I'm | :10:07. | :10:15. | |
really struggling. It only takes practice. Let's throw it away. | :10:15. | :10:20. | |
If it means we have to do it 100 times, we will. I need hard work | :10:20. | :10:27. | |
and I will push him as much as I can. Turn around and do what I ask. | :10:27. | :10:33. | |
I can't do it. I never want to see an umbrella ever again in my life. | :10:33. | :10:43. | |
:10:43. | :10:44. | ||
I'm going to show Craig I am worth Dancing the foxtrot, Robbie Savage | :10:44. | :10:54. | |
MUSIC: "Ain't That A Kick In The Head" | :10:54. | :11:04. | |
:11:04. | :11:04. | ||
Apology for the loss of subtitles for 66 seconds | :11:04. | :12:28. | |
Robbie Savage, what about that?! Look at this, Robbie! Look at that, | :12:28. | :12:36. | |
look at them standing up! Look at this! Wonderful! Ola, well done, | :12:36. | :12:46. | |
:12:46. | :12:47. | ||
absolutely, that was fantastic. Len! Few little beauty! Oh, yes, | :12:47. | :12:53. | |
number two, give that a two! Listen, the more you give, the more marks | :12:53. | :12:59. | |
you get, and you are giving plenty, and you are going to get plenty! | :12:59. | :13:06. | |
Well done, Robbie, well done indeed. Ola. It is really good to see his | :13:06. | :13:11. | |
smiling and enjoying yourself, that opening sequence was really good, | :13:11. | :13:15. | |
you were light-footed, charming, right back on track, just keep | :13:15. | :13:23. | |
going, Robbie. Bruno. Robbie Savage has gone to Hollywood! Hang | :13:23. | :13:30. | |
glistening in the light like spun gold, teeth like piano keys! | :13:30. | :13:37. | |
Confident, debonair! What a transformation! Yes, it was a | :13:37. | :13:44. | |
transformation. And we don't care what Craig says, do we?! Head | :13:44. | :13:50. | |
placement needs sorting out. It does, but I have got to say that | :13:50. | :13:59. | |
was showbiz and showmanship, and I loved it! Yes! There you mark, well | :13:59. | :14:09. | |
:14:09. | :14:16. | ||
done. Keep it up, you are a great Yes! Robbie is back! Robbie! | :14:16. | :14:21. | |
Robbie! He shoots, he scores, they are on their feet in the studio and | :14:21. | :14:28. | |
up here. How did that feel? Amazing! Didn't it? I used | :14:28. | :14:34. | |
features? Yes, I am. For a man who has only ever dance at his own | :14:34. | :14:38. | |
wedding, his takes a lot of guts. Three weeks ago I had never danced, | :14:39. | :14:43. | |
my wedding, that was it. absolute beginner. The scores are | :14:43. | :14:53. | |
:14:53. | :15:10. | ||
Yes! How about that? 29 out of 40. They are going mad in the studio | :15:10. | :15:17. | |
audience! Happy with that? Call this number later in the show if | :15:17. | :15:22. | |
you want Robbie to get stuck in again next Saturday. Still to come, | :15:22. | :15:29. | |
Harry and Jason's foxtrots, plus Nancy and Russell's salsa! Are you | :15:29. | :15:33. | |
ready for that? After last week, I think we might be in for a treat. | :15:33. | :15:42. | |
Over to you, Bruce. Craig gave him seven, go and have a lie down! Our | :15:42. | :15:51. | |
next couple is Anita Dobson and her partner Robin Windsor. Now then, | :15:51. | :15:56. | |
Anita was telling me that her husband, Brian May, and by the way, | :15:56. | :16:02. | |
he is here, how are you? I have always been a fan! He is the famous | :16:02. | :16:07. | |
musician from the group Queen, and he has agreed to re record one of | :16:07. | :16:11. | |
his hits in support of all the ladies on this show. Isn't that | :16:11. | :16:17. | |
nice? I just hope it is We Are The Champions and not Fat Bottomed | :16:17. | :16:24. | |
Girls. They would be furious! All right, here they are in training. I | :16:24. | :16:34. | |
:16:34. | :16:36. | ||
It was a fantastic evening. It just seemed slightly dreamlike, that was | :16:36. | :16:40. | |
made dancing this wonderful dance. I was kind of almost not ready to | :16:40. | :16:44. | |
take in the Commons, because you are slightly zapped at the end of | :16:44. | :16:50. | |
the first dance. Elegant, poised, beautifully acted. Boy, oh boy, | :16:50. | :16:55. | |
that was incredible! I want to do it again, I want to do more. I | :16:55. | :17:05. | |
cannot wait to learn some more, it This week we are dancing the salsa. | :17:05. | :17:10. | |
It is kind of mad and natty and slightly insane. I'm going to have | :17:10. | :17:14. | |
to get Anita to bring out her saucy side, because it is a very sexy | :17:14. | :17:19. | |
dance. Well, he has said that in order to make me even more at home | :17:19. | :17:26. | |
with the kind of movements, he wants to vocalise the whole dance. | :17:26. | :17:30. | |
Whatever makes it work, if that is what he wants me to do, I will do | :17:30. | :17:36. | |
it. Anita looks at me like I am absolutely crazy, but hopefully | :17:36. | :17:40. | |
these will make sense to her. much better when you do the noises! | :17:40. | :17:45. | |
I respond to his voice, if he makes a noise, I understand what that | :17:45. | :17:50. | |
does. Silently, my body is asking the question, her body is giving | :17:50. | :17:58. | |
the answer. It is cool, isn't it? Dancing the salsa, Anita Dobson and | :17:58. | :18:08. | |
:18:08. | :18:08. | ||
Apology for the loss of subtitles for 66 seconds | :18:08. | :19:46. | |
How about that?! Anita Dobson, I tell you! That was wonderful. Why | :19:46. | :19:51. | |
didn't you ever do that in the Queen Victoria? Nobody would let | :19:51. | :19:58. | |
me! Not without a drink, anyway. Anyway, Len, start as off. Were, I | :19:59. | :20:02. | |
don't anyone saying he has got double standards, and I know there | :20:02. | :20:05. | |
were one or two incidents when there was a faux pas, but having | :20:05. | :20:15. | |
:20:15. | :20:16. | ||
said that, I thought it was fantastic. It was fun, fun, fun. | :20:16. | :20:21. | |
Alesha, Maya love. He put us all in the mood for cocktails! That was so | :20:21. | :20:29. | |
much fun, I don't care about the mistake, that was brilliant, Anita. | :20:29. | :20:34. | |
It was a tropical cocktail follow flavour and spice that raises the | :20:34. | :20:38. | |
heat, so much so that he went on the wrong foot a couple of times, | :20:38. | :20:43. | |
but who cares? We had so much fun with it, and that is what sulci is | :20:43. | :20:50. | |
all about. I love the bump and grind you gave to Craig. You should | :20:50. | :20:54. | |
have seen his face. I thought it was like Bonnie Langford being | :20:54. | :21:01. | |
chased by parking Dalmatian. think that is probably good thing, | :21:01. | :21:07. | |
actually! Unintentional break for the worst in there, sadly, on the | :21:07. | :21:12. | |
wrong foot, but I thought you dance it brilliantly. A happy ending, | :21:12. | :21:22. | |
:21:22. | :21:31. | ||
Yes, Anita, you have got that Strictly smile, that party spirit. | :21:31. | :21:36. | |
Has it surprise you, how much you have taken to this ballroom lark? | :21:36. | :21:43. | |
Yes, it has, I love it to bits! can tell. Next week is a Broadway | :21:43. | :21:48. | |
special on Strictly, or your stage experience, you will be chomping on | :21:48. | :21:54. | |
the bit to get there. I do not know about jumping, but we will say! | :21:54. | :22:04. | |
:22:04. | :22:18. | ||
bit of Broadway action? The scores 28 out of 40, the smile is back, | :22:18. | :22:23. | |
well done. This is the number to call later if you want Anita back, | :22:23. | :22:27. | |
smiling and starring in our Broadway special next week. | :22:27. | :22:30. | |
Remember, all our celebrities need your votes to save them from | :22:30. | :22:37. | |
elimination. Tonight we have still got all this to come. Fancy seeing | :22:37. | :22:47. | |
:22:47. | :23:04. | ||
Wright, time now for our next couple, Jason Donovan and his | :23:04. | :23:09. | |
partner Kristina Rihanoff. Wonderful! Now, Jason could not | :23:09. | :23:14. | |
have got off till a better start than last week, amazing, but can he | :23:14. | :23:23. | |
keep the standard up? That is the Jason's debut performance storms to | :23:23. | :23:32. | |
the top of the charts. Now Strictly is in business! Kate even left | :23:32. | :23:37. | |
Craig a bit sticky. interpretation of the Australian | :23:37. | :23:44. | |
colloquialisms was not bad at all. A full house, 8! It was one of | :23:44. | :23:49. | |
those great moments in my career, a special moment. The hips do not | :23:49. | :23:55. | |
live. Last Saturday was the first time in four years. That is your | :23:55. | :23:59. | |
elbow leading you. I am going to work Jason really hard this week to | :23:59. | :24:03. | |
get that again. Sue has asked me to come here for training, apparently | :24:04. | :24:13. | |
it is all about getting into Put your hat on and start getting | :24:13. | :24:23. | |
:24:23. | :24:26. | ||
I think Jason got a little bit of a shock when he saw me coming through | :24:26. | :24:36. | |
:24:36. | :24:38. | ||
When I came in here today, I felt like I was in a Hollywood movie | :24:38. | :24:44. | |
from 1942. Let's hope we can do as well as we did last week. Smooth, | :24:44. | :24:54. | |
:24:54. | :24:54. | ||
Apology for the loss of subtitles for 66 seconds | :24:54. | :26:39. | |
Dancing the foxtrot, Jason Donovan Hit looked as though he turned it | :26:39. | :26:47. | |
up! Come over here. Can he keep the standard that? I tell you, that was | :26:47. | :26:53. | |
marvellous, it was a little bit of Hollywood there. Alesha. Jason, you | :26:53. | :26:59. | |
are a real showman, UN character even before the music started. You | :26:59. | :27:04. | |
commit 100% to your performance, you moved brilliantly around the | :27:04. | :27:07. | |
floor, you mirror each other brilliantly, and it was a very | :27:07. | :27:10. | |
seductive foxtrot, and you completely seduced May, it was | :27:10. | :27:18. | |
wonderful. Behave yourself! In a very nice clean away. Bruno. Jason, | :27:18. | :27:25. | |
she is not bad, she has just drawn that way. That was so LA | :27:25. | :27:29. | |
Confidential, the fan fatale seducing the good guy, playing with | :27:29. | :27:34. | |
him, toying with him and disposing of them. But you are just acting, | :27:34. | :27:38. | |
this is a piece of acting that you do. It is absolutely great to see, | :27:38. | :27:47. | |
I love it. Wonderful story. OK, now then, Craig. Your head position | :27:47. | :27:57. | |
:27:57. | :27:59. | ||
needs attention, especially in the standing spin, it is just a stiff, | :27:59. | :28:04. | |
but magnificent routine, Class C, stylish. Then, to agree about the | :28:04. | :28:10. | |
head position? Yes, his head could be to the left a bit more, but it | :28:10. | :28:14. | |
is not in my nature to be nasty. It was full of flair and personality, | :28:14. | :28:19. | |
that is what I have got to say, the footwork was mostly good. Now, can | :28:19. | :28:25. | |
you be top of the leaderboard two weeks running? I think so. Here we | :28:25. | :28:35. | |
:28:35. | :28:43. | ||
go, off you go, be proud, it was A standing ovation. Come on up here. | :28:43. | :28:50. | |
How was that? Well, it's tougher the second week around. The Foxtrot | :28:50. | :28:55. | |
is such a concentrated effort. I think there is more personality | :28:55. | :29:04. | |
last week. I'm happy with that. What do your children think? They | :29:04. | :29:12. | |
will be waiting on the footpath for me tonight. As they did last week. | :29:12. | :29:17. | |
They are waiting for you to come home. Very happy to go to school on | :29:17. | :29:24. | |
Monday morning with their heads held high a. Embarrassing dad | :29:24. | :29:27. | |
scenario for the The judges scores are in. The judges have their | :29:27. | :29:35. | |
scores. Craig Revel Horwood. Len Goodman. Alesha Dixon. Bruno | :29:35. | :29:45. | |
:29:45. | :29:51. | ||
33 out of 40. The top score of the night. Now we are firing. Call | :29:51. | :29:55. | |
09015 22 20 14, when phone lines open later in the show if you want | :29:55. | :30:00. | |
Jason to give it some Ballroom Bonza next week. Loads more to look | :30:00. | :30:03. | |
forward to tonight. Harry's Foxy Foxtrot and Russell's one-of-a-kind | :30:03. | :30:13. | |
:30:13. | :30:22. | ||
We are ready. Feeling hot, hot, hot? Bruce? What about you? Don't | :30:22. | :30:30. | |
mind me. La cucaracha, la cucaracha! I want high marks! But, | :30:30. | :30:35. | |
you guessed it. Next up is Nancy Dell'Olio and her partner Anton Du | :30:35. | :30:45. | |
:30:45. | :30:46. | ||
APPLAUSE No, it wasn't Nancy and Anton feather snake wrestling. | :30:46. | :30:52. | |
It was a mess. Nancy asked me to look after this for her. I said, | :30:52. | :31:02. | |
"Why?" She said, "It might come in handy when I strangle Craig". A | :31:02. | :31:12. | |
:31:12. | :31:16. | ||
sorry, Nancy. Oh, that tickles! Lastly, disaster for Nancy when she | :31:16. | :31:21. | |
found she had unwanted comedy on the dance floor. We had the feather | :31:21. | :31:31. | |
:31:31. | :31:32. | ||
boa constrictor, as it's now known. -- keep going. It's going well. | :31:32. | :31:39. | |
word of advice, darling, forget props altogether. Don't come up, | :31:39. | :31:49. | |
:31:49. | :31:55. | ||
stay there. We are dancing the You are teaching the the language | :31:55. | :32:05. | |
:32:05. | :32:06. | ||
of Italian. Hell of a teacher, you are. He is not yet good at Italian. | :32:06. | :32:16. | |
:32:16. | :32:23. | ||
Why are you laughing at my Italian? I think we should pointed at Len to | :32:23. | :32:30. | |
entice him to give you better marks. I'm going to try with all of them. | :32:30. | :32:40. | |
:32:40. | :32:40. | ||
Apology for the loss of subtitles for 66 seconds | :32:40. | :34:32. | |
Dancing the salsa, Nancy Dell'Olio Oh, come here, my lovely. Nancy. | :34:32. | :34:39. | |
How are you feeling? Are you all right? What do you mean is she OK? | :34:39. | :34:47. | |
It's like trying to wrestle a tiger out there. You always complain. | :34:47. | :34:57. | |
:34:57. | :35:07. | ||
Tell him what you are feeling. It's so difficult. Nancy, champagne, | :35:07. | :35:17. | |
:35:17. | :35:18. | ||
champagne today. You look like you added two gallons! You had no idea | :35:18. | :35:25. | |
of where you were. But what grates guile -- but with great style and | :35:25. | :35:29. | |
glamour. It doesn't matter for I think you broke the record for how | :35:29. | :35:34. | |
many times a person has gone wrong in this competition. But you did it | :35:34. | :35:43. | |
beautifully, with style. Yes, style and grace. At Craig. A frenetic | :35:43. | :35:51. | |
sort of springs to mind, darling. Frantic, frenzied. Any of those F- | :35:51. | :35:57. | |
words, really. Be careful, Craig. You've only just got your | :35:57. | :36:07. | |
:36:07. | :36:08. | ||
citizenship, remember that. OK, Len, come in a quick. You've made him | :36:08. | :36:17. | |
laugh. Be careful. Don't worry, Bruce. The most exciting part was | :36:17. | :36:23. | |
when I took a crafty glance up your dress. You are a game a girl | :36:23. | :36:26. | |
because they are a few incidents out there but you ploughed on it | :36:26. | :36:31. | |
and you kept going, and well done for that. Exactly, you should be | :36:31. | :36:38. | |
very proud of that. I'm a bit confused as I can't work out | :36:38. | :36:44. | |
whether you were trying to be funny or whether it was just funny. | :36:44. | :36:51. | |
never been so insulted in my life! If it was trying to be funny, then | :36:51. | :36:58. | |
that's different. I'm speechless, sorry. Don't say anything else. | :36:58. | :37:04. | |
do you feel? I feel fine of. It is not fantastic on my leg but I think | :37:04. | :37:10. | |
I did it. We all appreciated it. Thank you, Nancy and Anton. Off you | :37:10. | :37:20. | |
:37:20. | :37:32. | ||
Nancy, we love you. She just said to be on the stairs, what did I do | :37:32. | :37:42. | |
:37:42. | :37:47. | ||
wrong? Were you trying to be funny? Of curse we were trying to be funny. | :37:47. | :37:57. | |
:37:57. | :38:06. | ||
That's exactly how we choreographed it. The judges scores are in. | :38:06. | :38:13. | |
judges have their scores. Craig Revel Horwood. Len Goodman. Alesha | :38:13. | :38:23. | |
:38:23. | :38:35. | ||
Ups, 14. Two from Alesha, uncharacteristically harsh. I can't | :38:35. | :38:42. | |
believe Len gave it gorgeous Nancy five, and it looked up her skirt. | :38:42. | :38:48. | |
If God we worth at least seven. She looks lovely. Call 09015 22 20 12 | :38:48. | :38:52. | |
at the end of the show if you think that the Italian siren should be | :38:52. | :38:56. | |
voted into next week. The lines are opening at the end of the show, | :38:56. | :39:01. | |
which means you'll get to have your say. Bruce. Next up it's Harry Judd | :39:01. | :39:11. | |
:39:11. | :39:18. | ||
A couple of the boys from the ban by here. -- band are here. As you | :39:18. | :39:21. | |
know, Harry is in the boyband McFly. And he thinks I don't appreciate | :39:21. | :39:25. | |
young people's music. I said, "I'll have you know I'm a huge fan of | :39:25. | :39:28. | |
young men who play together in a band". He said, "Really, who's your | :39:28. | :39:33. | |
favourite?" I said, "The Coldstream Guards". Come on, that was better | :39:33. | :39:39. | |
than that. You are getting tired! It was better than that. Here they | :39:39. | :39:49. | |
:39:49. | :39:52. | ||
Harry got the show of to a flying start. It was a very fit | :39:52. | :39:58. | |
performance. A make my day, Harry. A bit mechanical. I tell you what, | :39:58. | :40:03. | |
very good, you are, I tell you. was very pleased with my scores. | :40:03. | :40:12. | |
There's plenty of room for Today I was rudely interrupted by | :40:12. | :40:18. | |
three young men, my band mates. have come to see him rehearse of | :40:18. | :40:26. | |
the Foxtrot. It was great to see them for that I've spent more time | :40:26. | :40:33. | |
with them than anyone on this planet. It was very enjoyable | :40:33. | :40:38. | |
watching them taking a grilling from Aliona. Something I have been | :40:38. | :40:44. | |
doing for pushing three weeks now. Lead me. Be a man! I have got lots | :40:44. | :40:50. | |
of admiration for Harry. That was useless. Harry is good at most | :40:50. | :40:55. | |
things and I would not be surprised if he won. I'm rooting for Jason | :40:55. | :41:03. | |
Donovan. I would like to see Holly Valance go all the way. The guys | :41:03. | :41:08. | |
will be my toughest critics. If I can do it in front of them, I will | :41:08. | :41:18. | |
:41:18. | :41:18. | ||
Apology for the loss of subtitles for 66 seconds | :41:18. | :42:59. | |
Dancing the foxtrot, Harry Judd and Look at this, Harry, look at that, | :42:59. | :43:09. | |
:43:09. | :43:09. | ||
enjoy it! Even your boys! Look! They loved it. Well done. Thank you. | :43:09. | :43:15. | |
So good together. Right, all right, Craig, what did you think? Harry, | :43:15. | :43:20. | |
you can dance. But, Aliona, you have got to sort his posture and, | :43:20. | :43:26. | |
he is looking down a lot, his wrists need attention, his thumb | :43:26. | :43:30. | |
needs attention, there is so much detail that needs to be done, but | :43:30. | :43:37. | |
you could be fantastic. Yes. All those things need attention, but | :43:37. | :43:41. | |
whatever you do, don't have an operation. I will not speak to you, | :43:41. | :43:45. | |
Aliona, because I heard you say that you never listen to the | :43:45. | :43:49. | |
Church's, so I'm going to speak to you, Harry. There was nothing great | :43:49. | :43:56. | |
about it, but there was netting terrible. The thing is, it lacked | :43:56. | :44:00. | |
finesse, your left arm is too far forward, your right arm... And try | :44:00. | :44:05. | |
to help this chap, we are required for a few seconds? And your chin is | :44:05. | :44:10. | |
always down, you have got to lift up, stretch up, flat back, why | :44:10. | :44:15. | |
their elbows. Do that, my old sausage, and you will be all right. | :44:15. | :44:23. | |
Good. Lift your chin up. Imagine what this is like! What did you | :44:23. | :44:27. | |
think? Harry, I think you move brilliantly, you are one of the | :44:27. | :44:33. | |
best dancers in this competition. Yes, you are. One I would say is, | :44:33. | :44:37. | |
because the judges see the potential, they might be tougher, | :44:37. | :44:41. | |
but you can turn that into a positive, that is what I would say | :44:41. | :44:48. | |
to you, because you are going to go far, trust me. Very important. It | :44:48. | :44:54. | |
was romantic. It was, I think there was something very, very special | :44:54. | :44:58. | |
about Harry. You are strong, you are focused, you work very hard. | :44:58. | :45:02. | |
You have got a great feel for the music. With the right nurturing, | :45:02. | :45:08. | |
you are going to be fantastic. you are, all good, just work on it. | :45:08. | :45:18. | |
:45:18. | :45:22. | ||
Off you go, well done, Harry and Harry, my boy, they are on their | :45:22. | :45:26. | |
feet in his studio, another great reaction, I used surprised by how | :45:26. | :45:30. | |
well you are doing? I'm just trying to enjoy myself, I'm having an | :45:30. | :45:34. | |
amazing time, Aliona is an incredible coach, I am just happy | :45:34. | :45:44. | |
:45:44. | :46:01. | ||
to be here. Dynamite on the 27 for Harry and Aliona, call this | :46:01. | :46:05. | |
number if you do not want Harry flying out of here. Please do not | :46:05. | :46:09. | |
call and tell the lead to know the lines are open. If you do, your | :46:09. | :46:14. | |
vote will not count and you may be charged. Time now for Russell Grant | :46:14. | :46:21. | |
and his partner Flavia Cacace. Yes, I know you want to see Russell, | :46:21. | :46:26. | |
everybody wants to, but listen, wasn't he great in his dance last | :46:26. | :46:31. | |
week? We all thought it was fantastic. I said to him, your | :46:31. | :46:36. | |
performance was like something I saw at Glastonbury. He said, | :46:36. | :46:41. | |
Glastonbury? You mean I was like a pop star? No, you were as camp as a | :46:41. | :46:51. | |
:46:51. | :46:54. | ||
row of tents! What did he say?! Diva Russell wasted no time coming | :46:54. | :46:57. | |
out of the shell for his first for a onto the dancefloor, and the | :46:57. | :47:07. | |
:47:07. | :47:16. | ||
A standing ovation! Look, look! Russell, look at that! I was amazed | :47:16. | :47:21. | |
and so thanks for. I cannot believe it, it has taken until the age of | :47:21. | :47:28. | |
60 to get a standing ovation! This week's dans is the salsa. Well, | :47:28. | :47:33. | |
hopefully it is going to be more showy than last week. I am loving | :47:33. | :47:40. | |
this! I have one wish, when I was asked to do Strictly, and that was | :47:40. | :47:50. | |
:47:50. | :47:50. | ||
It feels like we have known each other for ever, really. We laugh at | :47:50. | :47:55. | |
the same thing is, we have this psychic telepathy. We both said the | :47:55. | :48:01. | |
same word at the same time! It is an amazing alliance. This woman, | :48:01. | :48:06. | |
when this end, I do not know what I'm going to do. I am going to sow | :48:06. | :48:13. | |
my serve. Hey, listen, don't be maudlin, the best is yet to come. I | :48:13. | :48:21. | |
am not doing that again! Dancing the salsa, Russell Grant and Flavia | :48:21. | :48:31. | |
:48:31. | :48:31. | ||
Apology for the loss of subtitles for 66 seconds | :48:31. | :50:18. | |
High tally a... High tally a... Enjoy this, Russell, look at them! | :50:18. | :50:28. | |
:50:28. | :50:30. | ||
Everybody upstairs is on their Bow, and even downstairs, the | :50:30. | :50:36. | |
celebrities there! And may I say, the perfect song! Yes! What you | :50:36. | :50:44. | |
mean, Bruce? You know what I mean! Camp as a row of tents, yes. | :50:44. | :50:49. | |
cannot get a better song, perfect. Honestly, what it lacked in | :50:49. | :50:54. | |
technique and content, it made up for in fun and entertainment, and | :50:54. | :50:58. | |
you put the boy in a flamboyant. The boy in flamboyant, where did | :50:59. | :51:05. | |
you get that one from?! You must stay up at night! You are adorable, | :51:05. | :51:09. | |
clearly you are having the time of your life, and for as it is | :51:09. | :51:14. | |
brilliant watching you, you light up the room, you really do. Flavia | :51:14. | :51:20. | |
is having the time of your life as well! And never seen her so happy, | :51:20. | :51:28. | |
even with Jimmy Tarbuck! Bruce. Russell, you have more collector, | :51:28. | :51:32. | |
more than a carnival float! Talk about finishing the show on a high, | :51:32. | :51:39. | |
I thank you for it, and I absolutely loved it! Craig, | :51:39. | :51:46. | |
whatever you do, don't spoil it, please, I beg you, my Liege! Well, | :51:46. | :51:52. | |
it wasn't without flaws... The Dancing Queen you were tonight, | :51:52. | :52:02. | |
:52:02. | :52:03. | ||
There you are up, a lovely couple, off you go, up the stairs, up the | :52:03. | :52:13. | |
:52:13. | :52:24. | ||
We loved it, save to say! Two weeks, two standing ovations, having the | :52:24. | :52:30. | |
time of your life, are you? Yes, so nervous, even when you get out | :52:30. | :52:36. | |
there, but Kinnock, can I just say, I am more thrilled about my friend | :52:36. | :52:43. | |
Robbie getting such fantastic marks. Honestly! It is very spot in our | :52:43. | :52:53. | |
:52:53. | :53:08. | ||
view, thank you so much, we loved 25 out of 40, a very respectable | :53:08. | :53:15. | |
score! OK, you can call this number when the phone lines over and very | :53:15. | :53:19. | |
shortly if you want Russell to be granted a place on next week's | :53:19. | :53:23. | |
dance floor. OK, that is it, all of our couples have given it | :53:23. | :53:28. | |
everything. We are going to carry over the scores from last week and | :53:28. | :53:38. | |
:53:38. | :53:45. | ||
Remember, you can change all of that by picking up the phone and | :53:45. | :53:48. | |
voting for your favourite, and there is no time like the present | :53:48. | :53:58. | |
:53:58. | :53:58. | ||
because the phone lines are now open! Yes! Calls cost 15p from a BT | :53:58. | :54:05. | |
landline. The lines are going to close at 8:30pm tonight. Voting | :54:05. | :54:11. | |
details can be found on the website. To help you decide, a reminder of | :54:11. | :54:21. | |
:54:21. | :54:21. | ||
Apology for the loss of subtitles for 66 seconds | :54:21. | :58:13. | |
tonight's performances and the all- Well, there's only one thing to say, | :58:13. | :58:19. | |
didn't you all do well! What a wonderful night. They have been | :58:19. | :58:23. | |
living the boardroom dream for four weeks, but one of our 14 | :58:23. | :58:26. | |
celebrities must leave the competition. Your votes will make a | :58:26. | :58:31. | |
difference, so pick up the phone. Tomorrow night is our first results | :58:31. | :58:36. | |
show, and one couple will perform their last stands. To tally the | :58:36. | :58:41. |