Week 2 Strictly Come Dancing


Week 2

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Last weekend, Strictly kicked off. Now were Strictly is in Business!

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Everyone brought something to the party. Bottoms Up! Summer came out

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of their shells. You could not be more can be if you tried. Others

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were spitting feathers and won a Boreham a bird brain forgot how to

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fly! Nothing to shout about. A bad case of the number twos. And worse.

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But it was a truly amazing bash. Beauty, mate! Tonight, the ballroom

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dancers. The competition has just got serious! It is knockout timer.

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It is enough to make grown celebrities cry. Yeah, yeah, yeah!

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Apology for the loss of subtitles for 66 seconds

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welcome your hosts. Bruce Forsyth. What Are you wearing? It's

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embarrassing, please. Good evening ladies, gentlemen and children. And

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welcome to Strictly Come Dancing. It's nice to see you...

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AUDIENCE: To see you nice! And it's nice to see you, Bruce.

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Are you OK? You look a bit annoyed. Well, I am a bit annoyed. The

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producer came rushing up to me today and asked if I'd seen this

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great show on TV. She said, "It's fantastic, Bruce. And it's set in

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the time when you were a child". And I said, "Oh, you mean Downton

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Abbey?" She said, "No, Planet And there was one dinosaur called

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camposaurus. He had a bit of a mince. Come back over here, please.

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Tonight something big is about to happen. All 14 couples dancing on

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the same bumper ballroom bill. Boil? Bill. It must be a big

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boiler. That's right. Last weekend, 14 dancing stars were born. But

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tonight it's a fight for survival because one couple will be the

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first to leave the competition. Harsh but true. Adrenaline is

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coursing through their veins. And blood is pumping through their new

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buff ballroom bodies. Shall we let them rip, Bruce? What was all that

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about? Enough talk. It's the stars of our show! Astrologer to the

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stars Russell Grant and his partner Flavia Cacace. Singing Legend Lulu

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and her partner Brendan Cole. Comedian and Impressionist Rory

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Bremner and his partner Erin Boag. Waterloo Road's Chelsee Healey and

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her partner Pasha Kovalev. TV presenter Dan Lobb and his partner

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Katya Virshilas. Actress and Pop Princess Holly Valance and her

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partner Artem Chigvintsev. Olympic champion boxer Audley Harrison and

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his partner Natalie Lowe. Former MP Edwina Currie and her partner

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Vincent Simone. McFly's Harry Judd and his partner Aliona Vilani.

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Actress Anita Dobson and her partner Robin Windsor. Premiership

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football's Robbie Savage and his partner Ola Jordan. Italian siren

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Nancy Dell'Olio and her partner Anton Du Beke. The One show's Alex

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Jones and her partner James Jordan. And finally, stage and screen

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superstar Jason Donovan and his How about that? Yes. There they all

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are. I hope you've all got over Craig's comments. He upset half of

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our dancers last week. Mind you, he's promised things will be

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different this week. He's going to We've got at mutiny on our hands.

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Last week the judges scored our celebrities, and those scores will

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be carried over to tonight. Our 14 couples will perform either a

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fabulous foxtrot or a sexy salsa. And then you'll have the chance to

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have your say when the phone lines open at the end of the show.

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celebrity with the lowest combiined points will be the first to leave

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the competition. If you're a digital viewer, press the red

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button for live commentary from ex Strictly champ Karen Hardy. And

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joining her is last year's finalist Pamela Stephenson. Welcome back.

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That's nice. But there they are. I'm a come all over the place. --

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I'm looking all over the place. Whatever you are saying, I'm saying

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yes. Our first couple tonight is Chelsee Healey and her partner

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There she is in her pyjama bottoms. Chelsee said to me today, "If I

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manage to get to the final I'm going to sing with joy". Typical

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Chelsee. They only sing when they're winning. Here they are in

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I was absolutely terrified. look like a princess. I don't sound

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like one but I looked like one. The comments, I didn't understand.

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started off like Petula Clark. don't know who she is. Turned into

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Lady GaGa. I don't look nothing like Lady GaGa. The new dance is

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the Salsa. It is fast, with lots of hip movement. I look after doing it.

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We have only one week to get this dance ready. She could so easily

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distracted. Put your telephone down. Can I go to the toilet? It's hard

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for me to keep your focus. I wish I had eggs and bacon. I lose my

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concentration too easily. As you can probably tell. At school, I

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used to lose a dead quick. Don't confiscate my telephone. To be

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honest, it's a good thing, because it makes me work harder. The that

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is so much better. I'm going to concentrate on myself such and the

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Dancing the salsa, Chelsee Healey MUSIC: "Higher"

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Apology for the loss of subtitles for 66 seconds

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How about that? One of four. -- one before. That was great. -- one

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before. Issues like a little swizzle stick. It's a good time to

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welcome our singers Dave Arch and his wonderful orchestra. And of

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course we have our judges. We all know that Craig is Australian. What

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we all don't know is that recently As a citizen of this country may I

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welcome you. And on behalf of Great Britain, I'd like to ask, any

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chance we can appeal? The sorry about that, Craig. Len,

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what did you make of this? They let anyone in nowadays, don't they? I

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was a bit chilly around a Willie, but it warned me up a treat. What's

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wrong with that? You came out and it was full on Nov. For me, your

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hair was going like crazy. Your trousers were flapping about.

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You've got to calm down, dear. It was too much. You've got to take

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good karma. Having said that, it Now then, birthday girl, Alesha.

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Fund, flirty and fearless. It's all about the personality. Let me tell

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you, Chelsee, the section you did here was so impressive on your own

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there. So impressive. I have to commend you for your lifts for the

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sometimes you do need to watch your control. I would rather you go for

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it than held back so, overall, for me, it was brilliant. You're doing

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a good job. Bruno of. I love you thought you had the energy of a

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wild kick them. Vivacious and wild boars have every Tom Dick and Harry

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are very hot under the collar. Your timing is good. Your underarm

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passes were very good. At times, you went slightly off the but for

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good reasons because you put That a bit at the start, it nearly

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blew his hat off. A Craig, what did you think? A bit bouncy for me.

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Sadly, after a reverse lift, getting into the second one was

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almost a disaster for the but you save it. I really, absolutely loved

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the alternating under terms Burma. I thought it was brilliant for the

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High praise. Get off quick why you Commander, Chelsee. First Micro,

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what a beautiful, uplifting start to the party. Yes, that is what I

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wanted. Kicking of the show, it is a lot of pressure. Did you enjoy

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it? I did, I am knackered now! Elegant last week in the waltz,

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sexy in the salsa, what more have you got to give us? I have got a

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lot more. If we have something up our sleeves. If she allowed a

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celebratory phone call home if she gets through to next week? She is

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allowed one phone call? Only one. These calls are in. It is time to

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29! A great score. Well done, a great start. This is the number to

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note down. That is if you want to see Chelsee score next week on the

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dancefloor. The phone lines to not open until late in the show. Your

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vote will not count and you may still be charged. Nobody wants the

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first to go, but the couple were the lowest combined points will be

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leaving tomorrow night. Someone has got to go! OK, now for our next

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couple, Edwina Currie and her Now, I... I told Edwina, you. She

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said, was it when you spoke to the judges? No, when you flashed your

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knickers, red ones, too! You came on the wrong night, John! What did

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David Cameron say to expel her from the party? We will find out, here

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they eye in training. Last week, I did not feel that I did Vincent and

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me justice, because it was not supposed to be a comedy routine, it

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was supposed to be a dance. It is a red hot curry. That is how my feet

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felt by the time we had finished. The Old Cougar Got To Dance with

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the toy boy! Tasting the merchandise! You ain't seen nothing

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yet! It is going to be a challenge to restrain the Cougar. All yours.

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It is a lovely idea, the predatory older woman during off bits of her

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toyboy. I wish I was 36 again. only a baby. I want my mummy.

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your money! He is too easy to flirt with. All the wrong images come in

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to mind. Look closely. I dare not! She is scared of me. I will take

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control of you. I am scared of what my husband will say! It will be a

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challenge, but we will control you. As long as Edwina can restrain her

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wild side, this foxtrot could be very beautiful. This could get his

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Apology for the loss of subtitles for 66 seconds

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Dancing the foxtrot, Edwina Currie Wonderful! Oh, Edwina! Romantic, it

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was beautiful. That was the first time ever that I have dance Dave

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Arch tart. The first time ever? Oh, and it could be your last! I did

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not mean that. I just read it, I do not mean it. What did you make of

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it? Well, I don't worry, I realised it was the first time you had dance

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they foxtrot. Make the most of that meal, because that could be the

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last supper. Oh, that is a bit strong. Too much messing about on

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the table. I knew he was going to say that. I wanted more content of

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the foxtrot, and unfortunately I did not get it. I thought he might

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say that. She was going to pay the bill. What did you say to me?

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Alesha? They are having a little chat. He said, I don't know nothing.

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That is all of us! Alesha. Getting into character is brilliant, but

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Len is right, it was too long getting into the dance. But when

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you're dancing, it looked really nice. So you should be proud. Next

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time, yes, dancing a little bit longer. Bruno. Naughty Edwina,

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spending all the time playing under the table. You forgot about the

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foxtrot, that is what happened. The foxtrot has to have a smooth flow.

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The little there was, it was like watching a bendy bus negotiating a

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tight roundabout. You could never quite getting to it. It is true!

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You have to put a little bit more dancing into your dance show!

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the first time ever, I would like to see some of you for the first

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time doing a foxtrot, and she was wearing Tory blue. Grey. Well, when

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you finally got into it, you're very hunched in your shoulder, your

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balance was questionable. If you are brave enough to put that leg in

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the air, make sure you are pounding the foot at least. The one, point.

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That is it. Not enough Fox. We all loved it, didn't we? We all loved

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it! Our crew go, it was marvellous. Come on, Edwina. Give us a roar.

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think you should have this. Show them what you are made of. Too much

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messing about, Len said. You used to be a politician, you're not

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going to let him have the last word. I would have said, you really ought

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to think about supporting the people who do all the hard work,

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especially Vincent. I tell you, doing the foxtrot for the first

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time is just an amazing, terrifying experience. She is living every

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woman's dream. I think so! Oh, yes! Have a look at this. She is not

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disagreeing, is she? Wait until you see what we can do next time.

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Exactly. She teases us, the scores Same as last week. Same as last

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19 out of 40, an improvement on last week, that is what it is all

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about. Out of interest, Edwina, what would you have for dessert at

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the Italian restaurant? I would have been sent! What woman

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wouldn't? This is the number to call when the phone lines open.

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That is if you would like another helping of Edwina Currie next

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Saturday and you want to see her back in the ballroom. Over to you,

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Bruce. Our third couple is Audley Harrison and his partner Natalie

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I found out... I found out that Wardley has an 86 inch reach, that

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is from one fist to the other, 86 inches. I wanted to find out just

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in case I made a mistake and caught him Audrey. Here they hark, that

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could have been nasty, here they Last week, Audley took it on the

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chin. Hands, hands, hands! Flat- footed. The left the judges to

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fight it out. When you walk by, Punch Craig, would you? I should

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have! I look at Craig Revel Horwood like a pantomime villain. With

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constructive criticism, I will knuckle down this week. I will give

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you a Pass this week, but if you don't like me next week, this left

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hook is coming for you. Oh, my God, Michael Jackson! I am really

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excited for the salsa, it will be a I am trying to get into it, what

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you want from me?! I have flat and lazy feet. In boxing, to have

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placement with your feet? course! Natalie has forced me to

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get my feet working. That is the only sure you could find in my size,

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clown shoes? I wanted to find out what it was like to have a size 17

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shoe. I am not dancing with the windows. I thought I would try and

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see what it was like! I cannot take you seriously! Craig Revel Horwood,

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you are going to be surprised this Dancing the salsa, Audley Harrison

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Apology for the loss of subtitles for 66 seconds

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MUSIC: "Don't Stop 'Til You Get How about that? Audley, I have seen

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a few boxes in America, but you are the best we have ever had, I tell

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you that. You really are. You have a rhythm about you. Alesha. You lit

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up the room and put a smile on everybody's face. You tried so hard

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and you did your best. Of course, lots of improvement but you on the

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right track. You are enjoying it. And I enjoyed it. Bruno. He cannot

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lose. You can't do it. The thing is, it was more like disco night down

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the local pub. The cell set is a different, you lost the Sile --

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style of the Salsa. There are certain things like the hip action,

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the smooth movement of the arms of. But the energy was great and it's

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All right. I think we know what you mean. Craig. Very flat footed but

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I'm not surprised with those size feet. All for coming down the

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stairs. When you run it in a dance routine, you can't run it like a

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Norman person. -- like a normal person. Very plodding. They are two

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good they must put up this is only so you don't punch me on your exit.

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You look like you have got a group going, which is fantastic. And a

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bit of hip rotation, which we like. Len? When I heard the song, I

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thought, I would have another this up about five seconds but no, I'm a

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saying no, it is easy for a bigger man to look clumsy, but you didn't.

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It was nicely placed. Everything was orderly, Audley, and for a

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bigger man, you did a good job. wasn't hunched up like a boxer.

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Wonderful posture. I wish I had posture like that. Well done.

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They were on their feet appear for you, and that was all some. You

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brought the ball and fight right here. I had to go for it. I gave it

:30:35.:30:41.

my best shot. It was great. Great fun. It look like you are loving

:30:41.:30:49.

every moment. Audley, how much do you want your size 17s on the floor

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next week? A Yes, I really do. judges scores are in. Let's have a

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look. The judges have their scores. Craig Revel Horwood. Len Goodman.

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23. Is it Craig going to get that left hook? He gave me to good

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comments. He's off the hook. That's a relief. Call 09015 22 20 07 when

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lines open later if you think Audley is a force to be reckoned

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with and you want to see him dancing next week. Remember, one

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celebrity must leave the competition, which means the

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pressure to perform is huge. The judges' scores are only half the

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story. Your votes can help save your favourite couple. Back to you,

:31:49.:31:56.

Bruce. Sorry, right. Now for our next couple, Alex Jones and her

:31:56.:32:06.
:32:06.:32:10.

Last week, they performed a chat chat chat. This week it's the

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:32:20.:32:22.

Before last week, when I stood on the actual studio floor, I felt

:32:22.:32:27.

paralysed with fear, and then, of course, it was a lamb to the

:32:27.:32:33.

slaughterhouse. Very starchy, very stiff, and lacked any excitement.

:32:33.:32:37.

They were not great. Alesha encouraged us to go forward in the

:32:37.:32:43.

competition. You're a sexy woman. Next three, go for it. There's only

:32:43.:32:49.

one way to go and that's upwards, hopefully. The Foxtrot is the most

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technically demanding of all the ballroom dances. I keep going right.

:32:55.:33:02.

I go left. I have a problem with left and right. Left leg. Right.

:33:02.:33:08.

Today, he has brought in some props. How can I be elegant Indies?

:33:09.:33:14.

don't know but it will be funny. They are weighing me down.

:33:14.:33:20.

should try dancing with you. Which way? Let's go to. Right.

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slightly irritating at the while -- after a while. Shouldn't have to

:33:28.:33:38.
:33:38.:33:50.

think what armour to move. I did it Dancing the foxtrot, Alex Jones and

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Apology for the loss of subtitles for 66 seconds

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What are you doing over there? Well done. Very good. Lovely. Can you

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dance, Miss Jones? You certainly can. Lovely. Bruno. Oh, Miss Jones!

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I had no idea you were such a glamour puss. Equal part

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sophistication, sex-appeal, elegance, great flow like a young

:35:55.:36:01.

Joan Collins. You lost your frame a couple of times, otherwise, I was

:36:01.:36:11.
:36:11.:36:20.

pleasantly surprised. There we are. Ballroom are definitely suits you

:36:20.:36:30.
:36:30.:36:34.

You do go a little bit wobbly sometimes. You get willowy in your

:36:34.:36:38.

body and have to firm up a bit. The key to this competition is to

:36:38.:36:42.

improve each week and that is what you have done. You are much better

:36:42.:36:51.

than last week. Yes, OK. Alesha? was understated and charming. Alex,

:36:51.:36:57.

you can dance, you have just got to believe it. Yes, you are a dancer,

:36:57.:37:07.
:37:07.:37:14.

He yes! Electrifying, Miss Jones! New

:37:14.:37:23.

training methods there. It worked. There's a long way to go. I know my

:37:23.:37:33.
:37:33.:37:33.

left and right. Did she get off on the right foot James?! Finding it

:37:33.:37:37.

nerve-racking. Everyone is finding it nerve-racking. I could tell she

:37:37.:37:47.
:37:47.:37:48.

was nervous. John Nott was ready for a kiss. -- John was ready

:37:48.:37:58.
:37:58.:38:01.

I was lucky to pick two good ones in the audience. The judges have

:38:01.:38:08.

their scores. Craig Revel Horwood. Len Goodman. Alesha Dixon. Bruno

:38:08.:38:18.
:38:18.:38:26.

Very happy with those? Very happy. Call 09015 22 20 13 if Alex was

:38:26.:38:30.

your Welsh ONE-der. And you want to see her cutting it on the

:38:30.:38:34.

dancefloor next Saturday. You would like that, wouldn't you, Alex?

:38:34.:38:37.

would love it. Remember lines aren't open yet though. Back to you,

:38:37.:38:47.
:38:47.:38:48.

Bruce. Next up is Dan Lobb and his Last week he made quite a good job

:38:48.:38:54.

of his ballroom but how we cope with his first Latin dance? Here

:38:54.:39:04.
:39:04.:39:09.

Firstly, he did an amazing job. found the judges' comments are

:39:09.:39:16.

confusing. Craig battled me -- baffled me. But it did feel as if

:39:16.:39:23.

I'd worked really hard on my transitions. Can I give you some

:39:23.:39:30.

criticism? No. He's a sensitive soul. Should she be more

:39:30.:39:40.

understanding? Yes. I used to be a tennis coach. Show me your forehand.

:39:40.:39:45.

What is that? These are two different things. We have a lot of

:39:45.:39:55.
:39:55.:40:00.

different works to do. Different Welcome to my world. Have you heard

:40:00.:40:07.

of Tim Henman? No. I beat him. That's not the correct footwear for

:40:07.:40:13.

tennis. Well done, super. Can you see the positive reinforcement I'm

:40:13.:40:21.

giving you. I'm good! But the best one yet. Tennis or dancing? Dancing.

:40:21.:40:31.
:40:31.:40:41.

Dancing the salsa, Dan Lobb and MUSIC: "Upside Down"

:40:41.:40:51.
:40:51.:40:51.

Apology for the loss of subtitles for 66 seconds

:40:51.:42:27.

Lovely, well done, Dan Lobb! Really great, I loved the tennis pit as

:42:27.:42:32.

well. Start as off. Thank you so much of the hand spring and the

:42:32.:42:38.

smile, darling, that was nice to save. The rest of it, unfortunately,

:42:38.:42:45.

was not good. That round and round step, I would cut that, that was

:42:45.:42:50.

just horrific. That was his favourite, he was so proud of it!

:42:50.:42:56.

Was he? He was so proud! attractive, sadly, some of it,

:42:56.:43:03.

especially getting in and out of the lists. Len. Well, for a nice

:43:03.:43:09.

change, I cannot quite agree with cougar over most of that. He is

:43:09.:43:16.

correct that the Doe's Kido was a little bit... But having said that,

:43:16.:43:26.
:43:26.:43:26.

at is that the word for it? All the staff, the bottom line is this for

:43:26.:43:30.

you, I reckon this is the one dance that is going to least suit you,

:43:30.:43:34.

and if that is going to be your worst dance, you have got a long

:43:34.:43:43.

way to go. All right, lovely! Now then, Alesha. I do not think my mum

:43:43.:43:47.

would think that was an attractive. I really wanted to be great,

:43:47.:43:52.

because you have got the goods, the lists were great, the flare at the

:43:52.:43:57.

beginning was really brave. Wasn't it? Latin may not be your strongest,

:43:58.:44:01.

you may be stronger in ballroom, but you have that somewhere to

:44:01.:44:05.

start. If that is your worst one, you have got somewhere to go.

:44:05.:44:10.

missed the rehearsal, but you nailed it there, a true performer.

:44:10.:44:18.

Bruno. Dan Lobb, it rhymes with Bob the Builder, that is what you were

:44:18.:44:26.

like. You were swinging hair like a bag of cement! It was lumbering and

:44:26.:44:33.

heavy. Salsa is smooth and flowing. Good effort, but not a good result.

:44:33.:44:39.

Don't worry about that, you do not look worried. No. There are one,

:44:39.:44:49.
:44:49.:44:51.

off you go, be proud, it was Come on! It is Dan Lobb the

:44:51.:44:57.

builder! Did you enjoy these somersaults? Yeah, we landed them,

:44:57.:45:01.

that was enjoyable, but the most important thing is that neither of

:45:01.:45:04.

us need hospital treatment, and as far as I'm concerned that is a

:45:04.:45:09.

resounding success. I am very proud of you. Did you enjoy the freedom

:45:09.:45:13.

of the Latin more than the ballroom? I did, yeah, that was

:45:13.:45:19.

quite nice. Disappointing that they thought it was our worst dance. Oh,

:45:19.:45:25.

that is a positive, sorry, I was confused by the judges again!

:45:25.:45:35.
:45:35.:45:55.

Backhanded compliments, tennis 21, four from Craig. Can I go and

:45:55.:45:59.

sit down? You can in a moment, this is the number to call at the end of

:45:59.:46:04.

the show if he wanted to be a case of Play It Again Dannah next week.

:46:04.:46:14.
:46:14.:46:23.

Still to come tonight, Oglaigh na Our next couple tonight is Lulu and

:46:23.:46:33.
:46:33.:46:34.

Now, Lulu is one of those performers who is so successful at

:46:34.:46:37.

singing and so popular with the public that they becomes superstars

:46:37.:46:44.

and unknown by just one name. She is up there with the likes of Kylie,

:46:44.:46:54.
:46:54.:46:54.

Don't be like that! I will clear the space, sarcasm. Here they are

:46:54.:47:04.
:47:04.:47:08.

Last week's show was a reality check. Len's words run through my

:47:08.:47:13.

ears. You cannot go wrong, that is the first word of. I have got to

:47:13.:47:18.

nail the steps. You are a great performer. I do not want to hear

:47:18.:47:24.

that a great performer, I am a dancer. My brain cannot take it.

:47:24.:47:29.

is a lot to learn, the foxtrot. feels very weird. It is going to be

:47:29.:47:33.

a tough week. There has got to be a breakthrough in How I learned. I

:47:33.:47:37.

have to write and go over it like a mad thing. And a desperate woman, I

:47:38.:47:43.

will be trying everything. Obviously, with Lulu forgetting

:47:43.:47:46.

most of the routine last week, I had to come up with a bit of a

:47:46.:47:52.

solution. Brain food! And what you're going to enjoy is some

:47:52.:47:55.

lovely berries, but you might not enjoy the Brussels sprouts. Would

:47:55.:48:04.

you least going to enjoy... Me and my friend Ted. You took too long.

:48:04.:48:13.

Nice, that is looking more like a foxtrot. I do think that I have

:48:13.:48:18.

made progress. Are you getting the feel of it? A bit more. I think it

:48:18.:48:22.

is working. You just did the whole thing on your own. I might not have

:48:22.:48:28.

a down completely, but I am keeping my fingers crossed. Dancing the

:48:28.:48:38.
:48:38.:48:38.

Apology for the loss of subtitles for 66 seconds

:48:38.:50:31.

Lovely, Lola! Great job. Brendan is pleased with you, and I am. That

:50:31.:50:37.

was so good, it really was. Len. Last week he went to pieces, but

:50:37.:50:41.

this week you have got through the routine. That is the start. Now you

:50:41.:50:45.

have to work on the Polish, you have got to work on your feet, they

:50:45.:50:51.

need more conviction, your posture needs to be stronger. But what an

:50:51.:50:59.

improvement on last week, a great improvement! So pleased. Alesha.

:50:59.:51:03.

Yes, so much better than last week, you looked much more focused and in

:51:03.:51:11.

control. It was very atmospheric, and I thought you would not make it

:51:11.:51:16.

through without singing, you cannot help it! But it was lovely. Yes,

:51:16.:51:24.

well done. Now then, Bruno! Mirror, mirror on the wall, who is the

:51:24.:51:29.

prettiest of them all? Star! you were tonight, because you

:51:29.:51:33.

played it with the emotional fragility of a teenager in love

:51:33.:51:37.

whose heart is about to be broken, and you were on it all the way

:51:37.:51:40.

through. Len is right, it needs polishing, but you can dance if you

:51:40.:51:49.

want to. That is it. Now then... Craig. I felt like you were trying

:51:49.:51:53.

to keep up with Brendan, and you ended up chasing in a little bit

:51:53.:51:57.

through the dance. Also, you were looking into his chest a lot of the

:51:57.:52:03.

time. You need to make a decision, either left or right. But lovely

:52:03.:52:09.

pivots, a really gorgeous standing spin. You are still my favourite!

:52:09.:52:19.
:52:19.:52:27.

Off you go, the pair of you, be Nice one, Brendan, well deserved.

:52:27.:52:31.

You remember it all the steps, how relieved are you? We are so happy

:52:31.:52:39.

for you! I know you are. Don't call it a comeback! Wardley is saying do

:52:39.:52:45.

not call it a comeback. Great storytelling, quite right.

:52:45.:52:50.

Seriously, though, how have you found this? Tougher than you

:52:50.:52:56.

imagined? Oh, believe me! I thought it would be difficult, but not this

:52:56.:53:00.

difficult, and I think my nerves kick in this week. Last week I was

:53:00.:53:05.

trigger-happy, and I screwed it all up, but, yeah, much more difficult.

:53:05.:53:11.

Are you kidding?! You do not know until you come near. The scores are

:53:11.:53:21.
:53:21.:53:43.

Eddie five out of 40, well done! Do not be shy, says Brendan. We have

:53:43.:53:50.

still got plenty more action to come. Bruce. Next tonight is Holly

:53:50.:53:58.

Valance and Ed Parker Artem Chigvintsev. -- her partner. Last

:53:58.:54:01.

week, highly finished near the top of the leaderboard with their cha-

:54:01.:54:06.

cha-cha, but how will she affair with the salsa? Here they are in

:54:06.:54:16.
:54:16.:54:16.

Last week, I was the first to perform, and to be honest I look

:54:16.:54:22.

like a fold the Thursday it looked out to walk. It is not the best

:54:23.:54:26.

first as I have seen. I thought it was going horribly wrong, he did a

:54:26.:54:31.

little reversal on me. I tell you what, it was close, well done.

:54:31.:54:36.

makes you feel good, it makes you want to keep trying and do better.

:54:36.:54:41.

I am happy with this. He is never happy! I really want to impress the

:54:41.:54:45.

judges, but I'm not grasping the salsa as quick as I thought I would.

:54:45.:54:51.

It feels so wrong. It is all about performing the dance, selling it to

:54:51.:54:57.

the crowd. You need to go for it, give it 100%? She feels a bit funny

:54:57.:55:04.

to try to be sexy. I do not feel sexy at all! Can you just keep

:55:04.:55:08.

dancing and looking at me? She really finds that hard. I might not

:55:09.:55:12.

look at you, but I might look here. It is quite upsetting and

:55:13.:55:19.

depressing sometimes. What is wrong with his face? Because she is an

:55:19.:55:24.

actress, she has to act it out sexy. I will be selling overpriced

:55:24.:55:29.

tickets. It has to look like our little party on the dance floor, so

:55:29.:55:36.

I really need to go for it and Saturday night. Dancing the salsa,

:55:36.:55:46.
:55:46.:55:46.

Apology for the loss of subtitles for 66 seconds

:55:46.:57:33.

Be happy! That was lovely. It was really good. Really good. Alesha.

:57:33.:57:38.

Please don't question whether you are sexy or not. You are a goddess.

:57:38.:57:44.

You move so well. Everything is well placed, graceful with sexiness.

:57:44.:57:49.

Please just let go. Don't be afraid of. You have got it in there. You

:57:49.:57:52.

are still questioning yourself and you could be amazing. That was

:57:52.:58:02.
:58:02.:58:06.

brilliant. Yes, amazing. Bruno. are a stunner with a capital S. You

:58:06.:58:11.

have a top-of-the-range equipment. But you have a few gremlins in they

:58:11.:58:17.

you need to tune out. It's like a Formula car. You need a few laps to

:58:17.:58:22.

get going. You have got plenty of mileage in front of you. Q It Up

:58:22.:58:31.

Baby, because you have got it! Words of wisdom they have. Craig?

:58:31.:58:38.

Some timing issues there. The limbo straddle you did, you could have

:58:38.:58:44.

gone further with that idea. Greater hip rotation, though. Great

:58:44.:58:48.

you're putting those ahead of reps in it, what was good. The routine

:58:48.:58:58.
:58:58.:59:00.

was great. And Len? My overriding criticism is that you wanted to go

:59:00.:59:05.

faster pulls up it's like pulling off a plaster, and you wanted to

:59:05.:59:12.

pull it off and you kept losing your timing. You flew through

:59:12.:59:17.

Artem's legs once and then twice balls-up it's like you're checking

:59:17.:59:27.
:59:27.:59:28.

for an oil leak! Apart from that, I thought it was great. Oh, Len.

:59:28.:59:38.
:59:38.:59:41.

Looking for an oil leak. Thank you, Yes! Salsa suits you. Frankly, all

:59:41.:59:47.

of it does. Holly, you went for it. It was more fun this week,

:59:47.:59:53.

definitely. Holly, you're a laidback Australian. Artem is a

:59:53.:59:59.

steely Russian. How is this working out so well? I do what I'm told and

:59:59.:00:06.

then it works. He has got the right attitude. Bitten by the ballroom

:00:06.:00:15.

bug? Definitely. The judges scores are in. Craig Revel Horwood. Len

:00:16.:00:25.
:00:26.:00:37.

Goodman. Alesha Dixon. Bruno That says strong score. -- that is

:00:37.:00:42.

a strong score. Call 09015 22 20 06 if you don't want Holly to be given

:00:42.:00:44.

the Kiss Kiss off from the competition. Don't underestimate

:00:44.:00:47.

how much these stars need your vote. Without you they won't be back here

:00:47.:00:51.

next week. And at bbc.co.uk/strictly you can log on

:00:51.:00:55.

for all the latest backstage ballroom. Back to you, Bruce.

:00:56.:01:05.
:01:06.:01:10.

for our next couple, Rory Bremner Rory asked me earlier who my

:01:10.:01:20.
:01:20.:01:21.

favourite impressionists were. I said, "Monet and Renoir".

:01:21.:01:25.

I will wait! A little high-brow joke to bring some culture to the

:01:25.:01:35.
:01:35.:01:40.

show. And it does needed, at times! Nice to see you, to see you nous.

:01:40.:01:46.

Imitation is definitely the best firm of flattery. That was a first-

:01:46.:01:50.

class impression of their walls. Your bottom sticks out a bit but

:01:50.:01:59.

for the first week, that was fantastic. Oh, yes. He was

:01:59.:02:02.

absolutely right so you take those things on board and you think about

:02:03.:02:06.

what they are saying and you change it for next time. To be in the show

:02:06.:02:16.
:02:16.:02:22.

and get through the dance, it was a 1234567. This week we are dancing

:02:22.:02:32.

of the hokey pokey? No, the Salsa. I'm not very sexy, I don't think.

:02:32.:02:35.

The sell side is not a natural dancer to somebody who comes from

:02:35.:02:42.

Edinburgh. -- the Salsa. We are more used to the Gay Gordons.

:02:43.:02:49.

best thing about Rory, he can change character any time he likes.

:02:49.:02:55.

I found out that Erin has a soft spot for Sean Connery. Beautiful.

:02:55.:03:05.
:03:05.:03:06.

And tonight, dancing the Salsa, Erin and Sean Connery! Dancing the

:03:06.:03:16.
:03:16.:03:16.

Apology for the loss of subtitles for 66 seconds

:03:16.:04:56.

MUSIC: "Vehicle" Well done, Rory. Well done, made

:04:56.:05:06.
:05:06.:05:12.

Was fantastic. I loved it that little step you did. There you are.

:05:12.:05:19.

Stop laughing at yourself, Bruno. You were roaring into action, are

:05:19.:05:24.

full throttle attack, full of energy, yes, but you went wrong.

:05:24.:05:31.

Yes, you did. Sometimes, when you push it too much, you lose the

:05:31.:05:38.

floor and the cells faster have the flow. -- Salsa class to have the

:05:38.:05:48.
:05:48.:05:56.

flow. You have got to keep it going. Now he's got it! But your first

:05:56.:06:06.
:06:06.:06:08.

lesson from Bruno. Craig? Like a The way too heavily on the floor.

:06:08.:06:14.

No movement or through any of the steps. I was slightly nervous every

:06:14.:06:18.

step you took. It did not make it feel comfortable at all for the I'm

:06:18.:06:25.

glad it made you feel uncomfortable. You know how I feel now sitting

:06:25.:06:33.

next to you every week! Rory, using exactly what I think about this

:06:33.:06:36.

danceable the it's not a natural dancer or an English man, in his

:06:36.:06:43.

fifties, it's not. We flaunt a lot wobbly bits in front of the public.

:06:43.:06:51.

However, you came out, with high energy, and you gave it a go, and

:06:51.:06:59.

that's what you have got to do. gave it a go, that's it up. Alesha?

:06:59.:07:05.

You were a straight in, lots of personality. For me, you need to

:07:05.:07:14.

loosen up a bit and don't be afraid Up I thought it was a big

:07:14.:07:18.

improvement. Didn't you? Thank you, Rory and Erin. Off you

:07:18.:07:28.
:07:28.:07:33.

go. Come on. Come on. Show us your salsa shimmy again. Well, yes!

:07:33.:07:42.

got up from the props department. I enjoyed it. I was nervous. If you

:07:42.:07:48.

want to know why they should teach Latin in schools, ask Erin for fob

:07:48.:07:53.

what a fantastic teacher. The best Latin teacher I've ever met.

:07:53.:08:03.
:08:03.:08:23.

We will take that. I think Sean Connery did too proud in its ulcer.

:08:23.:08:29.

There's always next week. -- I think Sean Connery did you proud in

:08:29.:08:34.

that Salsa. Call 09015 22 20 03 when lines open if you want to see

:08:34.:08:37.

Rory make more of an impression on next week. Please don't call until

:08:37.:08:41.

we let you know that the lines are open. If you do, your vote won't

:08:41.:08:44.

count and you may be charged. Back to you, Bruce. Our next couple is

:08:44.:08:53.

Robbie Savage and his partner Ola Jordan. Robbie asked me if he could

:08:53.:08:57.

bring his family down to watch the show one week. I said, "Of course.

:08:57.:09:00.

Bring them all. I've been doing this show for eight years. I'm used

:09:00.:09:10.
:09:10.:09:22.

to an audience full of Savages". Last week Robbie Savage took on the

:09:22.:09:31.

biggest game of his life. I gave it everything. It was very Abercrombie

:09:31.:09:38.

and Fitch, I'm afraid, darling. Absolutely no dancing whatsoever.

:09:38.:09:45.

got annihilated. It was hard to swallow. Two. To get a two, I felt

:09:45.:09:55.

worthless. He took it hard, the judge's comments, and he has got to

:09:55.:10:01.

man up. I'm going to get into tough on Apple. I'm going to punch him in

:10:01.:10:07.

the stomach and kick his butt. got an umbrella this week and I'm

:10:07.:10:15.

really struggling. It only takes practice. Let's throw it away.

:10:15.:10:20.

If it means we have to do it 100 times, we will. I need hard work

:10:20.:10:27.

and I will push him as much as I can. Turn around and do what I ask.

:10:27.:10:33.

I can't do it. I never want to see an umbrella ever again in my life.

:10:33.:10:43.
:10:43.:10:44.

I'm going to show Craig I am worth Dancing the foxtrot, Robbie Savage

:10:44.:10:54.

MUSIC: "Ain't That A Kick In The Head"

:10:54.:11:04.
:11:04.:11:04.

Apology for the loss of subtitles for 66 seconds

:11:04.:12:28.

Robbie Savage, what about that?! Look at this, Robbie! Look at that,

:12:28.:12:36.

look at them standing up! Look at this! Wonderful! Ola, well done,

:12:36.:12:46.
:12:46.:12:47.

absolutely, that was fantastic. Len! Few little beauty! Oh, yes,

:12:47.:12:53.

number two, give that a two! Listen, the more you give, the more marks

:12:53.:12:59.

you get, and you are giving plenty, and you are going to get plenty!

:12:59.:13:06.

Well done, Robbie, well done indeed. Ola. It is really good to see his

:13:06.:13:11.

smiling and enjoying yourself, that opening sequence was really good,

:13:11.:13:15.

you were light-footed, charming, right back on track, just keep

:13:15.:13:23.

going, Robbie. Bruno. Robbie Savage has gone to Hollywood! Hang

:13:23.:13:30.

glistening in the light like spun gold, teeth like piano keys!

:13:30.:13:37.

Confident, debonair! What a transformation! Yes, it was a

:13:37.:13:44.

transformation. And we don't care what Craig says, do we?! Head

:13:44.:13:50.

placement needs sorting out. It does, but I have got to say that

:13:50.:13:59.

was showbiz and showmanship, and I loved it! Yes! There you mark, well

:13:59.:14:09.
:14:09.:14:16.

done. Keep it up, you are a great Yes! Robbie is back! Robbie!

:14:16.:14:21.

Robbie! He shoots, he scores, they are on their feet in the studio and

:14:21.:14:28.

up here. How did that feel? Amazing! Didn't it? I used

:14:28.:14:34.

features? Yes, I am. For a man who has only ever dance at his own

:14:34.:14:38.

wedding, his takes a lot of guts. Three weeks ago I had never danced,

:14:39.:14:43.

my wedding, that was it. absolute beginner. The scores are

:14:43.:14:53.
:14:53.:15:10.

Yes! How about that? 29 out of 40. They are going mad in the studio

:15:10.:15:17.

audience! Happy with that? Call this number later in the show if

:15:17.:15:22.

you want Robbie to get stuck in again next Saturday. Still to come,

:15:22.:15:29.

Harry and Jason's foxtrots, plus Nancy and Russell's salsa! Are you

:15:29.:15:33.

ready for that? After last week, I think we might be in for a treat.

:15:33.:15:42.

Over to you, Bruce. Craig gave him seven, go and have a lie down! Our

:15:42.:15:51.

next couple is Anita Dobson and her partner Robin Windsor. Now then,

:15:51.:15:56.

Anita was telling me that her husband, Brian May, and by the way,

:15:56.:16:02.

he is here, how are you? I have always been a fan! He is the famous

:16:02.:16:07.

musician from the group Queen, and he has agreed to re record one of

:16:07.:16:11.

his hits in support of all the ladies on this show. Isn't that

:16:11.:16:17.

nice? I just hope it is We Are The Champions and not Fat Bottomed

:16:17.:16:24.

Girls. They would be furious! All right, here they are in training. I

:16:24.:16:34.
:16:34.:16:36.

It was a fantastic evening. It just seemed slightly dreamlike, that was

:16:36.:16:40.

made dancing this wonderful dance. I was kind of almost not ready to

:16:40.:16:44.

take in the Commons, because you are slightly zapped at the end of

:16:44.:16:50.

the first dance. Elegant, poised, beautifully acted. Boy, oh boy,

:16:50.:16:55.

that was incredible! I want to do it again, I want to do more. I

:16:55.:17:05.

cannot wait to learn some more, it This week we are dancing the salsa.

:17:05.:17:10.

It is kind of mad and natty and slightly insane. I'm going to have

:17:10.:17:14.

to get Anita to bring out her saucy side, because it is a very sexy

:17:14.:17:19.

dance. Well, he has said that in order to make me even more at home

:17:19.:17:26.

with the kind of movements, he wants to vocalise the whole dance.

:17:26.:17:30.

Whatever makes it work, if that is what he wants me to do, I will do

:17:30.:17:36.

it. Anita looks at me like I am absolutely crazy, but hopefully

:17:36.:17:40.

these will make sense to her. much better when you do the noises!

:17:40.:17:45.

I respond to his voice, if he makes a noise, I understand what that

:17:45.:17:50.

does. Silently, my body is asking the question, her body is giving

:17:50.:17:58.

the answer. It is cool, isn't it? Dancing the salsa, Anita Dobson and

:17:58.:18:08.
:18:08.:18:08.

Apology for the loss of subtitles for 66 seconds

:18:08.:19:46.

How about that?! Anita Dobson, I tell you! That was wonderful. Why

:19:46.:19:51.

didn't you ever do that in the Queen Victoria? Nobody would let

:19:51.:19:58.

me! Not without a drink, anyway. Anyway, Len, start as off. Were, I

:19:59.:20:02.

don't anyone saying he has got double standards, and I know there

:20:02.:20:05.

were one or two incidents when there was a faux pas, but having

:20:05.:20:15.
:20:15.:20:16.

said that, I thought it was fantastic. It was fun, fun, fun.

:20:16.:20:21.

Alesha, Maya love. He put us all in the mood for cocktails! That was so

:20:21.:20:29.

much fun, I don't care about the mistake, that was brilliant, Anita.

:20:29.:20:34.

It was a tropical cocktail follow flavour and spice that raises the

:20:34.:20:38.

heat, so much so that he went on the wrong foot a couple of times,

:20:38.:20:43.

but who cares? We had so much fun with it, and that is what sulci is

:20:43.:20:50.

all about. I love the bump and grind you gave to Craig. You should

:20:50.:20:54.

have seen his face. I thought it was like Bonnie Langford being

:20:54.:21:01.

chased by parking Dalmatian. think that is probably good thing,

:21:01.:21:07.

actually! Unintentional break for the worst in there, sadly, on the

:21:07.:21:12.

wrong foot, but I thought you dance it brilliantly. A happy ending,

:21:12.:21:22.
:21:22.:21:31.

Yes, Anita, you have got that Strictly smile, that party spirit.

:21:31.:21:36.

Has it surprise you, how much you have taken to this ballroom lark?

:21:36.:21:43.

Yes, it has, I love it to bits! can tell. Next week is a Broadway

:21:43.:21:48.

special on Strictly, or your stage experience, you will be chomping on

:21:48.:21:54.

the bit to get there. I do not know about jumping, but we will say!

:21:54.:22:04.
:22:04.:22:18.

bit of Broadway action? The scores 28 out of 40, the smile is back,

:22:18.:22:23.

well done. This is the number to call later if you want Anita back,

:22:23.:22:27.

smiling and starring in our Broadway special next week.

:22:27.:22:30.

Remember, all our celebrities need your votes to save them from

:22:30.:22:37.

elimination. Tonight we have still got all this to come. Fancy seeing

:22:37.:22:47.
:22:47.:23:04.

Wright, time now for our next couple, Jason Donovan and his

:23:04.:23:09.

partner Kristina Rihanoff. Wonderful! Now, Jason could not

:23:09.:23:14.

have got off till a better start than last week, amazing, but can he

:23:14.:23:23.

keep the standard up? That is the Jason's debut performance storms to

:23:23.:23:32.

the top of the charts. Now Strictly is in business! Kate even left

:23:32.:23:37.

Craig a bit sticky. interpretation of the Australian

:23:37.:23:44.

colloquialisms was not bad at all. A full house, 8! It was one of

:23:44.:23:49.

those great moments in my career, a special moment. The hips do not

:23:49.:23:55.

live. Last Saturday was the first time in four years. That is your

:23:55.:23:59.

elbow leading you. I am going to work Jason really hard this week to

:23:59.:24:03.

get that again. Sue has asked me to come here for training, apparently

:24:04.:24:13.

it is all about getting into Put your hat on and start getting

:24:13.:24:23.
:24:23.:24:26.

I think Jason got a little bit of a shock when he saw me coming through

:24:26.:24:36.
:24:36.:24:38.

When I came in here today, I felt like I was in a Hollywood movie

:24:38.:24:44.

from 1942. Let's hope we can do as well as we did last week. Smooth,

:24:44.:24:54.
:24:54.:24:54.

Apology for the loss of subtitles for 66 seconds

:24:54.:26:39.

Dancing the foxtrot, Jason Donovan Hit looked as though he turned it

:26:39.:26:47.

up! Come over here. Can he keep the standard that? I tell you, that was

:26:47.:26:53.

marvellous, it was a little bit of Hollywood there. Alesha. Jason, you

:26:53.:26:59.

are a real showman, UN character even before the music started. You

:26:59.:27:04.

commit 100% to your performance, you moved brilliantly around the

:27:04.:27:07.

floor, you mirror each other brilliantly, and it was a very

:27:07.:27:10.

seductive foxtrot, and you completely seduced May, it was

:27:10.:27:18.

wonderful. Behave yourself! In a very nice clean away. Bruno. Jason,

:27:18.:27:25.

she is not bad, she has just drawn that way. That was so LA

:27:25.:27:29.

Confidential, the fan fatale seducing the good guy, playing with

:27:29.:27:34.

him, toying with him and disposing of them. But you are just acting,

:27:34.:27:38.

this is a piece of acting that you do. It is absolutely great to see,

:27:38.:27:47.

I love it. Wonderful story. OK, now then, Craig. Your head position

:27:47.:27:57.
:27:57.:27:59.

needs attention, especially in the standing spin, it is just a stiff,

:27:59.:28:04.

but magnificent routine, Class C, stylish. Then, to agree about the

:28:04.:28:10.

head position? Yes, his head could be to the left a bit more, but it

:28:10.:28:14.

is not in my nature to be nasty. It was full of flair and personality,

:28:14.:28:19.

that is what I have got to say, the footwork was mostly good. Now, can

:28:19.:28:25.

you be top of the leaderboard two weeks running? I think so. Here we

:28:25.:28:35.
:28:35.:28:43.

go, off you go, be proud, it was A standing ovation. Come on up here.

:28:43.:28:50.

How was that? Well, it's tougher the second week around. The Foxtrot

:28:50.:28:55.

is such a concentrated effort. I think there is more personality

:28:55.:29:04.

last week. I'm happy with that. What do your children think? They

:29:04.:29:12.

will be waiting on the footpath for me tonight. As they did last week.

:29:12.:29:17.

They are waiting for you to come home. Very happy to go to school on

:29:17.:29:24.

Monday morning with their heads held high a. Embarrassing dad

:29:24.:29:27.

scenario for the The judges scores are in. The judges have their

:29:27.:29:35.

scores. Craig Revel Horwood. Len Goodman. Alesha Dixon. Bruno

:29:35.:29:45.
:29:45.:29:51.

33 out of 40. The top score of the night. Now we are firing. Call

:29:51.:29:55.

09015 22 20 14, when phone lines open later in the show if you want

:29:55.:30:00.

Jason to give it some Ballroom Bonza next week. Loads more to look

:30:00.:30:03.

forward to tonight. Harry's Foxy Foxtrot and Russell's one-of-a-kind

:30:03.:30:13.
:30:13.:30:22.

We are ready. Feeling hot, hot, hot? Bruce? What about you? Don't

:30:22.:30:30.

mind me. La cucaracha, la cucaracha! I want high marks! But,

:30:30.:30:35.

you guessed it. Next up is Nancy Dell'Olio and her partner Anton Du

:30:35.:30:45.
:30:45.:30:46.

APPLAUSE No, it wasn't Nancy and Anton feather snake wrestling.

:30:46.:30:52.

It was a mess. Nancy asked me to look after this for her. I said,

:30:52.:31:02.

"Why?" She said, "It might come in handy when I strangle Craig". A

:31:02.:31:12.
:31:12.:31:16.

sorry, Nancy. Oh, that tickles! Lastly, disaster for Nancy when she

:31:16.:31:21.

found she had unwanted comedy on the dance floor. We had the feather

:31:21.:31:31.
:31:31.:31:32.

boa constrictor, as it's now known. -- keep going. It's going well.

:31:32.:31:39.

word of advice, darling, forget props altogether. Don't come up,

:31:39.:31:49.
:31:49.:31:55.

stay there. We are dancing the You are teaching the the language

:31:55.:32:05.
:32:05.:32:06.

of Italian. Hell of a teacher, you are. He is not yet good at Italian.

:32:06.:32:16.
:32:16.:32:23.

Why are you laughing at my Italian? I think we should pointed at Len to

:32:23.:32:30.

entice him to give you better marks. I'm going to try with all of them.

:32:30.:32:40.
:32:40.:32:40.

Apology for the loss of subtitles for 66 seconds

:32:40.:34:32.

Dancing the salsa, Nancy Dell'Olio Oh, come here, my lovely. Nancy.

:34:32.:34:39.

How are you feeling? Are you all right? What do you mean is she OK?

:34:39.:34:47.

It's like trying to wrestle a tiger out there. You always complain.

:34:47.:34:57.
:34:57.:35:07.

Tell him what you are feeling. It's so difficult. Nancy, champagne,

:35:07.:35:17.
:35:17.:35:18.

champagne today. You look like you added two gallons! You had no idea

:35:18.:35:25.

of where you were. But what grates guile -- but with great style and

:35:25.:35:29.

glamour. It doesn't matter for I think you broke the record for how

:35:29.:35:34.

many times a person has gone wrong in this competition. But you did it

:35:34.:35:43.

beautifully, with style. Yes, style and grace. At Craig. A frenetic

:35:43.:35:51.

sort of springs to mind, darling. Frantic, frenzied. Any of those F-

:35:51.:35:57.

words, really. Be careful, Craig. You've only just got your

:35:57.:36:07.
:36:07.:36:08.

citizenship, remember that. OK, Len, come in a quick. You've made him

:36:08.:36:17.

laugh. Be careful. Don't worry, Bruce. The most exciting part was

:36:17.:36:23.

when I took a crafty glance up your dress. You are a game a girl

:36:23.:36:26.

because they are a few incidents out there but you ploughed on it

:36:26.:36:31.

and you kept going, and well done for that. Exactly, you should be

:36:31.:36:38.

very proud of that. I'm a bit confused as I can't work out

:36:38.:36:44.

whether you were trying to be funny or whether it was just funny.

:36:44.:36:51.

never been so insulted in my life! If it was trying to be funny, then

:36:51.:36:58.

that's different. I'm speechless, sorry. Don't say anything else.

:36:58.:37:04.

do you feel? I feel fine of. It is not fantastic on my leg but I think

:37:04.:37:10.

I did it. We all appreciated it. Thank you, Nancy and Anton. Off you

:37:10.:37:20.
:37:20.:37:32.

Nancy, we love you. She just said to be on the stairs, what did I do

:37:32.:37:42.
:37:42.:37:47.

wrong? Were you trying to be funny? Of curse we were trying to be funny.

:37:47.:37:57.
:37:57.:38:06.

That's exactly how we choreographed it. The judges scores are in.

:38:06.:38:13.

judges have their scores. Craig Revel Horwood. Len Goodman. Alesha

:38:13.:38:23.
:38:23.:38:35.

Ups, 14. Two from Alesha, uncharacteristically harsh. I can't

:38:35.:38:42.

believe Len gave it gorgeous Nancy five, and it looked up her skirt.

:38:42.:38:48.

If God we worth at least seven. She looks lovely. Call 09015 22 20 12

:38:48.:38:52.

at the end of the show if you think that the Italian siren should be

:38:52.:38:56.

voted into next week. The lines are opening at the end of the show,

:38:56.:39:01.

which means you'll get to have your say. Bruce. Next up it's Harry Judd

:39:01.:39:11.
:39:11.:39:18.

A couple of the boys from the ban by here. -- band are here. As you

:39:18.:39:21.

know, Harry is in the boyband McFly. And he thinks I don't appreciate

:39:21.:39:25.

young people's music. I said, "I'll have you know I'm a huge fan of

:39:25.:39:28.

young men who play together in a band". He said, "Really, who's your

:39:28.:39:33.

favourite?" I said, "The Coldstream Guards". Come on, that was better

:39:33.:39:39.

than that. You are getting tired! It was better than that. Here they

:39:39.:39:49.
:39:49.:39:52.

Harry got the show of to a flying start. It was a very fit

:39:52.:39:58.

performance. A make my day, Harry. A bit mechanical. I tell you what,

:39:58.:40:03.

very good, you are, I tell you. was very pleased with my scores.

:40:03.:40:12.

There's plenty of room for Today I was rudely interrupted by

:40:12.:40:18.

three young men, my band mates. have come to see him rehearse of

:40:18.:40:26.

the Foxtrot. It was great to see them for that I've spent more time

:40:26.:40:33.

with them than anyone on this planet. It was very enjoyable

:40:33.:40:38.

watching them taking a grilling from Aliona. Something I have been

:40:38.:40:44.

doing for pushing three weeks now. Lead me. Be a man! I have got lots

:40:44.:40:50.

of admiration for Harry. That was useless. Harry is good at most

:40:50.:40:55.

things and I would not be surprised if he won. I'm rooting for Jason

:40:55.:41:03.

Donovan. I would like to see Holly Valance go all the way. The guys

:41:03.:41:08.

will be my toughest critics. If I can do it in front of them, I will

:41:08.:41:18.
:41:18.:41:18.

Apology for the loss of subtitles for 66 seconds

:41:18.:42:59.

Dancing the foxtrot, Harry Judd and Look at this, Harry, look at that,

:42:59.:43:09.
:43:09.:43:09.

enjoy it! Even your boys! Look! They loved it. Well done. Thank you.

:43:09.:43:15.

So good together. Right, all right, Craig, what did you think? Harry,

:43:15.:43:20.

you can dance. But, Aliona, you have got to sort his posture and,

:43:20.:43:26.

he is looking down a lot, his wrists need attention, his thumb

:43:26.:43:30.

needs attention, there is so much detail that needs to be done, but

:43:30.:43:37.

you could be fantastic. Yes. All those things need attention, but

:43:37.:43:41.

whatever you do, don't have an operation. I will not speak to you,

:43:41.:43:45.

Aliona, because I heard you say that you never listen to the

:43:45.:43:49.

Church's, so I'm going to speak to you, Harry. There was nothing great

:43:49.:43:56.

about it, but there was netting terrible. The thing is, it lacked

:43:56.:44:00.

finesse, your left arm is too far forward, your right arm... And try

:44:00.:44:05.

to help this chap, we are required for a few seconds? And your chin is

:44:05.:44:10.

always down, you have got to lift up, stretch up, flat back, why

:44:10.:44:15.

their elbows. Do that, my old sausage, and you will be all right.

:44:15.:44:23.

Good. Lift your chin up. Imagine what this is like! What did you

:44:23.:44:27.

think? Harry, I think you move brilliantly, you are one of the

:44:27.:44:33.

best dancers in this competition. Yes, you are. One I would say is,

:44:33.:44:37.

because the judges see the potential, they might be tougher,

:44:37.:44:41.

but you can turn that into a positive, that is what I would say

:44:41.:44:48.

to you, because you are going to go far, trust me. Very important. It

:44:48.:44:54.

was romantic. It was, I think there was something very, very special

:44:54.:44:58.

about Harry. You are strong, you are focused, you work very hard.

:44:58.:45:02.

You have got a great feel for the music. With the right nurturing,

:45:02.:45:08.

you are going to be fantastic. you are, all good, just work on it.

:45:08.:45:18.
:45:18.:45:22.

Off you go, well done, Harry and Harry, my boy, they are on their

:45:22.:45:26.

feet in his studio, another great reaction, I used surprised by how

:45:26.:45:30.

well you are doing? I'm just trying to enjoy myself, I'm having an

:45:30.:45:34.

amazing time, Aliona is an incredible coach, I am just happy

:45:34.:45:44.
:45:44.:46:01.

to be here. Dynamite on the 27 for Harry and Aliona, call this

:46:01.:46:05.

number if you do not want Harry flying out of here. Please do not

:46:05.:46:09.

call and tell the lead to know the lines are open. If you do, your

:46:09.:46:14.

vote will not count and you may be charged. Time now for Russell Grant

:46:14.:46:21.

and his partner Flavia Cacace. Yes, I know you want to see Russell,

:46:21.:46:26.

everybody wants to, but listen, wasn't he great in his dance last

:46:26.:46:31.

week? We all thought it was fantastic. I said to him, your

:46:31.:46:36.

performance was like something I saw at Glastonbury. He said,

:46:36.:46:41.

Glastonbury? You mean I was like a pop star? No, you were as camp as a

:46:41.:46:51.
:46:51.:46:54.

row of tents! What did he say?! Diva Russell wasted no time coming

:46:54.:46:57.

out of the shell for his first for a onto the dancefloor, and the

:46:57.:47:07.
:47:07.:47:16.

A standing ovation! Look, look! Russell, look at that! I was amazed

:47:16.:47:21.

and so thanks for. I cannot believe it, it has taken until the age of

:47:21.:47:28.

60 to get a standing ovation! This week's dans is the salsa. Well,

:47:28.:47:33.

hopefully it is going to be more showy than last week. I am loving

:47:33.:47:40.

this! I have one wish, when I was asked to do Strictly, and that was

:47:40.:47:50.
:47:50.:47:50.

It feels like we have known each other for ever, really. We laugh at

:47:50.:47:55.

the same thing is, we have this psychic telepathy. We both said the

:47:55.:48:01.

same word at the same time! It is an amazing alliance. This woman,

:48:01.:48:06.

when this end, I do not know what I'm going to do. I am going to sow

:48:06.:48:13.

my serve. Hey, listen, don't be maudlin, the best is yet to come. I

:48:13.:48:21.

am not doing that again! Dancing the salsa, Russell Grant and Flavia

:48:21.:48:31.
:48:31.:48:31.

Apology for the loss of subtitles for 66 seconds

:48:31.:50:18.

High tally a... High tally a... Enjoy this, Russell, look at them!

:50:18.:50:28.
:50:28.:50:30.

Everybody upstairs is on their Bow, and even downstairs, the

:50:30.:50:36.

celebrities there! And may I say, the perfect song! Yes! What you

:50:36.:50:44.

mean, Bruce? You know what I mean! Camp as a row of tents, yes.

:50:44.:50:49.

cannot get a better song, perfect. Honestly, what it lacked in

:50:49.:50:54.

technique and content, it made up for in fun and entertainment, and

:50:54.:50:58.

you put the boy in a flamboyant. The boy in flamboyant, where did

:50:59.:51:05.

you get that one from?! You must stay up at night! You are adorable,

:51:05.:51:09.

clearly you are having the time of your life, and for as it is

:51:09.:51:14.

brilliant watching you, you light up the room, you really do. Flavia

:51:14.:51:20.

is having the time of your life as well! And never seen her so happy,

:51:20.:51:28.

even with Jimmy Tarbuck! Bruce. Russell, you have more collector,

:51:28.:51:32.

more than a carnival float! Talk about finishing the show on a high,

:51:32.:51:39.

I thank you for it, and I absolutely loved it! Craig,

:51:39.:51:46.

whatever you do, don't spoil it, please, I beg you, my Liege! Well,

:51:46.:51:52.

it wasn't without flaws... The Dancing Queen you were tonight,

:51:52.:52:02.
:52:02.:52:03.

There you are up, a lovely couple, off you go, up the stairs, up the

:52:03.:52:13.
:52:13.:52:24.

We loved it, save to say! Two weeks, two standing ovations, having the

:52:24.:52:30.

time of your life, are you? Yes, so nervous, even when you get out

:52:30.:52:36.

there, but Kinnock, can I just say, I am more thrilled about my friend

:52:36.:52:43.

Robbie getting such fantastic marks. Honestly! It is very spot in our

:52:43.:52:53.
:52:53.:53:08.

view, thank you so much, we loved 25 out of 40, a very respectable

:53:08.:53:15.

score! OK, you can call this number when the phone lines over and very

:53:15.:53:19.

shortly if you want Russell to be granted a place on next week's

:53:19.:53:23.

dance floor. OK, that is it, all of our couples have given it

:53:23.:53:28.

everything. We are going to carry over the scores from last week and

:53:28.:53:38.
:53:38.:53:45.

Remember, you can change all of that by picking up the phone and

:53:45.:53:48.

voting for your favourite, and there is no time like the present

:53:48.:53:58.
:53:58.:53:58.

because the phone lines are now open! Yes! Calls cost 15p from a BT

:53:58.:54:05.

landline. The lines are going to close at 8:30pm tonight. Voting

:54:05.:54:11.

details can be found on the website. To help you decide, a reminder of

:54:11.:54:21.
:54:21.:54:21.

Apology for the loss of subtitles for 66 seconds

:54:21.:58:13.

tonight's performances and the all- Well, there's only one thing to say,

:58:13.:58:19.

didn't you all do well! What a wonderful night. They have been

:58:19.:58:23.

living the boardroom dream for four weeks, but one of our 14

:58:23.:58:26.

celebrities must leave the competition. Your votes will make a

:58:26.:58:31.

difference, so pick up the phone. Tomorrow night is our first results

:58:31.:58:36.

show, and one couple will perform their last stands. To tally the

:58:36.:58:41.

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