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This is Strictly Come Dancing the results! Please welcome our | :00:48. | :00:58. | |
:00:58. | :00:58. | ||
Apology for the loss of subtitles for 161 seconds | :00:58. | :03:39. | |
MUSIC: "Edge Of Glory" Yes! What a storming start to our | :03:39. | :03:44. | |
Strictly Sundays! This is our first results show of the series, which | :03:44. | :03:50. | |
means our first elimination. Your votes have been counted, combined | :03:50. | :03:54. | |
with the judges'' scores for the last two weeks, and the couple with | :03:54. | :03:59. | |
the lowest score will be sadly leaving tonight. No one wants to be | :03:59. | :04:03. | |
the first to go, but first some people we can never get rid of, | :04:03. | :04:11. | |
Craig, Len, Alesha and Bruno. Looking fine and dandy, thank you, | :04:11. | :04:16. | |
Bruno. We will hear from them in a pit, but I'm thrilled to welcome | :04:16. | :04:20. | |
back my Sunday night park their in crime, it is the luscious Claudy! | :04:20. | :04:25. | |
Thank you, it is fantastic to be back. Coming up tonight, a | :04:25. | :04:30. | |
performance from the wonderful Will Young! Plus we have a brand new | :04:30. | :04:36. | |
feature, the Church's' legs and the rest of them will join me up here | :04:36. | :04:40. | |
for Sundance dissection, but first for the action but on stage and | :04:40. | :04:50. | |
:04:50. | :05:05. | ||
You have the energy of a wild kitten! Fun, flirty and failures. | :05:05. | :05:15. | |
:05:15. | :05:16. | ||
Everything she has got, amazing. That was the first time ever that I | :05:16. | :05:20. | |
have dance they foxtrot. Make the most of that meal, it could be the | :05:20. | :05:26. | |
last supper. It is not me, the foxtrot, this idea of doing what I | :05:26. | :05:36. | |
:05:36. | :05:38. | ||
am told, every fibre of my being All they can let loose, yes! | :05:38. | :05:42. | |
look like you have got a groove going, you enjoyed it. Give me | :05:42. | :05:52. | |
positive comments for you will get Then we go that way, like that, and | :05:52. | :06:00. | |
then... We are not telling you! Miss Jones... I had no idea he was | :06:00. | :06:06. | |
such a glamour puss. I sat on John Prescott's lap, I gave him a right | :06:06. | :06:16. | |
:06:16. | :06:17. | ||
smacker, he seemed happy with that. I think Craig is going to find | :06:17. | :06:22. | |
words to befuddle all of us. the Builder, that is what you will | :06:22. | :06:26. | |
like, you were swinging hair around like a bag of cement! It is a lot | :06:26. | :06:34. | |
of hard work for 21 points. Thanks, coach. Oh, my goodness! Mirror, | :06:34. | :06:38. | |
mirror on the wall, who is the prettiest of them all? The what an | :06:38. | :06:44. | |
improvement on last week, well done. They were being gentle. It is not | :06:44. | :06:54. | |
:06:54. | :06:56. | ||
You flew through his legs, then he flew through yours, he was like a | :06:56. | :07:00. | |
mechanic checking for an oil leak. Please just let go, do not be | :07:00. | :07:09. | |
afraid. I didn't even break my neck! It was like the rat caught on | :07:09. | :07:12. | |
a sticky strip. By was throwing around my hits as much as I can, | :07:12. | :07:22. | |
:07:22. | :07:39. | ||
You little beauty! That was showbiz Well done! Oh, my God. I am still | :07:39. | :07:48. | |
shaking. Excited... Nervous... All those things. A tropical cocktail | :07:48. | :07:53. | |
full of flavour and spice! picked it up straight away, that is | :07:53. | :07:56. | |
all that matters. The art was so much fun, I don't care about the | :07:56. | :08:00. | |
mistakes. It was like Bonnie Langford being chased by a barking | :08:00. | :08:08. | |
Dalmatian, actually. I am not sure I resemble a Dalmatian. Fund and | :08:08. | :08:12. | |
enter tournaments and enjoying themselves, that is what we got. -- | :08:12. | :08:16. | |
fun and entertainment. Just channelling my energy into positive | :08:16. | :08:21. | |
thoughts. It was a very seductive foxtrot, and you completely seduced | :08:21. | :08:29. | |
me, it was wonderful. Now, can you be top of the leaderboard two weeks | :08:29. | :08:38. | |
I cannot work out if you were trying to be funny, or is it just | :08:38. | :08:48. | |
:08:48. | :08:49. | ||
was funny. I have never been so Absolutely no idea where you were! | :08:49. | :08:59. | |
:08:59. | :09:04. | ||
You were great, I thought you did Harry, you can dance. It is really | :09:04. | :09:08. | |
hard at there, I know I can do it 10 times better. Let's be honest, | :09:08. | :09:12. | |
you are one of the best dancers in this competition that we have seen | :09:12. | :09:22. | |
:09:22. | :09:23. | ||
You put the boy in a flamboyant, it was really fun. Dancing Queen, you | :09:23. | :09:29. | |
were tonight, definitely. I love the music, I love the rhythm, I | :09:29. | :09:33. | |
love the audience, I love life. Talk about finishing the show on a | :09:33. | :09:43. | |
:09:43. | :09:48. | ||
high, I thank you for it, I What a night! All our 14 stars | :09:48. | :09:52. | |
David Astle at four, but for one couple that best just was not | :09:52. | :10:02. | |
:10:02. | :10:03. | ||
enough. -- couples gave it their In no particular order, the first | :10:03. | :10:13. | |
:10:13. | :10:31. | ||
couple safely through to next week Surviving another we can't... -- | :10:31. | :10:41. | |
:10:41. | :10:42. | ||
Apology for the loss of subtitles for 161 seconds | :10:42. | :11:45. | |
another week are... Lulu and Back on the dancefloor next | :11:45. | :11:55. | |
:11:55. | :12:11. | ||
Now, finding themselves in the bottom two tonight and in danger of | :12:11. | :12:21. | |
:12:21. | :12:24. | ||
Orderly and Natalie. The rest of you will discover your fate a | :12:24. | :12:34. | |
:12:34. | :12:35. | ||
So, Alesha, they find themselves and the bottom two, what are your | :12:35. | :12:39. | |
thoughts? I think it is really disappointing, actually. He was not | :12:39. | :12:43. | |
the worst dancer we saw last night, he improved, he came out, he tried | :12:43. | :12:48. | |
so hard, and that is always endear him, so it is a shame. He brought | :12:48. | :12:53. | |
the party. He was not the worst dancer, so I do not think he | :12:53. | :13:03. | |
:13:03. | :13:03. | ||
deserves to be in the Barton two. - - bottom. He is not out yet. Bruno, | :13:03. | :13:06. | |
Alex is safely through. You're all said there had been a huge | :13:06. | :13:10. | |
improvement since last week. stunning. How does she keep that | :13:10. | :13:15. | |
up? She has to keep refining and polishing her performance. This was | :13:15. | :13:19. | |
a ballroom dance, she has the safety of the part not all the way | :13:19. | :13:23. | |
through, so she has to keep the confidence, and when she comes back | :13:23. | :13:27. | |
doing Latin, retain that kind of energy and self-confidence. The | :13:27. | :13:32. | |
talent is there, and she looked absolutely stunning last night, | :13:32. | :13:38. | |
stunning. Keep the confidence, thank you very much. Over to you, | :13:38. | :13:46. | |
Claudia. I have six very relieved couples here, all safely through to | :13:46. | :13:52. | |
next week. I would like to have a little chat with you. You clever | :13:53. | :13:57. | |
human! Are you happy? The doors all down to the choreography, to be | :13:57. | :14:02. | |
fair, with the umbrella. And you hated the umbrella. You would just | :14:02. | :14:08. | |
go out and say, let it have played havoc with my hair! You did | :14:08. | :14:11. | |
absolutely brilliantly. It is worth saying to you, Alex, I think you | :14:11. | :14:15. | |
might be the most nervous person I have ever met. May and Robbie | :14:15. | :14:20. | |
together. You are terrified, but you must be so relieved. | :14:20. | :14:25. | |
estranged, because we do a live show every night, but this is a | :14:25. | :14:28. | |
whole new ball-game. -- it is really strange. You are doing | :14:28. | :14:32. | |
something you have never done before, and you only get one go. | :14:32. | :14:35. | |
You do not even know if your legs are going to work, let alone | :14:35. | :14:40. | |
anything else. I loved your face when she said your name, you went, | :14:40. | :14:46. | |
what, is that my name? I am not sure! How shocked are you? We were | :14:46. | :14:51. | |
third from the bottom, nothing is a given, who knows? I just thought, I | :14:51. | :14:56. | |
could be home next week watching everybody. We have a treat now, get | :14:56. | :15:01. | |
ready, he is one of Britain's best loved singers. He has sold over 8 | :15:01. | :15:04. | |
million albums worldwide, and here he is performing his brand new | :15:04. | :15:14. | |
:15:14. | :15:19. | ||
# Walk away. # That's what you do. | :15:19. | :15:27. | |
# And it looks like I'm. # Somebody you once knew. | :15:27. | :15:34. | |
# You're caught in a corner. # With nowhere to hide your eyes. | :15:34. | :15:42. | |
# Do you think you want to? # Say goodbye. | :15:42. | :15:47. | |
# Hey. Always the last to say. # Everything makes you feel like a | :15:47. | :15:51. | |
walking away. # Come on, come on, come on, come | :15:51. | :16:01. | |
:16:01. | :16:02. | ||
# Hey, always the last to say. # Everything makes you feel like a | :16:02. | :16:07. | |
walking away. # Come on, come on, come on, come | :16:07. | :16:17. | |
:16:17. | :16:18. | ||
# There's a bit of me. # That will always be with you. | :16:18. | :16:24. | |
# And something tells me. # This is long overdue. | :16:24. | :16:31. | |
# Hey, always the last to say. # Everything makes you feel like a | :16:31. | :16:36. | |
walking away. # Come on, come on, come on, come | :16:36. | :16:45. | |
# Hey, always the last to say. # Everything makes you feel like a | :16:45. | :16:51. | |
walking away. # Come on, come on, come on, come | :16:51. | :17:00. | |
# Come on, come on, come on, come # Come on, come on, come on. | :17:00. | :17:10. | |
:17:10. | :17:16. | ||
# Come on, come on, come on, come # Like a dream. | :17:16. | :17:23. | |
# The sky is falling. # Is it you who's talking? | :17:23. | :17:29. | |
# Can I take these words away? # Hey. | :17:29. | :17:36. | |
# Hey, always the last to say. # Everything makes you feel like a | :17:36. | :17:41. | |
walking away. # Come on, come on, come on, come | :17:41. | :17:48. | |
# Like a dream. # The sky is falling. | :17:48. | :17:57. | |
# Is it you who's talking? # Can I take these words away? | :17:57. | :18:02. | |
# Like a dream. # The sky is falling. | :18:02. | :18:12. | |
:18:12. | :18:28. | ||
# Is it you who's talking? Absolutely brilliant. | :18:28. | :18:32. | |
The judges have been released from their desk to join me up here. | :18:32. | :18:42. | |
:18:42. | :18:46. | ||
You have got legs. Yes, fully functional. We should say, there is | :18:46. | :18:53. | |
up at the member of the group. Who is it? Prick Up Your ears, it is | :18:53. | :19:01. | |
Len's Lens. That's lovely. Every move they make, every step they | :19:01. | :19:06. | |
take, en brie rule they break, we will be watching them. They won't | :19:06. | :19:12. | |
get away with anything. We can talk about details. You want to | :19:12. | :19:18. | |
specifically mention Nancy and Anton. This is them through Len's | :19:18. | :19:26. | |
Lens. Talk me through it. Look out. I didn't want it in a slow-motion. | :19:26. | :19:32. | |
I wanted speeded up, it went wrong. This is where the heartache began. | :19:33. | :19:40. | |
It was as though they were doing two separate dances. A sell sign | :19:40. | :19:46. | |
and a Foxtrot. It all went pear- shaped. -- a Salsa. We have a clip | :19:46. | :19:50. | |
of Nancy backstage. They are completely wrong. Completely wrong, | :19:50. | :20:00. | |
:20:00. | :20:00. | ||
yes. Completely wrong, boys and girls? She is at crazier than I am! | :20:00. | :20:06. | |
I think this was pretty unanimous. I have never scored lower than | :20:06. | :20:15. | |
Craig. You were very harsh. You want to talk about Chelsee. Yes, | :20:15. | :20:21. | |
eat your heart out, Beyonce. Look at her. It takes a lot of | :20:21. | :20:28. | |
confidence to do that. For Pasha to let us start a routine night that | :20:28. | :20:34. | |
on her own is fantastic. Down she does. Polishing the floor. There | :20:34. | :20:38. | |
are some things you can't teach. She is dancing with her heart and | :20:38. | :20:48. | |
soul. Great energy. Fantastic. Craig, you were very harsh with the | :20:48. | :20:52. | |
Robbie in week one, and then you said he was brilliant. He's having | :20:52. | :20:57. | |
the time of his life. I didn't go that far, actually. It's a vast | :20:57. | :21:01. | |
improvement on last week, definitely, and he was dancing in | :21:01. | :21:05. | |
that time with panache, style, and he copes with the umbrella very | :21:05. | :21:14. | |
very well. A very difficult thing to do with and I thought he did | :21:14. | :21:24. | |
:21:24. | :21:25. | ||
spectacularly well. Bruno, you want to talk about a metre. -- Anita. | :21:25. | :21:29. | |
She got her knickers and a twist but she never really dropped her | :21:29. | :21:33. | |
performance. She covered it other beautifully and carried on like a | :21:33. | :21:41. | |
true professional. Look at her face. She's having a great time. That's | :21:41. | :21:45. | |
what you have to do. Are some things can go wrong but it can't | :21:45. | :21:50. | |
stop you carrying on of. Yes. That's hard. It's very difficult to | :21:51. | :21:55. | |
put up most people collapse and then can't keep it up. They go into | :21:55. | :22:00. | |
a terrible mess but she carried on. She is a performer. When things go | :22:00. | :22:04. | |
wrong, you just get on with it, cover them up and do the best you | :22:04. | :22:14. | |
:22:14. | :22:14. | ||
can have. Thank you. This is for Russell Grant. He is so happy. Look | :22:14. | :22:24. | |
:22:24. | :22:33. | ||
It is ecstasy, he's hires a kite. - - he is as high as a kite. Go on, | :22:33. | :22:40. | |
Russell! He is a beauty. You scored him well for the entertainment | :22:40. | :22:46. | |
factor. He was fun, entertaining, he came out and danced with gusto. | :22:46. | :22:51. | |
You have to respond to the audience, as well. We do it for the public. | :22:51. | :22:55. | |
The audience were on their feet to. He must have done something right. | :22:55. | :22:59. | |
Thank you very much, judges. Now, next week is Broadway Week where | :23:00. | :23:02. | |
our couples must embrace the world of musical theatre. And auditions | :23:02. | :23:12. | |
:23:12. | :23:12. | ||
Apology for the loss of subtitles for 161 seconds | :23:12. | :23:55. | |
I always preferred Phillip I am not practically perfect in | :23:55. | :24:05. | |
:24:05. | :24:26. | ||
There is still hope. I want to make you popular. I'm going to be | :24:26. | :24:33. | |
popular! That green no one has really nailed her character. -- | :24:33. | :24:43. | |
:24:43. | :24:44. | ||
The boy on the left has got no control over his feet. Lovely hair, | :24:44. | :24:54. | |
:24:54. | :25:02. | ||
So ungrateful. Where was your motivation? I couldn't see where I | :25:02. | :25:12. | |
:25:12. | :25:17. | ||
was going, could die? Don't call us, That is absolutely brilliant. | :25:17. | :25:22. | |
Broadway is made for you. It it's going to be a lot of fun. Can you | :25:22. | :25:29. | |
give us a clue? A bit of a tango experience. OK, brilliant. So it's | :25:29. | :25:32. | |
Broadway next for these six couples, but what about the rest? Back to | :25:32. | :25:35. | |
you, Tess. Thanks, Claudia. Seven couples left. But who is safe and | :25:35. | :25:45. | |
:25:45. | :26:25. | ||
In no particular order. Safely Rory and Erin. The next couple safe | :26:25. | :26:35. | |
:26:35. | :26:35. | ||
Apology for the loss of subtitles for 161 seconds | :26:35. | :27:42. | |
Dancing again next Saturday are... Nancy and Anton and Edwina and | :27:42. | :27:46. | |
Vincent, One of you is safe. One of you is in the bottom two. I can | :27:46. | :27:56. | |
:27:56. | :28:01. | ||
reveal that the couple in the Congratulations. You are through to | :28:01. | :28:11. | |
:28:11. | :28:18. | ||
Edwina and Vincent are in danger. Are you surprised? I don't want to | :28:18. | :28:22. | |
see Edwina leaving in a hurry because a dance can change from | :28:22. | :28:27. | |
week to week. She could get a dance which suits her style and on she | :28:27. | :28:35. | |
goes. Poor old Edwina. Craig, next week for the first time ever, we | :28:35. | :28:40. | |
are going to Broadway. What are you looking forward to seeing? That's | :28:40. | :28:46. | |
my genre. We are looking for great storytelling, a beginning, middle | :28:46. | :28:51. | |
and an end. Of course, it's all character-driven. Brilliant dancing. | :28:51. | :28:58. | |
On top of that, have to tell a really good story. Thank you, | :28:58. | :29:04. | |
judges. I can't wait for Broadway. Claudia. Thanks, Tess. Tonight's | :29:04. | :29:11. | |
bottom two couples are with me now. You must have loved Len saying he | :29:11. | :29:16. | |
didn't want you to leave. I wish to give any higher marks and said it | :29:16. | :29:21. | |
sooner. Vincent, you said you devastated. We have so much more to | :29:21. | :29:27. | |
show. I'm so proud of her and she has been working hard. We have got | :29:27. | :29:34. | |
some great stuff coming if we stay in. Audley, have you got lots more | :29:34. | :29:41. | |
to give? Yes, 100% up. It has been great. It has been fun. I don't | :29:41. | :29:46. | |
think I deserve to be here, but, you know, it's all good. Thank you. | :29:46. | :29:55. | |
Sadly, we are about to say goodbye to either Audley or Edwina. Here's | :29:55. | :30:02. | |
how they've entertained us. I don't want to go home tonight. I've come | :30:02. | :30:06. | |
from California and I do wonder go back on a plane tonight. My | :30:06. | :30:09. | |
confidence has improved because I am training more, feeling more | :30:09. | :30:15. | |
confident. I'm starting to get into Strictly Come Dancing. I want the | :30:15. | :30:20. | |
people at home to be excited by my routines. I want the public to | :30:20. | :30:27. | |
support me. If I was the first to leave, I would be gutted. I feel | :30:27. | :30:31. | |
I've only just begun to get into it, to figure out what I'm supposed to | :30:31. | :30:38. | |
be doing. Since last week, I have got stronger, but I am not a | :30:38. | :30:44. | |
ballroom dancer, but a Latin chick. I can't wait to get back to that. I | :30:44. | :30:47. | |
don't want to go home because the chance to learn to dance, | :30:47. | :30:50. | |
especially with somebody like Vincent, it's just unbelievable, | :30:50. | :31:00. | |
:31:00. | :31:02. | ||
One of you is about to leave the competition for good. It's the | :31:02. | :31:12. | |
:31:12. | :31:18. | ||
Audley, Craig said you can't run it like a normal person or a boxer. | :31:18. | :31:22. | |
Edwina, Bruno said it was like watching a bendy bus going around | :31:22. | :31:31. | |
the roundabout. I can now reveal the first couple leaving a Strictly | :31:31. | :31:41. | |
:31:41. | :32:07. | ||
Edwina and Vincent, please come and I'm so sorry. Nobody wanted to be | :32:07. | :32:12. | |
the first to go. Edwina, how do you feel saying goodbye to Vincent? | :32:12. | :32:16. | |
feel sorry for Vincent because he has worked very hard, been a | :32:16. | :32:21. | |
terrific teacher, he really has, anything we did wrong, it was | :32:21. | :32:28. | |
entirely my fault. No. Whoever Dances With Vincent is a very lucky | :32:28. | :32:34. | |
lady. I just want to say I had so much fun with the which I didn't | :32:34. | :32:40. | |
expect, because you wear a politician must. That's hard for me. | :32:40. | :32:45. | |
I thank you for that and I will always remember you. It has been a | :32:45. | :32:49. | |
pleasure. Off you go and prepare for your last dance. Thank you so | :32:49. | :32:58. | |
much. Edwina and Vincent will join Zoe on Monday's It Takes Two, 6:0pm | :32:58. | :33:01. | |
on BBC Two. I'll be watching. And for non-stop exclusives, news and | :33:01. | :33:05. |