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Lisa was slipping all over the floor. If she goes over because she | :06:04. | :06:08. | |
is slipping, that is my head. Better safe than sorry to put | :06:08. | :06:14. | |
rubber on the bottom of the souls. But it did hinder... Kind of my | :06:14. | :06:20. | |
fault. She was doing perfectly in rehearsal. If you look at the Tate. | :06:20. | :06:28. | |
Bonfire Night it just happens like that. Fastest Charleston Darcy has | :06:29. | :06:36. | |
ever seen. Can't get faster? Nice and calm from now on. It is no | :06:36. | :06:41. | |
wonder when you are going at such a speed that you were a cup a certain | :06:41. | :06:51. | |
:06:51. | :06:56. | ||
odour! I should have my own fragrance. I once this! I love you | :06:56. | :07:06. | |
:07:06. | :07:16. | ||
A smell that longer has -- lingers longer than he does. Mine would | :07:16. | :07:24. | |
smell of chips and gravy! brilliant. We've had words with our | :07:24. | :07:33. | |
friends in Paris, do finest oils they could find. Fabulous. | :07:33. | :07:38. | |
Shepherd's Bush market! This week you are doing the tango. Do you | :07:38. | :07:42. | |
think that could work in your favour? Yes, we are doing nothing | :07:42. | :07:48. | |
like we've done before. It is not as fast. We are going to do proper | :07:48. | :07:51. | |
dancing with proper footwork, hopefully my frame will be all | :07:51. | :07:57. | |
right. Is the frame something you've been struggling with? You | :07:57. | :08:00. | |
said that sometimes you felt the steps were not going in. They | :08:00. | :08:06. | |
weren't. We've had to go back to the old-fashioned way of calling | :08:06. | :08:14. | |
something old fashioned. We've got braces this week. They were just | :08:14. | :08:19. | |
not going in, the steps. I think the build up of all of the dances, | :08:19. | :08:25. | |
it becomes hard to remember more and more. Your music is this. | :08:25. | :08:30. | |
# Come on, let's stick together. Is it nights to be back in his arms | :08:30. | :08:34. | |
again? It is amazing. You had better put your perfume on | :08:34. | :08:44. | |
:08:44. | :08:45. | ||
tomorrow! I have heard that someone else... He is divine, Artem. It was | :08:45. | :08:50. | |
that Bolero last week. He did it for me. Can't wait to see your | :08:50. | :08:59. | |
tango this week, good luck. Have us Brits, it is classy. Back to the | :08:59. | :09:07. | |
training rooms and time to turn our attention to the first... This week | :09:07. | :09:12. | |
on dancing the foxtrot. But I am nervous about this week -- this one. | :09:12. | :09:16. | |
It is all about technique. You can't fault on your feet or your | :09:16. | :09:22. | |
frame. Is your knee bent? Good. Put your hand on my shoulder. This is | :09:22. | :09:27. | |
hard. He's got to be suave, sophisticated and seamless. He has | :09:27. | :09:32. | |
to get his foot work immaculate. Erin has decided I have to pull up | :09:32. | :09:38. | |
my trousers. There's no escape. That is a great look. I do like a, | :09:38. | :09:48. | |
:09:48. | :09:49. | ||
B Soc, but I stopped short of a full stocking. Good. It is a fund | :09:49. | :09:55. | |
dance, carnivore, party, a lot of steps to learn. I can't do it! | :09:55. | :10:00. | |
Never say can't! The hardest thing about this routine is being very | :10:00. | :10:05. | |
flamboyant with it. I'm not like that. We this dance, it is a matter | :10:05. | :10:11. | |
in -- matter of trying to balance out the Samba steps. Also to have | :10:11. | :10:17. | |
his own natural flow and feel. Trying to let loose and it might in | :10:17. | :10:22. | |
a Latin dance moves come out. got a really sell it, we've got to | :10:22. | :10:28. | |
bring a party on Saturday. This week we are doing the foxtrot. | :10:28. | :10:34. | |
Natalie said it is probably the hardest of the ballroom dancers. | :10:34. | :10:39. | |
Don't tilt. Keep the space. This is all about getting my legs deep into | :10:39. | :10:46. | |
the dance floor. Using more of the thighs whether quickstep was just | :10:46. | :10:50. | |
floating and dancing. He is improving and learning quicker. The | :10:50. | :10:55. | |
more time goes on, the easier it is getting to teach him. Six weeks ago | :10:55. | :11:00. | |
I literally could not do anything. I just think Michael is at his best | :11:00. | :11:10. | |
:11:10. | :11:12. | ||
in hold. I'm more excited about Time to distract the busy as Lady | :11:12. | :11:19. | |
in Television Centre. -- busiest lady. We've had Hollywood, and have | :11:19. | :11:24. | |
a wing, this week good old- fashioned dancing. -- Hallowe'en. | :11:24. | :11:29. | |
Is that easier? In it should be but it hasn't been. Last week Denise | :11:29. | :11:33. | |
had some trouble with her legs. Len was complaining about the length of | :11:33. | :11:39. | |
her skirt with the cha-cha-cha. At what point do you have to take into | :11:39. | :11:42. | |
consideration their technique when you are deciding their dresses? | :11:42. | :11:45. | |
Fifth we look at their training footage through the week and we try | :11:45. | :11:48. | |
to assess how they're getting a long and what we need to do to help | :11:49. | :11:53. | |
them. Sometimes we might give more flair to was girt so there's more | :11:53. | :11:59. | |
movement. I thought Denise looked fantastic. We are looking out for | :11:59. | :12:04. | |
what we can do to assist them. is doing double room this week and | :12:04. | :12:08. | |
she has a lovely long it's good. What can you tell us about it? | :12:08. | :12:12. | |
is very delicate and glamourous. Gold and silver embellishment and | :12:12. | :12:17. | |
it fades down into peppermint. laugh this! Off the shoulder. This | :12:17. | :12:22. | |
is the material. Something confusing, she's doing a Viennese | :12:22. | :12:28. | |
waltz but her dress is designed like a foxtrot dress. Why? It is a | :12:28. | :12:31. | |
slim for lifting line over the hips and then it has a gentle flair. | :12:32. | :12:36. | |
Viennese waltz stresses would generally be the much bigger. -- | :12:36. | :12:42. | |
dresses. Much more of a princess dress. She is spinning so much but | :12:42. | :12:47. | |
she made it more slimline. You yes. Danny is doing the jive this week. | :12:47. | :12:52. | |
What's have we got for her? She is wearing a hot pink crystal | :12:53. | :12:57. | |
underbody and then we have a 1950s style dressed nipped in at the | :12:57. | :13:07. | |
:13:07. | :13:08. | ||
waist. A little bit cheeky. P she is cheeky! This is the material. Of | :13:08. | :13:12. | |
also heard a rumour that I may have started that the boys are showing | :13:12. | :13:17. | |
more flesh this week. Yes. Lewis- Smith has requested more flesh on | :13:17. | :13:24. | |
show. Artem is showing an interest in having less garments. Really? He | :13:24. | :13:30. | |
can't wear much less than last week! Mr redressed... This week it | :13:30. | :13:37. | |
is samba. -- a mystery dress. beautiful. Give us some clues. | :13:37. | :13:45. | |
Crystal acts. No more than that. It is stunning. Wardrobe department, | :13:45. | :13:53. | |
well done. Key loads of people. Last weekend was amazing. Keep up | :13:53. | :14:01. | |
the good work. Back to the training rooms. We are dancing a foxtrot. | :14:01. | :14:08. | |
This week is about having fun. I am here to show what I can do so I | :14:08. | :14:14. | |
want to make sure I get better. is great that he feels like he can | :14:14. | :14:19. | |
bring some character to the dance. I've added a bit of choreography. | :14:19. | :14:23. | |
There's a couple of kicks which originally Kristina was doing on | :14:23. | :14:28. | |
her own. I wanted to do one. always thought I could kick the | :14:28. | :14:33. | |
highest and he is kicking even higher than me, unbelievable. I | :14:34. | :14:39. | |
hope those kicks on Saturday night will impress everyone. This week we | :14:39. | :14:43. | |
are dancing the rumba, trying to express your romantic sense will be | :14:43. | :14:49. | |
difficult. I don't have a mask to hide behind this week. The rumba is | :14:49. | :14:54. | |
foreign to him. It seems a bit awkward. Trying to think about a | :14:54. | :15:01. | |
step but also a hip, that is hard. You have to believe in it. Nicky is | :15:01. | :15:07. | |
not a natural spinner. So spinning is not for me. His eyes are crossed. | :15:07. | :15:13. | |
We have to get rid of these acts bins! No. I want those spins in | :15:13. | :15:17. | |
their weather or not he is having a tantrum. He will be spinning on the | :15:17. | :15:23. | |
night. Looking good. Now the return of a much-missed friend. For the | :15:23. | :15:27. | |
past four weeks he's been beavering away in the archives with only a | :15:28. | :15:32. | |
pocket calculator for company working out a organisms for your | :15:32. | :15:42. | |
:15:42. | :15:51. | ||
delectation. P Russell Grant is Please welcome Russell Grant! We | :15:51. | :15:57. | |
have missed you. So excited to have you back. Or you laughing this | :15:57. | :16:03. | |
year? Yes. I'm enjoying every bit of it. Any favourite performances? | :16:03. | :16:12. | |
Yes. Those two, their jive. Denise and James. She is not bad! | :16:12. | :16:21. | |
quickstep last week. For Michael. And Natalie. And Flavia. Is it hard | :16:21. | :16:27. | |
to see you -- her in the arms of another man? And not really! She is | :16:27. | :16:37. | |
my stage daughter. I'm getting the relationships confused! Hours is a | :16:37. | :16:42. | |
very simple relationship. We love each other. Strictly facts. What | :16:42. | :16:47. | |
have you found? Let's start with the training hours, every one | :16:47. | :16:54. | |
wonders how long people trained for. For this week only, up to yesterday, | :16:54. | :16:59. | |
Michael Vaughan, 26 hours. Impressive stuff. Who is about to | :16:59. | :17:07. | |
be relegated? Denise with 16! have you been doing? She wants a | :17:07. | :17:13. | |
recount! He but her turn is coming. If we go back over the whole series | :17:13. | :17:21. | |
so far, Michael is still way in the lead with 197.5, but look at Denise. | :17:21. | :17:31. | |
:17:31. | :17:32. | ||
It's all right! Who is at the bottom? She is still brilliant. | :17:32. | :17:36. | |
You've been digging deeper into the archives of Strictly Come Dancing. | :17:36. | :17:41. | |
What are your findings? I've been going through the Strictly history | :17:41. | :17:47. | |
and it tells us about the class of 2012. And who might come out on top. | :17:47. | :17:51. | |
Shall we start by looking at all the participants up to series nine? | :17:51. | :17:56. | |
How many have we had? celebrities. We remember all of | :17:56. | :18:04. | |
them. Are you ready? 40 actors, 25 broadcasters and presenters, 23 | :18:04. | :18:11. | |
sports stars, 12 musicians, five models, two MPs, two chefs, one | :18:11. | :18:21. | |
:18:21. | :18:21. | ||
Gardner, one astrologer! missing. A Nancy! We didn't know | :18:21. | :18:28. | |
where to put her. She will love that. Which profession has been | :18:28. | :18:36. | |
most successful? None of this lot. She aimed for the MPs. Me, Nancy, | :18:36. | :18:46. | |
:18:46. | :18:46. | ||
we've all had it. That's it. It is all about this lot. The actors, | :18:46. | :18:51. | |
presenters, sports people. Statistically speaking, who do you | :18:51. | :18:55. | |
think from this year could go all the way? We can see from this graph | :18:55. | :19:01. | |
that following professions have lifted the trophy. Actors, the most | :19:01. | :19:07. | |
successful group. Je Leigh Halfpenny, Tom, Kara Tointon, two | :19:08. | :19:14. | |
presenters. -- Je Leigh Halfpenny. Two sports stars, Darren Barr and | :19:14. | :19:24. | |
:19:24. | :19:24. | ||
Mark Ramprakash. Cricketers. Musicians. Alesha and Harry. That's | :19:24. | :19:30. | |
fine. Take all of that away with us, what about age? Does it make a | :19:30. | :19:34. | |
difference? The thing we need to take note of in that previous batch | :19:34. | :19:42. | |
with Jerry Hall now gone... No ever forgotten. -- never forgotten. | :19:42. | :19:46. | |
does mean our winner will be in the group we've just seen. For | :19:46. | :19:51. | |
following professions have done what they've done and now we've got | :19:51. | :19:59. | |
the ages. They've all been between 20 and 30 -- 20s and 30s. They have | :19:59. | :20:04. | |
lifted the trophy. What a fine bunch! All things considered, who | :20:04. | :20:10. | |
could end up on top this year? Statistically speaking. If we take | :20:10. | :20:14. | |
the professions and the ages, and we know thirtysomethings have done | :20:14. | :20:20. | |
it, we have one person who we need to look out for. Here she is. | :20:20. | :20:26. | |
Riley! One to watch. But the musicians have done well, too. As | :20:26. | :20:32. | |
they are both in their thirties, look at Kimberley and Nicky. Also, | :20:32. | :20:39. | |
presenters Denise and sports star. The right pages. Doesn't she look | :20:39. | :20:49. | |
:20:49. | :20:50. | ||
good for 38! She looks fabulous. I've had a lot of surgery! | :20:50. | :20:54. | |
cricketers in their thirties have won. He is another one, Michael. | :20:54. | :21:04. | |
:21:04. | :21:11. | ||
Looking at the archives, week four, has anyone from week four gone on | :21:11. | :21:21. | |
to win? Natasha, Jill and mark. With scores like that in week four, | :21:21. | :21:29. | |
35, 34, 35. Is that their wages or their schools? That is their | :21:29. | :21:39. | |
:21:39. | :21:42. | ||
schools I think it. A special mention to Chris. He only | :21:42. | :21:49. | |
scored 25 with his salsa but look what happened. So Colin. Anybody | :21:49. | :21:55. | |
peak too soon in week four, Russell. Do you know, I really wish you | :21:55. | :22:02. | |
hadn't asked me back. The reason is as follows. The highest ever score | :22:02. | :22:10. | |
recorded his 36 at Wijk four. Mat and Chelsea. -- a week four. And | :22:10. | :22:20. | |
:22:20. | :22:22. | ||
She was good. She was robbed! lesson for us all, never ever | :22:22. | :22:28. | |
peaked prematurely. Thank you very much, Russell Grant! You are | :22:28. | :22:34. | |
amazing. So lovely to have you back. Now time to head back to the | :22:34. | :22:41. | |
training room to find out how the last of the girls have been doing. | :22:41. | :22:51. | |
:22:51. | :22:52. | ||
We are doing pasa doble which I am very excited about. I like the | :22:52. | :22:58. | |
drama, I like the foot stamping. I like having to look fierce. If we | :22:58. | :23:03. | |
can manage to attack every single step, it will be great. | :23:03. | :23:07. | |
challenging bits are being dragged around the floor. Don't tell him | :23:07. | :23:13. | |
that my hips are hurting. By Saturday, I will either be pain- | :23:13. | :23:23. | |
:23:23. | :23:26. | ||
This week we are doing the jive which I am so excited about. It is | :23:26. | :23:31. | |
one of my favourite dancers. In my opinion it will be one of her best | :23:31. | :23:36. | |
dancers because it works very well for little people. We have got a | :23:36. | :23:42. | |
lot of kicks in this jive and they are not easy at all. It is so fast | :23:42. | :23:47. | |
and confusing. You know where I said this could be heard dance, | :23:47. | :23:56. | |
scrap it. To the think it will be The judges will be staring at my | :23:56. | :24:01. | |
feet the entire time. As long as they get them nice and sharp, I'll | :24:01. | :24:05. | |
be OK. This week we are stars and the Viennese waltz which I am very | :24:05. | :24:12. | |
excited about. -- we are dancing of the Viennese waltz. I do get dizzy | :24:12. | :24:19. | |
because I have been spending so much. The Viennese waltz rotates | :24:19. | :24:27. | |
continuously around the floor. I have put a routine together wit and | :24:27. | :24:33. | |
-- which rotates continuously. Sometimes I am spinning so much I | :24:34. | :24:37. | |
am literally seeing stars. That is something I have to work, and | :24:37. | :24:44. | |
hopefully get used to buy Saturday. Is it is making me dizzy! Please | :24:44. | :24:49. | |
welcome my final guests, Denise and James. First of all, you want a | :24:49. | :24:58. | |
recount, because her -- training hours are not right. 24 this week. | :24:58. | :25:05. | |
That has not included today. much did you enjoy the Halloween | :25:05. | :25:10. | |
show and your cha-cha-cha. enjoyed the show, brilliant. It | :25:10. | :25:18. | |
could have been much better. Can I mention the first pit? You have | :25:18. | :25:26. | |
been mentioning it all week! I love the fact you are an amazing dancer | :25:26. | :25:31. | |
but even you can be a klutz. Let's have a look in slow motion at the | :25:31. | :25:37. | |
knees's entrance on the dance floor. If you can see she is so angry. | :25:37. | :25:41. | |
the rehearsal and dress rehearsal I tripped and James said, whatever | :25:41. | :25:46. | |
you do, do not trip on the live show and I said I would not. Look | :25:46. | :25:51. | |
what happened. He went on to do what we thought was a brilliant | :25:51. | :25:57. | |
cha-cha-cha. Can I say, every girl watching the show, we all want your | :25:57. | :26:01. | |
legs. They are incredible. Who would have thought they could get | :26:01. | :26:09. | |
you into so much trouble. They were so exposed. Affair, and from then. | :26:09. | :26:15. | |
But to learn the cha-cha-cha in four days and master the technique | :26:15. | :26:23. | |
is really difficult. Next time, a long dress. And Knowsley Park. Last | :26:23. | :26:33. | |
:26:33. | :26:37. | ||
week, Vincent got a bit of stick. Have a look at this. That is scary. | :26:37. | :26:42. | |
Everybody was saying you were looking like Tom Jones. He has more | :26:42. | :26:48. | |
hair than me which is worrying. went to the top of the leaderboard, | :26:48. | :26:52. | |
was it a disappointment or does it take the pressure of? I think it | :26:52. | :26:57. | |
takes the pressure off. It is impossible to stay at the top of | :26:57. | :27:00. | |
the leaderboard. This year, the standard is so high. There are so | :27:01. | :27:06. | |
many great dancers, more so than any other year. I know we said that | :27:06. | :27:10. | |
every year but this year the standard is rare high. It makes you | :27:10. | :27:14. | |
work harder. You have gone back into the ballroom this week and you | :27:14. | :27:18. | |
were doing the Viennese waltz. You are falling in love with it. I like | :27:18. | :27:26. | |
it. When I get it right, I love it. Your posture was dodgy there. | :27:26. | :27:34. | |
never stops! I suppose that is his thing. Week think you have to do a | :27:34. | :27:40. | |
bit of work on being ladylike. Denise is a true Essex girls | :27:40. | :27:47. | |
through and through and she does not really disgraceful that well. | :27:47. | :27:53. | |
think I can do graceful. My knickers have gone up my bum! I am | :27:53. | :28:01. | |
not like a geyser bird. I have been trying to get her elegant her. I | :28:01. | :28:10. | |
turn round and she is raising. No, Denise, no. I will try and be a bit | :28:10. | :28:19. | |
more elegant. I do not know if it is working or not? You did a snort. | :28:19. | :28:29. | |
:28:29. | :28:30. | ||
You have still got the Essex in the. I love your snorting! This is the | :28:30. | :28:37. | |
music, it will be so romantic. Hughes scored 441 of your Viennese | :28:37. | :28:44. | |
waltz. But Hannah was good. Stock it! Do you have to put up with this | :28:44. | :28:48. | |
all week? Are I'm going to vote myself out so I can go on holiday | :28:48. | :28:54. | |
and get away from it. Are you confident? We will see. What do you | :28:54. | :29:01. | |
think? I think so. It is a tough routine but she can do it. Denise | :29:01. | :29:08. |