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Hello welcome to Friday's it takes twofplt I have amazing array of | :00:15. | :00:22. | |
guests for you. We have scrunched up to the sofa. Last week scary, | :00:22. | :00:29. | |
this week sexy. Kimberly and Pasha. Victoria and Brendan are here. | :00:29. | :00:35. | |
Later on we'll go to the big studio and look at Michael ballroom hero, | :00:35. | :00:42. | |
trying out a foxtrot. And a rose between two thorns, Sarah Millican, | :00:42. | :00:51. | |
and Vernon Kay is reining champion only Harry Judd! It's going to be a | :00:51. | :01:01. | |
:01:01. | :01:40. | ||
This is strictly It Takes Two! Please welcome your host Zoe. | :01:40. | :01:46. | |
Welcome to It Takes Two, in just 23 hours, and 58 minutes, and 24 | :01:46. | :01:50. | |
seconds, 11 couples will take to the dancefloor. And after the | :01:50. | :01:56. | |
surprises last week we can't begin to guess who will be in trouble. In | :01:56. | :02:01. | |
a moment I'll talk to Victoria and Brendan who will pull out a | :02:01. | :02:05. | |
showstopper. This is how they tangoed their way to glory last | :02:06. | :02:13. | |
week. I have faith in you, you have faith in yourself. This was a | :02:13. | :02:17. | |
proper tango. The whole feeling was good. Powerful, great could have | :02:17. | :02:26. | |
graphy, I loved it. You lost a bit of posture. I thought the routine | :02:26. | :02:32. | |
was brilliant. Excellent. Musicality was brilliant. The true | :02:32. | :02:40. | |
tango woman of the night! Oh my God! I lost my shape, and I was Oh | :02:40. | :02:50. | |
:02:50. | :02:50. | ||
no! So annoyed. Look at you shine! Saturday was a nice day for a white | :02:50. | :02:57. | |
wedding. A better one for a perfect tango, Victoria and Brendan. Joint | :02:57. | :03:01. | |
second on the leaderboard with Kimberly and Michael. You shot up | :03:01. | :03:05. | |
the leaderboard. Are you pleased? Really, really pleased. A much | :03:05. | :03:10. | |
higher score than I imagined to achieve. Very happy. Were you | :03:10. | :03:17. | |
confident. From the start. From the first moment we took hold in tango, | :03:17. | :03:23. | |
they -- she had a feel for it. She drove around the floor. So powerful. | :03:23. | :03:31. | |
Look at the results. Was there bad boy Brendan in the training field | :03:31. | :03:36. | |
last week. Probably aggressive. Just in a way of let's power this, | :03:36. | :03:43. | |
a bit of the come on, you can do it. I like seeing the return of bad | :03:43. | :03:51. | |
brandian! I secretly like him. We saw a few of the dancers not up | :03:51. | :03:57. | |
there in the beginning, chabs -- what has chapbgd. Joos time passes | :03:57. | :04:02. | |
people become more confident, and people who were not the performers | :04:02. | :04:10. | |
before, are finding their dancing feet. A bit of confidence goes a | :04:10. | :04:15. | |
long way. Samba, I've heard you have had a tough week with the | :04:15. | :04:22. | |
Samba, is it the dance? I'm having a bad week. I don't want to look at | :04:22. | :04:28. | |
the VT there! It's not bad, you look good! Really struggling with | :04:28. | :04:34. | |
the rhythms. The changing rhythms. One rhythm is more than enough per | :04:34. | :04:40. | |
dance, thank you very much!. build up of the learning of the | :04:40. | :04:47. | |
dances, your brain only so much you can take in. I've reached the | :04:47. | :04:55. | |
maximum. I need a day off. A trip to the Caribbean. Let's go. Why is | :04:55. | :05:01. | |
the Samba so difficult. It's the toughest to dance and teach. | :05:01. | :05:07. | |
There's given rhythms. Even the bounce is not a bounce, you you | :05:07. | :05:13. | |
still stay smooth, you absorb the rhythms in the feet. There's so | :05:13. | :05:23. | |
much to learn, you could not teach is in a week. The good news you're | :05:23. | :05:29. | |
dancing it to Tom Jones, Bounce, and da... That's all I remember! | :05:29. | :05:36. | |
When you are feeling down you have Brendan with you in the training | :05:36. | :05:41. | |
room 24/7 giving encouragement. you feel wiek a woman bell, and you | :05:41. | :05:51. | |
start dancing like a woman bell, then you'll look like a womble. You | :05:51. | :06:01. | |
:06:01. | :06:03. | ||
have to embrace the wombbel, and be a flamboyant want. I'm a wombel. | :06:03. | :06:13. | |
:06:13. | :06:16. | ||
Even saying I feel like a womble, even though you look like... Great. | :06:16. | :06:23. | |
You say crazy stuff. Most of it we want show! Have you had a point | :06:23. | :06:31. | |
where it has clicked into place. Not yet. Whoops. We have a dress | :06:31. | :06:37. | |
rehearsal tomorrow. Fingers crossed. Is it frustrating to go from the | :06:37. | :06:42. | |
high of tango, to find it frustrating this week. It has been | :06:42. | :06:47. | |
difficult. I was surprised with the result last week. I d it was more | :06:47. | :06:53. | |
than I expected. I did not expect to replicate that. At least | :06:53. | :06:58. | |
remember the steps Vicky. Come on. Your fiance has been to see the | :06:58. | :07:07. | |
show. What is he thinking? A lot less stressful than watching me | :07:07. | :07:16. | |
cycle apparently! In a minute I'll be talking -- chatting to Kimberly | :07:16. | :07:24. | |
and Pasha. First a reminder of last Saturday. I enjoyed that movement | :07:24. | :07:30. | |
of your leg, generally very, very nice. A very, very confident | :07:30. | :07:36. | |
performance. I would have liked a tad more aggression. Your lines | :07:36. | :07:42. | |
were excellent. The extension of the spine beautiful. Very well done. | :07:42. | :07:51. | |
It was punty, fantastic shaping. I really, really liked it. We're so | :07:51. | :07:56. | |
happy we're climbing up the leaderboard. By far our highest | :07:56. | :08:06. | |
:08:06. | :08:08. | ||
score to date. I'm happy. Hang ofpblt they took on the big bad | :08:08. | :08:17. | |
paso. Welcome red riding hood and Pasha. Con-- congratulations. The | :08:18. | :08:23. | |
highest scores you have had in the competition. We were really happy. | :08:23. | :08:29. | |
We're climbing up showly but surely. How sure were you it was going to | :08:29. | :08:38. | |
be a good dance? I never feel sure. It feels like a blur. Afterwards | :08:38. | :08:42. | |
you're like I'm not sure what happened. It seemed nice. | :08:43. | :08:47. | |
judges were saying nice things, let's take that. Less than wanted | :08:47. | :08:51. | |
more aggression. I thought your paso lines were amazing. How much | :08:51. | :08:55. | |
do you put into the character and how much about learning the steps. | :08:55. | :09:01. | |
I try to work on the character, but with nerves a bit goes away, which | :09:01. | :09:07. | |
Pasha tells me. Now it's starting to sink in, I need to give a bit | :09:07. | :09:13. | |
more. I'm working on that. Even when they give you positive judges | :09:13. | :09:19. | |
-- comments from the judges, you take it on board. I know there is. | :09:19. | :09:29. | |
:09:29. | :09:30. | ||
It's new for me, I can try and give a bit more next week. Does she put | :09:30. | :09:40. | |
pressure on herself? She does. It's my job! Have you seen him mad. | :09:40. | :09:46. | |
This week, saucy, sexy, salsa. I'm thinking you'll be good. How is it? | :09:46. | :09:52. | |
It has been fun. I feel more comfortable doing this kind of | :09:52. | :09:58. | |
routine to this song. I don't know if we're there with it yet. Trying | :09:58. | :10:04. | |
to bring it out. Do it again! We have noticed you have been getting | :10:04. | :10:14. | |
:10:14. | :10:36. | ||
carried away with yourself. Look at Whatever! Hundred... We can see you | :10:36. | :10:46. | |
:10:46. | :10:48. | ||
have had a bandage on your knee and a bit of injury. This has made | :10:48. | :10:56. | |
training difficulty. That's why it has -- it has so much footage with | :10:56. | :11:04. | |
Pasha dancing on his own. Have you had to adapt the routine -- routine. | :11:04. | :11:11. | |
We have 4 little changes. It feels good. I pick her up and carry her | :11:11. | :11:21. | |
:11:21. | :11:21. | ||
around! You have an amazing track this week. Bogel is it? No... I | :11:21. | :11:27. | |
have heard you're doing flying... We are. Have you done flying about | :11:27. | :11:37. | |
-- with Girls Aloud. I'm sitting on a ring which... Exciting. Is it | :11:37. | :11:46. | |
scary up there Not that bad. More exciting than scary. Scary getting | :11:46. | :11:54. | |
it -- off it. Have you got any lifts. Two scary lifts. He's like | :11:54. | :12:01. | |
they are not scary. They are. you going up high. It's more the | :12:01. | :12:08. | |
trust. I'm making her literally fall back and I'll catch her. | :12:09. | :12:18. | |
:12:19. | :12:19. | ||
the leap of faith. She's not weekend I imagine you'll be | :12:19. | :12:24. | |
brilliant! Kimberly and Pasha. Now, over the last few weeks our | :12:24. | :12:29. | |
meerkats have been completely wrong with their predictions on who is | :12:29. | :12:37. | |
going to top the leader boards. Clearly the males have no clues. | :12:37. | :12:46. | |
Time to try female intuition. Welcome Tulip and other animal | :12:46. | :12:56. | |
friends who wanted a piece of the action. She's going to choose Dani. | :12:56. | :13:06. | |
:13:06. | :13:10. | ||
No, Louis. Me! Choose Craig. Don't be stupid Craig is a judge... | :13:10. | :13:20. | |
told you Denise and James. donkey is my favourite. Tulip | :13:20. | :13:27. | |
thinks Denise and James will be top. Now the Friday panel -- Sarah | :13:27. | :13:37. | |
:13:37. | :13:39. | ||
Millican, Vernon Kay and Harry Judd. You look beautiful. Bolton's finest. | :13:39. | :13:49. | |
:13:49. | :13:50. | ||
After my dad and Coxy. And Peter and my family. Okay fourth. How is | :13:50. | :13:58. | |
life at home. Has Strictly taken over. This time of the year it's | :13:58. | :14:05. | |
nothing b but Strictly. We speak to Test, and get all the food ready, | :14:05. | :14:11. | |
and off we go. Do you have a say about her hair. I'm happy the | :14:11. | :14:16. | |
moment she gets to the bottom of the stairs. Without, there's a sigh | :14:17. | :14:26. | |
made it to the bottom of the stairs. We Show know you're a huge Strictly | :14:26. | :14:31. | |
fan. Who have you enjoyed? Everybody. I have a new attack. I | :14:32. | :14:38. | |
don't always watch the results show, in my head they are all still | :14:38. | :14:43. | |
dancing. I don't want people to leave. You pretend you have gone | :14:43. | :14:50. | |
for a coup of tea, when Jerry was dancing. They don't have the camera | :14:50. | :14:55. | |
on them all the time. There's another studio where they are | :14:55. | :15:01. | |
dancing. It's a film with a sad ending. You stop the film before | :15:01. | :15:06. | |
the ending. Welcome back, we have missed you, have you missed us? | :15:06. | :15:11. | |
This time of year feels like Strictly to me. When it turned | :15:11. | :15:20. | |
September, and the days gone sorter. I enjoyed watching Strictly. That | :15:20. | :15:28. | |
gave me for example. Do you net nervous. The first week. It's the | :15:28. | :15:38. | |
:15:38. | :15:39. | ||
most terrifying experience. Now I'm relaxed. Nicky and Karen dancing to | :15:39. | :15:45. | |
Aerosmith. You know the pressure Nicky is under of the the boy band | :15:45. | :15:52. | |
thing. He has been given a tough time with his posture. How is he | :15:52. | :15:59. | |
looking in the rumba Looking good. It's a tough dancing the rumba. | :15:59. | :16:07. | |
You're exposed. It's a ballad, Nicky should be dfrl with ballads. | :16:07. | :16:13. | |
You both sit on stools in boy bands. I used to sit back on the drums. | :16:13. | :16:20. | |
You're so exposed here. He's a lovely guy, I've been chatting to | :16:20. | :16:30. | |
:16:30. | :16:30. | ||
him. Kimberly and Pasha. Dancing to bothons. Do you bogel at home? | :16:30. | :16:40. | |
:16:40. | :16:44. | ||
when hoovering. It makes it more fun. -- Beyonce. I love her, she | :16:44. | :16:51. | |
looks confident and that she's enjoying herself. One of your | :16:51. | :16:58. | |
favourites? That dance. One of my least. You have to let go, and I | :16:58. | :17:06. | |
found it tough. It was Wembley last week. Kimberly looks like she has | :17:06. | :17:13. | |
it down. Colin and Christina doing the foxtrot to Aretha Franklin. | :17:13. | :17:22. | |
big fan of Colin. He's tall. His posture is perfect. His height lets | :17:22. | :17:29. | |
him down, he to bend his knees, if he dances with his normal posture, | :17:30. | :17:34. | |
shoulders back, he will do really, really well. I'm a big fan of kol | :17:34. | :17:44. | |
lin as well. No other reason. he sits on the same sofa as you, | :17:44. | :17:54. | |
:17:54. | :17:55. | ||
the sofa vibrates... Wow. I'll take the sofa home with me. Dani and | :17:55. | :17:59. | |
Vincent, these two are constantly in the middle of the table. | :17:59. | :18:06. | |
think the middle is a good place to be. You can take people by surprise. | :18:06. | :18:14. | |
If they work hard, you can take people by surprise. Fur always on | :18:14. | :18:23. | |
top, how boring is that? I don't know. Never been there. Louis... | :18:23. | :18:31. | |
Poorly. He's dancing a Samba to Ricky Martin. He's -- he has never | :18:31. | :18:37. | |
heard of Ricky Martin. He's so young. I think he needs to stop | :18:37. | :18:45. | |
thinking about the he is doing. It you can tell you is thinking of the | :18:45. | :18:52. | |
logic of the dance. If he just acts the dance. You can see him going | :18:52. | :19:00. | |
one, two, three, still counting. Does it get easier as the series | :19:00. | :19:07. | |
goes on. It does. You get fixated on the timing and the technique. | :19:07. | :19:17. | |
That's a good point. Are you enjoyed it between those two. | :19:17. | :19:24. | |
enjoying it. I like that he's getting the broken shirt. It | :19:24. | :19:33. | |
doesn't shut. Get yourself on, no time. Richard and Shirly, dancing | :19:33. | :19:40. | |
to Shirly bassy. He looks like he's having a good time. He's very funny. | :19:40. | :19:50. | |
:19:50. | :19:50. | ||
Great to watch. Can he -- he has, his scores have been stuck. Do you | :19:50. | :19:57. | |
think the foxtrot can turn that around for him (Richard Is a | :19:57. | :20:01. | |
brilliant performer. He doesn't look frightened. He gives it his | :20:01. | :20:08. | |
all. It's Roman Catholicing to watch. If his scores are stuck, | :20:09. | :20:15. | |
that could be read as consistant 12346789 always finding the | :20:15. | :20:25. | |
:20:25. | :20:30. | ||
positive. And Vernon, dancing the paso. Vernon give us paso! Love it! | :20:30. | :20:36. | |
Fern has had trouble, the judges saying they want more from her. | :20:36. | :20:44. | |
More of a killer Queen. Could it be a strong one more -- for her. | :20:44. | :20:54. | |
:20:54. | :20:54. | ||
than lovers the paso, he is always talking about the Argentinian... If | :20:54. | :21:00. | |
she plays the opposite role. She's -- she will do really, really well. | :21:00. | :21:04. | |
She doesn't find it difficult getting interest character. Her | :21:04. | :21:12. | |
relationship with the male dancer will show through. Do you have to | :21:12. | :21:18. | |
have a relationship with the male dancer? Yes in the contract! | :21:18. | :21:27. | |
Statutory. Would you like to do the show having heard that? Yes! Who do | :21:27. | :21:35. | |
you think will get the trophy? tight, between Kimberly Louis and | :21:35. | :21:45. | |
:21:45. | :21:50. | ||
Denise. I want Lisa to win. Pushing for a name. Westlife fans will be | :21:50. | :21:57. | |
victorious. Don't forget Sarah next year with Brendan. How I -- now I | :21:57. | :22:04. | |
can speak from experience. Strictly can take over your life. This is | :22:04. | :22:09. | |
the effect it has had on their lives. I had the Strictly bug after | :22:09. | :22:16. | |
a day of training. From that day forward, my life also a not really | :22:16. | :22:23. | |
been the same. Instantly when I walked into the dressing room and | :22:23. | :22:29. | |
saw the sequins and tkphriter. I was like this is going to be | :22:30. | :22:35. | |
brilliant. The moment I realised I loved Strictly wass the second day. | :22:35. | :22:42. | |
I thought I'll love this. It has given me an opportunity that -- an | :22:42. | :22:48. | |
opportunity to do something I wanted to do for a long time. | :22:49. | :22:55. | |
has unlocked my inner ballroom Latinness. Bringing that side out | :22:55. | :23:01. | |
of me. Strictly is such a unique and unusually experience unlike | :23:01. | :23:05. | |
anything I've done before. It has felt like a dream. I honestly don't | :23:05. | :23:13. | |
want it to end. I didn't think I l would be good at the ballroom. I'm | :23:13. | :23:21. | |
a bit of a tomb boy. Not lady like. I'm transforming. If you get a | :23:21. | :23:28. | |
chance to do Strictly, grab it. Once you get the make up on, and | :23:28. | :23:35. | |
the costume, it's show time. knee deep in Strictly come dancing. | :23:36. | :23:40. | |
Every weekend live in front of the millions. I didn't think I would | :23:40. | :23:48. | |
enjoy it as much as I have been. I'm having a good time out there. | :23:48. | :23:56. | |
I've been carrying the Strictly bug for the best part of a decade. I'm | :23:56. | :24:01. | |
having the -- I'm loving every minute of it. It's Friday. Get to | :24:01. | :24:10. | |
come in the big studio. Nicky... Michael Vaughan asked me to do this. | :24:10. | :24:20. | |
:24:20. | :24:20. | ||
He really has you as his little slave! Eight couples dancing. No | :24:21. | :24:28. | |
gimmicks. Congratulations to make yell and Natalie. Howzat for you, | :24:28. | :24:36. | |
Michael? How's nat! It was an amazing feeling. I never thought I | :24:36. | :24:43. | |
would get a standing ovation for dancing. When you go to Bruce and | :24:43. | :24:53. | |
:24:53. | :24:55. | ||
get the comments... He will do anything to get on TV. It's frozen! | :24:55. | :25:02. | |
I say! Behave yourself. Back to Saturday. You said all you wanted | :25:02. | :25:09. | |
was a seven from less than. You got an eight. Craig was speechless. He | :25:09. | :25:19. | |
could not talk. I've worked out the formula with Craig. My VT I was in | :25:19. | :25:26. | |
bed with him. You need do it with Bruno. You have put the most | :25:26. | :25:33. | |
training. The most hours. Last week you put in the most hours. She's an | :25:34. | :25:43. | |
amazing teacher. We have done a lot of hours. It has been positive. And | :25:43. | :25:47. | |
she gives me the glare when I get it wrong. When you start from | :25:48. | :25:53. | |
scratch. The only way to get better is put in as much work as possible. | :25:54. | :26:01. | |
It's also great fun. This week, are you feeling the pressure to stay up. | :26:01. | :26:06. | |
The pressure is more on, people expect us to out perform last week. | :26:06. | :26:12. | |
We have done the same as the week before. We have put all the hard | :26:12. | :26:21. | |
work in. So many messages you, Chris got in touch, S and said so | :26:21. | :26:27. | |
happy for them. Lee said great to see Michael's improvement. Natalie | :26:27. | :26:34. | |
is is a -- delight. How has training been this week. Really | :26:34. | :26:40. | |
good. Mike is working on the posture, and timing. It's a great | :26:40. | :26:45. | |
song and nice choreography. Doing ballroom again. A lead-up to the | :26:45. | :26:52. | |
training in the weeks before. there a point last week, where you | :26:52. | :26:59. | |
thought by Joseph I think he's got it, where it has clicked into place. | :26:59. | :27:04. | |
I've seen a huge potential in Michael from day one. We had no to | :27:04. | :27:10. | |
keep working on it. The day before life performance, it was down to | :27:10. | :27:17. | |
repetition and hard work. How about the cricketing lads, who have | :27:17. | :27:24. | |
appeared before, have you -- are you getting support Darren Gough | :27:24. | :27:34. | |
batters me all the time. Tuffnell he rings regular. I'm not taking | :27:34. | :27:39. | |
his advice! Also this week you did celebrate your birthday. We didn't | :27:39. | :27:49. | |
:27:49. | :27:49. | ||
want it to go unnoticed. We have spent a fortune on the glitter bat, | :27:49. | :27:58. | |
feel feel free to use it... Similar to Nicky Burns mirror he carries in | :27:58. | :28:03. | |
his pocket. In exchange for the gift, will you give us a glimpse? | :28:03. | :28:08. | |
Of course we will. Good luck this weekend. This is beautiful. So you | :28:08. | :28:16. | |
have been so good this week, It Takes Two, we have a treat for you | :28:16. | :28:20. | |
now, Michael and Natalie and their foxtrot. | :28:20. | :28:30. | |
:28:30. | :28:46. | ||
# The better you look, the more I Second on the baerld Lord -- | :28:46. | :28:53. |