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Hello and welcome to Strictly: It Takes Two. Happy Bonfire Night! We | :00:16. | :00:19. | |
have a lot of hairspray in here, mind the sparks! They went out with | :00:19. | :00:25. | |
a bang on Saturday, Colin and Kristina are here. APPLAUSE What a | :00:25. | :00:29. | |
display they gave us on Saturday. Yes, him without his vest - Fern | :00:29. | :00:35. | |
and Artem are here. APPLAUSE A man a few of our contestants would like | :00:35. | :00:41. | |
to see on a bonfire - Craig is here! Just kidding! This is It | :00:41. | :00:51. | |
:00:51. | :01:20. | ||
Live from Television Centre, this is Strictly: It Takes Two. Please | :01:20. | :01:30. | |
:01:30. | :01:31. | ||
welcome your host, Zoe Ball! APPLAUSE Hello. Welcome. What an | :01:31. | :01:34. | |
explosive weekend we had on Strictly. We have some breaking | :01:34. | :01:44. | |
:01:44. | :01:46. | ||
news. I thank you. Breaking news for you now. Saturday night, Denise | :01:46. | :01:49. | |
and James were top of the leaderboard receiving their first | :01:49. | :01:54. | |
nines of the series. It will did we know James had badly bruised his | :01:54. | :02:04. | |
:02:04. | :02:18. | ||
ankle backstage earlier in the day. Argh! It is not good. Have you | :02:18. | :02:24. | |
anything to sedate him so we can shut him up for five minutes?! Any | :02:24. | :02:32. | |
medication to sedate him?! loving the concern from all his | :02:32. | :02:35. | |
fellow dancers! It Takes Two has heard James cannot walk on it. He | :02:35. | :02:41. | |
has been instructed to rest up. Sorry Denise, no Artem for you, he | :02:41. | :02:46. | |
is still dancing with Fern. Ian Waite is in the training room. | :02:46. | :02:50. | |
Hopefully, James will be OK to dance on Saturday. We will give you | :02:51. | :02:57. | |
an update on Wednesday when Denise and James join me on the sofa. | :02:57. | :03:02. | |
Thank you. For more backstage gossip, take a look at our footage | :03:02. | :03:09. | |
from behind-the-scenes. Kind of overslept, which is not | :03:09. | :03:13. | |
good. I have come in with my breakfast! I have had a cup of tea | :03:13. | :03:21. | |
and a fruity bun. I'm doing the Samba. Got to get serious, sit | :03:21. | :03:26. | |
tango. I wasn't thinking about it until you mentioned it! I was so | :03:26. | :03:34. | |
ill last week. I have what Louis had. I was trying to wipe out my | :03:34. | :03:42. | |
competition! The Strictly bug is hitting everybody. Live shows | :03:42. | :03:49. | |
thrown into chaos. It is Strictly killing me off! I'm a fighter. | :03:49. | :03:57. | |
snogging this week, then? You know where I am! I have a fun entrance | :03:57. | :04:02. | |
this week. Fingers crossed it will all be all right on the night. | :04:02. | :04:08. | |
is firework weekend. I want them to wow me! I want to see Fern like a | :04:08. | :04:15. | |
banger, boom! Denise doing the Viennese waltz. I want to see her | :04:15. | :04:20. | |
spinning around that floor like a Catherine wheel. That was | :04:20. | :04:24. | |
terrifying. Before you start it, you are negative. I can't remember | :04:24. | :04:32. | |
how many spins. I do need to go through it. You are not standing up | :04:32. | :04:42. | |
:04:42. | :04:45. | ||
properly! Let's go through it now. Wow! I don't know what that means, | :04:45. | :04:49. | |
but all the girls are talking about it. I will have something little, | :04:50. | :04:58. | |
for a change, to eat. Mmm. Pasta. Hello! Oh, the fish. What's in | :04:58. | :05:04. | |
here? Oh, the potato with the peas and broccoli. A bit of chicken is | :05:04. | :05:13. | |
OK. That is all I'm having. unhealthy! No chips, no dressing, | :05:13. | :05:16. | |
no potatoes, just broccoli and chicken, this is supposed to be | :05:17. | :05:22. | |
your male, you a dancer now! they real eyelashes? Of course they | :05:22. | :05:29. | |
are, everything is real! Even the hair?! All very exciting, isn't it? | :05:29. | :05:34. | |
Cannot wait. Proper dancing, that is what we want to see. Yes! Bring | :05:34. | :05:41. | |
it on! One, two, three, one, two, three... All the pro boys have | :05:41. | :05:47. | |
disappeared. Where are they? It is all getting terribly exciting. The | :05:47. | :05:52. | |
dancing is becoming formidable, which I am loving. You have two | :05:52. | :06:00. | |
minutes. Two minutes. There are no gimmicks, tonight it is pure dance | :06:00. | :06:06. | |
and I think that is going to be fantastic. Good evening, ladies and | :06:06. | :06:10. | |
gentlemen and children, welcome to Strictly Come Dancing, it is nice | :06:10. | :06:19. | |
to see you, to see you... AUDIENCE: Nice! I do think the | :06:19. | :06:24. | |
right person went out. To move forward, people need to put a | :06:24. | :06:28. | |
little bit more effort into the minor details because that's what | :06:28. | :06:35. | |
we will be looking for. We have been told! Please welcome | :06:35. | :06:43. | |
Colin and his Bond girl, Kristina. APPLAUSE I didn't want to see you | :06:43. | :06:48. | |
two today. How heartbroken are you, Colin, that your Strictly journey | :06:48. | :06:52. | |
has ended? I'm cut up, really. I enjoyed it. It was fantastic. We | :06:52. | :07:00. | |
were having fun. I got my highest score. That is most unfair, you had | :07:00. | :07:05. | |
27, your highest score. When I was looking down the leaderboard, | :07:05. | :07:09. | |
Colin's safe, that's fine. Then look what happens on the results | :07:09. | :07:13. | |
show. Kristina, were you devastated? I was. It was such a | :07:13. | :07:17. | |
horrible feeling and I didn't see it coming and it was really one of | :07:17. | :07:21. | |
those sad moments. It always happens on the show, a great dance | :07:21. | :07:25. | |
and you are up the leaderboard and there's a shock and somebody goes | :07:25. | :07:28. | |
home. We are all gutted. You have had so many messages of support. | :07:28. | :07:35. | |
These are what set me off last night. "A shock to see Colin Salmon | :07:35. | :07:44. | |
leave, he was a gentle giant." Sue said, "A real gent, they will be | :07:44. | :07:50. | |
sadly missed." How did your fellow contestants react? I'm the old man, | :07:50. | :07:54. | |
so I'm quite supportive of everybody. It was emotional. | :07:54. | :07:59. | |
was your wife? She's been in the studio every week and your daughter | :07:59. | :08:04. | |
was there on Saturday night? Yes. How has it been for them? When I | :08:04. | :08:09. | |
got put in the bottom two, Fiona was resigned, as I was, I didn't | :08:09. | :08:14. | |
know what to do, I had lost it by then. My daughter cracked up. She | :08:14. | :08:19. | |
was crying. It is heartbreaking. It's been great. Everything I said | :08:19. | :08:23. | |
was real. I meant what I said. is emotionally draining. It is like | :08:23. | :08:28. | |
a rollercoaster, the highs are a high and the lows are a low. You | :08:28. | :08:34. | |
were in pieces last night, crying? I know. Every year, you know, when | :08:34. | :08:40. | |
you get to this point, I promise myself, "Don't cry!" I can't help | :08:40. | :08:46. | |
myself. I put my heart and soul in what I do. That is the key to | :08:46. | :08:50. | |
what... I enjoyed my journey with him and it was so shocking and so | :08:50. | :08:54. | |
heartbreaking for me that it's all over. Heartbreaking for all of us. | :08:54. | :09:00. | |
We will be missed. She is off! We have the Glitterball tissues! This | :09:00. | :09:10. | |
:09:10. | :09:11. | ||
will get you going. You are dancing with Kristina! Kristina is a | :09:11. | :09:15. | |
fantastic dancer. I hope I don't let her down. I'm known for being | :09:15. | :09:19. | |
strict. I'm cracking my whip a little bit. Seven, eight, one... | :09:19. | :09:25. | |
think I have done well in dance school. Will I pass? Let's hope | :09:25. | :09:35. | |
:09:35. | :09:37. | ||
it's an A! LAUGHTER Best cha-cha of the night. Kristina is kind, gentle, | :09:37. | :09:41. | |
brilliant at what she does and is the greatest teacher going. That | :09:41. | :09:51. | |
was awesome! I'm going to dance... I think you are dancing more to | :09:51. | :09:55. | |
your height. That is good to see. Well done. A man that can ballroom | :09:55. | :10:04. | |
and Latin. APPLAUSE The dance this week is the Argentine tango. We | :10:04. | :10:09. | |
will be bringing in the Bond element. Colin is my James Bond. He | :10:09. | :10:19. | |
:10:19. | :10:20. | ||
is a strong, handsome man. You can take anything they throw at you and | :10:20. | :10:24. | |
she gave you everything! I would have liked to have seen a dirtier | :10:24. | :10:32. | |
spy. All right! This week, I am dancing the salsa. There is no time | :10:32. | :10:38. | |
to think. This one needs to come very quickly. The footwork was a | :10:38. | :10:42. | |
bit haphazard. Maybe it wasn't a dirty salsa, but it was a saucy | :10:42. | :10:47. | |
salsa this time. You don't get away with anything. They are | :10:48. | :10:51. | |
professionals. They know what they are looking for. I need to show | :10:51. | :10:57. | |
what I can do. I want to make sure I get to the flashy bit! That is | :10:58. | :11:02. | |
lovely. I didn't think I would enjoy it. I'm having a good time | :11:02. | :11:12. | |
:11:12. | :11:14. | ||
out there. You have more extension than Darcey Bussell! Move more! You | :11:14. | :11:21. | |
have to move more. The couple with the most votes will stay in the | :11:21. | :11:26. | |
competition. Richard and Erin. Richard and Erin. Richard and Erin. | :11:26. | :11:30. | |
She is an amazing woman and dancer. Now, a good friend. I have never | :11:30. | :11:34. | |
met a person like him. You are the coolest guy. You made this journey | :11:34. | :11:39. | |
so special for me. I am happy I have met you and you were my | :11:39. | :11:49. | |
:11:49. | :11:50. | ||
partner on the show. APPLAUSE Do you want...? Have one. Do you need | :11:50. | :11:55. | |
one? I might. What was your favourite dance? I really enjoyed | :11:55. | :12:01. | |
Saturday night. I enjoyed the foxtrot, the first run was | :12:01. | :12:07. | |
fantastic. It was. The cha-cha-cha was amazing. I enjoyed them all. | :12:07. | :12:12. | |
Who is your hot tip to win now, to take the...? You know them better | :12:12. | :12:18. | |
than any of us. Who do you reckon? I'm going to back up Lisa and Robin. | :12:18. | :12:22. | |
He is my professional partner and a dear friend. I think they have got | :12:22. | :12:31. | |
what it takes. Colin? My son, Louis! Your boy. He handles the | :12:31. | :12:35. | |
pressure. Will you leave us - we have had lots of people asking this | :12:35. | :12:41. | |
- will you leave us with one final high kick? Of course. APPLAUSE Look | :12:41. | :12:51. | |
at these legs! Shall I just do it? Yes. Woah! It's been a wonderful to | :12:51. | :12:55. | |
meet you. I'm going to embrace, I love him. You are a darling. Well | :12:55. | :13:03. | |
done. We will miss you. Colin and Kristina! Thank you. APPLAUSE | :13:03. | :13:05. | |
done. I'm having a moment. In another moment, Craig will be here | :13:05. | :13:11. | |
to chat about the weekend's performances. First, time to test | :13:11. | :13:14. | |
your Strictly knowledge with another Bruno's Strictly True or | :13:15. | :13:24. | |
:13:25. | :13:28. | ||
Hello, you lovely people. So you think you know a lot about Strictly. | :13:28. | :13:38. | |
:13:38. | :13:45. | ||
Let's see. Sid Owen once had a demi weave perm whilst sat next to Al | :13:45. | :13:50. | |
Pacino - is it Strictly true or Strictly baloney? Thank you very | :13:50. | :13:56. | |
much. Now a man who lights up our screens, it is Craig Revel Horwood. | :13:56. | :14:02. | |
Yes, please! Darling. That must be a first, coming on to Twisted | :14:02. | :14:07. | |
Firestarter!? Yes. How was Saturday for you? How was the overall | :14:07. | :14:14. | |
standard of dancing? Fantastic. I do. Everyone has improved clearly. | :14:14. | :14:20. | |
I was genuinely excited by the dancing. I love it when you are | :14:20. | :14:25. | |
excited. We have had Hollywood and Hallowe'en. Was it good to get back | :14:25. | :14:31. | |
to the old-fashioned nitty-gritty? Yes, you can take so much of all of | :14:31. | :14:35. | |
the ex-trainious ideas. It is wonderful to see people do the | :14:35. | :14:41. | |
dance properly. I adore that. They don't have anything to hide behind. | :14:41. | :14:48. | |
That also is a good test. Let's talk about Richard and Erin. You | :14:48. | :14:55. | |
said it whizz a dance disaster. You had a point, Sir? It was. -- Was a | :14:55. | :15:01. | |
dance disaster. You had a point, Sir? It was. I love the fact she | :15:01. | :15:09. | |
was dancing threw gritted teeth. None of it was going -- through | :15:09. | :15:14. | |
gritted teeth. None of it was going in. They did a fantastic job. | :15:14. | :15:20. | |
Actually, it was very good. I was really delighted. Good. Thank you. | :15:20. | :15:25. | |
Denise and James and their Viennese waltz. It was a proper gasp - this | :15:25. | :15:30. | |
is so good? It was so beautiful. Down to just the finer details of | :15:30. | :15:34. | |
her hand-shaping on his back, all of that. It was beautiful, | :15:34. | :15:39. | |
beautiful to watch. I loved it. tricky was the choreography that | :15:39. | :15:44. | |
James gave her here? Well, the thing is, there's simple steps but | :15:44. | :15:49. | |
they have to be executed in such a professional fashion to make it | :15:49. | :15:54. | |
look as beautiful and lilty like that. She did really well. | :15:54. | :15:59. | |
course, James did it with a bruised foot. Yes. On painkillers. When I | :15:59. | :16:04. | |
looked at it, it looked like a bad tan! I know, but I don't think it's | :16:04. | :16:10. | |
good. I know he was really limping after the show on Saturday night. | :16:10. | :16:14. | |
So I was concerned. Fingers crossed... I might have to fill in! | :16:14. | :16:20. | |
Oh my God! Can you only imagine?! Hold him back! It could happen. | :16:20. | :16:25. | |
LAUGHTER Louis and Flavia and their Samba. Now, confusing here because | :16:25. | :16:30. | |
everyone thought it was brilliant, you gave him some great comments. | :16:30. | :16:34. | |
Then you only scored him six? because it wasn't worth a seven. If | :16:35. | :16:42. | |
he had a bit of that double bounce action, then... Is that not a | :16:42. | :16:52. | |
:16:52. | :16:52. | ||
double-bounce? No. You have to do... And there wasn't any of the ah-ah- | :16:52. | :16:57. | |
ahs, darling! Double bounce, it should have that all the way | :16:57. | :17:02. | |
through it. It is all right us saying this in a chair, but I know | :17:02. | :17:09. | |
what you mean. Dani and Vincent and the jive. This was great, such good | :17:09. | :17:14. | |
energy. Vincent was hilarious? was brilliant. I was trying to say | :17:14. | :17:20. | |
bubbly, bright, fantastic, and I sort of lost the plot a little bit. | :17:20. | :17:30. | |
:17:30. | :17:38. | ||
You were distracted. Yes. You said, cop on eye -full! That is why a | :17:38. | :17:44. | |
lady should keep their legs together! You always keep your legs | :17:44. | :17:49. | |
together! Nicky and Karen's rumba. I was caught up in the romance of | :17:49. | :17:56. | |
this. Yes. Then you gave him a four? She was great. Oh! What was | :17:56. | :18:00. | |
missing? What has he got to give you? It had the romance and the | :18:00. | :18:07. | |
storyline. I wanted to see less posing, less of him presenting her. | :18:07. | :18:11. | |
By that, he stood there a lot holding one arm out while she did | :18:11. | :18:15. | |
all the work. Then she would cross over... Is that not what the rumba | :18:15. | :18:23. | |
is about? He should be moving through the full... Can you | :18:23. | :18:26. | |
demonstrate? It is moving constantly, you know what I'm | :18:26. | :18:32. | |
saying? You have stopped! Keep going. I have stopped NOW, darling! | :18:32. | :18:37. | |
Go. There should be movement... all times? If you are stopped in a | :18:37. | :18:41. | |
position, you don't really stop, you reach and elongate and go to | :18:41. | :18:45. | |
the next step. There wasn't enough for me. I want to see him dance | :18:45. | :18:50. | |
more. Rather than holding his arms out. OK. You have made your point. | :18:50. | :18:57. | |
Will you come back later on? Yes. Don't go anywhere. Craig Revel | :18:57. | :19:02. | |
Horwood! APPLAUSE I like making you do a little dance! We should get a | :19:02. | :19:06. | |
podium. In a moment, I will be chatting to Fern and Artem. Here is | :19:06. | :19:11. | |
a recap of their passionate paso doble. | :19:11. | :19:18. | |
I have to admit I was slightly distracted by Artem's chest! I did | :19:18. | :19:22. | |
manage to see a few wobbles, however, in there. If it was a | :19:22. | :19:27. | |
firework, it is a banger. This fizzed but it never exploded. | :19:27. | :19:32. | |
liked what you did with your skirt. It was assertive. I thought there | :19:32. | :19:35. | |
was a fire, Fern. We have been telling you week after week you | :19:35. | :19:43. | |
have to deliver. You have to get it out there! | :19:43. | :19:48. | |
24, that was all right. This has had a lot to do with it. I enjoyed | :19:48. | :19:56. | |
being thrown about on the floor. You went for it every single time. | :19:56. | :20:01. | |
Did I do the steps coming down better? Yes. Please welcome Fern | :20:01. | :20:09. | |
and with his top on, Artem. APPLAUSE You started it! | :20:09. | :20:13. | |
Congratulations on your paso doble on Saturday night. We will talk | :20:13. | :20:17. | |
about that in a moment. Colin and Kristina have left, is it sad to | :20:17. | :20:20. | |
say goodbye to them? Really horrible. He is lovely. He is a | :20:20. | :20:27. | |
very good dancer. Yeah, I just, I feel bereft. I know. We move on. | :20:27. | :20:32. | |
The good thing is, that during the results show you were called out | :20:32. | :20:37. | |
much earlier! That must be a thrill? That was so nice. Yes. | :20:37. | :20:43. | |
was very nice. Thank you. That was a gift that was appreciated. People | :20:43. | :20:48. | |
are phoning and voting. How was the paso doble for you on Saturday | :20:48. | :20:53. | |
night? Well, it was - I did my best and I forgot a few things, | :20:53. | :21:00. | |
obviously! But I enjoyed it. And there's a good partner there, isn't | :21:00. | :21:06. | |
he? He is all right. He is not too bad. I don't care what the others | :21:06. | :21:10. | |
say, he is all right! Artem, your girl went one place up the | :21:10. | :21:15. | |
leaderboard, you must be pleased? am. It is our best score so far. | :21:15. | :21:19. | |
joint best one. We added five points on. We are doing something | :21:19. | :21:25. | |
right. We are! More of that then. You were quite worried about the | :21:25. | :21:30. | |
paso doble and you were worried about the judges' comments. Yes, | :21:30. | :21:34. | |
fair enough, I can understand that and I try and take it on board. It | :21:34. | :21:40. | |
is very scary when - I have to do this and this and they still - fair | :21:41. | :21:46. | |
enough, dusting and polishing, and I am doing my best. It is - I have | :21:46. | :21:53. | |
to do some more. That is a tough thing. Some people, certain dances | :21:53. | :21:57. | |
may be suit them one week and if you are putting in as many hours as | :21:57. | :22:01. | |
everybody else, it must be hard to come back and they give you | :22:01. | :22:05. | |
frustrating comments? Yes. It was comments that I am used to, but the | :22:05. | :22:11. | |
score was fabulous. We must discuss the top, obviously, or the lack of. | :22:11. | :22:16. | |
Apparently, earlier on in the day you were going to be wearing a | :22:16. | :22:21. | |
gladiator-style top. I was. someone steal it? No. I think it | :22:21. | :22:29. | |
didn't quite work with... It wasn't as flattering on you as it could | :22:29. | :22:37. | |
have been. LAUGHTER His skin was the best to fit! Whose decision was | :22:37. | :22:43. | |
it to go topless? Wasn't mine! Wasn't mine! Thank you to whoever | :22:43. | :22:49. | |
made that decision. APPLAUSE We are all very happy about it. Next week | :22:50. | :22:56. | |
shorts, perhaps. We were thinking suede chaps. Next week, it is the | :22:56. | :23:02. | |
salsa, a fun, party dance, are you enjoying it? Lovely. We have had a | :23:02. | :23:07. | |
lovely day. It is fast and furious. There are lots of steps and arms. | :23:07. | :23:11. | |
We have a good joke, I think. We are not going to tell you what it | :23:11. | :23:16. | |
is. We have got a joke. We will keep it a secret. A bit of humour. | :23:16. | :23:26. | |
Obviously, the judges have been saying push, Fern. Have a look at | :23:26. | :23:32. | |
this. One more time. One more time. One more time. Oh. One more time. | :23:32. | :23:39. | |
One more time. One more time. One, one, one, one, one, one... | :23:40. | :23:47. | |
# One more time. # One more time. Yes! One more time. | :23:47. | :23:54. | |
Please, let it end! Oh! APPLAUSE That is how hard he works her. | :23:54. | :24:00. | |
never get passed one! One... And... Sometimes you don't start on one, | :24:00. | :24:05. | |
you start on two! Oh, man! This time we haven't got four or eight. | :24:05. | :24:14. | |
No, we don't. You are getting it! I'm starting to. Last week, you saw | :24:14. | :24:20. | |
the Flamenco lady, are you doing anything to get in the salsa move? | :24:20. | :24:27. | |
I might. Oh. Fern and Artem! APPLAUSE Earlier on, we quizzed you | :24:27. | :24:37. | |
:24:37. | :24:39. | ||
with a fact about Sid Owen, but was it true or complete baloney? I have | :24:39. | :24:49. | |
:24:49. | :24:58. | ||
asked you Sid Owen once had a demi wave perm while sat next to Al | :24:58. | :25:05. | |
Pacino - is it true? It is. Join me next time for another Bruno's | :25:05. | :25:15. | |
:25:15. | :25:17. | ||
Strictly True or Strictly Baloney? APPLAUSE You should see Craig! That | :25:17. | :25:22. | |
makes me laugh. What is it about Italians and Vincent loving himself | :25:22. | :25:28. | |
to death and Bruno thinking he is the sexiest man on Earth?! 56, | :25:28. | :25:33. | |
please! Wow! Time to welcome back the cat, Craig Revel Horwood! | :25:33. | :25:37. | |
APPLAUSE OK, we have all the other people to get through. Kimberley | :25:37. | :25:44. | |
and Pasha, a great show opener. You used loads of words beginning with | :25:44. | :25:51. | |
"L" - lubricious? It comes from lubrication. Of course. It means | :25:51. | :25:55. | |
well-oiled. I use these terminologys with actors when I am | :25:55. | :26:04. | |
working with them. It is what I use in my day job. OK. That is what he | :26:04. | :26:14. | |
:26:14. | :26:15. | ||
tells us! You loved it? Yes. Sometimes she gives the game away. | :26:15. | :26:20. | |
You can tell in her face that she is not confident and she needed to | :26:20. | :26:24. | |
release herself a bit more and trust the steps that she had learnt. | :26:24. | :26:31. | |
If she had of done that, that would have flown. It didn't take off. | :26:32. | :26:41. | |
:26:42. | :26:42. | ||
That step there, is... A bachacada. Can you do them? No, I'm dreadful! | :26:42. | :26:49. | |
Michael and Natalie, great on Saturday, you did say missing the | :26:49. | :26:53. | |
style, swing and sway? For men, it is a difficult thing to use the | :26:53. | :26:58. | |
swing and the sway. That gives it the beautiful shaping. He gets the | :26:58. | :27:03. | |
steps, which is great. I think just as an encouragement he needs to put | :27:03. | :27:08. | |
more style into it, a bit more razzmatazz, a bit more swing and | :27:08. | :27:17. | |
more sway! It gives you that wonderful... It looks finished. | :27:17. | :27:23. | |
Lisa and Robin and their tango, a bit of a ruckus amongst the judges | :27:23. | :27:30. | |
after this. I liked her performance. It was wonderful to see her serious | :27:30. | :27:37. | |
side and to see her not using all that showbiz jazz hands stuff. I | :27:37. | :27:41. | |
really liked how they worked on this together, creating a frame. | :27:41. | :27:45. | |
She still could work on her left hand, that was very flat and to the | :27:45. | :27:52. | |
back and the palm should face the floor. OK. It is tiny details like | :27:52. | :27:56. | |
that that will get them the nines and eventually the tens. Oh. Let's | :27:56. | :28:03. | |
hope we get some of those soon. Fern and Artem, Artem's chest aside, | :28:03. | :28:07. | |
although let's... It is difficult to ignore as we have all been | :28:07. | :28:12. | |
talking about. She did a really nice job. There is a lot of arms | :28:12. | :28:16. | |
that were loose. That was messy. Some of those things could be more | :28:16. | :28:21. | |
efficient. The way you get someone's hands and place it in a | :28:21. | :28:26. | |
definite fashion. If you don't, it is always going to look messy and | :28:26. | :28:32. | |
loose. She was getting some of that Spanish shaping. Good. Generally, | :28:32. | :28:37. | |
marvellous? Marvellous. Do come back next week. We love you. Craig | :28:37. | :28:43. | |
Revel Horwood. APPLAUSE Thank you. That's all we have time for today. | :28:43. | :28:48. | |
A big thank you to my guests. Tomorrow, I will be joined by | :28:48. | :28:52. |