Episode 22 Strictly - It Takes Two


Episode 22

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Hello. Welcome to Tuesday's two two. Tonight's show very much a tale of

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two foxtrots. They survived dancing disaster to bounce back. Richard

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and Erin are here. APPLAUSE

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And on Saturday night they gave us the sweetest feeling, Michael and

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Natalie are here. APPLAUSE

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And to describe the difference between forgotten foot work and

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fleckerls, Karen Hardy is here. Three words come to mind when I see

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this man, godet, godet, godet, Julien MacDonald. What a line up.

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This is Strictly It Takes Two. Please welcome your host, Johnny

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Ball. Zrb Zoe Ball.

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Hello. Welcome to It Takes Two. Saturday saw Richard face every

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celebrity's worst fear as he forgot his foxtrot. Here's a reminder of

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what happened. A complete dance disaster. That was just a shame,

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because you just lost your focus. It was a tad ploddy. I'm going to

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call you the plod father. You've got a face on you like a frozen

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haddock. It all went terribly wrong. It was a dance disaster. Yeah, for

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once Craig hit it spot on. Maybe we'll get a chance to do it again.

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I think we might. I still love you. I love you too. Judges it's time

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toe decide. Richard and Erin. Richard and Erin? Richard and Erin.

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Please welcome Richard and Erin. APPLAUSE

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Thank you guys. Oh, my goodness me. Bless you forgetting your steps is

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the stuff that Strictly nightmares are made of. Did you ever think it

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could happen to you? There was a moment where I looked down and I

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thought, "Shave your legs, it's Saturday night." Then I just lost

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focus completely. It's all about myself, not you dear. It was one of

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those moments and my palms have gone clammy thinking about it. I've

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had my fair share of live television. But it was out of body.

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That was thought about anything else. I was thinking Mary Berry's

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Victoria sponge, and I must get the flour in. At what point did it slip

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away? I have no idea. Oh, I do. I remember well. As the pro, do you

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suddenly, did you see it in his eyes? I heard it. Because he

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actually turned to me, I felt it first, then I could feel that he

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was going off in another direction. I thought, I have to take him this

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way. He looked at me and went "I just can't remember". We have your

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Micks. Let's relive it again. Go on. Oh, no. Go right. Pifots.

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Pifots. -- pivots. When she said pivot, I

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thought, oh, I know that one. Let's have a go at that one. You can help.

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It does happen. It shows it was live TV. We just had to then go up

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and face those judges after that. The thing is that then you came

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back in the dance-off and you had a second chance to do it right.

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Cracker. You did it brilliantly. That was the thing that was most

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important to me redeeming ourselves in front of everybody. Because we

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had put the hours in. We trained, we worked, we had the number.

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was there. It was somewhere. I had to dig deep for it. We were

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prepared for the dance-off. I'm glad we got to do it. It shows that

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Richard is improving, he can do it. He went out there and got all his

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steps right and we were fortunate enough to stay. Not the best

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weekend but things improved on Monday, did they? On a Monday

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you're overwhelmed when you start a routine. You get through the

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weekend and you're giddy and you come in and you're like... Ah.

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Argh! Well done. It's Monday morning. Tell me why I

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don't like Mondays. Oh, God. Come on it's a Monday. This is like

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learning to walk again. I can't get this bit at all. It's like starting

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from the very beginning. Point your leg out. I can't do that. Ye you

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can. Tell me when you've finished. That's beautiful. I just threw up

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in my own mouth. He's a classy sort. We're nothing

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if not human. Mondays are difficult for everybody because it's a

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mountain to climb. Every Monday is a joy to be back, there she goes,

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welcome to week four, welcome to week five. This week, welcome to

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week six. Really? Welcome to the charleston. Jazz hands. How is it

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so far? We're loving it. Love it. It's like a keystone cop. It's very

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Richard. He's bubbly and fun, that's what it's all about, a story,

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we're telling a story and having fun. You can just let yourself go a

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bit this week. We're allowed to tell you a bit about the story.

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Come on. I'm her hairdresser. Do you think I'm being shoe horned

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into a cliche on this show. What are they trying to do. You would

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tell me wouldn't you? I'd always be honest with you. I think it will be

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a good week for you. I have julienne running up the most

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amazing frock, I have no idea what you're wearing. Richard and Erin!

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Thank you. With no themes, it was back to

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basics this weekend..celebrities rise to the challenge. Here to

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offer her expert opinion is Karen Welcome Karin!

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APPLAUSE A lady who throws down shapes and

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explains it to us. Really mixing it up this year, eight different

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styles on dance on Saturday, much to cover. First of all, Dani and

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Vincent and the jive. The highest scoring jive of the series. What

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made it so good? We've got to look straight at the choreography, of

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course, what was great about this, I've seen so much of the side by

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side kicks and flicks. But the true essence of a great jive is what we

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have here it circumstance laits. She's going under the arm and

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turning and the routine is turning and back again. The greatest jives

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in the world are all about turning. She did it so well. Nicki and Karin

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and the rumba. Craig said it was just a series of presentations,

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what due think? I quite like today. I'm going against the grain here. I

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thought it was brilliant. It was the perfect balance and why? Let's

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look straight away here. We've got look straight away here. We've got

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an open hip twist. He's dancing. He's using his hips, sending her

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into fan position. He's doing his back base ibgdz, forward checks.

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You don't need any more than that. Even at a high top level in the

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professional field it takes a world champion to come out and only do

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basics. You want the passion. The most thing about a woman, you've

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got to present her. It's not all about being the proud peacock in

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this dance. It's all about your woman and he did it brilliantly.

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Well done. Denise and James an the Vienneseualities. Huge 35 for this

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on Saturday. -- Viennese waltz. attention to detail is here. Look

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at the spin there where her arms are around her waist, then they're

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over her shoulders. These are the hardest spins to do. Any time the

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arms elevate, it makes the spins much more difficult. She could have

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arrived there, bumped, fallen over, missed the connection. She didn't.

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It was effortless. It's the attention to detail that make it's

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look so seamless and beautiful. Well done. Victoria and Brendan and

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the samba. Bruno very critical saying that at week five, her

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rhythm should be better. What do you think? I want to ask you, what

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does rhythm mean? I'm not sure and I can't spell it. A regular

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occurrence of accented beats. Now everyone says rhythm, do we know

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what it means? We take a metronome. It can never speed up and in

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Victoria's case it can never slow down. Once we set that. Am I

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sending you to sleep. What we have here, as she finishes the dance,

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the band keeps playing at this speed but she decides I'm going to

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slow down. That's what Bruno is talking about. The rhythm goes.

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Once the dance starts, you have to keep the beat going. Have you to

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keep the speed going. It doesn't mean keep the body moving, it means

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keep the regular beat ticking along. You can't slow down and have a cup

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of tea before the music is finished. Michael and Natalie and his foxtrot.

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Praise all round from the judges. Darcey was going on about his stiff

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neck. I could argue it needed to be more active. But definitely not

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stiff. Simply because the complex choreography he was doing, if you

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look here, we go into a beautiful action of a double fall away, which

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I love, not just one, there's one and here comes the second one, into

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the oversway. If we freeze it there, you can argue he needed to slightly

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give it a little bit of dance, a bit of a breathe. But definitely

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not stiff for me. I thought it was an incredible routine. I just think

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he looks suave and sophisticated out there. First class. Lisa and

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Robin and the tango. The judges almost came to blows over this. Was

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there too much up and downiness? Our knees should be really

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compressed in this dance. Because the knees are low, it means that

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we're meant to peel the feet, pick them up off the floor and put them

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down again. Now, it's very difficult because the knees are so

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bent, as you pick up, everything comes up with it. We tend to get

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this bouncing action. What you've got to do is stalk across the floor.

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You pick the knees up like that. If we look at this, you see this

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bouncing as she closes her feet, bounce, bounce. You need to keep

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that all on one level. In the moment, Craig used the wrong word

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"guide" and everybody attacked them. We pick up the feet in tango but

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the level of the head must remain the same. That creates the stacatto

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action. Kimberly and Pasha, the highest score so far. Len spotted

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an incident with the arms. Due spot it? It was very slight. Look at the

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commitment she gave to it. Not only does she have fantastic routine of

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use of the arms, twist, turn and hey flick the head at the same time

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as I use my arm. Here is the mistake, there you go, he grabs,

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but what a team. They recover. That's what it's all about. When

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you have done a complex action like that, it, you can lose why you are.

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She was brilliant because we were seeing all this armology, people

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didn't see how great her technique was as well. In this for a long

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time. Fern and Artem and the paso doble. Some criticism again for

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Fern for not delivering the performance. Where is she going

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wrong? I say it to all my students, thinking and doing are two

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different things. If I shook your hand naturally in the street we'd

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do that. If you shake hands on TV you have to make it clear. She's

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thinking she's doing it right, but it's not coming through. I believe

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that it's the expectation. Everybody loves Fern. We're wanting

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her to look like a world champion. We love her but she's just not

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delivering that expectation for everyone. Give her a chance. She's

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growing. Louis and Flavia and the samba. Len praised the content. But

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Bruno said it strayed into salsa? Nowhere near a salsa. So far from

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it. This dance was incredible. I need to explain a few things. We've

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talked about rhythm today. In the samba, we have 11 different rhythms.

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Some of these steps of these rhythms have to be danced flat,

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some bounce and some curve. I'm going to show you how brilliant

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this dance was. Look here as we go into these steps. This step, his

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head stays flat throughout the dance. Natural turn, it's all

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stayed flat. He's not bouncing up and down. Now, he starts to bounce.

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Perfect. We had a combination of rhythms, some of them flat, some of

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them bounce. Don't be misunderstood that this dance should dance

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throughout. It should be a combination and he did it perfectly.

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Well done Louis. Richard and Erin and the foxtrot. We know now it all

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went wrong on the night. How hard is it for a celebrity to get back

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into the dance once you've forgotten where are you? There's

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something I always say to people, the answer's are -- the answers are

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in the music. What happened here was a meltdown on TV. He thought

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our lovely Erin twinkle toes were going to put him into steps. If I

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look at Erin's feet, then maybe they will help me. If he'd have

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just listened to the music, the beats were there, which we talked

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about tonight, and also, there's those big strong actions. He would

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have rehearsed it time and time again that would have said, I've

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done that all wrong, but this is my pivot. What he didn't do, he looked

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down at the feet. He was saved. Let's leave with that The Hardest

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Partism that you just taught us -- Hardyism - that you just taught us.

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The answers are always in the music. The answers are always in the music.

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Karen Hardy, thank you so much. Don't forget, you can catch Karen

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Hardy on the red button on Saturday. Who do you have with you? John

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Culshaw. You'll have everybody. For a second week in a row Michael and

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Natalie blew us away and their foxtrot landed them a whopping 31

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points. Here's a reminder of what happened.

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What a good job. I hope this dream will continue for you. You just

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need to add three things - style, you need to add swing and you need

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to add sway. You shine in ballroom. You're elegant, graceful and you

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glide. Wear tails every week, please. Best foxtrot of the night

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As soon as I get on the dance floor in the lives, I just kind of like

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it. I think you've got style. You had a little bit of swing, a little

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bit of sway. But not enough. Please welcome Michael and Natalie!

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APPLAUSE You start welling up watching these

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stories. They're like love stories. Len said best foxtrot of the night.

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How was it for you? I was nervous on Saturday night, more than last

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week. I kind of just got on the dance floor and relaxed about

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halfway through. The second half was better than the first half. The

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first few steps my legs were wobbling with nerves. How do you

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calm him before you go on? I done real -- I don't really. She has a

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little look. It's the look of fear. Please don't forget your steps or

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stay calm, keep cool, carry on. gives me a few last minute tips.

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You're about to go on. She says get your legs into the dance floor and

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you'll be OK. I know he's fine. It's just that initial, getting off

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on the right foot, starting on the right timing and then we're fine.

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The great thing is you matched your brilliant score for the quickstep

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the week br. You must be thrilled. Lots of praise from the judges.

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Annie from Pembrokeshire says "Well done Natalie, you've made a real

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dancer out of Michael." Is that good to have hard work recognised?

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I try to give her as much credit. I call her Harry Potter. She's like

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the Wizard of Oz. She's amazing. Only a few weeks ago I couldn't

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really move around the dance floor. To get 31 and 31 on consecutive

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weeks. She's doing something right. You're delivering. It's not just

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about me. You want to do the work. You deserve it. Clue in the title,

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It Takes Two. Very good. So Darcey said elegant and graceful, but

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quite how you achieve that when we've watched your training back is

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APPLAUSE They love it. It's funny seing that.

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We have a lot of fun. You work with sportsmen all the time. They must

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be notorious for playing tricks. You met your match. I got mine back.

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So salsa. We go from ballroom to salsa for you this week. You've

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struggled a bit with the Latin. Do you think this new-found confidence

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is going to carry through to this weekend? I really think it's a

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great opportunity because two weeks of ballroom has gone well. The two

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weekends previously with the Latin wasn't as good. I don't think

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anyone's going to expect anything. That is a point. That's my attitude

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for the week. Train as hard as for the ballroom and hopefully surprise

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a few. If there's no huge expectation, they're all like oh,

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here he comes, you can go that-da. Here we are, salsa king, look out.

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Could you say that with a bit more conviction next time. I'm hoping

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any way. The thing is, sheer hard work does translate onto the dance

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floor. You have been putting the hours in. You're right up there on

:19:45.:19:50.

the training hours, the most that you've done. Is that how you were

:19:50.:19:54.

with cricket. Is that a sportsman thing? If you spoke to my cricket

:19:54.:19:58.

coaches they wish I had tried a bit harder, as I do with the dance.

:19:58.:20:01.

It's the only way to get better, by putting the hours in. To catch up

:20:01.:20:05.

with the likes of Denise and Louis and Kimberly, I've had to put more

:20:05.:20:09.

time in. It's the only way I feel I can get the routines in my head and

:20:09.:20:13.

then somehow deliver a decent performance on a Saturday night.

:20:13.:20:16.

You have worked miracles before with Michael. Can you do it this

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week with the salsa? We're going to do what we do, try as hard as we

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try in every other dance. It's a great song. Tlgz a great feeling.

:20:28.:20:32.

Sprinkle your dust again. Bring some magic. We will do everything

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we can, have fun with it. I love dancing with you. I think he's

:20:38.:20:41.

amazing. Good luck with your salsa. I think it's going to be great.

:20:41.:20:46.

I believe. It gives you a warm feeling. A

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beautiful array of dresses on the dance floor this weekend. Who

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better to talk us through them than It Takes Two's very own style guru

:20:53.:21:03.
:21:03.:21:16.

Mr Julien MacDonald. Please welcome Lord glamb mbas --

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glambasador. Was it good to see traditional outfits? I absolutely

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loved lamb week's show. It was sparkling, colourful and truly

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Strictly. Julienne's here. You could get excited about a pin I

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think. You've picked your favourite three outfits, as always. We're

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going in reverse order. Who's is number three? Victoria. Come on

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lady. This dress looks quite simple, but I'm told it's actually very

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complicated in design. It's a very complicated structure. There's a

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bod is. There's a cup. It's made from microfibre, very technical

:21:57.:22:02.

fabric, a beast to sew. But it looks amazing on her. It looks

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glorious. Tell me about the ruched Basque. That's what it says here.

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Thafrpblgts is a gathered cup to give her a bit of a lift and more

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:22:21.:22:22.

of a fuller bust shape. So a like a show girl stylee. I need a ruched

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Basque. This is short at the front and long at the back. This is on

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trend. A lot of designers are experimenting with short and long

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hem. This is a special hem. I have been waiting week after week for a

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Strictly ruffle. You wanted a ruffle, you've got one. This is

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Strictly ruffles. It's not just one ruffle, it's a multitude of ruffles.

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Why I love ruffles so much, stop laughing, I'm being serious, they

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are the biggest fashion trend for next summer. If you have any

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ruffles in your wardrobe, ruffle them up and keep them for the

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summer. Can we all carry on a ruffle, honestly? It can be ageing.

:23:08.:23:16.

But as fashion will tick Tate, next summer you're going to see a lot of

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big, small, ruffles. We heard it from you first. Number two, who's

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is that? My number two of the week has to be Dani. She looked

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absolutely gorgeous in this outfit. Apparently leopard print on trend.

:23:34.:23:38.

It's always in fashion. Every description of an animal print is

:23:38.:23:45.

always in fashion. But it's great to see it Strictlyified. Does a

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skirt this length flatter a person of this stature? It's great if

:23:51.:23:55.

you're short. But if you're tall this kind of skirt can make you

:23:55.:23:59.

look like a giraffe. This is a special skirt. It's very special

:23:59.:24:05.

because this black border which is a bias border, sewn onto the skirt

:24:05.:24:10.

to open the skirt up and give it lots of volume. So when she's doing

:24:10.:24:17.

the spins it twirlz out and you can see the unitard underneath. It was

:24:17.:24:20.

pink! I've been paying attention. Do I get extra marks? And who is

:24:21.:24:25.

the top spot for you this week? Well, it has to be, this is the

:24:25.:24:29.

first on the fashion spot, Denise Van Outen. I'm so glad you said

:24:29.:24:33.

that. She looked gorgeous on Saturday night. Why does she

:24:33.:24:39.

deserve the top spot? She looks spepbsive and chic and it's what we

:24:39.:24:45.

want to see on Strictly, this kind of gorgeous dress. Apparently no

:24:45.:24:50.

godets this week. What is that then? I've told you before. Sorry,

:24:50.:24:54.

pay attention. A godet is a triangular piece of fabric inserted

:24:54.:24:59.

into a skirt to create volume. This is a big piece of fabric which

:24:59.:25:04.

falls flat onto a crinoline base. It's a crinoline base with lots of

:25:04.:25:10.

fabric all gathered to make the soft, floating Kandy Floss hem.

:25:10.:25:17.

I understand! Lovely embellishment on the bust area. The top half of

:25:17.:25:23.

the dress is incredible. This is a bugle bead. Bugle bead! I've never

:25:23.:25:28.

heard that before. It sounds special. It's a bugle bead which is

:25:28.:25:33.

a cylinder of glass and it's laminated with metallic inside. The

:25:33.:25:37.

metallic and fringing makes it very modern. We have a tale of two

:25:37.:25:42.

cities, a dress soft and romantic and very hard and graphic and very

:25:42.:25:49.

feminine on the top. I love it when you talk like. That Now not only

:25:49.:25:54.

Denise and Dani and Victor ya, you did have another favourite from --

:25:54.:25:58.

Victoria, you had another favourite. My guilty pleasure has to be Louis.

:25:58.:26:06.

Come on! This is a skin-tight top with an animal print on the top of

:26:06.:26:12.

a swirl. This is a zip top. Apparently he chose to stop the zip

:26:12.:26:17.

just there. Teasing. Classy boy. It will get lower as the weeks go on,

:26:18.:26:22.

I think. Apparently, look at him working it. Come on Louis. Get out

:26:22.:26:29.

of guns. He doesn't think the camera's running. Apparently he's

:26:29.:26:32.

just won Ultimate Hottie of the Year at the cosmopolitan awards.

:26:32.:26:41.

Deservedly. So He look s just like Po peye. Look, the reverse! Let's

:26:41.:26:47.

hear it for Louis. He worked it. Last week, with a help from Amy the

:26:47.:26:50.

zookeeper, you demonstrated how the Strictly outfits can cross over

:26:50.:26:55.

into the work place. You've been at it again. I've been very naughty. I

:26:55.:27:02.

have given Bev the plumber Lisa's hanky panky outfit to wear to work

:27:02.:27:10.

plumbing. I love it. Plumbing, surely not. Take a look.

:27:10.:27:15.

My name's Bev and I'm a plumber. This is my normal work outfit. But

:27:15.:27:18.

today, I've been sent a frock from Strictly and so I'm going to change

:27:19.:27:23.

from this to this. Wow! That's better. Time to go to

:27:23.:27:33.
:27:33.:27:41.

Hi I've come to do your sink. look fantastic. Thank you. It felt

:27:41.:27:46.

amazing. Lots of stretch in it, which is good for reaching into all

:27:46.:27:50.

the hard to get to places, but the length of it not great for plumbing.

:27:50.:27:56.

How does it feel in a glamorous dress? Good, but it's a bit on the

:27:56.:28:06.
:28:06.:28:09.

How are you doing with the high heels? I love them, but I don't

:28:09.:28:13.

think health and safety will be too impressed. I felt amazingly

:28:13.:28:17.

glamorous and it was good to feel that glamorous whilst working. I

:28:17.:28:22.

think my colleagues would love it. They'll be madly jealous. The best

:28:22.:28:26.

looking plumber I've ever had. been fantastic being made up for

:28:26.:28:29.

the day and wearing the dress. Unfortunately I've had to give it

:28:29.:28:34.

back now and go back to my old work clothes. But it doesn't mean I

:28:34.:28:41.

can't Accessorize. Let's hear it for Bev! She looked

:28:41.:28:47.

gorgeous. Thank you very much to Ann and Charles, Ann beautiful as

:28:47.:28:52.

well. Bev can fix my pipes any week in that dress. Thank you to Julien

:28:52.:28:58.

MacDonald. See you next week. Thank you to all my guests tonight.

:28:58.:29:01.

Tomorrow I'm talking to Denise and James, Louis and Flavia and

:29:01.:29:05.

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