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Welcome to It Takes Two. It is Wednesday. Tonight, I have three | :00:11. | :00:20. | |
superstar partnerships on the sofa. They are Denise and James. APPLAUSE | :00:20. | :00:26. | |
Fresh from their Brazilian Samba, Louis and Flavia are here. APPLAUSE | :00:26. | :00:34. | |
And our very own Vegas showgirl with her Vegas showboy, Victoria | :00:34. | :00:41. | |
and Brendan are here. APPLAUSE My ex-is here - Ian Waite is here! | :00:41. | :00:51. | |
:00:51. | :01:20. | ||
Live from Television Centre, this is Strictly: It Takes Two. Please | :01:20. | :01:29. | |
welcome your host, Zoe Ball! APPLAUSE | :01:29. | :01:34. | |
Hello and welcome to Wednesday It Takes Two. We are down to our top | :01:34. | :01:39. | |
ten. Today we get our first look at how our couples are getting on with | :01:39. | :01:42. | |
their new dances. With Wembley around the corner, they are pulling | :01:42. | :01:49. | |
out all the stops to impress. Here is a reminder of how Victoria and | :01:49. | :01:53. | |
Brendan have brought some Vegas to Shepherd's Bush. | :01:53. | :01:58. | |
To come up here on this and dance in front of millions of people, I | :01:58. | :02:04. | |
think is very brave and very commendable. Oh yes, Victoria does | :02:05. | :02:09. | |
Vegas! The problem started when you went to the dancefloor. It was | :02:09. | :02:15. | |
Laszlo with a hangover! -- Las Vegas with a hangover! I thought it | :02:15. | :02:18. | |
was glumpish. You are a true showgirl. You lose your focus at | :02:18. | :02:28. | |
:02:28. | :02:31. | ||
the very end. That is the only thing! I had a shaky Las Vegas | :02:31. | :02:38. | |
hangover. I have wanted one of them for years! They have recovered. | :02:38. | :02:44. | |
Victoria and Brendan are here. APPLAUSE Ace Samba on Saturday | :02:44. | :02:49. | |
night. Did you enjoy it? I was terrified. Really? Terrified about | :02:49. | :02:55. | |
it. Why particularly this week? Was it the dance? Was it too | :02:55. | :02:58. | |
complicated? The dance is pretty tough. But also I just had one of | :02:58. | :03:02. | |
those weeks where nothing seemed to go in my brain. I couldn't get the | :03:02. | :03:08. | |
stops. I didn't feel confident. Oh gosh, I can't watch it! Have you | :03:08. | :03:14. | |
watched it back? I haven't watched it back! Really?! LAUGHTER It is | :03:14. | :03:20. | |
not that bad. It is all right. I can't! It was quite a bold move | :03:20. | :03:26. | |
to start on the judges' desk. I am taking that wasn't your idea? | :03:26. | :03:31. | |
did ask permission, I said, "Do you want to do this?" All right. | :03:31. | :03:36. | |
thought the desk was wider! I'm going to step off into somebody's | :03:36. | :03:43. | |
lap by mistake. I was hoping for that! That must be scary. You have | :03:43. | :03:46. | |
four people sitting underneath your dress, I can understand that would | :03:46. | :03:51. | |
be quite terrifying. Later on, it seemed you were possessed with the | :03:51. | :03:57. | |
spirit of the Samba. But by the time you got up to Tess' area, you | :03:58. | :04:02. | |
couldn't stop yourself! LAUGHTER You have to laugh. Look althe | :04:03. | :04:12. | |
wiggle. Tess -- at the wiggle. Tess... Craig said, "You coped | :04:12. | :04:15. | |
quite well". What did you make of that as a comment? I was very | :04:16. | :04:20. | |
pleased that he thought I coped quite well. We knew it wasn't going | :04:20. | :04:24. | |
to be a fantastic routine. We had one of those weeks that you don't | :04:24. | :04:29. | |
want to remember. It wasn't good. We have moved on from that. We have | :04:29. | :04:33. | |
moved on. We are all happy. Before you move on one last time, I want | :04:33. | :04:38. | |
to show you this VT. Brendan was so good at helping you through it in | :04:38. | :04:48. | |
:04:48. | :05:01. | ||
Hey! Hey! You ready for a session? You are a dancer. Become the dancer | :05:01. | :05:05. | |
you want to be. You are going to be a dancer. You are a dancer. I'm not | :05:06. | :05:09. | |
a dancer. It is time to start thinking like one. You can become | :05:09. | :05:14. | |
the inner dancer you know you want to be. There you go. That was so | :05:14. | :05:22. | |
good. Take your time. This is good. Good stuff! Fantastic, fantastic! I | :05:22. | :05:32. | |
:05:32. | :05:41. | ||
That's amazing. You are so good at your job! LAUGHTER You are so good | :05:41. | :05:49. | |
at your job! You spend a lot of time, seven, six hours a day, | :05:49. | :05:55. | |
sometimes the stuff you come up with is ridiculous. Madness is what | :05:55. | :06:00. | |
it is! Quickstep this week. Victoria, compose yourself. Are you | :06:00. | :06:07. | |
enjoying it more? SNORTING No snorting! Love bg it. It's been | :06:07. | :06:12. | |
really good -- loving it. It's been really good fun. How does it look? | :06:12. | :06:17. | |
That was day one. That's good. fun. I am looking forward to it. | :06:17. | :06:22. | |
That was day two, yesterday. One of your favourites, are you pleased | :06:22. | :06:27. | |
with it? We have a fantastic bit of music. It's got that thing, it's | :06:28. | :06:35. | |
got that zest... A bit of magic. get a smile on my face. And a | :06:35. | :06:42. | |
tickle... I'm sorry?! Not from me! Legs! Of course(!) You admitted | :06:42. | :06:46. | |
this ballroom style suits you more. Is the choreography getting more | :06:46. | :06:51. | |
complex? Yes, it is. I have always got the fact that I can grab on to | :06:51. | :06:55. | |
Brendan and he can drag me around the dancefloor if it goes wrong, | :06:55. | :07:01. | |
which is reassuring. I pushed the boat out on this one. This is | :07:01. | :07:07. | |
difficult. I know she can do it. You know she can do it? Yes. It is | :07:07. | :07:10. | |
Wembley calling if you get through this. You have had massive public | :07:10. | :07:16. | |
support behind you for the Olympics. How important is it for Strictly? | :07:16. | :07:19. | |
I'm so grateful to everyone for voting. We were second from the | :07:19. | :07:25. | |
bottom and we were saved. Thank you. My Mum can't vote. She is not here. | :07:25. | :07:28. | |
We need the extra ones. quickstep could be the one for you | :07:28. | :07:35. | |
this week. Good luck. Thank you. APPLAUSE It's time to find out how | :07:35. | :07:39. | |
the ladies are shaping up in the first of our double dose - I'm a | :07:39. | :07:49. | |
:07:49. | :07:56. | ||
dancer - I wish I was - of the He really is a dancer! No costume | :07:56. | :08:03. | |
this week, please welcome Ian Waite. APPLAUSE You have your own legs on | :08:03. | :08:09. | |
today. I know. All in proportion! We are heading towards the half-way | :08:09. | :08:13. | |
point of the competition. It is really hotting up. Speaking from | :08:13. | :08:17. | |
experience, what will our pros be doing right now? They will probably | :08:17. | :08:22. | |
be putting in more hours now. Obviously, they have to perform | :08:22. | :08:25. | |
better. All the celebrities are getting better, even the ones that | :08:25. | :08:29. | |
were slow starting, they are starting to improve. It is kind of | :08:29. | :08:34. | |
evening out. If you have a bad show, you might go out. So you have to | :08:34. | :08:39. | |
keep it snappy. Yes. Dani and Vincent, fantastic last week. This | :08:39. | :08:43. | |
week, the tango. This looks seriously fast. How is she doing? | :08:43. | :08:49. | |
Great dance because she's got Vincent, which is great. She makes | :08:49. | :08:54. | |
very good lines. What I would like her to do - if I get my wand out... | :08:54. | :09:00. | |
The wand is out! APPLAUSE I would like to keep this - I have told you | :09:00. | :09:03. | |
this before - talking about things this before - talking about things | :09:03. | :09:07. | |
to try and make things... I want to make a vase shape. You keep the | :09:07. | :09:14. | |
base in. And keep the top wide. Sorry about that(!) Think about | :09:14. | :09:19. | |
your head as being a flower in a vase. Basically, she's got to reach | :09:19. | :09:24. | |
out like that. We understand, yeah? You can do this thing... You always | :09:24. | :09:29. | |
used to say that to me and I thought it was a head in a vice! | :09:29. | :09:33. | |
Kimberley and Pasha shone in the salsa. Back to ballroom for her and | :09:33. | :09:38. | |
a Viennese waltz. It is a difficult dance. There is a lot of turn in it. | :09:38. | :09:41. | |
They are kind of walking through the steps. She is hanging on a bit | :09:41. | :09:46. | |
to him. I would like to show you this. She is making this look | :09:46. | :09:53. | |
effortless. What is it called? is an Eros, basically. Of course! | :09:53. | :09:58. | |
She is doing it very easily. The ending... She fell off a bit there. | :09:58. | :10:03. | |
They will sort that out. LAUGHTER Yeah, probably it will be a good | :10:03. | :10:09. | |
dance for her. Lisa and Robin are doing a foxtrot. How is Lisa | :10:09. | :10:13. | |
getting on? Now, her flow across the floor is very good. Good. | :10:13. | :10:17. | |
Although, I think it could be improved if she releases her toes | :10:17. | :10:22. | |
when she goes backwards. Release the toes! Explain what you mean. | :10:22. | :10:27. | |
When she is moving backwards, you always release your toes so you | :10:27. | :10:31. | |
move on to the back foot more efficiently. If you keep the toe on | :10:31. | :10:36. | |
the floor, you are not going to move so easily. OK. Also, she does | :10:36. | :10:42. | |
a reverse turn into a reverse weave, so when she does that, she needs to | :10:42. | :10:47. | |
be doing proper heel leads. I know she is wearing boots again this | :10:47. | :10:55. | |
week. He doesn't like it! No. She's got a few flat feet. Proper shoes. | :10:55. | :11:01. | |
Fern and Artem are doing a salsa. Is it going to be saucy? She seems | :11:01. | :11:06. | |
to be embracing the character. the skirt! Look at those pins! | :11:06. | :11:09. | |
is wearing a nice short skirt. She is getting into the rhythm of it. I | :11:09. | :11:14. | |
wanted to stop it here and emphasise this. She is not - I | :11:14. | :11:18. | |
won't be her favourite person. won't love you for that(!) There's | :11:18. | :11:24. | |
a few points - one, two and three. First point is she needs to raise | :11:24. | :11:32. | |
her hips, get her hips up, point two get the knees together. Hips up, | :11:32. | :11:37. | |
knees together. We know what you mean! And heels up as well and feet | :11:37. | :11:44. | |
together. That sounds so tricky. Come on, Fern. Victoria and Brendan, | :11:44. | :11:47. | |
liking the quickstep. Brendan has made it complicated. How is she | :11:47. | :11:52. | |
looking? It is a fast-flowing dance. Lots of changes of rhythm. Lots of | :11:52. | :11:57. | |
variations in steps. There's lots of hopping steps where if you don't | :11:57. | :12:00. | |
get the rise and fall right, you could very well be at a different, | :12:00. | :12:05. | |
you could be like this, jumping up- and-down at different times. So | :12:05. | :12:10. | |
what I suggest is that they get the centre, she gets her centre up to | :12:10. | :12:18. | |
him and sticks to him like vil crow, then she will -- like velcro, then | :12:18. | :12:26. | |
she will feel his body. Let's talk about Denise and Ian. James has | :12:26. | :12:30. | |
hurt his ankle and you are training with her. Look at you and your | :12:30. | :12:33. | |
muscles! How is Denise doing? is doing all right. She is doing | :12:33. | :12:37. | |
quite well. Working very hard. Quite difficult choreography. But | :12:37. | :12:43. | |
what I would say is that she needs to shape her arms more and use her | :12:43. | :12:48. | |
arms, create more space under her arms. Don't do that, you have a | :12:48. | :12:52. | |
sweaty patch! LAUGHTER She needs to get these - that's wrong. She needs | :12:52. | :12:59. | |
to get these arms out on every step. But also clench these cheeks | :12:59. | :13:04. | |
together. Feel that! That feels all right. Really hard. She needs to | :13:04. | :13:10. | |
keep that really toned. That's lovely. Thanks for that. Ian Waite. | :13:10. | :13:14. | |
Excuse me! APPLAUSE We will discuss the boys later on. Thank you. One | :13:14. | :13:19. | |
of my favourite parts of the show is seeing all the re-enactments you | :13:19. | :13:24. | |
have sent in. We have had another one in from France. We had to show | :13:24. | :13:34. | |
:13:34. | :14:07. | ||
APPLAUSE Please keep them coming in. APPLAUSE Please keep them coming in. | :14:07. | :14:08. | |
Send your clips to [email protected]. Clips should | :14:08. | :14:13. | |
be no longer than 30 seconds. Full instructions and terms and | :14:13. | :14:17. | |
conditions can be found at bbc.co.uk/ittakestwo. | :14:17. | :14:21. | |
In a moment, I will be joined by Louis and Flavia. First, a reminder | :14:21. | :14:29. | |
of how they blew up the dancefloor with their saucy Samba. You have to | :14:29. | :14:39. | |
:14:39. | :14:39. | ||
be the King of pelvic gyrations. You have made it look very | :14:39. | :14:46. | |
masculine. I was disappointed. It was a bit safe. Every dance studio | :14:46. | :14:52. | |
in Britain will be congratulating you because there was so many | :14:52. | :15:02. | |
:15:02. | :15:02. | ||
recognisable Samba steps. Yeah! Darcey still gave us a seven. She | :15:02. | :15:09. | |
still loved the performance. More sex next week for Darcey! Look left. | :15:10. | :15:14. | |
Please welcome the snake-hiped Olympian Louis and his gorgeous | :15:14. | :15:20. | |
partner, Flavia. APPLAUSE Lovely to have you here. Super sexy Samba on | :15:20. | :15:25. | |
Saturday. We loved it. But one of your lowest scores. Not that low, | :15:25. | :15:30. | |
by comparison, but how did you feel about that? It wasn't too bad. I | :15:30. | :15:34. | |
have taken quite well to ballroom, but Latin I find it quite hard to | :15:34. | :15:39. | |
get good scores. I think the scores we have got, or I think I was quite | :15:39. | :15:43. | |
happy with. I have to say lots of your fans were furious that what | :15:43. | :15:48. | |
they said was low marking. Hannah said, "I loved it. What more can he | :15:48. | :15:55. | |
do to get a high mark?" And, "Undermarked, his solo section was | :15:55. | :15:58. | |
fabulous." That is what the fans think. No secret Darcey has loved | :15:58. | :16:04. | |
you from the beginning. Were you shocked? She said she was | :16:04. | :16:09. | |
disappointed? Darcey! Naughty Darcey! I prepare myself for | :16:09. | :16:14. | |
negative comments. We are not dancers and we are picking up a new | :16:14. | :16:17. | |
profession. I prepare myself for criticism. Come on, Darcey! Samba | :16:17. | :16:25. | |
is a tricky one. It is quite hard for the celeb boys. It's always | :16:25. | :16:30. | |
going to be hard to get high scores on a dance like that. Having said | :16:30. | :16:33. | |
that, when Karen Hardy was here yesterday, she did point out | :16:33. | :16:39. | |
several of the moves that Louis did and she said they were spot on. | :16:40. | :16:46. | |
did fab. Well done. APPLAUSE Did it help - no, we have noticed you are | :16:46. | :16:51. | |
a bit shy. You are coming out of your shell. Flavia is coaxing you | :16:51. | :16:58. | |
out, check this out! Slowly. Look at you. Showing off your guns. Nice. | :16:58. | :17:02. | |
Favourite bit still to come. They are huge! Wait for it. Wait for it. | :17:02. | :17:10. | |
We are going to get the finger point. Here it comes. I love that. | :17:10. | :17:16. | |
It makes me laugh. Can we put that in the routines? No. Did that help | :17:16. | :17:20. | |
you get in the mood? A little bit. It is nice to do different things | :17:20. | :17:24. | |
and try and get out your shell before the show. Flavia has been | :17:24. | :17:28. | |
doing quite a good thing with you, she has been encouraging you to | :17:28. | :17:33. | |
take on the persona of some of the male pro celebrity dancers. This is | :17:33. | :17:40. | |
good. Yes. Do an impression of what a Latin dancer looks like. | :17:40. | :17:47. | |
right. Hello, baby. Don't... like my cha-cha, do you? Can you | :17:47. | :17:56. | |
pick anyone but Anton? No, that is Robin. LAUGHTER No, don't do that. | :17:56. | :18:06. | |
:18:06. | :18:07. | ||
Victoria, I... Right, Brendan. LAUGHTER Who am I? Vincent does | :18:07. | :18:15. | |
that. Do I look good? Oh! Your Robin is priceless! This week, you | :18:15. | :18:21. | |
are back in the ballroom. You are doing a waltz. How is it going? | :18:21. | :18:25. | |
is going really well. After the Samba, it is nice to go back to | :18:25. | :18:30. | |
something calming. We have a nice song and, yeah, we are working hard. | :18:30. | :18:33. | |
Do you find Louis is more willing when he is doing ballroom? He is | :18:33. | :18:37. | |
more comfortable because it takes less, you have to be less | :18:37. | :18:42. | |
flamboyant so in a training studio it is quite hard at 10.00am to be | :18:42. | :18:49. | |
flamboyant and go for it. With the waltz it is more his natural kind | :18:49. | :18:54. | |
of feel and mood. It suits him a bit more. Your Mum has been down to | :18:54. | :19:00. | |
the training room. How is it when your Mum pops in? I love my Mum. I | :19:00. | :19:04. | |
wish she would just stay away. love it. She is on my side! When | :19:04. | :19:11. | |
she comes in, what does she do? brings food. Then she starts | :19:11. | :19:20. | |
interfering. No, she is helping! Stay away... Come again! Do you get | :19:20. | :19:24. | |
embarrassed having to dance in front of your Mum? She was telling | :19:24. | :19:29. | |
me what she thinks I should be doing. That is Flavia's job. I want | :19:29. | :19:34. | |
the support. That is hysterical. Your Strictly Dad left this weekend, | :19:34. | :19:39. | |
Colin, and he said that you were his hot tip to win. Thank you, | :19:39. | :19:44. | |
Colin. Good luck this weekend with your waltz. Give my love to Elaine. | :19:44. | :19:49. | |
Louis and Flavia! APPLAUSE In a moment, I will be chatting to | :19:49. | :19:52. | |
Denise and James. Here is a reminder of how they found | :19:52. | :20:02. | |
themselves back on top after a rather romantic Viennese waltz. | :20:02. | :20:12. | |
:20:12. | :20:16. | ||
More turns than a Catherine wheel. Absolutely spectacular! Seamless! | :20:16. | :20:25. | |
One word - a-ma-zing. Yeah! She is a ballroom girl! We got three nines. | :20:25. | :20:31. | |
Yeah! The judges gave amazing comments but I still want more. | :20:31. | :20:36. | |
There were a couple of moments where I was disappointed with you. | :20:36. | :20:45. | |
All right. Thank you. He is so naughty. Our meerkat prediction | :20:45. | :20:49. | |
came right, top of the leaderboard. Denise and James, well done. | :20:49. | :20:53. | |
APPLAUSE Thank you. It was so beautiful to watch on Saturday. Did | :20:53. | :20:58. | |
you enjoy it? I loved it. It was the first week I felt more relaxed, | :20:58. | :21:04. | |
really enjoyed the dance. It was great. All on an injured ankle? | :21:04. | :21:08. | |
Were you worried you weren't going to be able to perform? No, I knew I | :21:08. | :21:14. | |
would be able to get through it. I was concerned whether I would make | :21:14. | :21:19. | |
it a lot worse, which I did. It was worth it. It was. Three nines, | :21:19. | :21:25. | |
totally worth it. And after the comments you had... Do you... | :21:25. | :21:31. | |
looks great. I am very proud. Dress rehearsal was a nightmare. Isn't | :21:31. | :21:35. | |
that better, get it wrong? really. It doesn't give you the | :21:35. | :21:40. | |
confidence before you go on to the live show. It panics me. You were | :21:40. | :21:45. | |
quite nervous about it. A fleckerl in there and I know for a fact they | :21:45. | :21:50. | |
are really hard to do. She did. She kept her feet flat on the floor as | :21:50. | :22:00. | |
:22:00. | :22:01. | ||
well. Good teacher. He is. That is true(!) He is going to swell now! | :22:01. | :22:04. | |
Viennese waltz makes you a little bit dizzy and we did notice that | :22:05. | :22:10. | |
you did lose your bearings last week? Stay on your right leg. Turn. | :22:10. | :22:19. | |
And get on to your left leg. # I've been driving in my car. | :22:19. | :22:29. | |
:22:29. | :22:29. | ||
# Hrbl Which way you turning? Please say left. -- | :22:29. | :22:36. | |
# I've been driving in my car. # Which way you turning? Please say | :22:36. | :22:41. | |
left. To the right, to the right. That is turning right. That is | :22:41. | :22:47. | |
turning left. There you go. It is not rocket science. Yes! Well done. | :22:47. | :22:52. | |
APPLAUSE I get confused. We have made these for you. Thank you. I do | :22:52. | :22:56. | |
get confused with my left and right. You know what is good? It shows | :22:56. | :23:00. | |
that - I put a lot of spins in the routine. She doesn't find it | :23:00. | :23:05. | |
natural to spin. But when she gets it, she spins well. They are quite | :23:05. | :23:10. | |
special. Come on! Word! Paso doble this week. Do you like it? I love | :23:10. | :23:14. | |
it. We haven't had a chance to dance it properly because of his | :23:14. | :23:19. | |
injured ankle. Update us. How is your leg? How is Ian Waite in the | :23:19. | :23:23. | |
training room? Ian has been brilliant. Obviously, I have tried | :23:23. | :23:30. | |
to choreograph the routine from a chair. Have you got a stick? I feel | :23:30. | :23:34. | |
sorry for him. I haven't given him full control over Denise because my | :23:34. | :23:38. | |
aim is to dance on Saturday night. It is very, very painful. Ian | :23:38. | :23:42. | |
wasn't able to come in today so I tried to dance with you, but I was | :23:42. | :23:46. | |
in a lot of pain. I have had to make the routine easier for me, | :23:46. | :23:50. | |
where normally you are saying can you make it easier and I'm saying | :23:50. | :23:54. | |
no. At this stage in the game, what are the chances of you dancing on | :23:54. | :24:01. | |
Saturday? I will dance on Saturday. OK. Ian's devastated. Now, you have | :24:01. | :24:08. | |
had a fab-u-lous from Craig, you have had an a-ma-zing from Craig. | :24:08. | :24:12. | |
What will you get for your paso doble? Shocking! At this | :24:12. | :24:18. | |
moment...it will be shocking. has been the hardest week. I'm a | :24:18. | :24:22. | |
bit nervous this week. I need to be able to dance it with Denise. At | :24:22. | :24:26. | |
the end of the day, she will be dancing with me. How difficult is | :24:26. | :24:32. | |
it for you having two men in the... It's been lovely! Has it? Every | :24:32. | :24:38. | |
girl's dream to double up! LAUGHTER It's been really nice. Because Ian | :24:38. | :24:45. | |
is so lovely, he's been really helpful. Oh my Lord! It is | :24:45. | :24:50. | |
difficult. You do get used to dancing with your partner. He is | :24:50. | :24:57. | |
much more handsome than James! Don't set them off against each | :24:57. | :25:03. | |
other. Give me your paso face. Oh good. It is not a pout! I don't | :25:03. | :25:07. | |
know if I'm meant to be the bull. Are you the cape or the bull? | :25:07. | :25:15. | |
don't know. What is she? Bull! LAUGHTER Like a bull in a china | :25:15. | :25:20. | |
shop. Good luck on Saturday. Thank you. APPLAUSE It is time now to | :25:20. | :25:25. | |
focus on the boys. In the second instalment of Ian Waite's Wednesday | :25:25. | :25:35. | |
:25:35. | :25:38. | ||
Warm Up. Ian Waite is back. Did you hear | :25:38. | :25:44. | |
that? You might not get to dance it on Saturday. Let's hope it gets | :25:44. | :25:49. | |
better, James(!) We are down to four male celebrities. Do you think | :25:49. | :25:52. | |
that the females, the ladies, are stronger this year? I thought that | :25:52. | :25:56. | |
in the Launch Show. I thought we have a really strong bunch of | :25:56. | :26:01. | |
ladies here. It goes to show that these boys need to up their game. | :26:01. | :26:06. | |
Yes. Shape up or ship out. Erin and Richard. They were in the bottom | :26:06. | :26:11. | |
two. Saved in a glorious comeback. Can they avoid it with their | :26:11. | :26:16. | |
Charleston? I think this will suit Richard's personality. It is cheeky. | :26:16. | :26:20. | |
It is fun. I have slowed this down. They are dancing some, a lot of | :26:20. | :26:23. | |
side by side actions. Here they are dancing it together. Just watch | :26:23. | :26:30. | |
this next bit with the knee coming up. Is that not supposed to happen? | :26:30. | :26:40. | |
No. It will be a bit of a disaster. They will sharpen it up! Michael | :26:40. | :26:43. | |
and Natalie are doing a salsa this week. He has had two strong weeks | :26:43. | :26:48. | |
in ballroom. Can he turn it around with his Latin? It is a shame. He | :26:48. | :26:55. | |
has all the attributes, he is moving his hips, he's got some | :26:56. | :27:00. | |
great armography. His posture is good. I want to highlight this area, | :27:00. | :27:05. | |
good. I want to highlight this area, really. That is a good look! He is | :27:05. | :27:10. | |
so handsome. That is unfortunate. He looks like the Tin Man. He needs | :27:10. | :27:13. | |
to have more expression, especially with something like the salsa. You | :27:13. | :27:17. | |
have to get into it with your face and with your whole body. Show us. | :27:17. | :27:20. | |
What is his face supposed to be like? | :27:20. | :27:28. | |
AUDIENCE: Oh yes! It makes me laugh. Good luck, Michael. They always get | :27:28. | :27:32. | |
comments, do they, Nicky and Karen about their dance content. They are | :27:32. | :27:36. | |
doing the foxtrot. How is the content? There's lots of foxtrot in | :27:36. | :27:41. | |
here. She's worked him very hard. My main concern about Nicky, and it | :27:41. | :27:48. | |
has been every week, is his posture. Certain parts of it have improved. | :27:48. | :27:52. | |
He has tucked his bottom under. When he is taking a step, any step, | :27:52. | :27:56. | |
he tends to sort of dip when he - he needs to make sure that he | :27:56. | :28:00. | |
pushes off the back foot and the backside and pushes through so that | :28:00. | :28:06. | |
he creates some more distance in the steps. A bit of movement. | :28:06. | :28:12. | |
push with the top half, he lets his elbows go behind his back. Where | :28:12. | :28:16. | |
should they be? Up and forward to create more space. So she can | :28:16. | :28:23. | |
create this vase effect. Louis and Flavia and their waltz. Can Louis | :28:23. | :28:28. | |
wow in the waltz? Some parts of this are brilliant. That promenade | :28:28. | :28:33. | |
there and it is a waltz, it is a great dance to do. I'm sure it will | :28:33. | :28:37. | |
be very emotive. What I have pointed out here is there's a few | :28:37. | :28:44. | |
points here, if I point them out? One there. You have two here which | :28:44. | :28:51. | |
is the arm. And three there. OK. 25 seconds to tell me... When we are | :28:51. | :28:57. | |
pivoting, keep the bottom in, one. Two, he needs to keep his right | :28:57. | :29:02. | |
elbow forward and up. OK. Three, he needs to keep his head left. That | :29:02. | :29:06. | |
is good. Keep going round. This is beautiful. I could stay like this | :29:06. | :29:14. | |
all night. Good luck, Louis. Thank you very much, Ian. That is it for | :29:14. | :29:20. | |
today. Thanks to all my guests. Join me at 6.30pm tomorrow. I'll be | :29:20. | :29:25. |