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Hello. It is Thursday. Welcome to It Takes Two, squashed into the | :00:12. | :00:19. | |
sofa this evening. Kimberley and Pasha are here! APPLAUSE They | :00:19. | :00:22. | |
always brighten the show when they come in. It could be something to | :00:22. | :00:28. | |
do with Robin's tan - one coat or two? Lisa and Robin are here! | :00:28. | :00:32. | |
APPLAUSE We will have a look at what our couples are wearing this | :00:32. | :00:40. | |
weekend. Queen of the judges, Darcey Bussell, is on the show. | :00:40. | :00:50. | |
:00:50. | :01:18. | ||
APPLAUSE OK. Fifth positions and Live from Television Centre, this | :01:18. | :01:23. | |
is Strictly: It Takes Two. Please welcome your host, Zoe Ball. | :01:23. | :01:30. | |
APPLAUSE Hello and welcome to It Takes Two. Saturday's live show is | :01:30. | :01:34. | |
days away and our couples are frantically practising their | :01:34. | :01:38. | |
shimmies and chasses. I will be chatting to Kimberley and Pasha. | :01:38. | :01:42. | |
But before that, let's look at how some of our couples are getting on | :01:43. | :01:47. | |
in the training room. This week we are doing the foxtrot. It is a | :01:47. | :01:54. | |
beautiful dance, but it's certainly a bit of a brain - it's taking me | :01:54. | :01:58. | |
time to get it into my head. It is extremely difficult. There are a | :01:59. | :02:03. | |
lot of things that he needs to think about, especially timing. | :02:03. | :02:09. | |
way! He wants to go quick-quick, I want him to go slow. No. I am | :02:09. | :02:13. | |
putting more content than I would usually put in. This will be a | :02:13. | :02:16. | |
disaster! There is so much to remember. There are times when you | :02:16. | :02:21. | |
are so annoyed with yourself and you think... The frustration comes | :02:21. | :02:27. | |
out. One, two - argh! If he keeps his cool, then it will be a | :02:27. | :02:35. | |
brilliant night. This week, we are dancing salsa. It's great fun and I | :02:35. | :02:40. | |
really feel so much freer with it and enjoying it. It is much more | :02:40. | :02:47. | |
social, much more happy. I think salsa will suit Fern. Artem's | :02:47. | :02:54. | |
really pleased. Good. Very nice. seem to be able to get it. I'm so | :02:54. | :03:03. | |
happy. That was it. I can do it! Skirtography we have exhausted so | :03:03. | :03:10. | |
we are going for bumography! It is a joyful dance and we can smile! | :03:10. | :03:16. | |
think the salsa could be her dance. This week, we are dancing the | :03:16. | :03:19. | |
Viennese waltz. It is very elegant. It is very beautiful. We need to | :03:19. | :03:26. | |
make sure that we make it smooth and floating. Still stepping on | :03:26. | :03:31. | |
Pasha's feet quite a lot! Nice(!) It's got a lot of potential. Your | :03:31. | :03:35. | |
left leg is fine. Let's work on your right! The Viennese waltz is a | :03:35. | :03:42. | |
technical dance sm it is about- turns and -- dance. It is about | :03:42. | :03:47. | |
turns and pivots. We know what the steps are and where we are supposed | :03:47. | :03:51. | |
to be. But we are making mistakes because I don't know what I'm doing. | :03:51. | :03:56. | |
Yeah? Not sure. I'm praying I can step it up on the ballroom as well | :03:56. | :04:05. | |
as the Latin. Please welcome Kimberley and Pasta - I mean Pasha! | :04:05. | :04:11. | |
APPLAUSE Are you hungry? Always! That is the way uh-huh, uh-huh, Len | :04:11. | :04:15. | |
likes it! So good, so good, because Len has been tough on you with all | :04:15. | :04:19. | |
your choreography and your steps and stuff. He was a very pleased | :04:19. | :04:25. | |
Len on Saturday night. I was really happy that Len was happy. And I was | :04:25. | :04:30. | |
a little bit nervous about going towards the judges' table. Yeah, I | :04:30. | :04:36. | |
went for it. I enjoyed it. That was the key. You really went for it? | :04:37. | :04:44. | |
Yes. When you see a dancer doing that, you really enjoy it? Do you | :04:44. | :04:49. | |
watch it back? Sometimes I do. Maybe once and then I'm like I | :04:49. | :04:54. | |
can't watch it again. Move on. Pasha, you got a nine, you must be | :04:54. | :05:02. | |
pleased with your girl? Absolutely. The first nineer. The firs of many. | :05:02. | :05:09. | |
I hope -- the first of many? I hope so. It was a surprise. You did all | :05:09. | :05:13. | |
that. Yeah. LAUGHTER I tried. LAUGHTER You did. How is the knee, | :05:13. | :05:19. | |
by the way? You had a tough week last week? My knee is getting much | :05:19. | :05:22. | |
better. We know what is going on with it now so we can control it, | :05:23. | :05:27. | |
which is so much better. Like we are dancing for 15 minutes and | :05:27. | :05:32. | |
sitting for five and icing. Or peas, or whatever... We are in control of | :05:32. | :05:38. | |
the knee now, which is good. imagine that does help(!) We think, | :05:38. | :05:42. | |
though, our It Takes Two voles who work very hard may have discovered | :05:42. | :05:49. | |
why you really hurt your knee, OK? Our lovely Pasha might have been a | :05:49. | :05:59. | |
:05:59. | :06:03. | ||
little rough with you. # Dance the kung fu... # | :06:03. | :06:13. | |
:06:13. | :06:17. | ||
Kick, kick. Yeah. # You sway to your left... # | :06:17. | :06:27. | |
:06:27. | :06:34. | ||
Releasing the energy. One, two, three... Argh! LAUGHTER I like that | :06:34. | :06:44. | |
:06:44. | :06:44. | ||
kick. Your kicks are so high. This week, the Viennese waltz. Tell me | :06:44. | :06:49. | |
about it. How is it? I actually love the dance. I love the song | :06:49. | :06:54. | |
that we are dancing to, the choreography is amazing. It's | :06:54. | :06:58. | |
starting to come together. It is quite tricky. I do find the | :06:58. | :07:02. | |
ballroom a lot more difficult, so I have to really focus this week and | :07:02. | :07:07. | |
try and hold it together. Ian Waite was complimenting you on your Eros | :07:07. | :07:10. | |
yesterday, that is where you go back and then forward? Yes. Very, | :07:10. | :07:14. | |
very good. How were the spins? Have you counted how many spins you have | :07:14. | :07:19. | |
to do? There's a lot of spins! The worst part is that when I spin away | :07:19. | :07:26. | |
from Pasha and have to come back and I am look boom! She was | :07:26. | :07:29. | |
attempting to elbow me a couple of times. I dodged it. | :07:29. | :07:34. | |
choreography is arms up and then out. There will be more than | :07:34. | :07:39. | |
bruised knees! You are dancing to this music. | :07:39. | :07:43. | |
# I believe... # Christina Perri from The Twilight | :07:43. | :07:47. | |
Saga: Breaking Dawn. You are a bit of a mix of Edward and Jacob, I | :07:47. | :07:52. | |
think. I never heard that before! OK. Take it. I will take it. I will | :07:52. | :08:00. | |
try anything! Some pasta? For two? Girls Aloud, would you ever dance | :08:00. | :08:06. | |
to one of your own records? I would love to dance to one of our records. | :08:06. | :08:10. | |
I don't know if it will happen. The Promise would be good. Love Machine | :08:10. | :08:15. | |
would be a good quickstep. We have done that already. Maybe someone | :08:15. | :08:19. | |
else could do it. It may happen. Is the Viennese waltz a tough dance to | :08:19. | :08:25. | |
learn for the girls? It is not that tough as far as steps. Judges | :08:25. | :08:31. | |
expect a lot and we are trying to... Step it up. Yeah. That is where all | :08:31. | :08:39. | |
the difficulty lays. What is the toughest thing for you this week? | :08:39. | :08:44. | |
If one thing goes wrong, I will lose the whole dance! Start again. | :08:44. | :08:48. | |
He's been trying to tell me how to just carry on. Also this weekend, | :08:48. | :08:51. | |
you are battling for a place at Wembley. You have played there | :08:51. | :08:55. | |
three times. How much do you want to be there for Strictly? I would | :08:55. | :09:01. | |
love to go to Wembley. It is amazing. It is such a nice arena. | :09:01. | :09:05. | |
Yeah, fingers crossed. Good luck this weekend. Kimberley and Pasha. | :09:05. | :09:10. | |
Thank you. Thank you. APPLAUSE Now, I'm sure you know the difference | :09:10. | :09:14. | |
between a novelty Christmas sock and a verruca sock. Can you guess | :09:14. | :09:24. | |
:09:24. | :09:46. | ||
which of our professionals are Dainty feet - Vincent perhaps? Back | :09:46. | :09:50. | |
to the training rooms for more updates on our couples. This week, | :09:50. | :09:53. | |
I will be dancing the quickstep. I have been looking forward to this | :09:53. | :09:59. | |
one. It will be a lot of fun. Quickstep is a dance that suits | :09:59. | :10:05. | |
Victoria. She seems really happy to be doing it. I'm definitely happy | :10:05. | :10:11. | |
to be back holding on to Brendan! He is my stabilisers. Step, hop, | :10:11. | :10:17. | |
side to side... I have done it wrong! You had done it right. | :10:17. | :10:22. | |
have to try every single teaching method you can. A lot of this | :10:22. | :10:28. | |
process is emlaigs. I want to show her what she is supposed to look | :10:28. | :10:35. | |
like and hope she will copy me. Sometimes I will look like a girl! | :10:35. | :10:40. | |
The waltz is a very elegant dance, so you have to really glide across | :10:40. | :10:45. | |
the dancefloor. There's a lot of lunging and having to be powerful | :10:45. | :10:55. | |
through the lunge. The knee is a bit sore. Tell me if you need to | :10:55. | :11:00. | |
rest. It's fine. You have to use your feet correctly. There are some | :11:00. | :11:04. | |
heel leads and toe leads. Flavia keeps telling me about posture and | :11:04. | :11:09. | |
head left. Keep the head left. Achieve the Big Top line, both | :11:09. | :11:13. | |
dancers have to look away from each other. Every week is a tough week. | :11:13. | :11:18. | |
There is not an easy week on Strictly. Good with the head, but | :11:18. | :11:24. | |
your body has to move forward. can't do that! Loads of pressure | :11:24. | :11:30. | |
this week. I'm doing the tango. I'm dancing with the God - Vincent. | :11:30. | :11:36. | |
is a special dance. Can you make it sharper? You have to look strong | :11:36. | :11:42. | |
and full of passion and drama. It is about telling a story. Bella, | :11:42. | :11:49. | |
how you do? Vincent has been trying to bring out my jealous side. | :11:49. | :11:55. | |
going to call Rachel Stevens. you call her! The tango is so fast. | :11:55. | :12:00. | |
By the end of it, Vincent is knackered. It is tough. I need a | :12:00. | :12:05. | |
pair of lungs. I thought he was supposed to be the professional? | :12:05. | :12:12. | |
Too much passion! This week, we are dancing the paso doble. It's been a | :12:13. | :12:16. | |
difficult start because James is injured. So Ian has come in to help | :12:16. | :12:21. | |
me out. You have a nice tight bum. To watch Denise dance with another | :12:21. | :12:29. | |
man, I'm a bit jealous. Two's company, three's a crowd. I have | :12:29. | :12:33. | |
tried to have as much input into her paso doble as possible. It is | :12:33. | :12:38. | |
hard for me to be sitting down when all I want to do is get up and | :12:38. | :12:43. | |
dance with her. I like the choreography. The dance is good. It | :12:43. | :12:48. | |
is a bit aggressive which will come easily when I'm dancing with James! | :12:48. | :12:54. | |
By hook or by crook, I will be dancing on Saturday night. | :12:54. | :12:59. | |
Fingers crossed for James. Please welcome now a lady who has brought | :12:59. | :13:02. | |
some much-needed girlie glamour to The Three Stooges on the judging | :13:02. | :13:08. | |
panel, Darcey Bussell! # Baby, you light up... # | :13:08. | :13:17. | |
Come on! Shimmy! Oh! APPLAUSE Gorgeous. How are you? Come on, | :13:17. | :13:22. | |
that's what we need. Craig does spins. The bum move you didn't need. | :13:22. | :13:29. | |
We needed it! That can stay. Six weeks in, have you settled in? | :13:29. | :13:32. | |
enjoying myself a lot more. And the boys don't have to tell me what to | :13:32. | :13:36. | |
do all the time now. Who is the naughtiest up there? Obviously, | :13:36. | :13:42. | |
Bruno. He can't help himself. I have been encouraged to be naughty | :13:42. | :13:46. | |
with him. He is always reaching across to touch me. We are liking | :13:46. | :13:51. | |
the naughty side of Darcey Bussell! Last week, in the results show, you | :13:51. | :13:54. | |
were saying you didn't think Richard and Erin or Colin and | :13:54. | :13:59. | |
Kristina should have been in the bottom two. I wasn't thinking of | :13:59. | :14:05. | |
anybody specific. I think Richard had an unfortunate performance. | :14:05. | :14:09. | |
But he shined when he did it. There wasn't anybody specific I would | :14:09. | :14:16. | |
have put in the dance-off. I was really sad to see Colin and Richard | :14:16. | :14:21. | |
there. It didn't feel right. I was feeling sentimental about the boys. | :14:21. | :14:26. | |
This is what happens. More boys going than girls. We don't want the | :14:26. | :14:32. | |
boys to go. When you give critique, you seem to give very positive | :14:32. | :14:38. | |
comments for the dancers to improve? Yes. Who would you say has | :14:38. | :14:44. | |
taken on board? So many have taken on board. I suppose the major | :14:44. | :14:49. | |
transformation is Michael. I don't know, he seems to have gained that | :14:49. | :14:51. | |
confidence so maybe enhancing confidence into somebody has | :14:51. | :14:57. | |
changed him. It works. Natalie is doing wonders. I think he just | :14:57. | :15:01. | |
loves her to bits. He will do anything she says. He is back in | :15:01. | :15:07. | |
the Latin this weekend. I know. am hoping he gets this one. A great | :15:07. | :15:10. | |
question - she really likes your positive criticism. She asks how | :15:10. | :15:15. | |
much do you draw on your experience as a dancer? It is all from my | :15:15. | :15:19. | |
experience. All my coaches would have given me all positive, | :15:19. | :15:22. | |
constructive criticism. That is where it comes from. That is why | :15:22. | :15:29. | |
you want to improve and come back. That is how I have learnt. I do, I | :15:29. | :15:32. | |
pass everything from what I have learnt. People are liking it a lot. | :15:32. | :15:36. | |
How impressed are you at the standard this year? I am really | :15:37. | :15:40. | |
surprised. I wasn't expecting it to be that good. You have such variety | :15:40. | :15:43. | |
of different personalities, but they all seem to be coming out of | :15:43. | :15:48. | |
their shell and being performers. Technique will always be difficult. | :15:48. | :15:52. | |
And you can see when some people find it easier and harder. But | :15:52. | :15:56. | |
generally they are performing for us. They are having a great time. | :15:56. | :16:02. | |
It is so exciting. There doesn't seem to be a clear winner? Not at | :16:02. | :16:07. | |
all. Do you have a favourite performance so far? My most | :16:07. | :16:13. | |
favourite is Lisa and her cha-cha. She is here tonight! I really | :16:13. | :16:17. | |
didn't know you were going to be here tonight. This... What was so | :16:17. | :16:22. | |
great about this? The choreography is brilliant. Robin did an amazing | :16:22. | :16:27. | |
thing. She had so much energy, so much rhythm, the musicality. This | :16:27. | :16:32. | |
was so early on. And she was like give it to me, I want more! That | :16:32. | :16:37. | |
was so exciting to watch. Well done to both of them. The score you have | :16:37. | :16:43. | |
given the most is six. You have given 19 sixes. What do we need | :16:43. | :16:47. | |
from the contestants for you to get those scores higher? We haven't had | :16:47. | :16:53. | |
a ten this year so far? It will be a while before we get a ten. It has | :16:53. | :16:56. | |
to be the music, the choreography, the technique, the performance | :16:56. | :17:01. | |
value, the telling the story, we could go on and on! Yeah. I'm a bit | :17:01. | :17:08. | |
hard on the scoring, but I think it is an encouragement to get a better | :17:08. | :17:14. | |
score. If you give them too big a score straightaway, there is | :17:14. | :17:22. | |
nothing to work for. I would prefer - the musicality is quite important | :17:22. | :17:29. | |
and the choreography. OK. Quick question to finish with. Who do you | :17:29. | :17:33. | |
think would win if Bruno, Len and Craig were competing? I love that | :17:34. | :17:39. | |
question! Thank you. Bruno is very competitive. Just having my little | :17:39. | :17:44. | |
experience of dancing with them, I think Bruno would want to outshine | :17:44. | :17:50. | |
all of them. It is funny, Craig would get quite nervous. He is | :17:50. | :17:54. | |
quite a perfectionist. I think he winds himself up. Len, I don't know, | :17:54. | :17:59. | |
I think he's done it all. Seen it and done it. We need to make this | :17:59. | :18:03. | |
happen. Can we make it happen? I judge them? You can judge them. | :18:03. | :18:10. | |
It will be great. Thank you very much. Lovely. Pleasure. APPLAUSE | :18:10. | :18:15. | |
Earlier on, we asked you if you could guess which one of our | :18:15. | :18:19. | |
dancers was boogying in their socks. Take a look and see if you got it | :18:19. | :18:29. | |
:18:29. | :18:34. | ||
Those toes belonged to Ola. Earlier on, I popped down to the costume | :18:34. | :18:38. | |
department to have a look at the weekend's outfits. | :18:38. | :18:44. | |
Time to talk to Vicky Gill. APPLAUSE Hello, darling. Amazing | :18:44. | :18:49. | |
again last week. So this week we have five ballroom dances. Do you | :18:49. | :18:55. | |
have a preference, ballroom or Latin and if so, why? I don't. I | :18:55. | :18:59. | |
enjoy pulling the concepts together from the music, to production's | :18:59. | :19:03. | |
wishes, to what the celebrities are aiming for. Often, it is the | :19:03. | :19:08. | |
enthusiasm of building it up rather than the dance style. Also lots | :19:08. | :19:13. | |
talking about the Strictly body that you get when you do the job. | :19:13. | :19:18. | |
It is brilliant! Who has changed the most? Lisa has changed the most. | :19:18. | :19:23. | |
She entered the show, I don't think she cared, but she has gone down | :19:23. | :19:27. | |
two dress sizes. Brilliant. She looks stunning. Yes. Always great | :19:27. | :19:32. | |
fun as well. I think Fern, she wanted us to cut her skirt much | :19:32. | :19:36. | |
higher so... Come on! You see, this is what happens. A lot more flesh | :19:36. | :19:41. | |
on the boys. Is Artem wearing a top? Let's not talk about that! How | :19:41. | :19:44. | |
much input do the celebrities have into the design? At the beginning, | :19:44. | :19:51. | |
we try to involve them a lot. We are generaling up on what their | :19:51. | :20:00. | |
dislikes -- genning up on what their dislikes are. We try to make | :20:00. | :20:04. | |
sure that we answer their brief. This week, Denise is doing the paso | :20:04. | :20:11. | |
doble. Hopefully, with James. Maybe with Ian Waite. She is dancing to | :20:11. | :20:16. | |
Seven Nation Army by The White Stripes. Tell me about her frock. | :20:16. | :20:20. | |
He dress looks quite modern. This happened at the beginning of the | :20:20. | :20:25. | |
week. We will include more black lace. We will make it more | :20:25. | :20:29. | |
traditional. Big split up the centre front. She will separate | :20:29. | :20:35. | |
this in the routine. Use that as the cape? Yes. Love it. The back | :20:35. | :20:39. | |
will probably be cut out more and we may plunge the front. I see the | :20:39. | :20:43. | |
sketches, they have arms, by the weekend, they have gone. She looks | :20:43. | :20:50. | |
so gorgeous. Dani is doing a tango. Let's have a look at her dress. | :20:51. | :20:56. | |
Again, a bit more modern. That is not right. Dani is a bubbly little | :20:56. | :21:03. | |
girl. Black doesn't seem right, even though tango often requires it. | :21:03. | :21:08. | |
'50s style working good on her. it because she is little? Yes. We | :21:08. | :21:15. | |
don't want the dress to empower her. Also with tango, that is quite | :21:15. | :21:20. | |
short? Yes. She is confident. She can cope with the footwork, so... | :21:20. | :21:24. | |
She doesn't need to hide her feet. It will be up here soon! I must say | :21:24. | :21:28. | |
good afternoon to Gemma Edwards. Her Mum tweeted me. This is her | :21:28. | :21:33. | |
favourite part. She likes to guess the mystery dress. Reveal the | :21:33. | :21:38. | |
mystery dress. Oh! Look at that. Give us a clue? I can never tell | :21:38. | :21:42. | |
you much. This is a fun character on and off the floor. I hope you | :21:42. | :21:48. | |
guessed. Good luck. Thank you. APPLAUSE Thank you. Back to the | :21:49. | :21:58. | |
training room. I am thrilled to do the Charleston. | :21:58. | :22:02. | |
Look at your face. I love the Charleston. It is by far the dance | :22:02. | :22:07. | |
so far that fits my character. and-up! Richard is the Charleston. | :22:07. | :22:13. | |
He is bubbly and alive and he is full of fun and character. I love | :22:13. | :22:16. | |
the Charleston. I love the Charleston. It is the first time I | :22:16. | :22:23. | |
have done a dance where I can lift Erin. And if I drop her, I know she | :22:23. | :22:33. | |
will do it with a flourish! pull up! If he forgets his routine, | :22:33. | :22:40. | |
I could be splattered all over the floor. I'm dancing salsa this week. | :22:40. | :22:44. | |
It is a fun dance. The most difficult thing about salsa is to | :22:44. | :22:51. | |
make it look easy. There's so much going on. Don't fall into it. | :22:51. | :22:55. | |
all about the timing. Keeping rhythm, keeping time. I could have | :22:55. | :23:01. | |
a good week. Almost. If the timing is wrong, it is game over, simple. | :23:01. | :23:06. | |
You do have to lead the girl. Your hands have to be in the right place. | :23:06. | :23:10. | |
You have to be manoeuvring her around. I'm dancing the dance with | :23:10. | :23:15. | |
my eyes closed. You are the boss. I don't know what you are doing. | :23:15. | :23:20. | |
Natalie wants the salsa King in me. I am looking forward to Saturday | :23:20. | :23:26. | |
night. This week, we are dancing the foxtrot. This is a happy | :23:26. | :23:35. | |
foxtrot. With smiles and canes and fun, fun, fun. But very technically | :23:35. | :23:39. | |
correct. Toe, toe, toe... It is footwork all the way. Never does | :23:39. | :23:43. | |
that foot come off the floor. is what I have been doing. I don't | :23:43. | :23:49. | |
care if it takes 100 hours. I will have Lisa having amazing footwork. | :23:49. | :23:56. | |
Footwork. Go into a heel turn, Len will be watching this. I can feel | :23:56. | :24:00. | |
him watching. Turn... I want the judges to go, "Your feet were in | :24:00. | :24:07. | |
the right place at the right time at the right speed." Cool. | :24:07. | :24:16. | |
Please welcome the gorgeous Lisa and Robin. APPLAUSE It was only | :24:16. | :24:20. | |
your second ballroom dance last weekend. Did you love it? I loved | :24:20. | :24:25. | |
it. I really did. We worked really hard. It was really great. Just | :24:25. | :24:30. | |
obviously to do something different and to do that... I love that bit. | :24:30. | :24:37. | |
What are they called, the flip- flips? I call them earring bashers! | :24:37. | :24:44. | |
Perfect! Vicky Gill, she was talking about how you dropped a | :24:44. | :24:49. | |
couple of dress sizes. With you loving your new Strictly body? | :24:49. | :24:55. | |
weight is falling off me. They are toned! They are toning. It is mad. | :24:55. | :24:59. | |
I'm constantly like pulling my trousers up. Like the other day, he | :24:59. | :25:03. | |
had to put a hair bobble around my leggings. They kept falling down. | :25:03. | :25:10. | |
love that. Have you had the same? Yeah, my jeans are falling down... | :25:10. | :25:16. | |
Shall we check? They are still there. Robin, you have yet to match | :25:16. | :25:19. | |
your score from the cha-cha-cha. Will this weekend be the weekend? | :25:19. | :25:24. | |
This week, with the song, the dance, the happiness, the fun aspect to | :25:24. | :25:27. | |
this dance, I think we could be on to a winner. You don't know what is | :25:27. | :25:32. | |
going to happen on Saturday night. So far so good. You never know. I | :25:32. | :25:38. | |
hope that they notice this week that I have really tried. The steps, | :25:38. | :25:41. | |
and I have thrown myself into it. I'm doing the giraffe neck, you | :25:41. | :25:46. | |
know. And all that. I hope they notice it. I have tried this week. | :25:46. | :25:52. | |
We will talk about that in a moment. The judges have talked about your | :25:52. | :25:57. | |
footwork. Ian was talking about - heel leads, release the toes. | :25:57. | :26:03. | |
Did you see that? I did. I do get it. And I have worked hard on it. | :26:04. | :26:09. | |
lot. A lot. It's been quite painful at times this week. We have... | :26:09. | :26:16. | |
whom? Both of us! LAUGHTER Excellent. We also talked about | :26:16. | :26:20. | |
Lisa's affections, swaying perhaps to Artem. Have a look at this. | :26:20. | :26:24. | |
Robin does have to sort out personal parts of his pruning | :26:24. | :26:32. | |
regime. Oh my God! I'm not vain. I just like to pluck a few bits here | :26:32. | :26:40. | |
and there. This room makes you look pastey. Where am I going to get a | :26:40. | :26:45. | |
spray tan? It is about learning the dance. Look at me today, I'm having | :26:45. | :26:51. | |
an overgrown day. My beard used to... Still on the beard! Your | :26:51. | :26:55. | |
vanity of the week... Will I wake up looking like this every day? | :26:55. | :27:01. | |
What you see on Saturday night is not how I wake up in the morning. | :27:01. | :27:05. | |
APPLAUSE Brilliant. We are only being silly. You know we love you. | :27:05. | :27:09. | |
He is the vainest person in the world! Underlined! Let's hear the | :27:09. | :27:15. | |
music you are dancing to. # This will be | :27:15. | :27:20. | |
# This will be... # Sometimes it comes together, the | :27:20. | :27:25. | |
foxtrot, the music, you have got hats and canes. This will be a good | :27:25. | :27:29. | |
one. I can feel it? I hope so. I have fallen in love with ballroom. | :27:29. | :27:35. | |
I really hope we get it right this week. How are the hats and the | :27:35. | :27:39. | |
canes? They are good to help with your neck. When your hat is sturdy, | :27:39. | :27:48. | |
you can keep your neck out as well! Sounds like a Hardyism! Anthony | :27:48. | :27:54. | |
Cotton is a good mate of yours. He's been down to watch you. How | :27:54. | :27:57. | |
are your friends and family finding the whole experience of watching | :27:57. | :28:00. | |
you? They can't believe it. They genuinely are loving everything | :28:00. | :28:04. | |
that is happening within the show. People are coming up to me Dad | :28:04. | :28:10. | |
going, "Your daughter is playing a blinder!" It is wonderful. | :28:10. | :28:13. | |
Obviously, Anthony Cotton is a great friend. He likes the sequins | :28:13. | :28:17. | |
more than me! If the truth be known. Would he do the show? He would love | :28:17. | :28:22. | |
to do the show. He is a fantastic dancer! Is he? We will keep that | :28:22. | :28:27. | |
between you and me. Maybe get bit of commission. Good luck on | :28:27. | :28:35. | |
Saturday. Thank you. Lisa and Robin. APPLAUSE I want a hat! That is it | :28:35. | :28:40. | |
for today. Thanks to all my guests. Join me here tomorrow. I will be | :28:40. | :28:45. | |
chatting to Dani, Vincent, Nicky and Karen, plus a Friday Panel not | :28:45. | :28:52. |