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Hello and welcome to Friday's It Takes Two. We have so many stars on | :00:10. | :00:17. | |
the show tonight we have gone positively supernova. Nicky and | :00:17. | :00:23. | |
Karen are here. APPLAUSE Later on, we will sneak into the studio next | :00:23. | :00:26. | |
door and have a look at Dani and Vincent's tango and have a chat | :00:26. | :00:31. | |
with them. Our Friday Panel - well, what can I say? Three glorious | :00:31. | :00:38. | |
folks. We have Pop Prince, Conor Maynard. APPLAUSE From West End to | :00:38. | :00:43. | |
Walford, John Partridge is here. APPLAUSE And perhaps my favourite | :00:43. | :00:48. | |
Dame of all time - she should be one - Su Pollard! APPLAUSE My life | :00:49. | :00:58. | |
:00:59. | :01:26. | ||
Live from Television Centre, this is Strictly: It Takes Two. Please | :01:26. | :01:36. | |
:01:36. | :01:38. | ||
welcome your host, Zoe Ball. APPLAUSE The shoes are quite high! | :01:38. | :01:44. | |
Hello and welcome to It Takes Two. Just 23 hours 57 minutes and 58 | :01:44. | :01:51. | |
seconds to go until the live show tomorrow. Our live instalments of | :01:51. | :01:54. | |
dancefloor classics - Nicky and Karen will be tackling a foxtrot. I | :01:54. | :02:00. | |
have no words on camera one! I will use this one here! It is live telly, | :02:00. | :02:03. | |
everybody! APPLAUSE I will be chatting to them in a moment. Here | :02:03. | :02:13. | |
:02:13. | :02:14. | ||
is how they rated with the rumba. I think that started quite well(!) | :02:14. | :02:17. | |
actually felt he had a lot of chemistry. He was playing the girl. | :02:17. | :02:25. | |
He was playing it too much! He was like Usain Bolt. The ice skating | :02:25. | :02:30. | |
lift where you held her and that went on and on, that was great | :02:30. | :02:36. | |
control. For me, it was a series of presentations, not enough basic | :02:36. | :02:44. | |
rumba in there. What did Craig give us? Four. It is about a journey. It | :02:44. | :02:50. | |
is about working hard. I am giving it my all. Hopefully, I am | :02:50. | :02:57. | |
improving. Please welcome Nicky and Karen. APPLAUSE Hello, guys. | :02:57. | :03:07. | |
:03:07. | :03:08. | ||
Welcome to the show. How much did you enjoy being the rumba love | :03:08. | :03:14. | |
adonis? It was fun. To be able to dance that slow and deliver, it | :03:14. | :03:18. | |
reminded - you are acting as best you can. I watched it back. I felt | :03:18. | :03:21. | |
good on the night. I watched it back and I thought I can't do it | :03:21. | :03:25. | |
any better than that. That was as good as I can deliver it. I have to | :03:25. | :03:31. | |
say that I loved it. We loved it. Darcey and Craig, they said there | :03:31. | :03:36. | |
wasn't enough basic. But take heart. When Karen Hardy was in this week - | :03:36. | :03:39. | |
and she is a judge - she said she thought your choreography was | :03:39. | :03:43. | |
fantastic and there was lots of rumba in there. What did you think | :03:43. | :03:47. | |
about this? I always take into consideration what the judges are | :03:47. | :03:52. | |
saying and I always respect their criticism. But sometimes I may | :03:52. | :03:56. | |
disagree with them. I thought the rumba had a bit of everything in it. | :03:56. | :04:01. | |
Thank you, Karen. Maybe I was named after Karen! LAUGHTER Maybe you | :04:01. | :04:06. | |
were. Sevens from all the judges and a four from Craig. Did that | :04:06. | :04:12. | |
hurt? It did. The sevens were great. When you look back. I think I was | :04:12. | :04:16. | |
being hard on myself. The four left a bitter taste in my mouth as if I | :04:16. | :04:20. | |
hadn't done it well. But when I look back and three sevens are | :04:20. | :04:27. | |
really good for a rumba. I'm still happy. Yes. And also we end on a | :04:27. | :04:32. | |
positive. Bruno did disagree and he said he thought you brought the | :04:32. | :04:37. | |
performance out there. That must have been encouraging? Darcey said, | :04:37. | :04:42. | |
"I want you to seduce Karen!" What more can I do?! Bruno said, "You | :04:42. | :04:49. | |
were like Usain Bolt!" Yes. Well, let's hope that tomorrow night the | :04:49. | :04:54. | |
judges are all on your side and I think that if your choreography, | :04:54. | :04:58. | |
Nicky's own choreography, pays off, you should win them over. Have a | :04:58. | :05:05. | |
look at this. Oh no. Do you want to dance like a star? Then try burning | :05:05. | :05:12. | |
up the dancefloor, the new dance DVD. Follow his simple step by step | :05:12. | :05:18. | |
guide. One, stop. Two, stop. Discover original choreography. | :05:18. | :05:23. | |
Heads, shoulders, knees and toes... And learn from the master. If you | :05:23. | :05:29. | |
make a mistake, you don't stop! wrong, you're right. You too will | :05:29. | :05:36. | |
be burning up the dancefloor. cool and he's slick. I was in awe. | :05:36. | :05:43. | |
Thank you for bringing me alive. Coming soon to a DVD store near you. | :05:43. | :05:49. | |
Maybe. LAUGHTER It could happen. I'm going to buy it! Back into the | :05:49. | :05:53. | |
ballroom this week and you have the foxtrot. How has it been going? | :05:53. | :05:57. | |
It's been going well. Very good. You are in hold, you are in frame | :05:57. | :06:02. | |
for most of it. If you do go wrong, Karen can pinch your shoulder to | :06:02. | :06:06. | |
get the frame up. And it's slow. The foxtrot is a bit tricky. When | :06:06. | :06:11. | |
it goes in, and it went in on Wednesday, it is in a good place. | :06:11. | :06:17. | |
We have a little prop. Tell me about that. Mic stand? Yes, it's | :06:17. | :06:27. | |
:06:27. | :06:28. | ||
taken the Freddie Mercury mic, the half stand. Is it wise to keep it | :06:28. | :06:31. | |
for the whole routine? They wanted content and something in there. So | :06:32. | :06:37. | |
we have put something else in! have a great track as well. Bit of | :06:37. | :06:42. | |
Buble. Come on! # The best is yet to come. # | :06:42. | :06:47. | |
Is the best yet to come? Yes. The best is yet to come. I'm trying. | :06:47. | :06:52. | |
I'm working hard. That is all you can do. Hopefully, I can stay in. | :06:52. | :06:55. | |
Thanks to everybody for voting for me. I know. They want to see more | :06:55. | :07:00. | |
of you dancing. You have a little friend coming in tomorrow. Shane's | :07:00. | :07:04. | |
coming? He is. Shane and his wife are coming in. So pop royalty will | :07:04. | :07:08. | |
be in the room. Does that make you a bit nervous to have one of the | :07:08. | :07:12. | |
boys in? Of course. Shane has always classed himself as a better | :07:13. | :07:19. | |
dancer than me. He will be going, "You didn't nail that bit." Harry | :07:19. | :07:24. | |
from McFly tipped you as his top to win last week. He said you are his | :07:24. | :07:28. | |
number one? Did sne That is a nice thing. I'm very happy with that. | :07:28. | :07:35. | |
Good luck with your foxtrot and with the prop. Nicky and Karen? | :07:35. | :07:40. | |
APPLAUSE Now, last week, Our Lady meerkat friend was bang on with her | :07:40. | :07:44. | |
prediction that Denise and James would be top of the leaderboard. | :07:44. | :07:50. | |
Encouraged by her success, Fleur, a Brazilian aardvark, wants in on the | :07:50. | :08:00. | |
:08:00. | :08:30. | ||
Look at that, you two! He knows what he's talking about. Are you | :08:30. | :08:35. | |
familiar with them? Can you trust them? I think you can now and I | :08:35. | :08:39. | |
think they will buy our DVD as well! Let's hope Fleur is right. | :08:39. | :08:44. | |
Good luck tomorrow. Nicky and Karen. APPLAUSE In a moment, my Friday | :08:44. | :08:51. | |
Panel will be here including, yes, watch out Nicky, Conor Maynard. | :08:51. | :08:57. | |
Here he is in action. # Don't turn around | :08:57. | :09:01. | |
# Floating so high # Turn around | :09:01. | :09:11. | |
:09:11. | :09:16. | ||
# Together nothing can stop us now. # Turn around | :09:16. | :09:26. | |
:09:26. | :09:31. | ||
# Together nothing can stop us now. Here we go... Hi-de-hi, campers. It | :09:31. | :09:38. | |
is time for our Friday Panel! I can only apologise. Please welcome a | :09:38. | :09:47. | |
dream line-up, Conor Maynard, John Partridge and Su Pollard. APPLAUSE | :09:47. | :09:55. | |
Welcome, welcome. What a glorious threesome. Congratulations to you, | :09:55. | :10:00. | |
Conor. We have been discussing how young you are. You are 19? I am. | :10:00. | :10:05. | |
could be your Mum? You could be. You were four when Westlife | :10:05. | :10:10. | |
started? Yes. Welcome. Thank you very much. Your third top ten hit. | :10:10. | :10:14. | |
Are you living the dream? It has been amazing so far. That is why I | :10:14. | :10:18. | |
can relate to the celebrities in this show. I was kind of - I'm an | :10:18. | :10:23. | |
amateur in the music industry and I was thrust into this - you saw a | :10:23. | :10:28. | |
big fancy music video there, one of the coolest artists in the world | :10:28. | :10:34. | |
and I'm like next to him doing yeah! Bless you. I pulled through | :10:34. | :10:40. | |
and did it. You are learning all the time? Definitely. John, | :10:40. | :10:43. | |
Christian is saying goodbye to Walford next week. Is he leaving in | :10:43. | :10:52. | |
a taxi or in a coffin? Neither of those. Hankys at the ready! It must | :10:52. | :10:56. | |
be emotional to say goodbye? It was. Five years of my life. I absolutely | :10:56. | :11:01. | |
loved it. New things. New things. Move on. That's what we do. Su | :11:01. | :11:07. | |
Pollard is here. APPLAUSE Thank you. So excited. You are no stranger to | :11:07. | :11:11. | |
Strictly. You did the Christmas Special last year. My feet are | :11:11. | :11:19. | |
still killing me! My toes were pinched in a size five! I'm a six- | :11:19. | :11:24. | |
and-a-half! I know. You do watch with your Mum, the show? Yes, she | :11:24. | :11:29. | |
will say, this is Hilda... Are you listening, Hilda? She is 90. She | :11:29. | :11:33. | |
will say, "This is my favourite part of the day, I've got the | :11:33. | :11:39. | |
chocolates." She will say, "Oh, haven't they done well? They have | :11:39. | :11:44. | |
so improved. I would never know who to choose." She chooses everyone! | :11:44. | :11:49. | |
We love Hilda. Let's look at all our couples and see who her | :11:49. | :11:53. | |
favourite would be. Michael and Natalie are doing the salsa to the | :11:53. | :12:00. | |
jackion Five. Love this. I Want You Back. He has been one of the major | :12:00. | :12:10. | |
:12:10. | :12:12. | ||
surprises, made great improvements. Salsa is all about timing. His | :12:12. | :12:16. | |
timing looks like it has improved. He looks like he wants a wee! I | :12:16. | :12:20. | |
will put that aside. Maybe he does! LAUGHTER He has not had a lot of | :12:20. | :12:24. | |
luck with his Latin so far, could this be the moment that it changes? | :12:25. | :12:31. | |
It could be. Maybe when he is wanting to catch the ball, or do | :12:31. | :12:36. | |
the bat, he is preparing - have you seen him - he is preparing. He's | :12:36. | :12:40. | |
loosening up now. He is smiling a lot more. I think that is what it | :12:40. | :12:48. | |
is about. It is confidence. Exactly. Look at you two! Denise and James, | :12:48. | :12:53. | |
or Denise and Ian at the moment. The latest is James' foot is still | :12:53. | :12:57. | |
very bruised. They will make a decision about whether he dances | :12:57. | :13:01. | |
tomorrow. Controversial. Doing a paso doble. How difficult will it | :13:01. | :13:05. | |
be to swap partners? If she is being led by the gentleman, it | :13:05. | :13:08. | |
shouldn't matter who she dances with. She will cope with it | :13:08. | :13:17. | |
amazingly. She's used to it. they are dancing to White Stripes, | :13:17. | :13:24. | |
Seven Nation Army. Is this going to work? Da-da-da... He is going to go | :13:24. | :13:30. | |
somewhere, this chap! No, I think that's an amazing song to dance to. | :13:30. | :13:33. | |
You create a connection with the person you are dancing with. If you | :13:33. | :13:37. | |
have to change, it will be an adjustment. She is top of the table, | :13:37. | :13:42. | |
right? Yes. She will be fine. will do it. Victoria and Brendan | :13:42. | :13:46. | |
are doing the quickstep. Second from the bottom last week. Do you | :13:46. | :13:52. | |
think, looking at this, that she can turn it around and get higher | :13:52. | :13:57. | |
up the leaderboard? Once again, she's out of her comfort zone | :13:57. | :14:00. | |
bodily and physically. There is all that cycling. And she has to turn | :14:00. | :14:06. | |
it around. No, you can see - look at that line there. Good line. | :14:06. | :14:12. | |
know how hard that is. Anton would be so proud of you! He wasn't at | :14:12. | :14:21. | |
the time! LAUGHTER He kept saying, "Stick your bum in!" Pelvis | :14:21. | :14:30. | |
forward! Pedal, pedal. Frank Sinatra they have? Come on! | :14:30. | :14:36. | |
parents would love that one. Probably your grandparents! Exactly. | :14:36. | :14:40. | |
I think that helps you when you have an amazing song. It makes it | :14:40. | :14:45. | |
easier. And it can inspire them. Lisa and Robin are doing the | :14:45. | :14:48. | |
foxtrot. Now they are dancing to Natalie Cole. | :14:48. | :14:53. | |
# This will be. # We love this. She's been told to | :14:53. | :15:02. | |
concentrate on her footwork? has said this? Name names. Len. | :15:02. | :15:06. | |
not looking at her feet. I couldn't care less what her feet are doing. | :15:06. | :15:11. | |
I absolutely love her! She brings great energy? I think Len, in his | :15:11. | :15:14. | |
own way, because he is Head Judge, and not just because of that, he | :15:14. | :15:19. | |
can see she's got such potential, I think if she goes the extra mile, | :15:19. | :15:22. | |
she can do it technically brilliantly, too. I think he is | :15:22. | :15:28. | |
saying that to help her. I think she is doing it. I love her. That | :15:28. | :15:32. | |
sounds great. Louis and Flavia are doing the Viennese waltz to Andy | :15:32. | :15:40. | |
Williams Moon River. He is dead! is. Bless him. A few weeks ago. | :15:40. | :15:43. | |
Louis found himself in the middle of the table last week. Can this | :15:43. | :15:47. | |
see him return to the top? Right now, he looks like a floating | :15:48. | :15:56. | |
butterfly. You are going to be friends, I think! He looked very | :15:56. | :15:59. | |
focus. Excellent. He is a bit of a Strictly heart-throb, do the | :15:59. | :16:06. | |
muscles do it for you? Absolutely. Several people on my street agree | :16:07. | :16:13. | |
with me! LAUGHTER Name names? up my street! Get them out! I sound | :16:13. | :16:16. | |
so common! Richard and Erin are doing the Charleston this week. | :16:16. | :16:25. | |
They are dancing to Paolo Ntini. What do you think? How can you not | :16:25. | :16:30. | |
love him? He is giving a good shot! He is having a good go. That is | :16:30. | :16:35. | |
what we like. Absolutely. No. are not thinking this is going to | :16:35. | :16:41. | |
be a winner? No. That's awful, isn't it? Only because, you know | :16:41. | :16:46. | |
what it is like, you are bouncy and he is very, the way he is, I guess | :16:46. | :16:50. | |
people automatically and himself included think... The way he is? | :16:50. | :16:58. | |
What does that mean? With all this... He is camp! LAUGHTER He's | :16:58. | :17:03. | |
got lifts for the first time. Should Erin be nervous? I feel like | :17:03. | :17:08. | |
he looks like he was enjoying himself so much, I think if he did | :17:08. | :17:16. | |
drop her, he would carry on! I love him! Fern and Artem are doing the | :17:16. | :17:26. | |
:17:26. | :17:26. | ||
salsa. They are dancing to Gloria Estefan! Look at those legs! | :17:26. | :17:33. | |
Fabulous. I hope she is wearing something like that. I hope so, too. | :17:33. | :17:41. | |
You are only nine! John, she's been criticised for not giving enough. | :17:41. | :17:45. | |
What do you think? I think sometimes less is more. We don't | :17:45. | :17:51. | |
want to all be like this. Exactly. We wouldn't know what she was | :17:51. | :17:54. | |
talking about! Sometimes it is. Sometimes less is more. She is | :17:54. | :17:57. | |
thinking about technique and style. She is very graceful. I don't think | :17:57. | :18:02. | |
she needs to oversell. Lovely legs as well. Kimberley and Pasha doing | :18:02. | :18:07. | |
the Viennese waltz. They are dancing to Christina Perri from | :18:07. | :18:10. | |
Twilight. Do you like Girls Aloud? They are just wonderful. Do you | :18:10. | :18:15. | |
have a favourite? The way her hair flows and... LAUGHTER She is a | :18:15. | :18:20. | |
wonderful person, really. I want to take you home with me. How do you | :18:20. | :18:25. | |
think, what do you think of Kimberley? Very good! VERY! Amazing. | :18:25. | :18:30. | |
Wonderful! Where is she?! She is great. Lock yourself in your | :18:30. | :18:35. | |
dressing room! She is great. Dani and Vincent? We love them. They are | :18:35. | :18:39. | |
doing a tango. We will talk to them in a minute. Do you think they | :18:39. | :18:45. | |
could be top of the leaderboard? She is a dark horse. He's the tango | :18:45. | :18:48. | |
king. They will come with a killer routine and they are going to kill | :18:48. | :18:52. | |
it. She is the one to watch. From what you have seen so far, I | :18:52. | :18:56. | |
want a name from each of you, who do you think will lift the | :18:56. | :19:03. | |
Glitterball Trophy? Kimberley. John? Louis. Denise! You have been | :19:03. | :19:09. | |
marvellous. Thank you so much. APPLAUSE Please stay. Thank you so | :19:09. | :19:16. | |
much. Great panel! Thank you so much. So, it's been an intense six | :19:16. | :19:21. | |
weeks of competition for our celebrities. Here are the highs and | :19:21. | :19:25. | |
the lows that they have all experienced over the last couple of | :19:25. | :19:31. | |
weeks. The toughest moment for me so far | :19:31. | :19:36. | |
has been week two when we did cha- cha. I felt a little bit like this | :19:36. | :19:41. | |
isn't the real uphill struggle. toughest moment of Strictly so far | :19:41. | :19:46. | |
was standing, waiting for the Samba to start. Definitely the toughest. | :19:46. | :19:50. | |
Hallowe'en week, the start of our Charleston where I had a full dance | :19:50. | :19:54. | |
all by myself. That was nerve- wracking. The dance-off. The | :19:54. | :20:02. | |
dreaded dance-off. Dancing the cha- cha. It is so technical that I did | :20:02. | :20:06. | |
really struggle. Toughest moment of Strictly so far is recovering from | :20:06. | :20:11. | |
forgetting my entire routine on the dancefloor in the front of ten | :20:11. | :20:15. | |
million people! Being really, really ill and having to perform on | :20:15. | :20:19. | |
the Saturday. There have been some tough moments to get this far. My | :20:19. | :20:24. | |
own lack of thinking that I can remember anything, do anything. | :20:24. | :20:30. | |
Messing up the foxtrot on week two. I felt like I really let Pasha down. | :20:30. | :20:33. | |
That first elimination because I had no idea what to expect. Thank | :20:33. | :20:38. | |
goodness I had Vincent there to calm me down. The best moment for | :20:38. | :20:43. | |
me without a shadow of a doubt was at the end of our cha-cha when I | :20:43. | :20:48. | |
caught Robin in my arms! I'm dead proud of that. Throwing Erin to the | :20:48. | :20:54. | |
floor after spinning her around and giving it that! Our salsa on | :20:54. | :20:59. | |
Saturday. I kind of let all my inhibitions go for that minute-and- | :20:59. | :21:02. | |
a-half. Every single dance I have given it everything. Six weeks' ago, | :21:02. | :21:06. | |
I would have never thought that I would get this far. I was | :21:06. | :21:12. | |
particularly proud of myself for managing to turn twice all by | :21:12. | :21:16. | |
myself in the tango. The best moment so far has to be the Dirty | :21:16. | :21:20. | |
Dancing, nailing that lift at the end. Got to be the jive. I would | :21:20. | :21:24. | |
happily do it every week. favourite dance move was in the | :21:24. | :21:29. | |
jive and it's called the Lindy! It was like I was skipping again! | :21:29. | :21:33. | |
Standing up straight and falling back on to Artem's shoulder! | :21:33. | :21:38. | |
moment when we finished The Mask and Karen dropped and I looked into | :21:38. | :21:45. | |
the camera and I went, "Smoking!" So it's Friday, which means that | :21:46. | :21:50. | |
all of our couples get the chance to walk through their routines for | :21:50. | :21:52. | |
the first time on the proper Strictly floor. As you have been so | :21:52. | :21:56. | |
good this week, we are going to give you a look at Dani and | :21:56. | :22:06. | |
:22:06. | :22:34. | ||
APPLAUSE Dani and Vincent, come over for a chat. How good did that | :22:34. | :22:43. | |
look? Very, very good indeed. Hello, darlings. Hey! The Fonz is back! I | :22:43. | :22:48. | |
want to talk about the tango in a minute. Let's talk about the jive. | :22:48. | :22:52. | |
Congratulations, your highest score yet with 33. Were you loving it? | :22:52. | :22:57. | |
absolutely loved the jive. It was so much fun. Knackering, but loads | :22:57. | :23:03. | |
of fun! It did look a bit tiring. You have such great energy. Of | :23:03. | :23:08. | |
course, a nine from Len. Yes! did that feel? Amazing. If he could | :23:08. | :23:13. | |
do that every week, that would be great. Looking at that tango, this | :23:13. | :23:18. | |
week could be. Vincent, we did dig the wig! Second wig for you. Are we | :23:18. | :23:22. | |
going to get one every other week? I'm planning to. I'm pushing myself | :23:22. | :23:27. | |
through the wig situation! Yes, they suit me. They do. I make the | :23:27. | :23:37. | |
wigs look better! You do. Did you enjoy playing the Fonz? I did. I am | :23:37. | :23:46. | |
the Fonz. Everybody goes hey! a shame Henry Winkler is not here! | :23:46. | :23:51. | |
Craig saw more of you than expected? I know. I did flash him a | :23:51. | :23:56. | |
bit and I'm so sorry, it won't happen again, hopefully. Big pants! | :23:56. | :24:00. | |
Now, the tango, after a cha-cha and a jive, is that quite difficult to | :24:00. | :24:04. | |
change your head space? No, because I have this amazing man, who is | :24:04. | :24:09. | |
like the King of the Tango! I'm talking about you. It is quite easy. | :24:09. | :24:14. | |
As much as I love the jive, I really like the tango. It is my | :24:14. | :24:18. | |
favourite. They are having a few difficulties in the training room | :24:18. | :24:24. | |
this week. The main issue being to pause or to pose. Have a look at | :24:24. | :24:34. | |
:24:34. | :24:35. | ||
this. This one is a pose. A pause? A pose. Pause? Are you saying pose? | :24:35. | :24:43. | |
Are you saying pause or pose? Pose. Like pose. Pause then? Pose. | :24:43. | :24:49. | |
A pose would be like. What is the other one? A pause is when you | :24:49. | :24:55. | |
like... Sounds the same. You mean pause? Pause. Pause. Yes. What is | :24:55. | :25:05. | |
the other one? Pose. A pose. Where you hold. OK, yes. Are you taking | :25:05. | :25:14. | |
advantage of me because I can't speak England very best?! LAUGHTER | :25:14. | :25:22. | |
I still don't know the difference. I love it. A pose. A pose. The Fonz. | :25:22. | :25:28. | |
A pause. Vincent, you are priceless! Sorry. The tango is one | :25:28. | :25:33. | |
of Vincent's favourite dances. Does that add pressure to you? There's | :25:33. | :25:36. | |
not so much pressure on me. There is more pressure on you because you | :25:36. | :25:40. | |
are the God of the Tango. Nobody is expecting anything from me. That is | :25:40. | :25:46. | |
good. You can go ta-da, look at me! That is the plan. Nice to see these. | :25:46. | :25:54. | |
What are these called? Magic ruby slippers. He's got it right! Now, | :25:54. | :25:58. | |
Dani can cope with everything you throw at her. Are you taking the | :25:58. | :26:03. | |
choreography to another level this week? I am. Strangely enough, she's, | :26:03. | :26:07. | |
well so far she is the most improved dancer in my opinion, | :26:07. | :26:12. | |
improved celebrity. I have been trying to do more difficult things | :26:12. | :26:17. | |
thinking that she wasn't able to do it, but she can. It is amazing. I | :26:17. | :26:21. | |
have the freedom to do whatever I want. Does that scare you? Yes! A | :26:21. | :26:24. | |
little bit. You can do it. He wouldn't give you anything if he | :26:24. | :26:29. | |
couldn't do it. It is nice to know he has faith in me. It is good. You | :26:29. | :26:34. | |
have a dramatic fight scene, I have heard as well? Tell me more. Yes. | :26:34. | :26:39. | |
It is to get Dani into the mood more. I was trying to make up like | :26:39. | :26:45. | |
a mystery dancer just make her jealous, so she was laughing when I | :26:45. | :26:51. | |
said a name. I said, "We will try Rachel Stevens" and that got her. | :26:51. | :26:59. | |
That got me. The thing is, Rachel Stevens got 39 out of 40. Yes. | :26:59. | :27:03. | |
Can you match that? I have no idea. Depends on what mood the judges are | :27:03. | :27:07. | |
in. Maybe if I send them some flowers beforehand! Yes. That might | :27:07. | :27:14. | |
work. Have faith, girl. I will try. You wanted to say happy birthday to | :27:14. | :27:17. | |
somebody? Happy birthday Georgia. Happy birthday, Georgia. Listen, | :27:17. | :27:23. | |
good luck tomorrow. I hope it all goes well. You have a skirt to the | :27:23. | :27:28. | |
knee so no flashing tomorrow? Hopefully not. Are you wearing the | :27:28. | :27:33. | |
slippers tomorrow? I will wear them. Enjoy your tango. Thank you so much. | :27:33. | :27:38. | |
Thank you. APPLAUSE Thank you very much to all my guests today. The | :27:38. | :27:45. | |
big show tomorrow is 6.30pm on BBC One - Strictly Come Dancing: It | :27:45. | :27:53. |