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Hello and welcome to Monday's It Takes Two. What a show it was this | :00:11. | :00:16. | |
weekend! This lady was one sexy salsa mama, which makes it hard to | :00:16. | :00:21. | |
say goodbye today, Fern and Artem are here. Don't leave us! APPLAUSE | :00:21. | :00:25. | |
I did have a tear last night. They have waltzed their way to Wembley. | :00:25. | :00:31. | |
Louis and Flavia are here. APPLAUSE And a man who is on the naughty | :00:31. | :00:36. | |
step for some of his scoring on Saturday night. You may well polish | :00:36. | :00:41. | |
that paddle! Craig Revel Horwood is here. BOOING Nice to see you have | :00:41. | :00:51. | |
:00:51. | :01:19. | ||
made an effort tonight. This is It Live from Television Centre. This | :01:19. | :01:23. | |
is Strictly: It Takes Two. Please welcome your host, Zoe Ball. | :01:23. | :01:32. | |
APPLAUSE Hello and welcome to Monday's It Takes Two. It was the | :01:32. | :01:34. | |
weekend before Wembley and the stakes were higher than ever. In | :01:34. | :01:43. | |
case you missed it, here are the Strictly headlines: | :01:43. | :01:48. | |
Good evening. Here are the news - here are the news? Here is the | :01:48. | :01:54. | |
news!. James Jordan proved not a wild bull could stop his paso as he | :01:54. | :02:03. | |
scored the highest marks of the series so far. I thought it was | :02:03. | :02:13. | |
:02:13. | :02:18. | ||
fantastic. Out of this world! say! Louis and Flavia's waltz | :02:18. | :02:22. | |
sparked off a ballroom battle between the judges as Craig stood | :02:22. | :02:32. | |
his ground. I didn't like that turn at the top. It was very pedestrian. | :02:32. | :02:38. | |
It was not! I am trying to find some positives here. You have said | :02:38. | :02:47. | |
so much nonsense! It was a little bit... No... What a load of | :02:47. | :02:53. | |
bolognese! I thought it was lovely. Well done. I say. And finally it | :02:53. | :03:03. | |
:03:03. | :03:07. | ||
was a tale of two trips as Brendan and Robin fell foul to the stairs. | :03:07. | :03:17. | |
:03:17. | :03:18. | ||
Lisa and Robin, off you go. LAUGHTER That gets me every time. | :03:18. | :03:24. | |
Those were the Strictly headlines. I love that. Bless, Robin. He was | :03:24. | :03:28. | |
embarrassed. For more gossip, take a look at our exclusive footage | :03:28. | :03:36. | |
from behind-the-scenes. The weather's not too good. But I'm | :03:36. | :03:44. | |
sure that the dancing is going to be fabulous! There he is! This is | :03:44. | :03:48. | |
our foxtrot competition for the day. Get in there and get a Sousse case | :03:48. | :03:56. | |
because you better get packing! LAUGHTER -- Get a suitcase because | :03:56. | :04:03. | |
you better get packing! LAUGHTER are doing the tango and everybody | :04:03. | :04:13. | |
:04:13. | :04:15. | ||
knows it takes two to tango. Wembley next week. Yes, Wembley | :04:15. | :04:20. | |
will be massive. No pressure. Wembley is a big deal. We have | :04:20. | :04:24. | |
worked hard on this. It is a good routine. I have had the time of my | :04:24. | :04:29. | |
life. Not ready to go home yet.Ly Give it plenty. The hip also be | :04:29. | :04:34. | |
flying towards the crowd. I don't think in Tennessee re-s I have ever | :04:34. | :04:38. | |
been so petrified taking the floor and being flipped by my partner. I | :04:38. | :04:48. | |
:04:48. | :04:48. | ||
need a crash helmet for this dance! I do! -- in ten series I have ever | :04:48. | :04:52. | |
been so petrified taking the floor and being flipped by my partner. I | :04:52. | :05:00. | |
need a crash helmet for this dance! I do! You gave it some! Brilliant. | :05:00. | :05:09. | |
Is that for It Takes Two? Lovely! This is where the REAL magic | :05:09. | :05:16. | |
happens. This is where the weaves get done! Once you get the make-up | :05:16. | :05:22. | |
on and the hair, I get in paso mode! Keep your head still. Sorry. | :05:22. | :05:28. | |
I can't stop growling. I am like a milk bottle. We don't have natural | :05:28. | :05:34. | |
skin like you. You have dyed your beard. I look forward to this bit. | :05:34. | :05:42. | |
I love make-up. So, yeah, I enjoy sitting here. Trying to learn some | :05:42. | :05:49. | |
tricks. The Strictly Saturdays are pretty manic. It is hair, make-up, | :05:49. | :05:58. | |
physio, tech run, band call. You do not stop. I'm the new girl, the new | :05:58. | :06:05. | |
ironing girl. That is how we do it. Hey, baby! Take over. Five minutes, | :06:06. | :06:11. | |
everybody. It's all final touch-ups. This is the last bit before we are | :06:11. | :06:16. | |
ready to go on. It is quite exciting. Everyone is running about. | :06:16. | :06:20. | |
At this time, everyone's quite silent because everyone's too | :06:20. | :06:30. | |
nervous to talk so we all just focus on the dance steps. Ready! | :06:30. | :06:37. | |
Grrr! Let's hear it for the girls! Yeah! The pressure is completely on | :06:37. | :06:40. | |
every single couple. We want the people going through to Wembley | :06:40. | :06:46. | |
that are amazing. We don't want any dross at Wembley, darling. There is | :06:46. | :06:56. | |
:06:56. | :06:59. | ||
no space for it. You have to say goodbye to Fern and Artem. Fern is | :06:59. | :07:04. | |
fantastic. It is a shock to us all, I think. I will miss her so much. | :07:04. | :07:14. | |
:07:14. | :07:16. | ||
She is the nicest lady ever. I'm devastated. Please give a warm | :07:16. | :07:24. | |
welcome to the latest eliminated couple, Fern and Artem. APPLAUSE | :07:24. | :07:31. | |
The thing is, your salsa was super- sexy. It was fantastic. Everybody | :07:31. | :07:36. | |
loved it. If you are going to go out on a dance, what a great one? | :07:36. | :07:42. | |
It was fantastic. I really enjoyed it. I loved doing that dance. Yeah, | :07:42. | :07:48. | |
I was really happy to do it again. LAUGHTER I will do it again, if you | :07:48. | :07:53. | |
like. How frustrating is it for you to have seen Fern progress so far, | :07:53. | :07:59. | |
get her best scores, best dance, and then to go home? It is a | :07:59. | :08:06. | |
bummer! That is one way of putting it! Bless you. Were you | :08:06. | :08:14. | |
disappointed? Well, it was the best dance, the highest score we ever | :08:14. | :08:20. | |
got. We were on the way up. We were having a good time. That was good | :08:20. | :08:26. | |
fun. How much has she achieved? How much has she impressed you? | :08:26. | :08:34. | |
much, I would imagine! You have. course you have! Don't be silly. | :08:34. | :08:39. | |
Looking back into the week one, where we did cha-cha, which was a | :08:39. | :08:44. | |
simple dance, and come that far to the salsa and be completely | :08:44. | :08:47. | |
different person on the dancefloor, because I think this was the first | :08:47. | :08:52. | |
dance... I am that person, you didn't know it was me. Exactly. | :08:52. | :08:56. | |
Yeah. Of course I know it was you. That is why I am saying it. I feel | :08:56. | :09:00. | |
like I shouldn't be here! You have some amazing messages from people. | :09:00. | :09:07. | |
They have all loved you. "Was so heartbroken to key my favourite | :09:07. | :09:13. | |
couple go out. Keep up your dancing." "Saturdays won't be the | :09:13. | :09:23. | |
:09:23. | :09:23. | ||
same without you." Here are your best bits. Your partner is Artem! | :09:23. | :09:27. | |
am very fond of him already. I do have a soft spot for Fern. She is | :09:27. | :09:31. | |
such a sweet person. Don't be nervous. It will be fine. He gives | :09:31. | :09:39. | |
me a kiss and you think, "Oh." That's it. You wafted your skirt a | :09:39. | :09:47. | |
lot. I didn't mind the wafting! am surprised skirt-wafting caused | :09:47. | :09:53. | |
such a controversy. Happy? Yes. am, too. We are dancing the waltz | :09:53. | :09:58. | |
and it is a romantic dance. Please listen to my counts. Training | :09:58. | :10:04. | |
however has not been romantic. the beginning. From the top. | :10:04. | :10:08. | |
sun beams when he smiles. When it doesn't, he is like a Russian | :10:08. | :10:16. | |
cloud! You give us such a beautiful feeling when you dance. The flow | :10:16. | :10:22. | |
was fantastic! He is smiling. The Charleston is hard and fast. When | :10:22. | :10:26. | |
she does what needs to be done, it looks great. Good. Much better. The | :10:26. | :10:31. | |
best thing about Fern, when she performed she really performed. | :10:31. | :10:40. | |
seems to be quite pleased. Prim, proper and extremely nice. You can | :10:40. | :10:47. | |
be Mary Poppins any day! It is lovely to do it properly. This week | :10:47. | :10:50. | |
is American Smooth. Artem is drilling me on a lot of steps. | :10:50. | :10:55. | |
Quick, quick, slow. Good! With a bit of luck, I shall get them right. | :10:55. | :11:01. | |
We are doing OK. You have got the how, but it hasn't got the wow! | :11:01. | :11:09. | |
didn't have the impact it should have had. Oh, it was a nightmare. | :11:09. | :11:14. | |
Artem's invested so much faith and hope and trust in me. I would hate | :11:14. | :11:19. | |
to disappoint him. She is trying her hardest and she really wants to | :11:19. | :11:25. | |
get it right. I liked what you did with your skirt. I thought there | :11:25. | :11:31. | |
was a fire, Fern. Did I do the steps coming down better? Yes. | :11:31. | :11:37. | |
That's good! I think salsa will suit Fern. Very nice. I am so happy. | :11:37. | :11:44. | |
That was it. I can do it! This was your best dance so far. Well done! | :11:44. | :11:51. | |
Getting that booty going, you are a great-looking woman! Kimberley and | :11:51. | :11:57. | |
Pasha. Kimberley and Pasha. Kimberley and Pasha. I think we | :11:58. | :12:02. | |
know each other pretty well. I am so proud to count him as a friend. | :12:02. | :12:08. | |
I would like you to stay as a friend. Thank you so much for being | :12:08. | :12:18. | |
:12:18. | :12:18. | ||
my partner. You made me a better person. Thank you for that. Artem, | :12:19. | :12:22. | |
I know... That's a beautiful thing to say. Artem, you had something to | :12:22. | :12:32. | |
:12:32. | :12:33. | ||
say to Fern? Yes, I do. Oh my goodness! This is for you. Oh! Look | :12:33. | :12:43. | |
:12:43. | :12:46. | ||
at that. Bless! I'm on the verge of menopause here! 13? Lucky number! | :12:46. | :12:52. | |
It is a crazy Russian thing! Who would you like to see go on to win? | :12:52. | :12:59. | |
I'm not going to tell you. They are all fabulous and they should all | :12:59. | :13:02. | |
win. And that's true. And there's somebody that I would like to win. | :13:02. | :13:07. | |
I'm not going to say. Tell me later. I won't tell anybody. It's been | :13:07. | :13:10. | |
wonderful having you on the show. have loved every second. Have I | :13:10. | :13:18. | |
made you a better person? Yes. and Artem! APPLAUSE Right. Can I | :13:18. | :13:24. | |
say one thing? Phil, I am coming home and thank you for looking | :13:24. | :13:29. | |
after everybody. I am coming home. Let's hear it for Phil! APPLAUSE | :13:29. | :13:33. | |
Stop it. Craig Revel Horwood will be here to cheer us all up and chat | :13:33. | :13:37. | |
about the weekend wonders. First, here is a Craig brain-teaser for | :13:37. | :13:47. | |
:13:47. | :13:53. | ||
you Strictly buffs out there Hello you Strictly experts. I am | :13:53. | :13:59. | |
here to test your Strictly knowledge. Craig appears in the | :14:00. | :14:08. | |
Urban Dictionary. Is it Strictly true or Strictly baloney? I have | :14:08. | :14:11. | |
gathered - time now to rake over the weekend performances with a | :14:11. | :14:16. | |
judge who knows all about nit- picking, Craig Revel Horwood. | :14:16. | :14:21. | |
APPLAUSE # Bad to the bone. # | :14:21. | :14:27. | |
Oh! Yes! APPLAUSE Head-banging! You are looking very handsome today. | :14:27. | :14:33. | |
Just for you, my darling. You are going to some awards? I am! Seven | :14:33. | :14:37. | |
of the couples at the weekend scored their highest marks yet. Is | :14:37. | :14:41. | |
this an indication they are all on the up? Yes, it does. Really, | :14:41. | :14:47. | |
really good dancing. It is so wonderful to see. It is. Yeah. I am | :14:47. | :14:53. | |
having trouble sort of... Getting high scores out? I'm having trouble | :14:53. | :14:59. | |
finding things wrong. Let's talk about Kimberley and Pasha. A bit of | :14:59. | :15:04. | |
a shocker, those two being in the bottom two? I know. She is a | :15:04. | :15:07. | |
fantastic dancer. They work brilliantly together. She's just | :15:07. | :15:10. | |
fantastic. This wasn't particularly brilliant, this section. What was | :15:10. | :15:15. | |
wrong with it? She was hopping through it. If you don't find your | :15:15. | :15:18. | |
centre, if you don't pull up through your centre, you are going | :15:18. | :15:27. | |
to have to hop. But it wasn't a bottom two? No. That proves how | :15:27. | :15:33. | |
much power the audience have. scary. It is. They can, like they | :15:33. | :15:39. | |
did with people like Ann Widdecombe, keep putting them through. Then we | :15:39. | :15:43. | |
don't have any of that this year, which is good. I am really, | :15:43. | :15:48. | |
honestly, enjoying all the dancing. Michael and Natalie. Latin has | :15:48. | :15:52. | |
never been Michael's strong point. This was much better? Yes. Apart | :15:52. | :15:58. | |
from this bit? It is still not his strong point. He does do all the | :15:58. | :16:02. | |
steps. That is fascinating. When he comes on to the floor to do these | :16:02. | :16:07. | |
dances, I do find it fascinating because I would love to get the | :16:07. | :16:14. | |
secret to how you do the steps but they don't look right. It is an | :16:14. | :16:20. | |
oddity. When people dance off... he was on it and he was doing | :16:20. | :16:24. | |
everything that Natalie had taught him. You can see every mechanic, | :16:24. | :16:31. | |
behind it. It is very robotic. And that's the problem with all of that. | :16:31. | :16:39. | |
He needs to move through the music better. I loved his performance. | :16:39. | :16:46. | |
Richard. This was fun? I was loving it. I was loving it. He has my | :16:46. | :16:53. | |
shoes on, too! He has. Ten points, there, darling. He could put his | :16:53. | :16:57. | |
own personality into it. I think that makes the difference. If you | :16:57. | :17:01. | |
enjoy a dance, you are going to perform it so much better. And, | :17:01. | :17:06. | |
clearly, he did a great job. said his best dance yet? Nicky and | :17:06. | :17:12. | |
Karen and the foxtrot. When I was watching this, I had the anxious | :17:12. | :17:16. | |
thing of, "Please let this go well" and by the end I was leaping on the | :17:16. | :17:21. | |
sofa? I am the same. It was a very exciting opening. That is going | :17:21. | :17:27. | |
well. And then I thought once they get in hold, it will go wrong. It | :17:27. | :17:34. | |
didn't. And I was delighted. I am there judging and I am willing and | :17:34. | :17:39. | |
wishing them all to do brilliantly. All of them? Yes. All of them. | :17:39. | :17:43. | |
favourites? No favourites. I do have favourites, of course I do! I | :17:43. | :17:48. | |
don't judge favouritism. I don't believe in that. I have to judge on | :17:48. | :17:54. | |
what I see on that evening. OK. We will discuss the rest of them and | :17:54. | :17:59. | |
that six shocker later on. Craig Revel Horwood for now. APPLAUSE In | :17:59. | :18:03. | |
just a moment, I will be chatting to Louis and Flavia. But first, | :18:03. | :18:09. | |
here is a recap of how they waltzed their way into our hearts on | :18:09. | :18:16. | |
Saturday. I didn't like that turn at the top. It was very pedestrian. | :18:16. | :18:23. | |
You were getting out of time in the middle of it. Do not listen to him. | :18:23. | :18:29. | |
That start, with that turn, so controlled. You handled that well. | :18:29. | :18:33. | |
Your top was great. It had more polish than Number Ten's front | :18:33. | :18:43. | |
:18:43. | :18:44. | ||
door! You waltzed your way into the hearts of the nation. I don't know | :18:44. | :18:49. | |
what to say. I wasn't sure which way it was going to go. I thought | :18:49. | :18:56. | |
the lower Craig's score was going to be. Well done. You did a fab job. | :18:56. | :19:04. | |
Well done. Please welcome Louis and Flavia. APPLAUSE Oh you are going | :19:04. | :19:09. | |
to Wembley! Here we go, here we go! You must be thrilled? I am. It was | :19:10. | :19:17. | |
a tough week. It is always a tough week. We made it. Is it getting any | :19:17. | :19:21. | |
easier? Definitely not. Doesn't make sense for it to get easier. It | :19:21. | :19:25. | |
gets harder. It showed that by last weekend. They will give you two | :19:25. | :19:29. | |
dances in a couple of weeks. You did this waltz and then there was | :19:30. | :19:33. | |
this cat fight between the judges. How was it for you out on the | :19:33. | :19:38. | |
floor? I had a brilliant time. Just like how it said, the waltz, we | :19:38. | :19:44. | |
have waltzed through the routine. It was refreshing. It was a | :19:44. | :19:47. | |
romantic dance. You hadn't heard of Ricky Martin when you danced the | :19:47. | :19:52. | |
Samba and you hadn't heard of Andy Williams and Moon River. Does it | :19:52. | :19:57. | |
make it tricky when you don't know the song? It does. I want a song I | :19:57. | :20:01. | |
can get into. For example? tango was good. What would you like | :20:01. | :20:10. | |
to dance to? Some... Go on. Some Motown stuff, looking forward to | :20:10. | :20:14. | |
the Charleston. So let's have a look. We will talk about the | :20:14. | :20:18. | |
squabble between the judges. Flavia, what did you make of that? I got a | :20:18. | :20:23. | |
bit hot towards the end. I have never seen Len and Bruno quite so | :20:23. | :20:29. | |
heated. It is good. It is - everyone has their opinion. It was | :20:29. | :20:36. | |
great to have the three nines. We thought we were going to leave and | :20:36. | :20:41. | |
let them get on with it. That might have been a good idea. Your fans | :20:41. | :20:45. | |
were outraged. Loads of messages. "Craig's negativity towards Louis | :20:45. | :20:51. | |
each week is a disgrace." Karren said, "They were brilliant, so | :20:51. | :20:57. | |
floaty and romantic. Loved it." That is good. As he is here, shall | :20:57. | :21:06. | |
we get him in? Come on in. No! would be delighted to discuss it. | :21:06. | :21:11. | |
feel like Judge J udy! Craig, having watched it back, do you | :21:11. | :21:16. | |
think you were harsh? I have watched it back. I suppose I am | :21:16. | :21:21. | |
being picky. All the points I mentioned are true. When - I want | :21:21. | :21:27. | |
you to dance brilliantly. I'm saying that face to face man-to-man, | :21:27. | :21:31. | |
darling. But I want it to be fantastic. I would love to see you | :21:31. | :21:34. | |
getting tens. You won't ever get tens if you don't fix the little | :21:34. | :21:39. | |
things that Flavia has been telling you about. Particularly the head | :21:39. | :21:45. | |
left, darling. Please, please, fix that. The thumb, how many times did | :21:45. | :21:50. | |
your mother say it? It wasn't too bad! I saw it. It was creeping up | :21:50. | :21:59. | |
and going down. It was semi there? You have to, when you do that turn, | :21:59. | :22:09. | |
:22:09. | :22:10. | ||
go on to... What is that? Here, you go up and then off into your turn! | :22:10. | :22:15. | |
Very nice. Are you finished? No, I could go on! Also with your hands, | :22:15. | :22:20. | |
you tend to flick them out... should go! Have you got anything to | :22:20. | :22:28. | |
say back? No. Wait till next week! Goodbye. Thank you. APPLAUSE He | :22:28. | :22:32. | |
does go on! Do you think he should have given Louis a bit more credit? | :22:32. | :22:37. | |
I think so. There was a lot of rise and fall. His arms were great. His | :22:37. | :22:40. | |
posture was great. We wanted to keep it simple because that is the | :22:40. | :22:45. | |
song that we had. He glided across. He made it look effortless which is | :22:45. | :22:49. | |
half the battle. We all loved it. Who cares what he says! We are | :22:49. | :22:53. | |
quite surprised when the judges were having a go, you didn't spark | :22:53. | :22:59. | |
off. You can be a bit of a teenager in training! This is good. What?! | :22:59. | :23:09. | |
:23:09. | :23:11. | ||
Go from the top. No. Bit more oomph! No. Leave me alone. | :23:11. | :23:20. | |
# I'm just a teenage dirt bag, baby. Don't do that! I can't do that! | :23:20. | :23:28. | |
Ready? No. Why can't we dance to Bob Marley! This is horrific. | :23:28. | :23:33. | |
that top! Tell me when you are ready? Thursday. I will dance with | :23:34. | :23:39. | |
Dani. She is better than you anyway! Oh dear. I want a day where | :23:39. | :23:47. | |
I finish at 4.00pm and that is it! Oh you need a spank! See what I put | :23:47. | :23:51. | |
up with? Very quickly, American Smooth this week. You are doing it | :23:52. | :24:01. | |
at Wembley, how is it going? right. Really? Oh come on! We are | :24:01. | :24:05. | |
doing lifts, my back is aching. is not happy. It will be great. | :24:05. | :24:12. | |
Good luck this weekend. Thank you. Louis and Flavia. APPLAUSE Now, | :24:12. | :24:16. | |
earlier on, we teased you with a fact about Craig Revel Horwood. Was | :24:16. | :24:26. | |
it true or Strictly baloney? asked you Craig appears in the | :24:26. | :24:31. | |
Urban Dictionary. I bet that got you thinking. It is Strictly true. | :24:31. | :24:37. | |
A Craig is someone who consistently marks or scores lower than those | :24:37. | :24:44. | |
around him. Why is Tonioli not in the Urban Dictionary?! Join me next | :24:44. | :24:51. | |
time for another Strictly True or Strictly Baloney with me, the one | :24:51. | :24:55. | |
and only, Bruno Tonioli. Just for you! | :24:55. | :24:59. | |
Time to talk about the rest of the weekend's dances, Craig Revel | :24:59. | :25:03. | |
Horwood is back again. APPLAUSE We have given him a clap! How does it | :25:03. | :25:08. | |
feel to be immortalised in the Urban Dictionary? We are loving | :25:08. | :25:12. | |
that. Dani and Vincent and the tango. You loved this dance is this | :25:12. | :25:19. | |
I did. She is a really exciting dancer. And also, a brilliant, | :25:19. | :25:23. | |
clean technician. By that, I mean she does everything really well. It | :25:23. | :25:29. | |
is focused and she is centred and she's a good actress. How will she | :25:29. | :25:34. | |
get to the top of the leaderboard? Just - I would say just with a bit | :25:34. | :25:38. | |
more dynamic. That is all she really needs to get the nines, the | :25:38. | :25:43. | |
tens. She needs the right dance, the right music and... Wembley | :25:43. | :25:48. | |
could be that. Lisa and Robin. You said impeccable timing from Lisa | :25:48. | :25:52. | |
this weekend. Always. Were you impressed at the speed? I love her. | :25:52. | :25:57. | |
I love the fact that she - it was a really quick dance. And I loved the | :25:57. | :26:01. | |
fact that she went into all the moves and she created those | :26:01. | :26:05. | |
wonderful long lines, which are quite difficult to do. Particularly | :26:05. | :26:09. | |
at that speed. I really enjoy watching her. I can't tell you how | :26:09. | :26:14. | |
much. I loved Robin's slip-up as well. I did, too and Brendan's was | :26:14. | :26:20. | |
a joy! I can't tell you. Victoria blanked him. I would, too! Denise | :26:20. | :26:25. | |
and James and the paso doble, which was amazing. Highest score so far? | :26:25. | :26:31. | |
Yeah. Why is it so good? It is when all the elements come together. The | :26:31. | :26:37. | |
dance, the song, the music, the dress, the action, the acting, it | :26:37. | :26:47. | |
:26:47. | :26:49. | ||
is when it all comes together. And you are totally believing in the | :26:49. | :26:53. | |
story of it, you are believing she is a professional dancer. That is | :26:53. | :26:57. | |
what you have to do. Well done. Victoria and Brendan and the | :26:57. | :27:01. | |
quickstep. You said you enjoyed this, but you could see her | :27:01. | :27:07. | |
footwork transferring to her upper body? Yes. I meant when - because | :27:07. | :27:11. | |
the footwork is so quick and it can be lively, you can't let that | :27:11. | :27:14. | |
transfer to the top half of your body. You don't want to see the top | :27:14. | :27:20. | |
half of the body going up-and-down. Cool. You don't want that stuff | :27:20. | :27:24. | |
going on. You want to maintain a beautiful frame and not know how | :27:24. | :27:31. | |
the footwork is happening. OK. soon as you see the chugging stuff, | :27:31. | :27:35. | |
it's gone out the window. You said something about snout on Saturday, | :27:35. | :27:43. | |
you can't say that? Her snout was too far up in the air! Let's talk | :27:43. | :27:47. | |
more about Louis and Flavia. You giving him a six, which has not | :27:47. | :27:56. | |
gone down well? I know. Thank you for your wonderful tweets, | :27:56. | :28:00. | |
everyone(!) I just want him to be perfect. It is just unfortunate | :28:00. | :28:04. | |
that some of the points, the biggest points, like his head to | :28:04. | :28:08. | |
the left, like his thumb, weren't in place. If all of that had come | :28:08. | :28:13. | |
together and he had remembered every bit of it, that then, I would | :28:13. | :28:21. | |
say would have been a nine. But I was feeling a bit mean. You were! | :28:21. | :28:25. | |
was quite shocked at the other judges giving nines to be frank. I | :28:25. | :28:30. | |
thought my six won't be so bad if there are eights. They showed you | :28:30. | :28:34. | |
up? They did. Are you looking forward to the spectacle of | :28:34. | :28:38. | |
Wembley? I cannot wait. There is a huge surprise in store. Is it you? | :28:38. | :28:42. | |
Are you flying again? I might be, darling. It is Craig. Thank you. | :28:42. | :28:47. | |
That is all we have time for today. Huge thank you to all of my guests. | :28:48. | :28:55. |