Episode 27 Strictly - It Takes Two


Episode 27

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Hello and welcome to Tuesday's show. On tonight's programme: They are

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still here, Kimberley and Pasha. APPLAUSE They got top scores this

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weekend, top scores of the series so far, Denise and James are here.

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APPLAUSE She's a hardy woman to please. She has such high

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expectations. Karen Hardy is here with Choreography Corner. APPLAUSE

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Julien Macdonald is here tonight. APPLAUSE It will be a marvellous

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This is Strictly: It Takes Two. Please welcome your host, Zoe Ball!

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APPLAUSE Hello. Welcome to Tuesday's It Takes Two. In a moment,

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I will be chatting to Kimberley and Pasha. Here is a reminder of their

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romantic Viennese waltz from the weekend.

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That was such an emotive performance. You really moved me.

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It was gentle, I really enjoyed it. Well done. Oh, really achingly

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romantic. I love the sense of are we going to end up together? Or are

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we going to be separated at the end? That was a delicious Viennese.

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I loved it. Yes! We got a nine from Len. And Bruno. And Bruno.

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enjoyed it. People enjoyed it. That was great reaction. Amazing. Which

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of you will be back to dance again next week? Judges? Kimberley and

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Pasha. Kimberley and Pasha. Kimberley and Pasha. Please welcome

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Kimberley and Pasha. APPLAUSE Oh, goodness me. What an emotional

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weekend you had. Such a beautiful Viennese waltz. Then, second on the

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leaderboard. To be in the bottom two, you must have been devastated?

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I was gutted to be in the bottom two. We had really enjoyed our

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dance on Saturday. Obviously, we got our highest scores so far. We

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were really happy and, yeah... was worried about you, during the

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results you were going pale rerks. She is going to fall down! -- paler.

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She is going to fall down? She was holding on to me. Pasha, how did

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you feel? This is the first time you have been in the bottom two is

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this Yes. LAUGHTER Oh no, don't... How did it feel for you? It was

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fine. I was really concerned about Kimberley. I could feel the energy

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change around her and she was like holding on. I was, are you OK? Are

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you going to fall now? He was so good. He stayed so calm which

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helped me to gather myself together. I had a little moment where I

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thought oh God, I don't know if I can do this. He gave me the, yes,

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you can. He is so good. He is. are a lucky girl. So many messages

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of support for you online. Loads of messages coming in. People are

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shocked to see you in the bottom two. "How was Kimberley in the

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bottom two? Her dance was beautiful." It is a warning to

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everyone. They need to vote for you? Yeah. You should take heart

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because Tom Chambers was in the bottom two and he went on to win.

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See! It can happen. Also, your mate, Cheryl Cole was in the bottom two

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on Pop stars The Riels and look at her now! -- The Rivals and look at

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her now. Fact! Did that make you more nervous dancing in front of

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her? No. I was quite calm. It was nice having her there. Between you

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and me, who else did she like in the show? She loved Denise. I'm not

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just saying that because she is here! She loved Denise' dance.

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week, you got the Samba. Yes. Wembley. How have you found it so

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far? Only a bit of practice so far? So far, so good. I'm enjoying it.

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It is really fun. She likes to shake it more than... We have seen

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you... Shaky, shaky, shaking. quite an intricate dance, all the

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different rhythms. How difficult will it be for Kimberley to pick it

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up? She is doing really well. She likes to shake it! LAUGHTER

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Kimberley Walsh, she likes to shake it! OK.S also, you have Children In

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Need. You are performing on Children In Need -- OK. Also, you

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have Children In Need. You have performing on Children In Need. How

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will that affect your training? will be a hard week. We will still

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be working really hard. We need to put as many hours as possible in.

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Wembley! It is Wembley. You have played to massive crowds in Girls

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Aloud. How daunting is Wembley to dance out there? You know, it is

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really daunting to think about... Don't think about it! OK. LAUGHTER

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Imagine you are in your nan's sitting room and it will all be

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fine. You have been consistent with your scores for three weeks. How

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are you going to wow them at Wembley? Like I said, she likes to

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shake it! LAUGHTER I'm getting quite excited. Good luck at Wembley.

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Thank you. Enjoy Children In Need on Friday. Good luck to you both.

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Thank you. Thank you. APPLAUSE This weekend, we saw a fab paso doble

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from Denise and James. We witnessed Richard playing the bongos on

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Erin's bum and Michael and Natalie gave us a pants performance - a

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flash! Here to tell us more is Please welcome Karen Hardy!

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APPLAUSE Hello. I get excited when you come here. This weekend, the

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judges gave out 11 nines. That is an awful lot of nines at this point.

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Is the standard of dance the best we have seen? It is. It is coming

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together now. Back in the early weeks, all the seeds were planted

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to learn the technique, the footwork, body, frame, all of those

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things. Those people that have grasped it now, it is all beginning

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to flower and look beautiful. love you bringing farming into

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dancing(!) LAUGHTER Let's talk about the weekend. Kimberley and

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Pasha. What a shocker they were in the bottom two. It was very, very

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interesting. What I liked here was how quick Len's eye was. Look at

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the beautiful steps here. We are doing reverse turns which means

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that Kimberley's meant to be crossing her feet and closing. She

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did the wrong footwork. But Len picked up on it. He doesn't miss a

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trick. What I think, it could have been what led up to the foot fault

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here and the imbalance. It was still so beautiful and so elegant.

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Not worthy of the bottom two. is still here, so that is great.

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Yes. Michael and Natalie did the salsa. He got a lot of praise for

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his lifts. Why were they so impressive? I think what I really

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loved about these two, it was that salsa meltdown. We can see it going

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wrong, sadly again. What I love, the chemistry between these two,

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they have got to deliver the lifts. Lifts give you good points. Get it

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back together, let's make this work. They got the chemistry. That could

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have been a mouse lifting an elephant! It turned out beautiful.

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They work together. Denise and James and the paso doble. Highest

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score of the series so far. What did their paso doble have that so

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many others haven't? The missing ingredient was the competitive edge.

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We have always said how great her technique is, the frame, all these

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things. I have never seen in her eyes as much as we have seen in

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this number, the, "I'm in this competition!" The paso doble

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encourages you to do that. She has to keep that sparkle in her eye,

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not to be afraid to be the front- runner, to show them that she can

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win this. She's got to keep going every week and keep that sparkle.

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You are here to win! Richard and Erin and their Charleston. It is

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all about character. It is all about performance. He really pulled

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this off well at the weekend. How technically good was he? How clever

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is this little munchkin?! He's got the personality. He's got

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everything going on. We have the faces, but then every week when I

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look at his technique, it is terrible. Look what he does. Bring

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out the smiles! Bring out the cheeks! Bring out the jazz hands!

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And that's what he's been very clever with. He brings us the

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entertainment factor every week. The judges will now really start

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looking downstairs a lot more. He's got to improve. Dani and Vincent

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and their tango. Craig said fantastic dancer. How can she

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improve and get to nines and tens? There isn't much more that she's

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got to do. She has to keep going along with what she is doing. She

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delivers great choreography. She gets the timing right. She does

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good technique. I'm loving the slows and the quicks. It is all

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bringing layering to the performance. We are waiting for

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that moment when it all comes together, the right song, the right

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dance and up will go those tens. Good. Let's hope that happens at

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Wembley. Louis and Flavia and the waltz. Craig gave them a six. What

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did you make of that? Nowhere near a six. It was beautiful. But what

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amazed me was the uproar between the judges. And things didn't make

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sense to me. What he does was so beautiful. Firstly, the most

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important thing in the waltz is that we do accent a beat. We accent

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the one, two, three, one, two, three. There was a discussion as

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well about his head position. His choreography is really interesting.

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Rotating all the time. It asked the head to go from its basic position

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into promenade position, it has to come back again, it has to change.

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So it should have that natural movement of the head. The one thing

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that was overlooked. He was too fast for the music! Ah. In general,

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with what the judges were talking about, I was getting frustrated. It

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was worthy of something much higher than a six. Beautiful frame, great

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top line. Beautiful development across the floor. A couple of

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timing errors. Thank you. Victoria and Brendan and the quickstep. So

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the junls think she is mastering the footwork -- judges think she is

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mastering the footwork, but needs work on her frame and shoulders?

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Let's have a look at it. Can you see how the shoulders are right up

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there by the ears. If we don't have a good frame, we can't see the

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great performance that is going on inside. She's dancing so incredibly

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well. And what happens is as we lead into the dancing now, she is

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able, she recovers it and it breaks again. She recovers it. That has to

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be Brendan pulling her back into place all the time. That doesn't

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want to happen. Every great lady should be able to hold her own

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position and her own frame. Each person in the partnership has their

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own frame and that is what comes together, two people moving around

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the dancefloor as one. Lisa and Robin and the foxtrot. They focused

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on the footwork all week. How good was her footwork? The speed, when

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the song came on, whoosh! They were flying. What I loved was the

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attention to the footwork. Why is that important? Now, we are going

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to see - there's the heel turn. Now, it wasn't her best. I don't want

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her to get upset about that. What is great, remember we have said the

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more she's working on that footwork, it will build on her performances.

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Maybe she didn't get them together, but she had a go at it. It is the

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mechanical strength that will help her. Nicky and Karen, I love the

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whole performance. The judges saying he needs to move more?

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opening was fantastic. It is a foxtrot. As he takes up here and he

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starts to dance, I didn't see him starting to drive. It is OK. In

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week six, he should be really getting those legs driving across

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the floor now. I'm building up to think I will probably have to

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demonstrate. Please. APPLAUSE We love it. OK. We have our standing

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leg and our free leg. It doesn't matter which one you are working on.

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You have one that wants to do the work automatically. There's one

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that must be doing the work for you. The one that doesn't have the

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weight... I'm following you. Keeps wanting to do the work. This is the

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leg, the standing leg. You have to create the work out of the standing

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leg and that is where you start to drive. Oh! Come on! APPLAUSE Give

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us more! I'm going to sit down. Don't! Stop it! It is the... She's

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still got it! Get out of here! Wembley next weekend. What do our

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contestants need to do to perform? It is huge. The one thing I say

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every time - be careful about going out to the audience. You always

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bring the audience into your performance. They come to you. They

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are paying to see you. All that money is going to Children In Need.

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You must not go out to them. That is where very important. Bring the

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audience in to you. I adore you. Thank you. APPLAUSE On Saturday,

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they charged their way to the top of the leaderboard, receiving a

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full house of nines. In case you missed it, here is a reminder of

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how Denise and James got the judges in a spin. You captured the

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character with the dance. You moved well. I thought it was terrific.

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Denise, the red menace, with a conquering power of a firestorm!

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The turns are amazing. They are out of this world. It is the most

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exciting role I have seen you dance and perform. A great paso doble.

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Fabulous. Yes! So happy. So proud of you. Thank you. I really enjoyed

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it. You were performing that. The first week I have felt from

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beginning to the end, you were in it! I loved it. Please welcome

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Denise and James. APPLAUSE You were awesome on Saturday night. Thank

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you. Not you! Oh. Did you love it out there? I loved it. It was one

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of my favourite dances. I could be aggressive. We like that. Also,

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there was the whole drama of whether James was going to be able

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to dance. When did they make the decision? I always wanted to dance

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with Denise, but I was given the go-ahead on Saturday. Up until that

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point, you didn't know who you were going to be dancing with. Not a

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ScoobyDoo! He is well-jel! I think Craig should concentrate on

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commenting on the celebrities and not worry about the professional

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dancers. He's not qualified to judge us. Oh. Glad you got that off

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your chest! I have been in love with Ian Waite since 2005. Are you

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well-jel? I can't bear watching you two together! I'm like that!

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LAUGHTER I'm back with James now. Can I have him back now? Yeah.

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you got to dance the paso with him and you did fall in love with him.

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Have a look at this. I thought myself and Denise had something

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special. I'm noticing that there's something brewing between Ian and

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Denise now. # Love lift us up... #

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I thought you are like the other half of me. He is taller than James.

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Which I like. He is really good fun. Which I like. He is a really good

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teacher. Which I like. Did you change it to make it better? I

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really like Ian! I want to get close to you, Ian! I know, darling.

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He has nice, long arms, lovely long legs. So nice to dance with. I feel

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like a gooseberry! Oh, it's so much fun winding up James! It is really

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funny(!) He gave me such a hard time so it is nice to get my own

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back. We have you something very special. Not another one. I have a

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collection. You have only got to get a few more and you will have

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the full set! You can be my little poof! LAUGHTER This week, the

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Charleston. I'm imagining this dance will suit you. How is the

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training so far? Well, it's been good so far. It is quite an

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energetic dance, which I am looking forward to. I don't know at the

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moment. There is a lot of character and lifts? Yes. James looks

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concerned? I am. Why? For the professional dancers, this is

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something out of our comfort zone. I am trying to push the boundaries.

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All the professionals have choreographers come in for the

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Charleston. You do Latin and ballroom. Charleston... Charleston

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and salsa we get help - and Argentine tango. So today, you were

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laughing in the studio. We are dancing to Walk Like An Egyptian...

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He looks like a pigeon. LAUGHTER I have never been able to do that

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stuff either. I can't do that. make it look so easy. Do it.

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can't. Do it. Do it again. LAUGHTER I can do that. But I can't...

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Hopefully, you will get to see this at Wembley. It's gone! I'm not

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doing it. You are dancing at Wembley this week in front of 6,000

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people. So a big floor. Does that fill you with nerves or excitement?

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I will be nervous on the day. I am so excited. We all wanted to get to

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Wembley. Never ever played to a crowd that big, so - you have! How

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many times have you told me? Loads! Good luck at Wembley this week.

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Good luck with the head moves. your pigeon! LAUGHTER Give it up

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for Denise and James. Thank you. APPLAUSE Get off! On Saturday night,

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the dancefloor was full of godets, ruffles and sequins. Here to tell

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us who wore them best is Julien Welcome the right honourable Julien

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Macdonald! APPLAUSE Hello. Welcome back. Welcome back. The weekend, it

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was all about the girls. They took the top spots, but I want to know

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who was top in the frocks spots? Who is your number three? My number

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three this week is the gorgeous Kimberley! Ah. Gorgeous in this

:21:12.:21:22.
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dress. She was quite a - the frock was stunning. It was almost a tale

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of two dresses, two cities. Gorgeous colours, super-complicated.

:21:29.:21:35.

She waltzed it all away. When you say "super-complicated" - give me

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some facts? Well, there was over 4,000 mixed crystals, all hand-sewn

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on. Stretched georgette. Laced. Not any old lace. It was like a dark-

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grey lace, covered in sequins and a lot of ruffles. We know from last

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week that you love your ruffles. Where are the ruffles? The ruffles

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are on the skirt. There's over 26 metres of tulle, all gathered and

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all ruffled up! LAUGHTER I do love that! What is georgette? Georgette

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is a very silk-based fabric, which we use a lot to create light,

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floaty fabrics and skirts. Lovely. Is that georgette, her wings?

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wings are georgette. This is not just any old georgette, this is

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STRETCHED georgette! Who is your number two this week? My number two

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this week blew me away, Denise Van Outen. Look at her moves. What can

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you tell me about this incredible red dress? She reminded me of

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Sharon Stone. What I loved about her, I loved everything about her.

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Not just the dress, the hair, the make-up. It was totally modern. And

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I loved it. What can you tell me - is that the Sharon Stone bit?

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LAUGHTER What can you tell me about the detailing? It was a very

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complicated dress as well. The thing is, it was a combination of

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two very different fabrics. A stretched mesh bodice mixed with a

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satin and a crepe skirt. You have a light and stretchy fabric. This

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added to the drama of the dress. You make anything sound saucy! This

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was the most covered-up that Denise has ever been. What do you think of

:23:38.:23:44.

the design? Could she have shown more flesh? It is very sporty, it

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is very graphic, modern, lots of slashing all around the top part.

:23:49.:23:58.

Over 4,500 mixed crystals. Siam, shades of red and a dangerous

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Bordeaux crystal dazzling on the top of the dress and with a heavy

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skirt and this split, if that split got any higher it would be reaching

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the sky! APPLAUSE I'm going to give you a round of applause for that.

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That wasn't your top spot. Who is your numb bier one? My number one -

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- number one? My number one has to be the lady in pink! We are sad to

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see her go. It is great to see a woman having fun. What a

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transformation of a woman. She looks incredible. I watched the

:24:32.:24:39.

live show. When she came out, she was just there, yang, fresh,

:24:39.:24:45.

beautiful. Wow! She's lost so much weight. What can you tell me about

:24:45.:24:50.

the detailing? This is incredible. It has over 12 metres of fringe.

:24:50.:24:55.

The fringe is sewn together ten centimetres away from each other.

:24:55.:24:59.

So the fringe is light and not heavy. Does somebody have to sew

:24:59.:25:07.

each one? It is on a band. It is sewn on with the hands of angels!

:25:07.:25:12.

LAUGHTER The thing, is fringe adds movement, it is a 19 20s thing. For

:25:12.:25:19.

a woman of this age to wear a tiny pink dress, full of fringe, she

:25:19.:25:24.

just makes it work. Do not try it at home. You could look like mutton

:25:24.:25:32.

dressed as lamb. This is... Are you looking at me?! No, not at all. We

:25:32.:25:36.

are in Strictly World! Tell me about the mesh as well. This is

:25:36.:25:42.

clever. There aren't sleeves, but there are sleeves? It is based on a

:25:42.:25:48.

tulle illusion. I am not lying. It is an invisible tulle which holds

:25:48.:25:53.

the dress together. That is what helps the dress from falling apart.

:25:53.:26:02.

If the dress - the dress is moulded on to her body. This deep low V-

:26:02.:26:07.

neckline makes this part of her body longer, thinner and more

:26:07.:26:12.

gorgeous! So many clever tricks. How gorgeous! Last week, Bev, the

:26:13.:26:17.

plumber, showed us how you could make the messy job of unblocking U-

:26:17.:26:25.

bends that bit more glamorous. Whose dream have you granted this

:26:25.:26:29.

week? I have sent Roger, a fish porter, Richard's paso outfit,

:26:29.:26:39.
:26:39.:26:41.

which is skin-tight, colourful, what else do you want?! Hi, my name

:26:41.:26:49.

is Roger. I'm a fish porter at Billingsgate Fish Market. This

:26:49.:26:54.

morning, I was sent an outfit which belongs to Richard. So now it is

:26:54.:27:04.
:27:04.:27:12.

time for me to transform from this to this! WHISTLES New firm's outfit.

:27:12.:27:18.

The old paso doble! Very good. have been Strictlified. My work

:27:18.:27:28.
:27:28.:27:30.

colleagues are jealous of me today! What do you think? LAUGHTER

:27:31.:27:40.
:27:41.:27:42.

Gorgeous! Brighten up the market! Yes! Glamour? In Billingsgate? Who

:27:42.:27:45.

would ever think of it? Wouldn't you want to just take that home and

:27:45.:27:51.

put a pair of legs on it? That will be the best dance partner in the

:27:51.:28:01.
:28:01.:28:09.

market. The only thing is, this Yes! I have enjoyed being

:28:09.:28:19.
:28:19.:28:19.

Strictlified, but I don't think it will catch on! Whiting, �2.20 a

:28:19.:28:27.

kilo! Roger! APPLAUSE He's got the moves. Hi to all the lads at

:28:27.:28:32.

Billingsgate. Thank you so much. Will you come back next week?

:28:32.:28:38.

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