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Good evening ladies and gentlemen, have I got a great Wednesday line- | :00:12. | :00:16. | |
up. Three gorgeous couples. Essex' answer to ginger Roger, Denise van | :00:16. | :00:21. | |
outen and James. We have the Polly Pockets, Dani and Vincent are here. | :00:21. | :00:27. | |
And, of course, it is, bring your dad to work day, my dad, Johnny | :00:28. | :00:32. | |
Ball and Iveta are here. And we have the new girl, she is here, our | :00:32. | :00:37. | |
new judge, Darcey bus bus until the house. And if that was not enough, | :00:37. | :00:43. | |
Ian Waite is back with his Waite's Wednesday Warm Up. Hello darling. | :00:43. | :00:53. | |
:00:53. | :01:27. | ||
This is Strictly It Takes Two. Give Hello and welcome to It Takes Two. | :01:27. | :01:31. | |
Tonight's show is literally bursting very Strictly seams. Let's | :01:31. | :01:35. | |
crack on with the first guests. They have style with a spliel. | :01:35. | :01:42. | |
Denise and James. -- a smile Welcome to It Takes Two. Very | :01:42. | :01:45. | |
excited. Lovely to have you here. Top of the leaderboard on Friday. | :01:45. | :01:49. | |
How exciting was the whole night for you? It was amazing but I was | :01:49. | :01:54. | |
so nervous just before we started. Underneath my dress my legs were | :01:54. | :01:58. | |
shaking. I had a dry mouth and my palms were all sweaty. It is a | :01:58. | :02:05. | |
pressure thing. Fear. But I do enjoy it. It is nice to do it in | :02:05. | :02:09. | |
front of the audience and get on to the dancefloor. And when they | :02:09. | :02:13. | |
clapped, did you think - I must have got that right. I was | :02:13. | :02:20. | |
petrified to be honest. We had dry mouths. More so than years before? | :02:20. | :02:24. | |
Yes, the expectation that Denise was going to be amazing and putting | :02:24. | :02:28. | |
the choreography together and hoping it was going to go well. For | :02:28. | :02:33. | |
myself as well, thinking - please don't forget your steps. A lot of | :02:33. | :02:40. | |
love. One from west London says DVV one to watch, great waltz, James | :02:40. | :02:45. | |
gets hotter every year. I like her already. You are looking slim. How | :02:45. | :02:50. | |
is he as a teacher? Very strict, really bossy but he is a good | :02:50. | :02:56. | |
teacher. Ahhhh. He works me really hard. You probably need a firm hand | :02:57. | :03:02. | |
though, don't you? I like a firm hand, I do, Zoe, yes. You have been | :03:02. | :03:07. | |
known to muck about and have a will have. I suppose he thoos keep new | :03:07. | :03:13. | |
check. I suppose so. -- he has to keep you in check. I suppose so. Do | :03:13. | :03:18. | |
I mess about? Yes, you do. She can't stand still for more than two | :03:18. | :03:22. | |
seconds. In the waltz it was hard. This week is easier. The fact I can | :03:22. | :03:26. | |
jump about is lovely And the fact that she gets tired, straight after | :03:26. | :03:30. | |
the jive she can't speak. It is brilliant. We noticed, watching | :03:30. | :03:34. | |
back at the footage that perhaps James hadn't been your first | :03:34. | :03:39. | |
choice... No. He wasn't. Of teacher. Look at this. When I signed up to | :03:39. | :03:43. | |
Strictly I thought tfs going to be fun, then I got James. -- I thought | :03:43. | :03:47. | |
it was going to be fun. Then I got James. I wish I had been Brendan. | :03:47. | :03:54. | |
know I'm the best. Brendan is better. Victoria is so lucky. | :03:54. | :04:00. | |
Victoria is so lucky. I would like to massage Brendan. You have never | :04:00. | :04:02. | |
won it, have? You Brendan has. you want a cuddle? If it was | :04:02. | :04:06. | |
Brendan, I would be sat like this cuddling. I wanted someone who, you | :04:06. | :04:10. | |
know, knows what winning is about? So did I. I actually think I'm | :04:10. | :04:16. | |
going to go home later tonight and dry a little bit. | :04:16. | :04:21. | |
We got you a little pressie, your own Brendan cushion. I will be | :04:21. | :04:26. | |
sleeping with that tonight. Let's hope Lee doesn't mind. Let's ask | :04:26. | :04:34. | |
you James, you had a bonk on the conk on Friday in rehearsal. Hola | :04:34. | :04:39. | |
hit your nose. Is it broken? I went to the doctors on Monday. I pushed | :04:39. | :04:43. | |
the back on Friday myself but they said it is not quite in place so I | :04:44. | :04:50. | |
need to go to a special get it rebroke and reset. Is it painful? | :04:50. | :04:55. | |
Not now. Any sympathy from Denise None whatsoever. Said "man up." | :04:55. | :04:59. | |
Let's talk about the jive. You are saying it is speedy and fast. | :04:59. | :05:04. | |
really fast. It is exhausting. My feet are killing me. I have so many | :05:04. | :05:08. | |
aches and pains. Why was your tongue out? My concentration face | :05:08. | :05:13. | |
snoosm your cartwheel was better than mine. Nice cartwheel. When we | :05:13. | :05:17. | |
do it, we do it all the way through, I'm exhausted. She doesn't speak, | :05:17. | :05:22. | |
it is lovely. Have you got any little tricks? | :05:22. | :05:27. | |
did, we had a trick. It was going to be awesome at the beginning, | :05:27. | :05:31. | |
never been seen on Strictly, but it doesn't work. We took it out. | :05:31. | :05:36. | |
That's why it has never been seen. I got the giggles and it ruined it | :05:36. | :05:40. | |
every time. Good luck. We are loving your partnership. | :05:40. | :05:46. | |
Take your pillow home. Denise and James. | :05:46. | :05:53. | |
Over the last few months there has been a 6'4" shape hole in my | :05:53. | :05:59. | |
Wednesday afternoons. Back by popular demand with his new and | :05:59. | :06:09. | |
:06:09. | :06:10. | ||
improved telestrator machine, Mr He is back, Mr Ian Waite. | :06:10. | :06:16. | |
Darling. Mwa, mwa. You missed me? Of course. You could sound more | :06:16. | :06:19. | |
convincing. Brilliant shows at the weekend. Everybody did brilliantly. | :06:19. | :06:22. | |
Let's see how they are doing this week. We will start at the top of | :06:22. | :06:26. | |
the leaderboard with Lisa and Robin. They are doing the Vienese waltz, | :06:26. | :06:29. | |
how will this compare to cha-cha- cha? I think pretty well. They are | :06:29. | :06:33. | |
doing a lot in the beginning, solo, which she is good at. I have | :06:33. | :06:37. | |
stopped it here because, as you can see, I am going to take my lovely | :06:37. | :06:45. | |
wand out, look at that. Look, I say, Ian's magic wand. A new addition. | :06:45. | :06:48. | |
At the moment they are square, that will make it difficult. I would | :06:48. | :06:53. | |
like her to get over Robin's right- handside a little bit then that's | :06:53. | :06:58. | |
his centre line and she gets over on to his right side it'll make | :06:58. | :07:02. | |
things easier. She will be able to move around him better. Later on | :07:02. | :07:09. | |
when they are dancing, it'll improve when they do that. Jerry | :07:09. | :07:13. | |
and Anton, she is so glorious, how is her foxtrot? I think she | :07:13. | :07:19. | |
surprised a lot of people, certainly myself. Her cha-cha is so | :07:19. | :07:25. | |
much better than expecting. They are dancing a lot of ballroom steps. | :07:25. | :07:29. | |
Anton's speciality. I have stopped it here, as you can see her posture. | :07:29. | :07:36. | |
She is in a prm nad position and if I can take you. Take me, please. -- | :07:36. | :07:40. | |
-- promenade position. Her head needs to stretch out, look at | :07:40. | :07:44. | |
camera 3, you can see that stretching from the waist and out | :07:44. | :07:48. | |
in promenade position. OK, OK, lovely.! Like that. At the moment | :07:49. | :07:52. | |
she is very square and almost leaning into him. Victoria and | :07:52. | :07:56. | |
Brendan, she had a bit of a mishap on the first show. She is doing a | :07:56. | :08:00. | |
foxtrot. How is she going to do? think she will get over her nerves. | :08:00. | :08:04. | |
She is in his arms and fell much more comfortable. I do think that | :08:05. | :08:10. | |
somewhere here, let's have a little look at it. What treasure do you | :08:10. | :08:17. | |
have now? I'm going to do this, I'm going to zoom that as you can see. | :08:17. | :08:20. | |
going to zoom that as you can see. Look. Now she is slightly poking | :08:20. | :08:30. | |
her chin forward. It is because she has let her backside slip back. | :08:30. | :08:35. | |
Don't let your bum slip, ladies. she tucks under she will be able to | :08:36. | :08:39. | |
get get her head and chin up. many things to remember. Kimberley | :08:39. | :08:43. | |
and Pasha, great opening to the show. This week it is ballroom, | :08:43. | :08:47. | |
foxtrot for Kimberley. What do you think. How is it? For me she is a | :08:47. | :08:51. | |
very talented girl. As you can see, straight away, she is in the right | :08:51. | :08:57. | |
position on Paddy Ashdownia. Very pleased with that. -- on Pasha. | :08:57. | :09:03. | |
What I would like to point out, Waite's weekly whinge. Yet again, | :09:03. | :09:08. | |
Pasha's partner. I would like to see her in normal shoes. It will | :09:08. | :09:12. | |
help her practice her proper footwork and master the technique. | :09:12. | :09:15. | |
It is a much better idea. These don't support your feet enough. | :09:15. | :09:21. | |
Ballroom shoes in the ballroom. Personally... I know they are | :09:21. | :09:27. | |
comfortable. Other than that, she is great. Colin and Kristina, he | :09:27. | :09:30. | |
was great wasn't he? Another surprise for everybody, I think. | :09:30. | :09:35. | |
What I love about Colin is he has this wonderful, wonderful, if I can | :09:35. | :09:40. | |
just point that out, he has a wonderful line through his back and | :09:40. | :09:46. | |
neck. He has a very long neck, 6'4" of him. The same height as me. He | :09:46. | :09:51. | |
has his shoulders down, his chin up, a lovely long neck, look at that. | :09:51. | :10:00. | |
He looks brilliant. Let's give him a little crown. King Colin. | :10:00. | :10:06. | |
Looking good. And Fern and Artem. How was Fern looking? She is also | :10:06. | :10:10. | |
doing the Vienese waltz? Also, I think she had an attack the nerves | :10:10. | :10:14. | |
last week. I think that restricted her. I think she will be much | :10:14. | :10:20. | |
better in this dance. Look at that lovely line. Lovely hands. She | :10:20. | :10:23. | |
produces lovely lines. I think she is the cat that's got the cream. | :10:23. | :10:28. | |
She is smiling, and loving it. could you not be happy with Artem? | :10:28. | :10:31. | |
Hopefully her love for the dance and Strictly will shine through. | :10:31. | :10:37. | |
That's the ballroom. You will be back for the Latin. I will. I love | :10:37. | :10:41. | |
see youing again, Ian Waite, everybody. | :10:41. | :10:45. | |
She first twirld on to our screens as a guest judge but this year she | :10:45. | :10:53. | |
is back for good. -- twirled. Let's take a look at what Darcey Bussell | :10:53. | :10:59. | |
is always en point. You are now a fully-fledged judge of Strictly | :10:59. | :11:03. | |
Come Dancing. I'm the new kid on the block. I'm probably most famous | :11:03. | :11:07. | |
for being a classical ballerina. I did come to the royal Ballet School | :11:07. | :11:13. | |
at the age of 13. I just really wanted to be on stage. I loved | :11:13. | :11:16. | |
every minute of it and became very passionate about my dancing. I have | :11:17. | :11:22. | |
done all the big classics and quite a lot of other bits. | :11:23. | :11:27. | |
To be part of the Strictly team is a little dream come true. To be on | :11:27. | :11:30. | |
the other side and actually be the critique is a lot of fun, actually | :11:30. | :11:35. | |
and I think I'm going to enjoy it. I think a lot of the celebrities | :11:35. | :11:41. | |
are going to show some real amazing dancing this time. And I am so | :11:41. | :11:43. | |
excited! Oh, we are a little bit excited too. | :11:43. | :11:49. | |
As you can see, when it comes to dancing, she has set the bar pretty | :11:49. | :11:57. | |
high. Please welcome, Darcey Bussell. | :11:57. | :12:05. | |
The Hustle for the Bussell. Welcome to It Takes Two. How has your | :12:05. | :12:07. | |
to It Takes Two. How has your to It Takes Two. How has your | :12:07. | :12:10. | |
experience been so far? Very exciting, buzzing, nerve-wracking. | :12:10. | :12:15. | |
Were you scared first show? I was as scared as the celebrities on the | :12:15. | :12:19. | |
dancefloor. I'm not surprised. Were the boys welcoming? They are really | :12:19. | :12:23. | |
looking after me. I have been spoilt rotten. Good. At my need all | :12:24. | :12:27. | |
the time. They are always going, "Are you OK?" I like the fact that | :12:27. | :12:33. | |
the judges have been re-arranged, broken up, Len and Craig, I think | :12:33. | :12:38. | |
she is quite happy he doesn't have to sit next to Craig. It was an | :12:38. | :12:41. | |
incredible weekend who. Stood out for you, performance-wise? A will | :12:41. | :12:44. | |
the actually. There is a lot of talent. They will keep improving. | :12:44. | :12:51. | |
There is the obvious, obviously, Denise and James. Louis. Yes we saw. | :12:51. | :13:01. | |
:13:01. | :13:02. | ||
I quite liked Louis and Flavia. saw that. Well, who wouldn't. Now I | :13:02. | :13:07. | |
am distracted. When we want to throw you, we will just say | :13:07. | :13:15. | |
"Louis." Well you have danced with Ian on the launch show, how was | :13:15. | :13:18. | |
that, to take to the Strictly dancefloor? Well you always have | :13:18. | :13:22. | |
nerves. Actually it is pretty strange if you don't have nerves | :13:22. | :13:25. | |
getting on that dancefloor but it is extraordinary, you have | :13:25. | :13:29. | |
cameramen and lights flashing in your face, to concentrate just on | :13:29. | :13:34. | |
the dancing, I was quite scared. I had not done anything for a long | :13:34. | :13:38. | |
time. I had been injured last year and all these things, so I was | :13:38. | :13:41. | |
terrified. So you do know exactly how the contestants are feeling. | :13:41. | :13:46. | |
I do. How different is ballroom to ballet, from what you can see? | :13:46. | :13:50. | |
obviously you use a lot of different muscles, I wouldn't dance | :13:50. | :13:56. | |
in heels for a start but generally it is quite fanatical. The ballroom | :13:57. | :14:00. | |
and Latin, the same details that we look for in ballet, the finishing | :14:00. | :14:07. | |
of the fingers, all those details, where your eyes are looking, head | :14:07. | :14:10. | |
inclined, and all those angles and how your partner each other | :14:10. | :14:14. | |
especially is very important. I mean they do a lot of lifts. | :14:14. | :14:18. | |
course they do. What should our contestants be doing to impress you | :14:18. | :14:24. | |
as the new judge? What are you looking for? I sort of want them to | :14:24. | :14:28. | |
fall in love with it. I want it feel something from here. It is all | :14:28. | :14:31. | |
very well doing the steps and getting the technique right but | :14:31. | :14:35. | |
there has to be a feeling for me. It has to be an all-around package, | :14:35. | :14:39. | |
that they fall in love with the dance. Lots of love from the | :14:39. | :14:43. | |
viewers to watched the show at the weekend. Paula from Norwich says, | :14:43. | :14:48. | |
"Loving Darcey, graeted addition to the panel and loves -- great | :14:48. | :14:53. | |
addition to the panel. She loves the fact you give | :14:53. | :14:58. | |
positive dance. Is that a thing do you? Well first time around, it is | :14:58. | :15:02. | |
stuep I had to criticise them. You want them to come back week. To | :15:02. | :15:05. | |
criticise them straight away is wrong, I want to give them tips, | :15:05. | :15:10. | |
something to go away and feel they have got hold of it and feel better. | :15:10. | :15:15. | |
Which dances are you looking forward to the most? I love an | :15:15. | :15:20. | |
Argentine tango, and a salsa. this weekend. That will be fun. | :15:20. | :15:25. | |
are loving having you. Pop in whenever you dancey. Darcey Bussell. | :15:25. | :15:29. | |
Now they might be small but my next couple left a huge impression on | :15:29. | :15:39. | |
:15:39. | :15:39. | ||
Saturday night with their rather elegant waltz. Take a look. | :15:39. | :15:43. | |
Dani smile, enjoy the occasion, you are a pretty girl. You've got it | :15:43. | :15:48. | |
all, you just have to use it correctly. | :15:48. | :15:51. | |
I loved that leg thing when you were on one leg. I thought it was | :15:51. | :15:57. | |
very nice, lovely moment, well done to you. | :15:57. | :16:02. | |
Exactly. Forget about being a Polly Pocket. Dance is about creating an | :16:02. | :16:07. | |
illusion, you did that. We did good. I have done it better, | :16:07. | :16:11. | |
though. It's OK, then we will be even better next week. | :16:11. | :16:16. | |
Yes, after a fantastic first dance she certainly knows how to smile | :16:16. | :16:22. | |
now. She has something to smile Bwelcome Dani and Vincent, Team | :16:22. | :16:27. | |
Smurf. Where has Team Smurf come from, need I even ask? I invented | :16:27. | :16:31. | |
it. We are so little, everything looks so big to us, we look like | :16:31. | :16:35. | |
little smurves, we get lost. One day I couldn't find her, she was | :16:35. | :16:41. | |
hiding behind my shoes. Bless you. We have bought you something, | :16:41. | :16:48. | |
little hats, Papa smurve, that's for you. | :16:48. | :16:56. | |
-- Papa Smurf. Are there advantages to being small | :16:56. | :17:01. | |
in ballroom and Latin, would you say? Shall I answer that. Yes. | :17:01. | :17:05. | |
way we have positives and neglecttives. Obviously we have to | :17:05. | :17:09. | |
work harder because everything looks too far away from us. I can't | :17:09. | :17:12. | |
take him seriously. It is much harder at some points but we can | :17:12. | :17:17. | |
work on speed, I think speed is going to be the most important | :17:17. | :17:22. | |
thing for us when we can beat taller people, normal people. | :17:22. | :17:27. | |
normal folk. Bruno says he wants to you smile more. You must have bang | :17:27. | :17:31. | |
terrified, it was the first time. So scared. The most terrified I | :17:31. | :17:35. | |
have ever been. I agree I will definitely smile more and enjoy it | :17:35. | :17:40. | |
more. I think I will do it this week. No, I know I will. I like the | :17:40. | :17:45. | |
postiflt. Lots of the pros were shouting harsh, harsh, after you | :17:45. | :17:49. | |
got your scores and the audience were joining in. Do you feel you | :17:50. | :17:53. | |
were undermarked? I watched it back a couple of times, just because I | :17:53. | :17:57. | |
will have myself too much. That's the only reason, really. I thought | :17:57. | :18:01. | |
maybe we could have done a good better. I would rather be | :18:01. | :18:06. | |
undermarked than overmarked. I have done it better in rehearsals so it | :18:06. | :18:11. | |
was frustrating. You never know how the nerves are going to get to you. | :18:11. | :18:17. | |
It really Zmy knees were knocking together. -- -- it really did. | :18:17. | :18:21. | |
would like to tell you it gets easier it, doesn't. We are | :18:21. | :18:26. | |
concerned you are losing it, because you seem to be going to | :18:26. | :18:33. | |
serious extremes to get Dani's attention in training. These are | :18:33. | :18:37. | |
comiegs so much pain, they have become my approximate enemy, but | :18:37. | :18:43. | |
don't worry, I willdy feet them. -- These are causing me so much pain. | :18:43. | :18:48. | |
I look amazing. Oh, you do look amazing. He does have the best | :18:48. | :18:53. | |
pants. I get to see them every day, they are always fabulous. You get | :18:53. | :18:58. | |
to see them every day So you do, everybody gets to see them. We will | :18:58. | :19:03. | |
have a pant montage. How is your relationship? What is he like as a | :19:03. | :19:07. | |
teacher? The best partner I could ask for. He is laid back, hilarious, | :19:07. | :19:10. | |
an amazing teacher as well. I definitely have the best partner. | :19:11. | :19:16. | |
How are you finding the salsa this week? It's so fast, so fast but I'm | :19:16. | :19:20. | |
loving it. It is a bit more up my street. I'm loving the song and I | :19:20. | :19:25. | |
get to be a bit more funky. Is it GBing to sizzling, Vincent? | :19:25. | :19:30. | |
Hopefully, -- is it going to be? Hopefully this suits more her | :19:30. | :19:34. | |
personality. I think from now on, we would love to go up, instead of | :19:34. | :19:40. | |
down, if we can. Up the leaderboard. I haven't been up there. Be in the | :19:40. | :19:46. | |
middle and creep up and do tada. Without anyone noticing. What is | :19:46. | :19:51. | |
the hardest thing to master, Dani are you finding? Is there anything | :19:51. | :19:56. | |
you are struggling with? Everything I think. My feet kind of do as they | :19:56. | :20:01. | |
are told but it is getting the technique better and performance- | :20:01. | :20:05. | |
wise and enjoying it more and everything really, and it is so | :20:05. | :20:09. | |
fast to try to not lose track of where we are. Good luck. Try to | :20:09. | :20:14. | |
keep your trousers on. It will be hard. Looking forward it seeing you | :20:14. | :20:19. | |
on Saturday, Dani and Vincent you. | :20:19. | :20:24. | |
Now I'm afraid I can't wait any longer, it is time for part deux of | :20:24. | :20:34. | |
:20:34. | :20:41. | ||
He Ian Waite, he and his long legs are back. | :20:41. | :20:45. | |
Let's talk Latin, Nicky and Karen are doing the cha-cha-cha this week. | :20:45. | :20:49. | |
How is he looking snfpblg much more relaxed in this style which is | :20:49. | :20:54. | |
great. -- How is he looking? think it is probably because Karen | :20:54. | :20:59. | |
is more relaxed in this style. So he is looking more relaxed. What I | :20:59. | :21:03. | |
would like to point out is here. He has his arms down. I would like him | :21:03. | :21:08. | |
to get his arms out At any point, there is a lot of places in the | :21:08. | :21:11. | |
routine where he was dancing with Karen and then he just dropped the | :21:11. | :21:17. | |
other arm. He needs to get it out. Where does it go, side ways? Side | :21:17. | :21:26. | |
ways, up, wherever. Make a decision. Michael and Natalie are doing the | :21:26. | :21:30. | |
jive. What do you reckon? We have a side view, they are practising in | :21:30. | :21:34. | |
the mirror, it isn't the greatest view, it shows up the problems he | :21:34. | :21:39. | |
has with his jive. An unfortunate position we leave him in there. | :21:39. | :21:43. | |
lovely bottom, though, Michael. I can just point that out, you see. | :21:43. | :21:49. | |
He needs to dance on the balls of his feet all the time which will | :21:49. | :21:54. | |
pitch his weight forward and pick up his backside and pick up | :21:54. | :21:58. | |
underneath so you can pick up the knees. All right, Michael, watching | :21:58. | :22:02. | |
this. It is too flat. Last week they were telling him to tuck it in. | :22:02. | :22:07. | |
This week, he has to get it up. is a different dance, different | :22:07. | :22:11. | |
posture. Sid and hola are doing the salsa. I'm looking forward to | :22:11. | :22:16. | |
seeing Sid shimmy. He has a great personality for this dance. He is | :22:16. | :22:26. | |
very cheeky chapy, hola chops, she has another cheeky man, Ola chops. | :22:26. | :22:30. | |
For me he is going in and out, one minute he is getting it and then | :22:30. | :22:34. | |
next minute not so good. He needs to work on consistency. This is | :22:34. | :22:39. | |
Tuesday, he has probably refined it more by now. Richard and Erin, last | :22:39. | :22:43. | |
week the judges said they wanted Richard it camp it up. Has he | :22:43. | :22:50. | |
camped it up? All I can say, Zoe, if you think rustle grant is camp, | :22:50. | :22:55. | |
wait to see you this cha-cha. It is the campest thing you will ever see. | :22:55. | :22:59. | |
All I can see is look at that wonderful world of technology we | :22:59. | :23:06. | |
have and look, if I draw in here, he has his lovely hand there. | :23:06. | :23:12. | |
have you drawn there? A little squirrel. He needs to stretch his | :23:12. | :23:16. | |
arms out and finish off his lines but apart from that it's looking | :23:16. | :23:21. | |
very camp. I think camp is good. This is Strictly Come Dancing | :23:21. | :23:25. | |
foregoodness sake. Ian will you come back next week? Of course. | :23:25. | :23:29. | |
good to have him back. Ian Waite. I love him. A quick maths equation, | :23:29. | :23:33. | |
what do you get if you add a World Champion in ten different styles in | :23:33. | :23:43. | |
ballroom to a 74-year-old TV personality? You get this. Johnny I | :23:43. | :23:49. | |
think you have failed the MOT. mouth was moving ten to the dozen | :23:49. | :23:55. | |
throughout and was very distracting. Johnny, great energy. You surprised | :23:55. | :24:00. | |
me. It was beautiful. There is a lot of people of a | :24:00. | :24:04. | |
similar age to you, would like to be able to get out and move like | :24:04. | :24:12. | |
that. Well done. I was singing the lyrics to keep me | :24:12. | :24:16. | |
on the beat. It will be difficult for me to zip my mouth. It was good. | :24:16. | :24:21. | |
Our goal was to have fun and we definitely had fun. | :24:21. | :24:25. | |
Oh, I have been looking forward to this, please welcome, Johnny Ball, | :24:25. | :24:32. | |
my dad and his dance partner, Iveta. Hello. Give me two. Before we talk | :24:32. | :24:37. | |
to Iveta, I have been told to tell you, I'm not allowed to give you | :24:37. | :24:40. | |
preferential treatment. Neither do I require it. Therefore the | :24:40. | :24:44. | |
increase in my pocket money is not going to work. You can put that | :24:44. | :24:48. | |
away. Eye investigate ta, welcome to It Takes Two. You are here | :24:48. | :24:56. | |
because of course dad's original -- Iveta, welcome to It Takes Two. | :24:56. | :25:02. | |
Thank you so much for coming all the way from New York. Aliona is | :25:02. | :25:12. | |
injured.! How are you finding it so far? Search so nice. The BBC is the | :25:12. | :25:17. | |
most organised company I have ever worked for. Headlines. The dancers | :25:17. | :25:23. | |
are all so nice and welcoming and celebrities and Johnny is the best, | :25:24. | :25:28. | |
so... Thank you. I'm having the best time. Dad, how was Saturday | :25:28. | :25:33. | |
night for you? Well nobody knows that I met her. We met on the | :25:33. | :25:37. | |
Tuesday afternoon. Dance the Tuesday afternoon. On the Wednesday, | :25:37. | :25:40. | |
on the Thursday after studio rehearsal, they said - can you | :25:40. | :25:45. | |
change the first quarter of your routine. We did that on fri. We | :25:45. | :25:49. | |
rehearsed a new section and put that in on the Saturday with a new | :25:49. | :25:57. | |
dancer. Well done. Not easy. learns quick. So that kind of added | :25:57. | :26:01. | |
to the nerves. Is he behaving himself Iveta in the training room? | :26:01. | :26:08. | |
Does he do as he is told? I feel like Johnny trusts me. He is | :26:08. | :26:18. | |
listening and he is working his Butt off. | :26:18. | :26:24. | |
It is an American slang. I wondered what she was going to say. He is | :26:24. | :26:29. | |
amazing. How do you feel the dance went for you? I was so really | :26:29. | :26:32. | |
uptight, if you like about the first section that I didn't have | :26:32. | :26:36. | |
nerves, I knew I had to get it right. So it is crazy, isn't it, I | :26:36. | :26:40. | |
didn't have nerves because I was so scared of getting it wrong, that's | :26:40. | :26:46. | |
the oddest thing. It sounds very odd. We got through it. When I look | :26:46. | :26:51. | |
back, I could have done better, and I think perhaps this time we'll do | :26:51. | :26:55. | |
better. How did you feel with the judges' comments? Craig was a bit | :26:55. | :27:00. | |
harsh but Len praised your energy and agility. Are you surprised? | :27:00. | :27:03. | |
Well after the praise I was surprised at the scores, I thought | :27:03. | :27:06. | |
they would be a bit more generous but we will take that. Now the only | :27:06. | :27:10. | |
way is up, because we are very near the bottom. One waive looking at it. | :27:10. | :27:16. | |
How are you getting on this week? You have come from the cha-cha-cha | :27:16. | :27:20. | |
to the foxtrot. Iveta, how is he doing? He is doing very well. I | :27:20. | :27:24. | |
think he is a gentleman inside of him and we just need to bring that | :27:24. | :27:28. | |
side out from the beginning until the end of the dance. I think it | :27:28. | :27:34. | |
suits his personality. And he is doing very well. She is looking | :27:34. | :27:38. | |
foxy and I'm trotting behind. gld you did that joke and not the | :27:38. | :27:43. | |
one you told me about earlier. -- I'm glad. Have you any tricks up | :27:43. | :27:46. | |
your sleeves and let's talk about the miming, you can't mime the | :27:46. | :27:50. | |
words. In that your mouth was going there. Why don't you tape it | :27:50. | :27:55. | |
have done it. We tried it it. Works. I don't have to mime this one, I | :27:55. | :27:59. | |
like this one. A pleasant smie. It is OK. But there is only one -- | :27:59. | :28:03. | |
plesant act smile. There is one hint I give you. We do one bit and | :28:03. | :28:07. | |
every time we do it, we have to do it in a different part of the floor, | :28:07. | :28:11. | |
because we are boring a hole. So there you are, you have that to | :28:11. | :28:14. | |
look forward to. This weekend is the first time anyone will be | :28:14. | :28:17. | |
eliminated. Now you were joint, what was it second to bottom. Does | :28:18. | :28:23. | |
this make you nervous because the bottom two will go into the dance- | :28:23. | :28:26. | |
off? I think, as I said we had a lot of problems with the fist one | :28:26. | :28:29. | |
with change of partners and everything. So I was amazed I got | :28:29. | :28:35. | |
there and got through it. I think it's much cooler now, I'm - I think, | :28:35. | :28:39. | |
will we be better? From the time I have been in England I have got the | :28:39. | :28:43. | |
feeling that Johnny is really loved by English people so I really count | :28:43. | :28:49. | |
on the fans and I believe his fans will not put him into the bottom | :28:49. | :28:55. | |
two stkwhr. Oh she's got proper faith in you. I know and I have | :28:55. | :29:00. | |
faith in her. Keep mouth closed and you will be fine. Can I just say | :29:00. | :29:06. | |
I'm really proud of you. I love my dad. Thank you very much to all the | :29:06. | :29:11. | |
guests today. My dad and Iveta. Lovely to have you. Behave yourself. | :29:11. | :29:15. | |
That's it for today. Join me again tomorrow when I will be joined by | :29:15. | :29:23. |