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PROBLEM WITH SOUND Kimberley and Pasha are here. | :00:27. | :00:36. | |
And just exactly how much is he and Erin are here. | :00:36. | :00:41. | |
We'll have a peak at what some of our couples will be wearing this | :00:41. | :00:46. | |
weekend and we look inside the training room. So much to do. Trot | :00:46. | :00:56. | |
:00:56. | :00:56. | ||
Apology for the loss of subtitles for 48 seconds | :00:56. | :01:45. | |
on. Now some Strictly breaking news. How good was that! An update now on | :01:45. | :01:49. | |
Aliona's injury. You will remember two weeks ago whilst rehearsing | :01:49. | :01:59. | |
:01:59. | :02:06. | ||
first dance together, she suffered someone else. We have a linkup now | :02:06. | :02:16. | |
:02:16. | :02:19. | ||
for the latest. The latest is the doctor's told me | :02:19. | :02:29. | |
:02:29. | :02:33. | ||
to rest for four weeks and in four four weeks, hurray! When you come | :02:33. | :02:43. | |
:02:43. | :02:49. | ||
now, but the doctors say for the rest and then I can be brand-new | :02:49. | :02:59. | |
:02:59. | :03:12. | ||
You are going to take part in the excited to be a part of that | :03:12. | :03:22. | |
:03:22. | :03:31. | ||
Saturday we'll see a pick and mix with the couples tackling a jive, | :03:31. | :03:39. | |
foxtrot, Viennese waltz, cha-cha- the first of the boys are getting | :03:39. | :03:49. | |
:03:49. | :03:56. | ||
We are doing the foxtrot this week with as much patience as she's got. | :03:56. | :04:02. | |
yourself. Beautiful. Johnny is so involved in the dance and he helps | :04:02. | :04:11. | |
me with the choreographing, which I love it, it helps he. -- helps me. | :04:11. | :04:21. | |
:04:21. | :04:24. | ||
Johnny Ball choreographing it on the cha-cha. It's all about | :04:24. | :04:30. | |
enjoying yourself, smiling, having a laugh. Then I can't get it right! | :04:30. | :04:35. | |
I forgot it! Argh... I feel under pressure because Nicky is not | :04:35. | :04:45. | |
:04:45. | :04:46. | ||
picking up the steps. of the room so it was nice for him | :04:46. | :04:51. | |
to walk back in and work hard because that's the only Nicky I | :04:51. | :05:01. | |
:05:01. | :05:03. | ||
You head-butt me. Straight seven. Hands, cha-cha-cha. The Viennese | :05:03. | :05:13. | |
:05:13. | :05:15. | ||
hard core, hard core! The first big man. Dancing with me is too | :05:15. | :05:25. | |
:05:25. | :05:25. | ||
Apology for the loss of subtitles for 48 seconds | :05:25. | :06:14. | |
challenge is my knees. You are only Len said your cha-cha-cha was the | :06:14. | :06:20. | |
thrilled? Absolutely, yes, he's a stylish man, we have been chatting | :06:20. | :06:23. | |
backstage and he's been making me feel confident about my height. He | :06:23. | :06:33. | |
:06:33. | :06:41. | ||
about the height difference later on. A viewer says, I didn't expect | :06:41. | :06:51. | |
:06:51. | :06:53. | ||
Colin to be so sexy. Did you in protest. I've been getting some | :06:53. | :07:03. | |
:07:03. | :07:03. | ||
people. elements in your cha-cha he could | :07:03. | :07:13. | |
:07:13. | :07:19. | ||
bits. What did you make of that? arms and ballroom frame and also | :07:19. | :07:29. | |
:07:29. | :07:37. | ||
It's a James Brown song after all, far to being a little bit like a | :07:37. | :07:44. | |
often find myself on the floor of my gym with my thumb in my mouth | :07:44. | :07:48. | |
curled up in a ball like a baby. have something special for you. We | :07:48. | :07:58. | |
:07:58. | :08:23. | ||
Gabalabagababa... It's a ball, it's a baby with a | :08:23. | :08:33. | |
:08:33. | :08:41. | ||
corner for his punishment. Really cute. Bless you. I know you | :08:41. | :08:50. | |
should never ask a lady, but do you look good, ladies and gentlemen!? | :08:50. | :08:54. | |
50 years old. Not as young as some of the others in the competition. | :08:54. | :09:01. | |
Are you taking it all in your taking it all in my lunch. That is | :09:01. | :09:08. | |
a long lunch! I walk up in the I walk down the stairs more | :09:08. | :09:15. | |
gingerly and I expect Louis Smith really toning up. For all those 50- | :09:15. | :09:22. | |
as old as you feel, as they say, and I'm not going to elaborate more. | :09:22. | :09:32. | |
:09:32. | :09:33. | ||
it well. How is the Viennese waltz looking? Hopefully OK. We worked | :09:33. | :09:43. | |
:09:43. | :09:44. | ||
two of you. It's also about, not just the technique of the dance but | :09:44. | :09:54. | |
:09:54. | :09:55. | ||
what we work on. I fall in love her. Considering you're tall, your | :09:55. | :10:01. | |
neck line is good? I heard that and so thank you, Ian. I appreciate | :10:02. | :10:11. | |
:10:12. | :10:19. | ||
adore you, Colin and Kristina. This week exI'm dancing the | :10:19. | :10:25. | |
Viennese waltz. My main challenge is to turn Lisa into a lady. Shut | :10:25. | :10:35. | |
:10:35. | :10:43. | ||
up. I love you. I have quite a task Emu? It's a challenge and I love a | :10:43. | :10:53. | |
:10:53. | :10:57. | ||
way because I want to be a Princess. nice posh frock on, that might help | :10:57. | :11:07. | |
:11:07. | :11:14. | ||
it's extremely fast. Too tired. You exhausted, it's hard work. I want | :11:14. | :11:23. | |
spin, spin... Where are you going? I don't know. James likes me to | :11:23. | :11:33. | |
:11:33. | :11:36. | ||
spin. Pivot, pivot, pivot, I go. this. I can't spin any more, I feel | :11:36. | :11:42. | |
We are getting readied for foxtrot. It's completely new style and new | :11:42. | :11:52. | |
:11:52. | :11:58. | ||
Why are you looking over there? time to get my head around it. | :11:58. | :12:02. | |
position. Don't do anything. can't take any more. Struggling | :12:02. | :12:07. | |
with brain space at the moment. Right footsteps up. I learn one bit, | :12:07. | :12:14. | |
other bit goes tout window. How can I have forgot that already?! There | :12:14. | :12:23. | |
is definitely an element of panic have just had some news in that | :12:23. | :12:28. | |
lovely Denise Van Outen has suffered whiplash doing her jive so | :12:28. | :12:31. | |
Denise, I hope you are all right, darling, because I know she had a | :12:31. | :12:35. | |
sore neck already. More on that story in the show tomorrow. For now, | :12:35. | :12:45. | |
:12:45. | :12:50. | ||
to the Kimble. Please welcome You have a nickname already, is it | :12:50. | :12:56. | |
going to stick? I like a nickname. I have such a long name and always | :12:56. | :13:06. | |
:13:06. | :13:09. | ||
end up being called something. Kimble. A nickname for Pasha yet? | :13:09. | :13:19. | |
:13:19. | :13:20. | ||
Let's talk about the show. 28 point, second on the leaderboard for your | :13:20. | :13:25. | |
cha-cha-cha. Were you absolutely delighted? We were. I was, were | :13:25. | :13:29. | |
you? We didn't even know what happened at first. We were in a | :13:29. | :13:39. | |
:13:39. | :13:43. | ||
scores it was kind of like oh, I scores so I was really happy. | :13:43. | :13:51. | |
good or bad? I thought it was good but I couldn't put my finger on | :13:52. | :13:57. | |
what it meant. It is good, fantastic. The judges haven't been | :13:57. | :14:00. | |
that happy on the Friday night show, they've been harsh on the couples, | :14:01. | :14:04. | |
did that make you nervous on Saturday night going out first? | :14:04. | :14:13. | |
because I was saying to Pasha, it's would be easy on everyone. We had | :14:13. | :14:17. | |
to go first. It was like, what are they going to say about our dance, | :14:17. | :14:27. | |
:14:27. | :14:28. | ||
I don't want to go there. You would bad moods I think. Pasha, how is | :14:28. | :14:36. | |
Kimberley? I want to call you Kimble now? Just call her Kimberley | :14:36. | :14:46. | |
:14:46. | :14:49. | ||
student? Can I tell you the truth? likes to work, she works hard, she | :14:49. | :14:53. | |
had blisters but ignores them, she goes through the dance again and | :14:53. | :15:03. | |
:15:03. | :15:05. | ||
tomorrow and she'll be like, no, I want to do it again. I like that. | :15:05. | :15:12. | |
We do know, we have evidence, that you are definitely taking | :15:12. | :15:22. | |
:15:22. | :15:48. | ||
everything on board in the training thought that was hilarious, I've | :15:48. | :15:57. | |
Any little niggles you have, we'll bring them all out, don't you worry. | :15:57. | :16:05. | |
not, are you like it? I love, love, love the dance but I'm finding it | :16:05. | :16:14. | |
days. You had three weeks to learn weeks, that would be good. What are | :16:14. | :16:24. | |
:16:24. | :16:24. | ||
just remembering what I'm doing. We it today. With ran it without | :16:24. | :16:30. | |
messing it up for the first time. That's good though. Don't worry | :16:30. | :16:39. | |
about it. We think you are amazing, APPLAUSE | :16:40. | :16:49. | |
:16:50. | :16:58. | ||
foxtrot. It's very graceful, it's very fluid. It has to do with sin | :16:58. | :17:08. | |
:17:08. | :17:09. | ||
con isty of your timing and your body being together -- | :17:09. | :17:19. | |
:17:19. | :17:21. | ||
what are you doing? You have to No-one said it would be easy. | :17:21. | :17:31. | |
:17:31. | :17:36. | ||
will look lovely. We are doing the be good. Artem takes the training | :17:36. | :17:41. | |
very seriously. Bend your knee. Get down. One more time. Do it again. | :17:41. | :17:46. | |
It's taken me a little while to get the motor up to speed. Sorry, I | :17:46. | :17:51. | |
don't know whey was doing. OK. said drop your elbows. What are you | :17:51. | :17:59. | |
doing? Look where you are going. doesn't do them right. Oh... | :17:59. | :18:06. | |
right pay part from me, and if I get it wrong, it's my fault. | :18:06. | :18:16. | |
This week, I'm doing the foxtrot It can be very magical. Brendan's | :18:16. | :18:26. | |
:18:26. | :18:33. | ||
One of my biggest struggles is to make Victoria believe in herself. | :18:33. | :18:39. | |
She'll never think she's good enough even though I know she is. | :18:39. | :18:49. | |
:18:49. | :18:56. | ||
dance, full of energy and it's all struggling a little bit with our | :18:56. | :19:00. | |
fitness during this dance, we spend more time on the floor than we do | :19:00. | :19:03. | |
actually dancing. It's like the speediest salsa you will ever see | :19:03. | :19:08. | |
in your life. That's why it's so exhausting. Tough love... | :19:08. | :19:18. | |
:19:18. | :19:22. | ||
able to get through it on the night. Mama mf mia. What happened?! | :19:22. | :19:30. | |
welcome back our wardrobe wonder So this week, five dancerss being | :19:30. | :19:39. | |
hideously complicated? Extremely busy. A bit to do. You do get to | :19:39. | :19:49. | |
:19:49. | :19:51. | ||
she's a goddess. Were you excited But nothing to be afraid of, she's | :19:51. | :19:56. | |
funny, brilliant, gorgeous. laid back? Yes. She's doing a | :19:56. | :19:59. | |
foxtrot this week? She is. This is what we've got in store for her. | :19:59. | :20:08. | |
We've got a black lace overdress underneath in blue. She looks | :20:08. | :20:18. | |
:20:18. | :20:32. | ||
traditional. Oo, you didn't hear Dani is dog the salsa. I imagine | :20:32. | :20:42. | |
:20:42. | :20:45. | ||
I'm working with Tracy Beaker. the house. Her outfit is, you know, | :20:45. | :20:48. | |
we've tried to make it older because we've slashed through the | :20:48. | :20:52. | |
corset detail but essentially the dress is cute and fun. So Darcey | :20:52. | :20:57. | |
has been showing her appreciation for Lewis's frame. He's got a tiny | :20:57. | :21:00. | |
waste and big shoulders. Is he difficult to dress? No. When he | :21:00. | :21:06. | |
came in for his meet and greet, he obviously with a body like his. You | :21:06. | :21:10. | |
have to be careful with the break point on his short sleeves. What is | :21:10. | :21:20. | |
:21:20. | :21:25. | ||
we make sure we are making the most Mystery unveil on the ironing board. | :21:25. | :21:32. | |
Let us guess who will be wearing this at the weekend? Kristina. | :21:32. | :21:38. | |
No. Anton someone said. He'd look about the owner of this dress? | :21:38. | :21:48. | |
:21:48. | :22:07. | ||
out. Call on my running stitch, You can do two full on ones. This | :22:07. | :22:14. | |
is all about quick feet, bouncing movement. It's fast. That's quick. | :22:14. | :22:24. | |
:22:24. | :22:32. | ||
If I miss a beat, it all goes out This week, we are doing the | :22:32. | :22:42. | |
:22:42. | :22:48. | ||
be in love like puppies. There has to be an air of romance. I need to | :22:48. | :22:51. | |
loosen up. This is going to be tough. It's really difficult for | :22:51. | :23:01. | |
do it, bring it out of him. Even softer. He's got to let go and | :23:01. | :23:10. | |
done. This week, we are attempting the | :23:10. | :23:20. | |
:23:20. | :23:22. | ||
I am. You know, I'm 40 years old, Wipe the sweat off my head. I think | :23:22. | :23:30. | |
Sid is finding the salsa a little lot going on in the routine. Thee | :23:30. | :23:35. | |
lifts, knee slides, shimmying, hip action. One, two, three. You are | :23:35. | :23:45. | |
:23:45. | :23:50. | ||
sohopefully I'll get it. It's going New dance this week is the cha-cha. | :23:50. | :24:00. | |
:24:00. | :24:12. | ||
It's fun, bubbly. It's going to which I suppose is natural when you | :24:12. | :24:22. | |
:24:22. | :24:31. | ||
are doing your smash potato. We are He's a dancer. Tricky dicky himself, | :24:31. | :24:38. | |
Richard Arnold and his dance APPLAUSE | :24:38. | :24:44. | |
Glorious twosome. Great comments on Saturday. Woo. We've all been | :24:44. | :24:54. | |
:24:54. | :24:54. | ||
footwork he's ever seen. That's a compliment for you, my love. You | :24:54. | :25:01. | |
put yourself in front of the judges when you got a compliment from Len | :25:02. | :25:11. | |
veteran from breakfast television. That was one comment I got | :25:11. | :25:15. | |
backstage but not from the judges. Not from the judges?! I was trying | :25:15. | :25:25. | |
:25:25. | :25:27. | ||
eyed. I thought it was romantic. I gotten over it now. Craig used his | :25:27. | :25:37. | |
:25:37. | :25:37. | ||
when you hear comments luke that, I was sweating like Judith Chalmers | :25:37. | :25:41. | |
without a passport. It was only when I watched it back I got that. | :25:41. | :25:46. | |
the stuff of legend as far as Strictly is concerned. We have been | :25:46. | :25:55. | |
working on it, haven't we? We have. French manicure? Yes. Bruno and | :25:55. | :25:59. | |
Darcey said they wanted him to camp it up a bit, but would that have | :25:59. | :26:07. | |
been appropriate in a waltz? waltz, not on purpose. I think | :26:08. | :26:12. | |
Bruno was expecting a camp fest. In the whole ten series we've done, | :26:12. | :26:16. | |
there's never been a hugely camp waltz at all. Now we are doing a | :26:16. | :26:22. | |
flamboyant, fun and bubbly. So of course you are going to see a | :26:22. | :26:32. | |
:26:32. | :26:33. | ||
I'm excited. Colin smoulders when like a damp wick, there's not a lot | :26:33. | :26:41. | |
of Latin pouring through my veins. Leave in yourself. There is a | :26:41. | :26:48. | |
hands-on approach from Richard in If you will, we have evidence. | :26:49. | :26:58. | |
:26:59. | :27:02. | ||
I've ever known. I thought Anton Du Beke was tactile, Richard's like | :27:02. | :27:12. | |
:27:12. | :27:24. | ||
He's like one of those suckers that woman needs a Richard Arnold around | :27:24. | :27:34. | |
:27:34. | :27:49. | ||
little embarrassing. It's not it? It was a rebirth for Colin, you | :27:49. | :27:59. | |
:27:59. | :27:59. | ||
know, in that room it's like, cha-cha-cha, are you camping it up? | :27:59. | :28:03. | |
There is not a row of tents long enough, does that answer your | :28:03. | :28:10. | |
question? We are going to be dad would do at a wedding after a | :28:10. | :28:20. | |
:28:20. | :28:30. | ||
ballroom to Latin? He's doing great. It will be fantastic. It could be | :28:30. | :28:36. | |
perhaps that you will break the ITV morning curse, who knows. None of | :28:36. | :28:40. | |
them are speaking to me any more, they've gotten very bitter. Good | :28:40. | :28:48. |