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Hello and welcome to a fabulous Friday edition of It Takes Two. On | :00:11. | :00:15. | |
the show tonight: Hoping to bowl the judges over with | :00:15. | :00:21. | |
his jive - it's Michael and his partner, Natalie. | :00:21. | :00:24. | |
Also getting a second chance to make a first impression, Victoria | :00:24. | :00:28. | |
and Brendan are here. Plus I'll be chatting to pop hunk, | :00:28. | :00:31. | |
Nicky, and his Uptown Girl, Karen, who will be joining me on the | :00:32. | :00:37. | |
Strictly set for an exclusive peek of their cha-cha-cha. | :00:37. | :00:47. | |
:00:47. | :01:15. | ||
Live from Television Centre, this is Strictly: It Takes Two. Please | :01:15. | :01:22. | |
welcome your host, Zoe Ball. APPLAUSE | :01:22. | :01:28. | |
Hello and welcome to It Takes Two. We're just 24 hours away from the | :01:28. | :01:37. | |
next live performances. This weekend, there are five different | :01:38. | :01:40. | |
styles being performed and if that's not enough pressure, there | :01:40. | :01:43. | |
is also the dreaded first elimination. | :01:43. | :01:45. | |
Victoria and Brendan will be dancing a foxtrot. I'll be chatting | :01:45. | :01:49. | |
to them in a moment, but first here's a quick recap of how they | :01:49. | :01:59. | |
:01:59. | :01:59. | ||
fared with their cha-cha-cha. know you messed it up so much. You | :01:59. | :02:04. | |
are a champion. You have fallen off the bike before. Get back on it! | :02:04. | :02:09. | |
You have a really exciting package. Very impressive. There was so much | :02:09. | :02:13. | |
dance content. You gave her so much. Considering the nerves took over | :02:13. | :02:19. | |
and everything, I felt for you. have got great potential. Forget | :02:19. | :02:28. | |
this. Move on. This girl is so hard on herself. I made about five | :02:28. | :02:33. | |
mistakes! Also, you made 20 not mistakes! You heard them say, "You | :02:33. | :02:40. | |
have loads of potential." They are right. Please welcome Victoria and | :02:40. | :02:47. | |
Brendan. APPLAUSE Hello. Is it difficult to watch that back? Have | :02:47. | :02:52. | |
you watched it back? No, I haven't. LAUGHTER I don't want to see! How | :02:52. | :02:58. | |
was it out there? At what point did you think, "I might be in trouble"? | :02:58. | :03:03. | |
I completely put a foot wrong and I was like, "Why did I do that? Oh no, | :03:03. | :03:07. | |
what is coming next?" It moved so quickly that dance. It took me a | :03:07. | :03:12. | |
couple of seconds to get back into the steps. My head dropped. I was | :03:12. | :03:16. | |
like, "I'm so annoyed." It is so hard. It is so fast, the cha-cha- | :03:16. | :03:20. | |
cha. If one foot is on the wrong foot. I went wrong in the rumba. It | :03:20. | :03:26. | |
was the same thing. I looked at Ian, it was like, "Help me!" Darcey said | :03:26. | :03:33. | |
there was a lot of content. Was there too much? In hindsight, I'm | :03:33. | :03:35. | |
thinking perhaps I should have made it easier. If you can run through | :03:35. | :03:39. | |
it in the training room, you think it can go Wright on the night. | :03:39. | :03:43. | |
Before we went on, we ran through it four times and she did it | :03:43. | :03:48. | |
brilliantly. I -- right on the night. Before we went on, we ran | :03:48. | :03:57. | |
through it four times and she did it brilliantly. It's the first show. | :03:57. | :04:01. | |
We are getting to know each other in terms of the live situation. It | :04:01. | :04:06. | |
happens. It does. I was very happy with the routine. Lots of cha-cha | :04:06. | :04:10. | |
basic content. How do you feel watching that now? It is | :04:10. | :04:14. | |
embarrassing. It's not! You are gorgeous. You looked amazing. | :04:14. | :04:21. | |
you. Bruno and Darcey said you have a lot of potential. See, remember | :04:21. | :04:26. | |
that. Is Victoria a good student? She is an amazing little student. | :04:26. | :04:30. | |
I'm having one of the best Strictlys I have had dancing with | :04:30. | :04:38. | |
this young lady. Ah! Stop it! I'm enjoying going to work every day. | :04:38. | :04:42. | |
She puts in 100%. That is all you can ask of your partner. It makes | :04:42. | :04:46. | |
it worthwhile. I see her wanting to get it. If it doesn't come, it | :04:46. | :04:49. | |
doesn't matter. That is why I want her to stop being so hard on | :04:49. | :04:52. | |
herself. You haven't let anybody down. We are a team. Whatever | :04:52. | :04:57. | |
happens tomorrow night, it happens and we do it together. Yes, let's | :04:57. | :05:03. | |
all jump up! Yes! APPLAUSE Also, our It Takes Two spies are | :05:03. | :05:07. | |
everywhere. You are used to riding your bike. You have taken some of | :05:07. | :05:11. | |
that through to the training room as well. Have a look. Sorry, I need | :05:11. | :05:21. | |
:05:21. | :05:29. | ||
to stop a second. Don't make me do it! | :05:29. | :05:39. | |
:05:39. | :05:39. | ||
Can I have a sit down, please? Oh! LAUGHTER I know how you feel! | :05:39. | :05:42. | |
It is exhausting. Of all people, you would think your stamina must | :05:42. | :05:49. | |
be up there, surely? It's not so much the stamina, it's the shoes! | :05:49. | :05:53. | |
Wearing - my feet are so soft and they have been carefully contained | :05:53. | :05:58. | |
in perfectly-fitting cycling shoes for so long that prancing around in | :05:58. | :06:03. | |
high heels is really challenging! It is madness. The straps cut | :06:03. | :06:08. | |
across your feet? You are covered in plasters. The balls of your feet | :06:08. | :06:13. | |
feel like they are burning! It is really difficult. Your face! Yeah, | :06:14. | :06:18. | |
you know all about that! There is one department where Victoria puts | :06:18. | :06:27. | |
you to shame. What have we got? Check this out! I say! Look at the | :06:27. | :06:31. | |
abs on that! LAUGHTER I can't concentrate on the abs. I keep | :06:31. | :06:36. | |
looking at your pants. The dancers cannot keep their trousers on! Do | :06:36. | :06:40. | |
you reckon you could get Brendan's abs tighter than that? I was trying | :06:40. | :06:47. | |
so hard. I have never squeezed so hard in my life. LAUGHTER Excellent. | :06:47. | :06:52. | |
Do you reckon you can get him one of those bits that go really deep? | :06:52. | :07:00. | |
We can try. She wipes the floor with me. It is so exciting to be | :07:00. | :07:08. | |
working with an Olympian. She leaves me for dead! I get woozy! | :07:08. | :07:13. | |
did a couple of circuits in the gym and Brendan is like, "Can we get | :07:13. | :07:19. | |
some lunch now, I'm feeling light- headed?" How is the foxtrot going? | :07:19. | :07:24. | |
Do you like it? Really well. I am enjoying it as a dance. There is a | :07:24. | :07:29. | |
bit more time for thinking and remembering steps. I am so proud of | :07:29. | :07:33. | |
her this week. To come into training after a rough weekend, she | :07:33. | :07:38. | |
was very upset. To come in with this attitude of excitement and | :07:38. | :07:41. | |
right, come on, we are going to do this and we have had a brilliant | :07:41. | :07:46. | |
week. I couldn't be more pleased. It will be beautiful. Thanks. | :07:46. | :07:53. | |
hear your music. # Tomorrow's a marvellous night... | :07:53. | :08:00. | |
Like it. What do you remember with foxtrot? Quick, quick, slow... | :08:00. | :08:07. | |
is a beautiful, slow, romantic - I want to be walking in the park | :08:07. | :08:10. | |
together, looking lovingly into each other's eyes... We are buying | :08:10. | :08:16. | |
it. Good look tomorrow. Thank you. Thank you. | :08:16. | :08:20. | |
Now if any of the dances from the weekend inspired you to show off | :08:20. | :08:23. | |
your own fancy footwork, then we want to hear from you. To show you | :08:23. | :08:27. | |
what I mean I asked a few of the It Takes Two team to re-create Lisa | :08:27. | :08:37. | |
:08:37. | :08:59. | ||
and Robin's table-topping cha-cha- APPLAUSE | :08:59. | :09:06. | |
Lee did that in brogues! Amazing. Or perhaps an iconic moment from | :09:06. | :09:08. | |
Strictly history grabbed your attention. We've re-created Russell | :09:08. | :09:18. | |
:09:18. | :09:29. | ||
coming out of that cannon with this That was Cheryl the Hamster! | :09:29. | :09:35. | |
APPLAUSE Send your clips or pictures to | :09:35. | :09:40. | |
[email protected]. Clips should be no longer than 30 seconds and if | :09:40. | :09:42. | |
you are under 16, then please get your parent or guardian's | :09:42. | :09:45. | |
permission. Full instructions and terms and conditions can we found | :09:45. | :09:55. | |
:09:55. | :09:57. | ||
on our website - bbc.co.uk/strictly. Now cast your minds back to when 14 | :09:57. | :09:59. | |
celebrities met their dance partners for the first time. Can't | :09:59. | :10:02. | |
remember? Well, lucky for you, we were there to catch all the | :10:02. | :10:12. | |
:10:12. | :10:19. | ||
backstage gossip behind the scenes I'm excited. I am raring to go! I | :10:19. | :10:24. | |
love a bit of this! Today's a very special day. We are | :10:24. | :10:28. | |
filming the title shoots and the opening sequences for the show. | :10:28. | :10:34. | |
get your hair done, make-up done and you are sitting and get | :10:34. | :10:40. | |
pampered. I love it. Can I have more hair? Can you make it bigger? | :10:40. | :10:44. | |
This is how everybody dresses in Essex when they are going to the | :10:44. | :10:51. | |
supermarket! I'm ready to go to work. This is very important. | :10:51. | :10:56. | |
Whatever we film now is going to be on for the whole series. We need to | :10:56. | :11:02. | |
hit the position that we are happy with. Craig does not like that. | :11:02. | :11:09. | |
Better. They're good. I can't believe I'm in Strictly! What's | :11:09. | :11:19. | |
:11:19. | :11:19. | ||
that about?! This is where we do all the press shoteds. -- shots. He | :11:19. | :11:25. | |
does Photoshop! Cheeky! I feel like a rock star. Awesome! Erin looks | :11:25. | :11:30. | |
sensational. I wonder if they do that frock in my size? This is the | :11:30. | :11:38. | |
green screen for the title shots. You see people spinning... | :11:38. | :11:45. | |
filmed the couples doing a bit of a move. We can put a different | :11:45. | :11:50. | |
background in there to give that ballroom feel. How does it feel to | :11:50. | :11:56. | |
be in my arms? Amazing. Best thing that has ever happened to me(!) | :11:56. | :12:02. | |
my nose still crooked? She has a boxer's nose now. It was her fault! | :12:02. | :12:12. | |
:12:12. | :12:13. | ||
She was like a tornado. You OK? have touched his bum. There is | :12:13. | :12:18. | |
nothing wrong with that. Cycling? No chance. Dancing is where it's at. | :12:18. | :12:24. | |
I was worried about all the Olympic Champions and glamorous showgirls. | :12:25. | :12:31. | |
Now I have Anton, we are in business! Natalie is great. You can | :12:31. | :12:40. | |
tell she's in control and she is going to work me hard. Hilarious. I | :12:40. | :12:49. | |
have my work cut out. He is very serious. "I'm a choreographer" and | :12:49. | :12:55. | |
I love that. He is so strong and has the body of an adon nisce. I | :12:56. | :13:04. | |
think I have done well! -- Adonis! I think I have done well. Kimberley | :13:04. | :13:12. | |
and a green set? They doing Shrek? I cling on for dear life and hope | :13:12. | :13:22. | |
for the best! He is having a mess- around. He is in the wrong | :13:22. | :13:31. | |
competition. That is my secret weapon. That's a wrap! A wrap! | :13:31. | :13:35. | |
Ah, the moment it all began. It's time for my next guests. England | :13:35. | :13:37. | |
may have beaten Australia in The Ashes, but putting their rivalries | :13:37. | :13:40. | |
aside for the sake of that Glitterball Trophy, please welcome | :13:40. | :13:48. | |
Michael and Natalie. APPLAUSE We have waited a long time for you two | :13:48. | :13:53. | |
to come in. Let's cast our minds back one whole week and your waltz. | :13:53. | :13:59. | |
How do you feel it went? I thought I did OK. The main objective was | :13:59. | :14:05. | |
not to end up in the trumpets - tick. Not to fall over - tick. I | :14:05. | :14:12. | |
would have taken that for week one. Perfect. Then you got to the judges. | :14:12. | :14:16. | |
And they kept banging on about his poor posture. Bruno said your | :14:16. | :14:24. | |
bottom was like a hanging basket - a bit harsh! I call him HB now! | :14:24. | :14:27. | |
problem with that is, I was at home on Monday and these judges have an | :14:27. | :14:33. | |
effect with your kids. I will get the Coco Pops and my eight-year-old | :14:33. | :14:42. | |
goes, "Those judges are right!" no. And the power they have. The | :14:42. | :14:47. | |
thing is, cricketers do have a good reputation on this show. Darren | :14:47. | :14:50. | |
Gough won series three. Mark Ramprakash won series four. Have | :14:50. | :14:57. | |
they given you any tips? Has that given... Why haven't you mentioned | :14:57. | :15:02. | |
Phil Tufnell? Phil was brilliant! We loved him. Are you going to be a | :15:02. | :15:08. | |
Tuffers or a Ramps? I'm swaying very close to Phil. Mark Ramprakash | :15:08. | :15:15. | |
is a natural. He had the hips. Goughie was great. He wasn't that | :15:15. | :15:22. | |
good when he started. Out of all three of them, I have taken more | :15:22. | :15:26. | |
advice from Phil Tufnell. The other two have given me nothing. Goughie | :15:26. | :15:32. | |
said, "Have some fun on a Friday night!" That is what he always did. | :15:32. | :15:39. | |
You would think in the arms of a cricketer, safe hands, Natalie. | :15:39. | :15:43. | |
Apparently not. Check this out. Catch. You know what that means? | :15:43. | :15:50. | |
Catch? You know what my record is like with catches? Dreadful. Awful! | :15:50. | :15:59. | |
Argh! I might take this bit out. No! I'm the ball. Watch the ball. | :15:59. | :16:06. | |
You have a one in two chance. That is not bad. One, two, three - yeah. | :16:06. | :16:11. | |
See that? I have caught two on the trot. Never did that in my career! | :16:11. | :16:16. | |
LAUGHTER Has he got better? He's more likely to catch humans than | :16:16. | :16:22. | |
balls! That is what you hope! Fingers crossed. Is he a good | :16:22. | :16:26. | |
student? The best. It's really interesting because you don't say a | :16:26. | :16:30. | |
lot when I'm teaching you. He takes it all in. You are always going | :16:30. | :16:36. | |
like this! I do talk a lot. There is so much to work on. I gave her a | :16:36. | :16:42. | |
challenge to be quiet for five minutes. It lasted 30 seconds. | :16:42. | :16:46. | |
Socks! I don't want to leave a stone unturned. He is so good at | :16:46. | :16:50. | |
cricket. I respect him. I look up to him. I want him to do well. I'm | :16:50. | :16:56. | |
doing as much as I can. He are you feeling about the jive tomorrow? | :16:56. | :17:03. | |
The jive - the best thing about it is the song. Shakin' Stevens. | :17:03. | :17:09. | |
is the music. This Old House. Please tell me you are wearing | :17:09. | :17:13. | |
double denim? Everyone's danced to this. Lots - all that kind of | :17:13. | :17:18. | |
movement, a bit of hips. I have tried to get a bit of a snake-hip | :17:18. | :17:24. | |
involved. The calves have been rotten all week. It is good fun. | :17:24. | :17:31. | |
Ian said you have to get on the balls of your feet. Hanging basket | :17:31. | :17:36. | |
again. He chose the music this week. What about your family? You did say | :17:36. | :17:41. | |
your kids, you were worried your daughter would vote for Kimberley | :17:41. | :17:45. | |
and your son for Louis. Will they be voting for you tomorrow? I have | :17:45. | :17:48. | |
solved that problem with the pocket money. They vote for me or that | :17:48. | :17:53. | |
stops! Brilliant. That is - if they want some cash in that money bank, | :17:53. | :18:01. | |
they have to vote for me. Do you feel in full-on competition mode? | :18:01. | :18:06. | |
Is that sportsman coming out? have done as much as we could this | :18:06. | :18:11. | |
week. A great performance. Come on. That is the difficult bit! I have | :18:11. | :18:15. | |
put the hours in. Don't drop her. Good luck tomorrow. Michael and | :18:15. | :18:20. | |
Natalie. APPLAUSE Now, no-one can possibly predict | :18:20. | :18:23. | |
what is going to happen on a Saturday night so, just for fun, | :18:23. | :18:26. | |
we're relying on some animal instinct to find out who will be | :18:26. | :18:36. | |
:18:36. | :19:12. | ||
There you have it. Just for fun, Jimmy thinks Sid and Ola will be | :19:12. | :19:19. | |
top scorers on Saturday night. is a good mate of mine. He's got a | :19:19. | :19:25. | |
couple of lifts and catches. I can't give too much away. Don't. | :19:25. | :19:28. | |
Fortunately, our celebs' fate does not lie in Jimmy's paws but rather | :19:28. | :19:31. | |
in the hands of our judges. Yes, it's the return of the dreaded | :19:31. | :19:40. | |
dance-off. I think it's always going to be hard to pull it out of | :19:40. | :19:45. | |
the bag a second time under pressure. Seeing as you have | :19:45. | :19:49. | |
already danced and you have to do it again, for survival, so it means | :19:49. | :19:52. | |
more than the first time. It might be your last chance to dance. I | :19:52. | :19:58. | |
don't want it to be my last dance. It is the first weekend when | :19:58. | :20:01. | |
someone's going to go which is heartbreaking. I know for myself | :20:01. | :20:05. | |
being part of this, it is just extraordinary. You want to stay in | :20:05. | :20:08. | |
it. It would be terrible to be in the dance-off. Two people have to | :20:08. | :20:13. | |
be in it. Whoever it is, I will kick their shins before we get | :20:13. | :20:18. | |
ready! And hope I come out best. When something's been taken out of | :20:18. | :20:21. | |
your hands, and it is such a massive decision, you feel so | :20:21. | :20:26. | |
helpless. I hope the judges can make the right decision. It will be | :20:26. | :20:31. | |
so hard going up against another celebrity. First, because they are | :20:31. | :20:35. | |
all better dancers than me! I don't want anyone else to leave either. | :20:35. | :20:41. | |
You would hope you take it as your last-ever dance and giving it a | :20:41. | :20:45. | |
massive performance. Your body and your mind react differently. If you | :20:45. | :20:49. | |
are in that position, and you see the judges, they are going to make | :20:50. | :20:57. | |
the decision, you could freeze. dance-off is a bit unfair. You feel | :20:57. | :21:01. | |
so relieved having got through the routine that to do it again is | :21:01. | :21:07. | |
quite frightening. It does scare me. It means that you could quite well | :21:07. | :21:11. | |
go. People aren't voting for you and you are not doing a good job. | :21:11. | :21:14. | |
No-one wants to be in the bottom two. I have to keep plugging away. | :21:14. | :21:22. | |
If you get through a dance-off, you are elated. And you are bereft | :21:22. | :21:27. | |
because you have lost some friends. The scores carry over from last | :21:27. | :21:32. | |
week. My scores are terrible. So I feel there's pressure there. If you | :21:32. | :21:36. | |
are in that position, you have to find that steely determination to | :21:36. | :21:41. | |
be able to nail it again in the dance-off. Otherwise you go home. | :21:41. | :21:48. | |
It is so scary. You have that one more chance and that's it. It will | :21:48. | :21:51. | |
be crushing to be the first person to leave. You will miss the dance, | :21:51. | :21:55. | |
the practice, your partner, everybody else. You will miss the | :21:55. | :22:00. | |
buzz of a Saturday night. So that's something you don't want to | :22:00. | :22:06. | |
experience, but one of us will. find the judges scary enough anyway | :22:06. | :22:09. | |
when you have danced the first time. To have to wait to hear if they are | :22:09. | :22:13. | |
going to save you to keep you in the show, it would be petrifying. I | :22:13. | :22:18. | |
can't imagine what it must be like to stand there - I hope it doesn't | :22:18. | :22:23. | |
happen. You never know. A quick update on Denise. Yesterday, | :22:23. | :22:31. | |
we told you she had whiplash. She is in quite a lot of pain, she is | :22:31. | :22:36. | |
determined to dance tomorrow night. Get well soon. | :22:36. | :22:39. | |
Next up, I'll be hot-footing it down to the Strictly Come Dancing | :22:39. | :22:43. | |
studio to catch up with Nicky and Karen. But first, let's take a look | :22:43. | :22:46. | |
at how our newest pro dancer has been on the case preparing for the | :22:46. | :22:56. | |
:22:56. | :23:10. | ||
So this was my first case. How to win the Glitterball Trophy. Step | :23:10. | :23:20. | |
:23:20. | :23:24. | ||
one - study last year's winner. Nice moves. That was close. Step | :23:24. | :23:34. | |
two - go for in your face choreography. Just not too in your | :23:34. | :23:44. | |
:23:44. | :23:46. | ||
face! No thrusting! Step three - avoid dangerous props. Good. Going | :23:46. | :23:56. | |
:23:56. | :24:06. | ||
well(!) No! Wear sparkly outfits. So it's Friday, which can mean only | :24:07. | :24:14. | |
one thing. I get my first look into the big studio where in 24 hours - | :24:14. | :24:20. | |
all right? Our 14 couples will have clammy palms. Look who we have | :24:20. | :24:25. | |
found here - Nicky and Karen. Oh, it seems like a long time ago | :24:25. | :24:29. | |
last Friday when you danced for the first time. How was it for you, the | :24:29. | :24:35. | |
judges were so harsh? Horrendous! No, it's such a buzz the whole | :24:35. | :24:41. | |
thing. I loved it. To be honest, I was so delighted I went around and | :24:41. | :24:44. | |
got the song done without any noticeable mistakes. I didn't fall | :24:45. | :24:49. | |
over. Then, I got savaged. It was going over my head until I watched | :24:49. | :24:53. | |
it back. I think we put some stuff right in training this week. | :24:53. | :24:58. | |
Let's talk about it. Craig gave you a two. All the fans said ignore | :24:58. | :25:05. | |
him! Paula said, "Ignore Craig, keep dancing, you were great." | :25:05. | :25:10. | |
Thank you. "Us Westlifeers know that you can move that body of | :25:10. | :25:16. | |
yours." Were you gutted he gave you a two? Yes, two - I spoke to Harry | :25:16. | :25:22. | |
Judd and he said week one is always harsh. He predicted I would come | :25:22. | :25:28. | |
out with 24 or 25. He had seen the dress-run. Then I got a two from | :25:28. | :25:32. | |
Craig. I thought, you get a two for turning up and writing your name! | :25:32. | :25:39. | |
It wasn't to be. We had a lot of work to do. It was lots of hours in | :25:39. | :25:44. | |
training. Do you regret the lift or are we moving on from that? We are | :25:44. | :25:48. | |
moving on from that. We had a great time doing the waltz. It was a | :25:48. | :25:58. | |
:25:58. | :25:59. | ||
little tiny jump. I didn't know it was going to be this dramatic. | :25:59. | :26:06. | |
compared you to Brendan? I love the name "Brenda". Next time! Is he a | :26:06. | :26:13. | |
good student? He is very good. Very good. It is true that you weren't | :26:13. | :26:20. | |
sure who he was? No, I knew Take That. Have a look at this. This is | :26:20. | :26:24. | |
very funny. You don't know who Westlife is? No. She had no idea | :26:24. | :26:30. | |
who Westlife are. I'm going to do my research. You never heard of | :26:30. | :26:36. | |
Flying Without Wings? No! That's terrible. | :26:36. | :26:41. | |
# We've got a little world of our own... # | :26:41. | :26:49. | |
Head! LAUGHTER My God! I was in a world of my own! What about? | :26:49. | :26:59. | |
:26:59. | :26:59. | ||
don't know how Westlife rehearses. That was for Uptown Girl. Are you | :26:59. | :27:03. | |
Venezuelan or American? Both. were big in Venezuela. How come I | :27:03. | :27:10. | |
never knew about this group? You guys did some dancing? I'm going to | :27:10. | :27:14. | |
sing a Westlife song to him next time! How is that going? Have you | :27:14. | :27:23. | |
learnt any? No! The cha-cha-cha, is it cha-cha hurrah, or cha-cha no | :27:23. | :27:28. | |
ta? I'm loving it. The waltz was slow and serious. This week is all | :27:28. | :27:33. | |
about personality. You can swivel your hips. I'm like shaking | :27:33. | :27:39. | |
everything! Good. It was your birthday this week. We have spared | :27:39. | :27:45. | |
no expense and got you this cake. 34. A child! Look at the candle. | :27:45. | :27:51. | |
can't light it because of health and safe fi! -- safety! I'm going | :27:52. | :27:57. | |
to eat that whilst you do your cha- cha-cha for us. You sure? Yes. | :27:57. | :28:03. | |
Anyone got a knife? Or shall I bite into it? Especially for you, this | :28:03. | :28:07. | |
is your Friday treat. Here are Nicky and Karen doing their cha- | :28:07. | :28:17. | |
:28:17. | :28:42. | ||
MUSIC: "Dynamite" By Taio Cruz | :28:42. | :28:45. | |
I cannot wait to see that and all the other performances on Saturday. | :28:45. | :28:48. | |
Don't forget, Strictly Come Dancing is on tomorrow night at 6.30pm on | :28:48. | :28:52. |