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What a weekend it was and on the show we have the first couple to be | :00:12. | :00:20. | |
eliminated from the series and sadly it's my dad and Iveta. Also, | :00:20. | :00:25. | |
we have the twinkley-eyed Mr Nicky Byrne and Miss Carr Rennes Hauer | :00:25. | :00:30. | |
and gracing us with his presence it's the king of the put-down Mr | :00:30. | :00:35. | |
Craig RH. Are you in a good mood, darling? Yes, darling. It's Monday | :00:35. | :00:45. | |
:00:45. | :01:09. | ||
and it's Strictly Come Dancing: It Takes Two. Live from Television | :01:09. | :01:12. | |
Centre, this is Strictly Come Dancing: It Takes Two. Please | :01:12. | :01:22. | |
welcome your host, Zoe Ball. APPLAUSE | :01:22. | :01:25. | |
Hello and welcome, with the return of the dreaded dance-off. You could | :01:25. | :01:29. | |
have cut the tension with a sequin- handled knife had you been so | :01:29. | :01:32. | |
inclined. In case you missed any of the action, here are all the | :01:32. | :01:41. | |
Strictly headlines. Good evening. Here is the news. It was kisses not | :01:41. | :01:45. | |
kicks for Craig this weekend as he awarded his first fab-u-lous of the | :01:45. | :01:55. | |
:01:55. | :02:06. | ||
series to Denise and James. Fab-u- lous! No tongues, Bruce! We were | :02:06. | :02:09. | |
only two shows in, but already Sir Brucie has chosen his favourite | :02:09. | :02:13. | |
couple. I'm sure it had nothing to do with the fact they were | :02:13. | :02:23. | |
:02:23. | :02:23. | ||
wheeleding an axe. -- whieling an axe. You're going to be my | :02:23. | :02:25. | |
favourites. APPLAUSE | :02:25. | :02:31. | |
You were lovely. Go on, off you go. Sorry. That's it, get him. Possibly | :02:31. | :02:38. | |
the most unconvincing axe I've ever seen. Despite borrowing Mary | :02:38. | :02:42. | |
Berry's blouse from The Great British Bake Off, Richard Arnold | :02:42. | :02:49. | |
failed to impress and was nearly sent home. This is not the Richard | :02:49. | :02:57. | |
I want to see. You're a better dancer an just camping it all up. | :02:57. | :03:01. | |
What you didn't see on Saturday night was James jarred on | :03:02. | :03:11. | |
challenging Nicky Byrne to a battle of the pecs! We're on. Turn around. | :03:11. | :03:18. | |
You're like a little boy. Weighing in at - what weight am I? 11 stone | :03:18. | :03:23. | |
two. What are you? I say, that's where the Strictly headlines come | :03:23. | :03:27. | |
in. Thank you. If that wasn't enough then take a look at our | :03:27. | :03:37. | |
:03:37. | :03:42. | ||
exclusive behind-the-scenes footage from this weekend. Sorry, dad. | :03:42. | :03:47. | |
morning. First day of the real competition. Here we go. Big, big | :03:47. | :03:54. | |
day. I'm so excited. I get to do the salsa and the hump. I'm ready, | :03:54. | :03:59. | |
I think! Slightly nervous. It's like arriving for a match. Last | :03:59. | :04:04. | |
week it was like an April tieser. Now the Dane-off. Shut up. This is | :04:04. | :04:14. | |
:04:14. | :04:15. | ||
the weekend to remember. I don't know if I should watch everyone | :04:15. | :04:20. | |
because I get really nervous. trying to be positive. The routine | :04:20. | :04:28. | |
will come to my brain. Are you trying to steal my partner? Bring | :04:28. | :04:34. | |
it on, darling. Do you want to take it outside?. Yes, let's. I thought | :04:34. | :04:38. | |
you'd never ask. I love it when they fight over me. The only thing | :04:38. | :04:48. | |
:04:48. | :04:50. | ||
that's missing is a lift. Was that a waltz? It's a foxtrot. I'm doing | :04:50. | :04:54. | |
the waltz, so it's nice to look at the competition and they are | :04:54. | :04:59. | |
blooming good. I've been watching Sid's salsa. Very sexy. Let's hope | :04:59. | :05:09. | |
he can do that on the live show. have ten minutes to show time, team. | :05:09. | :05:15. | |
Tonight, the nerves are miles worse. I don't know why. My stomach is | :05:15. | :05:18. | |
like a washing machine. I need to nail it to get myself up the | :05:18. | :05:22. | |
leaderboard, because at the moment I'm at the bottom, baby. Please let | :05:22. | :05:29. | |
me get through. It's far more tense this week. I'm so nervous. | :05:29. | :05:33. | |
Everybody knows that tomorrow night someone is going home. Fingers | :05:33. | :05:38. | |
crossed it's not us. It will get worse week after week. You see your | :05:38. | :05:41. | |
mates going home and you don't get to see them again, so it's sad | :05:41. | :05:45. | |
really, but it's down to the public now and the judges, so it's out of | :05:45. | :05:51. | |
our hands. We are live in five. It's going to be a great show | :05:51. | :05:54. | |
tonight. Thank you very much. Straight to the studio, guys, thank | :05:54. | :06:04. | |
:06:04. | :06:13. | ||
We have to choose out of what happens on that night, that's why | :06:13. | :06:16. | |
poor Jonny had to go. It's sad, because he did a really great dance | :06:17. | :06:22. | |
and when it came to the dance-off it wasn't so good. That's one of | :06:22. | :06:26. | |
the most difficult things I've had to do in my life and then when | :06:26. | :06:30. | |
you're through the sense of relief because you are seeing someone you | :06:30. | :06:35. | |
care about go. That's showbiz. Goodness, gracious me. That's the | :06:35. | :06:44. | |
way Strictly Come Dancing is. Get used to it. Oh, the brutal truth. | :06:44. | :06:46. | |
He may be the first celebrity to leave the competition, but he's | :06:46. | :06:53. | |
definitely a winner in my eyes. Please welcome my dad, Jonny, and | :06:53. | :06:58. | |
his partner Iveta. APPLAUSE | :06:58. | :07:02. | |
Daddy, we do have the tissues should they be needed. It's always | :07:02. | :07:04. | |
horrible to be the first couple to leave the competition. How | :07:04. | :07:08. | |
disappointed were you? The cards didn't seem to fall right from the | :07:08. | :07:10. | |
three weeks right through. All kinds of things went wrong. We | :07:11. | :07:16. | |
didn't have a lot of time and the second week was lovely. Fourth from | :07:16. | :07:20. | |
the bottom seemed to be safe and suddenly I'm in the dance-off and | :07:20. | :07:23. | |
still I thought I could have run that. That run was the worst I ever | :07:23. | :07:28. | |
did it. I don't think I ever did it in practice. When we did the | :07:28. | :07:33. | |
foxtrot and the Fred astair kick and I turned it on and I looked to | :07:33. | :07:39. | |
wink at Darcy and I saw Craig and I winked at him. I think it made me | :07:39. | :07:45. | |
laugh. Did it throw you? Yeah. And the dance, we suddenly realised our | :07:45. | :07:49. | |
top half wasn't bad, but something different was happening down there | :07:49. | :07:53. | |
and the judges see that and they had no alternative from then on and | :07:53. | :08:01. | |
I turned to DI, mum in the audience and she looked and I knew at that | :08:01. | :08:06. | |
moment. How did the dance go on the night. Lots of people were texting | :08:06. | :08:13. | |
and tweeting saying your performance made them dewy-eyed. | :08:13. | :08:18. | |
Were you happy? Jonny did a really good job. You look so handsome dad. | :08:18. | :08:22. | |
He was and smiling. I have got through the series without a sequin. | :08:22. | :08:26. | |
Is that a report? This is the first time I've had an open-necked shirt | :08:26. | :08:32. | |
in the whole series. What has been going on. We can sort it out. You | :08:33. | :08:38. | |
got fives from all the judges. come you get five from Craig and | :08:38. | :08:42. | |
the others don't, as they do with all the rest, go up? How did that | :08:42. | :08:49. | |
happen? How did you feel going into the dance-off? You are up against | :08:49. | :08:55. | |
Richard who I know you're fond of? Absolutely. Of all of us we are the | :08:55. | :09:00. | |
two gagsters back stage, him more than me, but he's lovely and I said | :09:00. | :09:05. | |
of all the people I don't want to go it's him really. That's why I | :09:05. | :09:10. | |
ducked and dived to give him a dance. What a gentleman he is! I | :09:10. | :09:15. | |
tell you what, we've had so many lovely messages. Gina said, "If I | :09:15. | :09:22. | |
can move like that at Jonny's age I will be happy." And Jenny said, "He | :09:22. | :09:26. | |
brought sophistication to Strictly." There you go. See. Lots | :09:26. | :09:31. | |
of people loving your relationship. Are you going to miss Iveta? | :09:31. | :09:36. | |
Terribly. I really am. She is so - you know, for somebody to be so | :09:36. | :09:40. | |
charming and warm and supportive and then turn the screw when it's | :09:40. | :09:45. | |
needed she is just a master, so had we gone on a bit further I know I | :09:45. | :09:52. | |
would have improved. Do you think? Yes. We had a really cool idea for | :09:52. | :09:56. | |
next week. Ball family Christmas, that's coming out. Well done, dad. | :09:56. | :10:06. | |
Here are your best bits. Your Strictly partner is Aliona. I have | :10:06. | :10:11. | |
a soft spot because she's a great teacher. Dancing comes naturally to | :10:11. | :10:21. | |
:10:21. | :10:23. | ||
him. I think I'm doing very well for my age. OK, hold on. I can't | :10:23. | :10:31. | |
possibly perform on the first show. Hello. My name is Iveta and I will | :10:31. | :10:36. | |
be filling in until Aliona gets better. He will show all the young | :10:36. | :10:42. | |
guys what he can do. Great energy. There's a lot of people of a | :10:42. | :10:46. | |
similar age to you who would like to be able to get out and move like | :10:46. | :10:55. | |
that. Well done. I sleep like this, standing up in the wardrobe. I have | :10:55. | :11:03. | |
a feeling you're going to look really good this Saturday. You got | :11:03. | :11:08. | |
all the moves. Believe in your yourself. Really, really decent | :11:08. | :11:12. | |
effort. It's decision time. The couple with the most votes from the | :11:12. | :11:18. | |
judges will stay in the competition. Richard and Erin. Richard and Erin. | :11:18. | :11:26. | |
Richard and Erin. He's such a lovely man. It's so sad. What hey | :11:26. | :11:30. | |
has done is amazing and he should be so proud. I'm really proud of | :11:30. | :11:34. | |
you. You did an amazing job. I believe I have found a friend for | :11:34. | :11:44. | |
:11:44. | :11:47. | ||
life and this is not a goo buy and I love you. You've been so | :11:47. | :11:54. | |
wonderful to him. I hope we'll see you on Strictly again. One point on | :11:54. | :12:03. | |
age. Louis and Danny when they are three times as old they will be | :12:03. | :12:08. | |
five years younger than I am. Always with the maths. You said you | :12:08. | :12:12. | |
are gutted because we won't get to see your six-pack but we have | :12:12. | :12:17. | |
managed to get a photograph of it. Here my dad's six-pack. Look at | :12:17. | :12:21. | |
this. It's incredible. Thank you to Gavin Henson. Sid might sue me for | :12:21. | :12:26. | |
that. Dad, it's been an absolute pleasure. We are gutted that you're | :12:26. | :12:29. | |
leaving. Your kids and grand kids are very proud of you. My dad, | :12:29. | :12:34. | |
Johnny Ball and his dance partner, Iveta. | :12:34. | :12:37. | |
APPLAUSE Do you consider yourself an oracle | :12:37. | :12:45. | |
of all things Strictly? If you did, we thought we could put you to the | :12:45. | :12:55. | |
:12:55. | :12:56. | ||
test in our quiz, strictly true or Strictly baloney. Hello you experts. | :12:56. | :13:03. | |
I'm here to test your Strictly knowledge. In series five John | :13:03. | :13:09. | |
Barnes performed the first-ever Strictly one-armed lift. Is this | :13:09. | :13:19. | |
:13:19. | :13:19. | ||
true or baloney? I won't do an accent. We'll show you later the | :13:20. | :13:28. | |
answer. At the weekend we learnt that Mr Craig receive elhor wood is | :13:28. | :13:37. | |
a keen gardener, so -- receive receive receive is a keen -- we | :13:37. | :13:43. | |
learnt that Craig is a keen gardener so let's give him a bunch | :13:43. | :13:48. | |
of flowers. You look dishy tonight. Well, thank you very much. I've had | :13:48. | :13:52. | |
too many Cheries. It's always hard to see people leave the competition, | :13:52. | :13:58. | |
isn't it? Careful how you answer, but did the public make the right | :13:58. | :14:01. | |
decision? I think so and it goes down to popularity, I suppose for | :14:01. | :14:05. | |
people at home and who they want to see go through the competition. | :14:05. | :14:11. | |
Then of course it's on the dance for us. We have just got to be | :14:11. | :14:16. | |
honest and poor daddy didn't do well, darling, did he? No, I think | :14:16. | :14:20. | |
he did very well in the competition. I think he did. I gave him a five. | :14:20. | :14:26. | |
From you, that's good. He was great and fantastic, but in the dance-off | :14:26. | :14:31. | |
he made too many errors. We'll talk about Richard and Erin. Why was he | :14:31. | :14:37. | |
safe? What was good? Well, he kept time. He didn't go as wrong. He | :14:37. | :14:43. | |
went wrong at the end, but he had a lot more high content and there | :14:43. | :14:47. | |
were a lot more steps that he had to achieve and I thought in the end | :14:47. | :14:52. | |
he deserved it. Fantastic. Can you see - how will he stay out of the | :14:52. | :14:57. | |
bottom two next week? He'll have to bribe people, I suppose! This early | :14:57. | :15:01. | |
in the competition. Thousands of people who might be watching this | :15:01. | :15:05. | |
show can phone in and hopefully save him. I don't like his chances. | :15:05. | :15:09. | |
Once you've seen the people in the bottom you realise they all need | :15:09. | :15:17. | |
support so it may change. Lewis and Flavia and their Viennese waltz. | :15:17. | :15:23. | |
You didn't get to speak. I really liked it. Seven is quite a high | :15:23. | :15:27. | |
score. The reason why it wasn't worth an eight is because he was a | :15:27. | :15:33. | |
little bit skipy and he goes up and down. Too much rise and fall. You | :15:33. | :15:39. | |
have to remain - you can't go up and down, but remain smooth. Your | :15:39. | :15:44. | |
knees go up and down, but your head doesn't? There is a slight rise and | :15:44. | :15:49. | |
fall. Picky, but this is how we get perfection. Denise and James and | :15:49. | :15:55. | |
their jive. She was incredible. was fantastic. Her timing was | :15:55. | :15:59. | |
exceptional. She was just brilliant to watch. I absolutely loved it and | :15:59. | :16:04. | |
I think because this dance is a little quirky and she has that | :16:04. | :16:10. | |
quirkiness to her, just naturally, so all that stuff, all the jive and | :16:10. | :16:13. | |
swing dance, I thought was just brilliant. It suited her | :16:13. | :16:20. | |
personality and suited her body. It was good. Perfect. I think you need | :16:20. | :16:27. | |
some words for this. Shabizi, you can have that. Work on it. Michael | :16:27. | :16:31. | |
and Natalie, from one extreme to the other. You said it was the | :16:31. | :16:36. | |
oddest jive you've ever seen in ten series? It is. It's frantic, | :16:36. | :16:42. | |
darling. What is wrong? He has the energy? What is missing is it's too | :16:42. | :16:45. | |
all over the shop and stompy and the timing he was out of time. It | :16:45. | :16:52. | |
was off time. It just looked like a really sort of dad dance. He is a | :16:52. | :16:56. | |
dad. When they're drunk and they get up and they think their | :16:56. | :17:01. | |
fabulous. Can he turn it around next week? I hope so. We have seen | :17:01. | :17:04. | |
some good dancing from him. This particular dance was difficult and | :17:04. | :17:10. | |
didn't suit him. Move on. I think it's the lowest score in jive ever. | :17:10. | :17:15. | |
Oh, dear. Victoria and Brendan and their foxtrot. I think the whole | :17:15. | :17:18. | |
nation was holding their breath when VP went on to the floor, | :17:18. | :17:22. | |
because we didn't want her to mess up again. I know. I was delighted | :17:22. | :17:26. | |
he remembered it, which was great and actually she had a bit of grace | :17:26. | :17:30. | |
and some style. She cannot turn, however. This is one of her biggest | :17:30. | :17:35. | |
problems and also getting back into hold, she is not releasing her arm | :17:35. | :17:40. | |
fast enough. Therefore, she is catching it inside the frame and | :17:40. | :17:47. | |
it's awkward. The first thing she has to do is learn to turn. | :17:47. | :17:53. | |
Photothere to VP in her homework. Kimberley and Pasha's foxtrot. I | :17:53. | :17:58. | |
thought it was absolutely gorgeous. I'm a bit of a fan of Pasha, but I | :17:58. | :18:03. | |
can't stop watching Kimberley. are beautiful to watch together. | :18:03. | :18:08. | |
Absolutely the music choice was good. She looks magnificent. I | :18:08. | :18:14. | |
don't know why Len is going on a Kimberley rage. It's very odd. I'm | :18:14. | :18:17. | |
finding that particular side of Len this series and particularly with | :18:17. | :18:22. | |
Kimberley, because she is great. You did mention the chin. She was | :18:22. | :18:28. | |
doing a bit of a Keira Knightley, darling. Very strong jaw line. She | :18:28. | :18:33. | |
is is overworking it. She was desperate to get to the left. | :18:33. | :18:37. | |
so difficult. You put your chin out more, but beautiful. Other than | :18:37. | :18:44. | |
that, I loved it. Colin and Kristina. What were you liking | :18:44. | :18:50. | |
about this and not? I was liking that he was working to the flick of | :18:50. | :18:55. | |
the rest, that double hideous flick that really was most annoying. He | :18:55. | :18:59. | |
was dancing to his height. That was the great thing. When you say that, | :18:59. | :19:03. | |
what do you mean? If you are tall and you are dancing with someone | :19:03. | :19:09. | |
short, you - the boy still needs to dance to his night, you don't stoop | :19:09. | :19:15. | |
over or bending your knees more. It's difficult, because there's a | :19:15. | :19:18. | |
big difference. That shouldn't make a difference at all. He's doing | :19:18. | :19:23. | |
well. And you used the word vexation, which I had to look up, | :19:23. | :19:32. | |
but I loved it. You are worrying about she is leading him. It looks | :19:32. | :19:36. | |
like she is grabbing and pushing him into the hold. Really, it | :19:37. | :19:42. | |
should be a little gentler than that. That's the only thing. She is | :19:42. | :19:48. | |
great. She is absolutely great. And what a nice surprise. They are one | :19:48. | :19:54. | |
of those partnerships that may be one of the favourites. Jerry and | :19:54. | :20:02. | |
Anton. You did say he was like Mr Byrnes from the Simpsons. I was | :20:02. | :20:10. | |
trying to think of the hunch-over gaupg scenario. You can't say a | :20:11. | :20:18. | |
woman looks like a preying mantis. Then open the frame and do I -- a | :20:19. | :20:23. | |
little more work on it. Isn't that difficult because she is so tall? | :20:23. | :20:28. | |
No length of bone, darling. I love it when that term comes out every | :20:28. | :20:36. | |
year. Dani and Vincent and their salsa. What did you think? That | :20:36. | :20:41. | |
just looks awful. Let's face it, it's not a pretty lift anyway. I | :20:41. | :20:47. | |
hate that dismount actually. This is just a personal choice, but as a | :20:47. | :20:51. | |
judge I think I'm allowed to have at least some personal choices in | :20:51. | :20:56. | |
the choreography and stuff like that. I like it or I don't. I | :20:56. | :21:01. | |
didn't. He could have done some wonderful lifts. Why put that in? | :21:01. | :21:07. | |
Awful. The rest of it. But apart from that, I think he loved it. | :21:07. | :21:13. | |
Nicky and Karen. She has been getting -- he has been getting a | :21:13. | :21:18. | |
hard time. What was missing for you? Why didn't you like it? Flat- | :21:18. | :21:24. | |
footed, number one. There was more, as they say, boy bandish-type | :21:24. | :21:30. | |
dancing in it. Know - Does it not lend itself to that? It does, but | :21:30. | :21:35. | |
there wasn't enough content in it. That's basically what everyone was | :21:35. | :21:40. | |
complaining about. I like him. All those lovely Westlife fans, I do | :21:40. | :21:46. | |
like them and I think he's gorgeous, but he's not much cop as a dancer | :21:46. | :21:50. | |
just yet. He's still in the competition. He has time to improve. | :21:50. | :21:55. | |
Slowlyy slowlyy, catchy monkey. Thank you darling, you are glorious. | :21:55. | :22:02. | |
APPLAUSE Check the shoes. Shoe check. At the | :22:02. | :22:07. | |
weekend Nicky's dancing was compared to a Take That video in | :22:07. | :22:12. | |
1995, so that's not the greatest day for him, but I said to Nicky, | :22:12. | :22:15. | |
babe, never forget, have a little patience, it will be your time to | :22:15. | :22:20. | |
shine, go with me on this. Whatever you do, you will eventually relight | :22:20. | :22:24. | |
the judges' fire. I could have sung it. Maybe I should. If you missed | :22:24. | :22:27. | |
it all the the weekend take a look at this. There was confidence. | :22:27. | :22:34. | |
There was attitude, which was great. But sadly for me l wasn't enough | :22:34. | :22:39. | |
cha-cha. You --, there wasn't enough cha-cha. You were going for | :22:39. | :22:44. | |
it. There was a twinkle in your eyes. For me it was like a zum ba | :22:44. | :22:52. | |
exercise class. -- zumba exercise clar. There was very little to rave | :22:52. | :23:01. | |
about there. This week we were hoping to really come back with | :23:01. | :23:05. | |
thunder and we didn't really pull it off. It's an absolute disaster | :23:05. | :23:14. | |
to be honest. Don't lose faith. Please welcome Nicky and Karen. | :23:14. | :23:19. | |
APPLAUSE It's so tough. You build yourself | :23:19. | :23:23. | |
up and you have a week like that. You did tweet after the show on | :23:23. | :23:26. | |
Saturday that you'd had a problem hearing the clicks at the top of | :23:26. | :23:30. | |
the song, so your timing was all off. Tell me what happened? | :23:30. | :23:33. | |
Basically, what I meant by a disaster, we had the routine down | :23:33. | :23:37. | |
so well and we worked so hard and it was great and there was a lot of | :23:37. | :23:43. | |
content in there, but you can see me pause there. The song was queued | :23:43. | :23:48. | |
and those eight clicks at the start for me, but there was choreography | :23:48. | :23:53. | |
and I had a spin and a bit of a Jackson move, so because I couldn't | :23:53. | :23:58. | |
hear the clicks or the applause I was catching my tail. I was making | :23:58. | :24:03. | |
it up as I was going along. When we got to the judges, they can see - | :24:03. | :24:06. | |
on television it didn't look too bad, but the judges are seeing it | :24:06. | :24:11. | |
all and I knew the marks were going to be very low and when I say a | :24:11. | :24:15. | |
disaster, it was more why couldn't I? If I had just waited a few | :24:15. | :24:19. | |
seconds to hear the clicks, but it's too technical and move on. | :24:20. | :24:28. | |
Next week. It's so last week. How was your confidence before? He was | :24:28. | :24:32. | |
feeling great. We had rehearsals going well and the dress run was | :24:32. | :24:36. | |
fantastic and everything was going great and then that happened. Then | :24:36. | :24:40. | |
it was like no! He was thinking about it the whole time and there | :24:40. | :24:45. | |
was a point I had to hold on to his face and say, "Look at me." Just | :24:45. | :24:50. | |
breathe. I've been there. I know how you feel. Last week it was the | :24:50. | :24:54. | |
illegal lift and this week not enough cha-cha-cha. Did you agree? | :24:54. | :24:58. | |
I thought there was plenty of cha- cha. I mean, I just - I missed it | :24:58. | :25:01. | |
at the start because of what happened. The steps were for me to | :25:01. | :25:06. | |
turn and do a move and jump and then there was quite a bit of cha- | :25:06. | :25:10. | |
cha before Karen joined me, but because I had lost the counts and I | :25:10. | :25:14. | |
was trying to catch my tail that cha-cha went out the window. That | :25:14. | :25:17. | |
was the bit where the judges would are seen cha-cha from the off and | :25:17. | :25:21. | |
it didn't happen. In the routine there was lots, but what they saw | :25:21. | :25:25. | |
on the night there wasn't, because of what happened. Don't lose heart, | :25:25. | :25:30. | |
because you have had lots of messages. Steph says, "What's more | :25:30. | :25:36. | |
challenging for you, performing in concert, saving goals or resisting | :25:36. | :25:43. | |
the urge to thump Craig in the face?" Being on Strictly is amazing. | :25:43. | :25:46. | |
But it's tough and I'm petrified. I can't describe it to you. This week | :25:46. | :25:50. | |
my confidence is lifted and I was so confident and then as soon as | :25:50. | :25:55. | |
they mentioned my name and I missed the clicks and I thought, oh no. | :25:55. | :25:58. | |
The judges marked us correctly it week because of everything that | :25:58. | :26:04. | |
happened, but I'm not going to moan. I need to take them out for dinner. | :26:04. | :26:09. | |
Charm them. Do the judges' comments help you or confuse you? Is it | :26:09. | :26:14. | |
constructive or how do you find it? Did you even hear? Last week I knew | :26:15. | :26:19. | |
I was going to be sacked. Week one I thought the waltz was quite OK. | :26:19. | :26:24. | |
We did do an illegal lift and we were criticised so we took that | :26:24. | :26:30. | |
away and going into the cha-cha we had it down. We had it so down. I | :26:30. | :26:35. | |
can show you the rehearsals on my phone. It was a disaster and as | :26:35. | :26:39. | |
Craig said I feel like what Craig has said, like people haven't seen | :26:39. | :26:44. | |
me dance, so I could go out of this competition. I need to get it right. | :26:44. | :26:48. | |
You do put in the hours. You have been working very hard, but we | :26:48. | :26:54. | |
notice that you like to take a break. Look at this. It's got to be | :26:54. | :27:01. | |
lunchtime. Let's take a five-minute break. I'm not taking no five- | :27:01. | :27:06. | |
minute break. Come on. No sitting down. I wanted a break. It's nearly | :27:06. | :27:13. | |
lunch? OK, remember we are talking about yesterday. No, come on. | :27:13. | :27:19. | |
us five minutes. I'm wrecked. A bite of an apple. Is that what you | :27:19. | :27:26. | |
call a break? I need a break. was a breather. Come on. When you | :27:26. | :27:36. | |
:27:36. | :27:36. | ||
need lunch - Well, you ain't going to get none. Help!! Take a break. | :27:36. | :27:42. | |
don't want to take a break. It's working. It's working with you. | :27:42. | :27:46. | |
This week, Hollywood, quickstep. You liking it? Loving it. Who | :27:46. | :27:50. | |
doesn't love Hollywood? It's time to get our actors' hats on. Good | :27:50. | :27:54. | |
luck with it. Keep the faith, though, because I think you'll be | :27:54. | :28:00. | |
brilliant. Nicky and Karen. Earlier on we tested you on your knowledge. | :28:00. | :28:10. | |
Want to see how you did. Here's the answer. I've asked you in series | :28:10. | :28:14. | |
five John Barnes performed the first-ever Strictly one-armed lift. | :28:14. | :28:21. | |
I bet that got you thinking. It's Strictly baloney. It was Kenny | :28:21. | :28:27. | |
Logan who lifted his partner Ola with one arm doing their American | :28:27. | :28:35. | |
Smooth. Join me next time for another Strictly True or Strictly | :28:35. | :28:41. | |
Baloney, with me the one and only, Bruno Tonioli. Just for you. I love | :28:41. | :28:47. | |
him. Did you get it right? Did you know who it was. You can try that | :28:47. | :28:51. | |
move, though. I think he's the strongest man I've ever seen. I've | :28:51. | :28:55. | |
played football with him. Good luck. We'll have more throughout the | :28:55. | :28:59. |