Episode 7 Strictly - It Takes Two


Episode 7

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Welcome to Tuesday's show. I have a stellar line-up. They live to dance

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another day - Richard and Erin are here. APPLAUSE Pull yourself

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together! We discuss skirt-ography with Fern and Artem.

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And fresh from their fleckerl-fest of Saturday night, Louis and Flavia

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are here. And to explain what a fleckerl is and how to spell it,

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Karen Hardy is here. APPLAUSE Shall This is Strictly: It Takes Two.

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Please welcome your host, Zoe Ball. APPLAUSE

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Hello. Welcome to It Takes Two. The weekend is over and the celebs are

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back in the training room. For one couple, there is an air of relief

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after Sunday night's close call. Richard and Erin survived the

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dance-off after their cha-cha-cha. Here is a reminder of what happened.

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It was the weirdest cha-cha-cha, but in a sick way I enjoyed it!

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Those cha-cha-cha walks, darling, belong in a drag show! This is the

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Richard I wanted to see. Relaxed, full of life. You are a better

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dancer than having to camp it all up. You can just go for it.

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wasn't entirely convinced. They wanted a bit of a show so we put on

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a show. We fliend out which of you will be back -- find out which of

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you will be back again to dance next week. Richard and Erin.

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Richard and Erin. Richard and Erin. So they may have withered a bit at

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the weekend. They are back in full bloom - Richard and Erin! APPLAUSE

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Oh... My palms are clammy watching that back. It is not nice. It is

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not ideal. You have been there yourself. I know. Never in the

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dance-off, love! I see! So it starts! Were you expecting to find

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yourselves in the bottom two at the weekend? How much of a shock was

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that? Everybody was so nervous backstage during Saturday's show

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because it was such a level playing field in the fact we had all put in

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so many hours and it was the first time one of us would go. So no-one

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could call it. We all watched the rehearsals and everyone was like,

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"Wow, that is good." Then when you put in an outfit like that - with a

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dry weave, which I have kept for you! Please... LAUGHTER Shall I

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give it back to Jedward. That is really - can someone remove this

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from me? It's the gift that keeps on giving! How did the routine go

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on Saturday? The routine went well. There's this bit at the beginning,

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you do your clicks down the floor, sometimes they are out of time and

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sometimes they are spot on. I'm doing this, and they were spot on

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time. She was all over the place! It was awful. There was one bit

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when I slide between your legs and I had a pair of fish-nets on - and

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one of my heels got stuck and I didn't know whether I was going to

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get up on time. Don't you hate that?! Where do you go from there?

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It is Saturday night. After a call to camp it up last week, this week

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then Len says Richard is too good for that. Are you getting mixed

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messages? There is a blurring of the lines. When Craig said it was

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like a Vegas showgirl - that's the first time I have been called that

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- well on television! You have to give everything you have got. The

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most extraordinary thing was standing there, your heart thumping,

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knowing you could be voted off and trying to keep a straight face when

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you know you are standing there with this weave. In Mary Berry's

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bomber jacket! Bang on trend. have to say. Could I borrow it?

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Mixed messages from the judges aside, it does seem that you may

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have got yourself a bit confused as to which show you are competing in?

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Oh no. # Old man river

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# He just keeping rolling... # This is on the other channel! We

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are not doing that show! # You make me want to shout. #

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# Hey, world, here I am. # # Breaking up is hard to do. #

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# Knees up Mother Brown... # # Love shack... #

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# Baby, I remember... # See what I have to put up with?

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APPLAUSE Well, you can't take it away from us. We have fun. We do

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have fun. We work hard. If I'm hitting a Duff note, I would like

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to hit one note in rehearsals! is Hollywood Week. Yes.

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# Hollywood. # You are doing a quickstep. What

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more can you tell me? At this juncture, it's - what can we say?

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Breakfast television is more 5 to 9 this, is more 905! I cannot wait. -

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- More 9 to 5! I cannot wait. There's still plenty to talk about

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from boyband moves to a jive so bad it was good. Here to offer her

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:07:12.:07:23.

Welcome, Karen! APPLAUSE A whopping five styles of dance at the weekend.

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So much to discuss. Lisa and Robin in their Viennese waltz, another

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great performance. Did come in for some criticism about Lisa leading

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Robin. Did you think that was the case? Shocked and stunned! No-one

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wants a wet lettuce on the end of their arms, especially no

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professional! It's beautiful in these early weeks that you have an

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active woman in your arms. There is a point where you can see she's

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going into a step and she potentially is about to go wrong

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here. She is behind. Because she's got this energy she's able to save

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her own steps rather than Robin having to take a hold and pull her

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into place. She did it herself. So moving on through this, she will do

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well because you have an active woman in front of you. She can't

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lead, that's all. OK. Fern and Artem and their Viennese waltz. Now,

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this is what we want. An improvement on last week, which is

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good. She is climbing up the ladder. The judges said she needed to

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extend her lines more. Yes. I was intrigued about this. Something we

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always talk about is the arms. If you have a masterpiece of a

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painting, you need it on the wall and framed. The framing is when we

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use the arms, that is what shows the masterpiece. Now, potentially

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here what we are talking about - when I looked at her, she is using

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her arms. What I think we have got here - she's got the frame on the

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wall, but we are not got the masterpiece in the middle. If that

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is what they are picking on in week two, she will be here for a long

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time. OK. Louis and Flavia and their Viennese waltz. Great

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comments from all the judges. Darcey was so thrilled to see a

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fleckerl. What is a fleckerl? know. We have new viewers. Limited

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steps in the Viennese waltz, it basically goes around the outside

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of the floor and then suddenly, as we see here, it stops on the spot

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and goes round and round on the spot. Now, many greats haven't

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attempted this in the past. I love the fact in week two they put the

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fleckerl in and even the attempt of some nice footwork. Ball flats and

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many I have seen before have tippled around on their toes. A

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very good attempt at a very difficult step. Well done, Louis!

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Jerry and Anton and their foxtrot. Len said Jerry was too vertical. Is

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foxtrot hard for a tall lady? not at all. It is more elegant, but

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what we have to say is back in the 19 20s, she would have been perfect.

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That was the position, vertical and draped over the man. In the 21st

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Century, you have got to grab her pony-tail and do a face-lift and

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pull out. When you think you are out far enough, you stretch again.

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You can't just throw your head out because it flicks back again. So

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what you have to do - strength from down below, strength through the

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torso and create that arch and just keep giving to the man and take

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away the head. Everyone is practising that at home! She was

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marvellous. Colin and Kristina. Len and Craig commended Colin for

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dancing to his height. How was he achieving this? He is doing so well.

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Dancing to your height - I have chosen an excellent piece of

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choreography and then I have asked the man upstairs if he would

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freeze-frame it? He is doing a beautiful freeze-phrase. Look how

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he goes into hold. From the elbow down is where he is able to adjust

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the hold. Can we see here from the elbow down, he is still maintaining

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good elbow line. What we see with this - he's maintained his strong

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core and all he's adjusted is the lowering of the hand. The lowering

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of the hand. He's maintaining this. First-class. Good. You are very

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pleased with Colin. I am. Victoria and Brendan. Huge improvement on

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last week. She was told she needs to work on her turns. What is wrong

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with them? We always talk about turning. The main thing we talk

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about is head-spotting. Look where you are going. This is different.

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She goes into the turn, but then decides I really don't want to do

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this any more. Now, imagine you are on a rollercoaster and you are

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going into the loop the loop. When you go into that, you go in with

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gusto. You don't go into a loop the loop slowly. What she has got to do,

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she's got to commit to them so you go full pelt and then what happens

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is, you drop the energy way after because it has a natural finish to

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it. What's happening is she is jumping out of the rollercoaster

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half-way through the loop the loop. Her feet are catching up with her

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body. She will take your advice and work on it. We have much more to

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discuss with Latin later on. Karen Hardy! APPLAUSE So after a shaky

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debut Fern and Artem bounced back with their ballroom on Saturday

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night. Even managing a little bit of skirt-wafting for Len. They

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spoil him! You give us such a beautiful feeling when you dance.

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There was a bit of wafting going on early on. We put it in for you!

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like a waft! You come alive when you are in the arms of your

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strapping young man. You seem to like it. The flow around the floor

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was fantastic. Look, he's smiling. He's being affectionate. He won't

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be on Monday morning! Please welcome Fern and Artem. He is

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happy! APPLAUSE We laughed for a couple of seconds. Brilliant.

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and-a-half! That is progress. How was Saturday for you? Was it good

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not having to start the show? Blissful. Fourth position was very

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nice. Lovely. Then you get the rest of the show with your feet up. It

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was lovely. Do you feel more at ease with ballroom than the Latin?

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I probably do. The first day Artem showed me the steps for the

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Viennese waltz, I thought, this is pretty, this is nice. It was lovely

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careering around the room together with him shouting at me! It was

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good fun. How much does he shout at you? Quite a bit. Is it scary?

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has been. I have got it now. I think if he's happy, then I'm happy.

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That's the formula! Make him happy, he is... He looks so lovely.

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haven't seen me. I don't want to see that. Great comments from the

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judges as well Fern. Darcey said you give her a beautiful feeling.

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Did that make you feel special? There's a strange moment when you

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are relieved you have done the dancing and you go over and not a

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lot of it is going in. I'm going yeah, yeah. Then afterwards you go,

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what did they say? We couldn't hear it. We are deaf as posts! Then they

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tell us all these comments afterwards. Did they? You seem very

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proud of Fern on Saturday? I am. Are you? Yes. She is doing great.

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What is it in particular that you are proud of her with? What is it

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in particular? She tries her hardest to do the step every single

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time. OK. It does seem we have noticed that he does like to drill

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a message home. Oh yes. Have a look. Head, shoulder, knees, toes, knees,

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toe. Head, shoulder, knees, toe. Could I have a cup of tea? Thighs,

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hips... Hands, feet, turn out... Heads, shoulders, knees, toes.

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else? That is about it. In that case, why was I worrying?! APPLAUSE

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That's a lovely pink scarf. wasn't. It was tied around my

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ankles. Look what she can do! That's got to come out. Don't show

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them what we can do! It is Hollywood this week. A bit of

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glamour. Looking forward to it and what dance do you have? Are we

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allowed to say? We are. Charleston. And are we allowed to tell you the

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film? No. You can tell me. I won't tell any of them. Charleston is

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popular with the audience. It is so much fun. How are you coping with

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the training? Well, we kind of got the basics done. I say that - it is

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like dance terminology! I can't necessarily do the steps yet. I

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know what they are supposed to be. OK. You have them in the right

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order. That about right? Yes. you holding out a lot of hope for

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this? I think it will be very good. We have a trick in there, too,

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which I hope will be very exciting. We have? We have a good trick.

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It will be pretty impressive. Is it daunting learning a whole new thing

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on a Monday? In a strange way it isn't so much. I found the three-

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week run-up to the first programme much harder. Having done that

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training on This Morning, I prefer to learn like that. Good luck with

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your Charleston. Very impressed with the legs. Fern and Artem!

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Thank you. APPLAUSE I will be chatting to Louis and Flavia in a

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moment. First, this is a reminder of how they got on with their

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Viennese waltz. It was like a Valentine's Day postcard brought to

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life. I do need an emotional connection between you and Flavia.

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That is just as important. I saw the best dance I have seen tonight

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or last week. Fabulous! That's what I'm talking about! Team work!

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cool. We are slowly improving. Darcey needs more convincing. We

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are working on it. We will get there. They have conquered Latin

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and ballroom to top the leaderboard. Louis and Flavia! APPLAUSE So

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excited. I have to say a lot of people are in love with your

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performance on Saturday. Ruth said, "I had tingles up-and-down my spine

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for this wonderful dancer and his partner." How much did you enjoy

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it? It was really good. That is what we were trying to portray,

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tingles in the spine in the right way. Definitely. Very pleasing.

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Bruno loved the romance between you. Darcey felt there was an emotional

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connection missing. Why do you think the judges were split on

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that? I think the Viennese waltz is a tricky one. It depends on what

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music you have. We had quite a romantic one so that is what we

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were trying to put across. Having said that, in the ballroom, you

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have got a lot of distance and you don't look at each other. I think

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maybe Darcey was picking up on the fact we were in hold for some time

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so we had no connection there. It is just trying to build that

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connection when you are together, like the introduction and the

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ending. Bruno was looking at the overall effect. Bruno was swept

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away with the whole romance. Speaking of emotional connections,

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you didn't look best pleased when Bruce was attempting to match make

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you with Kimberley? It was a bit embarrassing. Just before we have

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to go on as well. A nightmare. much was made of the now very

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famous fleckerl? I wasn't expecting that. I have always wanted to

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attack it on Strictly. This is the chance. I put a little bit of a

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reverse fleckerl which is quite hard and a natural fleckerl. I'm

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happy they picked up on it. Sometimes you can pretend you are

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doing one by running forwards on the spot. You are not doing the

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correct footwork. She didn't tell me it was difficult. Of course not!

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It was a bit challenging, but I cracked it. She said, "This is

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going to be really difficult..." You would... I probably would have

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struggled with it. We think you have a great teacher. We think that

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there may be is a secret ingredient behind your success. Oh yes!

:20:41.:20:47.

feeling full of beans? Tummy rumbling? I can't stop thinking

:20:47.:20:54.

about beans on toast! You need mum's Baked beans. Woah! Thanks,

:20:54.:21:03.

Mum. It's less sugar and salt beans as well. Beans are good. This is

:21:03.:21:09.

great fuel for me. I needed to have it. They get me back on track.

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healthy fuel for your kid. My Mum is a hero. Look at what mums do.

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Mum's baked beans, recommended by mummies, now with added Flavia!

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Very good. Did she bring cheesy beans in for you? She did offer.

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I'm sure she will be coming back. My Mum is a hero. She brings it on

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a tray for you. So it is Hollywood Week, are you looking forward to

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unleashing your inner showman? think so. We are dancing to Dirty

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Dancing. Which one? The big... Had The Time Of My Life. Are you

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going to be doing... You will have to wait and see. We have had a

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dabble. Have you got crash-mats in the studio? Yes. Just in case.

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was thinking about practicing in the lake! Quick, film cameras - I

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have a pond. Come over! And it's back to Latin for you. Is it a

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salsa-based Dirty Dancing number? It is a bit more of a Mambo feel.

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We will try and re-create as much of the movie as we can. I can't

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wait. Don't drop her. I won't drop her. Do you feel safe in his hands?

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We will be all right. Are you ready to dazzle Darcey again with your

:22:37.:22:42.

hip action? I will try. I'm looking forward to bringing back some of

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the hips. That is the plan. Good luck in training. Louis and Flavia!

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APPLAUSE So she's already broken down the ballroom. Time to look

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over the Latin. It is Round Two of Karen's back! APPLAUSE Let's get

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straight to it. Denise and James. Highest scoring dance of the series

:23:19.:23:24.

so far. It was good. Darcey loved the kicks. Why were the kicks so

:23:24.:23:29.

good? She had retraction. Retraction. Explain that? The snake

:23:29.:23:36.

goes in for the kill and it goes... That is the retraction. If you look

:23:36.:23:41.

at these great kicks? It is not like a dad's wedding where you do a

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floppy kick. She pulls back each time. I'm on to the word "layering"

:23:45.:23:50.

already. What does that mean? That means we have not only got

:23:50.:23:54.

choreography and good timing, we have the essence of quality going

:23:54.:24:00.

in already on week two. Very good girl. Excellent. I have never to

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this day actually - I would have to look back - ever seen a jive to

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that level before. Wow! That's - not even Gill Halfpenny?

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history books will change! It was a very difficult dance. -- Jill

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Halfpenny. Bless Michael and Natalie. Bruno said it would have

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been impossible for Michael to jive worse. What did you think? Was it

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that bad? Listen, let's talk about the counts of a jive. It is quick,

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quick, quicker, quicker, quick. Get one of those quicks wrong, and this

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is what could happen. OK. We have this section where - oh missed it.

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Quick. No, look, he is back off again. No, we are back off again.

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Now, we are talking one quick wrong. Then you are thrown? That's that.

:24:55.:25:00.

That was the problem. We were more than one quick wrong, sadly. This

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shows the difference. If you get one quick wrong, sadly - the thing

:25:06.:25:10.

that happens with this as well, the professional ladies cannot save you.

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In this dance, we are being thrown from one arm to the other. You have

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to keep up and you are on your own! He will be better next week. Sid

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and Ola, great energy. I really enjoyed this performance from Sid.

:25:26.:25:31.

The timing was off a little bit? Yes, let's have a look at this

:25:31.:25:41.

timing. We will listen. One, one, two, one, two, one, one, two... Now

:25:41.:25:48.

the "w" and the "t" - why am I doing that? We have salsas -

:25:48.:25:52.

there's arguments where it comes from. We have some that break on a

:25:52.:25:57.

one and some that break on a two. One, two, three, five, six, seven.

:25:57.:26:03.

Two, three, four, six, seven, eight. What are you doing? If one breaks

:26:03.:26:08.

on one count, another breaks on another. What happened was Sid was

:26:08.:26:16.

living the Shakira DVD dream! He was there. He forgot he was in

:26:17.:26:20.

Shepherd's Bush London and he got it all wrong. If you get your

:26:20.:26:25.

counts wrong, your choreography will go wrong. Focus, Sid! He's my

:26:25.:26:31.

dark horse. I know. He is. He is good. Dani and Vincent and their

:26:31.:26:36.

salsa. Darcey praised Dani's amazing isolations in the upper

:26:36.:26:41.

body. What is an isolation? easiest way to show it - Vincent

:26:41.:26:46.

has the most classic isolation of them all when he raises his eyebrow

:26:46.:26:50.

up-and-down. The rest of the body can't get involved. If we look at

:26:50.:26:56.

this bit of choreography that they put in the middle, this shows it.

:26:56.:27:00.

The feet staying still and then moving the other way and rippling

:27:00.:27:04.

through and when we are rippling, you have to move this muscle and

:27:04.:27:09.

you have to roll down your body. Hence the ripple! Hence the

:27:09.:27:15.

isolation. We were always taught we were never allowed to use the

:27:16.:27:20.

isolation word. Today, isolation brings like a texture to it, a bit

:27:20.:27:25.

of interest, but in general you want the dance to flow, you want

:27:25.:27:31.

that continuity. OK. A bit of that isolation gives it a bit of texture.

:27:31.:27:35.

Nicky and Karen and the cha-cha-cha. The judges felt it was too boybandy.

:27:35.:27:40.

What did you feel was missing? mean, he's explained that he got

:27:40.:27:43.

the flicks wrong. In general, what they have got to be doing in the

:27:43.:27:48.

early weeks, they have to get the basics in. The basics in one dance

:27:48.:27:53.

help you in other dances. Now, I know with that bashing that he got

:27:53.:27:58.

they wanted to come back really strong. Bring that club music in,

:27:58.:28:01.

bring that boyband look into it. This is what happened. If you look

:28:01.:28:04.

at this piece of choreography where they have the real boyband, he

:28:04.:28:09.

looks great. Then they pick up a cha-cha-cha step that is about to

:28:09.:28:14.

happen. He gets it all wrong. He's got so much into that theme of the

:28:14.:28:17.

clubbing. What I would like to say to them - what he did week one was

:28:17.:28:21.

beautiful. He just got a big old bashing from the judges. Someone

:28:21.:28:27.

gets it every year. Sadly, it was him. Come back with confidence and

:28:27.:28:31.

quality. He will be gorgeous. will be. Please come back very,

:28:31.:28:35.

very soon. Let's not forget, ladies and gentlemen, footwork is the

:28:36.:28:42.

foundation of movement! I thank you. Karen Hardy! APPLAUSE You said it,

:28:42.:28:46.

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