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Hello and welcome to Wednesday's bumper-packed edition of It Takes | :00:12. | :00:17. | |
Two. On the sofa tonight and ready for their close-up, Jr.ry and Anton. | :00:17. | :00:24. | |
Also, getting ready to rumba, it's Victoria and Brendan. | :00:24. | :00:29. | |
And he has hips and boy can he use them! Sid and Ola are here. | :00:29. | :00:32. | |
And where would we be on a Wednesday without him and his magic | :00:32. | :00:39. | |
wand? Ian Waite is here! What a wand! | :00:39. | :00:49. | |
:00:49. | :01:18. | ||
Live from Television Centre, this is Strictly It tp takes Two. Please | :01:18. | :01:24. | |
welcome your host, zo Ball. -- Zoe Ballment | :01:24. | :01:29. | |
It's a long way down there! Hello and welcome to Wednesday's It Takes | :01:29. | :01:34. | |
Two. It's Hollywood week and today we'll get our very first glimpse of | :01:34. | :01:38. | |
our celebs' All-Star performances. I cannot wait. Hoping to be a box | :01:38. | :01:42. | |
office smash with my first guests Sid and Ola. Here is a recap of how | :01:43. | :01:52. | |
they did in the salsa. It was like, it's hot and spicy, | :01:52. | :01:58. | |
it's from Kingston Jamaica, this was more Kingston upon Thames! | :01:58. | :02:03. | |
performance was very high but you couldn't disguise the lack of | :02:03. | :02:07. | |
technique. I was so confident watching you do all those lifts | :02:07. | :02:12. | |
with her. Haphazard, hit and miss. On the good and bright side, I | :02:12. | :02:22. | |
loved the routine. There is a lot of good in there. Six. Six. Five. | :02:22. | :02:28. | |
Don't be disapointed with yourself. No, I did lose steps, it was live | :02:28. | :02:33. | |
TV. That's what happens. All the comments were fair. | :02:33. | :02:40. | |
It's Owen and ollafplt all right, Sid! | :02:40. | :02:44. | |
-- Ola. Were you disappointed with the results then? No, I was quite | :02:45. | :02:48. | |
happy because, most importantly, all I was worried about was the | :02:48. | :02:54. | |
lifts and the hand stand. They went brilliantly? I screamed at the end | :02:54. | :02:59. | |
because I felt relief. In the results show, your names were | :02:59. | :03:03. | |
called out quite near the end. How anxious were you that it was dance- | :03:03. | :03:10. | |
off time? They made us sweat. hands were wringing. | :03:10. | :03:16. | |
Did they go pruney? She said "Don't touch me!" Your salsa was full-on. | :03:16. | :03:20. | |
There was a lot of squealing going on in the ballroom household when | :03:20. | :03:27. | |
we watched this. Did you enjoy yourself? Loved it. Look at that! | :03:27. | :03:33. | |
Come on! You went too fast I think is what they said. You certainly | :03:33. | :03:37. | |
made an impression on one of the judges. Look at this. This is very | :03:38. | :03:47. | |
:03:48. | :04:05. | ||
Sometimes he goes "I'm happy with this" or "I'm not so sure", but the | :04:05. | :04:10. | |
judges loved it generally but thought you perhaps ran out of | :04:10. | :04:14. | |
energy, Craig said haphazard. Ola, how do you think the performance | :04:14. | :04:20. | |
well? Well, I think he gave 150%. The steps and the timing went off a | :04:20. | :04:27. | |
bit, but... But I'm not very good at makes excuses but it's different | :04:27. | :04:29. | |
when you are in the studio. The atmosphere is electric, very loud | :04:30. | :04:35. | |
and, you know, you are rehearsing all week to the original. I'm not | :04:35. | :04:39. | |
making excuses. Legs are like jelly before you go out. Exactly. | :04:40. | :04:46. | |
You got carried aawa the crowd, like "Come on!" I thought you were | :04:46. | :04:55. | |
going to whip your shirt off. Doreen said: She reckons you should | :04:55. | :05:02. | |
have had a higher score. Adored by Dor, you see. Bruno nicknamed you | :05:02. | :05:06. | |
Sid Vicious, but it's not the first time he's made an appearance, he's | :05:06. | :05:16. | |
:05:16. | :05:18. | ||
always in the training room. Check this out. Arc... Ouch. (he belchs) | :05:18. | :05:28. | |
:05:28. | :05:31. | ||
argh... Argh Argh... | :05:31. | :05:41. | |
:05:41. | :05:44. | ||
Argh Argh. Yeah. Argh.... LAUGHTER. | :05:45. | :05:54. | |
Ouch. Wait until you see what I have to | :05:54. | :06:00. | |
put up with! She's not smiled all week. Because of the tango? Yes, | :06:00. | :06:04. | |
you see you are not supposed to smile on tango. I know, I'm not | :06:04. | :06:07. | |
supposed to look at you. Are you getting the intensity, Sid? | :06:07. | :06:11. | |
doesn't matter what I say, it's obviously not going to be right, | :06:11. | :06:20. | |
but I thought today went well but ol what said "Shocking". -- Ola | :06:20. | :06:24. | |
said "Shocking ". It went well. He wants to go for a lunch break you | :06:24. | :06:29. | |
see if I say it's good. She cracks the whip and you need it! With the | :06:29. | :06:32. | |
tango, it's intense, the actor in you, are you bringing out that | :06:33. | :06:37. | |
character, is this easy for you? I've got to be a rock star as well. | :06:37. | :06:42. | |
Please tell me you are going to be stripped to the waist and wearing | :06:42. | :06:48. | |
leather. Yes! A rock star tango, yes, Hollywood, not a holiday one. | :06:48. | :06:53. | |
I wish it was a holiday, I need one. Is this a Rock Of Ages? That's | :06:53. | :06:58. | |
right, yes. Oh, my lord, this sounds great. Are we going to see | :06:58. | :07:03. | |
any more one-armed acrobatics? I'm doing a back somersault into | :07:03. | :07:08. | |
the splits this week. Yes, exactly what we need... Not really. Hoping | :07:08. | :07:13. | |
for good scores? I'm hoping it will be good. Good luck, can't wait. | :07:13. | :07:20. | |
Crack that whip, Ola. Can't wait. Ola and Sid! | :07:20. | :07:22. | |
APPLAUSE Time to find out how our | :07:22. | :07:24. | |
celebrities are coping with the pressure of Hollywood week. Who | :07:24. | :07:29. | |
will be a hit and who will go straight to DVD? Only one man can | :07:29. | :07:39. | |
:07:39. | :07:45. | ||
The delectible Mr Ian Waite, ladies and gentlemen. | :07:45. | :07:51. | |
Our first elimination is out of the way, sadly it was my dad! Bless him, | :07:51. | :07:54. | |
he's fine. Let's crack on. We'll talk about | :07:54. | :07:58. | |
the girls first. Dani and Vincent, groovy salsa from our little minx | :07:59. | :08:03. | |
last week and back to the Latin, how is she shaping up in the | :08:03. | :08:07. | |
foxtrot? Nice heel turn together with the feet. Toes were in the air, | :08:07. | :08:13. | |
I would like to see that more flat. I wanted to talk about, if I stop | :08:13. | :08:17. | |
it here, look! Out comes the wand! Oooo... | :08:17. | :08:22. | |
Look at the lovely lines that she's making. Look at that. Beautiful. | :08:22. | :08:25. | |
She's complimenting Vincent. But she doesn't just stop there. Watch | :08:25. | :08:31. | |
this. She goes on to do another gorgeous line. Not one but two | :08:31. | :08:35. | |
lines? Yes, another gorgeous line. Sorry to draw on your face, Dani. | :08:35. | :08:39. | |
She'll forgive you. Another gorgeous line. Watch this. What is | :08:39. | :08:44. | |
that step called there when you do that? Sort of an Eros. Nice, thank | :08:44. | :08:50. | |
you! Type of. Type of, say that and you can never go wrong! The fourth | :08:50. | :08:55. | |
one. Four lines! And they're all good! Shall we give her a crown | :08:55. | :08:59. | |
because Dani's been a very good girl I would say. Very good, Dani. | :08:59. | :09:05. | |
Kevin sent have one too? Yes. give him one too. Jerry and Anton | :09:05. | :09:10. | |
are dog the quickstep. Very foxy foxtrot. How is our sexy Texan | :09:10. | :09:18. | |
going to do in this? Anton's given her some complicated footwork. It's | :09:18. | :09:23. | |
quickstep and they are quick steps. I want to stop it here. We don't | :09:23. | :09:27. | |
have to zoom in because the camera is so close. I'm going to do lady | :09:27. | :09:30. | |
now. I'll do the man. It's like being at | :09:30. | :09:36. | |
convent school again. Where I do I go? A watch it! Where do I go? | :09:36. | :09:41. | |
stay there. Jerry... I'm being manly. Jerry's a bit in like this, | :09:41. | :09:46. | |
she needs to get her hips under. Ooh, I like it when he does that. | :09:46. | :09:53. | |
I'm taller than you. You can still feel his arm. Got that, Jerry? | :09:53. | :10:00. | |
Private lesson later! Anton will love that! Kimberley and Pasha. | :10:00. | :10:05. | |
Last week she did a beautiful foxtrot. How is her transition to | :10:05. | :10:10. | |
this one? She's a great dancer, I don't feel we've seen the best of | :10:10. | :10:16. | |
her yet. I wanted to emphasise this area here. I didn't want to do that. | :10:16. | :10:21. | |
I'll do that again. We are going to highlight that area. See the hips. | :10:21. | :10:27. | |
She's opened up her hips. She needs to close the hips to her partner so | :10:27. | :10:33. | |
that she's not opening the hips. As soon as she opens her hips, she | :10:33. | :10:37. | |
opens her side. You have got to keep your hips to your partner? | :10:37. | :10:41. | |
facing each other and looking in that direction. Beautiful! Denise | :10:41. | :10:45. | |
and James, top of the class for Denise last week with incredible | :10:45. | :10:49. | |
jives. She's back in ballroom and foxtrot. Look at the footwork. It's | :10:49. | :10:54. | |
good isn't it? Very, very good heel turn. They've highlighted the | :10:54. | :10:59. | |
footwork which is very handy for these guys because she's got | :10:59. | :11:02. | |
impeccable footwork. We come up here and you can see the hold. | :11:02. | :11:07. | |
Sometimes I feel she comes in. Again it's the same scenario as | :11:07. | :11:10. | |
Jerry, all the women have the same problem, the celebrities, it's very | :11:10. | :11:14. | |
difficult. They've got to tuck their hips underneath and then | :11:14. | :11:19. | |
extend from the waist out. You also I think are quite scared and get | :11:19. | :11:23. | |
quite tense. You are worrying about your footwork that it's hard to | :11:23. | :11:28. | |
worry about your shoulders and head as well. Lisa and Robin, luscious | :11:28. | :11:32. | |
Lisa, we loved her jive, more Latin from her, cha-cha-cha? As you can | :11:32. | :11:38. | |
see at the beginning, lots of gesticulations, very much like the | :11:38. | :11:41. | |
cha-cha-cha. I thought they could have had more cha-cha-cha steps in | :11:41. | :11:45. | |
there to show how good she is, because they are doing more jive | :11:45. | :11:53. | |
steps 234 this routine -- in this routine. We are following you... | :11:53. | :11:58. | |
Which is good! Really good! The only thing I have an issue was is | :11:58. | :12:04. | |
she's wearing her boots. Is it the colour?! It's the colour - she | :12:04. | :12:10. | |
needs to wear dance shoes and get on the balls of her feet. She's | :12:10. | :12:14. | |
flat-footed. Lift up the bum?! lift up the bottom and up on your | :12:15. | :12:19. | |
toes. I just love making you do that. You carry on. Fern and Artem, | :12:19. | :12:22. | |
discussing how sexy Fern is last night with my hubby actually | :12:22. | :12:26. | |
because she's looking so good. Doing the charleston, always a | :12:26. | :12:30. | |
crowd pleaser, how does she look? Fantastic. This is a dance made for | :12:30. | :12:36. | |
her really. I've stopped it here. I wanted to show you the sin con isty | :12:36. | :12:42. | |
between them. Look at the lovely synchronised legs, everything. They | :12:42. | :12:45. | |
look very matched. It's very important on side by side positions | :12:45. | :12:49. | |
and charleston is full of those. Good, good, good. Fern, well done. | :12:49. | :12:53. | |
Thank you Ian, that's the girls done. | :12:53. | :12:57. | |
We'll discuss the boys in a moment. On Saturday, the judges were left | :12:57. | :13:00. | |
wanting more from Jerry and Anton. They'll join me in a moment, but | :13:00. | :13:09. | |
here is a reminder of how they did at the weekend oofplt -- weekend. | :13:09. | :13:14. | |
Anton, Jerry's stuck on you! Like velcro she was stuck on you. | :13:14. | :13:20. | |
start with this beautiful posture but you do lose it very early on. | :13:20. | :13:25. | |
The last time I saw posture like that was this summer in my garden | :13:25. | :13:30. | |
on a praying mantis. I liked the content and the mix of steps. Your | :13:30. | :13:39. | |
problem is you are too vertical. loved it! I thought it went really, | :13:39. | :13:45. | |
really well. We didn't make any mistakes. None at all. Come on! | :13:45. | :13:50. | |
Maybe I need to work on this backbend thing! | :13:50. | :13:54. | |
That is its technical term. Putting the fox into foxtrot, Jerry and | :13:54. | :13:57. | |
Anton! APPLAUSE | :13:57. | :14:01. | |
You looked beautiful. This backbend thing, what is the official term | :14:01. | :14:05. | |
for it? It will do! Makes more sense than Ian Waite. Bless him. | :14:05. | :14:09. | |
Are you going to have a word with him afterwards? Yes. 18 points in | :14:09. | :14:15. | |
the first week and last week. Happy with the scores? Consistent. No, I | :14:15. | :14:21. | |
think it was unfair. Did you want more, frankly? Definitely. | :14:21. | :14:28. | |
You see, if you said that to Len, surely... We didn't make any feet | :14:28. | :14:33. | |
mistakes. I was disappointed. posture exI think it takes 10,000 | :14:33. | :14:39. | |
hours to perfect. Exactly. Where are you up to at the moment? | :14:39. | :14:45. | |
42... To go, that is. To go, oh! More movement from week one, but | :14:45. | :14:51. | |
the judges still not sated. What sit do you think they are | :14:51. | :14:54. | |
expecting? What will make them happy? I don't know, I can't deny | :14:54. | :14:58. | |
that I don't know what they are after. Bruno said something like, I | :14:58. | :15:01. | |
want more or something, I don't know what he wants more of. We did | :15:01. | :15:06. | |
a lot of steps. That was a superb foxtrot. I thought Jerry danced it | :15:06. | :15:12. | |
beautifully. Fall-aways and pivots, everything you want from start to | :15:12. | :15:15. | |
finish, so in that regard I don't know what he's after. Also, I | :15:15. | :15:19. | |
thought Jerry danced the dance, wonderfully. It's Strictly Come | :15:19. | :15:26. | |
Dancing and I thought they could have given her more, sort of, marks | :15:26. | :15:31. | |
essentially for that. Yeah! More credit for that because the posture | :15:31. | :15:37. | |
is all right, it's only one element. I know you've got other questions | :15:37. | :15:41. | |
you want to ask! This week, we are working on the posture. We are | :15:41. | :15:48. | |
working on it. A lot. Was not doing any steps at all. 20 hours of | :15:48. | :15:54. | |
posture. We are just going to walk! Craig said you were like a praying | :15:54. | :15:58. | |
mantis and Bruno mentioned velcro. Do you want more constructive | :15:58. | :16:02. | |
criticism? I don't know what they are talking about. No. I would | :16:02. | :16:07. | |
rather they didn't speak. I would be happy with that. All these | :16:07. | :16:11. | |
ladies in the audience they were all like waving at Anton saying | :16:11. | :16:17. | |
hell loaf. I felt like an access si. -- accessory. I felt like he was | :16:17. | :16:24. | |
the start of the show, I felt like I was his feather boa constrictor. | :16:24. | :16:28. | |
It was like groupie days with the Rolling Stones, I had to mark my | :16:28. | :16:31. | |
territory! There you are. Have you ever been | :16:31. | :16:37. | |
compared to that? Never, never! Safe to say. That's the most | :16:37. | :16:40. | |
rock'n'roll I've ever felt in my life. Craig doesn't mince his words | :16:40. | :16:46. | |
but were absolutely loving the language of Miss Jerry Hall. Thank | :16:46. | :16:53. | |
you. I'm just not naturally fast. I'm more of a Marvin Gaye kind of | :16:53. | :17:03. | |
:17:03. | :17:04. | ||
girl. Oh, he's so charming, like girl. Oh, he's so charming, like | :17:04. | :17:14. | |
butter dripping off a hot corn. Ooh. Just ride me with a tight rein.... | :17:14. | :17:18. | |
I've got a weird memory which is bad at short-term and good at long- | :17:18. | :17:28. | |
term. If you are looking for a good stallion, you don't want to look in | :17:28. | :17:37. | |
the donkey corral... the donkey corral... | :17:37. | :17:42. | |
So good! We are going to give you that on VHS to take home! How is | :17:42. | :17:51. | |
the quickstep going? It's lovely. Joyful and fun. A bit of a Mrs | :17:51. | :18:01. | |
:18:01. | :18:06. | ||
Robinson theme? Yes, he's my Benjamin. Uh -hu. Do you mind her | :18:06. | :18:11. | |
taking charge? No, I profr it I don't know what I'm doing so she | :18:11. | :18:15. | |
might as well take charge -- I prefer it. It's quite nice, it's a | :18:15. | :18:20. | |
lovely little play on the theme. Yes. And being all see ductive. | :18:20. | :18:23. | |
Lovely music. Great music. The thing with the thing and the light | :18:23. | :18:28. | |
and the thing and... Don't give away too much! We got a little | :18:28. | :18:31. | |
bedroom scene. On Strictly Come Dancing! It's going to be glorious. | :18:31. | :18:38. | |
Good luck to both of you. Jerry and Anton! | :18:38. | :18:42. | |
APPLAUSE It's time now to concentrate on the | :18:42. | :18:52. | |
:18:52. | :18:59. | ||
boys in the second instalment of Let's just discuss my favourite | :19:00. | :19:07. | |
subject, the boys! Ian's back! Sid and Ola and the tango? Yes. How is | :19:07. | :19:12. | |
my new favourite Mr Owen doing? Apart from overreacting earlier on, | :19:12. | :19:17. | |
he's doing well. Low in the base and struggling a little with his | :19:17. | :19:21. | |
Viennese crosses. But I just wanted to emphasise the faces after they | :19:21. | :19:25. | |
danced that. See that? Look at the huffing and puffing going on after | :19:26. | :19:29. | |
they danced. It's exhausting though. I was told by him today that it's | :19:29. | :19:33. | |
gone well. He's sorted out his Viennese crosses so I'm very | :19:33. | :19:39. | |
pleased about that, Sid. And it's only Wednesday. Good. Come on! | :19:39. | :19:43. | |
Colin and Christina. Colin's working on a film in Canada, so | :19:43. | :19:49. | |
this was just them walking through the tango on Wednesday. Just one | :19:49. | :19:56. | |
day. I wonder what film he's dog. Is it the Goonies or Snakes on a | :19:56. | :20:03. | |
Plane?! Answers on a postcard! fax! Dancing the Argentine tango, | :20:03. | :20:07. | |
so I'm sure it will be dramatic. Exciting. The first one of the | :20:07. | :20:12. | |
series. Stand back, ladies and gentlemen! I'll emphasise his leg | :20:12. | :20:15. | |
there. I would like him to stretch that out and point that toe. He has | :20:15. | :20:19. | |
a few places like that. I know her only walking through it, but that | :20:19. | :20:24. | |
will help tremendously, especially the fact that it's tango. | :20:24. | :20:28. | |
Richard and Erin. He's back in the ball rooment, you see, he's great | :20:28. | :20:32. | |
there. How is he looking in his quickstep? Not letting the camp | :20:32. | :20:38. | |
hands nigh away with him. Erin is a fantastic teacher. Says he! Just | :20:38. | :20:45. | |
kidding! Lovely charleston steps there which he did very well. Just | :20:45. | :20:50. | |
emphasising his line there, his shoulder line, which isn't so great. | :20:50. | :20:56. | |
What is wrong with it exactly? see, what he does is, if I can show | :20:56. | :21:01. | |
you? Please demonstrate. He has his shoulders up, so I would like him | :21:01. | :21:05. | |
to bring his shoulders down. He drops that right elbow so he needs | :21:05. | :21:10. | |
to lift that right elbow like that. OK. Nice. A lovely look at your bum | :21:10. | :21:14. | |
there. Louis and Flavia are doing the salsa, a number from Dirty | :21:14. | :21:20. | |
Dancing, there may be lifts, fingers crossed. How are the lip | :21:20. | :21:25. | |
hips and his flat feet? It's salsa, so you can use your feet how you | :21:25. | :21:33. | |
like, but he's loosening up. The main area with Louis is his waist. | :21:34. | :21:40. | |
Yes. Is the middle area. What is wrong with it? Salsa is very | :21:40. | :21:47. | |
rhythmical and you need to create all the moving. Show us. Like that? | :21:47. | :21:54. | |
Yes, he needs to relax his hips and just, you know... Also I think it | :21:54. | :21:57. | |
will bring his personality out as well because he's very guarded. | :21:57. | :22:02. | |
Maybe he's a bit shy. Michael and Natalie from the jive of the | :22:02. | :22:07. | |
weekend which I personally loved. Stop laughing, madam! To the cha- | :22:07. | :22:14. | |
cha-cha. How is he looking? Bless! I know how hard they work because | :22:15. | :22:18. | |
Natalie's my professional dance partner and he's really putting in | :22:18. | :22:22. | |
the hours. It's a shame, but he probably doesn't have... | :22:22. | :22:25. | |
LAUGHTER He doesn't have the natural talent as some of the | :22:25. | :22:29. | |
others which is a shame. But he's learning? Yes and he's working | :22:29. | :22:33. | |
really hard and he'll progress. Just pointing out his hands. He | :22:33. | :22:38. | |
needs to keep them facing the familiar and his thumbs down. Don't | :22:38. | :22:41. | |
want no spatula hands. Looks like he's bowling a maiden over. Do you | :22:41. | :22:48. | |
know what that means? I have no idea. Exactly! Nicky, two tough | :22:48. | :22:52. | |
weeks, he's doing the quickstep. Is he going to win the judges over | :22:52. | :22:56. | |
this time? No. Time for a change? No. He keeps losing his frame, he | :22:56. | :23:01. | |
needs to pick up his elbows and maintain a frame and look elegant. | :23:01. | :23:05. | |
He is stomping through the steps. He has an amazing physique so | :23:05. | :23:10. | |
there's no reason why he can't be a brilliant dancer. I have faith. You | :23:10. | :23:18. | |
watch and wait. Thank you very much, darling, as always. Ian Waite! | :23:18. | :23:21. | |
APPLAUSE My next guest received a lot of compliments from their | :23:21. | :23:27. | |
foxtrot last week. Here is how Victoria and Brendan turned it all | :23:27. | :23:37. | |
around on Saturday. Clean, classy and confident. A | :23:37. | :23:45. | |
fantastic improvement on last week. You remembered it so that's a very | :23:45. | :23:51. | |
good start. Victoria is back in the race! Well done, my darling. | :23:51. | :24:01. | |
nerves have gone. It's wonderful to see. You are beautiful. | :24:01. | :24:06. | |
For Darcey to say it was beautiful is a huge compliment. You are a | :24:06. | :24:11. | |
little ballroom girl. Yes, maybe one day. | :24:11. | :24:15. | |
Please welcome Queen Victoria and her Knight in shining armour, | :24:15. | :24:19. | |
Brendan! Get you, girl, look at that. Ten | :24:19. | :24:23. | |
points up on your first week! You must have been absolutely thrilled? | :24:23. | :24:30. | |
I was, I was so happy. Just to get through the routine and not make a | :24:30. | :24:34. | |
complete disaster of it except the turn at the beginning which was | :24:34. | :24:37. | |
slightly wobbly. I was really pleased. You were talking about how | :24:37. | :24:40. | |
nervous you were before you went out with you cha-cha-cha. Were you | :24:40. | :24:43. | |
any less nervous this week knowing you were going to be in hold or | :24:44. | :24:47. | |
equally as terrified? When you are in hold, it gives you a lot more | :24:47. | :24:51. | |
confidence. It's good to know that Brendan was guiding me around so I | :24:51. | :24:58. | |
can't go too wrong, if I just keep hold of him, so yes, definitely | :24:58. | :25:02. | |
helped. The funny thing about that, they get a new lease of life that, | :25:02. | :25:06. | |
security brings them ahive and they don't need the security but they | :25:06. | :25:10. | |
like the opportunity to do it because they can. Very good. Norman | :25:10. | :25:16. | |
and I call that the Norman revrs Brian psychology. Len said clean, | :25:16. | :25:19. | |
classy, confident, Bruno said you are back in the race. Have you | :25:19. | :25:23. | |
started to believe in yourself as the dancer now? No, not yet. We are | :25:23. | :25:27. | |
working on that? Please go through another week and maybe I'll start | :25:27. | :25:32. | |
to, but not yet. I'll ask you that question again next week! Brendan, | :25:32. | :25:37. | |
you are described as the Knight in shining armour again. You always | :25:37. | :25:41. | |
come to the ladies' rescue? It's nice to be known as someone who's | :25:41. | :25:44. | |
nice to his partners. I don't know where this reputation came from, | :25:44. | :25:48. | |
maybe last year with Lulu, I don't know. I love working with this girl, | :25:48. | :25:55. | |
I've got on with 70-80% of my partners. Let's not mention any | :25:55. | :26:03. | |
names! Yes, one thing I have to say, Victoria's foxtrot on Saturday blew | :26:03. | :26:07. | |
me away. Very few foxtrots on Strictly have strode out, if that's | :26:07. | :26:10. | |
the right word, but you have got to have a lot of distance between your | :26:10. | :26:15. | |
feet and drive out of your foot. This girl managed it in bucket- | :26:15. | :26:18. | |
loads. Most people tip around the floor and that's not foxtrot to me. | :26:18. | :26:23. | |
I finished the dance thinking, what a blooming star! You see! Well said, | :26:23. | :26:26. | |
Brendan. It's not always you who's the | :26:26. | :26:30. | |
Knight in shining armour. She's not always the dam sell in distress. | :26:30. | :26:40. | |
:26:40. | :26:43. | ||
Some times the roles are reversed. Check o this out. -- check this out. | :26:44. | :26:51. | |
Ola would never be able to lift me. How much do you weigh? About 80 | :26:51. | :26:57. | |
kilos. So seriously strong. Not even breaking a sweat. I reckon she | :26:57. | :27:01. | |
could do double if not treble. week James and Brendan! You are | :27:01. | :27:06. | |
doing the rumba this week. It's a sexy dance, it's romantic. | :27:06. | :27:09. | |
Notoriously trickyment how are you finding it? I couldn't stop | :27:09. | :27:12. | |
laughing on the first day of training. I'm going to confess, I | :27:12. | :27:15. | |
felt like a silly schoolgirl because it's a little bit | :27:15. | :27:20. | |
embarrassing at times, but it's gone really well, it's gone well | :27:20. | :27:23. | |
today, I'm really happy and looking forward to us actually. It's | :27:23. | :27:26. | |
difficult because of the slowness meaning you have to have a lot of | :27:26. | :27:31. | |
control. Anything that's not controlled ora bit sloppy gets seen | :27:31. | :27:35. | |
right from the start and we've got it and if we can get the | :27:35. | :27:39. | |
connection... The good news is, I love this girl to bits so it's not | :27:39. | :27:43. | |
hard to portray this look into each other's eyes. If you don't like | :27:43. | :27:47. | |
someone very much, don't look into their eyes. Pretend they are | :27:47. | :27:54. | |
someone else. We've all done it. We know that Brendan puts you through | :27:54. | :27:59. | |
your paces, so we thought we might reverse that. Come with me. Sounds | :28:00. | :28:05. | |
good. We have this expensive piece of technology here. Brendan. Ie I'm | :28:05. | :28:11. | |
changing me boots here. How many hours of cycling would wow do a | :28:11. | :28:17. | |
day? Hundreds. Hundreds of hours in a 24-hour day, wow! | :28:17. | :28:26. | |
LAUGHTER Give him a hard time and imagine he needs training for Rio. | :28:26. | :28:31. | |
Ready, Brendan? The show is about to fun Nish, come on. With haven't | :28:31. | :28:37. | |
got all day! What t she'd he's going to get up to is incredible. | :28:37. | :28:41. | |
Harder, harder! Looks painful. That is it for today. Thanks to all my | :28:41. | :28:47. | |
guests. Keep going! Join me tomorrow when Denise and James, | :28:47. | :28:52. |