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Welcome to Thursday night's blockbuster of It Takes Two. I have | :00:13. | :00:19. | |
three couples on the sofa. They get to dance again. It is Michael and | :00:19. | :00:27. | |
Natalie. APPLAUSE If their dancing was a Hollywood film, it would have | :00:27. | :00:31. | |
had five-stars - Denise and James are here. Hoping for a ballroom | :00:31. | :00:35. | |
smash this weekend, it is Dani and Vincent. I would be premiering what | :00:35. | :00:39. | |
some of our couples will be wearing on Saturday. All of that and we | :00:39. | :00:49. | |
:00:49. | :01:28. | ||
have the training room trailers. Hello, everyone. Welcome to | :01:28. | :01:32. | |
Strictly: It Takes Two. This weekend, we can sit back and enjoy | :01:32. | :01:37. | |
a night of Hollywood glamour. Eight different dance styles are being | :01:37. | :01:41. | |
shown on Saturday - that was eight - and our couples are hoping for a | :01:42. | :01:45. | |
box office success. I will be talking to Michael and Natalie. | :01:45. | :01:49. | |
Before I do, let's take a look at how our leading men are shaping up | :01:49. | :01:55. | |
in training. I am doing the quickstep. Quick, quick, slow. All | :01:55. | :02:00. | |
the stops have to be pulled out this week. It is very much content, | :02:00. | :02:04. | |
content, content and getting my technique right. Quick, quick, slow. | :02:04. | :02:12. | |
You stepped into it too quick! Posture. You look like a soldier! | :02:12. | :02:18. | |
Footwork. Slow, quick-quick, slow. Don't get into those habits. It is | :02:18. | :02:27. | |
not called Strictly Come Easy! We are here to impress. Smoking! | :02:27. | :02:33. | |
This week, I'm doing the tango, another tricky, good routine. One | :02:33. | :02:39. | |
minute I can get it. The next, you lose it! I can't remember that bit! | :02:39. | :02:44. | |
We learn the steps and I put the timing in and he forgot everything. | :02:44. | :02:49. | |
Five, six... No! Count the beat for me. I am still trying to get to | :02:49. | :02:57. | |
grips with the counting. What is after four? Five. Good! I am | :02:57. | :03:03. | |
finding it hard. One, two three and five... No, not three and five! | :03:03. | :03:08. | |
will be OK on Saturday. And learn about one, two, three! The dance we | :03:08. | :03:14. | |
are doing this week is a salsa. It is a hips-moving, sexy style. | :03:14. | :03:18. | |
is it. This routine will be tricky. There will be a couple of lifts. | :03:18. | :03:23. | |
Then you spin round. One of them is particularly difficult. Oh! Louis | :03:23. | :03:27. | |
is very strong. But the difficult thing is the technique. It is | :03:28. | :03:31. | |
knowing when to lift, where to put your hands, how to jump in time | :03:31. | :03:38. | |
with your partner. I dropped her. She almost put a hole in the | :03:38. | :03:44. | |
ceiling. He nearly broke my kneecap! Argh! Sorry. If we don't | :03:44. | :03:51. | |
pull it off, then it could be disastrous. This week, I'm doing | :03:51. | :03:58. | |
the quickstep. It is quite quick. Blimey! I am utterly spent! You all | :03:58. | :04:04. | |
right? Yes. One foot wrong and you are all over the place. Forward. | :04:04. | :04:08. | |
Oh! The thing is for us to move on. There is so much that can go wrong. | :04:08. | :04:15. | |
I won't go wrong! You can do it. We have to bring the morale out and | :04:16. | :04:19. | |
make them feel good and positive. That was really good. You can do | :04:19. | :04:24. | |
this. The dance-off is over, finished! That's my girl. Richard | :04:25. | :04:33. | |
has the potential to be a great dancer. I did it! LAUGHTER This | :04:33. | :04:37. | |
week, it is the cha-cha-cha. The cha-cha-cha is a cheeky dance. I'm | :04:37. | :04:42. | |
going to nail the basics. Two, three, four and one. I am trying to | :04:42. | :04:49. | |
drum in the importance of timing and musicality. We have found a | :04:49. | :04:53. | |
very good formula today. I work best when Natalie sings the song. | :04:53. | :05:03. | |
:05:03. | :05:04. | ||
# I want some hot stuff... # All of Michael's cues have a word. | :05:04. | :05:10. | |
Her singing is atrocious. I'm understanding you now! I'm hoping I | :05:10. | :05:17. | |
produce something better than last week. Now you are dancing! | :05:17. | :05:21. | |
Loving Natalie's singing! Colin is filming in Canada so we don't have | :05:21. | :05:25. | |
any footage of him in training. He will be joining me tomorrow to let | :05:25. | :05:31. | |
me know how he is getting on. Please welcome Michael and Natalie. | :05:31. | :05:41. | |
:05:41. | :05:42. | ||
APPLAUSE Love the new hair! Direction! I know. I like it. Let's | :05:42. | :05:46. | |
talk about last weekend, you were in the bottom two. Did you fear it | :05:46. | :05:50. | |
was exit time? Yes, when you are in the bottom two you are in the | :05:50. | :05:56. | |
danger zone. I had a real lot of fun. You had an amazing time. | :05:56. | :06:01. | |
was all over with the timing! were hysterical! My little boy | :06:01. | :06:06. | |
looked at me and said, "At least you smiled this week." What is your | :06:06. | :06:12. | |
boy's name? Archie. Nice one! I can tell you, you have managed to break | :06:12. | :06:16. | |
Strictly history. This is really impressive. You now hold the result | :06:16. | :06:21. | |
for the lowest scoring jive in history! Get in there! Come on! | :06:21. | :06:27. | |
APPLAUSE Get in! Well done(!) is what it is about(!) One point | :06:27. | :06:31. | |
less than Fiona Phillips. She is devastated. The judges might not be | :06:31. | :06:35. | |
fond of it, but you are Bruce's favourite. He loves you. When I | :06:35. | :06:40. | |
decided to do the show, there was two things I would love - a seven | :06:40. | :06:43. | |
off Len - that is miles off at the minute - and I wanted Brucie to say | :06:43. | :06:49. | |
we were his favourites. I got that. You have never danced before. Are | :06:49. | :06:54. | |
you loving your experience? It is tough. I have had a ball. I really | :06:54. | :06:58. | |
have. I have had such a good time. It is really difficult picking up | :06:58. | :07:02. | |
all the steps. She is a good teacher. The jive didn't go as well | :07:02. | :07:06. | |
as Natalie probably would have hoped, but I had fun, we had fun. | :07:06. | :07:10. | |
It wasn't supposed to be that comical. Natalie, where did he go | :07:10. | :07:15. | |
right for you last weekend? Energy. I was laughing the whole way | :07:15. | :07:19. | |
through that. It was so much fun. The waltz was very serious the week | :07:19. | :07:24. | |
before. I don't necessarily think that that agrees with you. You have | :07:24. | :07:29. | |
great personality and we showed that. The energy, we were laughing, | :07:29. | :07:33. | |
we were enjoying it. That is the key. The thing is, you were talking | :07:33. | :07:36. | |
about the smiling and your son saying you were smiling. There was | :07:36. | :07:41. | |
one judge who wasn't particularly smiling. I think you may have | :07:41. | :07:51. | |
:07:51. | :07:57. | ||
petrified Bruno. Have a look at this. Here's Vaughany! Argh! Argh! | :07:57. | :08:07. | |
:08:07. | :08:17. | ||
APPLAUSE I am loving the cameras on the | :08:17. | :08:20. | |
judges' faces! Another week, another Latin dance. How is your | :08:20. | :08:24. | |
cha-cha-cha? I can't believe they didn't let me do the jive again! | :08:24. | :08:29. | |
That was my choice! We can demand it. How is the cha-cha-cha? It is | :08:29. | :08:33. | |
very different. This week, it's another fun dance. It's been great | :08:33. | :08:37. | |
learning it. It's not as quick, but it still has some quick moments in | :08:37. | :08:44. | |
there. Dancing to a great movie, a great song. It is from The full | :08:44. | :08:51. | |
Monty. It is this. # Hot stuff baby tonight. # | :08:51. | :08:58. | |
That is enough! LAUGHTER The big question is, of course, will you be | :08:58. | :09:03. | |
giving us the Full Monty? It would be wrong of me to do the Full Monty | :09:03. | :09:09. | |
without taking my kit off! OK. Is that some kind of little tease? | :09:09. | :09:12. | |
Maybe. Maybe, possibly. How is your stomach? Well, I started the show | :09:12. | :09:17. | |
with a one-pack, it is now to one- and-a-half! Getting there. It is | :09:17. | :09:23. | |
working. In the training room, we have seen that you have got a scarf | :09:23. | :09:27. | |
tied around your chest. This is not a fashion item. What does that do? | :09:27. | :09:31. | |
I'm doing everything I can to get Michael to open his chest up, not | :09:31. | :09:37. | |
put his head down, so I tied a scarf around his neck to make him | :09:37. | :09:41. | |
realise he has to stand up more. It is for him to understand that this | :09:41. | :09:49. | |
needs to be more open. Is it working? He is not sure. We tied | :09:49. | :09:54. | |
arms up, ankles up... This is sounding a little dodgy. Good luck | :09:54. | :10:01. | |
on Saturday. I can't wait. Michael and Natalie! APPLAUSE She is a | :10:01. | :10:05. | |
naughty girl. Last week, we showed you a couple of our favourite dance | :10:06. | :10:09. | |
moments re-enacted by our production staff and their pets. | :10:09. | :10:17. | |
Over the weekend, some of you have sent us some performances from your | :10:17. | :10:27. | |
:10:27. | :10:27. | ||
Apology for the loss of subtitles for 52 seconds | :10:27. | :11:19. | |
most memorable Strictly moments. We We love those! APPLAUSE Thank you | :11:19. | :11:25. | |
so much. So good. Please keep sending them in. For all the | :11:25. | :11:31. | |
details on how you can send your Strictly re-enactments, visit | :11:31. | :11:34. | |
bbc.co.uk/ittakestwo. I grabbed a couple of minutes with the Strictly | :11:35. | :11:37. | |
costume department to get a look at what the couples will be wearing | :11:37. | :11:44. | |
this weekend. This is what I found out. Say hello to Vicky Gill. | :11:44. | :11:49. | |
APPLAUSE Head designer. Hello. Hollywood week, we are very excited. | :11:49. | :11:52. | |
I am imagining quite a challenge for you. What kind of challenges | :11:52. | :11:59. | |
does it bring? Really busy. Then trying to match up to all the | :11:59. | :12:05. | |
different themes in terms of being Hollywood week. Much to do. Yes. | :12:05. | :12:09. | |
How would you make the costumes to reflect the film without being too | :12:09. | :12:13. | |
fancy dress? We don't want them to be fancy dress. We want a nod to | :12:13. | :12:18. | |
the film or the production that we are using this week. So it maybe | :12:18. | :12:23. | |
that the colour of the underskirt, or maybe a little hint of the shoes | :12:23. | :12:32. | |
that are different. Let's talk about Kimberley. She is dancing to | :12:32. | :12:37. | |
Get Happy from Summer Stock. A '50s feel? Yes. Her lovely tiny waist. | :12:37. | :12:43. | |
The base of the costume is classic black-and-white. It's Strictly and | :12:43. | :12:50. | |
it has to be fun so we've got nice bright lining going underneath with | :12:50. | :12:56. | |
fuchsia gloves, possibly. A lady loves to change her mind! That is | :12:56. | :13:00. | |
the size of Kimberley's waist! It is. Let's talk about the boys. What | :13:00. | :13:08. | |
are you doing with them? Lots of costume s for the boys. Candy- | :13:08. | :13:13. | |
striped jacket, yellow suits, one of the pro boys is reflecting a | :13:13. | :13:19. | |
toy! More on that in a minute. This pin-stripe belongs to Richard? He | :13:19. | :13:29. | |
is dancing to 9 to 5 from 9 to 5 - well done, Zoe(!) He is the office | :13:29. | :13:33. | |
geek. This is a trouser leg. Just the one leg. If we save more money, | :13:33. | :13:37. | |
we can afford the other one! LAUGHTER That is one of my Dad's | :13:37. | :13:43. | |
gags! Terrible. Who has been the most fun this week? Denise. Again, | :13:43. | :13:49. | |
we have spoke about one of the pro boys, this... They are doing Toy | :13:50. | :13:56. | |
Story, You've Got A Friend In Me. She is being Jessie and he is Woody. | :13:56. | :14:01. | |
That's right. That is an interesting mix. Can we have a look | :14:01. | :14:05. | |
under the gold cloth? See if you can guess whose outfit this is? | :14:05. | :14:10. | |
Look at that! It's a beauty. You should be very proud. That is quite | :14:10. | :14:15. | |
saucy. What can you tell us about the lady? She is extremely fit. | :14:15. | :14:19. | |
That's all of them! I know. This one is extremely fit and has | :14:19. | :14:23. | |
amazing legs. Nice pins. It is gorgeous. Her partner... Look at | :14:23. | :14:29. | |
that split. What is her partner wearing? He is in a suit, he is in | :14:29. | :14:34. | |
uniform. That bit may reduce me to tears! Thank you very much. We | :14:34. | :14:38. | |
can't wait for Saturday. Vicky Gill. Thank you. APPLAUSE | :14:38. | :14:43. | |
I love that lady. Please welcome now the rather accident-prone | :14:43. | :14:48. | |
double act Denise and James. APPLAUSE Hello. We were worried | :14:48. | :14:53. | |
about you last Friday after you got your... I was worried. You were | :14:53. | :14:58. | |
worried, weren't you? No! A little bit. Slightly. How much pain were | :14:58. | :15:02. | |
you in on Saturday night? couldn't feel a thing. I was so | :15:02. | :15:07. | |
hyped up that I couldn't really feel anything. I had painkillers. | :15:07. | :15:11. | |
Sunday morning, I couldn't move. I have had physio. It's eased up | :15:11. | :15:16. | |
since then. It didn't affect your performance at all. It was great! | :15:16. | :15:25. | |
Thank you. I can't stop watching myself! No change there then(!) | :15:25. | :15:30. | |
Because of my injury, we couldn't rehearse it properly. Hence even | :15:30. | :15:37. | |
better. James, incredible comments from the judges. You got your first | :15:37. | :15:44. | |
fab-u-lous from Craig? I'll take that! At last. How good did that | :15:44. | :15:50. | |
feel? Great. Not as good as when I kissed him! That was a nice moment. | :15:50. | :15:54. | |
Top of the leaderboard as well. You must be chuffed? Yes. More pressure | :15:54. | :15:58. | |
this week. We have the foxtrot this week. It is not my strength. Is it | :15:59. | :16:04. | |
not? Do you think Denise is naturally better at Latin? Or | :16:04. | :16:12. | |
ballroom? I'm good at being bouncy! The jive suited her. We have tried | :16:12. | :16:17. | |
a couple of ideas and it is not as good as the jive. Foxtrot this week, | :16:17. | :16:22. | |
we are working on footwork because of the waltz, Len said her footwork | :16:22. | :16:31. | |
wasn't very good. We are working on that. Ian pointed out yesterday and | :16:31. | :16:36. | |
he saw your heel-toe. Last week, going back a little bit, you danced | :16:36. | :16:40. | |
to Tutti Frutti. You have been getting quite fruity in the | :16:40. | :16:50. | |
:16:50. | :16:50. | ||
training room. Really. One at a time. One, two, three... LAUGHTER | :16:50. | :17:00. | |
:17:00. | :17:00. | ||
Apology for the loss of subtitles for 52 seconds | :17:00. | :17:53. | |
-- 14. 19. 19 grapes! Your turn. Where's the nearest loo?! APPLAUSE | :17:53. | :18:01. | |
32! Please do not try that at home because you could choke on grapes. | :18:01. | :18:07. | |
Do you want me to tell you what the record is? The world record is 57. | :18:07. | :18:13. | |
I could have got more in. I can do that. Smaller grapes. Foxtrot for | :18:13. | :18:18. | |
you this week. What are you going to do to stay top of the | :18:18. | :18:21. | |
leaderboard? Have you struggled with any of it? Yes, I find the | :18:22. | :18:25. | |
ballroom really difficult because of the footwork and the posture. | :18:25. | :18:32. | |
So... Look at it there! It is awful. All right! He is always giving me a | :18:32. | :18:36. | |
hard time. Does he give you positives? You are supposed to | :18:36. | :18:40. | |
encourage her. You are dancing to this music. | :18:40. | :18:46. | |
# You've got a friend in me. # Your little girl is two. Yes, she | :18:46. | :18:51. | |
is nearly two-and-a-half. She must love Toy Story. Loves it. Is she | :18:52. | :19:00. | |
excited about seeing Mum dress as Jessie? Very. Did you cry? No. | :19:00. | :19:05. | |
anything make you cry? We will make you cry! We thought last week you | :19:05. | :19:09. | |
wanted to dance with Brendan and you could have used Anton because | :19:09. | :19:14. | |
he does look like him. He does. That freaks me out. Listen, good | :19:14. | :19:22. | |
luck this weekend. Denise and James! APPLAUSE So Denise and James | :19:22. | :19:28. | |
are hoping their foxtrot will be worthy of an Oscar nomination. | :19:28. | :19:31. | |
Let's see how our other girls are getting on in training. This week | :19:32. | :19:37. | |
we are doing quickstep. It is a very, very fast dance. Steps are | :19:38. | :19:43. | |
not that difficult. We will be on our toes running around the | :19:43. | :19:47. | |
ballroom non-stop. One... Yes. Got it? No. I'm starting to realise | :19:47. | :19:55. | |
that I am a little bit hard on myself. I think it doesn't actually | :19:55. | :19:58. | |
help me. Different step, different Kimberley. Hopefully, we will get | :19:58. | :20:03. | |
lost in the dance and enjoy it. This week, I will try and let all | :20:03. | :20:12. | |
of that go and just dance. Flying legs! This week, we are doing the | :20:13. | :20:17. | |
jive. Bringing the bounce back. you thought our cha-cha was fast, | :20:17. | :20:22. | |
wait till you see this. This needs more speed. I can make more speed | :20:22. | :20:27. | |
if you want. For this one, she needs to be herself. It is all | :20:27. | :20:31. | |
about being lively, and having a good time. One, two, three, four, | :20:31. | :20:41. | |
:20:41. | :20:42. | ||
five... What's that noise? She seems to make these funny noises. | :20:42. | :20:46. | |
Zzzz... If it works, she can do whatever she needs to. It is fast, | :20:46. | :20:56. | |
fun and furious. Let's hope it is not fatal! This week, bren dand | :20:56. | :21:01. | |
aare -- Brendan and I are doing the rumba. I must admit I am struggling | :21:01. | :21:05. | |
with the performance element of the dance. It is extremely slow, so it | :21:05. | :21:10. | |
needs to be a lot of control. There's also a lot of emotion. She | :21:10. | :21:13. | |
is getting into the spirit of it. She is holding her position. She is | :21:13. | :21:18. | |
occasionally looking in my eyes as if she means it. I have to portray | :21:18. | :21:22. | |
a convincing scene of us being totally in love with each other. | :21:22. | :21:25. | |
want to show that intensity, that chemistry, that romance. It is a | :21:25. | :21:32. | |
big ask but if it happens, it will be magic. This week, we are doing a | :21:32. | :21:38. | |
quickstep. Jerry is going to love it! Hello, tiger! The quickstep is | :21:38. | :21:45. | |
very fast and there's a lot of steps in it. Tap, a tap. Yes! Great. | :21:45. | :21:50. | |
Love that! It is physically exhausting. So I don't think I'm | :21:50. | :21:55. | |
going to be lazy this week. Is there a bit where I can lay down?! | :21:55. | :22:01. | |
LAUGHTER My stamina has been building and I'm giving it 100%. | :22:01. | :22:06. | |
I'm going to get my posture right and walk along. I'm going to | :22:06. | :22:13. | |
concentrate on my posture and show those judges! We are dancing the | :22:13. | :22:16. | |
foxtrot. It is really important this week that I impress Len. I | :22:16. | :22:24. | |
have to be honest, I struggle with ballroom. What am I doing there? | :22:24. | :22:27. | |
Stop sighing. She doesn't feel comfortable extending away from me. | :22:27. | :22:31. | |
It really hurts. She wants to get close to me, most women would want | :22:31. | :22:38. | |
to be very close to me(!) It kills. I know. She needs to work on the | :22:38. | :22:44. | |
posture. Now we are looking at the technical side. Let's impress Len | :22:44. | :22:52. | |
this week. When we get it right, it feels lovely. I want to enjoy it. | :22:52. | :22:57. | |
This week, we are dancing the Charleston. Charleston is hard and | :22:57. | :23:03. | |
fast. Plenty of swivels. Seven, eight. I know. Charleston needs to | :23:04. | :23:08. | |
be really well performed. The best thing about Fern, when she performs, | :23:08. | :23:13. | |
she really performs. Seven, eight... Much better. Good. Charleston is | :23:13. | :23:18. | |
doing this and doing that and then linking your eyes at the same time. | :23:18. | :23:23. | |
My brain is catching up! When she does what needs to be done, it | :23:23. | :23:27. | |
looks great. It is quite precise. I'm not as precise as I could be. | :23:27. | :23:33. | |
But he seems to be quite pleased. The foxtrot is one of the most | :23:33. | :23:39. | |
difficult ballroom dances. It is so slow, but it is full of technique. | :23:39. | :23:44. | |
Slow, isn't it? You have to work harder. Dani is struggling a lot | :23:44. | :23:49. | |
with the dance shoes. I need your shoes. I'm so sorry. You are so | :23:49. | :23:54. | |
mean! They hurt so much! They are horrible. Please can I do it in my | :23:54. | :23:58. | |
socks? Dance shoes are supposed to be her best friends. They need you. | :23:58. | :24:03. | |
They don't. They hate me! I want to be able to dance in trainers. That | :24:03. | :24:07. | |
wouldn't look lady-like. I will have to shut up and put up with it! | :24:07. | :24:14. | |
How do they feel? Horrible. Please welcome Dani and Vincent. | :24:14. | :24:24. | |
APPLAUSE Hello. Congratulations on a top weekend. Did you enjoy it? | :24:24. | :24:29. | |
absolutely loved it. Finally, got to shake my booty and show a bit | :24:29. | :24:34. | |
more of my personality. It was wicked. I loved that bit. I taught | :24:34. | :24:38. | |
him that bit! I did. She is teaching you already? She is. | :24:38. | :24:42. | |
love that fact. Who is the pro? Third on the leaderboard, that is | :24:42. | :24:46. | |
great. Were you pleased? Yeah. I was really shocked actually. I | :24:46. | :24:50. | |
didn't think we would do that well. Really chuffed. Craig was in on | :24:50. | :24:56. | |
Monday. He had a grumble about the lift and the dismount. Let's... | :24:56. | :24:59. | |
Just because he couldn't do it himself, his double chin would be | :24:59. | :25:09. | |
in the way! LAUGHTER It is one of those things - it is not the | :25:09. | :25:12. | |
tidiest dance ever. The lift is supposed to look at it from the | :25:12. | :25:16. | |
front and the camera was on Dani's face in the landing, he was in | :25:16. | :25:22. | |
Dani's face in the landing, which wasn't pretty, but... He is so | :25:22. | :25:27. | |
polite! It is a very hard lift. go upside-down and then you are not | :25:27. | :25:30. | |
sure where you are. Where your legs are? Exactly. I could have been | :25:30. | :25:34. | |
more graceful with it. That's the best I have probably ever landed | :25:34. | :25:41. | |
that so I was - it was all right. thought it was great. You are | :25:41. | :25:44. | |
talking about the salsa being a sexy dance and all about the booty. | :25:45. | :25:49. | |
We did notice on the big show that one of the female professionals had | :25:49. | :25:55. | |
a little fixation with your bottom. Check this out. I hope you are | :25:55. | :26:00. | |
settled in for a night of sheer ballroom bliss? Anyone ready for | :26:00. | :26:10. | |
:26:10. | :26:15. | ||
some more? Come on, Bruce! She is so naughty! I felt something. Now I | :26:15. | :26:18. | |
have remembered. It is such a lovely bottom. You are doing the | :26:18. | :26:23. | |
foxtrot this week. Yes, we are. are you liking it? It is going all | :26:23. | :26:26. | |
right. It is technical and difficult to pick up. It is all | :26:26. | :26:29. | |
about the posture and looking elegant, which is completely | :26:29. | :26:33. | |
different from the salsa. So I am getting there, I think. I need to | :26:33. | :26:37. | |
work more on my footwork and my posture and my neck and... What is | :26:38. | :26:41. | |
the toughest thing about the foxtrot? I think it is the speed. | :26:41. | :26:46. | |
It is really slow. So it is harder to dance slower than it is to do it | :26:46. | :26:53. | |
really fast. Your legs have to go long? Exactly. I have short legs. | :26:53. | :26:58. | |
Only got little legs. We've got little legs! Online, Annie says, | :26:58. | :27:02. | |
she was loving the super salsa from "the pocket rocket"s! Thank you | :27:02. | :27:07. | |
very much. You have got some lovely music. It is Hollywood Week and you | :27:07. | :27:14. | |
are dancing to this. # Somewhere over the rainbow... # | :27:14. | :27:18. | |
You will be Dorothy, are you the Tin Man? I will try. You have | :27:18. | :27:22. | |
played Dorothy before? I have. I have done it quite a few times. The | :27:22. | :27:27. | |
first time I was 16, I think. So, yeah, it is close to my heart. I | :27:27. | :27:32. | |
love the character. We tried to mock-up a picture of how we think | :27:32. | :27:40. | |
you will both look. This is special. Look at Toto! That is creepy! I | :27:40. | :27:45. | |
don't like that. Make it go away. The exciting news is, we have real | :27:45. | :27:50. | |
live animals on Saturday. You will have a real Toto? Yes. Yes. Is it | :27:50. | :28:00. | |
:28:00. | :28:02. | ||
one of the Totos that has been in the West End? I hope so. Are your | :28:02. | :28:07. | |
shoes getting more comfortable? Between you and me, they are not | :28:07. | :28:11. | |
attractive shoes. They are really uncomfortable. Try and point your | :28:11. | :28:17. | |
toe, they don't bend. I prefer the Latin ones or maybe to dance in | :28:17. | :28:22. | |
trainers. Maybe they will dance in some glittery trainers one week. | :28:22. | :28:30. | |
You never know. Thank you. Give it up for dab Dani and Vincent! | :28:30. | :28:35. | |
APPLAUSE That is it for today. Thank you to all my guests. Join us | :28:35. | :28:39. | |
tomorrow when my guests will be Kimberley and Pasha, Lisa and Robin | :28:39. | :28:46. | |
and I will be on the Strictly set to have a catch-up with Colin and | :28:46. | :28:50. |