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I$$NEWLINE Hello, and welcome to Friday night's It Takes Two. It's | :00:10. | :00:13. | |
nearly the premiere of Hollywood week. I'm going to grab some of the | :00:13. | :00:20. | |
stars to join me on the sofa tonight. It's Kimberly and Pasha. I | :00:20. | :00:26. | |
love what you're wearing. You look gorgeous, darling. Also tonight, | :00:26. | :00:30. | |
Lisa and Robin ready to take on Tinsel Town - you look gorgeous, | :00:30. | :00:33. | |
beautiful, lovely, and ladies and gentlemen, showbiz royalty, ladies | :00:33. | :00:36. | |
and gentlemen - it's Dionne Warwick. APPLAUSE | :00:36. | :00:44. | |
Welcome. And I think I recognise the feather boa - Nancy Dell'olio | :00:44. | :00:47. | |
is back. APPLAUSE | :00:47. | :00:56. | |
Ciao, bella. Muah! Beautiful. What's a red carpet event without | :00:56. | :01:06. | |
:01:06. | :01:06. | ||
you! And later I'll be popping in to see Colin and his partner in an | :01:06. | :01:10. | |
exclusive peek at the Argentine tango. This is Strictly Come | :01:10. | :01:20. | |
:01:20. | :01:52. | ||
Dancing: It Takes Two - oh, the # There is no business like show | :01:52. | :01:56. | |
business - # Hello, and welcome to It Takes Two. | :01:56. | :02:01. | |
This weekend our A-listers will be starring in their very own block | :02:01. | :02:04. | |
burst on the dancefloor but for one couple it won't be feel-good. Oh, | :02:04. | :02:13. | |
no. It will be more of a Hollywood tear jerker as 13 become one sad | :02:13. | :02:17. | |
face. He's very sad. I'll be chatting to them in a moment, but | :02:17. | :02:26. | |
first, here's a recap of how they fared in their foxtrot. I like it. | :02:26. | :02:31. | |
Obviously, I loved the routine. The only thing that did bother me, | :02:31. | :02:36. | |
however, was your jaw. It was really protruding forward. | :02:36. | :02:40. | |
beautiful mood you created, Kimberly. I loved the style. I | :02:40. | :02:45. | |
loved the performance - very, very pretty. I thought it was limp. I | :02:45. | :02:51. | |
didn't feel there was enough conviction in the dance. Six. | :02:51. | :02:55. | |
Loads of things that didn't feel like as good as they should have | :02:55. | :03:05. | |
been, so - it's fine. I can take that. Oh, don't cry, little | :03:05. | :03:08. | |
Kimberly. Ladies and gentlemen, please welcome Kimberly and Pasha. | :03:08. | :03:13. | |
Oh, bless you. We're going to talk about the tears in Joe first, this | :03:13. | :03:17. | |
week you have been poorly. No, I had some sort of virus. Yeah, it | :03:17. | :03:22. | |
was a little bit annoying, but we still managed to rehearse lots. | :03:22. | :03:26. | |
she soldier on, Pasha? Absolutely. Yeah, we got the hours in, and I | :03:26. | :03:30. | |
feel much better today. Good. Thank goodness for that. 26 last week for | :03:30. | :03:34. | |
your foxtrot. Most people think that's a really good score, but you | :03:34. | :03:38. | |
were a little bit sad. I wasn't sad about the score, actually. It was a | :03:38. | :03:42. | |
really good mark. It's just that I messed up a few things, and I | :03:42. | :03:47. | |
didn't feel like I did my best. That's why I got a little bit upset. | :03:47. | :03:51. | |
It's silly. It's terrible because you train all week. You get it | :03:51. | :03:55. | |
perfect in the dress run and then a little thing... Exactly. It just | :03:55. | :03:59. | |
felt like it fell apart a little bit to me. That's why it was | :03:59. | :04:04. | |
disappointing. How did you feel - Len - I think he was trying to | :04:04. | :04:07. | |
encourage you but he was quite harsh with you. He said you've got | :04:07. | :04:11. | |
to do better than that. Did that hurt? You know what? I can't | :04:11. | :04:15. | |
remember really taking the comments on at the time. All I was thinking | :04:15. | :04:19. | |
is I can't believe I missed a step. That's all I could think, but yeah, | :04:19. | :04:23. | |
when I watched it back, obviously the comments were a little bit | :04:23. | :04:28. | |
harsh, so I could have done better. I think I've just got to take it | :04:28. | :04:32. | |
and improve this week. Which I know you will. On the positive side, | :04:32. | :04:36. | |
Craig said it was gorgeous, and he loved I, and that from Craig... | :04:36. | :04:42. | |
They have sort of reversed... reversal. I thought it was a good | :04:42. | :04:48. | |
dance. Yeah, we loved the routine, didn't we? We really enjoyed | :04:48. | :04:52. | |
rehearsing it. How did your girl do on the night? She did great, but | :04:52. | :04:56. | |
she's so self-critical. Really? Yeah. She keeps drilling herself. I | :04:56. | :05:00. | |
don't know. It's a girl thing. How do you get her out of that? How do | :05:00. | :05:05. | |
you get her straight and focused? He's good at that. He makes me | :05:05. | :05:09. | |
laugh all the time. Get over it, come on! All the cakes! I had a | :05:10. | :05:16. | |
cake for you, but I it a it, sorry. Chocolate helps. Chocolate helps - | :05:16. | :05:20. | |
remember that. Now, Craig did mention your jaw. Yes. Didn't he? | :05:20. | :05:25. | |
Pasha, what did you make of that? was inspecting that issue from all | :05:25. | :05:30. | |
the different sides, I didn't find anything wrong. I was like, I | :05:30. | :05:35. | |
really don't need to starve - my jaw - a I've got enough things to | :05:35. | :05:38. | |
worry about. You know, I was really nervous, and I could see that on my | :05:38. | :05:43. | |
face, and I was, like, clenched. It's like locked? Yeah, it was more | :05:43. | :05:47. | |
that, and obviously, we're still working on our position in ballroom | :05:47. | :05:52. | |
and stuff. So yeah, I can improve that. That can be dealt with. It | :05:52. | :05:58. | |
hasn't gone unnoticed to our It Takes Two voles that Kimberly is a | :05:58. | :06:05. | |
fan of this - here is an Audrey Hepburn classic. It Takes Two's | :06:05. | :06:11. | |
Funny Face starring Kimberley Walsh as the girl with the showbiz smile. | :06:11. | :06:15. | |
So cheesy! Kimberley Walsh as the girl who looks a little bit | :06:15. | :06:19. | |
confused. What was that face? Kimberley Walsh as the girl who | :06:19. | :06:24. | |
pouts a lot. The pout goes out straight away. Kimberley Walsh as | :06:24. | :06:26. | |
the girl who is quite dramatic - sometimes. | :06:27. | :06:31. | |
We need to work on that. Also starring Pasha Kovalev as the | :06:31. | :06:38. | |
professional dance instructor. You'll love Funny Face - not coming | :06:38. | :06:43. | |
to a movie theatre near you soon. Ah, I love that. That's so cute. | :06:43. | :06:48. | |
This week let's move on from last week - Hollywood, you're dancing to | :06:48. | :06:54. | |
a Judy Garland classic from MGM. Yes. We've all seen it - | :06:54. | :06:57. | |
# Come on, get happy # - I love this song. I love there | :06:57. | :07:01. | |
song. I am so excited about our dance this week. It's a quickstep. | :07:01. | :07:06. | |
How quick is it? Pretty quick. not that quick. Is she good. | :07:06. | :07:10. | |
keeps saying it's not that quick. Of course it's quick. It's a | :07:10. | :07:15. | |
quickstep! But the song is so slow. He's pretty good at quicksteps - | :07:15. | :07:21. | |
remember you and Chelsea last year? He's got a really great routine. | :07:21. | :07:25. | |
Are you going to make Len proud this week? You know what? I really | :07:25. | :07:28. | |
will try, but mostly I want to enjoy the dance this week. It's | :07:28. | :07:33. | |
such a fun song, and I just want to be in the moment. Is Cheryl coming? | :07:33. | :07:38. | |
When is she going to come? She's going to come soon. She keeps | :07:38. | :07:44. | |
saying, "When can I come?" You're back on tour soon. Thank you, | :07:45. | :07:50. | |
Kimberly and Pasha. So on Saturday cinder Ella got to go to the ball | :07:50. | :07:57. | |
as Lisa and her very own Prince in a vest, Robin, impressed the judges | :07:57. | :08:01. | |
with their Viennese waltz. Here's a reminder of what happened. Adam, I | :08:01. | :08:06. | |
thought you were fabulous. In hold, you've got to work on - come and | :08:06. | :08:12. | |
see me after the show. Oh! What I love about you - we're always | :08:12. | :08:18. | |
getting full-on entertainment. It's like a mini-series. It was graceful, | :08:18. | :08:25. | |
and the man should lead, darling. You give a beautiful energy. | :08:25. | :08:31. | |
APPLAUSE Six. Seven. See? He's leading me. | :08:31. | :08:36. | |
I'm not leading him. I've got to be a girl and not a boy. You were a | :08:36. | :08:41. | |
lady, a leading lady, shall we say? Please welcome Lisa and Robin. | :08:41. | :08:46. | |
APPLAUSE I'm disappointed that you're not in | :08:46. | :08:52. | |
a vest - slightly cut out at the sides but... It's Hollywood for you. | :08:52. | :08:56. | |
You have to scrub up a bit. Did you enjoy playing a Princess last week? | :08:56. | :09:00. | |
Oh, I loved it. We did tell a story in what we were doing in the dance. | :09:01. | :09:05. | |
It was great. I had to be very lady-like, which I tried my hardest, | :09:05. | :09:11. | |
but we enjoyed it. It was good fun, wasn't it? Yeah. A few judges' | :09:11. | :09:16. | |
comments about you leading Robin but then when Karen came in from | :09:16. | :09:19. | |
Choreography corner, she said she was pleased with you because you | :09:19. | :09:23. | |
made a little mistake and caught up with yourself. Yeah, that there | :09:23. | :09:28. | |
when I went around, I missed the grab of his hand. I know what it is | :09:28. | :09:33. | |
now. When I get nervous on a Saturday night, my arms go solid, | :09:33. | :09:37. | |
and they completely lock up, and that's what it looks like. I am | :09:37. | :09:44. | |
just dragging him with me. "Come with me, boy!" Your cha-cha-cha | :09:44. | :09:47. | |
will go down in Strictly Come Dancing folklore for incredible | :09:47. | :09:52. | |
choreography. How are you going to top that now? You know what? My | :09:52. | :09:55. | |
brain has been working overtime working on something clever. I | :09:55. | :10:00. | |
think tomorrow I might actually go one further. Really? Watch this | :10:00. | :10:04. | |
space. That is a huge build-up. It is Hollywood week this week, and we | :10:04. | :10:09. | |
notice you two have been very busy getting into the mood. Check out | :10:09. | :10:15. | |
your very own lo-fi production of Batman and Robin. | :10:15. | :10:19. | |
# Nah, nah, nah, nah, nah, nah nah, # Batman! And Robin! | :10:19. | :10:29. | |
:10:29. | :10:32. | ||
# Batman! # Batman # | :10:32. | :10:38. | |
Ah! Huh! Yes, yes, yes, yes, yes! Oh. I thought you were going to | :10:38. | :10:46. | |
kill me at one point. I was. Hah! | :10:46. | :10:56. | |
:10:56. | :10:57. | ||
# Batman! # That is so good. That's a keeper. | :10:57. | :11:03. | |
So this week it's not Batman. It's Dick Tracy for you two. This is | :11:03. | :11:11. | |
their music. It's Imagine - the hanky-panky, so good - are you good | :11:11. | :11:16. | |
at finding your inner imagine? girl doesn't want to dress up like | :11:16. | :11:20. | |
Madonna on a Saturday night? It's great. I am loving it. We have a | :11:20. | :11:24. | |
mock photo alert. This is what we think you might look like Saturday | :11:24. | :11:27. | |
night. I have lost more weight than I thought. Tell me a bit about your | :11:27. | :11:33. | |
jive. Are you loving it? How fast is it? It's insanely fast. This has | :11:33. | :11:37. | |
nothing on the cha-cha. There is a step on every move and yeah, we're | :11:37. | :11:40. | |
definitely breathing very heavily at the end. Last week I think we | :11:40. | :11:44. | |
kind of saw that, you know, with Denise and James, then with Michael | :11:44. | :11:48. | |
and Natalie the jive is really good when it's kind of in sync. Are you | :11:48. | :11:52. | |
managing to stay in sync, the two of you? So far, so good, but I have | :11:52. | :11:57. | |
to say if one of us misses one step, it's all over. That's it. | :11:57. | :12:01. | |
fingers crossed it all goes well tomorrow. It's so in sync. It has | :12:01. | :12:06. | |
to be that way. Otherwise it's all over. I think it will be glorious. | :12:06. | :12:10. | |
Also we saw from Denise it's quite dangerous, the jive. Have you had | :12:10. | :12:15. | |
any injuries? It's a sore subject, but yes, I have three corns. My | :12:15. | :12:19. | |
professional dancer... I didn't want to know that! No, I have. I am | :12:19. | :12:26. | |
a young girl, and I have. Robin keeps whingeing... Does he tend | :12:27. | :12:34. | |
to... No. You don't go near them. That surely must be a dancer's | :12:34. | :12:39. | |
worst nightmare? I have spent most of my life with corns. I think | :12:39. | :12:44. | |
you're going to be great on Saturday, my little jive bunnies, | :12:44. | :12:50. | |
Lisa and Robin - with corns. Oh, dear. Last week, Jimmy was just a | :12:50. | :12:56. | |
bit off with his productions and Sid Owen didn't top the leader | :12:56. | :13:02. | |
board. Let's see if he can redeem himself and if his animal instincts | :13:02. | :13:08. | |
have improved. (Playing the theme to The Pink | :13:08. | :13:18. | |
:13:18. | :13:30. | ||
There you have it. He thinks Kimberly and Pasha will be top | :13:30. | :13:35. | |
scorers on Saturday night, but will he be right? Who knows. If he gets | :13:35. | :13:39. | |
it wrong, three weeks. If you missed it, the otters were very | :13:39. | :13:49. | |
:13:49. | :13:52. | ||
Hooray, the otters. Now it's time to welcome a panel - this is going | :13:52. | :13:56. | |
to be special - who between them know more than a thing or two about | :13:56. | :14:01. | |
song and dance. Let's hope so. Please welcome Nancy Dell'olio, | :14:01. | :14:08. | |
Rufus Hound and singing legend Dionne Warwick. Holy Moses! Holy | :14:08. | :14:11. | |
Moses! Look at you sandwiched between these two. Honestly, if I | :14:11. | :14:16. | |
have to work with these two one more time! Every week, week in, | :14:16. | :14:18. | |
week out... Bless you. Welcome to the show. Dionne Warwick, welcome | :14:18. | :14:28. | |
to the show. Thank you. Celebrating Well done. You've got a | :14:28. | :14:31. | |
commemorative album out at the moment. Does it have all our | :14:31. | :14:35. | |
favourites? I certainly hope so. Any new special little numbers? | :14:35. | :14:38. | |
Yeah, as a matter of fact, there are four. Really? Yeah, two written | :14:38. | :14:48. | |
:14:48. | :14:49. | ||
by Burt without Hal... Bacharach? No, just Burt. Because he's just | :14:49. | :14:55. | |
some bloke called Burt then. Songs I'd never sung before, but | :14:55. | :14:59. | |
wonderful songs. We'll check that out. Rufus, you're to take to the | :14:59. | :15:04. | |
stage I believe. I am. I am doing a tour of One Man Two Governors. | :15:04. | :15:09. | |
you playing the James Gordon Pub? If you want to make it more | :15:09. | :15:15. | |
crippled with fear, yes, I am. Nancy, panto for you? No. Just | :15:15. | :15:19. | |
kidding. I've just been missing you so much. I know. Thank you for | :15:19. | :15:23. | |
coming back. We shall talk more. Let's talk more about the dancers. | :15:23. | :15:31. | |
That's why we're here, after all. Lewis and Flavia will salsa. Do you | :15:31. | :15:37. | |
think the two have what it takes to top the leader board again? Could | :15:37. | :15:47. | |
:15:47. | :15:48. | ||
be. I met, actually, Louis. We were on TV together a few weeks ago. | :15:48. | :15:52. | |
Flavia is great in salsa. She is a great teacher. Their music will be | :15:52. | :15:56. | |
this - # I had the time of my life # | :15:56. | :16:01. | |
The question is are they going to do the lift? Yes, they are. It was | :16:01. | :16:07. | |
in the paper. Have you seen Dirty Dancing? I have. Do you think | :16:07. | :16:13. | |
anyone can recreate the magic of Swayze and Jennifer Grey? No. | :16:13. | :16:18. | |
only saying what we were all thinking. Let's talk about Richard | :16:18. | :16:22. | |
and Aaron and their quick-step. This is what they're going to be | :16:23. | :16:26. | |
dancing to. # Working 9.00am to 5.00pm. This is | :16:26. | :16:31. | |
a bit camp! You were doing the red button last week with Karen, so | :16:31. | :16:35. | |
you're very well aware of Dicky's work. What do you think? Is he | :16:35. | :16:41. | |
going to be able to stay out of the bottom? This suits him more than | :16:41. | :16:47. | |
the jie. As long as they don't dress imin his nan's blind curtain, | :16:47. | :16:56. | |
he'll be fine. Right. Let's talk about Vernon and Artem. They're | :16:56. | :17:00. | |
doing the Charleston. Vernon exited on this dance last year, Chelsea. | :17:00. | :17:05. | |
Do you think looking at the practise, will he avoid a similar | :17:05. | :17:08. | |
fate? I think she's definitely looking good. Is he looking good? I | :17:08. | :17:13. | |
don't know. I can just listen to you all night. Definitely. I am | :17:13. | :17:18. | |
sure they'll do very good. And Artem is a great teacher. She's | :17:18. | :17:23. | |
looking very good. We like that the music is spectacular, possibly the | :17:23. | :17:28. | |
song of the night. # It's | :17:28. | :17:32. | |
supercalifragilisticexpialidocious I have always felt the warmth of | :17:32. | :17:35. | |
Britain maternally through the screen, and that's what you want | :17:35. | :17:39. | |
from a Poppins. It is a sort of slight cuddly mother character. | :17:39. | :17:45. | |
Yeah. You know, the dance... Dionne's gone. She loved that. | :17:45. | :17:49. | |
had me practise it in rehearsals. It's - 90% of dancing is from the | :17:49. | :17:53. | |
neck up. That's the thing with Fern. When you look at her, you think, | :17:53. | :17:56. | |
you're loving this so much. I found that was true of Jonny and Lisa | :17:56. | :18:02. | |
last week as well. I think those who bring it from there are going | :18:02. | :18:07. | |
to get more votes. They enjoy it. Nancy, how can we forget, you | :18:07. | :18:11. | |
actually left the show after your rumba. It was very, very special. | :18:11. | :18:13. | |
It was. Will Victoria have more luck, do you think, looking at | :18:13. | :18:20. | |
this? I'll take that as a no - maybe a yes? Possibly a thought... | :18:20. | :18:26. | |
I loved my rumba last year, but it's so - too little to say, so | :18:26. | :18:30. | |
we'll see - we'll see tomorrow. Leave it open. If she can bring | :18:30. | :18:33. | |
that to the live show, she'll be fine, but last week, I don't know. | :18:33. | :18:37. | |
It just looked like somebody found a wounded bird... Carrying her | :18:37. | :18:46. | |
around. And were trying to drip feed her Weetabix. No, but he has | :18:46. | :18:54. | |
done dancing. But he hasn't danced... Dancing prowess, | :18:54. | :18:59. | |
Addalia... You two discuss this in the bar. Jerry and Anton will be | :18:59. | :19:06. | |
doing a quickstep to this music. # Here's to you, Mrs Robinson # | :19:06. | :19:10. | |
Dionne, Jerry Hall here, used to be married to Mick Jagger, she played | :19:10. | :19:14. | |
Mrs Robinson on the stage. Do you think she'll be able to bring out | :19:14. | :19:19. | |
the best in this dance? Um, she certainly has the legs for it, you | :19:19. | :19:24. | |
know? She has great legs, good pins. Do you think her acting ability | :19:24. | :19:29. | |
will help her on the stage? It will need to be. I think Anton is the | :19:29. | :19:34. | |
only dancer on the show that is actually older than... Benjamin is | :19:34. | :19:38. | |
older than Mrs Robinson - this is going to work! I like the twist | :19:38. | :19:47. | |
you're putting on it. Sid and - she loves you! Sid and Ola are going to | :19:48. | :19:56. | |
be doing the tango. They got in trouble for their timing. Do you | :19:56. | :20:00. | |
think it will be any better this week? Here's the music | :20:00. | :20:05. | |
# Going down the only road I have ever known # | :20:05. | :20:10. | |
If you've got that music, it could be electric. The thing is it is | :20:10. | :20:14. | |
going to be on him. He can pull it off, though. You have to remember, | :20:14. | :20:23. | |
he's 40 years old. Is he? I thought he was 32 or something. Age again? | :20:23. | :20:28. | |
Let's not good ageist. How many 40- year-old men have you seen dancing? | :20:28. | :20:33. | |
A few. I realised as I looked into you're eyes a flicker of "Don't ask | :20:33. | :20:40. | |
me that question." I'm so, so sorry. Gavin, calling in the Argentine | :20:40. | :20:44. | |
tango. This is the snippette. What do you reckon? Is that going to be | :20:44. | :20:49. | |
a Dionne Warwick? What do you think? He's hot. He is! I'll tell | :20:49. | :20:52. | |
him you said that. Um, I'll tell him too. | :20:52. | :20:57. | |
LAUGHTER So good! So good. Right. OK. And | :20:57. | :21:01. | |
Nicky and Karen will be doing the quickstep this week. He's had two | :21:01. | :21:05. | |
dodgy weeks. Can he bring it back, Rufus? What do you think? What is | :21:05. | :21:10. | |
it we need from Nicky we're not seeing so far? I like him. Is it | :21:11. | :21:17. | |
that he's got a Venezuelan partner, and she's like, "I care nothing for | :21:17. | :21:21. | |
these rules, vivala revolution." You want a lift, throw her in a | :21:21. | :21:27. | |
lift. You want a boy band? Go for it. Don't give her a hard time. | :21:27. | :21:31. | |
am sure she's lovely, but that is going to be the problem. In the | :21:31. | :21:38. | |
early weeks, you try to separate the wheat from the chaff. Len will | :21:38. | :21:42. | |
praise him... You're so good. How do you know so much about this | :21:42. | :21:47. | |
show? I have watched this since the beginning. Really? Yes. Very | :21:47. | :21:54. | |
impressive. Very quickly, he's dancing to this music - | :21:54. | :22:01. | |
# Hey, hey! # Do you think it will bring out the Jim Carrey | :22:02. | :22:05. | |
performance? You have to watch the show tomorrow. I am really looking | :22:05. | :22:10. | |
forward to it. I am assuming you'll be taking these two ladies out this | :22:10. | :22:18. | |
evening for a drink? Oh, more than a drink. Oh, my goodness me. Yes. I | :22:18. | :22:22. | |
hope you like hamburgers! Dionne is performing on the results show on | :22:22. | :22:26. | |
Sunday night. Good luck with that. Thank you so much. Thank you. | :22:26. | :22:32. | |
Possibly the best panel we're ever going to have - Dionne Warwick, | :22:32. | :22:36. | |
Rufus Hound, Nancy Dell'olio. So all of those three weeks, and it | :22:36. | :22:40. | |
seems the bond between our couples are growing stronger and stronger | :22:40. | :22:45. | |
and stronger. Take a look. I love you all. I really do. When you sign | :22:45. | :22:48. | |
up to something like this, you know you're going to have to work | :22:48. | :22:52. | |
closely with your dance partner. You have to trust them and be | :22:52. | :22:56. | |
patient with each other. She has been all of that. It hasn't | :22:56. | :23:00. | |
surprised me how close I am to Vincent because he's such a lovely | :23:00. | :23:03. | |
man and absolutely hilarious. The only thing I want out of Saturday | :23:03. | :23:09. | |
nights is to do Vincent proud. Kristina, everybody keeps telling | :23:09. | :23:13. | |
me she's a task master. I don't see that at all. She's kind. She's | :23:13. | :23:17. | |
gentle. She's brilliant at what she does, and I think she's the | :23:17. | :23:20. | |
greatest teacher going. The thing I love about James is James really | :23:20. | :23:25. | |
cares. He's a bit of a maucho man - he thinks he is. He's actually | :23:25. | :23:30. | |
really, really lovely. Flavia has been amazing. She has been working | :23:30. | :23:34. | |
me hard. She has been trying to mould me into this dancer. Anton | :23:34. | :23:38. | |
and I get on very well. He's very charismatic. He's a wonderful | :23:38. | :23:43. | |
dancer. When you see people take to the | :23:43. | :23:47. | |
floor and do it, you think, I wish, and she's given me the chance to do | :23:47. | :23:52. | |
that. I have never met anyone quite like her who is so nurturing and | :23:52. | :23:56. | |
gracious. She's an extraordinary woman. Yeah, I love her. She's | :23:56. | :24:01. | |
wonderful. Pasha is such an amazing partner. He's very kind, very | :24:01. | :24:05. | |
patient. I feel really grateful that I've got a partner like that. | :24:05. | :24:09. | |
How often do you walk into a room, meet somebody who is pretty | :24:09. | :24:12. | |
gorgeous and a quarter of a century younger and within a flash you have | :24:12. | :24:17. | |
your arms around each other? He has so much faith and hope and trust in | :24:17. | :24:22. | |
me. I'd hate to disappoint him: We're getting on great. We feel | :24:22. | :24:25. | |
completely comfortable with each other. It is a little bit like | :24:25. | :24:31. | |
brother and sister. I really couldn't wish for a better partner. | :24:31. | :24:35. | |
It's definitely surprised me how quickly I have bonded with Brendan. | :24:35. | :24:39. | |
We get on really well. From the minute we met we had a laugh. I | :24:39. | :24:44. | |
think we're going to be mates no matter what these feet do. I would | :24:44. | :24:49. | |
be nothing without Robin Windsor. He has flipped me upside down with | :24:49. | :24:53. | |
his complete brilliance. He makes me laugh so much. For me, someone | :24:53. | :24:58. | |
who makes me laugh is a friend for life. I couldn't imagine my life | :24:58. | :25:02. | |
without her now. I wouldn't swap him for the world. I wouldn't | :25:02. | :25:07. | |
choose anyone else. Kristina is my girl. I couldn't imagine being with | :25:07. | :25:15. | |
anyone else. He's my bloke. As it's Friday, OK, big nose into the big | :25:15. | :25:22. | |
studio - had a little peek because in 24 hours' time this little | :25:22. | :25:25. | |
corner of Shepherds Bush will be transferred into a Hollywood | :25:25. | :25:31. | |
wonderland to dance for your votes again, and look who I found - it's | :25:31. | :25:35. | |
Colin and Kristina. Hello, lovelies. First, can I say you have stolen | :25:35. | :25:40. | |
the hearts of many of my female friends - not naming any names - | :25:40. | :25:44. | |
Laura and Tracy. They love you. How much did you enjoy your veenez | :25:44. | :25:50. | |
waltz last weekend? Oh, I loved it. It's one of the reasons I wanted to | :25:50. | :25:54. | |
do ball room I can throw down, but that was something else. I hope we | :25:54. | :25:59. | |
get to see you throw down before the end of the series. The judges | :25:59. | :26:03. | |
awarded sixes. You were a little bit disappointed. Yeah, I thought | :26:03. | :26:06. | |
he deserved higher, but it's early days. Hopefully, they'll warm up to | :26:07. | :26:13. | |
us a little more and be a little generous. Darcey raved about the | :26:13. | :26:16. | |
fact that you're good in the ballroom and in the Latin - clever, | :26:16. | :26:23. | |
Colin. I mean, have you developed a preference for either yet? I like | :26:23. | :26:27. | |
Latin. The hips. Yeah, I like the hips a bit. But the ballroom, like | :26:27. | :26:32. | |
I say, is very romantic. I like that. So liking a bit of both. He | :26:32. | :26:36. | |
has also been commended for dancing to his height - we now understand | :26:36. | :26:41. | |
what that means. As you two are developing a friendship and a | :26:41. | :26:45. | |
dancing relationship, is that still an issue or is it getting easier? | :26:45. | :26:49. | |
It's getting easier. We have kind of adjusted how we need to to work | :26:49. | :26:52. | |
with each other and what choreography I can do for him. I'm | :26:52. | :26:58. | |
sorry I can't grow a foot. We can have you stretched! Let's do that | :26:58. | :27:05. | |
you know. I sort of believe they - people marry. They fall in love. | :27:05. | :27:10. | |
Yeah, all different heights. It's feign. You're performing | :27:10. | :27:13. | |
consistently well each time. Would you like to see yourself pushed up | :27:13. | :27:17. | |
that leader board? Yeah, I am competitive, so yeah, I am working | :27:17. | :27:20. | |
hard. You have to be. It's a competition. Now, Hollywood week - | :27:20. | :27:25. | |
surely, as an actor, this is your time to shine, Colin. As an actor I | :27:25. | :27:29. | |
am sure it's my time to shine, but the Argentine tango is definitely | :27:29. | :27:33. | |
new territory. I know. It's the first Argentine tango, and it's | :27:33. | :27:36. | |
always really popular on the show. We're really excited about it. | :27:36. | :27:41. | |
You're dancing to a Bond theme because you have been in Bond films. | :27:41. | :27:46. | |
Is it going to be 00-heaven? I hope so. If not, it's going to be 00- | :27:46. | :27:51. | |
hell. Which doesn't work as well for a pun. You have been in Canada | :27:51. | :27:55. | |
as well filming... The Airro. Yeah, it comes out Monday night here. We | :27:55. | :28:00. | |
had to go for two days - I had to cram it all in. I was working | :28:00. | :28:06. | |
8.00am to 11.00pm. When did you do your training? A little bit | :28:06. | :28:08. | |
Thursday. So you have been back and forth to Canada this week - | :28:08. | :28:12. | |
incredible. When you see the standard of the dance, you will be | :28:12. | :28:16. | |
amazed. Robin has lent you a hand this week as well? Yeah, he's a | :28:16. | :28:20. | |
very good friend. He knew it was going to be a tough week for both | :28:20. | :28:25. | |
of us. He came in to show the lifts. Obviously, that was great for Colin. | :28:25. | :28:28. | |
How are the lifts? You'll have to wait and see. They are what they | :28:28. | :28:33. | |
are. She gets very high up in the air. You're pretty tall. You're | :28:33. | :28:38. | |
going to get vertigo up there. Listen. Good luck this week. Thank | :28:38. | :28:43. | |
you. You have agreed to give us a tiny teaser of the Argentine tango, | :28:43. | :28:48. | |
so if you would like to go prepare yourselves on the floor - Colin and | :28:48. | :28:53. | |
Kristina - shall we? Indeed. I can tell you on the show this week | :28:53. | :29:00. | |
there will be tap dancing. As I teeter dangerously on the stage in | :29:00. | :29:02. | |
these heels I would like to introduce a little bit of the | :29:02. | :29:12. | |
:29:12. | :29:37. | ||
Argentine tango - it's Colin and That's your lot, folks. Look away. | :29:37. | :29:41. | |
If you want more, you'll have to watch our Hollywood epic, Strictly | :29:41. | :29:45. | |
Come Dancing: It Takes Two, 6.30pm tomorrow night. It is going to be | :29:45. | :29:49. |