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Happy Monday to you and welcome to It Takes Two. What a glorious | :00:11. | :00:14. | |
weekend Hollywood was. I loved it. On the show tonight if there was an | :00:14. | :00:18. | |
award for the most glamorous exit and sad exit it would go to this | :00:18. | :00:25. | |
lovely lady and her partner, Jerry Hall and Anton Du Beke. If there | :00:25. | :00:28. | |
was an award for getting your shoe out of your dress in the most | :00:28. | :00:32. | |
stylish man ter would go to Victoria and Brendan. Every | :00:32. | :00:39. | |
Hollywood drama needs a villain. He is here, Craig Revel Horwood. Let's | :00:39. | :00:49. | |
:00:49. | :01:19. | ||
Live from Television Centre, this is Strictly - It Takes Two. Please | :01:19. | :01:26. | |
welcome Zoe Ball. APPLAUSE Hello and welcome to | :01:26. | :01:29. | |
Monday's It Takes Two. Hollywood week did not disappoint and in case | :01:29. | :01:37. | |
you missed it, here are the headlines. Thank you. | :01:37. | :01:40. | |
Good evening and here is the news. Nicky and Karen proved it was third | :01:40. | :01:44. | |
time lucky and could not mask their delight at the judges' comments on | :01:44. | :01:54. | |
their quickstep. Last week there was no life, this week it's full of | :01:54. | :01:59. | |
life. Love that energy, love that attack. | :01:59. | :02:04. | |
You're starting to win me over, actually. Back in the game! Michael | :02:04. | :02:07. | |
and Natalie's cha-cha-cha almost ended in disaster when he nearly | :02:07. | :02:17. | |
:02:17. | :02:25. | ||
He is such an adorable doofus. Looks like he nearly got caught out | :02:25. | :02:28. | |
there, and it's taken nearly ten years but we have done it, we have | :02:28. | :02:34. | |
found the one female who is immune to Vincent's charms. Can we keep | :02:34. | :02:44. | |
:02:44. | :02:45. | ||
him? Not a friend of yours, Vincent! Just jealous. For those | :02:45. | :02:50. | |
eagle-eyed viewers who thought Betty looked familiar we can | :02:50. | :02:52. | |
exclusively reveal that last Saturday was not her television | :02:52. | :03:02. | |
:03:02. | :03:09. | ||
It's only Pauline Fowler's four- legged friend, Betty from | :03:09. | :03:13. | |
EastEnders. Those are the headlines. For more gossip look at our | :03:13. | :03:20. | |
exclusive footage from behind the scenes. | :03:20. | :03:26. | |
It's movie week. That means one thing - lights... Camera... Action! | :03:26. | :03:36. | |
:03:36. | :03:36. | ||
Hollywood week. Very exciting. I have seen some of the numbers and | :03:36. | :03:41. | |
they they look really good. Dam! There's going to be drama. It's | :03:41. | :03:50. | |
going to be wonderful. Get in your box. All right! Know | :03:50. | :04:00. | |
:04:00. | :04:01. | ||
your place. We have a trick at the end, but my face is like this. | :04:01. | :04:08. | |
Let's hope that doesn't happen on the night. On that note, ta-ra. | :04:08. | :04:13. | |
movie is Wizard of Oz, we have a real dog. Fingers crossed it goes | :04:13. | :04:16. | |
to plan. Never work with children and animals and this is a live show | :04:16. | :04:23. | |
T could be interesting. # They called it puppy love... | :04:23. | :04:29. | |
I want to have a dog in my routine. She treats me like a dog. You are | :04:29. | :04:33. | |
heavy. What have you been eating? The problem is Vincent and Dani are | :04:33. | :04:39. | |
very small but next to them it rook -- looks like a Great Dane. | :04:39. | :04:43. | |
suggested using a hamster. Betty is a professional. She's going to | :04:43. | :04:47. | |
steal the show. We look very similar, yeah. You have attitude. | :04:47. | :04:57. | |
:04:57. | :05:04. | ||
I am ready for my close-up! What I love about Hollywood week it gives | :05:04. | :05:08. | |
the celebrities a chance to get into character and give us razzle- | :05:08. | :05:14. | |
dazzle. Nicky's coloured his face. Anything to put them off watching | :05:14. | :05:20. | |
the dance. You take your life into your own hands in Strictly when you | :05:20. | :05:30. | |
:05:30. | :05:33. | ||
ask for a couple of cups. Five If Strictly was a movie it would be | :05:33. | :05:38. | |
the biggest dramatic, scary movie. I am hoping for Hollywood boulevard | :05:39. | :05:43. | |
but I might get the boulevard of broken dreams. Tonight I have three | :05:43. | :05:48. | |
big big lifts. There's no room for error. I have her in my arms. I | :05:48. | :05:58. | |
:05:58. | :06:04. | ||
have got to deliver. It's show- Hollywood night I thought was fab- | :06:04. | :06:09. | |
u-lous, darling! I loved every minute. Jerry and Anton should have | :06:09. | :06:14. | |
gone because it was the weakest dance and she made errors in the | :06:15. | :06:20. | |
dance-off and unfortunately that pushed her over the cliff. | :06:20. | :06:24. | |
They failed to graduate from quickstep and ended up on the | :06:24. | :06:32. | |
cutting room floor. Please welcome Jerry and Anton! APPLAUSE Shocked | :06:32. | :06:38. | |
and saddened. I hate Mondays on the losers' sofa. I know. Disaster! | :06:39. | :06:44. | |
Soeufs sad so -- I was so sad to leave but my kids are celebrating | :06:44. | :06:48. | |
because they were fed up with the fridge being empty. There's a good | :06:48. | :06:51. | |
side to everything. Were you surprised to be in the bottom two | :06:51. | :06:57. | |
after Saturday night? Yes. A bit surprised. A little bit. I thought | :06:57. | :07:02. | |
it was a lot better. I was mostly disappointed because I think that | :07:02. | :07:07. | |
Jerry has improved from the first week, every week she improved a | :07:07. | :07:11. | |
little bit. Her marks remained the same. As far as the judges were | :07:11. | :07:15. | |
concerned, she showed no improvement at all. Did that make | :07:15. | :07:19. | |
you cross? Yes, very cross. I thought it was inconsistent. They | :07:19. | :07:22. | |
marked other couples as though they had improved and hadn't done the | :07:22. | :07:28. | |
same to Jerry. I was disappointed about that. I was sad that my | :07:28. | :07:34. | |
swoony-beau and I didn't get to do line dancing. You would have | :07:34. | :07:40. | |
excelled at that. The cowboy boots and the hat. Can we do that in a | :07:40. | :07:43. | |
Christmas special? Sounds amazing. What was the reaction to the others | :07:43. | :07:48. | |
when you went on Saturday? We saw Dani was crying. Everybody was so | :07:48. | :07:53. | |
sweet. It was such a lovely group of people. I loved the whole | :07:53. | :07:57. | |
experience. It was so great. I didn't know dancing could make you | :07:57. | :08:02. | |
so fit. You look amazing. You look amazing already. The dancing is | :08:02. | :08:05. | |
amazing. I am going to take both my daughters for ballroom dancing | :08:05. | :08:12. | |
lessons. Any ideas on who? It's been great for my career. I have a | :08:12. | :08:19. | |
beauty campaign. There were lots of pluses to it. A lot of good things. | :08:19. | :08:23. | |
You have had so many messages, even messages put through my door at | :08:23. | :08:29. | |
home. Pa Trisha said: So sad to see Jerry go. | :08:29. | :08:33. | |
Another says her seven-year-old daughter is Anton's biggest fan. | :08:33. | :08:37. | |
She was so upset last night she cried herself to sleep. Oh! Bless | :08:37. | :08:43. | |
her. He is amazing. He delivers rain or shine, like the postman. | :08:43. | :08:47. | |
The whole package. Have you been compared to a postman before? | :08:47. | :08:51. | |
get up early in the mornings, say no more. Who are you going to miss | :08:51. | :08:55. | |
most? You made great friends on this. Well, I am going to be | :08:55. | :09:00. | |
rooting for Kimberley. I think she's improved so much. I love Sid | :09:00. | :09:05. | |
Owen. I think he is fantastic. loved him on Saturday. We are going | :09:05. | :09:09. | |
to miss your Texan ways combined with the magic of du Beke. Here are | :09:09. | :09:15. | |
your best bits. You will be strutting your stuff with Anton Du | :09:15. | :09:19. | |
Beke! Anton's very charismatic. He is a | :09:19. | :09:29. | |
:09:29. | :09:31. | ||
world. I get to dance with Jerry Hall. I can't think of a better way | :09:31. | :09:41. | |
:09:41. | :09:42. | ||
to spend my day. It's my favourite step, ever! Oh, Jerry, you are a | :09:43. | :09:47. | |
glamazon! You have the assets, use them. I used all kinds of assets! I | :09:47. | :09:50. | |
just don't want to be too good in the beginning because I want to | :09:50. | :10:00. | |
:10:00. | :10:01. | ||
give the other ones a chance. The last time I saw posture like | :10:01. | :10:09. | |
that was this summer in my garden on a praying mantis. I like the mix | :10:09. | :10:12. | |
of steps, your problem is you are too vertical stphaoeu don't think | :10:12. | :10:16. | |
that's --. I don't think that's fair. We didn't make mistakes. | :10:16. | :10:22. | |
at all. Come on! Action! This is my kind of dancing. I am going to get | :10:22. | :10:28. | |
the posture right and walk along. I liked it a lot and it was so much | :10:28. | :10:32. | |
better. The whole thing would have been better behind the screen, | :10:32. | :10:38. | |
frankly. It's decision time. The couple with | :10:38. | :10:41. | |
the most votes will stay in Strictly Come Dancing. Michael and | :10:41. | :10:48. | |
Natalie. Michael and Natalie. and Anton. Michael and Natalie. | :10:48. | :10:51. | |
have loved dancing with you, Anton and you are a wonderful teacher. It | :10:51. | :10:56. | |
was great. Thank you. You are just so wonderful. I have loved every | :10:56. | :11:02. | |
minute of spending time with you. I just - I love you. You are my | :11:02. | :11:08. | |
friend for life. Whether you want to be or not. | :11:08. | :11:18. | |
:11:18. | :11:19. | ||
Anton, what have you learned about Jerry that you think the public | :11:19. | :11:27. | |
haven't had a chance to see yet? Well, she is funny. Oh, made me | :11:27. | :11:33. | |
laugh every day. That's one of the things that makes me so sad is that | :11:33. | :11:38. | |
we could have had more of that and the longer we stayed in more of | :11:38. | :11:41. | |
that we would have got and she's so funny and fabulous all at the same | :11:41. | :11:44. | |
time. Was there one dance you were really looking forward to doing | :11:44. | :11:48. | |
with Jerry that you won't have a chance to now? Line dancing isn't | :11:48. | :11:52. | |
part of ballroom dancing. That's a shame really because that would | :11:52. | :12:01. | |
have been fabulous. It would have been good. Your paso doble, maybe | :12:01. | :12:06. | |
you will do that for us later? I do feel that our lives have been | :12:06. | :12:10. | |
forever enriched by meeting you, Jerry Hall. You are amazing and you | :12:10. | :12:19. | |
are a wonderful man. It's been a great experience. Anton and Jerry! | :12:19. | :12:23. | |
APPLAUSE Mr Bless them. In a -- bless them N a moment Craig Revel | :12:23. | :12:29. | |
Horwood will be here. First, time to test your Strictly knowledge | :12:29. | :12:39. | |
:12:39. | :12:43. | ||
Hello you Strictly experts. I am here to test your Strictly | :12:43. | :12:49. | |
knowledge. In his youth Len worked as a welder | :12:49. | :12:57. | |
in the London docks. Is it Strictly true or Strictly baloney? | :12:57. | :13:01. | |
Oh, you are such a tease! He may have been dressed as the Tin Man on | :13:01. | :13:11. | |
:13:11. | :13:12. | ||
Saturday night but we all think he has plenty of heart. Please welcome | :13:12. | :13:16. | |
Craig Revel Horwood! APPLAUSE AND CHEERING Show me your | :13:16. | :13:23. | |
moves. And big finish. Hello, Craig. Is it me or would the -- were the | :13:23. | :13:27. | |
scores getting lower on Saturday night? Have they been going down | :13:27. | :13:32. | |
week on week and if so, why? Mine haven't actually. I am being myself, | :13:32. | :13:35. | |
normal, honest, you know. I don't know if you are being yourself. You | :13:35. | :13:38. | |
are giving higher marks than I think you have ever given this | :13:38. | :13:43. | |
early on. I think the dancing is better. I am certainly not going to | :13:43. | :13:48. | |
be lying. Or trying to raise the score just because I fancy it, you | :13:48. | :13:52. | |
know. I have to value what I think the dance is worth and score it | :13:52. | :13:58. | |
appropriately. The rest of the panel, however, you can say that to. | :13:58. | :14:01. | |
We might have to have a discussion later on about some of Len's | :14:01. | :14:03. | |
scoring on Saturday which was interesting. Don't start on that | :14:03. | :14:10. | |
one, darling. The second couple to say bye, do you think people choose | :14:10. | :14:15. | |
the right people? I think so. Both dancers were pretty poor, you know | :14:15. | :14:21. | |
and they both have have their strengths and weaknesses. When you | :14:21. | :14:25. | |
see - when you have to do the dance-off it will possibly go wrong | :14:25. | :14:30. | |
and it did. If Jerry hadn't made those errors, then I would have put | :14:30. | :14:35. | |
her through. It could have been a different story. I love her, I love | :14:35. | :14:40. | |
her back stage, her character, personality, everything. I can't | :14:40. | :14:45. | |
judge on potential, either. I think that's what's difficult about the | :14:45. | :14:50. | |
dance-off. The decision has to be based on what happens in front of | :14:50. | :14:54. | |
you that particular moment in time. Let's discuss Michael and Natalie. | :14:54. | :14:57. | |
Why do you think he deserved another chance and do you think he | :14:57. | :15:02. | |
is progressing? I thought he had some slight improvement. The reason | :15:02. | :15:06. | |
I say that is because he didn't go off time as much. Yes, it was | :15:06. | :15:11. | |
littered with mistakes, but dance- off I thought he was a little bit | :15:11. | :15:18. | |
better and he was completely focused. His New Yorks looked all | :15:18. | :15:21. | |
right. Everything was that little bit better than Jerry's. That's the | :15:21. | :15:26. | |
reason I put him through. OK. Let's talk about Denise and James and the | :15:26. | :15:31. | |
foxtrot. You said great posture and control and beautifully acted. How | :15:31. | :15:36. | |
can Denise get those scores up to nine and ten and do you think she's | :15:36. | :15:40. | |
been too good too soon? I don't think so. She's at a level that's | :15:40. | :15:47. | |
dangerous because getting a 9, you have to be almost perfect. The only | :15:48. | :15:52. | |
people that get 10s are people that have really, really studied and | :15:52. | :15:56. | |
absolutely made no mistakes whatsoever. For her to get a 9 she | :15:56. | :16:01. | |
needs to, I guess, tighten up and tidy up her footwork, make sure | :16:01. | :16:05. | |
it's perfect. And not have any gapping that we saw just then. It's | :16:05. | :16:09. | |
tiny little things like that. getting there? Len will be looking | :16:09. | :16:16. | |
for, coming from that sort of world. OK. Let's talk about Sid and Ola. I | :16:16. | :16:22. | |
thought he was ace on Saturday which shows how much I know. He was | :16:22. | :16:26. | |
upset. What was wrong with it. doesn't come from any of the | :16:26. | :16:31. | |
gimmicks and his entry steps. Even if we don't like the concept I mark | :16:31. | :16:35. | |
as soon as they get into hold and that really wasn't good enough. It | :16:35. | :16:43. | |
was very - it wasn't sharp enough. He looked terrified, rather than | :16:43. | :16:45. | |
carrying that character through into the dance. What happened was | :16:45. | :16:49. | |
he was full of characterisation, it was all going well until he got | :16:49. | :16:53. | |
into hold and suddenly stone face, didn't know what he was doing and | :16:53. | :17:02. | |
it was really quite rancid. Lisa and Robin. Everyone gets | :17:02. | :17:05. | |
excited when she gets on the floor. You can almost be confident when | :17:05. | :17:11. | |
you watch her. Why is she so good? She has a natural talent and | :17:11. | :17:16. | |
ability. Obviously, she needs to work on technique, as Len said. I | :17:16. | :17:22. | |
couldn't agree more with Len. But she fills me with joy. I smile when | :17:22. | :17:31. | |
she takes to the floor. I really want it to go well. It's exciting. | :17:31. | :17:34. | |
Particularly on Saturday night when she sort of, you know, shrunk down | :17:34. | :17:43. | |
the stairs like a pan they are and -- panther and went into it. | :17:44. | :17:47. | |
will discuss more of our couples later. A double double dose of | :17:47. | :17:53. | |
Craig on a Monday. Give him a round of applause! APPLAUSE In a moment I | :17:53. | :17:58. | |
will be chatting to Victoria and Brendan, first a quick recap of | :17:58. | :18:03. | |
their romantic rumba. I am beginning to see an actress | :18:03. | :18:10. | |
emerging, which is fantastic. You do look like you have come off | :18:10. | :18:15. | |
that movie set. You look beautiful in that. Just when you were | :18:15. | :18:19. | |
starting to sizzle, you nearly boiled over. Then you got yourself | :18:19. | :18:23. | |
into a mangle and lost concentration. It kind of fizzled | :18:23. | :18:33. | |
:18:33. | :18:35. | ||
out. Keep your eyes on the road The The comments were positive, on | :18:35. | :18:40. | |
the whole. Rehearsals went well today and it's sad when it doesn't | :18:40. | :18:46. | |
quite come together. Let me do it again! | :18:46. | :18:53. | |
Please welcome Victoria and her officer - is he a gentleman? | :18:53. | :18:58. | |
Sometimes. Congratulations. Before we discuss the dance, were you sad | :18:58. | :19:03. | |
to see Jerry go? Definitely. She's been so much fun to have around and | :19:03. | :19:08. | |
she's so funny in terms of wit and one-liners. Nobody can beat her for | :19:08. | :19:13. | |
that. She kept morale up, like a mother hen? She does and sometimes | :19:13. | :19:18. | |
she says the nicest most sincere things and you just go - like she's | :19:18. | :19:21. | |
only talking to you and it means something. Just when you need it | :19:21. | :19:25. | |
most. Are you relieved obviously not to be in the bottom two and you | :19:25. | :19:30. | |
got through it? Yes, so relieved. So relieved! How was it out there, | :19:30. | :19:35. | |
did you enjoy it? I enjoyed it until my heel got stuck and Brendan | :19:35. | :19:40. | |
flashed my bum. Such a lovely bottom, though. I did it for the | :19:40. | :19:45. | |
boys. And us girls, we loved it, too. And nearly strangling myself | :19:45. | :19:49. | |
with chiffon. We are going to call that chiffon-gate. It's not going | :19:49. | :19:54. | |
through a performance. You slipped down one place. Is that annoying, | :19:54. | :19:59. | |
Brendan, or a consequence? Don't even think about where you are on | :19:59. | :20:02. | |
the leaderboard from last week to week. Everyone performs differently | :20:03. | :20:06. | |
and changes week to week. I was pleased with the dance, even with | :20:06. | :20:12. | |
the fumbles here and there because actually as a week, as a concept, | :20:12. | :20:16. | |
Victoria grew and became more of an actor and - she's had a | :20:16. | :20:21. | |
disadvantage with the acting thing. We are getting it out slowly and I | :20:21. | :20:25. | |
was thoroughly thrilled with what we did manage. Last week you were | :20:25. | :20:28. | |
worried about serious face, rumba, romantic face. Was it easier than | :20:28. | :20:34. | |
you thought on the night? It was. We practised a lot me trying to | :20:34. | :20:37. | |
look into Brendan's eyes and looking really in love and the | :20:37. | :20:43. | |
first two days I was giggling like a schoolgirl. Embarrassed. We got | :20:43. | :20:48. | |
there in the end until obviously the chiffon-gate and I started | :20:48. | :20:51. | |
laughing thinking please, let this be over now. A few bum comments | :20:51. | :21:01. | |
:21:01. | :21:23. | ||
from the judges because of this We have to re-enact it. I am sorry. | :21:23. | :21:26. | |
But this week what are you going to be dancing to? This is exciting. | :21:26. | :21:31. | |
Don't tell me the music. I am not allowed to know. Sorry. We are | :21:31. | :21:37. | |
doing a tango. It's one of the easier ballroom dances to get into | :21:37. | :21:40. | |
the character, you attack it. You give it - you can look at Craig's | :21:40. | :21:45. | |
face and enjoy the moment of going... Oh, it's disgusting! | :21:45. | :21:49. | |
are a charmer. He is a lovely boy. I love Craig. He is my favourite of | :21:49. | :21:53. | |
all of them, I mean that genuinely. You are saying that because he is | :21:53. | :21:58. | |
here. See, you have been taking a lot of stick tonight. I like it | :21:58. | :22:04. | |
when he gets mad! Come on, Craig! APPLAUSE That showed you. It's more | :22:04. | :22:09. | |
serious face, more drama. How is the acting coming along? Um... | :22:09. | :22:12. | |
Tomorrow's going to be really helpful for getting that together. | :22:12. | :22:17. | |
What do you say? Definitely. It's early days but we got through the | :22:17. | :22:23. | |
choreography today. Tomorrow it's acting school. We like to call you | :22:23. | :22:30. | |
Little Miss giggles. This is why. Oh, I sound like a chimp when I am | :22:30. | :22:38. | |
laughing. I wish coy stop laughing -- I wish | :22:38. | :22:42. | |
I could stop laughing but I can't. Sorry, it's not funny, it's serious. | :22:42. | :22:50. | |
LAUGHTER Ha-ha! We have gone into delirious | :22:50. | :22:53. | |
mode. LAUGHTER | :22:53. | :22:57. | |
It could be worse, I could be crying. | :22:57. | :23:01. | |
APPLAUSE It's true. We did make you something special. Look, no expense | :23:01. | :23:05. | |
spared here. These are in case you have another | :23:05. | :23:10. | |
little moment this week. Yes, I love those! They're tango colours | :23:10. | :23:15. | |
and everything. Good luck with your tango this week. Thank you. Brendan, | :23:15. | :23:22. | |
you are adorable. Brendan and Victoria! Earlier we teased you | :23:22. | :23:28. | |
with a fact about Len. Was it true or baloney? I hope he was a welder. | :23:28. | :23:35. | |
Was he? I am not sure. I asked you in his youth, Len worked as a | :23:35. | :23:42. | |
welder in the London docks. I bet that got you thinking. It's | :23:42. | :23:48. | |
Strictly true. He worked for the company that built the Titanic. | :23:48. | :23:58. | |
:23:58. | :23:59. | ||
Join me next time for another Strictly true or Strictly baloney! | :23:59. | :24:05. | |
I love that! Len was a welder on the Titanic. No, same company. It's | :24:05. | :24:09. | |
time to talk about the rest of the dancers. Please welcome back Craig | :24:09. | :24:12. | |
Revel Horwood. Do you feel they're giving you a hard time at the | :24:13. | :24:17. | |
moment, those dancers? Yes. You can take it. Dani and Vincent did the | :24:17. | :24:21. | |
foxtrot. You loved this routine. It was beautiful. Talk me through it. | :24:21. | :24:26. | |
What's special about it? She's very clean spins. When she does the | :24:26. | :24:30. | |
turns, the only thing she does do, however, is look at the floor which | :24:30. | :24:34. | |
I pointed out. It will help her if she looks out. Will that come with | :24:34. | :24:41. | |
confidence? I hope so. It's more to do with retraining your body to | :24:41. | :24:45. | |
actually look at a place and go to it. Then that will get higher marks. | :24:45. | :24:52. | |
I think she's fabulous. She's gorgeous. Colin and Kristina and | :24:52. | :24:58. | |
their Argentine tango. I loved this. They didn't have much time. What | :24:58. | :25:03. | |
impressed you the most? Kristina's choreography. They couldn't do a | :25:03. | :25:08. | |
million steps, plus the theme was restricting, because she had to | :25:08. | :25:13. | |
tell the Bond story. The lifts were The Wisest thing to do -- the | :25:13. | :25:20. | |
wisest thing to do and because he is so tall and she is so small, | :25:20. | :25:24. | |
that's why I loved it. In Len's camp he would like to see more | :25:24. | :25:31. | |
tango, a lot more footwork on the floor, of course. But it was | :25:31. | :25:34. | |
Hollywood. You have to make allowances for entertainment. | :25:34. | :25:40. | |
bit at the end with the gun. The timing was impeccable. Richard and | :25:40. | :25:43. | |
Erin's quickstep, you even gave him a compliment this week. We thought | :25:43. | :25:47. | |
you had a knock to the head. He's taking it a little bit more | :25:47. | :25:51. | |
seriously which I really appreciated and I really loved. It | :25:51. | :25:55. | |
shows in his movement. He's really doing this actually rather well. | :25:55. | :26:00. | |
It's not brilliant, obviously. always have to take it back. Give a | :26:01. | :26:04. | |
compliment, take it back! I am starting to enjoy his performances | :26:04. | :26:09. | |
more. I love his face, as well. too. He gets into it. It's not | :26:09. | :26:13. | |
obvious, you know, which is great. Louis and Flavia and their salsa. | :26:13. | :26:18. | |
Quite a climax to Hollywood night. You said it was contained, | :26:18. | :26:22. | |
simmering, understated. Yeah, I like the fact he underdanced it, | :26:22. | :26:25. | |
rather than what you expect from a salsa, which is throwing yourself | :26:25. | :26:33. | |
around like a lunatic and normally it's always connected with a lot of | :26:33. | :26:36. | |
arm-ography and turns and stuff like that. It should be smooth and | :26:36. | :26:41. | |
on one level. I love the fact it was sticking to a story, telling a | :26:41. | :26:45. | |
story. Also, he had really nice hip action. Good hip action. | :26:45. | :26:49. | |
wouldn't want to see that, darling? Careful where you go with that. | :26:49. | :26:53. | |
Nicky and Karen's quickstep. Good to see Nicky back in the game. He | :26:53. | :26:59. | |
had two tricky weeks and he pulled it out of the bag. Energy-wise and | :26:59. | :27:06. | |
focus it was good. He was bbent- kneed all the way through which was | :27:06. | :27:13. | |
driving me nuts. You need to go up on to the rise and he wasn't doing | :27:13. | :27:19. | |
that. It looked like he pooped himself all the way through. Not in | :27:19. | :27:25. | |
yellow trousers. There were more tango legs. Yeah, that is the | :27:25. | :27:30. | |
biggest problem. Does this give encouragement? I am tphourpbged -- | :27:30. | :27:34. | |
encouraged because he feels, I think e he's done better and he is | :27:35. | :27:39. | |
improving. If you do get that and a bit of confidence your dance will | :27:39. | :27:43. | |
improve and you will get higher marks. Good, good. Victoria and | :27:43. | :27:48. | |
Brendan and their rumba. You said great straight legs. Good hip | :27:48. | :27:54. | |
action. What does she need to work on? She was doing so well. I was | :27:54. | :27:58. | |
thinking, oh, you know, this is great. Then she turned the wrong | :27:58. | :28:05. | |
way and was wearing the scarf as a shawl. A shame really. I mean, that | :28:05. | :28:12. | |
really shouldn't happen! Is that the thing with costumes and props? | :28:12. | :28:17. | |
She's doing a tango this week. your heel's going to get caught you | :28:17. | :28:20. | |
have to learn thousand get out of it. It's live. All dancers have to | :28:21. | :28:26. | |
learn. I do it in drag in a panto. You have had years of practice. | :28:26. | :28:31. | |
have to be prepared for a costume malfunction! Get it unattached and | :28:31. | :28:35. | |
it will be fine. Will you come back next week? Love to. It's Hallowe'en, | :28:35. | :28:39. | |
I hope you are dressing up. That's all we have time for. A huge thank | :28:39. | :28:43. | |
you to all my guests. Tomorrow I will be joined by the ones who got | :28:43. | :28:50. | |
away, Michael and Natalie and Colin and Kristina will be here and Karen | :28:50. | :28:53. |