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Hello. Welcome to Tuesday's It Takes Two. Despite giving us the | :00:11. | :00:16. | |
Full Monty on Saturday, well almost, Michael and Natalie are here. | :00:16. | :00:24. | |
APPLAUSE Making an appearance after their steamy ar Tyne tango, it is | :00:24. | :00:30. | |
Colin -- Argentine tango, it is Colin and Kristina. She has all the | :00:30. | :00:36. | |
moves - Karen Hardy is in the house. He is our very new fashion | :00:36. | :00:42. | |
ambassador, please salute Mr Julien Macdonald. APPLAUSE Oh what fun! | :00:42. | :00:52. | |
:00:52. | :01:24. | ||
This is Strictly: It Takes Two. Please welcome your host, Zoe Ball. | :01:24. | :01:31. | |
APPLAUSE On Saturday night, Michael and | :01:31. | :01:34. | |
Natalie served up a cha-cha-cha, but the judges thought it was more | :01:34. | :01:38. | |
tepid than hot! They will be here to talk to me in a minute. Let's | :01:38. | :01:48. | |
:01:48. | :01:48. | ||
take a look at their weekend story. Hot, it was not! You give your all | :01:48. | :01:56. | |
and that's so important. Well done. I thought you had good hip action. | :01:56. | :02:04. | |
Last week was Borehamwood - this week is Hollywood! Well done. | :02:04. | :02:14. | |
:02:14. | :02:20. | ||
was waiting for the Full Monty to distract me. Six! I got a six off | :02:20. | :02:30. | |
:02:30. | :02:31. | ||
Len! That will do for me. Craig is harsh! He is tough. Every week. | :02:31. | :02:36. | |
Judges? Michael and Natalie. Michael and Natalie. Jerry and | :02:36. | :02:44. | |
Anton. Michael and Natalie. Please welcome Michael and Natalie. Hello. | :02:44. | :02:50. | |
APPLAUSE Were you surprised to be saved from the bottom two? Yeah. | :02:50. | :02:54. | |
When you get yourselves in that position, Jerry has been great, | :02:54. | :02:59. | |
she's been great value behind-the- scenes. None of us really wanted to | :02:59. | :03:03. | |
see her go. I didn't want to go. So you dance-off and it is a horrible | :03:03. | :03:09. | |
position. It is awful. You could see when the names were being read | :03:09. | :03:14. | |
out, you were waiting, I could see the look on Natalie's face? | :03:14. | :03:18. | |
didn't want Jerry to go. We love her. It is really difficult. She's | :03:18. | :03:25. | |
gone and you are here! Oh no! move on. Yeah! Your performance, in | :03:26. | :03:31. | |
places it was quite funny. Are you playing it for laughs? Or is it in | :03:31. | :03:36. | |
your personality? I'm not going out to dance to make everyone laugh. I | :03:36. | :03:41. | |
am clearly getting my steps wrong in terms of timing. The chair | :03:41. | :03:48. | |
incident wasn't meant to happen. That was brilliant! I thought that | :03:48. | :03:53. | |
was my best move(!) You were in the bottom two. Has that knocked your | :03:53. | :03:57. | |
confidence? You don't want to be there. When you come through it, I | :03:57. | :04:03. | |
spoke to Richard afterwards, you get a lift. You give it your all | :04:03. | :04:08. | |
every time. You always give everything. I can't ask for any | :04:08. | :04:14. | |
more than that. I will be back next week to do the same. Come on! The | :04:14. | :04:18. | |
judges' comments were a bit mixed. Is he improving? Absolutely. You | :04:18. | :04:21. | |
only have to see the difference from the jive week to this week. We | :04:21. | :04:26. | |
have worked on the timing. In the dance-off I was holding you back, | :04:26. | :04:32. | |
giving you the evils so you could stay in time. Every time she | :04:32. | :04:39. | |
mentions "jive" I go... You get damp hands! Was it fun to wear | :04:39. | :04:44. | |
glitter cricket whites? If I was in charge of cricket now, having seen | :04:44. | :04:48. | |
those whites, I would get the team to wear them! Really? I would. A | :04:48. | :04:53. | |
bit of glamour. How would that go down amongst England cricketers | :04:53. | :04:57. | |
right now? Well, knowing a lot of the players quite well, I know they | :04:57. | :05:02. | |
like a spray tan and they like to wear the odd sequins... Doesn't | :05:02. | :05:08. | |
that play havoc with whites? creates havoc with your bedsheets! | :05:08. | :05:14. | |
LAUGHTER Let's discuss that later. This week, it's quickstep time. You | :05:14. | :05:17. | |
got 20 for your waltz. Have you high hopes for the quickstep? | :05:17. | :05:22. | |
think so. Very, very happy with this one. It might be your dance. | :05:22. | :05:27. | |
feel more confident in ballroom. Yeah. I want to arrive one week and | :05:27. | :05:31. | |
just try and get some positive comments from Bruno and Craig. That | :05:31. | :05:37. | |
is my goal. Work hard and then you never know. I might slide across | :05:37. | :05:41. | |
that floor. You never know! Look what happened to Richard, he got a | :05:41. | :05:45. | |
compliment from Craig. Yes. Dreams do come true. We know you are | :05:45. | :05:49. | |
finding the quickstep a bit tiring, but we think we know why. Have a | :05:49. | :05:58. | |
look. Like an old man! I'm not old. LAUGHTER | :05:58. | :06:04. | |
# Granddad... # I need a rest! Rest time. Is that | :06:05. | :06:09. | |
your favourite bit? Yes, sitting down! | :06:09. | :06:15. | |
# That's what we all think of you... Raving - that will look quite cool. | :06:16. | :06:23. | |
Great tune, this. I'm going to look a right fool! Cup of tea? No. Not | :06:23. | :06:28. | |
yet. Brew? No. Come on! I thought you would have brought some cakes! | :06:29. | :06:33. | |
I need a brew. # Granddad... # | :06:33. | :06:42. | |
LAUGHTER Oh. Isn't that brilliant, when they | :06:42. | :06:46. | |
fall over? It's been happening a lot lately. What has he done to | :06:46. | :06:50. | |
you? How is quickstep training going? We are working on the timing, | :06:50. | :06:55. | |
making sure all the steps are in place. Making sure you know it like | :06:55. | :07:04. | |
the back of your hand! It is Hallowe'en Week. Will it be... | :07:04. | :07:08. | |
are playing it straight this week. Just good dancing. It will be a | :07:08. | :07:13. | |
great dance. That is the difficult bit. LAUGHTER You can do it! What | :07:13. | :07:17. | |
about the criticism with the timing? How are you working on the | :07:17. | :07:22. | |
timing? Well, I think it's one thing we really need to work on the | :07:22. | :07:25. | |
most. You remember steps really well. I don't have a problem with | :07:25. | :07:29. | |
you remembering the routine. We have to keep it in time. It is a | :07:29. | :07:33. | |
matter of drilling every day, listening to the music and making | :07:33. | :07:38. | |
sure that Michael can hear the counts properly. I can't wait. | :07:38. | :07:42. | |
of repetitions. Lots of repetition. And do it again and again! We love | :07:42. | :07:48. | |
you. We don't care what the others say. Thank you. Good luck. Thank | :07:48. | :07:52. | |
you. APPLAUSE The choreography on Saturday involved some great | :07:52. | :07:57. | |
storytelling, had some dangerous lifts and what Craig described as | :07:57. | :08:07. | |
:08:07. | :08:13. | ||
stompy, clompy and clumpy. Please APPLAUSE | :08:13. | :08:20. | |
Karen Hardy! In gloves! Look at those. They are beautiful. The | :08:20. | :08:24. | |
dancers had to combine the ballroom and Hollywood. Did they manage it? | :08:24. | :08:28. | |
Yes, there were some highs and there were some lows. We see some | :08:28. | :08:33. | |
that are nailed and some that fall into the traps. Not so many this | :08:33. | :08:39. | |
year. However, the best of mastering Hollywood has to be... | :08:39. | :08:43. | |
Drum roll! Louis and Flavia? Yes. Their salsa was so good. How easy | :08:43. | :08:48. | |
is it for everyone to pull off Dirty Dancing? It was good? | :08:48. | :08:51. | |
Choreography in general is normally a no-no to copy something. You want | :08:51. | :08:56. | |
to be new, exciting and bring something to the floor. Such a | :08:56. | :09:00. | |
dangerous gamble but what I loved was the attention to detail. So | :09:00. | :09:03. | |
having picked the obvious moves that they did, let's look at what I | :09:03. | :09:09. | |
have chosen here. Remember this body ripple that Patrick Swayze | :09:09. | :09:15. | |
did? Oh yes! Brilliant. There's a whole big talking about how the | :09:15. | :09:20. | |
marking went on this. This was Hollywood. It was great | :09:20. | :09:24. | |
choreography. She had everything from the classic lifts, to the | :09:24. | :09:28. | |
detail of the body rolls. He worked exceptionally hard. When you looked | :09:28. | :09:33. | |
closely at the dancing, it was a little bit weak. Really? Never mind, | :09:33. | :09:37. | |
for Hollywood, it was phenomenal and a standing ovation rightly so. | :09:37. | :09:42. | |
I leapt up at the end of that. Lisa and Robin and their jive. Some of | :09:43. | :09:51. | |
the jumings said it needed -- the judges said it needed more bounce? | :09:51. | :09:58. | |
Yes. If we have a look here, she has to bring her weight much more | :09:58. | :10:05. | |
forward. You have to have a saggy bottom. Then the legs can kick much | :10:05. | :10:09. | |
easier. You always kick from the knees, if you kick from the feet it | :10:09. | :10:13. | |
doesn't look like it is light and springy. So what she did there, | :10:13. | :10:17. | |
sadly, the weight was too vertical. Richard and Erin and their | :10:17. | :10:20. | |
quickstep. He was in the bottom two last week. It was so good to see | :10:20. | :10:24. | |
him do well this week. What did Erin do with Richard to make him | :10:25. | :10:29. | |
look so good? We had more dancing and less prancing, which made me | :10:29. | :10:33. | |
very happy. The greatest thing of all is the hidden clever elements | :10:33. | :10:38. | |
that they are doing. Look at this. What he does, he leads her into | :10:38. | :10:43. | |
place. And now he leads her on the dancefloor. How do I know that? She | :10:43. | :10:46. | |
is going backwards all the way around the dancefloor. This puts | :10:46. | :10:50. | |
Richard in control. She has to trust him. This will give him a | :10:50. | :10:54. | |
feeling of confidence. That sort of choreography really lifted Richard | :10:54. | :10:59. | |
and I just thought it was a great performance. He gets a gold star! | :10:59. | :11:04. | |
Now, Sid and Ola and the tango. Was it a case of too much head banging | :11:04. | :11:08. | |
and not enough tango? Yeah. What he had to do, and the piece I have | :11:08. | :11:14. | |
chosen here, he's meant to be going into tango. Actually, this bit of | :11:15. | :11:18. | |
choreography is clever. He is doing tango without a hold. It didn't | :11:18. | :11:22. | |
look like tango because he stomped around and all he's thinking about | :11:22. | :11:27. | |
is this music... He was trying to play the guitar, too! Maybe he | :11:27. | :11:30. | |
should have thrown the guitar aside? He should have done. The | :11:30. | :11:34. | |
character of tango, what is it? You did one of the most memorable | :11:34. | :11:38. | |
tangos of all. Do you remember, down in the knees, if he had done | :11:38. | :11:42. | |
that as well, he would have been brilliant. Sadly, we lost all that. | :11:42. | :11:49. | |
Oh. The thing is, if you get angry when you do the tango, it works! | :11:49. | :11:52. | |
Colin and Kristina and the Argentine tango. Kristina | :11:52. | :11:55. | |
choreographed some incredible lifts. Did she do this to distract from | :11:55. | :12:00. | |
the lack of Argentine tango? It is really sad. I heard they only had | :12:00. | :12:06. | |
ten hours and... That's all they had. He was filming in Canada. | :12:06. | :12:11. | |
we have a look at this straightaway, you can see he's standing and | :12:11. | :12:15. | |
supporting. It was the best they could do. Could you imagine, do you | :12:15. | :12:20. | |
remember the leg decorations, when they do the whole... Can you | :12:20. | :12:24. | |
imagine rubbing Colin's leg?! Oh. It would have been gorgeous. Let's | :12:24. | :12:28. | |
hope that she doesn't have to go through that again and let's look | :12:28. | :12:34. | |
forward to what they are going to do. I loved it. Fern and Artem, the | :12:34. | :12:38. | |
judges were disappointed. What does she need to do to get them on her | :12:38. | :12:44. | |
side? Let's have a look. It just looks like, OK it is soft and | :12:44. | :12:50. | |
elegant. Maybe she was trying to be Mary Poppins? She has got a bit of | :12:50. | :12:55. | |
punch to her? She does. What did we talk about? The character is there, | :12:55. | :12:59. | |
the music is there, but they have to deliver the character of the | :12:59. | :13:04. | |
Charleston, not the character of Mary Poppins! It is so confusing. | :13:04. | :13:09. | |
They can do it. Kimberley and Pasha. Has Kimberley shown that she is a | :13:09. | :13:13. | |
real strong contender? Jerry was saying she would like to see her | :13:13. | :13:17. | |
win? Yeah, I think I said before she fell into that nice category | :13:17. | :13:20. | |
for me. Never want to be in that area. What I saw this time was the | :13:20. | :13:25. | |
fight came back. I loved it. I was excited to watch her performance. | :13:25. | :13:32. | |
That is what Hollywood Week is about. This is something that will | :13:32. | :13:35. | |
go through the entire competition. She goes in beautifully, there was | :13:35. | :13:39. | |
a little hiccup there. There's a moment here that we are going to | :13:39. | :13:44. | |
freeze on. Len picked up on this, saying that she was too much to | :13:44. | :13:48. | |
Pasha's right side. That made the arm out straight. We can see it | :13:48. | :13:54. | |
here. We should never see the right side of the body. Her tummy should | :13:54. | :13:59. | |
be closer to Pasha's tummy? What we teach, take your belly button and | :13:59. | :14:05. | |
turn it into the man. You turn your belly button - look what it will do | :14:05. | :14:11. | |
to my head. My head goes out. simple. Everything else goes out, | :14:11. | :14:18. | |
this is what happens. Think. Belly buttons in. Nicky and Karen and | :14:18. | :14:22. | |
their quickstep. He's here! He's turned it around? He has. | :14:22. | :14:26. | |
Absolutely brilliant. He's got that fight. I refuse to give in! I will | :14:26. | :14:33. | |
get it right! Then he gets it so wrong from the first step. No! Why? | :14:33. | :14:37. | |
Look. They were all commenting about our lovely Nicky looking like | :14:37. | :14:42. | |
he is doing tango. I need to explain what this means. He | :14:42. | :14:48. | |
delivered a fantastic routine with great exertion. The problem is | :14:48. | :14:53. | |
technically he was wrong. Those knees, can you see they are so low? | :14:53. | :14:58. | |
Yes. If we play this on, it makes it look heavy. It is not that you | :14:58. | :15:02. | |
want the legs to be dead-straight, but in a quickstep you need to be | :15:02. | :15:06. | |
slightly higher out of the knees so we call them straight not locked. | :15:06. | :15:10. | |
He's gone to the opposite which was those really heavy knees. However, | :15:10. | :15:16. | |
I have faith in this man. He is going to nail it and he will come | :15:16. | :15:20. | |
out from nowhere. Each time he is getting stronger and stronger. | :15:20. | :15:23. | |
Denise and James? Every week she is sharing the top spot with Louis. | :15:23. | :15:29. | |
What can she do to trump him? was elegant and beautiful. She was | :15:29. | :15:33. | |
a doll, but she's got to sell the emotion of the foxtrot, not the | :15:33. | :15:37. | |
emotion of a doll. Her quality was exceptional. The dragging of the | :15:37. | :15:41. | |
heels, the closing of the feet, first-class, in the hardest dance | :15:41. | :15:47. | |
of them all. She's got to sell each one now. OK. She looked really | :15:47. | :15:53. | |
nervous, Denise. Yes. Stunning. Victoria and Brendan and their | :15:53. | :15:56. | |
rumba. Do you think Victoria would benefit from simpler choreography | :15:56. | :16:01. | |
or do you think she is getting it? No. She needs her cycling coach | :16:01. | :16:06. | |
back in the room, or she needs the big bad Brendan back. I think it is | :16:06. | :16:11. | |
too nice and too sweet. Too much giggling going on. I would like to | :16:11. | :16:15. | |
see that competitive edge. Get the coach in, get big bad Brendan back | :16:15. | :16:20. | |
and say, "If you want to be in this competition, fight!" The only | :16:20. | :16:23. | |
reason I'm saying this is she can be brilliant. She can be brilliant | :16:23. | :16:29. | |
because I have seen it now. Get the coach in! Thank you very much. | :16:29. | :16:36. | |
She's gorgeous. Karen Hardy! APPLAUSE I salute you. Right, our | :16:36. | :16:38. | |
next couple received stellar comments for their passionate | :16:38. | :16:42. | |
Argentine tango and they have lifted themselves up the | :16:42. | :16:52. | |
:16:52. | :16:52. | ||
leaderboard. Let's relive their golden moment from the weekend. | :16:52. | :16:56. | |
only thing in an Argentine tango I would have liked to have seen a | :16:56. | :17:01. | |
much dirtier spy. For me, there wasn't enough Argentine tango going | :17:01. | :17:08. | |
on. But what you did, you did OK. You can take anything they throw at | :17:08. | :17:12. | |
you and she will throw you everything! It was full of | :17:12. | :17:22. | |
:17:22. | :17:27. | ||
authority, dominance, which I loved. Fantastic work. Thrilled. I like | :17:27. | :17:34. | |
the getting dirty! What she asks for she always gets. Please welcome | :17:34. | :17:39. | |
Colin and Kristina! APPLAUSE Hello. Can I say in our household, when we | :17:39. | :17:44. | |
were watching your routine, there was air punching at the end of it. | :17:44. | :17:48. | |
That bit with the... Fantastic choreography. Thank you. She is | :17:48. | :17:51. | |
good. She is great. Were you pleased with your scores? As the | :17:51. | :17:56. | |
weeks have gone on, you got 23, 24 and 26. You are going in the right | :17:56. | :18:02. | |
direction? Absolutely. That is the key. Eventually, you will get to | :18:02. | :18:07. | |
the right place. Were you pleased? I was. It was a tough week. We went | :18:07. | :18:11. | |
to Canada. Skipped three days of training. You did ten hours in | :18:11. | :18:17. | |
total? Yes. In total. It was very challenging. I tried my best. I'm | :18:17. | :18:21. | |
so proud of him. See, what would happen if you gave him only nine | :18:21. | :18:26. | |
hours? No, I don't think we need that experiment! No. The judges | :18:26. | :18:33. | |
loved the lifts. We loved them. Did you? I did enjoy the lifts. It is | :18:33. | :18:37. | |
lovely to flex a beautiful woman in your arms. LAUGHTER Not many can | :18:37. | :18:45. | |
say that! No. Not with such skills. How risky were those lifts? They | :18:45. | :18:49. | |
were. I'm too excited to have Colin as my partner. He is a very | :18:50. | :18:57. | |
strongman, he is tall, I can use my height with the lifts. So quite | :18:57. | :19:01. | |
excited. I can just do many difficult lifts. Imagine where this | :19:01. | :19:09. | |
is going to go. "Absolutely loved it, what a show, fabulous!" Thank | :19:09. | :19:13. | |
you. Lots of praise for your acting as well. Were you more comfortable | :19:13. | :19:17. | |
this week as it was Hollywood Week and you had the Bond character to | :19:17. | :19:21. | |
play? It was more the Argentine tango that gave me the focus. When | :19:21. | :19:25. | |
I was doing my research, if you look online, there's some seriously | :19:25. | :19:32. | |
sexy men on there, who smoulder and the girls have no escape from them. | :19:32. | :19:37. | |
They are these wolves. I used that as my inspiration. There is no | :19:37. | :19:44. | |
secret that you have appeared in a Bond film. We thought we would make | :19:44. | :19:54. | |
:19:54. | :20:08. | ||
You drop us in, we do what we have to do and we get out. We will | :20:08. | :20:15. | |
achieve our mission. I can do this. You can do everything! I know. | :20:15. | :20:19. | |
Pretend it doesn't hurt. Pretend there's no pain. Colin is my James | :20:19. | :20:24. | |
Bond. He is a strong, handsome man and nothing is impossible for us. | :20:24. | :20:28. | |
Very good. Very good, Mr Bond. Kristina is a natural Bond Girl, | :20:28. | :20:38. | |
:20:38. | :20:39. | ||
she is sexy, she has skills. She is dangerous. APPLAUSE Really good. | :20:39. | :20:43. | |
You can keep that forever and show your grandchildren. Thank you. | :20:43. | :20:47. | |
Let's talk about the salsa. I'm imagining that this is a dance you | :20:47. | :20:51. | |
will really enjoy? I am looking forward to it. The hips are back | :20:51. | :20:56. | |
into play. It is sexy. I can smile. I can have fun. I'm out of the | :20:56. | :21:01. | |
frame. He wants to be dirty. Let's discuss this, Darcey wants you to | :21:01. | :21:07. | |
be dirtier. Well, I say, how can you bring that out in a salsa? | :21:07. | :21:12. | |
salsa literally means "sauce" in Spanish, so it is spicy, it is hot, | :21:12. | :21:14. | |
there's lots of different ingredients in there. That is what | :21:14. | :21:21. | |
we will have on Saturday night. few peppers... OK. What are your | :21:21. | :21:25. | |
family thinking of your performance in the show? Are they enjoying the | :21:25. | :21:29. | |
experience of being a Strictly family? My Dad, my family, | :21:29. | :21:32. | |
everybody is backing me, but I spoke to my Dad today, he said, "It | :21:32. | :21:40. | |
is great, but you have to bring yourself to smile more." Is he a | :21:41. | :21:47. | |
good dancer? He's the Dad dancer. He stands and his hips go. I will | :21:47. | :21:52. | |
be using some of your moves, mate! Come on, Dad! Excellent. Are you | :21:53. | :21:57. | |
thinking this could be a good one, Kristina, this weekend? I think so. | :21:57. | :22:02. | |
I think the cha-cha was really good. Colin really enjoyed it. I think | :22:02. | :22:06. | |
the music is really great. We have a great tune. So hips are moving, | :22:06. | :22:11. | |
he feels the rhythm so I am hoping it will be a good dance. I want to | :22:11. | :22:16. | |
throw down! You are going to get dirty? Apparently so. Colin and | :22:16. | :22:22. | |
Kristina! APPLAUSE Thank you. can't wait. Hollywood Week meant | :22:22. | :22:26. | |
the fashion bar was raised higher than ever before. Here to tell us | :22:26. | :22:31. | |
who dazzled on the dancefloor is our new member of the It Takes Two | :22:31. | :22:41. | |
:22:41. | :22:48. | ||
Please welcome our fashion ambassador, Julien Macdonald. | :22:48. | :22:55. | |
APPLAUSE Thanks for bringing more sparkle into our Glitterball studio. | :22:55. | :23:01. | |
So, you have chosen three of your favourite outfits on Saturday night. | :23:01. | :23:07. | |
We will go in reverse order. Who did you like at three? This is the | :23:07. | :23:13. | |
fabulous Lisa! Work it! What was so great about this dress? I love her. | :23:13. | :23:17. | |
Everybody needs a little black dress, but wow, this is an | :23:17. | :23:21. | |
incredible little black dress. It is amazing! What is so amazing? I'm | :23:21. | :23:25. | |
going to fall off my chair! What is so amazing about it? What are the | :23:25. | :23:31. | |
Strictly touches that they have put to this? It is very 19 20s, it has | :23:31. | :23:37. | |
the flapper style. She looks amazing. She is having so much fun | :23:37. | :23:42. | |
in the dress. She is. There's all that movement there. And you have a | :23:42. | :23:47. | |
little black dress but with that extra Strictly thing, the red in | :23:48. | :23:53. | |
there and the red in her hair? red makes it on trend. Red is a | :23:53. | :23:59. | |
great fashion colour. It highlights a fabulous little black dress | :23:59. | :24:09. | |
:24:09. | :24:11. | ||
making it into a fashion must-have. Is this a flattering shape for | :24:11. | :24:15. | |
Lisa? She looks incredible. I want to wear that dress myself! That can | :24:15. | :24:21. | |
be arranged, we have it here. LAUGHTER Well done to Lisa. She was | :24:21. | :24:25. | |
at three. Who is your number two this week? My number two this week | :24:25. | :24:30. | |
is the gorgeous Dani. She is definitely a friend of Dorothy. | :24:30. | :24:36. | |
She's so pretty, so feminine, so light. It looks like candy floss. | :24:36. | :24:43. | |
Yes. So sweet and very girlie and useful, like she is. What arest | :24:43. | :24:47. | |
Strictly touches on this frock? Everybody loves a Prom dress. This | :24:47. | :24:52. | |
is a really Strictly Prom dress. I love the touch of colour. I like | :24:52. | :25:00. | |
the red, I like the fashion details. The fabulous fashion bracelets. | :25:00. | :25:05. | |
With a bit of sparkle on them there. Tell me about the bodice of this. | :25:05. | :25:09. | |
You have still got the gingham, haven't you, of Dorothy? | :25:09. | :25:19. | |
:25:19. | :25:20. | ||
gingham is a great fashion trend at the moment. It's been Strictlified | :25:21. | :25:26. | |
in crystals! I have never seen them in my life. I don't believe that. A | :25:26. | :25:29. | |
beautiful dress and she wore it so well. Did na help her with the | :25:29. | :25:37. | |
dance? She did. She obviously loved the dress and the red shoes and she | :25:37. | :25:42. | |
was amazing, effortless and a total dream to watch. Which leads us to | :25:42. | :25:48. | |
your number one outfit of the weekend. Which belongs to? The one | :25:48. | :25:55. | |
and only Jerry Hall! Jerry, oh, she did look great. What did you like | :25:55. | :26:02. | |
about this dress? Well, she's definitely the lady in red. She's | :26:02. | :26:07. | |
effortless, she is Hollywood. She is a Hollywood star. I can't | :26:07. | :26:12. | |
believe she's gone. I know. Bring her back! Do you think that - this | :26:12. | :26:15. | |
dress looks amazing, but could she wear anything and make it look | :26:15. | :26:21. | |
good? She could make a black bag look fabulous. She has it all - | :26:21. | :26:25. | |
long legs, incredible hair, that she swoops over one side, fabulous | :26:25. | :26:29. | |
red lips. The dress is just effortless. It is a wrap-around | :26:29. | :26:33. | |
dress. She makes it look like she's been sleeping in the dress all | :26:33. | :26:37. | |
night! She probably did. Tell us about the back detailing. It is | :26:37. | :26:42. | |
quite saucy at the back and the reveal of the leg? It's got an | :26:42. | :26:49. | |
amazing split. Look at those godets! I was wondering how long it | :26:49. | :26:53. | |
would be before "godet" came into this. What is a godet? A triangle | :26:53. | :26:58. | |
that is inserted into a skirt to give it lots of volume! It's a | :26:58. | :27:05. | |
godet! Underline that three times! Brilliant. The detailing at the | :27:05. | :27:10. | |
back, you liked that? The detail is great. It is great to see her in | :27:10. | :27:15. | |
something backless. It is a tale of two cities. It is chic at the front | :27:15. | :27:22. | |
and she turns round, wow! Very Katharine Hepburn. One mention - it | :27:22. | :27:25. | |
is not just on Saturday night that our celebrities are working on | :27:25. | :27:29. | |
these fashion trends. Also in the training room, and you have spotted | :27:29. | :27:33. | |
something, haven't you? I have spotted something very, very funny. | :27:33. | :27:39. | |
My fashion fix this week has to be Louis' hair. Look at it. He's | :27:39. | :27:44. | |
shaved all his hair off. It is this little strip, it is like a | :27:44. | :27:51. | |
moustache on the front! LAUGHTER He does fashion it into all different | :27:51. | :27:56. | |
styles. Can we all try this look? I'm going to give it a go myself! | :27:56. | :28:04. | |
Come on! Beautiful. I have a little Louis strip. LAUGHTER But in true | :28:04. | :28:09. | |
Strictly style, it needs a bit of sparkle. It needs a bit of crystal. | :28:09. | :28:13. | |
So... What have you done? I have added a touch of a crystal bow, a | :28:13. | :28:19. | |
bit of Dorothy. Look at that. APPLAUSE I'm doing a Louis! Will | :28:19. | :28:27. | |
you wear that out tonight? I'm not taking it off! Thank you so much to | :28:27. | :28:33. | |
Julien Macdonald. APPLAUSE You gorgeous man! Can I borrow that? | :28:33. | :28:39. |