Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to Wednesday's It Takes Two. I have three fine | :00:12. | :00:16. | |
couples. They have their chins up and they got happy at the weekend, | :00:16. | :00:23. | |
Kimberley and Pasha are here. I will be doing a bit of jive with my | :00:23. | :00:29. | |
next couple, Lisa and Robin. They are not in Kansas, no, they | :00:29. | :00:33. | |
are in Shepherd's Bush. Vincent and Dani are here. As the winter nights | :00:34. | :00:39. | |
get darker and draw closer, what do we need more than a man to warm us | :00:39. | :00:49. | |
:00:49. | :01:24. | ||
up, he is here, it is Ian Waite. This is It Takes Two. Please | :01:24. | :01:29. | |
welcome Zoe Ball. CHEERING AND APPLAUSE | :01:29. | :01:34. | |
That's it. Is that that it? It is really bad. Hello and welcome to It | :01:34. | :01:39. | |
Takes Two. It is Hallowe'en week and we get a look at what ghoulish | :01:39. | :01:44. | |
surprises we can expect from our couples. Hoping their performances | :01:44. | :01:54. | |
:01:54. | :01:59. | ||
are a killer. Here is a recap of Beauty, glamour, light, lovely, you | :01:59. | :02:03. | |
really captured the spirit of the song. Wonderful. | :02:03. | :02:08. | |
Kimberley, great attack. Beautiful light steps always such a pleasure | :02:08. | :02:15. | |
to watch. I liked it a lot. It is such an | :02:15. | :02:18. | |
improvement. Well done. Seven. | :02:18. | :02:26. | |
Seven. Eight. Yes! Good news. | :02:26. | :02:36. | |
:02:36. | :02:36. | ||
I have got further to go, but we have improved. On wards and upwards. | :02:37. | :02:44. | |
Please welcome Kimberley and Pasha. APPLAUSE | :02:44. | :02:47. | |
Congratulations on 29 on Saturday. Top score. You must have been | :02:47. | :02:51. | |
chuffed to bits? Yes, we were really happy that we got our | :02:51. | :02:58. | |
highest score. Highest score yet? Yes. Right up to | :02:58. | :03:03. | |
40. What a difference a week makes because last week, a nightmare for | :03:03. | :03:07. | |
you, not even that bad as far as we were concerned, but this week it | :03:07. | :03:11. | |
was so much better. What changed in a week? I think I really wanted to | :03:11. | :03:14. | |
go out there and enjoy it on Saturday night. That was the main | :03:15. | :03:19. | |
aim in my head and I think I did that. There is still things that we | :03:19. | :03:24. | |
can work on, but we had fun, didn't we? The secret is to make her smile. | :03:24. | :03:29. | |
Make her smile a lot. As long as you smile, it is fine. | :03:29. | :03:33. | |
That dance and the music, it lent itself to that. When you are doing | :03:33. | :03:38. | |
something serious and you have got to be aggressive and Mr Len | :03:38. | :03:41. | |
Goodman's comments firm, but fair. How important was it to really | :03:41. | :03:46. | |
impress him this weekend? It was important to me that I could | :03:46. | :03:49. | |
obviously prove that I tried and that we had, you know, we improved | :03:49. | :03:54. | |
and he said that we had so that is good. | :03:54. | :03:59. | |
How pleased with Kimberley? She was amazing. It is the beginning of the | :03:59. | :04:04. | |
journey. Could you say beginning again. | :04:04. | :04:10. | |
Beginning of the journey. Bruno gave you an eight, he said, | :04:10. | :04:17. | |
bruty, glamour and light. Did you do celebratory star jumps? That was | :04:17. | :04:22. | |
our first eight. We were excited. Last week, you were busy with your | :04:22. | :04:32. | |
:04:32. | :04:33. | ||
day job. How is juggling Girls Aye Aloud and Strictly going? Both | :04:33. | :04:38. | |
things are fun and I'm getting on with it and hoping for the best. | :04:38. | :04:45. | |
I am hoping you will get confused and Pasha will appear instead of | :04:45. | :04:48. | |
Nicola. Have you thought any of the girls | :04:48. | :04:52. | |
the moves? Cheryl used to help me because she used to do ballroom as | :04:52. | :04:59. | |
a child. She says, "This one has to be like this and that one has to be | :04:59. | :05:04. | |
like that.". We don't doubt your singing. We know you are very good, | :05:04. | :05:14. | |
:05:14. | :05:29. | ||
but you are a human beat box. Look Aye. | :05:29. | :05:39. | |
:05:39. | :05:50. | ||
Zzzzz. Dumb. Ay-yo-yo. It is so good. | :05:50. | :05:53. | |
It was great. LAUGHTER | :05:53. | :05:57. | |
This week, Hallowe'en. You have got a bit of a theme. We do, yeah. | :05:57. | :06:01. | |
We have got a bit of character acting going on this week. | :06:01. | :06:09. | |
Who will you be? I will be Little Red Riding Hood. Who is he? | :06:09. | :06:15. | |
Grandma? I think we are going to go with something wolfish. | :06:15. | :06:19. | |
Is he scary as a wolf? LAUGHTER | :06:19. | :06:23. | |
OK, you may need to work on that a bit? He is not really scary. | :06:23. | :06:29. | |
It is the paso doble. How are you finding that? Well, when we are not | :06:29. | :06:32. | |
laughing, it is coming along well. It is all about character. | :06:32. | :06:40. | |
As soon as he starts trying to be the scary wolf, I start laughing. | :06:40. | :06:42. | |
LAUGHTER Are you going to have big teeth? | :06:42. | :06:46. | |
Are they going to give you fury ear as soon as. We are We are working | :06:46. | :06:51. | |
on it, but I started growing hair here. They said in a full moon or | :06:51. | :06:57. | |
hair. Hairy knuckles as well. It will be great. Give it up for | :06:57. | :07:07. | |
:07:07. | :07:10. | ||
Kimberley and Pasha. APPLAUSE | :07:10. | :07:13. | |
It is time now to fin out how our seb our celebrities are are coping | :07:13. | :07:16. | |
with the demands of Hallowe'en week. One man can tell us, yes, it is Ian | :07:16. | :07:23. | |
Waite time! Please welcome the handsome Ian Ian | :07:24. | :07:28. | |
Waite. Look at you in your fancy white | :07:28. | :07:38. | |
:07:38. | :07:38. | ||
shoes. I was going to wear black. First, Hollywood week and now | :07:38. | :07:44. | |
Hallowe'en week, we are being spoilt? It is one of my favourite | :07:44. | :07:46. | |
weeks. And the dressing up. Yes. | :07:46. | :07:56. | |
We are going to look at the girls this week. Coming from her lovely | :07:56. | :08:01. | |
Mary Poppins performance, American smooth. Is this going to be | :08:01. | :08:08. | |
romantic? It is a short clip and all we see is some pivots. I am | :08:08. | :08:14. | |
going to use my graphics, my wonderful graphics. One, two, three, | :08:14. | :08:17. | |
four. Four points. Four points. First of all, point | :08:17. | :08:23. | |
one, lovely hands. She is finishing off her hands. Good point. Number | :08:23. | :08:28. | |
two, she has a lovely poise lifting up her chin and nose in the air. | :08:28. | :08:33. | |
Good centre. She has a a strong core and point four, she is | :08:33. | :08:38. | |
pointing her foot. It is all good for Fern. | :08:38. | :08:45. | |
In a standing position anyway. Denise and James are doing the cha- | :08:45. | :08:50. | |
cha-cha. Another Latin, I imagine she will be great? James has given | :08:50. | :08:54. | |
her difficult choreography. Very fast footwork. I have stopped it | :08:54. | :08:58. | |
here to show you, this is difficult to show, but during that dance, she | :08:58. | :09:01. | |
is not straightening her legs all the time. I would like to see her | :09:01. | :09:06. | |
get her heels down on to the floor which will help her snap her legs | :09:06. | :09:10. | |
which will help her snap her legs back. She needs to straighten her | :09:10. | :09:13. | |
knees. Can you just do that again. Look at | :09:13. | :09:18. | |
that, ladies and gentlemen. That is dance brilliance. Robin is looking | :09:18. | :09:23. | |
unimpressed. It is going to be difficult. | :09:23. | :09:31. | |
Victoria and Brendan are doing the tango. Is Victoria take to go it -- | :09:31. | :09:38. | |
taking to it like a duck to water? There is difficult choreography. | :09:38. | :09:42. | |
The professionals are stepping it up this week. What I wanted to | :09:42. | :09:46. | |
point out was this section here, look at that. Look at that space | :09:46. | :09:51. | |
between them. The only problem with giving more difficult choreography | :09:51. | :09:55. | |
to the celeb celebrities is that you you start, problems start to | :09:55. | :10:00. | |
occur like gapping. I am going to put that here. You are getting | :10:00. | :10:04. | |
carried away. We need a few less of those, thank you very much. | :10:04. | :10:11. | |
They can work on that. Let's move on to Kimberley and Pasha. What are | :10:11. | :10:16. | |
the points in a paso doble? A lot of shaping. There is this bull | :10:16. | :10:21. | |
fight story that has to go on and there is a lot of flamenco. I have | :10:21. | :10:26. | |
slowed this down because they have fantastic transitions because Pasha | :10:26. | :10:30. | |
is clever with the use of arms. She turns away and look at the attitude | :10:30. | :10:36. | |
and he looks frightened. I don't know what that is. I have no idea | :10:36. | :10:41. | |
what that is. Look at you. It looks like it could be a good | :10:41. | :10:47. | |
dance for Kimberley. Lisa and Robin are are doing the | :10:47. | :10:53. | |
Charleston. Are we liking this, Ian? I am liking this dance. They | :10:53. | :11:00. | |
have got typical, humorous Charleston steps which are great. | :11:00. | :11:10. | |
:11:10. | :11:11. | ||
This is going to be a splen dus, slapstick, show dance, all the Ss! | :11:11. | :11:16. | |
Dani and Vincent are doing the cha- cha-cha as well. How is this | :11:16. | :11:21. | |
looking? Again, it is quite fast this dance. A lot of content in | :11:22. | :11:31. | |
there. But what I wanted to point out was her lovely close. In places | :11:31. | :11:34. | |
it is neat and tidy. She just needs to be faster on the foot. | :11:35. | :11:40. | |
It is looking good. We will discuss the boys later on. Him and his big | :11:40. | :11:50. | |
white shoes, it is Ian Waite. APPLAUSE | :11:50. | :11:52. | |
A good night on Saturday night for all three of our guests with all | :11:52. | :11:55. | |
coming joint third in the leaderboard. Here is a reminder of | :11:55. | :12:00. | |
Dani and Vincent's foxtrot. You did it so beautifully. | :12:00. | :12:04. | |
Flawlessly moving. Sweet, I really, really loved it. | :12:04. | :12:11. | |
I loved the routine. I thought you did a wonderful job, vintant Corry | :12:11. | :12:15. | |
-- -- Vincent choreographing that. There was control in your gliding, | :12:15. | :12:21. | |
it was smooth. Take those red shoes and walk down | :12:21. | :12:23. | |
that Yellow Brick Road straight into next week because that was | :12:23. | :12:25. | |
great. Seven. Six. | :12:25. | :12:33. | |
Eight. Eight. I am over the rainbow! | :12:33. | :12:40. | |
magic slippers worked. They did work! | :12:40. | :12:50. | |
:12:50. | :12:55. | ||
They did work! Please welcome Dani and Vincent. | :12:55. | :12:56. | |
APPLAUSE Congratulations on another super, | :12:56. | :12:58. | |
smashing, great performance on Saturday. It was so romantic. | :12:58. | :13:05. | |
Everybody loved it. Did you love it? I loved it. The Wizard of Oz is | :13:05. | :13:12. | |
my favourite film. I loved playing Dorothy and the little dog, Betty. | :13:12. | :13:19. | |
Are there teeth marks in your arm, Vincent? He looked like me a little | :13:19. | :13:24. | |
bit. A little brother from a different mother! | :13:24. | :13:28. | |
Vincent third on the leaderboard for the third week running. Are you | :13:28. | :13:33. | |
pleased? Two little sausages moving around the floor. We did so well | :13:33. | :13:38. | |
and she made me so proud. It was a complicated routine, but it was so | :13:38. | :13:41. | |
effortless and and beautiful. Beautiful. | :13:41. | :13:47. | |
And also a rare thing for a professional to get singled out by | :13:47. | :13:53. | |
the judges. Craig usedted word word "brilliant." Have you gone home and | :13:53. | :13:58. | |
rewound that and rewound it? I have. To get a reward from one of the | :13:58. | :14:02. | |
judges, especially from him, it is good. | :14:02. | :14:06. | |
Online, a lot of people were disappointed that Darcey only gave | :14:06. | :14:12. | |
you a six. One viewer said, "Six seems low. I would have said seven. | :14:12. | :14:18. | |
." Does that make you miffed? not really. Her comments are really, | :14:18. | :14:23. | |
really good and six is a good mark for the third week, isn't it? We | :14:23. | :14:27. | |
don't mind. Maybe next week, she will give us a seven and that would | :14:27. | :14:31. | |
be great. Noted. How much Did the magic ruby | :14:31. | :14:40. | |
slippers, his gift, help you? other shoes were killing my feet. | :14:40. | :14:45. | |
They really were slippers. Vincent was struggling with them a | :14:45. | :14:49. | |
bit last week. My little Dorothy, I have got | :14:49. | :14:55. | |
some... What have you got? Magic ruby shoes. | :14:55. | :15:00. | |
My little Dorothy, I have got some magic... | :15:00. | :15:10. | |
I think this magic ruby slippers. I bought her some magic ruby... | :15:10. | :15:16. | |
These magic ruby slippers. These magic ruby slippers. Why can't I | :15:16. | :15:25. | |
say? Some magic ruby... LAUGHTER | :15:25. | :15:27. | |
Magic ruby shoes are going to help your dancing, yes. | :15:27. | :15:36. | |
Slippers. Some magic ruby slippers. LAUGHTER | :15:36. | :15:42. | |
I think this magic ruby... I think, you know, you know what I | :15:42. | :15:47. | |
think... I think these magic ruby slippers are going to help my | :15:47. | :15:52. | |
dancing. Can you use that? APPLAUSE | :15:52. | :15:55. | |
Can you say it now? No, magic ruby slippers. | :15:55. | :16:00. | |
You did it! In your face. | :16:00. | :16:05. | |
There is a lot of fascination with your tattoos, Dani. Can you stand | :16:05. | :16:11. | |
up and show us. Can you talk us through it? Leg up, lovely. | :16:11. | :16:20. | |
This Is a fairy. Can we see it? How old were you when you got that? | :16:20. | :16:27. | |
was 18. Is there a legal age for tattoos? The other one is like a | :16:27. | :16:31. | |
bow. Have you got any Vincent?, I have | :16:31. | :16:38. | |
got one made in Italy in my mind, but I will have to do it on my | :16:38. | :16:43. | |
little body. This week, OK, Holly, it is a | :16:43. | :16:47. | |
Hallowe'en theme and you have got a theme. What are you going to be | :16:47. | :16:54. | |
doing? We are dance to go Scooby- Doo. | :16:54. | :16:59. | |
Oh wow. Who are you going to be playing? Well, we're still thinking | :16:59. | :17:07. | |
about it, but I think I might be Thelma. | :17:07. | :17:14. | |
Not Not Elma. Are you going to be Shaggy? I might | :17:14. | :17:20. | |
It is the cha-cha-cha. How are you finding it? Hopefully by Saturday | :17:20. | :17:25. | |
it will work nicely. It is speedy? It is really, really | :17:25. | :17:35. | |
:17:35. | :17:36. | ||
fast. Good luck. Dani and Vincent. | :17:36. | :17:38. | |
APPLAUSE Time now to check out the boys. It | :17:38. | :17:48. | |
:17:48. | :17:54. | ||
is the second dose of Waite's It is non-stop, Ian is back. Thank | :17:54. | :18:00. | |
goodness. We are going to start off with Sid tonne because sadly Ola's | :18:00. | :18:08. | |
mum has taken ill and we send lots of love to Ola. We have not much | :18:08. | :18:15. | |
footage of Sid training. We will talk to him tomorrow about his cha- | :18:15. | :18:19. | |
cha-cha. Michael and Natalie did the cha-cha-cha on Saturday, did | :18:20. | :18:28. | |
you enjoy it? It was better than the jive. He He loves his ballroom, | :18:28. | :18:34. | |
Vaughany. A massive improve: They have done the most hours. His hold | :18:34. | :18:41. | |
is really good in most places. The only thing I wanted to point out | :18:41. | :18:44. | |
was he does lift his shoulder as you can see and he needs to keep it | :18:44. | :18:50. | |
flat and he also needs to keep it back. Can you demonstrate for us? | :18:50. | :18:56. | |
Don't bring it forward like that. Cool. It is a common fault in most | :18:56. | :18:59. | |
beginner dancers, but it is a difficult thing to do. | :18:59. | :19:06. | |
Colin and Kristina. They are doing the salsa. I imagine this might be | :19:06. | :19:11. | |
scorchio. I wanted to point out, I am loving the fact, he is using his | :19:11. | :19:18. | |
his hips really well. I wanted to point out his facial expressions. | :19:18. | :19:28. | |
Look at that face. Come on Col! Is this a good thing? Or will it be | :19:28. | :19:32. | |
something Craig will pick up on? prefer a sexy, smouldering look | :19:32. | :19:41. | |
rather than a wincing look. would we rather see Colin's face? | :19:41. | :19:49. | |
Maybe a mixture of the two. Thanks very much! | :19:50. | :19:55. | |
Did you like the salsa? He has more to show. He needs to bring out the | :19:55. | :20:02. | |
personality more. I am liking the tango. He has strong arms. He is a | :20:02. | :20:08. | |
gymnast. I would like to see him a bit more compact. Remember our | :20:08. | :20:14. | |
tango? How could I forget. More compact and keep it contained. | :20:14. | :20:24. | |
:20:24. | :20:24. | ||
OK. I have missed you. Do it again. Knees are down. Thank | :20:24. | :20:30. | |
you very much. Can I just stay there? That was good. | :20:30. | :20:37. | |
Nicky and Karen will also tango. is looking better. I am pleased | :20:37. | :20:42. | |
with the beginning of this. But it is basic, but he looks good. The | :20:42. | :20:47. | |
problem with Nicky, as soon as he starts rotating, he is turning his | :20:47. | :20:51. | |
head iwards. Where should his head be? Straight | :20:51. | :20:57. | |
most of the time unless he is in promenade position. He needs to | :20:57. | :21:02. | |
lower in the knees and he needs to... Last week, he was lower in | :21:02. | :21:06. | |
the knees and that could be good here. Also, the top, if I can draw | :21:06. | :21:16. | |
it, he needs it maintain the shape all the way through and we will | :21:16. | :21:22. | |
give them these. Ah, that's beautiful. Hopefully we | :21:22. | :21:27. | |
will create a a spell to make Nicky dance much better. | :21:27. | :21:36. | |
Richard and Erin will paso doble. At times good and at times | :21:36. | :21:40. | |
mechanical. I would like to see him be more consistent and more shaping | :21:41. | :21:45. | |
here. I would like to see him creating shaping. Create the | :21:45. | :21:50. | |
shaping all the time. Always this big circular shape in paso doble. | :21:50. | :21:56. | |
Oh, look at that. A bit of flamenco. | :21:56. | :22:01. | |
Could you give them some flamenco lessons? Three three years I have | :22:01. | :22:07. | |
done flamenco. It is like this. It is a bit like ballet, but a lot of | :22:07. | :22:16. | |
curved arms and clicking cas tonne castonets. | :22:16. | :22:23. | |
It is a treat to see you. Give it up for Ian Waite. | :22:23. | :22:24. | |
APPLAUSE I don't care what the others say, I | :22:25. | :22:27. | |
like your shoes! Saturday saw hanky-panky on the dance floor as | :22:27. | :22:33. | |
Lisa and Robin treated us to a good jive. Here is a reminder of what | :22:33. | :22:35. | |
jive. Here is a reminder of what happened. | :22:35. | :22:41. | |
I I get very excited watching you darling. I can't tell you, you | :22:41. | :22:47. | |
really sell a number. Brilliant. Vibrancy, vitality, light on your | :22:47. | :22:51. | |
feet. You give a good time no matter what! | :22:51. | :22:56. | |
There were plenty of hanky-panky going on, but I have got to say, | :22:56. | :23:00. | |
you are a goer! It was missing the spring and the | :23:00. | :23:03. | |
bounce in that jive, but still I really loved that performance. | :23:03. | :23:06. | |
Six. Seven. | :23:06. | :23:11. | |
Eight. Craig | :23:11. | :23:12. | |
Craig has | :23:12. | :23:12. | |
Craig has been | :23:12. | :23:12. | |
Craig has been so | :23:12. | :23:18. | |
Craig has been so kind to us. not not being kind, he is just | :23:18. | :23:26. | |
saying what he sees. Please welcome, the artists - Lisa | :23:26. | :23:28. | |
Please welcome, the artists - Lisa and Robin. | :23:28. | :23:33. | |
Is this the new little look you have got going on here? I am a geek. | :23:33. | :23:35. | |
The hole week I am not to take these off. | :23:35. | :23:43. | |
They are meant to be no glass in there, Robin? I am not allowed to | :23:43. | :23:48. | |
take them off all week. I don't understand why, but I'm going with | :23:48. | :23:54. | |
Good work, team. We just see your reactions when you were coming out | :23:54. | :23:59. | |
of the studio there. Did you love it, Lisa? I really, really did and | :23:59. | :24:03. | |
the whole Hollywood thing being an actor, it was like let's go to | :24:03. | :24:07. | |
Hollywood. I really enjoyed the routine. It was fun and fast. Yeah, | :24:07. | :24:14. | |
I got a lovely hair style. Two and a quarter hours to create that | :24:14. | :24:18. | |
little monster! What did you do during that time? | :24:18. | :24:24. | |
Talked a lot. Bruno said it had vibrancy and vitality. Craig said | :24:24. | :24:28. | |
brilliant. Does it surprise you when the judges come up with such | :24:28. | :24:33. | |
compliments? Craig has blown me away. I want to take him to the pub | :24:33. | :24:38. | |
and say thank you. He would be well up for that? He is really kind. | :24:38. | :24:41. | |
That's really good because that makes you drive on and you want to | :24:41. | :24:47. | |
do well and Bruno is just gorgeous, isn't he? What about the other two? | :24:47. | :24:49. | |
LAUGHTER Len is correct. He keeps, you know, | :24:49. | :24:53. | |
he has a technique and he took that on board and I want to get the | :24:54. | :24:57. | |
footwork right. I am not here for a laugh, I want to nail the steps as | :24:57. | :24:59. | |
well. Darcey gave you a six for a second | :24:59. | :25:03. | |
week and said it lacked spring and bounce. Did you think that was a | :25:03. | :25:08. | |
fair comment, Robin? Watching it back, there was, there there could | :25:08. | :25:13. | |
have been more bounce action within the jive. I was more proud of that | :25:13. | :25:17. | |
Lisa sold it 150% and that was more important on that night and week by | :25:17. | :25:21. | |
week, the technique will get better, but it won't happen overnight. | :25:21. | :25:25. | |
They are growing on me, the glasses actually. I almost forgot who you | :25:25. | :25:30. | |
were for a minute. In the dress rehearsal, you had a woopsy moment? | :25:30. | :25:35. | |
Yeah. Thank goodness it didn't happen on the night. The leap frog | :25:35. | :25:42. | |
frog where Robin Robin goes over my head, I forgot to bow my head. | :25:42. | :25:47. | |
Nasty? Yes. I was in a lot of pain. The crown | :25:47. | :25:51. | |
jewels weren't feeling too good for a while. | :25:51. | :25:55. | |
You should wear a box to protect you. It might not be great for | :25:55. | :26:01. | |
Lisa's head. Last week, you were saying it would be difficult to top | :26:01. | :26:05. | |
the choreography of your cha-cha- cha. Did you manage it? Were you | :26:05. | :26:15. | |
happy? It went down well. It was come complicated than the cha-cha. | :26:15. | :26:20. | |
This week, however, we have gone one step further. | :26:20. | :26:24. | |
You have gone one step further. First of all, you like Dani, Lisa | :26:24. | :26:30. | |
have been saying your shoes have been hurting you a little bit? | :26:30. | :26:39. | |
Robin had no sympathy? No sympathy. It has changed. | :26:40. | :26:43. | |
Meet her in the middle. Look at this little VT. | :26:43. | :26:50. | |
Right, if I could could trade my feet with you for like 30 minutes, | :26:50. | :26:57. | |
you might have more sympathy. I can do it with heels on. | :26:57. | :27:01. | |
Fine, I will show you how to do it in heels. | :27:02. | :27:11. | |
:27:12. | :27:17. | ||
One, two, three, four, five, six, One, two, three, four, five, six, | :27:17. | :27:21. | |
seven, eight. One, two, three, four, five, six... | :27:22. | :27:31. | |
:27:32. | :27:32. | ||
I am very impressed, I must say. Point proved. | :27:32. | :27:34. | |
APPLAUSE You may have worn ladies shoes | :27:34. | :27:39. | |
before, Robin.. Do tell. Do tell. I am giving Kristina a run for her | :27:39. | :27:42. | |
money. Has it made you think twice about | :27:42. | :27:49. | |
complaining?. It falls on deaf ears every time I complain. I have got | :27:49. | :27:54. | |
flatter shoes. It hasn't gone unnoticed that you | :27:54. | :28:01. | |
might have a crush on Robin? What? Never. | :28:01. | :28:08. | |
He is quite cute. Hello. He is amazing. We have got a little gift | :28:08. | :28:14. | |
for you. We have had this made up. This has taken a lot of labour. It | :28:14. | :28:19. | |
is your very own Robin Windsor calendar. It is pretty special. | :28:19. | :28:23. | |
Some of the pages are a little sticky. August, that's when your | :28:23. | :28:30. | |
birthday is, isn't it? Yes. That's your birthday shot. I love T | :28:30. | :28:34. | |
thank you. What's your next dance. You are | :28:34. | :28:38. | |
doing the Charleston this week? You love it? When I got offered | :28:38. | :28:44. | |
Strictly, I said, "I just want to get to Charleston week." It is | :28:44. | :28:48. | |
loads of fun. That's what we like doing and it is another quick one | :28:48. | :28:52. | |
again. They are getting quicker and | :28:52. | :28:55. | |
quicker, Robin. It seems to fall like that and | :28:56. | :28:59. | |
there was nothing quicker than this, whatever happens, if we go another | :28:59. | :29:04. | |
week, it will be slower. There is nowhere else to go. | :29:04. | :29:14. | |
:29:14. | :29:15. | ||
There is There is no petrol left. Good luck this weekend! | :29:15. | :29:19. | |
That's it for today. Thank you to all my guests. Tomorrow Nicky and | :29:19. | :29:23. |