Browse content similar to Episode 14. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening. It's boys' day on the show. I'll discuss Halloween, trick | :00:13. | :00:22. | |
or treat with Fern and Artem. Hollywood, Halloween! Also we | :00:22. | :00:27. | |
discuss, is the tango truly terrifying, if so, is it for Nick | :00:28. | :00:33. | |
and Karen? He's all on his lonesome tonight, but we don't care cos | :00:33. | :00:38. | |
Sid's here! We'll have a peek at the fabulously fiendish costumes | :00:38. | :00:41. | |
our couples will be wearing this weekend and we have a look in the | :00:41. | :00:51. | |
:00:51. | :01:19. | ||
training rooms. Let's get on with Live from Television Centre, this | :01:19. | :01:28. | |
is Strictly It Takes Two. Please welcome your host, Zoe Ball! | :01:28. | :01:32. | |
Hello and welcome to It Takes Two. Today's Halloween extravaganza is | :01:32. | :01:37. | |
days away and the fear is creeping in. I'll be talking scare tactics | :01:37. | :01:40. | |
with Fern and Artem in a moment but first a look at how some of the | :01:40. | :01:44. | |
girls are getting on in training. Looking good, ladies. | :01:44. | :01:49. | |
This week, we are dancing the cha- cha-cha. The fun and games are over | :01:49. | :01:54. | |
so I think she's going to see the tough, scary James this week. | :01:54. | :02:00. | |
say to turn? No. So what does that mean? Don't turn. She cracks jokes | :02:00. | :02:04. | |
and it make mess smile but I'm not reacting. Crack a smile. We are | :02:05. | :02:10. | |
half way through and still haven't finished the routine. Really trying | :02:10. | :02:14. | |
to create a great dance and I'm struggling. You have to help me | :02:14. | :02:19. | |
with using your feet. All right. I get frustrated. I want to know the | :02:19. | :02:23. | |
routine so I can work on the technique. I'm stressing about the | :02:23. | :02:28. | |
choreography and what it's going to look like. I'm freaked about | :02:28. | :02:34. | |
Saturday. The Strictly does Halloween, Brendan and I will be | :02:34. | :02:38. | |
dancing the tango. The great thing about tangos is it allows you to do | :02:39. | :02:43. | |
dramatic, powerful stuff. I want you attacking it and in it! I'm not | :02:43. | :02:47. | |
confident with the steps. I find it hard to stamp them out with any | :02:47. | :02:57. | |
:02:57. | :03:12. | ||
kind of authority. One, two, three, four, five, six, seven.... | :03:12. | :03:15. | |
Powerful, Dance It And Get On Your Feet! Focus On The Attack Of This | :03:15. | :03:17. | |
Dance. Blow The Others Out Of The Water! Brendan want mess really | :03:17. | :03:20. | |
just to go for it and commit. We'll get there. Still a couple more | :03:20. | :03:23. | |
days' training to go. It will be plain sailing and lots of fun from | :03:23. | :03:25. | |
here on in. This week is American Smooth. | :03:25. | :03:27. | |
quick, slow. Good. There is these driving steps. It's very technical. | :03:27. | :03:31. | |
A heel turn. I think that's what it's called! And they're quite hard | :03:31. | :03:39. | |
to get right. One, two, three, bend You are counting and dancing | :03:39. | :03:42. | |
something different. The simple steps will only done good when they | :03:42. | :03:46. | |
are done technically correct. Slow, quick, queck... Artem is drilling | :03:46. | :03:51. | |
me on a lot of steps. Bend your right leg to go into the next step. | :03:51. | :03:57. | |
With a bit of luck, I shall get them right for him. We are doing | :03:57. | :04:01. | |
quite OK actually. Because they are practically perfect in every way. | :04:01. | :04:06. | |
Please welcome Fern and Artem. Pch-APPLAUSE | :04:06. | :04:10. | |
It's tough watching that, it's tough watching it. We have had a | :04:10. | :04:14. | |
difficult week. One of those weeks?! We have had that kind of | :04:14. | :04:19. | |
week, yes. Your charleston last week. Did you enjoy being Mary | :04:19. | :04:24. | |
Poppins? Loved it all. The routine and the costumes. We enjoyed it, | :04:24. | :04:28. | |
didn't we? We did. Did your kids enjoy it? They were watching | :04:29. | :04:32. | |
something else! You are joking! they are very laid back about this. | :04:32. | :04:37. | |
They are not watching the other side? I think they were watching a | :04:37. | :04:42. | |
DVD. Perfectly acceptable. Slipped a bit in the lead eboard and | :04:42. | :04:47. | |
despite that, do you feel like you are improving? Can you feel the | :04:47. | :04:52. | |
change? Yes! Yes. Thank you. Nice prompting Artem, brilliant. Just in | :04:52. | :04:56. | |
case any of the judges are watching! You are the first to | :04:56. | :05:01. | |
Charlton here. Does that make it more daunting if no-one's done the | :05:01. | :05:06. | |
dance before or does it make it easier to do with no-one else to | :05:06. | :05:10. | |
follow? Actually, I enjoyed it and we had fun doing it. If someone | :05:10. | :05:15. | |
else had gone before, maybe it would have been more daunting. It | :05:15. | :05:20. | |
was more daunting to go out first again! You are a show opener! | :05:20. | :05:27. | |
said to me beforehand, first out, first off! Encouraging! Yes, | :05:27. | :05:34. | |
exactly. Talking of the judgeser Artem, Craig said it was laboured, | :05:34. | :05:39. | |
Len said he wanted more charleston. Your thoughts, please? My thoughts. | :05:39. | :05:44. | |
I think Fern is improving and it's a shame that we have slipped down | :05:44. | :05:51. | |
the leaderboard because I thought she did better. I was sad for Fern | :05:51. | :05:54. | |
that she didn't get the praise that I thought she deserved. But hey, | :05:54. | :05:58. | |
the judges are there to judge us so fair comment I guess. Do you think | :05:58. | :06:03. | |
there's anything in different ages of contestants that perhaps, like | :06:03. | :06:06. | |
engulf and take all these things like handicaps into consideration. | :06:06. | :06:14. | |
If you are a bit older, do you think so, no?Er No. They don't, do | :06:14. | :06:18. | |
they? I try and be as physically fit as possible. You did say to me | :06:18. | :06:25. | |
a few weeks ago "Fitness is not a problem". Well, it's not. I think | :06:25. | :06:28. | |
we should have different expectations from different people, | :06:28. | :06:34. | |
isn't it? The expectation for Fern, I thought she was right for it. I | :06:34. | :06:39. | |
don't think you could have done any better than we did. I agree. | :06:39. | :06:44. | |
whole week when we rehearsed, always the parts that didn't go | :06:44. | :06:49. | |
quite the way they were supposed to and on the night everything went | :06:49. | :06:56. | |
fine. Perfectly, yes. We did the best we could, Well I did the best | :06:56. | :07:02. | |
I could. Is it an American smooth quickstep or foxtrot? Foxtrot. I | :07:02. | :07:06. | |
didn't know that till yesterday. How is it going? Let us have a | :07:07. | :07:14. | |
listen to your music. Halloween week remember. Nice! Nice tune. | :07:14. | :07:18. | |
Fabulous. It's a fantastic routine and we have been working hard on it | :07:18. | :07:23. | |
and we haven't, you know, let's say we've had a couple of tense moments. | :07:23. | :07:27. | |
Yeah, we did. Has the terminator made a return to the training room? | :07:27. | :07:34. | |
I think he may have had a couple of terminator pills, but then, you | :07:34. | :07:39. | |
know that's fine because we talk about it. That's OK. Never quite | :07:39. | :07:43. | |
goes away, he never does, put it that way. He's always in there. | :07:43. | :07:47. | |
Always brooding. Are you doing any lifts? You are allowed three lifts | :07:47. | :07:51. | |
in the American smooth? We are doing lifts. I'm lifting him and | :07:51. | :07:54. | |
spinning him round. You were giving Lisa and Robin a run for their | :07:54. | :07:59. | |
money in the training room. Let's have a look at this. You are skinny. | :08:00. | :08:09. | |
Am I? Yes, I can get my arms all around you. Skinny. Oh, my God. You | :08:09. | :08:16. | |
just did a lift to me. Of course I can lift you. Strong. I am strong. | :08:16. | :08:26. | |
He needs to know that I'm still in charge! | :08:26. | :08:32. | |
Have you got any props? We have had skird og ra fi, brolly og ra fi, | :08:32. | :08:42. | |
:08:42. | :08:42. | ||
anything else? Mir rog-ography. Good luck on Saturday, it's going | :08:42. | :08:47. | |
to be beautiful and keep that terminator friend locked in the | :08:47. | :08:52. | |
cupboard. He's a good boy. There's a lot of love between you. He's so | :08:53. | :08:56. | |
gorgeous. Gorgeous. Thank you. week we show youd some fantastic | :08:56. | :09:00. | |
moments that were recreated by some of you at home. We are loving this! | :09:00. | :09:07. | |
Some more brilliant ones have come in. These with - are two of our | :09:07. | :09:17. | |
:09:17. | :09:17. | ||
Apology for the loss of subtitles for 75 seconds | :09:17. | :10:33. | |
Back to the training rooms to see how some of the boys are shaping up, | :10:33. | :10:38. | |
oh yes! This week, we are doing the | :10:38. | :10:42. | |
quickstep and the challenges with those are that they are quick steps | :10:42. | :10:45. | |
and anything cha's challenging, it can go wrong. There's loads of | :10:46. | :10:50. | |
content. Lots of things to remember. You can not step one foot out of | :10:50. | :10:56. | |
place in quickstep. Very, very hard to pick it back up. A fraction | :10:56. | :11:01. | |
late... We have worked incredibly hard, our feet need ice buckets. | :11:01. | :11:06. | |
Five exsix, seven eight, good... It's all about hard graft. We are | :11:06. | :11:10. | |
not going to leave a stone unturn and I won't let him go out there | :11:10. | :11:14. | |
until he knows the routine like the back of his hand. Desperate not to | :11:14. | :11:19. | |
be in the bottom two, desperate to improve and get better marks. | :11:19. | :11:25. | |
week, Richard and I are doing the paso doble. Richard will be the | :11:25. | :11:31. | |
matador and there'll be no mincing. I don't mince. And I am his cape. | :11:31. | :11:35. | |
Usually up for more of a caper than a cape. He's got to be angry and | :11:35. | :11:41. | |
I've been making him angry. trying to... What, what? Argh... | :11:41. | :11:46. | |
She's winding me up deliberately to get me into character and it's | :11:46. | :11:51. | |
working! There is a lot of acting involved. He's got to become the | :11:51. | :11:55. | |
matador and remember the steps. I know he can do it. The simplest of | :11:55. | :12:00. | |
steps as well. This are you teen from the beginning hinges on me | :12:00. | :12:05. | |
rising to the occasion and if I droop, the whole thing will fall | :12:05. | :12:12. | |
apart. I'm training with Sid because Ola | :12:12. | :12:18. | |
is away and we'll be doing cha-cha. Cha-cha is good, difficult, a lot | :12:18. | :12:22. | |
to remember. Sid has a difficult job this week. He'll have to please | :12:22. | :12:28. | |
two teachers, me and Ola. Good job. We've done a lot. She's been really | :12:28. | :12:33. | |
good. Fatigue's kicked in really today I think. I learn steps quite | :12:33. | :12:41. | |
easily but it's doing it in time which is the tricky part. I think | :12:41. | :12:46. | |
he can handle pretty much anything I have ready for him and I'm | :12:47. | :12:53. | |
confident he'll do really well. He showed us his inner rock God | :12:53. | :12:57. | |
last week - I quite enjoyed it. Sid Owen! | :12:57. | :13:01. | |
Hello, Sid. How are you? Before we start, we must say you are sat here | :13:01. | :13:07. | |
on your own because Ola's not here. Are you missing her? I do in a | :13:07. | :13:12. | |
strange way yes. Even though she tortures you week after week. | :13:12. | :13:16. | |
She'll be back hopefully for next Saturday. Last Saturday, have you | :13:16. | :13:23. | |
watched it back? How was the whole experience grour? -- for you? | :13:23. | :13:27. | |
haven't watched it. I watched the first couple. I was so upset after | :13:27. | :13:30. | |
this, I didn't feel like watching it. You could see how visibly upset | :13:30. | :13:34. | |
you were. In training, Ola said last week she felt you might have | :13:34. | :13:39. | |
been a bit embarrassed of the character you had to play? No, it | :13:39. | :13:43. | |
was just the song. Not that I know that much about music and dance, | :13:44. | :13:49. | |
but I didn't put tango to that song and it was such a transition from | :13:49. | :13:56. | |
going rock and into a tango. If you feel it doesn't really work - I had | :13:56. | :14:02. | |
a similar thing with the paso doble. Yes, I wasn't feeling it. Difficult | :14:02. | :14:07. | |
to do wit conviction, although you looked like you were playing proper | :14:07. | :14:14. | |
chordz on the guitar. Yes, I did my homework. The three boys gave you a | :14:14. | :14:19. | |
hard time?: yes, it was a bit of a shock because you've done it before, | :14:20. | :14:23. | |
you know, all that's important is not to mess up the steps, do it in | :14:23. | :14:30. | |
time which I thought I did. So I thought, well, it could have been, | :14:30. | :14:35. | |
I could have got a few better remarks. You looked visibly upset. | :14:35. | :14:44. | |
I thought all the women would run on to the floor to kiss you because | :14:44. | :14:49. | |
you looked upset. Did you go away and get upset? On the Thursday and | :14:49. | :14:53. | |
Friday I kept getting it wrong and I didn't want to let Ola down. She | :14:53. | :14:58. | |
had a tough week and we weren't feeling it, so I was more worried | :14:58. | :15:04. | |
about getting my steps right because I kept getting it wrong on | :15:04. | :15:07. | |
the Friday and in the Saturday dress so I was overjoyed that I | :15:07. | :15:17. | |
didn't mess the steps up. And you still got negative comments. Leslie | :15:17. | :15:21. | |
from Crawley said: Great per more fans, sue peesh effort, didn't feel | :15:21. | :15:24. | |
the judges' comments were totally fair and not at all constructive. | :15:24. | :15:30. | |
Boo to the Junes this time. Leslie's 100% right, ain't she. | :15:30. | :15:33. | |
Leslie is his mum! Cheers, Les! Does it give you a boost to have | :15:34. | :15:39. | |
the public behind you? Yes, it's incredible. I want to do well, it's | :15:39. | :15:43. | |
disappointing when we try to get a bit of a boost from the judges | :15:43. | :15:49. | |
because it does help. It does knock you down a bit. Monday, Tuesday, I | :15:49. | :15:53. | |
thought, I'm not feeling it. Tough to pick yourself up? With a new | :15:53. | :15:58. | |
partner as well. But she's lovely, so patient, completely different | :15:58. | :16:05. | |
from Ola. It's like being on holiday! It's an Ola-day! Yes. | :16:05. | :16:10. | |
are doing the cha-cha-cha this week. How is it going? It's going. It's | :16:10. | :16:16. | |
all right, yeah. I'm not a lover of this song. The song yet again, here | :16:16. | :16:21. | |
we go, listen to this... Something strange in the | :16:21. | :16:25. | |
neighbourhood # Who you gonna call | :16:25. | :16:30. | |
# Ghostbusters... # They are making you dress up again | :16:30. | :16:37. | |
for Halloween? I don't know. I've got a gimmick but not for too long. | :16:37. | :16:42. | |
I've got a gun to throw away. week a guitar, this week a gun. You | :16:42. | :16:47. | |
are not being the marshmallow man? No. Ola is coming back to dance | :16:48. | :16:52. | |
with you on Saturday. How much practise time will you have? A few | :16:52. | :16:55. | |
hours tomorrow and the dress run and that's it. It will be brilliant, | :16:55. | :17:02. | |
Sid, keep the faith. You are brilliant. Fingers crossed. Leslie | :17:02. | :17:06. | |
liked it. She loved it. Time to check up on the rest of the | :17:06. | :17:11. | |
girls to see how they are handling the Halloween choreography. | :17:11. | :17:15. | |
This week we are dancing the charleston. It's insanely quick. | :17:15. | :17:19. | |
Who needs aerobics when you do this dance. The sweat is flowing. You | :17:19. | :17:25. | |
are like a swimming pool. It's grost. My legs are caning me now. - | :17:25. | :17:32. | |
- gross. Any part of it you can do sitting down here? Did youds miss a | :17:32. | :17:38. | |
step? Yes. It's the first time I've got a sector of the routine where | :17:38. | :17:42. | |
I'm dancing all by myself. mostly worried that if she gets | :17:42. | :17:45. | |
that wrong, it will freak her out for the rest of the number and it | :17:45. | :17:50. | |
will all fall the pieces. So sorry. Stop crossing, Lisa! If I don't get | :17:51. | :17:55. | |
that right, we are in trouble because that sets it all up. I | :17:55. | :18:01. | |
can't move. Can't move. Ff This we can we are going the cha- | :18:01. | :18:05. | |
cha-cha, it's so fast, my feet won't keep up with it. Unsure how | :18:05. | :18:11. | |
I'll make this look half decent. decided to raise the bar. The | :18:11. | :18:16. | |
choreography is complicated and Dani's panicking. It's too fast, I | :18:16. | :18:24. | |
can't do it. It's not. It is. beautiful. I'm petrified. If I can | :18:24. | :18:28. | |
take the speed up by 50%, it will be perfect. I want to show | :18:28. | :18:33. | |
everybody what she can do on the dance floor. You can do this. | :18:33. | :18:36. | |
I know, I can. Vincent is dragging me around because I've got no idea | :18:36. | :18:42. | |
what I'm doing. Hopefully he can drag me through on Saturday. | :18:42. | :18:47. | |
We are dancing a paso doble. I'm getting on well with the dance this | :18:47. | :18:56. | |
week. Don't look at me. The paso is all about the character. I'm trying | :18:56. | :19:01. | |
to get Kim into the character. It's scary, dramatic. Scared yet? It's | :19:01. | :19:06. | |
not working out so far. Look at me. Every time I try and go for it and | :19:06. | :19:10. | |
be Red Riding Hood, I catch a glimpse of myself and start | :19:10. | :19:15. | |
laughing. Then, when I catch a glimpse of Pasha trying to be the | :19:15. | :19:21. | |
big bad wolf, that makes me laugh even more. If we really can portray | :19:21. | :19:31. | |
:19:31. | :19:37. | ||
the character, it will be a good It's me! The gravestone. Vicky is | :19:37. | :19:42. | |
here from wardrobe. Can I say first of all before we even start, | :19:42. | :19:46. | |
Hollywood week wardrobe, absolute triumph. Thank you. So good. | :19:46. | :19:49. | |
Another week, another theme, Halloween. How much do you love | :19:49. | :19:52. | |
that theme? I quite like it actually although there is a lot of | :19:52. | :19:57. | |
work. To put it into perspective, how many costumes do you have to | :19:57. | :20:02. | |
make? 60 on Friday we are going to fit, so quite a lot. We won't keep | :20:02. | :20:06. | |
you long! Fourth week, you must be getting to know the celebrities | :20:06. | :20:08. | |
quite well now on the their individual styles and what they | :20:08. | :20:14. | |
like to wear and stuff? Yes. they getting more daring? Hopefully | :20:14. | :20:17. | |
and hopefully they trust us more and relaxed when they come into | :20:17. | :20:22. | |
fittings instead of think, oh, my goodness. I think we are gelling | :20:22. | :20:27. | |
quite nicely. Getting there. Let us have a look at what Lisa is wearing. | :20:27. | :20:33. | |
Halloween, the charleston equals? She's a witch. She's teaching Robin | :20:33. | :20:41. | |
how to be a witch or witchcraft, I suppose. Lots of green, an unusual | :20:41. | :20:46. | |
design for the witch. She's doing charleston so from a dance | :20:46. | :20:50. | |
perspective and choreography, she has lots of splits so it's easy for | :20:50. | :20:55. | |
her to move and gives her an opportunity to reveal her lovely | :20:55. | :21:02. | |
legs. Great legs and they move so fast. Fluorescent green there? | :21:03. | :21:07. | |
it's called apple blossom, which I find unusual. Very exciting for | :21:07. | :21:11. | |
Halloween. Loads of gems there as well? Yes, emerald gems. Stuck on | :21:12. | :21:15. | |
individually, let's not forget. Victoria's doing the tango. What | :21:15. | :21:18. | |
Victoria's doing the tango. What about her design? A typical | :21:18. | :21:24. | |
ballroom dress it started off as. It's been slashed, ripped, twisted, | :21:24. | :21:28. | |
chains and studs. And it's white because she's dancing to white | :21:28. | :21:33. | |
wedding? Yes. It must lend itself to lots of props this week too. | :21:33. | :21:38. | |
What is going on? Nicky, the scientist will start off in the lab | :21:38. | :21:43. | |
coat and geeky glasses, however he'll reveal a nicer outfit. | :21:43. | :21:47. | |
imagine this might be a prop for somebody? Yes, don't know who that | :21:47. | :21:55. | |
is for? Little Red Riding Hood's basket. Gosh don't look in there!? | :21:55. | :22:05. | |
:22:05. | :22:07. | ||
Ooh, it's beautiful. What can you tell us about who is going to wear | :22:07. | :22:11. | |
this? Gorgeous, beautiful young lady. We have a signature hip | :22:11. | :22:15. | |
detail going on which she's had on a couple of her frock this is | :22:15. | :22:23. | |
series, so you might know who it is. I wore a crop top in 1983, it was a | :22:24. | :22:26. | |
big mistake, but she is look beautiful. Thank you very much | :22:26. | :22:29. | |
Vicky, you are wonderful, we love you. | :22:29. | :22:33. | |
Time now to see how the rest of the boys are getting on in training. | :22:33. | :22:39. | |
Seriously, have you seen what's in here?! | :22:39. | :22:46. | |
Strictly does Halloween, we are doing a tango. It will be | :22:46. | :22:52. | |
zombiifyed. Tango is serious and angry. Punchy. I'm going to keep it | :22:52. | :22:56. | |
traditional. Lots of head movements, body actions. It's a bit like | :22:56. | :23:02. | |
having a fight on the dance floor. So we should be quite good at that. | :23:02. | :23:08. | |
Having a fight? Yes yes. I've always tried to work a lot on the | :23:08. | :23:11. | |
performance for Louis because he's not an actor and doesn't come from | :23:11. | :23:15. | |
that world. It's alien to him. hope I give a terrifying | :23:15. | :23:19. | |
performance in the right way. performance is very, very, very | :23:19. | :23:28. | |
important and I think he's actually going to be quite good at it. | :23:28. | :23:32. | |
This week I'm dancing the salsa. Soulful, swinging, sexy. Seems like | :23:33. | :23:37. | |
Colin understands the rhythm quite well, he can pick up steps OK. A | :23:37. | :23:43. | |
few problems with lifts. Oh, baby... For Colin, it's still a new | :23:43. | :23:46. | |
territory. He's learning to do lifts and tricks with me, how to | :23:46. | :23:50. | |
support my body weight. I'm feeling the impact of last week if I'm | :23:50. | :23:57. | |
honest. Going to Vancouver and back has taken its toll. Good to be back. | :23:57. | :24:00. | |
Incredibly fast number, salsa, flying and smoothing along quickly | :24:00. | :24:08. | |
so no real time to think. This one needs to come very quickly. One | :24:08. | :24:14. | |
wrong step and it all goes woop! This week it's the tango. Lots of | :24:14. | :24:17. | |
character. Again quite a bit of acting in there. I'm up for that | :24:17. | :24:27. | |
:24:27. | :24:31. | ||
challenge. Nick is more driven which is what we need. Focus. | :24:31. | :24:36. | |
romantic and aggressive. Posture... He needs to have magnificent | :24:36. | :24:39. | |
posture. It's the passion that we are going to have together that | :24:39. | :24:44. | |
will have to come through in the tango. If I can learn the steps, I | :24:44. | :24:49. | |
can put some character into it, it will work well. It's coming | :24:49. | :24:58. | |
together. We are not out of the woods just yet. It was good. I know. | :24:58. | :25:02. | |
On Saturday night, they scored the highest marks of the competition so | :25:02. | :25:09. | |
far and left the others green with envy. Welcome Nicky and Karen. | :25:09. | :25:15. | |
Well done. After two dances, joint bottom and then Saturday zing bat | :25:15. | :25:20. | |
bing, you must have been thrilled? Yes, I think we needed it. My | :25:20. | :25:27. | |
confidence needed something. The first few weeks I was strgling. I | :25:27. | :25:31. | |
struggled at the start of this and I didn't get the steps until | :25:31. | :25:35. | |
probably Wednesday. Until wnz I was thinking, God, I don't know, I'm so | :25:35. | :25:38. | |
far down -- until Wednesday. Mentally it was challenging. But | :25:38. | :25:42. | |
yes, it came together. It came yes, it came together. It came | :25:42. | :25:44. | |
yes, it came together. It came together. Is this the Nicky you | :25:44. | :25:48. | |
were desperate to show off, you knew what he could be? Definitely. | :25:48. | :25:52. | |
We have been working so hard. The first few weeks were really, really | :25:52. | :25:57. | |
tough. Last week, he just really gave it and I was really surprised | :25:57. | :26:01. | |
because during rehearsals he was like crazy and we were both under | :26:01. | :26:06. | |
pressure. Then all of a sudden, he just comes out on stage and it was | :26:06. | :26:11. | |
just like wow, where's this Nicky been, I love this Nicky?! Bruno | :26:11. | :26:16. | |
said you should wear a mask every week. Have you got one this week? | :26:16. | :26:22. | |
do have one in I need one, yes. you feel the pressure on Saturday? | :26:22. | :26:27. | |
Did you have sweaty dreams on Friday night in anticipation? | :26:27. | :26:31. | |
morning on that Saturday morning within you wake up - sorry, what | :26:31. | :26:35. | |
was that?! - you wake up knowing you are doing something massive | :26:35. | :26:40. | |
that evening. Bruno was right, he was probably saying it it tongue- | :26:40. | :26:44. | |
in-cheek but it helped, I felt like I was playing a character and I had | :26:44. | :26:49. | |
extra confidence that jumped into me. I thought, I have nothing to | :26:49. | :26:53. | |
lose and nobody knows it was me and it worked. Was it hard to keep his | :26:53. | :26:57. | |
spirits up because Nicky said until Wednesday he didn't think he could | :26:57. | :27:02. | |
get the hang of it. How did you keep his spirits up? I became a | :27:02. | :27:06. | |
therapist overnight. It's part of your role isn't it? Yes. I needed | :27:06. | :27:09. | |
to keep him confident and, you know, it's a lot of pressure, but he's | :27:10. | :27:14. | |
pulling through and he pulled through, definitely. We noticed | :27:14. | :27:19. | |
that you got rather strict with him in training. Check in out, mum! | :27:19. | :27:22. | |
Karen's been more strict this week. Something's switched in her mind | :27:22. | :27:26. | |
that it's a bit more like we've a job to do here so let's get our | :27:26. | :27:33. | |
game head on. Posture. You look like a soldier. I had to really | :27:33. | :27:40. | |
push him. One, two, three, four... She's driven, competitive, wants to | :27:40. | :27:47. | |
do well. No, you want heel. Do not give them an inch. One, two, three, | :27:47. | :27:57. | |
:27:57. | :27:58. | ||
four, five, six, seven eight... Yes, sergeant. Drill it. I give up. | :27:58. | :28:02. | |
That's how we role. Good. This is our ticket. This is what we need | :28:02. | :28:06. | |
this week and I'm not picking at you, you know, to be mean, I'm just | :28:06. | :28:11. | |
picking at it because this is what we need as a team. Sounds like I | :28:11. | :28:18. | |
just gave a speech from Braveheart! Rousing stuff from hot lips there! | :28:18. | :28:22. | |
Last week, Craig said the quickstep was like a tango, this week you are | :28:22. | :28:27. | |
doing a tango. What is the tango like? A waltz. He said my knees | :28:27. | :28:31. | |
were bent and it was driving him insane. So that is good because the | :28:31. | :28:35. | |
tango is all about knees bent. If I can do that again, I'll think I'm | :28:36. | :28:39. | |
doing the quickstep again and it will work. You came on the Friday | :28:39. | :28:42. | |
panel with Westlife last year and Shane said you were a tango man. | :28:42. | :28:48. | |
Was he referring to your dancing or was it a skin colour thing? I think | :28:48. | :28:52. | |
he probably didn't know what a tango was! Are the boys voting for | :28:52. | :28:56. | |
you and supporting you? Yes, they all want to come down, they are | :28:56. | :28:59. | |
trying to organise to come down at some point if I stay in and Shane | :28:59. | :29:03. | |
said that he was a better dancer than me on Twitter at some point. | :29:03. | :29:06. | |
There should be a challenge. dance-off. Good luck. Brilliant | :29:06. | :29:14. | |
last week and will be this week. Nicky and Karen skhral --! | :29:14. | :29:18. |