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Welcome to It Takes Two. It's freaky Friday. Woo-hoo. I am a | :00:11. | :00:14. | |
little bit excited. All of the show tonight - they were resurrected | :00:14. | :00:19. | |
last week - the quick step. Richard and eron are here. | :00:19. | :00:21. | |
APPLAUSE No child's play for these two. Oh, | :00:21. | :00:27. | |
no, they were top of the leader board, Denise and James. And these | :00:27. | :00:33. | |
girl s are amazed at my amazing panel this Friday. It's only Paloma | :00:33. | :00:38. | |
Faith, Mel Giedroyc and Larry Lamb. Later if you behave yourselves | :00:38. | :00:47. | |
we'll sneak next door and have a little chat with Louis and Flavia. | :00:48. | :00:57. | |
:00:58. | :01:21. | ||
This is It Takes Two. Live from television Centre this is | :01:21. | :01:27. | |
Strictly Come Dancing: It Takes Two. Please welcome your host Zoe Ball. | :01:27. | :01:32. | |
Ow! Good evening. Good evening. All this week we have been gearing up | :01:32. | :01:36. | |
for the Strictly Hallowe'en special - just a bit excited - squeak! It's | :01:36. | :01:42. | |
only 23 hours, 58 minutes and 37 seconds until the witching hour is | :01:42. | :01:45. | |
upon us. WITCH CACKEL | :01:45. | :01:50. | |
In just a moment I'll be talking to Richard and Erin about how | :01:50. | :01:54. | |
petrifyed that are for this weekend, but first, here's a reminder of how | :01:54. | :01:59. | |
they quick stepped their way to success on Saturday. | :01:59. | :02:04. | |
It was bright. It was lively. It was a little bit mincey | :02:04. | :02:08. | |
occasionally in the footwork. is a lot of improvement. Your frame | :02:08. | :02:12. | |
was better. Your footwork was better. Richard, your best dance so | :02:12. | :02:16. | |
far. APPLAUSE | :02:16. | :02:22. | |
I didn't mind it, actually - some nimble footwork. Well done. Six. | :02:22. | :02:32. | |
:02:32. | :02:33. | ||
Seven. Six. Oh, darling, come here, darling. Say hello, darling. Having | :02:33. | :02:40. | |
your name up in lights and that cross stitch on your pillow - I am | :02:40. | :02:44. | |
going to sleep with it every night. Hoping to terrify the judges into | :02:44. | :02:48. | |
giving them high scores, please welcome Richard and Erin. Welcome, | :02:48. | :02:53. | |
welcome to the show. Get you last weekend! Welcome back against all | :02:53. | :02:57. | |
odds, Zoe. That's not what I meant at all. I thought you were | :02:57. | :03:02. | |
brilliant last week. Thank you. We turned it in, didn't we? You went | :03:02. | :03:07. | |
for it. Can I say you have the cutest little face when you're | :03:07. | :03:10. | |
dancing, and you received praise from Craig. We were worried - I | :03:10. | :03:14. | |
thought somebody had put something in his bubbly milk before the show | :03:14. | :03:17. | |
because he was full of complements. He was. I didn't know where to look | :03:17. | :03:22. | |
because with the judges normally you get more out of mount rushmore, | :03:23. | :03:27. | |
set in stone. When the complemented starting coming in, I had to remind | :03:27. | :03:31. | |
myself where it was. No, it was a huge buzz, being saved by the | :03:31. | :03:35. | |
judges last week, then the fact people supported thus week, I was | :03:35. | :03:39. | |
over the moon - least of all because it was Dolly. Your | :03:39. | :03:43. | |
favourite! To feel the love from the public must be quite special. | :03:43. | :03:50. | |
You must get that every time you get out shopping. Oh, mobbed. But a | :03:50. | :03:54. | |
bumpy start to the competition for you, Erin. Yes. But now your boy is | :03:54. | :03:59. | |
doing so well, you must be so pleased with him to see him | :03:59. | :04:03. | |
improving week after week. I am. But he put so much effort into his | :04:03. | :04:06. | |
training. He enjoys coming into the training room which is half the | :04:06. | :04:12. | |
battle for me. It's nice to see him improve. I know we started off | :04:12. | :04:17. | |
slowly with the waltz, but we're getting there slowly. I am like a | :04:17. | :04:22. | |
toddler waiting to be suckled. Please, teach me something! Teach | :04:22. | :04:26. | |
me. Does he progress to the nine- year-old, 10-year-old rather | :04:26. | :04:31. | |
quickly? After Tuesday. That's all right. We have a dreadful gu, | :04:31. | :04:34. | |
that's normal. Then he starts to understand it, and by Wednesday | :04:34. | :04:40. | |
it's clearing. By Thursday, we're off. He's dancer! He's a dancer. We | :04:40. | :04:44. | |
have seen in the training rooms your confidence is growing - did I | :04:44. | :04:47. | |
say confidence? I mean you have become quite bossy. Have a look at | :04:47. | :04:51. | |
this. She was the bost last week. This week it's me. From the top, | :04:51. | :04:55. | |
Erin. This time I want you to apply yourself. Raise your game. Series | :04:55. | :05:00. | |
ten for you. This is a first for me. Don't phone it in. Come on, then, | :05:00. | :05:02. | |
beautiful. Right. From the top. Come on, then. From the top. Come | :05:02. | :05:10. | |
on. One - wrong foot. You did. Ready? Yeah. I don't think you are. | :05:10. | :05:15. | |
First positions. Don't forget it, then. I won't. She can't get her | :05:15. | :05:20. | |
steps right. She's really got to raise her game. It's getting a bit | :05:20. | :05:25. | |
awkward. You cheeky little monkey. That's hilarious. This week the | :05:25. | :05:32. | |
paso doble, yes, please. It's bad enough going down those stairs - | :05:32. | :05:38. | |
the paso doble - we have butched up. Yes, you have. There will be no | :05:38. | :05:42. | |
mincing this week. Last week Len said you were a bit mincey. I was a | :05:42. | :05:47. | |
bit confused last week because it's like the bull and the matador but | :05:47. | :05:52. | |
it's the bull and the cape. What are you going to be wearing, | :05:52. | :05:59. | |
Richard? I am wearing a bolero. Where's the badness in that? Please. | :05:59. | :06:05. | |
A sequined bole bolero jacket. Austin Healy did it he had no vest. | :06:05. | :06:08. | |
Sid obviously died his eyebrows last week, I thought I am going to | :06:08. | :06:13. | |
shave my chest. There's an image. Conjure that if you will. I walk | :06:13. | :06:16. | |
into wardrobe, and the verdict is already in. They say, no, we're | :06:16. | :06:21. | |
putting you in a roll neck, so they want to cover my entire body. | :06:21. | :06:24. | |
hear the music you're dancing to this week. Come on! | :06:24. | :06:31. | |
MUSIC I don't know about you, but the | :06:31. | :06:35. | |
omen on a Saturday night, that's just the kind of floor filler I | :06:35. | :06:40. | |
like to toe tap to. Family entertainment. Can we talk about | :06:40. | :06:47. | |
daybreak - so far you have beaten Lob. That wasn't difficult. So far | :06:47. | :06:53. | |
you'll have beaten Fiona Phillips. You have to get through eight weeks | :06:53. | :06:58. | |
before you beat Gareth. You're going to have to make the final. | :06:58. | :07:02. | |
Last week she said to me she's never gone out on a quick step. | :07:02. | :07:07. | |
This week she's says she's the keen of the pass of. You're amazing. | :07:07. | :07:12. | |
Richard and eron. Good luck. Thank you. Adore him. Saturday night | :07:12. | :07:17. | |
Denise and James foxtroted their way to the top of the leader board. | :07:17. | :07:23. | |
Here's a reminder of why she was the judge's favourite deputy. | :07:23. | :07:27. | |
giving you a verbal pat on the back. That was excellent. Beautiful clean | :07:27. | :07:31. | |
hands. The pivots were so well done. Just a very elegant couple, you | :07:31. | :07:39. | |
were. You combine the character with the | :07:39. | :07:43. | |
smooth, gliding action of the foxtrot. I thought it was great. | :07:43. | :07:46. | |
Smooth, great control and beautifully danced. I really, | :07:46. | :07:52. | |
really liked it. Eight. Yes! happy with Denise because she did | :07:52. | :07:57. | |
what I asked her to to get the footwork right. Four eights, really | :07:57. | :08:02. | |
pleased with our score, really good marks. Hoping to hypnotise the | :08:02. | :08:04. | |
judges tomorrow night, please welcome Denise and James. | :08:04. | :08:13. | |
APPLAUSE Well done on proper aceness on | :08:13. | :08:17. | |
Saturday. Thank you. It was absolutely stunning. Was it happy | :08:17. | :08:21. | |
faces all-around? Yeah, we were really pleased, weren't we? Very | :08:21. | :08:26. | |
happy. I was pleased Len liked it. He commented on the footwork. | :08:26. | :08:31. | |
looking at your little face and it looked like you had a little bit of | :08:31. | :08:36. | |
a wobbley lip. I thought the Denise looks really scared. I was worried, | :08:36. | :08:40. | |
wasn't I, because of the footwork. We spent so much time working on it. | :08:40. | :08:44. | |
I was afraid Len would say it was bad. I was expecting bad news, but | :08:44. | :08:48. | |
then it was good news. It was one of the scariest dances I have done | :08:48. | :08:53. | |
it on the show. You did it so graceful. Did you go out for a | :08:53. | :08:58. | |
shimmy and shandy afterwards? don't drink. I stayed out really | :08:58. | :09:03. | |
late, much later than I should have. I went out with Sid. Van Outen and | :09:03. | :09:09. | |
Owen out on the town - they're still clearing the bottles. Eight... | :09:09. | :09:16. | |
Amazing. How are you going to top that each week? I thinks there is | :09:16. | :09:19. | |
pressure each week especially because everyone expects her to be | :09:19. | :09:22. | |
amazing. This week, for example, between Monday and Thursday, I have | :09:22. | :09:28. | |
worked it out, we're doing 32 hours of training - in the cha-cha. | :09:28. | :09:35. | |
hours - that is impressive. I would be so tired. Close my eyes when I | :09:35. | :09:43. | |
talk to you. I am. Most people do. What is it going to take to get 8s | :09:43. | :09:48. | |
and 10s? We haven't seen much of those this season? I think it's a | :09:48. | :09:50. | |
combination of the choreography and the music is important. And | :09:50. | :09:53. | |
technically - it's the whole package. It's not just one thing | :09:53. | :09:57. | |
being great. I think it's when the dance comes together with the music | :09:57. | :10:01. | |
and you get that special feeling and when people watch it, it's | :10:01. | :10:05. | |
special. Fingers crossed you'll get that this weekend. We have been | :10:05. | :10:09. | |
watching, and we know how scary this man can be when you don't get | :10:09. | :10:15. | |
it right. The truth at last. James, please. James sometimes does a bit | :10:15. | :10:19. | |
of a freaky look normally when he's angry. You do always look like | :10:20. | :10:23. | |
you're quite angry with me when we start. I have that look. | :10:23. | :10:28. | |
I like you. Teacher. Student. You better not do it like that on the | :10:28. | :10:34. | |
night. Cha-cha-cha! How many times do I have to tell you that? Quite a | :10:34. | :10:40. | |
few. I think sometimes he needs to chill A. We have half - half - one | :10:40. | :10:47. | |
step. When he gets angry, it does make mela. He gets bright red. | :10:47. | :10:54. | |
don't think I can take much more. What time did you get here? 5.00pm. | :10:54. | :10:59. | |
Help me, please! No, there is no heart - no, nothing. Bless him. | :10:59. | :11:02. | |
Right. Hallowe'en this week and cha-cha-cha. I am imagining having | :11:02. | :11:06. | |
seen your jive - it was brilliant - you would be quite good at the cha- | :11:06. | :11:10. | |
cha-cha. How is it going this week? I don't know. Look at the face. | :11:10. | :11:14. | |
had to put in a lot of time this week because you didn't find it as | :11:14. | :11:18. | |
easy as the jive, did you? Yeah, the jive came a bit more naturally | :11:19. | :11:24. | |
to me because it's bouncing around and jumping. But this, I have sore | :11:24. | :11:28. | |
hips. You're killing me. I feel like an old lady. You have got | :11:28. | :11:31. | |
possibly the tune of the night. Stop it, you. There is two of us | :11:31. | :11:37. | |
here. We'll take you down. You've got the tune of the night, though, | :11:37. | :11:43. | |
I reckon. # She's a superfreak! Rick James! | :11:43. | :11:47. | |
Will we see whiplash two? A bit fast obviously? I don't know. | :11:47. | :11:50. | |
Actually, yeah, possibly. wanted to put the running man in, | :11:50. | :11:53. | |
didn't you? You wanted it in there. You said it first of all. Then he | :11:53. | :11:59. | |
tried to do it. It was so bad... had to take it out. We need to make | :11:59. | :12:04. | |
you do that. Will you be playing any tricks or treats on anybody | :12:04. | :12:08. | |
this week? Yeah, no more than normal. Every week I play tricks on | :12:08. | :12:12. | |
someone. Going to take your mask off? Take it off now. | :12:12. | :12:16. | |
Listen, good luck this weekend with your cha-cha. Thank you. Give it up | :12:17. | :12:20. | |
for our team! APPLAUSE | :12:20. | :12:26. | |
They love you. They love you. Last week, Jimmy, the meerkat, predicted | :12:26. | :12:29. | |
wrongly that Kimberly and Pasha would be top of the leader board. | :12:29. | :12:33. | |
They were joint third, so this week Jimmy is on holiday. We have asked | :12:33. | :12:40. | |
his little friend Scamp to predict who he thinks is going to be top of | :12:40. | :12:50. | |
:12:50. | :13:10. | ||
the leader board. Remember, it's There we have it. Scamp, thank you | :13:10. | :13:14. | |
very much. He thinks Lisa and Robin will be top scorers Saturday night. | :13:14. | :13:19. | |
Will he be right? It's time now to hear from three people who between | :13:19. | :13:26. | |
them know how to conjure up the perfect performance we hope. Please | :13:26. | :13:28. | |
welcome my Friday panel, Mel Giedroyc, Larry Lamb and Paloma | :13:29. | :13:33. | |
Faith. APPLAUSE | :13:33. | :13:36. | |
Beautiful. You look absolutely stunning. Mel, first, | :13:36. | :13:40. | |
congratulations on a brilliant series of the Great British Bake- | :13:40. | :13:46. | |
Off. Thank you. Were you happy James won John won, but no, it was | :13:46. | :13:48. | |
emotional. It was... It was emotional. There were highs. There | :13:48. | :13:55. | |
were lows. It's a baking show, Paloma. She doesn't watch telly, | :13:55. | :14:00. | |
although she watches Strictly Come Dancing. Oh, you do watch Strictly. | :14:00. | :14:08. | |
Larry, I heard you're a bit of a mover yourself. Is it true you just | :14:08. | :14:16. | |
came back from Ibiza Yes, for my mate's club. Are you a proper a | :14:16. | :14:26. | |
:14:26. | :14:30. | ||
river? Si, Chica. SPEAKS ITALIAN | :14:30. | :14:36. | |
Paloma e bambino! You're performing Sunday night on the show. Will you | :14:36. | :14:41. | |
be speaking in English? I'll be speaking in English. I am a little | :14:41. | :14:45. | |
bit nervous. I was saying to some of the contestants, actually, | :14:45. | :14:48. | |
Richard that I am finding it difficult to remember just the four | :14:48. | :14:52. | |
steps forward I have to do, just walking. It's like, when do those | :14:53. | :14:59. | |
four steps come? So hopefully, I won't embarrass myself. You won't | :14:59. | :15:04. | |
be judged on that. Let's have a look at what you're going to be | :15:04. | :15:07. | |
singing Sunday. # I was standing | :15:07. | :15:14. | |
# You were there. # Two worlds collided # | :15:14. | :15:19. | |
Oh, look at you - you always have an amazing barnett, paloma. Thank | :15:19. | :15:26. | |
you. This one is based on the Jewish bread. We have had that on | :15:26. | :15:30. | |
the Bake-Off. Can we talk about dancing? Let's talk about dancing. | :15:30. | :15:36. | |
Right. Sid and ola are going to be doing did cha-cha-cha Sunday. Larry, | :15:36. | :15:40. | |
Sid had a tough time last week. The judges gave him a touch time. | :15:40. | :15:44. | |
Can he bounce back with his cha- cha-cha? Of course he can. Of | :15:44. | :15:47. | |
course he can. If you can dance your way with that wig he had on | :15:47. | :15:52. | |
the other week - forget about it. That was intense. That was a | :15:52. | :15:56. | |
serious, intense week. Week four on Strictly, notice how the chest in | :15:56. | :16:01. | |
the men lists. Ah! And why is that? It's week four, something to do | :16:01. | :16:07. | |
with week four. They suddenly think they can do it. That's it. Would | :16:07. | :16:13. | |
you stop it? I am sliding off my chair. The music he's dancing to is | :16:13. | :16:15. | |
this - # Something strange in the | :16:15. | :16:19. | |
neighbourhood # Who you going to call? # | :16:19. | :16:26. | |
The soft rock, the judges weren't keen on. Can he cha-cha to Ghost | :16:26. | :16:28. | |
Busters? It's an a ambitious choice! | :16:29. | :16:31. | |
LAUGHTER But I reckon Sid can do anything. | :16:31. | :16:37. | |
Yes, he can. Larry would know. Let's ask him about that now. Fern | :16:37. | :16:41. | |
was doing the American smooth. Last week the judges said they wanted | :16:41. | :16:48. | |
more from Fern. What do you make of her foxtrot? She's very committed. | :16:48. | :16:51. | |
They're dancing to Queen is the music | :16:51. | :16:56. | |
# She's a killer! # What are your thoughts on Fern? | :16:56. | :17:02. | |
thing is with all of these things - it's a question of who you're | :17:02. | :17:07. | |
matched up with and what the routine is. She's got hidden fire, | :17:07. | :17:13. | |
and it is beginning to be ignited. We saw her practise today. I am | :17:13. | :17:19. | |
taking it far too, too, seriously today. I live and breathe it. | :17:19. | :17:24. | |
She'll hold it all in until week four, when she'll emerge like a | :17:24. | :17:30. | |
Phoenix. Pirouette down the aisle. Nicky last week pulled it out of | :17:30. | :17:37. | |
the bag with his quick step. Can he continue his success with the | :17:37. | :17:41. | |
tango? I think we have Hallowe'en this week. We're a family! | :17:41. | :17:47. | |
world! When people are in fancy dress and Nicky had the mask on | :17:47. | :17:50. | |
last week, something was released on him. You'll be in costume, and | :17:50. | :17:56. | |
that'll, again, release him. partner is incredibly attractive. | :17:56. | :18:00. | |
Anybody who doesn't have chemistry with a woman like that - well, | :18:00. | :18:05. | |
sorry, mate. Even I want to do a tango with her. I am sure she'd be | :18:05. | :18:10. | |
up for that. Let's talk about Louis and Flavia. They're also doing the | :18:10. | :18:14. | |
tango. There is so much to say about him. There is not enough time. | :18:14. | :18:18. | |
Come on! He has realised, week three, last week, he's realised | :18:18. | :18:23. | |
he's a born dancer. Really? That's how much you know... He realises it. | :18:23. | :18:27. | |
He has. I can see it in his eyes last week. Absolutely. I can't see | :18:27. | :18:32. | |
it in this video, I am afraid. not happening for you? I just feel | :18:32. | :18:38. | |
he's not looking at her or it doesn't feel like there is | :18:38. | :18:43. | |
chemistry going on. We want to feel that after they have finished, they | :18:43. | :18:48. | |
go home together and do whatever. OK! I think there is a good chance | :18:48. | :18:53. | |
if you watch him dance in the competition that could be going on. | :18:53. | :18:58. | |
It's a family show. Dani is doing a cha-cha-cha. She excelled in her | :18:58. | :19:05. | |
salsa last week. How is her latin doing? They're dancing to Scooby- | :19:05. | :19:08. | |
Doo, of course. For my money - a little slip there but I think Dani | :19:08. | :19:12. | |
is going to go - top three. I don't want to jinx it, but I think she's | :19:13. | :19:17. | |
got it! She sells it. Larry, she's an actress. Does that help with | :19:17. | :19:21. | |
this kind of competition, do you think? The skills? There is a focus | :19:21. | :19:25. | |
if you've got a theme. The problem is - it's the routine that counts | :19:25. | :19:29. | |
because the routine in the dance is the same as the words in acting. If | :19:29. | :19:34. | |
you've got a focus, and you've got a good routine, you're on a winner, | :19:34. | :19:39. | |
but you can't act your way out of a dodgy one. You're right. He's so | :19:39. | :19:43. | |
gorgeous. I know. It's amazing. I am loving it. But also, they've got | :19:43. | :19:48. | |
to sell it. They've got to be actors and salesmen - people - | :19:48. | :19:53. | |
sales people. You need to have a chat before the show. Get me | :19:53. | :19:57. | |
involved. Please, I am gagging. Can't stop gagging. Victoria and | :19:58. | :20:04. | |
Brendan are doing a tango to White Wedding. There you go. Karen on | :20:04. | :20:11. | |
Tuesday, Choreography Corner - she thinks Victoria should stop | :20:11. | :20:21. | |
whimpering and get on with it. She's an Olympian. She'll be in a | :20:21. | :20:26. | |
Hallowe'en comessy. The bride of Frankenstein will release her. | :20:26. | :20:31. | |
Material Girl gloves! Paloma needs to get involved in the styling. | :20:31. | :20:35. | |
They're going to fly. Have a look at. This Michael has been | :20:35. | :20:39. | |
entertaining for the past two weeks - possibly people say not for the | :20:39. | :20:44. | |
right reasons, but he's a ballroom boy. How does this quick step look | :20:44. | :20:51. | |
to you, paloma? Not very quick. Observed - very good. | :20:51. | :20:53. | |
LAUGHTER I can't remember my four steps | :20:53. | :20:58. | |
forward. Who am I to judge? This is what they're dancing to. | :20:58. | :21:02. | |
# Old black magic has me # A classic little bit of jazz. | :21:02. | :21:07. | |
I wonder if he's feeling the pressure because Dan did so well, | :21:07. | :21:12. | |
the other cricketers on the show have done really well. Perhaps he's | :21:12. | :21:15. | |
under the cricket pressure. might be, on the crease. Can he | :21:15. | :21:20. | |
avoid the bottom two, Mel? I hope so. I love him. Who is going to be | :21:20. | :21:25. | |
the top of the leader board this weekend, Larry? I think Sid. Mel? | :21:25. | :21:31. | |
am going for Dani. Paloma? Denise. Brilliant. You're marvellous, all | :21:31. | :21:37. | |
three of you. Can you come back? Yes, every day! Every day. Well | :21:37. | :21:41. | |
done. A different language every week. Can you? | :21:41. | :21:47. | |
APPLAUSE We may have mentioned once or twice | :21:47. | :21:51. | |
that tomorrow's Vic strict is a Hallowe'en special. All of our | :21:51. | :21:56. | |
couples are hoping for a good performance. For some of them, this | :21:56. | :22:00. | |
is why... The scariest part is waiting on the stairs to do the | :22:00. | :22:03. | |
walk-down. It suddenly dawns on you millions of people are watching the | :22:03. | :22:08. | |
show and you want to dance well. The scariest part of the weekend is | :22:08. | :22:12. | |
actually waiting up with Tess, and that's not a reflection on her | :22:12. | :22:15. | |
company. It's the pacing I do up there with nerves - I am exhausted | :22:15. | :22:22. | |
by the time I go down to the floor. That voice-over. Oh, I can't stand | :22:22. | :22:32. | |
:22:32. | :22:32. | ||
it. Dancing the cha-cha... Scary voice, "Dancing the paso doble | :22:32. | :22:39. | |
is..." At that point, my stomach goes. That's it. It's just you and | :22:40. | :22:44. | |
the band. Waiting for the music to start. Waiting - it's going to | :22:44. | :22:51. | |
start any second, and we're off! There is a deep breath. Your mouth | :22:51. | :22:55. | |
dries. The pulse is beating in your temples. It's pretty scary, but | :22:55. | :23:00. | |
you've just got to go and face the music, really. My biggest fear of | :23:00. | :23:04. | |
the night is either falling over or going home, neither of which I want | :23:04. | :23:09. | |
to do. I generally get butterflies in my stomach by Thursday morning. | :23:09. | :23:13. | |
By Saturday I have a packed house of butterflies inside it. I love | :23:13. | :23:17. | |
watching the rest of them doing their rehearsals. When they're a | :23:17. | :23:22. | |
bit too good, I quietly sit down and don't freak myself out. I start | :23:22. | :23:26. | |
to get nervous when we go into the makeup room. It's funny because all | :23:26. | :23:30. | |
the girls are charter boxes, but on a Saturday night before the show, | :23:30. | :23:34. | |
everybody's silent because we're so scared. My biggest fear on the | :23:34. | :23:37. | |
night would probably be forgetting my steps Steps disappearing from | :23:38. | :23:43. | |
your feet and you don't know what to do - without question, that's my | :23:43. | :23:46. | |
biggest fear. The scariest part of the weekend is probably the | :23:47. | :23:50. | |
elimination, praying you're not in the dance-off. You think, it's OK. | :23:50. | :23:57. | |
You'll be fine, but it is very scary waiting there. You don't want | :23:57. | :24:03. | |
to be in the dance-all. You get sweaty Psalms. It's horrible. | :24:03. | :24:08. | |
It's me. Over the past couple of days - I walk like a zombie - the | :24:08. | :24:12. | |
Strictly set has gone through a transformation - pumpkins | :24:12. | :24:17. | |
everywhere - all right, Brendan? Look down here. These are some of | :24:17. | :24:25. | |
the ladies. How are you, Lisa? all right, darling. Have you | :24:25. | :24:31. | |
practised yet? No, I am going to have a tan, then practise. Fern? | :24:31. | :24:36. | |
Good, thank you. There are a few mistake, but we're going to be fine. | :24:36. | :24:41. | |
Kain, how are you? I love this little lady bundle. I want to join | :24:41. | :24:48. | |
All the couples want to stay, including this couple, Louis and | :24:48. | :24:53. | |
Flavia. Hello. Lovely to see you. It seems like an awful long time | :24:53. | :24:59. | |
since last Saturday. How was your salsa snake hips? Good. It wasn't | :24:59. | :25:05. | |
really a Saulsa, but it was like a mambo-y salsa, but we loved it | :25:05. | :25:09. | |
Loved it. I couldn't take my eyes off your face. You looked like you | :25:09. | :25:14. | |
were having such a good time. the time of my life! Time of our | :25:15. | :25:19. | |
lives. The end of the show - quite a long build-up. So intense. How do | :25:19. | :25:24. | |
you cope with the nerves? It was hard - hard to watch everyone else | :25:24. | :25:30. | |
going, Hollywood week, a big week, everyone was doing amazing routine, | :25:30. | :25:36. | |
and so to take such a quick dance and everyone being so good... | :25:36. | :25:40. | |
a lift... It was hard. When they give you a standing ovation like | :25:40. | :25:45. | |
that, does that make your body tingle? It felt good. They kept | :25:45. | :25:49. | |
clapping. That was the amazing thing. They kept going. I know. We | :25:49. | :25:53. | |
were all jumping up and down on the sofa going, yes. All the judges | :25:53. | :25:59. | |
gave you 8s, except Len who gave you a 6. Did that make you furious? | :25:59. | :26:04. | |
No, I know where he's coming from. I like the salsa to be strong as | :26:04. | :26:10. | |
well, but being in a pink, floaty dress, it was more a mom back, | :26:10. | :26:15. | |
recreating the iconic scene. I didn't want to spoil that by making | :26:15. | :26:22. | |
it a traditional Saulsa. I see what he's saying. If we could do it | :26:22. | :26:25. | |
another week with a traditional Saulsa, we would do. It was | :26:25. | :26:30. | |
Hollywood week. You have a bit of artistic license. We all loved it. | :26:30. | :26:36. | |
The judges said a they wanted you to loosen up. You're quite driven | :26:36. | :26:41. | |
and centred. I know what you mean. He's quite chilled and cool. | :26:41. | :26:45. | |
Normally when I focus, it's quite serious - get in the zone, | :26:45. | :26:49. | |
concentrate and do your job. Normally, I am normally never on | :26:49. | :26:53. | |
the pommel horse like this... doesn't really suit the pommel | :26:53. | :26:59. | |
horse! It is quite tricky. He has his own He's not the most | :26:59. | :27:03. | |
flamboyant, so you don't want to bring that to the table, but you | :27:03. | :27:10. | |
want to bring a cool, moody side. # Sophisticated mama # | :27:10. | :27:15. | |
I love that you're doing the tango this week. How are you liking it? | :27:15. | :27:19. | |
Oh, it has been tough. What's so tough about it? It's quite tricky | :27:19. | :27:26. | |
to master, isn't it? It is. It's snappy and sharp, tricky to master | :27:26. | :27:29. | |
especially when you're doing eight hours in the studio with Flavia. | :27:29. | :27:34. | |
She's a task master, but I think you can take it. She has so much | :27:34. | :27:37. | |
energy. She doesn't stop! should be able to keep up. You're | :27:37. | :27:40. | |
12! And I have heard that in training you're always asking her | :27:40. | :27:46. | |
random questions to try and put her off, like, "What sandwich would you | :27:46. | :27:53. | |
be if you were a sandwich?" What sandwich would you be? Wensleydale | :27:53. | :27:57. | |
and chutney. It gets you thinking. Then before we know it, we have had | :27:57. | :28:00. | |
a five-minute break. It's Hallowe'en this week. Is that | :28:00. | :28:03. | |
helping you get into the mood of the dance? I think so. It adds a | :28:03. | :28:08. | |
bit more excitement to it. Good. How is your mum Elaine? Is she | :28:08. | :28:14. | |
loving the dancing? She is. I tried to show her some of the routine on | :28:14. | :28:20. | |
my phone, but she said "I want it to be a surprise." You're going to | :28:20. | :28:29. | |
give us a little peek at your dance. So go get yourselves ready. I quite | :28:29. | :28:35. | |
like sitting here. I think I could stay here. Here is a tantalising | :28:35. | :28:45. | |
:28:45. | :29:11. | ||
little teaser of Louis and Flavia's I don't know about you, but I think | :29:11. | :29:16. | |
that looks very, very good indeed. You can see all our couples on the | :29:16. | :29:18. |