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Hello and welcome to Monday's It Takes Two. What a whopper of a | :00:10. | :00:15. | |
weekend it was when it comes to dance frolic. Who is on the show? | :00:15. | :00:22. | |
Tonight we say so long, farewell, what is it? To you and you and you | :00:22. | :00:28. | |
and you and you. Michael and Natalie are here! | :00:28. | :00:32. | |
Also, everybody's favourite tonight, we have an exclusive interview with | :00:32. | :00:36. | |
Michael Buble! Woo... Excited. And a man with so | :00:36. | :00:42. | |
many scores to settle. We've lost count of them. Craig Revel Horwood | :00:42. | :00:50. | |
is here. That is a view I do not need to see! This is it stakes two. | :00:50. | :01:00. | |
:01:00. | :01:25. | ||
Put it away! Live from Television Centre, this | :01:25. | :01:33. | |
is Strictly It Takes Two. Please welcome your host, Zoe Ball! | :01:33. | :01:38. | |
Hello and welcome to Monday's It Takes Two. Our couples pulled all | :01:38. | :01:41. | |
the stops out this weekend to make sure they made it to the quarter- | :01:41. | :01:45. | |
finals. In case you missed any of it, here are the Strictly | :01:45. | :01:51. | |
headlines: Good evening, here is the news, | :01:51. | :01:56. | |
thank you, after facing weeks of criticism from the judges, a good | :01:56. | :02:00. | |
dose of personality and the charleston was just what the doctor | :02:00. | :02:08. | |
ordered as Louis finally got his first tens of the series. You've | :02:08. | :02:14. | |
got a personality and you've come out and performed! The making of a | :02:14. | :02:24. | |
:02:24. | :02:25. | ||
true contender! Nine. Ten. Come on! James Jordan suffered a mental | :02:25. | :02:29. | |
breakdown, I mean block. Luckily, Denise, ever the professional, | :02:29. | :02:37. | |
carried on regardless. The professional dancers get just | :02:37. | :02:42. | |
as nervous as the celebrities and I went blank so I actually think you | :02:42. | :02:49. | |
did a fantastic job. I could stand here and say it was me so I | :02:49. | :02:55. | |
apologise. We really do have to blame you now, darling, this is | :02:55. | :03:00. | |
marvellous. Whoops. Lisa Riley showed off her comedy ending with a | :03:00. | :03:09. | |
spectacular somersault and no-one was more shocked than our Bruno. | :03:09. | :03:19. | |
:03:19. | :03:20. | ||
loved the ending. Whoops. I busted my... | :03:20. | :03:23. | |
LAUGHTER What's that? That is for later! | :03:23. | :03:28. | |
love it! And finally, an exclusive insight into why Pasha always looks | :03:28. | :03:34. | |
so darn good on a Saturday night. He gets a little styling help from | :03:34. | :03:39. | |
Kimbles. You should keep it for the jive. And I'm set. We kind of | :03:40. | :03:49. | |
:03:50. | :03:50. | ||
match! Those were the Strictly headlines - I thank you. | :03:50. | :03:53. | |
Now, if you want even more gossip from the weekend, take a look at | :03:53. | :04:03. | |
:04:03. | :04:08. | ||
the exclusive footage from behind- Morning. It's show day, quickstep | :04:08. | :04:12. | |
time. I'm ready for jive. Can't you tell... | :04:12. | :04:15. | |
My ribs are very sore and I had a really sleepless night because I'm | :04:15. | :04:20. | |
in a bit of pain from James lifting me. Denise is doing lifts that no | :04:20. | :04:24. | |
celebrity woman's ever done before on this show. We just want to stay | :04:24. | :04:30. | |
in. You are so close at this point to the end. Let me tell you, | :04:30. | :04:36. | |
dancing with the stars is over. I'm back. I'm refreshed. Look at my | :04:36. | :04:46. | |
:04:46. | :04:50. | ||
I'm not well and I've got to breathe. I've got to do the | :04:50. | :04:55. | |
quickstep. I'm awfully nervous because we've got to get through it. | :04:55. | :04:59. | |
No room for any mistakes, blunders. Any comedy, I think you have just | :04:59. | :05:06. | |
got to be a good dancer now. Me and Kimberley gave the | :05:06. | :05:12. | |
performance of our life there and there's a lot more work to do from | :05:12. | :05:16. | |
Pasha, I'm afraid. We've got a couple of tricks apparently that | :05:16. | :05:18. | |
have never been done before on Strictly. I think I'm going to | :05:18. | :05:25. | |
watch it back and think that I'm absolutely insane to even attempt | :05:25. | :05:29. | |
anything like it. It's what I'm used to isn't it, doing stuff like | :05:29. | :05:37. | |
that. All in a day's work eh! can all do that, all of us, all the | :05:37. | :05:44. | |
pros... Romantic. In Venice in the mind, what more do you want? | :05:44. | :05:48. | |
actually be in Venice. This is the best room in the building where all | :05:48. | :05:55. | |
the gossip happens. Yes. What's talked about in the make-up room... | :05:55. | :06:02. | |
Stays in the make-up room. That's my favourite bit. The clothes, the | :06:02. | :06:12. | |
:06:12. | :06:13. | ||
hair and the dancing. Don't get too close. Everyone, it's Robo Judge! | :06:13. | :06:23. | |
:06:23. | :06:24. | ||
Ben your, -- Bonjourno... I think this has come from Richard Arnold's | :06:24. | :06:29. | |
wardrobe, not his Strictly one, his normal one. Freezing hands. Two | :06:29. | :06:35. | |
away. I've only just warmed up. should try that. It's good. I like | :06:35. | :06:45. | |
:06:45. | :06:50. | ||
your approach. Guys, five minutes, everyone. Thank you. Last-minute... | :06:50. | :06:54. | |
The celebrities are now backstage and looking a little more focused. | :06:54. | :06:57. | |
There is more of a competitive edge between them and I think it's | :06:57. | :07:02. | |
crucial now because they want to get to the big old final. | :07:02. | :07:11. | |
seconds until we are live. Here we go. Wish me luck... Good luck. | :07:11. | :07:16. | |
Fabulous night. I've loved it. It's been great. Every week, it gets | :07:16. | :07:20. | |
tougher and tougher and the pressure grows and the tension | :07:20. | :07:26. | |
builds. It just becomes so hard and so gruelling. I felt Michael | :07:26. | :07:30. | |
deserved to be in the dance-off. They both danced a little bit | :07:30. | :07:34. | |
better, but Nicky did dance stronger. The right one went home. | :07:34. | :07:38. | |
It's been wonderful so far and we'll see what happens next week | :07:38. | :07:43. | |
with the final six. Thank you, Leonard! After nine | :07:43. | :07:47. | |
weeks, he's had a good innings, it's fair to say. Please welcome | :07:47. | :07:54. | |
Michael and his partner, Natalie! Hello, you two! Can I just say well | :07:54. | :07:59. | |
done on a wicked Samba. Ironically, and somewhat cruelly, perhaps your | :07:59. | :08:04. | |
best Latin? Yes, I think it was. Did you like the shirt? Loved it. I | :08:04. | :08:09. | |
did say it was Richard Arnold's wardrobe but I question whether it | :08:09. | :08:12. | |
was Craig or Bruno's as well. The shirt was the making of me. As soon | :08:12. | :08:16. | |
as I put it on on the Friday, I knew it was party time. We thought | :08:16. | :08:20. | |
we'd bring a party to the studio and we did that. | :08:20. | :08:25. | |
You did do that! Natalie, Michael's definitely improved so much as a | :08:25. | :08:29. | |
dancer? Incredibly. Do you think the judges cut him a bit of slack? | :08:29. | :08:34. | |
I don't know, they're there to do a job and you did amazingly well and | :08:34. | :08:39. | |
it was our last dance and we went off on a high and I'm really, | :08:39. | :08:42. | |
really proud. What's done is done. Did you have a moment when they | :08:42. | :08:47. | |
told you last week that mieblg was doing a Latin -- Michael was doing | :08:47. | :08:52. | |
a Latin? No, I always knew we were doing Latin, it was either Samba or | :08:52. | :08:56. | |
paso and I wanted to use this song for paso and we got Samba instead | :08:56. | :09:01. | |
which is fine because I would rather go out with a happy dance. | :09:01. | :09:04. | |
think it was right week for us to go. If you look at the competition | :09:04. | :09:09. | |
and the standard, I think I drained every ounce of dancing ability out | :09:09. | :09:13. | |
of this, or this girl did, so it was the right week for me to go, I | :09:13. | :09:17. | |
had a great time. Was it tough being in the dance-off, your third | :09:17. | :09:23. | |
time, and you've been the comeback kid, but to go off against your | :09:23. | :09:27. | |
mate Nicky because your two are BFFs aren't you? You are in the | :09:27. | :09:32. | |
dance-off for the third time and it's the Samba, you know it's a | :09:32. | :09:36. | |
banana skin. Like it! You go for it, there's no other option but to try | :09:36. | :09:40. | |
and nail the dance. We did it a lot better and then Nicky on the night, | :09:40. | :09:44. | |
it was an incredible performance. It was amazing. How frustrating is | :09:44. | :09:52. | |
it to go out three weeks before the final though, argh? It's a shame to | :09:52. | :09:59. | |
have missed out on the Viennese waltz. We would have loved to have | :09:59. | :10:03. | |
done that. Yes, but at least we get the chance to go to a few more | :10:03. | :10:08. | |
parties. Let's two out and never come back in, I'm a cricketer -- go | :10:08. | :10:14. | |
out. You have worked the hardest of any other celebrity, 325 hours of | :10:15. | :10:24. | |
:10:25. | :10:27. | ||
dance training. He's been consistently good. What was it like | :10:27. | :10:33. | |
today to not go to the dance studio? I'll be honest, I was | :10:33. | :10:37. | |
hungover. Was it an almighty party? The hours say it all. We trained | :10:37. | :10:42. | |
really hard, I had to to get better. Once it was over, it was time to | :10:42. | :10:48. | |
relax and have fun. Where was my phone call?! We are going to miss | :10:48. | :10:54. | |
you so much. The partner you will be bowling over is Natalie Lowe. | :10:54. | :10:59. | |
wanted a sportsperson this year and I got one. We've really connected. | :10:59. | :11:03. | |
I don't want to big her up too much, but she's a great girl, really | :11:03. | :11:12. | |
patient. He's got the Strictly bug. It's got me gripped. Let's have it. | :11:12. | :11:17. | |
Your butt stuck out like a hanging basket. Once you got into hold, it | :11:17. | :11:23. | |
was pretty good. Well done. He said my bum's sticking out. I don't | :11:23. | :11:28. | |
really have a bum. It's not that big. I don't think my body's made | :11:28. | :11:34. | |
for jive. This is all about quick feet, bouncing around. Argh... | :11:35. | :11:41. | |
Timing was so bad, it was good. are going to be my favourite. | :11:42. | :11:45. | |
you. I do feel like I've let Natalie down this week because I've | :11:45. | :11:50. | |
danced better than that. The cha- cha is cheeky. I'm going to try and | :11:50. | :11:55. | |
nail the basics and put in all the effort to hope that on a Saturday | :11:55. | :12:01. | |
night I produce something better than last week. Two and three and | :12:01. | :12:05. | |
four and now you're dancing... was so much happier with your | :12:05. | :12:10. | |
performance. You gave your all. was awkward all the way through, it | :12:10. | :12:14. | |
was plonky. Michael and Natalie... One mistake. You're out the | :12:14. | :12:19. | |
competition. I'm going to save Michael and Natalie. Live to fight | :12:20. | :12:26. | |
another week. Down, down, up. desperate not to be in the bottom | :12:26. | :12:30. | |
two, desperate to improve and get better marks. It's going to be hard. | :12:30. | :12:40. | |
That was more than magical. It was a miracle! I didn't really think I | :12:40. | :12:44. | |
had that in me. I saw a real change in Michael last week. I want to | :12:44. | :12:50. | |
keep that fighting spirit alive, yeah! Six weeks ago, I literally | :12:50. | :12:54. | |
couldn't do anything. Beautiful. You shine in ballroom. You are | :12:54. | :13:01. | |
elegant, graceful and you glide. We'll have that every week, please. | :13:01. | :13:05. | |
To think that I'm still in the biggest show on television, I've | :13:05. | :13:08. | |
worked hard but I couldn't have done it without my partner. He's a | :13:08. | :13:15. | |
trier, we are doing the hours, I can't ask any more of him. You had | :13:15. | :13:22. | |
great content. The lifts were excellent. Now we are on our way to | :13:22. | :13:27. | |
Wembley. Come on. It has to be all- or-nothing. I won't take mediocre. | :13:27. | :13:33. | |
I noticed that. Someone's been working hard in the rehearsal room. | :13:33. | :13:40. | |
It shows clearly. Fantastic. are such an attentive partner. You | :13:40. | :13:45. | |
concentrate on that. It's brilliant. Latin's the type of dance I | :13:46. | :13:49. | |
obviously have to work a little harder at. You can do more than | :13:49. | :13:55. | |
that. We are at the stage now where we have to nail every routine and | :13:55. | :14:01. | |
can't make a mistake. Really good to see you finally let yourself go | :14:01. | :14:08. | |
with gay abandon. Judges, time to decide. Nicky and Karen. Nicky and | :14:09. | :14:12. | |
Karen. Nicky and Karen. Natalie, I think you are the real winner. To | :14:12. | :14:16. | |
get me dancing for nine weeks on Strictly Come Dancing is quite | :14:16. | :14:22. | |
remarkable. You now are officially my best Australian friend - thank | :14:22. | :14:26. | |
you very much! Michael, I think you are the most incredible person. I | :14:26. | :14:30. | |
couldn't have done this without you and it's been my favourite series | :14:30. | :14:40. | |
so far, so thank you very much. Natalie, how proud are you of | :14:40. | :14:45. | |
Michael? Just speechless, my heart's racing now, sorry. Aw... | :14:45. | :14:49. | |
Honestly, like I said, it's been the most incredible series in every | :14:49. | :14:53. | |
way. The support that Nicola, his wife, has given us, to be allowed | :14:53. | :14:57. | |
to do 40 hours plus in the studio, your commitment, dedication to me, | :14:58. | :15:01. | |
the respect that you've had for me as a coach, a teach ever, listening | :15:01. | :15:09. | |
to everything I've asked. Stop! It's turning into a Gwyneth isn't | :15:09. | :15:13. | |
it! What's been your proudest moment, Michael? I think the whole | :15:14. | :15:19. | |
show's been great. I've loved every minute of it, I've given it | :15:19. | :15:24. | |
everything, Wembley, to dance last to New York New York, Frank Sinatra, | :15:24. | :15:30. | |
standing ovation, 6,000 people. Do the math on that, incredible. Craig | :15:30. | :15:33. | |
described it, I came from the gutter of dancing, he's absolutely | :15:33. | :15:36. | |
right and I became half decent because of this girl so I've had a | :15:36. | :15:43. | |
great time. Loved it. I have to ask you before we go, who do you want | :15:43. | :15:49. | |
to go on and win? They are all great. Give me a name? Nicky Byrne. | :15:49. | :15:56. | |
He's my pal. How about you, Nat? Kimberley. We've loved you, you are | :15:56. | :15:58. | |
brilliant. Total ballroom boy, great chemistry between the two of | :15:58. | :16:06. | |
you, we'll miss you, Michael and Natalie! | :16:06. | :16:10. | |
For those of you who think you know everything there is to know about | :16:10. | :16:16. | |
Strictly, see Hoy you get on with this teaser from the tease Bruno | :16:16. | :16:26. | |
:16:26. | :16:27. | ||
Tonioli. Hell grow, you Strictly experts. -- | :16:27. | :16:33. | |
hello. I am here to test your Strictly knowledge. I was once one | :16:33. | :16:42. | |
of Bruce Forsyth's dancers, is this Strictly true or Strictly baloney? | :16:42. | :16:46. | |
I wouldn't put anything past that man. You could find out the answer | :16:46. | :16:48. | |
later on. Michael Buble is appearing on Strictly at the | :16:48. | :16:52. | |
weekend. We caught up with him a few weeks ago when he was in town. | :16:52. | :17:00. | |
Here is a taster of one of his Christmas hits. | :17:00. | :17:08. | |
# I'm dreaming of a white Christmas # Just like the ones I used to | :17:08. | :17:16. | |
know... # Please welcome the one and only, Mr Michael Buble! | :17:16. | :17:23. | |
Come to mama, honey. Hello, darling. Nice to see you. Thank you so much | :17:23. | :17:27. | |
for coming on the show. Thank you for having me. We are just a little | :17:27. | :17:31. | |
bit excited about having you here, just a little bit. Me too. You are | :17:31. | :17:34. | |
here to record a very special performance for the big Strictly | :17:34. | :17:38. | |
show, a Christmas track from your Christmas album. Is it one of your | :17:39. | :17:44. | |
favourites? Which one have you chosen? I've chosen, it's beginning | :17:44. | :17:50. | |
to look a lot like Christmas... It's a beautiful song. We started | :17:50. | :17:54. | |
the record off because it felt like the arrangement was really sounded | :17:54. | :17:58. | |
like the starting of Christmas, it was really pretty. Do Christmas | :17:58. | :18:02. | |
songs make you emotional? They always make me cry in a lovely, | :18:02. | :18:08. | |
happy kind of way? In a happy tears of way - they make me sentimental, | :18:08. | :18:12. | |
growing up with my little sisters, mom and dad and grand parents made | :18:12. | :18:16. | |
it a special time for us so I'm very sentimental about it all. It | :18:16. | :18:20. | |
takes me back to being a kid. What people don't know is they used to | :18:20. | :18:29. | |
play bing cross birecords all the time and I loved it so much -- Bing | :18:29. | :18:34. | |
Crosby. It's what introduced me to great melodies. You got married | :18:34. | :18:39. | |
last year - broken hearts all around the world. Your wife is from | :18:39. | :18:44. | |
Argentina, I'm interested to know what was your first dance? At the | :18:45. | :18:50. | |
wedding? Yes. It was Fairytales can come true. Did you learn a little | :18:50. | :18:54. | |
dance? I just followed her, she's a better dancer than I'm ever going | :18:54. | :18:59. | |
to be. I'm really happy actually because she's here somewhere. | :18:59. | :19:05. | |
Buble hi. She's hiding. She just finished a movie after four months | :19:05. | :19:09. | |
- I was back-and-forth but now we get to be together. We do a stats | :19:09. | :19:12. | |
feature on the show every week and we did some adding up and worked | :19:12. | :19:15. | |
out that your songs have been covered by the Strictly band over | :19:15. | :19:21. | |
20 times on the show. Thank you so much for the record sales, yes! | :19:21. | :19:26. | |
I know! And you're only second to Frank Sinatra. How does that make | :19:26. | :19:31. | |
you feel? Unbelievable. That's really special. Someone thank med | :19:31. | :19:35. | |
for coming here today and I thanked them for having me on the UK's | :19:35. | :19:40. | |
biggest television show. It's not easy to get here and I was thrilled | :19:40. | :19:44. | |
to be book and so happy to be part of it. Now I've gotten to know a | :19:44. | :19:50. | |
few of the people on the show trbgs very comfortable, a lot of fun for | :19:50. | :19:54. | |
me. You have been on tour. Have you got any favourite performers? | :19:54. | :20:02. | |
haven't watched much of anything. I know a lot of the performers are | :20:02. | :20:05. | |
really good. Denise Van Outen looked pretty good. She's good. | :20:06. | :20:09. | |
Very good. I got the chance to meet and work with her a bit and I liked | :20:09. | :20:13. | |
her a lot so I guess I'll be pulling for her. I'm pulling for | :20:13. | :20:18. | |
everyone and I hope everyone has fun! You are so gorgeous! We have | :20:18. | :20:22. | |
got a fun game for you now on the show. We want to see how well you | :20:22. | :20:28. | |
know your own music. What we have done is taken three performances | :20:28. | :20:33. | |
from couples or all dancing to your music, we have removed the sound. | :20:33. | :20:38. | |
Tell me which of your tracks they are dancing to. Ready for this? | :20:38. | :20:43. | |
Put Buble under pressure. Here we go. I'm watching here? Yes, the | :20:43. | :20:47. | |
first couple is Karen and Artem doing an American smooth. Are they | :20:48. | :20:55. | |
dancing to moon dance, cry me a river or, just haven't met you yet? | :20:55. | :21:02. | |
Taking this very seriously? It's cry me a river. Is it? Let's find | :21:02. | :21:09. | |
out if he's right. He's right! Congratulations. You are good. Tune | :21:09. | :21:12. | |
the lovely thing about these two, they met in the show, fell in love | :21:12. | :21:17. | |
and they are still together. That's beautiful. A beautiful thing. OK, | :21:17. | :21:21. | |
the next one is Ricky and Natalie doing the quickstep from series | :21:21. | :21:26. | |
seven. They got the most tens ever. Wow. Are they dancing to down with | :21:26. | :21:32. | |
love, home or feeling good? Down with love, home or feeling good - | :21:32. | :21:36. | |
they are dancing to down with love. He's good, he's right. Let's have a | :21:36. | :21:41. | |
listen! Two out of two! OK, here we go. This is Nicky and | :21:41. | :21:45. | |
Karen doing foxtrot. Your three options are, everything, the best | :21:45. | :21:49. | |
is yet to come, just haven't met you yet. What do you think, | :21:49. | :21:56. | |
Michael? Best is yet to come. see if you're right. | :21:56. | :22:01. | |
He's right! Yes! Really? It's an amazing game. It's going to catch | :22:02. | :22:06. | |
on I think. Yeah. That just took so much concentration because the | :22:06. | :22:09. | |
whole time I was watching I was trying to count in my head and | :22:10. | :22:13. | |
remember the tempo of the record and that was hard. You were taking | :22:13. | :22:17. | |
it very seriously. Thank you so much for taking time to come and | :22:17. | :22:22. | |
see us. Thank you so much. You are gorgeous. Michael Buble! | :22:22. | :22:26. | |
APPLAUSE Isn't he lovely! I apologise for | :22:26. | :22:30. | |
being so like that in front of him! Craig will be here in a moment | :22:30. | :22:34. | |
giving us his views on the weekend's performances, but before | :22:34. | :22:40. | |
that, time to put you out of your misery with the answer to Bruno's | :22:40. | :22:48. | |
bamboozler. I've asked you, I was once one of Bruce Forsyth's dancers. | :22:48. | :22:56. | |
I bet that got you thinking. It is Strictly true, it was in the 70s, | :22:57. | :23:02. | |
but don't tell anyone! Join me next time for another Strictly true or | :23:02. | :23:08. | |
Strictly baloney with me, the one and only, Bruno Tonioli, just for | :23:09. | :23:12. | |
you! I love that man! Don't worry, Bruno, | :23:12. | :23:16. | |
your secret is safe with us. Saturday's performances put the cat | :23:16. | :23:21. | |
amongst the pigeons. Who better to talk about it than a man who always | :23:21. | :23:31. | |
has his claws out. Please welcome, Craig Revel Horwood. | :23:31. | :23:36. | |
Oh rg darling! Beautiful! That's taken it out of you, hasn't it? | :23:36. | :23:41. | |
almost fell over. We are going the James Jordan shimmy there. We waved | :23:41. | :23:44. | |
goodbye to Michael and Natalie at the weekend. Michael said he | :23:44. | :23:49. | |
thought it was his time to go. Do you agree? I do. Thank you. It's | :23:49. | :23:53. | |
very gallant of him to say that because it is true in fact. He's | :23:53. | :23:57. | |
right, the competition has got really stiff now, you know, and | :23:57. | :24:02. | |
they've got to really work hard at getting this final. Only six left | :24:02. | :24:10. | |
and three weeks. So close. cannot call it can you? No. This | :24:10. | :24:14. | |
year we really can't call it. Nicky and Karen and their tango. Did they | :24:14. | :24:17. | |
deserve to be in the dance-off? I thought this was brilliant? | :24:17. | :24:21. | |
second time he did it, it was a lot smoother, there was a lot more | :24:22. | :24:27. | |
connection and more character. took all the points... That was | :24:27. | :24:32. | |
incredible because to try and turn it around like that just out of | :24:32. | :24:36. | |
thin air is very, very difficult, but he took all of that on board | :24:36. | :24:42. | |
and I commend him for it. Wonderful. Hats off to him. Lisa and Robin. | :24:42. | :24:45. | |
She has so much personality, everyone loves her energy, everyone | :24:46. | :24:49. | |
loves her. Is that enough to win this competition? No, because you | :24:49. | :24:53. | |
still have to be technical and she does suffer a little bit in the | :24:53. | :24:59. | |
ballroom stuff. You have to have much, much longer neck and grace | :24:59. | :25:03. | |
and more poise so she does struggle but what I think Lisa could | :25:03. | :25:07. | |
possibly win it on is her personality, her energy, as you say, | :25:07. | :25:15. | |
and if she's lucky enough to get a Latin dance. She's so good. | :25:15. | :25:19. | |
Kimberley and Pasha had the Latin dance, the jive. Fourth time in a | :25:19. | :25:22. | |
row that they've scored 34, they are getting so frustrated with that | :25:22. | :25:26. | |
darn number. You said you would take a point off for the clumsy leg | :25:26. | :25:32. | |
move. Would she have got a ten? Perhaps. I really loved it. She's | :25:32. | :25:36. | |
really starting to grow on me and I think she's a massive contender for | :25:36. | :25:41. | |
the final, I really, really do. She's got, you know, fantastic | :25:41. | :25:44. | |
personality as well that she's bringing to it. I thought she was | :25:44. | :25:49. | |
dull to begin with. Don't say that about Kimbles, - she says the same | :25:49. | :25:53. | |
about you. She's shy. With confidence, you know, her | :25:53. | :25:58. | |
personality's coming through her feet. She's coming out. You get | :25:58. | :26:03. | |
twinnically when you talk about her. Denise and James. James admit head | :26:03. | :26:07. | |
went wrong. What a big thing for him to do? Wasn't it a delight, | :26:07. | :26:11. | |
darling. Sorry, shouldn't laugh. Makes a change. But it happens to | :26:11. | :26:15. | |
the best of us. I've been on panto and stuff like that and may have | :26:15. | :26:19. | |
forgotten a line or a little thing and that does happen sometimes. You | :26:19. | :26:22. | |
just draw a blank and don't know what to do. I didn't know what had | :26:23. | :26:26. | |
actually gone wrong, it just looked like they were doing some terrible | :26:26. | :26:32. | |
fill, you know, and in fact that's exactly what they were doing, but | :26:32. | :26:37. | |
yes... Even with that, she's still amazing? She still got into the | :26:37. | :26:40. | |
lift. They missed the preparation for it and that's very difficult, | :26:40. | :26:46. | |
so to get out of it that, puts her up in the professional stakes. | :26:46. | :26:53. | |
Dancing better than your partner, you know, that's pretty good going! | :26:53. | :26:59. | |
Lieu wist and Flavia -- Lewis and Flavia and the charleston, you gave | :26:59. | :27:05. | |
them an eight. Bruno and Darcey went crazy for it? They did. It's | :27:05. | :27:09. | |
wonderful having all the acrobatic skills, perfect charleston, you can | :27:09. | :27:14. | |
put all that stuff in, high energy, he was brilliant, he had good | :27:14. | :27:20. | |
swivel which I go on about all the time. Yes, great swivel. I it just | :27:20. | :27:26. | |
lacked an element. What element? wasn't the personality, I think it | :27:26. | :27:31. | |
was the abandonment of step. In the charleston, you really have to look | :27:31. | :27:36. | |
a little bit quirkier. He was a bit placed. For goodness sake. There | :27:36. | :27:43. | |
ain't no pleasing you, is there?! But if you are comparing them to | :27:43. | :27:48. | |
other charlestons, they're better. Like Denise. Dani and Vincent. A | :27:48. | :27:53. | |
couple of heel turns here for Dani. You said sweet but it didn't blow | :27:53. | :27:58. | |
you away? No. Is it Dani or the dance? I'm waiting for the spark, | :27:58. | :28:03. | |
the thing that you can't describe. I know what you men. I want her to | :28:03. | :28:06. | |
go out on an edge and be more dangerous, that's all. Ofpblgt | :28:06. | :28:12. | |
That's what I meant by that. It's very difficult to explain all that | :28:12. | :28:16. | |
in ten seconds but it's a beautiful routine, she's a fantastic and | :28:16. | :28:22. | |
phenol national dancer. I want to see her walk the tightrope a bitle | :28:22. | :28:26. | |
more -- phenomenal. This weekend we have a little twist called dance | :28:26. | :28:29. | |
fusion. Have you all gone crazy town? What the devil is dance | :28:29. | :28:38. | |
fusion, please? It's where you have one track but you put two reverse | :28:38. | :28:42. | |
polarity style with it so you can mix the cha-cha-cha with the tango | :28:42. | :28:47. | |
and they don't really go together but it will create something unique | :28:47. | :28:51. | |
and fantastic. They are allowed to do one lift in it as well. If you | :28:51. | :28:55. | |
are doing an American smooth part of your fusion, you are allowed | :28:55. | :28:59. | |
three lifts. I follow you. Sounds like one of those things that it's | :28:59. | :29:05. | |
either going to be brilliant or argh... Or a disaster. We can't | :29:05. | :29:09. | |
wait. We are not going to see you on Monday because you are doing | :29:09. | :29:15. | |
panto. I am indeed. Oh no he's not. ALL: Oh yes he is. Craig Revel | :29:15. | :29:18. | |
Horwood! We love you. That's all we have | :29:18. | :29:22. |