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Welcome to Tuesday's It Takes Two. The judges saved them rightfully so | :00:13. | :00:19. | |
at the weekend, Nicky and Karen are here! APPLAUSE AND CHEERING They | :00:19. | :00:23. | |
are still hopping with excitement after their brilliant jive, | :00:23. | :00:27. | |
Kimberley and Pasha are here! APPLAUSE AND CHEERING And she knows | :00:27. | :00:32. | |
a thing or two about choreography, she's also exquisite, Karen Hardy | :00:33. | :00:42. | |
:00:43. | :00:43. | ||
is here. And he is covered in 40,000 crystals, and red velvet, my, | :00:43. | :00:49. | |
my! It's not actually velvet, but it is Julian McDonald. | :00:49. | :00:59. | |
:00:59. | :01:35. | ||
This is Strictly: It Takes Two. Please welcome your host, Zoe Ball. | :01:35. | :01:38. | |
APPLAUSE AND CHEERING Hello and welcome to It Takes Two, | :01:38. | :01:41. | |
this weekend Nicky and Karen were a little shaken but not stirred when | :01:41. | :01:46. | |
they found themselves in the dance- off again. Here's a reminder of why | :01:46. | :01:52. | |
the judges thought they deserved to dance another day. | :01:52. | :01:56. | |
The intensity was perfect. All the way through that's what you need in | :01:56. | :02:01. | |
an Argentina tango. It needed more fluid movement but I loved all the | :02:01. | :02:07. | |
lifts and that crisp. It was too aggressive and stompy, like a | :02:07. | :02:16. | |
little boy not getting his way and throwing a tantrum. I am happy, you | :02:16. | :02:20. | |
know, it's a difficult dance to do, it really is. Look, you wear your | :02:20. | :02:23. | |
heart on your sleeve out there. The relief of getting around the dance | :02:23. | :02:28. | |
floor is immense. We are troopers. That's what we are going to keep | :02:28. | :02:33. | |
doing, trooping our way through hopefully to the final. We will | :02:33. | :02:38. | |
fine out which of you will be back to dance again next week. Nicky and | :02:38. | :02:43. | |
Karen. Nicky and Karen. Nicky and Karen. Please welcome Nicky and | :02:43. | :02:47. | |
Karen! APPLAUSE AND CHEERING | :02:47. | :02:54. | |
Hello! Hello you two. Can I just say that you were awesomeness ten- | :02:54. | :02:58. | |
field on Saturday. We thought you were brilliant in our house. Rewell | :02:58. | :03:03. | |
did -- we really did. Was it thrilling out there on the floor? | :03:03. | :03:07. | |
It really was. We worked so hard all week. The choreography was | :03:07. | :03:13. | |
brilliant. You are playing James Bond, what guy doesn't want that? | :03:13. | :03:17. | |
Felt a million dollars and went for it. You always feel at the end of a | :03:17. | :03:21. | |
dance a good instinct and I thought, yes, we have nailed that. Went up | :03:22. | :03:26. | |
to the judges, and we didn't! you did with the audience, that's | :03:26. | :03:30. | |
the thing. Sometimes you think what were the judges seeing? It's so | :03:30. | :03:35. | |
confusing. Was it brilliant for you out there, Karen. It was fantastic. | :03:35. | :03:39. | |
Seriously, I thought I was dancing with my my professional dancer. | :03:39. | :03:44. | |
Yeah, right! The way he was leading. She's building you back up. The way | :03:44. | :03:49. | |
he was leading me was unbelievable. I let him take over and amazing. I | :03:49. | :03:54. | |
am so proud of you. Bottom two and you have to go up against your best | :03:54. | :03:58. | |
mate on the show. How was that? doesn't get any worse really. I | :03:58. | :04:03. | |
think it's so tight now that if you are in the bottom two you are at | :04:03. | :04:06. | |
risk. I knew that as soon as I saw the scores from everybody else. | :04:06. | :04:10. | |
Then you are up against Vaughan and it was his shirt that put him in | :04:10. | :04:15. | |
the bottom two, as well! It was horrible, but what can do you? | :04:15. | :04:20. | |
That's the nature of the show. We still -- he is still talking to me | :04:20. | :04:24. | |
and I have bragging rights. Do you think that he was undermarked? | :04:24. | :04:29. | |
Just putting it out there. I do, definitely. I respect the judges | :04:29. | :04:34. | |
100%. But definitely undermarked. You are not alone. We have had so | :04:34. | :04:41. | |
many messages in. Jonathan says, so undermarked, it's a travesty! | :04:41. | :04:45. | |
Judges have lost the plot! That's another one. We loved you | :04:46. | :04:51. | |
being bond. Interested to know which Bond you were being, were you | :04:51. | :04:57. | |
Daniel Craig? A Connery or Dalton? I always liked him. I was a bit of | :04:57. | :05:05. | |
them all. Where was the Roger Moore. James Blond! It was good. Brilliant. | :05:05. | :05:10. | |
On Saturday, we saw how proud Karen was. She got emotional. How does | :05:11. | :05:17. | |
that make you feel? Yeah, I only saw that just before we danced. It | :05:17. | :05:21. | |
was like, oh, wow, I must be doing something right. You are. Nobody | :05:21. | :05:27. | |
wants to let their pro partners down. We are nine, ten weeks in, | :05:27. | :05:32. | |
working seven days a week to get it right and it was to have - wobbled | :05:32. | :05:36. | |
a few times with the judges so we tried our best, working harder and | :05:36. | :05:42. | |
harder and we really felt Saturday was great and it wasn't. It was! It | :05:43. | :05:47. | |
was! We are not going to give up, that's the thing. Don't give | :05:47. | :05:50. | |
newspaper the words of Kate Bush. We saw how proud you were of him on | :05:50. | :05:56. | |
Saturday. We saw how emotional you got. We reckon perhaps your first | :05:57. | :06:06. | |
passion will always be your first love. Play the ball. I can kick | :06:06. | :06:16. | |
:06:16. | :06:20. | ||
some good balls. You used to play football? Uh-uh. Brilliant! Call me | :06:20. | :06:25. | |
Maradona. Roy Keane, nice to meet you. I have | :06:25. | :06:32. | |
never heard of Roy Keane. Is it King? Ref, come on! | :06:32. | :06:39. | |
Roy Keane equalises. Get in! Come on Ireland. I don't even know | :06:39. | :06:44. | |
Westlife, how am I going to know a footballer? Keano! He was always | :06:44. | :06:49. | |
one of my heros. Have you met him? I have met him, he is a great guy | :06:49. | :06:56. | |
and my dog is called Keano, after Roy. New challenge this week, | :06:56. | :07:02. | |
dance-fusion. Which two styles have to you bring together? We mixed up, | :07:02. | :07:07. | |
originally we mixed up four styles. We are back to two. Which are they? | :07:07. | :07:13. | |
American smooth and samba. Samba. With your American smooth what will | :07:13. | :07:18. | |
be the basis because it can be quick-step, foxtrot. Foxtrot. It | :07:19. | :07:25. | |
will have elements of foxtrot. is it going? Terrible! Our eyes are | :07:25. | :07:29. | |
fusing because my eyes are crossing. Which are you going to start with? | :07:29. | :07:34. | |
Samba because samba traditionally for a guy, celeb guy, is horrible. | :07:34. | :07:38. | |
Not great. It's not and you just have to work hard and do your best. | :07:38. | :07:43. | |
But it's horrible. How worried are you after last week to go in and do | :07:43. | :07:48. | |
something like the samba? I don't know if I am worried any more. I | :07:48. | :07:51. | |
don't know anything any more, when I think it's brilliant, it's | :07:51. | :07:54. | |
terrible. So maybe if it's terrible it will be brilliant. Exactly. What | :07:54. | :07:57. | |
you think is terrible, is in fact, brilliant. You think you can bounce | :07:57. | :08:01. | |
back this week? Look, we have to. We have to. You got to go for it. | :08:01. | :08:05. | |
The positive thing is that the semifinal is one step away and the | :08:06. | :08:10. | |
final is one step after that. So you can't lie down now. Last week | :08:10. | :08:14. | |
is gone. Let's keep fighting. We want it badly, come on F we want to | :08:14. | :08:17. | |
stay in the competition we need people to vote and help us and the | :08:17. | :08:23. | |
judges, as well. That's fighting talk, make t-shirts and goen to a | :08:23. | :08:29. | |
rally! -- go on a rally! Good luck. APPLAUSE AND CHEERING | :08:29. | :08:32. | |
Thank you. Saturday night Louis and Flavia reminded the judges they are | :08:32. | :08:38. | |
contenders in this competition. Time to find out which couples got | :08:38. | :08:48. | |
:08:48. | :08:56. | ||
Please welcome our very own choreography goddess, Karen Hardy! | :08:56. | :09:01. | |
APPLAUSE AND CHEERING They love you tonight. I am liking | :09:01. | :09:05. | |
that. Three weeks to the final, Karen, can you believe it? I have | :09:05. | :09:09. | |
to get a proper job and everything. Let's start off with our saved | :09:09. | :09:13. | |
couple, Nicky and Karen. Did they deserve to be in the bottom two? | :09:13. | :09:18. | |
Len Len was talking it was too much ballroom, not enough Argentine, | :09:18. | :09:22. | |
tango? Do you agree? What was important with me in this dance, I | :09:22. | :09:26. | |
was disturbed and I did fall slightly against Len for once, | :09:26. | :09:33. | |
because I have chosen the bit here where it looks tangoy and the | :09:33. | :09:39. | |
assertiveness in the upper body, but what wasn't picked up on, - you | :09:39. | :09:46. | |
see how well he has picked up. Look at the beautiful footwork. Sharp | :09:46. | :09:51. | |
and strong. This dance is all about what's going on downstairs and it | :09:51. | :09:55. | |
was overtalked about upstairs. I would have liked them to have | :09:55. | :09:59. | |
praised him and yes, undermarked. It was very good what was going on | :09:59. | :10:04. | |
downstairs. Incredible number. really feel you needed to get that | :10:04. | :10:08. | |
off your chest. Lisa and Robin. Did this routine bring you sunshine? | :10:08. | :10:11. | |
Lots of talk again about Lisa's personality. What about the | :10:11. | :10:15. | |
dancing? Yes, and that's the key word, if I analyse it and we are | :10:15. | :10:19. | |
going to look here at the piece that I have chosen. One of the key | :10:19. | :10:22. | |
things about ballroom is gapping. It's gapping all the way through | :10:22. | :10:25. | |
this. You know, being in the top six now that shouldn't be there. | :10:25. | :10:29. | |
The shoulders are all lifting up all the time. It looks confusion of | :10:29. | :10:34. | |
what the steps are and looked hassled. These looked as though | :10:34. | :10:40. | |
they're going to go wrong and she starts jumping on-the-spot. If I | :10:40. | :10:44. | |
looked at the quality of the dancing on this it didn't appeal to | :10:44. | :10:47. | |
me. Lisa's inspiration and personality and we say in the | :10:47. | :10:50. | |
history books, a champion will always shine and show themselves. | :10:50. | :10:54. | |
But it can't be through razzmatazz, it's got to be through quality of | :10:54. | :10:59. | |
dance. I love that. We say in the history books! Brilliant. Denise | :10:59. | :11:03. | |
and James and the salsa. A moment for everybody, James blanked. That | :11:03. | :11:08. | |
never happens. Did you think Denise managed to style it out | :11:08. | :11:12. | |
brilliantly? She coped brilliantly. You can see where it all goes wrong. | :11:12. | :11:15. | |
I have chosen the place here. They're doing the salsa. Basic | :11:15. | :11:23. | |
steps and it just shows that, oh, my God, I am going to make this | :11:23. | :11:26. | |
work. The recovery is brilliant T proved the amount of hours they're | :11:26. | :11:29. | |
training. It's clearly coming through. You can have a lot of | :11:29. | :11:33. | |
people that talk the talk, but it's on occasions like this where it | :11:33. | :11:36. | |
proves whether they're actually doing the homework. That just | :11:36. | :11:42. | |
showed to me her confidence, and her ability to carry on. That could | :11:42. | :11:46. | |
have been meltdown TV and they worked together as a strong team. | :11:46. | :11:50. | |
Fantastic. Louis and Flavia. Len said it had both quantity of steps | :11:50. | :11:57. | |
and quality of movement. He got his first two 10s. Len picked up on the | :11:57. | :12:03. | |
movement. The tricks for him, you know, - but look at the amount of | :12:03. | :12:08. | |
power. The ability to move. That said, I am a little bit in Craig's | :12:08. | :12:12. | |
corner on this. There was something missing. I feel with a Charleston | :12:12. | :12:18. | |
it shouldn't be moving that much. Now that we can't fault. Brilliant. | :12:18. | :12:22. | |
Future gymnast. We know he is going to do that. I was looking for a | :12:22. | :12:27. | |
tighter, more compact performance. However, he brought his mojo back | :12:27. | :12:31. | |
and got the enthusiasm and he might have that bite in the teeth to stay | :12:31. | :12:40. | |
in. Come on, Louis. Dani and Vincent and the Viennese waltz. A | :12:40. | :12:45. | |
little bit of Audrey Hepburn. very interesting this. I loved the | :12:45. | :12:49. | |
introduction of this chory. He brought in steps -- choreography. | :12:49. | :12:53. | |
He brought in steps from a quick- step. Heel turns he brought in. | :12:53. | :12:58. | |
saw her do two. Even I noticed that. And that little step there, very | :12:58. | :13:01. | |
quick. What I loved about it is he used the music to bring in that | :13:01. | :13:08. | |
sort of choreography. However, however, you know, it's a strong | :13:08. | :13:11. | |
competition, the Viennese waltz should power around the dance floor. | :13:11. | :13:16. | |
It's one of our power dances. It lost a lot of enthusiasm and | :13:16. | :13:20. | |
delivery for me. Kimberley and Pasha and their jive. Hrodz of | :13:20. | :13:23. | |
praise for her -- loads of praise for her. How difficult is that for | :13:23. | :13:27. | |
celebrities to master? That shows overall the weeks how they really | :13:27. | :13:32. | |
getting in tune with each other. Sin cross isity comes down to | :13:32. | :13:35. | |
musicality. They're on the right beat together, which is brilliant. | :13:35. | :13:39. | |
The piece I have chosen here is not necessarily the side by side, but | :13:39. | :13:43. | |
if you look here, can you see how in tune they are with each other? | :13:44. | :13:49. | |
Backing each other. That's how in tune they are which is brilliant. | :13:49. | :13:52. | |
This is the difficult step I love, because it's not only the twisting | :13:52. | :13:56. | |
of the legs that's in tune, but it's also the twisting of the body. | :13:56. | :14:04. | |
I will, as I did last year, I demoed this last year, I am a year | :14:04. | :14:08. | |
older. I will get my walking stick out. This is a great step. The | :14:08. | :14:18. | |
:14:18. | :14:18. | ||
first thing that's happening with You are pulling the knee up at the | :14:18. | :14:21. | |
same time. Kimberley and Pasha have to make sure the kicking is the | :14:21. | :14:25. | |
same and make sure that the lifting of the knee is at the same height, | :14:25. | :14:30. | |
Pasha will have more energy and he will lift higher, but at the same | :14:30. | :14:39. | |
time they have to be twisting the Don't ask me to do it next year. | :14:39. | :14:45. | |
will be trying that later on. You are, as always, a goddess. Karen | :14:45. | :14:49. | |
Hardy! APPLAUSE AND CHEERING On Saturday night Kimberley and | :14:49. | :14:52. | |
Pasha got the party started with a jive as we were talking about. They | :14:52. | :15:00. | |
bounced around the floor with perfect synchronicity. Here is how | :15:00. | :15:04. | |
well they did. I thought you did a great job because the jive isn't | :15:04. | :15:11. | |
easy. But overall, well done. Nice job. Great energy. Great timing. | :15:11. | :15:17. | |
Side to side kicks and flicks were excellent. Kimberley, you certainly | :15:17. | :15:20. | |
matched Pasha's energy level. You looked like a professional. Keeping | :15:20. | :15:26. | |
up with him is hard. Side by side it was excellent. You did a | :15:26. | :15:36. | |
:15:36. | :15:40. | ||
We got to the end of the jive! We got the party started, I think. | :15:40. | :15:48. | |
sure. You want to do another jive next week? No! Please welcome | :15:48. | :15:58. | |
Kimberley and Pasha! APPLAUSE AND CHEERING | :15:58. | :16:02. | |
You were smashing on Saturday night. You really were. Did you love it | :16:02. | :16:06. | |
out there? We did actually. We had a really good time. I was really | :16:06. | :16:10. | |
nervous but we managed to get the energy out in the kicks and flicks, | :16:10. | :16:14. | |
which was good. We were kicking a lot. A lot of kicking and the | :16:14. | :16:20. | |
judges did point out brilliant side by side. We did work on that a lot. | :16:20. | :16:27. | |
Joint second. 34. Do you feel like you are in Groundhog Day? 34 is an | :16:27. | :16:29. | |
amazing score and there are different dances every week so | :16:29. | :16:33. | |
actually we feel like we are doing well to stay the same level. People | :16:33. | :16:40. | |
go up and down. Bye! We are exactly the same every dance! We will try | :16:40. | :16:44. | |
to take it to the next level. work so hard every week and this is | :16:44. | :16:49. | |
going to be no different. We are going to go for it and just see if | :16:49. | :16:57. | |
we can just pip up a little bit. The good thing is Craig is very | :16:57. | :17:03. | |
pernickety and he gave you a nine. Our first nine from Craig. I was | :17:03. | :17:09. | |
surprised. The judges did argue that the travel through the legs | :17:09. | :17:12. | |
bit could have been slicker. Was that a trick that was tricky in | :17:12. | :17:18. | |
training? It's a hard trick to do, isn't it? It is a hard trick to do. | :17:18. | :17:24. | |
It works, sometimes it doesn't. training it always actually worked. | :17:24. | :17:28. | |
That part of the trick always worked. Later we had problems. But | :17:28. | :17:32. | |
the first one one nerve went wrong. Because it's a live show and | :17:32. | :17:36. | |
anything can happen, and unfortunately,... It was me. I am | :17:36. | :17:40. | |
sorry. You did great. It's OK. Bigger things happened. James | :17:40. | :17:45. | |
Jordan went wrong! That's what everyone will remember. Sorry, | :17:45. | :17:50. | |
James. He is going to get me. Joint on the leader board with Dani and | :17:50. | :17:53. | |
Vincent. Is it healthy rivalry going on between the two teams | :17:53. | :17:57. | |
there? It is actually. With me and Dani we are always joking because | :17:57. | :18:01. | |
we have been the same so many weeks and she left for a little while and | :18:01. | :18:08. | |
then she was, we're back! always wanted to jive. Did it it | :18:08. | :18:12. | |
live up to expectations? It did, I loved the jive but it was so hard | :18:12. | :18:17. | |
work. I don't think I realised how much energy you need for the jive, | :18:17. | :18:23. | |
especially jiving with this guy. used that t-shirt every day. | :18:23. | :18:32. | |
paid off. Goodness me. Pasha, when did you meet Jive Bunny, by the | :18:32. | :18:37. | |
way? He is from Rotherham. It was a long story, I was touring in the UK | :18:37. | :18:40. | |
and in this bar he was there. We start arguing about jive and almost | :18:40. | :18:48. | |
fought and we end up to be best of friends. I love Jive Bunny. I love | :18:48. | :18:51. | |
him, it's official. Three weeks until Christmas. If you are | :18:51. | :18:55. | |
centringling -- struggling with your list for Father Christmas, | :18:55. | :19:05. | |
:19:05. | :19:21. | ||
You have even started talking Yorkshire? Speak better now. I | :19:21. | :19:31. | |
:19:31. | :19:46. | ||
APPLAUSE Such a good sport. We do work as | :19:46. | :19:50. | |
well into looks like we just mess around. I love it. You are going | :19:50. | :19:57. | |
crackers. This week it's fusion. Yes! Confusion for many. You are | :19:57. | :20:06. | |
doing a tango and cha-cha-cha. came up with a new dance style. | :20:06. | :20:11. | |
dance on the street, it's chango. This week anyway. How is this | :20:11. | :20:17. | |
fusion thing? How beautifully do they knit together? It depends on | :20:17. | :20:21. | |
the song and in this song they leave together quite nicely. The | :20:21. | :20:27. | |
only problem is tango is dramatic and cha-cha is happy. What do you | :20:27. | :20:37. | |
do? Like a face that works for both. Angry but with a slight... One One | :20:37. | :20:42. | |
raised eyebrow. You recently tangoed and you were brilliant. | :20:42. | :20:47. | |
did love it so I am excited to do it again. Any tricks this week? Are | :20:47. | :20:53. | |
you going to do cartwheels? trick. Each dance or just in the | :20:54. | :20:59. | |
whole dance? The whole dance. you practised anything? We tried | :20:59. | :21:04. | |
something did. Does it involve a crash mat? I hope it doesn't need a | :21:04. | :21:07. | |
crash mat. I am hoping I will be able to master this one. It starts | :21:07. | :21:12. | |
in the beginning of the song and she gets down towards the end. | :21:12. | :21:18. | |
down as in dances gets down? From the lift. OK, yeah. Quite a long | :21:18. | :21:24. | |
lift. I am not quite sure how I am going to manoeuvre yet. It sounds | :21:24. | :21:28. | |
brilliant. OK so we only have a couple of weeks to the final. | :21:28. | :21:31. | |
There's been blood and sweat and tears on the dance floor. No murder | :21:32. | :21:37. | |
yet, but I wouldn't put it past some of the pros! There has been | :21:37. | :21:41. | |
blood, sweat and tears at some point on this journey. We would | :21:41. | :21:45. | |
absolutely love to get into the semifinal. But everybody's amazing. | :21:45. | :21:48. | |
We are going to have to go out there and Saturday and do our best. | :21:48. | :21:55. | |
Give it up for Kimberley and Pasha! APPLAUSE AND CHEERING | :21:55. | :22:02. | |
On the dance floor this weekend saw a Strictly kaleidoscope of colours | :22:02. | :22:09. | |
and a man casting his beady eye over the outfits was Julian | :22:09. | :22:17. | |
McDonald. # Can I dress you up in my love | :22:17. | :22:27. | |
# All over, all over. # Please welcome Julian McDonald. | :22:27. | :22:29. | |
APPLAUSE AND CHEERING All for you, darling. What did you think of the | :22:29. | :22:37. | |
frocks this weekend? They blew me away. There was fringes, ruffles, | :22:37. | :22:45. | |
over 20,000 cryst alals -- crystals, I loved it! Who is in the number | :22:45. | :22:49. | |
three spot this week? The gorgeous, amazing Lisa. Tell us about the | :22:50. | :22:59. | |
:23:00. | :23:02. | ||
skirt. It's actually a vertical panel with a flair at the bottom. | :23:02. | :23:05. | |
These panels are very long but they help Lisa to look even taller and | :23:06. | :23:10. | |
even more gorgeous than what she actually is. It's cut in a very | :23:10. | :23:15. | |
special way. This is an empire line which is a cut here underneath the | :23:15. | :23:19. | |
bust which drops to the floor. If you are a slightly larger lady, | :23:19. | :23:23. | |
these cover a multitude of sins. love that. Tell us about the | :23:23. | :23:28. | |
detailing of the top half of the dress. The top part of Lisa's dress | :23:28. | :23:32. | |
is another great shape, especially if you have a big bust. The thing | :23:33. | :23:36. | |
is this cross your heart bust just holds you up in the right places, | :23:36. | :23:46. | |
:23:46. | :23:47. | ||
obviously with Lisa's dress this is another amazing concoction of lace. | :23:47. | :23:53. | |
It's covered in multifaceted crystals. Over 3,000 crystals. | :23:53. | :23:58. | |
Counted them as they were put on by hand! She looked awesome. Who is | :23:58. | :24:02. | |
number two this weekend? My number two of this week, one of my | :24:02. | :24:06. | |
favourites, Natalie. I might have known you would have chosen this. | :24:06. | :24:11. | |
She was doing the samba. What stood out for you in this outfit? There's | :24:11. | :24:17. | |
actually half a dress. She lost half the dress on the way to the | :24:17. | :24:21. | |
floor! Where is the dress? I like the sheer fun of it. It's Strictly, | :24:21. | :24:25. | |
it's fun, it's camp, it's fringes, it's crystals, it's everything that | :24:25. | :24:34. | |
we love! Well done, Julian. Here we have - you have a fringe, who would | :24:34. | :24:39. | |
thought that would work? I didn't known know it existed. They've cut | :24:39. | :24:42. | |
the fringe on the bias, going down one side which makes the fringes | :24:42. | :24:51. | |
fall in a different direction. It actually disects the body. It's | :24:51. | :24:55. | |
totally unwearable and fun! Who is the top spot this week? The top | :24:55. | :25:01. | |
spot is the lady in red, Flavia. am happy about that. She always | :25:01. | :25:06. | |
looks gorgeous. We love Flavia. Why particularly this frock? | :25:06. | :25:16. | |
:25:16. | :25:17. | ||
reminded me of one of my famous favourite Hollywood icons, Liza | :25:17. | :25:23. | |
Minnelli in Cab receipt. Cabaret. Have you met her? She's | :25:23. | :25:27. | |
brilliant. This dress is hot to trot, obviously. I am wearing the | :25:27. | :25:31. | |
colour of the season, red. Christmas is coming up. Red is a | :25:31. | :25:36. | |
perfect Christmas colour. Obviously, on Flavia we see the red in maximum | :25:36. | :25:46. | |
:25:46. | :25:48. | ||
potential. It's absolutely covered in over 6,5 -- 6,500 cryst als. | :25:48. | :25:56. | |
It's -- crystals. Over four metres of fringe. Not normal fringe, this | :25:56. | :26:03. | |
was teamed with a weight to the fringe. We have crystal, fringe, we | :26:03. | :26:06. | |
have Flavia! Why shouldn't it be the top this week? Thank you very | :26:06. | :26:11. | |
much indeed. My goodness. Weighted fringe. I have learned a term there. | :26:11. | :26:14. | |
Brilliant. Now you have not only been looking at our professionals | :26:14. | :26:17. | |
and our celebrities dancing, you have also made someone's dreams | :26:17. | :26:23. | |
come true this week, Julian. Tell me more. We have a very, very | :26:24. | :26:29. | |
special firefighter. Her name is Sam. She is wearing one of my | :26:29. | :26:34. | |
favourite outfits from this season. I loved this outfit so much. It's | :26:34. | :26:42. | |
her paso doble outfit. Take it away, Sam. | :26:42. | :26:49. | |
I am Samantha and I am a female firefighter. Good afternoon. | :26:49. | :26:54. | |
I wear this on a day-to-day basis, but I like to add more glamour to | :26:54. | :27:00. | |
my day. Wow! | :27:00. | :27:05. | |
That's glamorous. Let's see if this dress fits the job. It's stretchy | :27:05. | :27:13. | |
enough to move around, a nice slit in the front. The leggings are | :27:13. | :27:19. | |
really nice. Hello! Oh, my God! You look superb. You are fit for | :27:19. | :27:24. | |
purpose for the job now. Honestly, you look fabulous. Really nice. | :27:24. | :27:28. | |
Thank you. Every start of shift it's important we check all the | :27:28. | :27:32. | |
equipments and the appliance. Let's see if this dress makes it more | :27:32. | :27:39. | |
sparkly and fun. Daily routine, we make sure all the equipment is | :27:39. | :27:46. | |
there and everything is working. They don't quite go, do they? We go | :27:46. | :27:51. | |
out training, which would create pretend scenarios of incident and | :27:51. | :27:57. | |
deal with them how we would. My colleagues rarely see me dressed | :27:57. | :28:04. | |
up. I bet it was a shock for them. So, guys, what do you think? | :28:04. | :28:08. | |
Although I love Victoria Pendleton's dress, I don't quite | :28:08. | :28:12. | |
think it's fire retardant. Now it's the end of the shift and although I | :28:12. | :28:16. | |
have not been able to keep Victoria's dress, I still managed | :28:16. | :28:22. | |
to keep a little bit of sparkle. APPLAUSE AND CHEERING Sam, and we | :28:22. | :28:26. | |
would like to thank Sam's bosses for giving her a project day which | :28:26. | :28:30. | |
meant she wasn't on duty when we filmed this. She looked gorgeous. | :28:31. | :28:36. | |
Thank you so much Julian. See you next week. Oh, look! It's Flavia's | :28:36. | :28:43. | |
hat! Bless you, you look like an extra from Miss Marple. I love it. | :28:44. | :28:47. | |
Thank you to all my guests tonight. Tomorrow I will be talking to our | :28:47. | :28:51. |