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Hello. Welcome to Wednesday's bumper edition of It Takes Two. You | :00:11. | :00:15. | |
wanted sunshine. They gave you sunshine. Lisa and Robin are here. | :00:15. | :00:22. | |
You wanted tens, they gave you tens, two tens, it's Lisa and Flavia. | :00:22. | :00:25. | |
This week we have dance fusion. To talk about that and the training | :00:25. | :00:31. | |
rooms, Ian Waite is here, in his Dickie bow. And it's very exciting. | :00:31. | :00:36. | |
We finally get to see our pros go up against each other. I love it. | :00:36. | :00:45. | |
The launch of the Pro Challenge 2012. This is It Takes Two | :00:45. | :00:55. | |
:00:55. | :01:16. | ||
Live, from Television Centre, this is Strictly It Takes Two. Please | :01:17. | :01:26. | |
:01:27. | :01:27. | ||
welcome your host, Zoe Ball. Hello and welcome. A jam-packed | :01:27. | :01:37. | |
:01:37. | :01:38. | ||
show tonight. First, some Strictly Thank you. Time for a very special | :01:38. | :01:43. | |
announcement. Strictly Come Dancing needs you. Yes, over the next | :01:43. | :01:47. | |
couple of weeks, Strictly wants the whole nation to learn a very | :01:47. | :01:52. | |
special dance. We'll be teaching you the Strictly Shimmy. Oh, yes. | :01:52. | :01:56. | |
During the grand final on Saturday, 22nd December, we want all of you | :01:56. | :02:00. | |
up on your feet dancing along at home. Here are Robin and Christ | :02:00. | :02:10. | |
:02:10. | :02:17. | ||
teen with a quick demonstration. -- Shimmy! Oh, thank you, Robin and | :02:17. | :02:23. | |
Christine, very, very nice. You lot ready? Take it away. Five, six, | :02:23. | :02:33. | |
:02:33. | :02:42. | ||
Ladies and gentlemen, our A team. Our runners and our dancers, led by | :02:42. | :02:47. | |
Ian Waite. See, it's easy. You just have over two weeks to perfect the | :02:47. | :02:53. | |
dance at home. All the details with a step-by-step video and all the | :02:53. | :02:57. | |
moves can be found on the Strictly website. We'll readvice the | :02:57. | :03:02. | |
Strictly Shimmy later to see how you are getting on. -- revisit. I | :03:02. | :03:06. | |
can reveal very big news indeed now. For the first time, ever, in | :03:07. | :03:10. | |
Strictly history. There will not be two, not three, but four couples in | :03:10. | :03:16. | |
the final. That's awesome news. And that was | :03:16. | :03:23. | |
Strictly breaking news. Thank you. You were good. You were good. Back | :03:23. | :03:28. | |
to tonight's show. It's fuegs week with our couples tackling two dance | :03:28. | :03:33. | |
styles in one performance. -- fusion. Lisa and Robin will be | :03:33. | :03:39. | |
blending a tango with a cha-cha-cha. But first, here's a quick recap of | :03:39. | :03:42. | |
Saturday's quickstep. What you bring to this show every week is a | :03:42. | :03:47. | |
bit of sunshine. I bet you Eric and Ernie are look down, cheering you | :03:47. | :03:52. | |
on. Well done. Your personality couldn't be more bride. I need a | :03:52. | :03:56. | |
sunshade. Off zest for life it. Comes across in your performances. | :03:56. | :04:02. | |
You had a messy incident before the second Charleston which got you out | :04:02. | :04:10. | |
of sync but the energy is incredible. Sunshine. Sunshine. | :04:10. | :04:16. | |
was like we were a lightbulb flying around the floor. It was a really | :04:16. | :04:20. | |
good feeling. Really overjoyed with the score. I'm a very, very happy | :04:20. | :04:30. | |
girl. Please welcome Lisa and Robin. The | :04:30. | :04:34. | |
brilliance of sunshine. It was awesome on Saturday night. We loved | :04:34. | :04:39. | |
it. Did you enjoy yourself? You looked like you were having a | :04:39. | :04:43. | |
better time than ever. It was brilliant. I loved it too much. I | :04:43. | :04:48. | |
made two whopper mistakes which the judges thankfully didn't see. I'll | :04:48. | :04:54. | |
admit I did. What were they? I just started bouncing on my own, like a | :04:54. | :04:58. | |
little bounce ball. I kept moving at least. That bit there. A little | :04:58. | :05:02. | |
hiccup there, but carried on going. That is the main thing. Everyone is | :05:02. | :05:08. | |
just look at the joy of the dance. We didn't notice. However, was it | :05:08. | :05:12. | |
quite nice actually to have gone from the rumba to a faster-paced | :05:12. | :05:15. | |
dance? Yes. We enjoyed the rumba, but to come back to the rehearsal | :05:16. | :05:21. | |
room to fun, fast, furious choreography and having a ball, it | :05:21. | :05:25. | |
was great. We just hope we brought a ray of sunshine to good old Great | :05:25. | :05:30. | |
Britain on Saturday. You jolly well did. Even Darcey loved it. She said | :05:30. | :05:34. | |
it was absolutely beautiful. Was it good to get her back on side after | :05:34. | :05:38. | |
the week before? Completely. Everyone does like us doing the | :05:38. | :05:42. | |
fast and furious stuff. All dressed in yellow. The panel were gorgeous | :05:42. | :05:47. | |
on the weekend, they really were. Even Bruno saying he wanted | :05:47. | :05:54. | |
sunshades on. We loved it. It was great. Let's talk about the rolly | :05:54. | :06:02. | |
polly moment. It was so good. We have put it in slow motion. | :06:02. | :06:09. | |
tongue is out, I'm concentrating. Oops. She puts the G in graceful. | :06:09. | :06:15. | |
Did you slightly misfire? We'd not practiced in the frock. My back is | :06:15. | :06:23. | |
covered in crystals and satin on the leather. I go for it and whoosh. | :06:23. | :06:28. | |
The thing that made me laugh was, you looked at each other and | :06:28. | :06:33. | |
laughed - did that just happen? are not supposed to laugh but I | :06:33. | :06:38. | |
giggled. You did seem genuinely touched when Len said Eric and | :06:38. | :06:42. | |
Ernie would have approved of your performance. I have watched them | :06:42. | :06:47. | |
since I have four. They were comedic geniuses. For Len to say | :06:47. | :06:51. | |
they were shining down on me, that was the result I wanted, more than | :06:51. | :06:56. | |
any comment. If you lip-read, I said, "Can you believe that | :06:56. | :07:02. | |
comment?" I couldn't believe it. Last week, nobody nue, you two had | :07:02. | :07:09. | |
bad chest infections. You were poorly. -- nobody knew.! The | :07:09. | :07:12. | |
quickstep is so fast. We lost training on Thursday and couldn't | :07:12. | :07:17. | |
do anything on fri. You lose two days. When you dance the quickstep | :07:17. | :07:21. | |
breathing is a problem but half way through the dance I felt I wanted | :07:21. | :07:24. | |
to stop, the oxygen wasn't going in. We got through it. That was the | :07:24. | :07:28. | |
main thing. Everybody seemed to enjoy it. We left very happy that | :07:28. | :07:31. | |
day. You think chest infections is something you have been battling | :07:31. | :07:36. | |
until the training room. Check this for a list of ailments, Lisa Riley. | :07:36. | :07:42. | |
I currently can't feel my legs, my knees, my shins, my calfs, my feet, | :07:42. | :07:49. | |
or the balls of my feet. What if I die. The biggest hypochondriac I | :07:49. | :07:53. | |
have ever met. A splinter in my foot. I thought I broke something. | :07:53. | :08:03. | |
:08:03. | :08:04. | ||
You had a broken toe that healed miraculously. It hasn't even healed. | :08:04. | :08:14. | |
:08:14. | :08:14. | ||
I'm not moaning. I'm in agony with my feet. I've got a bad ankle. Pain, | :08:14. | :08:17. | |
absolute pain. It's like tonsillitis but extreme. That could | :08:17. | :08:22. | |
have blinded me. We have gone from underarm pain to chronic neck pain | :08:22. | :08:28. | |
and spinal pain I even tell you Bmy feet are killing me. | :08:28. | :08:37. | |
-- tell you about. You are a hypocon dry ac. I would get an A- | :08:37. | :08:41. | |
plus for that. It is dance fusion. Which dances are you marrying | :08:41. | :08:48. | |
together? We are doing the tango into the cha-cha. So we have called | :08:48. | :08:52. | |
it the Cha-tango. ! Obviously we are doing our cha- | :08:52. | :08:56. | |
cha, which was our dance number one on the series. One of our | :08:56. | :09:02. | |
favourites. And I love the tango. We are merging them together. | :09:02. | :09:09. | |
have someone special to say happy birthday to. My gorgeous granddad | :09:09. | :09:15. | |
Sam. Happy birthday. I miss you loads and love you. Happy birthday. | :09:15. | :09:19. | |
Good luck. I love granddad Sam. Good luck at the weekend. We know | :09:19. | :09:23. | |
you are going to be brilliant. Lisa and Robin. Robin, you are not | :09:23. | :09:29. | |
allowed to go too far. You are launching the Pro Challenge. | :09:29. | :09:34. | |
Soon Iain will be here with his Wednesday warm-up but first he | :09:34. | :09:38. | |
takes Karen for a trip in the time machine to the 1940s as they reveal | :09:38. | :09:45. | |
all about the jive. It's at the height of the Second | :09:45. | :09:50. | |
World War. America has joined the Allied Forces and American | :09:50. | :09:59. | |
servicemen, the GIs, have arrived in Britain. Howdy, ma'am. It was a | :09:59. | :10:03. | |
bit of a culture shock for the English. The Americans were easy- | :10:03. | :10:09. | |
going. Walked with swagger and brought a whole host of goodies | :10:09. | :10:15. | |
from overseas. But most importantly, introduced | :10:15. | :10:18. | |
brand new styles of dance, the likes of which the British had | :10:18. | :10:27. | |
never seen. Like the jitterbug and the lindy hop. Swing music was the | :10:27. | :10:33. | |
popular music at the time. And the fast tempo meant the dance was | :10:33. | :10:38. | |
quick, energetic and fun. Jive was an expression used by swing | :10:38. | :10:44. | |
musicians to mean foolish or glib. Overtime it was used to describe | :10:44. | :10:50. | |
the dance, too. Eventually "jive" just stuck. The jive is a happy | :10:50. | :10:56. | |
dance with plenty of knee-lifting, bending and swinging of the hips. | :10:56. | :11:03. | |
Flicks, kicks and spins can all be incorporated into the routine. | :11:03. | :11:10. | |
importantly, to dance the jive well, the dancer's feet need to be well- | :11:10. | :11:19. | |
controlled and under the body. When the war was over, the GIs went | :11:19. | :11:26. | |
home. See ya ma'am. Oi, we're not finished yet. Keep dancing. The | :11:26. | :11:30. | |
jive remained and with the birth of rock 'n' roll, its popularity | :11:30. | :11:36. | |
rocketed. In 1968 it was added as one of the five dances in the Latin | :11:36. | :11:40. | |
category. Usually danced last in competitions because of how tiring | :11:40. | :11:50. | |
:11:50. | :11:52. | ||
it can be. A brilliant piece. Welcome the very handsome GI Ian | :11:52. | :11:58. | |
Waite. It can't get any better, and then | :11:58. | :12:04. | |
you put on a uniform. It's fusion week. Could this be the biggest | :12:04. | :12:09. | |
choreography chaltheng show has ever seen? I think it will be more | :12:09. | :12:13. | |
challenging. I'm interesting to seat inane outs of the dance. | :12:13. | :12:17. | |
Whether they'll do the first half one dance and the secretary half | :12:17. | :12:21. | |
the other or whether they'll go in and out? It will be interesting. It | :12:21. | :12:25. | |
probably depends on the music and the intrerpgs. Let's see our | :12:25. | :12:30. | |
couples in training. -- interpretation. Let's see Kimberley | :12:30. | :12:34. | |
and Paddy Ashdownia. They are doing the cha-cha-cha and tango. They | :12:34. | :12:43. | |
have done both before. -- Pasha. She only recently did the tango. | :12:43. | :12:50. | |
She did a spin from a fan there and it was seamless. Absolutely | :12:50. | :12:54. | |
fabulous. But here, I have stopped it here because I want her to | :12:54. | :12:58. | |
straighten her legs a bit more. She just needs to put down in the neegs | :12:58. | :13:06. | |
and snap those legs back. -- knees back. This is the cha-cha-cha. | :13:06. | :13:11. | |
want her to tone that centre. A stronger core will make a faster | :13:11. | :13:16. | |
and more slick cha-cha-cha. She has a seriously toned core. Nick and | :13:16. | :13:20. | |
Karen are doing a samba and American smooth. I think he will | :13:20. | :13:24. | |
come out fighting. How is he looking? Fantastic lift work. He is | :13:24. | :13:28. | |
very good at that. I would just like him to get his shoulders down. | :13:28. | :13:33. | |
I have stopped it here to make three points. One, two, three. | :13:34. | :13:42. | |
they good, or bad? A bit of both. The fist one, shoulders. If he can | :13:42. | :13:48. | |
just get his shoulders down, I would be so happy. Point two a | :13:48. | :13:53. | |
splaid hand on his back. Get fingers together. Tight together in | :13:53. | :13:57. | |
ballroom. Point three is a good point. He's over the right side. | :13:57. | :14:00. | |
They have right front to right front as you can see and you can | :14:00. | :14:06. | |
see it is a very good position. Through the window. I would like | :14:06. | :14:10. | |
him to carry on with this. They are dancing a reverse wave. Then it | :14:11. | :14:15. | |
goes into the samba. This is very clever. Then they are going into | :14:15. | :14:19. | |
the weave of a foxtrot. Obviously they are going in and out of the | :14:19. | :14:23. | |
fusion of the dance, which is very interesting. Ander in fantastic | :14:23. | :14:29. | |
lift there. Very tricky. -- and another. Denise' jives still one of | :14:29. | :14:34. | |
the best of the series so far. Can she quickstep? Well there is a lot | :14:34. | :14:38. | |
of trotting, skipping steps which are very good. Just in certain | :14:38. | :14:44. | |
places, as you can see, if I just draw there, I'd like her to be more | :14:44. | :14:49. | |
in James' right arm so we could see her head here. What we were talking | :14:49. | :14:54. | |
about with Nicky. This is probably a promenade position but she should | :14:54. | :15:00. | |
still be in that place. If I can show you... Feel free. I have to | :15:00. | :15:03. | |
put my right front to your right front, so you are always there. I | :15:03. | :15:10. | |
can always see your face. Here I am, out the window. I never lose you at | :15:10. | :15:20. | |
:15:20. | :15:20. | ||
any point. You see that. Aren't I lucky? I just love to dance. Louis | :15:20. | :15:26. | |
and Flavia are doing an Argentine tangia and rumba. He has the | :15:26. | :15:33. | |
Argentine tangia Queen with him. Surely this will be great. -- tango. | :15:33. | :15:38. | |
It looks good. A lovely attempt. Very expressive arms. A huge | :15:38. | :15:43. | |
wingspan. I'd lick him to use his face more. He did it last week. | :15:43. | :15:47. | |
into the feeling of the dance. It's slightly stepy at the moment. He is | :15:47. | :15:51. | |
not keeping the toes on the floor. He is stepping from one foot to the | :15:51. | :15:58. | |
other. I would like him to keep the toes on the floor. For the rumba.! | :15:58. | :16:03. | |
Got that Louis? His body is quite high. He goes into the hips | :16:03. | :16:07. | |
occasionally but he needs to get more into the hips for a more | :16:07. | :16:13. | |
earthy rumba. Have you got that Louis? Dani and Vincent doing a | :16:13. | :16:18. | |
Charleston and quickstep. Dani hasn't done the Charleston but | :16:18. | :16:24. | |
neither has Vincent. Following on from their great vief, I think this | :16:24. | :16:28. | |
-- jive, I think this will be a better dance for them. They seem | :16:28. | :16:32. | |
better in the Charleston than the quickstep. Controversial. Funny | :16:32. | :16:36. | |
faces and funny lines. For me, I think this week they should be on | :16:36. | :16:44. | |
top. I'm going to give them the winning combinations crown. Shall I | :16:44. | :16:48. | |
give one two? Meaning fusion combination crown. He is putting | :16:48. | :16:53. | |
his money on the table. Finally Lisa and Robin are doing a tango | :16:53. | :16:58. | |
and cha-cha-cha which we touched upon. Everybody loved Lisa's cha- | :16:58. | :17:01. | |
cha-cha. She is great at the tango. Together, is this going to work? | :17:01. | :17:05. | |
think Robin has upped the choreography. It is much more | :17:05. | :17:08. | |
difficult than it was previous. It is going to be move difficult. She | :17:08. | :17:11. | |
has to make sure she's straightening her legs completely, | :17:11. | :17:20. | |
so we are seeing snappy legs. That she has fast feet and sharp | :17:20. | :17:25. | |
transfer of the weight. So it is nice and sharp. Do you see what I | :17:25. | :17:29. | |
mean? Didn't he do well, ladies and gentlemen. Ian Waite. | :17:29. | :17:35. | |
It Takes Two has a history of putting our professional dancers' | :17:35. | :17:40. | |
skills to the test. Last year, Artem won the botofogo world | :17:40. | :17:45. | |
challenge which you may remember brought out all our dancers' | :17:45. | :17:51. | |
competitive sides. Year we are making it harder. This year, it is | :17:51. | :17:56. | |
time to launch the It Takes Two Pro Challenge 2012. This is a Guinness | :17:56. | :18:00. | |
World Record, to set as many kickball changes in 30 seconds as | :18:00. | :18:08. | |
possible. One challenge, one goal - 30 seconds. I'm joined by | :18:08. | :18:18. | |
:18:18. | :18:18. | ||
choreographer to the stars, Richard. And World Records' adjudicator | :18:18. | :18:21. | |
Elizabeth. It is a kick from one leg to the other leg and a back | :18:21. | :18:26. | |
replace. The kick should be in the air and the back replace should go | :18:26. | :18:30. | |
towards the heel or the back of your natural centre. They're really | :18:30. | :18:34. | |
going to have to work hard to remain concentrated and focused. | :18:34. | :18:39. | |
Because the 15 second mark it, can all go horribly wrong. Our dancers, | :18:39. | :18:43. | |
of course, are driven to win. They're going to give it absolutely | :18:43. | :18:47. | |
everything they've got. And they'd better. We will be watching like | :18:47. | :18:51. | |
hawks, darling. Just 30 seconds stands in the way of our pros. The | :18:51. | :19:01. | |
prize - a Guinness World Record. Please welcome our first contender, | :19:01. | :19:11. | |
:19:11. | :19:15. | ||
Come on, Robin. Take a seat. Tense music, this is very serious indeed, | :19:15. | :19:19. | |
Robin. You were unable to take part in last year's challenge, you had a | :19:19. | :19:26. | |
poorly foot I was unwell. I missed it. I did win the year before. | :19:26. | :19:32. | |
will remind you of that, Vincent. How eager were you to take part? | :19:32. | :19:37. | |
Botofogos, last year, one of my favourites, I was gutted I missed | :19:37. | :19:41. | |
it. But I had to do kickball changes. How many do you think you | :19:41. | :19:45. | |
have done in a rebefore the world record-breaking attempt? About four. | :19:45. | :19:50. | |
-- in a row before. Really? I imagine you hang out | :19:50. | :19:56. | |
backstage doing them. Shall we see how you got on? OK. Time to see how | :19:56. | :20:04. | |
Robin Zgood luck. -- Robin did. excited for the Pro Challenge. I'm | :20:04. | :20:08. | |
expecting the first 15 seconds to be great. The next 10 to be | :20:08. | :20:13. | |
excruciating and the last five, the worst pain I've ever experienced. | :20:13. | :20:18. | |
Robin, welcome. Do you think you can win this challenge? I'll give | :20:18. | :20:24. | |
it my best shot. Take to the floor. Adjudicator ready. Ready. | :20:24. | :20:28. | |
Choreographer to the stars, are you ready, Richard? So ready. Three, | :20:28. | :20:38. | |
:20:38. | :21:10. | ||
Five, four, three, two, one! Stop. Arrrrghhhh! Style went out the | :21:10. | :21:17. | |
window. I noticed you were cupping your pec muscles. They bounce. | :21:17. | :21:24. | |
gave it a good go. You did well. Robin, you may recover and leave | :21:24. | :21:29. | |
the floor. Well done. physically exhausted. We danced for | :21:29. | :21:34. | |
a minute-and-a-half in our numbers. I'm never out of breath. Fik be the | :21:34. | :21:39. | |
next record holder, it would be incredible. It is a tough | :21:39. | :21:45. | |
competition, those pros are all very good. Robin, you did look | :21:45. | :21:48. | |
shattered. Was it harder than you thought? It was killing. After | :21:48. | :21:53. | |
about 15 seconds my legs were on fire, just burning. What about the | :21:53. | :22:00. | |
pecs, did they recover from all the bounce sth Still sore. After each - | :22:00. | :22:06. | |
- all the bounce? Richard Marcel, choreographer to | :22:06. | :22:11. | |
the stars and world record adjudicator, in the school uniform, | :22:11. | :22:16. | |
watched the performances to verify every one. It was all about | :22:16. | :22:23. | |
accuracy. How many do you think you managed? No idea. It felt like I | :22:23. | :22:28. | |
did about a million. It might be slightly under a million, darling. | :22:28. | :22:33. | |
I don't know how many qualified. Robin, your kickball changes have | :22:33. | :22:43. | |
:22:43. | :22:50. | ||
been counted and verified. I can reveal that you performed... A | :22:50. | :22:54. | |
whopping 62 kickball changes in 30 seconds. | :22:54. | :23:01. | |
Are you pleased with that? I think so. I don't know how anybody else | :23:01. | :23:06. | |
has done. Hopefully I've set the bar high. You are first on the | :23:06. | :23:10. | |
leaderboard. I don't know how long you will stay at the top. Who do | :23:10. | :23:15. | |
you reckon is your biggest competition? Flavia. Her Argentine | :23:15. | :23:22. | |
tango, her feet move at the rate of Notts. She did so good last year. - | :23:22. | :23:29. | |
- knots. Thank you so much, Robin. Who will | :23:29. | :23:34. | |
rein supreme? Next up, Louis and Flavia will be here. But first, a | :23:34. | :23:37. | |
reminder of Saturday's Charleston triumph. At long last, some | :23:37. | :23:47. | |
personality. You performed. I loved the insane doctor. It was brilliant. | :23:47. | :23:52. | |
The tricks had the wow factor. up, close the door and call me Mary, | :23:52. | :23:57. | |
you've got a personality and you've come out and performed. The making | :23:57. | :24:07. | |
:24:07. | :24:09. | ||
of a true contender. A star turn. Eight. Ten. Nine. Ten! Oh, my, tens. | :24:09. | :24:15. | |
Ten. Two of them. I've never acted like an idiot on camera before. | :24:15. | :24:21. | |
That made it OK. Long may it continue. | :24:21. | :24:26. | |
Please put your hands together for Louis and Flavia. | :24:26. | :24:36. | |
:24:36. | :24:36. | ||
I have to say, Saturday night's performance was a-maazzing. It was | :24:36. | :24:43. | |
good, really different. I enjoyed it. You are so under-stated. | :24:43. | :24:47. | |
A complete turn around from the judges and two tens. I wasn't | :24:47. | :24:51. | |
expecting that at all. You could tell. I think it's because I felt | :24:51. | :24:56. | |
like I was acting like a plonker - I thought I'm not going to get | :24:57. | :25:03. | |
great scores. That was the tricky thing, the judges saying they want | :25:03. | :25:08. | |
performance and it doesn't feel natural. But it worked. I felt I | :25:08. | :25:12. | |
was going over-board. But that's good. What we need. And also, only | :25:12. | :25:16. | |
an eight from Craig. What do you think it's going to take to get him | :25:16. | :25:22. | |
to give you nines and tens? I don't no. I really don't know. He didn't | :25:22. | :25:27. | |
tell us what I did wrong. Maybe I need to undo my top button, I don't | :25:27. | :25:31. | |
know. And the audience roared so much they literally took the roof | :25:31. | :25:34. | |
off Television Centre. Have you ever heard it like that before? | :25:34. | :25:38. | |
not in seven years. The whole of the balcony was shaking and they | :25:38. | :25:42. | |
were pounding the floor. It was incredible. I have not heard that | :25:42. | :25:46. | |
before. It was like being in a stadium. When you hear that you | :25:46. | :25:50. | |
think - is this possibly the dance of the series? Also, how relieved | :25:50. | :25:54. | |
and proud were you to get the performance you wanted out of | :25:54. | :25:58. | |
Louis? It was brilliant. I said it was make or break week. I don't | :25:58. | :26:03. | |
think we could put up with another low week. We need to get the judges | :26:03. | :26:06. | |
on our side so the audience would appreciate it. So it was just | :26:07. | :26:12. | |
perfect. What we needed. I can't stop grining. Well Darcey loved the | :26:12. | :26:17. | |
performance. She said you were a silent movie star. Looking at your | :26:17. | :26:27. | |
:26:27. | :26:27. | ||
Apology for the loss of subtitles for 74 seconds | :26:27. | :27:41. | |
training VT, I think she might have That's amazing. I love it. This | :27:41. | :27:48. | |
week is fusion. For you two a tango and a rumba. Yes, a ballroom tango, | :27:48. | :27:53. | |
not Argentine. And a rumba. Rumba we have not done before. Obviously | :27:53. | :28:01. | |
the ballroom tango we did. Part of the routine is new. How is he doing | :28:01. | :28:10. | |
on the rumba Good. It is a hard one, especially for the guys. Good. He | :28:10. | :28:18. | |
has great arms. Shows your arms. And to U2. | :28:18. | :28:23. | |
# With or without you... # When they wrote it, I'm not sure they | :28:23. | :28:29. | |
were imagining a tango rumba mash- up. Is it working? Yes the music is | :28:29. | :28:35. | |
split into two. Then there is a big build-up and it goes into a strong | :28:35. | :28:40. | |
tango. Do you have to do much acting? Do you have to do facial | :28:40. | :28:45. | |
expressions? Are you thinking of anyone in particular? Flavia hasn't | :28:45. | :28:49. | |
stopped talking about how I have to get into character. Which | :28:49. | :28:59. | |
characters have you come into? Bring back Patrick Swayze I thought. | :28:59. | :29:05. | |
Jim Carey. Or what about Vanilla Ice? Yes, we can make that work. | :29:05. | :29:11. | |
Am I in trouble? Keen are you to ensure it is not a four-lady final? | :29:11. | :29:16. | |
I need to get the rumba hips moving, baby. I think you can do it. You | :29:16. | :29:22. |