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It's Thursday. Welcome to It Takes Two. Tonight's show, it's a cracker. | :00:08. | :00:15. | |
They almost came a cropper, but luckily the lady managed to keep | :00:15. | :00:24. | |
with it! Denise and James are here! Is the welcome return of Miss | :00:24. | :00:34. | |
:00:34. | :00:35. | ||
Whiplash, Erin Boag is here. I will leave no gemstone unturned tonight. | :00:35. | :00:40. | |
It's the last time he is on the show this run because he has to do | :00:40. | :00:50. | |
panto. Russell Grant is here, the Stats Man! | :00:50. | :01:00. | |
:01:00. | :01:28. | ||
This is Strictly: It Takes Two. Please welcome your host, Zoe Ball. | :01:28. | :01:37. | |
APPLAUSE Hello! Welcome to It Takes Two. It is Thursday which means | :01:37. | :01:41. | |
time is running out for our celebrities to perfect their dance | :01:41. | :01:46. | |
fusions. Let's see how Nicky and Denise are getting on. We are | :01:46. | :01:53. | |
dancing a fusion of the Samba and the American Smooth foxtrot. | :01:53. | :01:58. | |
that foxtrot or Samba? I'm not asking! Dance fusion is driving me | :01:58. | :02:04. | |
insane. Oh! I can't get the feet in my head. Stkpwh we have to go from | :02:04. | :02:08. | |
different timings to the different -- We have to go from different | :02:08. | :02:11. | |
timings to the different characteristics of the dance. Try | :02:11. | :02:16. | |
to go away from the leg. Does that make sense? No! None of it does. | :02:16. | :02:23. | |
Samba is the hardest one. What I'm finding hard is - see these heels? | :02:23. | :02:28. | |
High heels on a guy doesn't work. I'm giving everything to this. I'm | :02:28. | :02:38. | |
:02:38. | :02:38. | ||
not going to let this fusion beat me. I'm hoping it is not going to | :02:38. | :02:42. | |
be dance confusion week. James has chosen the quickstep and the jive. | :02:42. | :02:47. | |
The way which I want to do it is to go in-and-out so ballroom into | :02:47. | :02:52. | |
Latin, ballroom into Latin. Mix it up a bit makes it more interesting. | :02:52. | :02:57. | |
It is difficult. I'm tired. How many more? We have got a really | :02:57. | :03:06. | |
fast dance to do on Saturday. could fall asleep standing up! Both | :03:07. | :03:08. | |
the fastest dances you can possibly form and we are combining the two | :03:08. | :03:14. | |
together. It is going to be gruesome! There is so much to think | :03:14. | :03:18. | |
about. It is such a high-energy dance that the moment if I'm honest, | :03:18. | :03:23. | |
I'm struggling to get through it. This time, he has taken it a step | :03:23. | :03:33. | |
:03:33. | :03:36. | ||
too far! Please welcome Denise and James. APPLAUSE You have started | :03:36. | :03:41. | |
something now that may never ever end. Congratulations on surviving | :03:41. | :03:49. | |
the salsa curse. It was brilliant. Except that little bit - one minor | :03:49. | :03:54. | |
hiccup, which was quite funny. thought it was hilarious! It wasn't | :03:54. | :03:59. | |
at the time. I was worried at the time. I didn't know if it was me | :03:59. | :04:05. | |
until I heard James going, "Don't worry!" LAUGHTER It is under | :04:05. | :04:09. | |
control. The funniest bit was when I jumped into the splits at the end. | :04:09. | :04:17. | |
There was so much music to fill. Look. LAUGHTER Why did James decide | :04:17. | :04:22. | |
to go da-da?! It was brilliant. What was going through your mind? | :04:22. | :04:27. | |
Have you ever gone wrong like that before? No. Not that you would ever | :04:27. | :04:31. | |
tell us. We are still talking about it. This is after a week of him | :04:31. | :04:36. | |
saying - because I didn't know the dance at all - "Don't worry, I'll | :04:36. | :04:42. | |
lead you. Nothing can go wrong." Look what happens! We had so many | :04:42. | :04:47. | |
messages of people saying you handled it well, Denise! LAUGHTER I | :04:47. | :04:51. | |
thought James was a real gentleman admitted that he lost it. Very hard | :04:51. | :04:57. | |
for a pro to admit that they are wrong. Not really. I was upset on | :04:57. | :05:03. | |
the night. Did you cry? You did! I didn't! I was upset. You cried | :05:03. | :05:08. | |
like a baby! LAUGHTER Sobbing on the floor. I had to pick him up. | :05:08. | :05:12. | |
Does anyone else want to dance with her?! Two weeks, that is all you | :05:12. | :05:18. | |
have got. Exactly. If we stay. said an interesting thing that the | :05:18. | :05:22. | |
pros get nervous. I find that amazing. Do you still get nervous? | :05:22. | :05:26. | |
We do. I remember, we joined the show the same time as Vincent and | :05:26. | :05:31. | |
Flavia. We always speak to each other before we go on, Vincent says, | :05:32. | :05:36. | |
"I'm so nervous. Honestly, James, I don't want to do it." Flavia says, | :05:36. | :05:41. | |
"Why do we always do this to ourselves?" It means a lot to us as | :05:41. | :05:45. | |
well. I just suddenly got to the step which, for me, was the easy | :05:45. | :05:50. | |
part of the routine - we had got past the difficult part and I went | :05:50. | :05:59. | |
blank. Oh. That makes me go cold. was saying, "Don't worry!" What did | :05:59. | :06:05. | |
you say last week? If in doubt get your shimmy out! I did half a | :06:05. | :06:10. | |
shimmy. I didn't know what to do. So he went like this and I ran at | :06:10. | :06:18. | |
him! I can't believe you did that lift. You did show off your | :06:18. | :06:22. | |
flexibility. It's been years since I have done the splits! I thought | :06:22. | :06:28. | |
they would have to carry me off! have noticed in the training room | :06:28. | :06:35. | |
you have another talent. Contortionism. Do not try this at | :06:35. | :06:39. | |
home, kids. You think you will fit in there? Yes. It is impossible. | :06:39. | :06:44. | |
Ready? You can't get in there. can. Watch. You will be able to | :06:44. | :06:54. | |
:06:54. | :06:58. | ||
close it. Let me get my hair in. Put my hair in. LAUGHTER I'm going | :06:58. | :07:08. | |
:07:08. | :07:13. | ||
training! Can I come out now? you later! JAMES! I will take you | :07:13. | :07:19. | |
to court. I have a good CASE against you! I told you I could get | :07:19. | :07:29. | |
:07:29. | :07:30. | ||
in. I rest my CASE! Brilliant. That was so good. Please don't try that | :07:30. | :07:36. | |
at home. Denise was a magician's assistant. I was, years ago, for a | :07:36. | :07:46. | |
:07:46. | :07:49. | ||
summer season. Did you ever saw the lady in half? I did all of it. | :07:49. | :07:52. | |
LAUGHTER Let's discuss dance fusion. You have jive and quickstep. | :07:52. | :07:59. | |
Married together quite nicely? Is it working? It is working. To try | :07:59. | :08:03. | |
and get from the beginning to the end of the routine... Without | :08:03. | :08:07. | |
forgetting it. How will you make him not forget? This week, I have | :08:07. | :08:11. | |
put sticky notes on him. I came up with this idea at home to say right | :08:11. | :08:14. | |
shoulder, left leg, so he knows what he is doing. I have had a lot | :08:14. | :08:20. | |
of fun this week. This is the music you are doing your quickstep/jive | :08:20. | :08:29. | |
to. It's a goody. It is a goody. Old school. We are enjoying it. It | :08:29. | :08:39. | |
:08:39. | :08:43. | ||
is really physically demanding. I have literally wasted away! I know. | :08:43. | :08:49. | |
Skinny Jimmy. Good luck. Denise and James. APPLAUSE Try to remember it, | :08:49. | :08:55. | |
love! Less him. You might think that innocent but our pros are a | :08:55. | :09:00. | |
mischievous bunch with plenty to hide. Here are some of their more | :09:00. | :09:07. | |
revealing secrets. I'm Erin Boag. James Jordan. Robin Windsor. I have | :09:07. | :09:17. | |
:09:17. | :09:19. | ||
a confession to make. I stole every single piece of furniture that was | :09:19. | :09:24. | |
in the judges' dressing room so when they came back, everything had | :09:24. | :09:32. | |
gone. I thought it was very funny. However, they didn't. On show days | :09:32. | :09:37. | |
I go around to all the celebrities bar mine and I try and sabotage | :09:37. | :09:42. | |
them so if they are supposed to do heel leads I tell them it should be | :09:42. | :09:46. | |
a toe lead. If their right arm is supposed to be up, I say it should | :09:46. | :09:52. | |
be down. When the man puts his hand on their back, I tell them it | :09:52. | :10:01. | |
should be open. I danced a waltz with Patsy Kensit. I led her to | :10:01. | :10:08. | |
believe that she went wrong on that routine, but it was me. Sorry. | :10:08. | :10:17. | |
naughty bunch! It is Vicky Gill! APPLAUSE So another great show last | :10:17. | :10:21. | |
week. This week, a nice calm week and then they throw fusion dance at | :10:21. | :10:25. | |
you. What was your reaction? thought oh my goodness. We will | :10:25. | :10:31. | |
have loads of live disasters. you have to do is you have to | :10:31. | :10:37. | |
design a costume that incorporates two dance styles. How easy is that? | :10:37. | :10:40. | |
It is quite difficult. We thought one dance would take the lead so | :10:40. | :10:44. | |
they may start with the tango and finish with a cha-cha. It feels | :10:44. | :10:51. | |
like it is 50/50. They are mixing it up. Kimberley, she is dancing a | :10:51. | :10:58. | |
tango and a cha-cha-cha to It's Raining Men. What have you got for | :10:58. | :11:03. | |
her? Kimberley, we have tried to mix the two styles. It looks like a | :11:03. | :11:09. | |
cha-cha dress from the front. We have loads of beads down the front. | :11:09. | :11:15. | |
Red is always good on camera the back of the dress is more like a | :11:15. | :11:20. | |
tango dress. A bit like Victoria's at Wembley with the Union Jack | :11:21. | :11:26. | |
panels running through. It has that feel. I love that. With the long at | :11:26. | :11:34. | |
the side and short... Lisa is also doing the tango. And a cha-cha-cha | :11:34. | :11:43. | |
to Voulez Vous. What have you got for her? We have strong colour at | :11:43. | :11:49. | |
the top and then we are going into cha-cha. The concept was a Studio | :11:49. | :11:53. | |
54 feel. So on Saturday this will look very different because we will | :11:53. | :11:56. | |
have more sapphire blue for the tango element and we will be | :11:56. | :12:01. | |
revealing the underfrock at some point. With the girls, you can do | :12:01. | :12:11. | |
:12:11. | :12:15. | ||
add-ons, boys - have they got any costume tricks? No, I they haven't. | :12:15. | :12:23. | |
What a shame. Has anyone gone chest out? We have - yeah, a few. OK. Any | :12:23. | :12:27. | |
dancers - some of them are doing dances they have done before. Any | :12:27. | :12:35. | |
of the outfits being reused? No. We never reuse for our main show. | :12:35. | :12:42. | |
Let's see what is under the gold cloth this week. Wow! What a | :12:42. | :12:45. | |
gorgeous colour. What can you tell us about the lady who will be | :12:45. | :12:51. | |
wearing this dress? She is little and she is fast! That gives a lot | :12:52. | :12:58. | |
away. Going for the cut-out... is stealing the style. Wow! You are | :12:58. | :13:02. | |
doing such a brilliant job. We love you. Two more weeks. You will miss | :13:02. | :13:08. | |
us? I know. She is counting the days. Thank you. Thank you. | :13:08. | :13:16. | |
Back to the training rooms. This week it is dance fusion. We | :13:16. | :13:21. | |
are dancing the quickstep and the Charleston so we will call our | :13:21. | :13:28. | |
dance the qickston. It is all about personality. She has loads. We have | :13:28. | :13:32. | |
the Charleston, which I have never danced before, so it is a first for | :13:32. | :13:39. | |
me, ever, on Strictly. The thing I'm most struggling with is - it is | :13:39. | :13:42. | |
really quick and there's a lot of steps. I'm better at the Charleston. | :13:43. | :13:47. | |
If Vincent gets five points for his quickstep and I get five for my | :13:47. | :13:52. | |
Charleston that makes ten! I love it. Can I have a drink first? | :13:52. | :13:57. | |
tricky part is to connect the two dances together so you don't see | :13:57. | :14:03. | |
the connection. If it goes well, we will be in the semifinal. If it | :14:03. | :14:13. | |
:14:13. | :14:13. | ||
goes wrong, goodbye! We are dancing the cha-cha and the tango. I love | :14:13. | :14:17. | |
dance fusion because it's merging a Latin and a ballroom and making a | :14:18. | :14:23. | |
new dance. This week is all about technique. Left, right, left. | :14:23. | :14:31. | |
have to tap my foot. I'm saying that in massive capital letters - | :14:31. | :14:36. | |
TECHNIQUE! Lisa has had a few problems. Boom, boom, boom. Good. | :14:36. | :14:41. | |
It wasn't. It was absolutely rubbish! It was average. I can't do | :14:41. | :14:44. | |
it. What is the matter with me? is having trouble picking up the | :14:44. | :14:50. | |
most simple of steps. My brain will not swallow the steps. Fusion week. | :14:50. | :14:54. | |
Fusion week! I have been driving myself crazy. When I get angry, I | :14:54. | :15:02. | |
do get angry with myself! Could be in a bit of trouble. Last week he | :15:02. | :15:06. | |
was all about the music. I can't wait to see what he's got up for | :15:07. | :15:16. | |
:15:17. | :15:20. | ||
his sleeve. It is time for Stats Please welcome a man who always | :15:20. | :15:27. | |
brings us joy, Mr Russell Grant. Thank you very much. APPLAUSE | :15:27. | :15:31. | |
you. It is always lovely to have you here. So what have you got for | :15:31. | :15:35. | |
us this week? Shall we start off with something different? No, let's | :15:35. | :15:40. | |
go the same! LAUGHTER I'm rolling up my sleeves, I mean business. | :15:40. | :15:46. | |
It's the training hours! We always start with this. This is up until | :15:46. | :15:55. | |
the end of play yesterday. Denise has gone top. What a surprise(!) | :15:55. | :16:00. | |
That's because Michael went out. know. Denise saw her chance and | :16:00. | :16:05. | |
whipped in there. 25-and-a-half hours to our Denise. And at the | :16:05. | :16:10. | |
bottom, Louis Smith 12-and-a-half hours. What has he been doing? | :16:10. | :16:17. | |
about the whole series? The whole series - here we go. It is Denise! | :16:17. | :16:27. | |
:16:27. | :16:28. | ||
Shock, horror(!) Or Dennis, as you like to call her! I know. I do like | :16:28. | :16:37. | |
to call her Dennis! Dani, I'm doing a Dani voice, Dani, a double Nelson, | :16:37. | :16:42. | |
which is cricketing terms for 222. Of course it is! Michael will | :16:42. | :16:51. | |
understand that!-And-a-half. So Dani. What else have you got for us | :16:51. | :16:55. | |
this week? Something special? now, what makes this whole show | :16:56. | :17:00. | |
tick? Without them there would be no choreography. What about the | :17:00. | :17:05. | |
professional dancers. Yes, please. Come on. A nice bit of | :17:05. | :17:07. | |
competitiveness. They are so fabulous. They have changed over | :17:07. | :17:12. | |
the past ten years. Shall we stick with the current line-up? Yes. So | :17:12. | :17:18. | |
as not to confuse us. What have we got? Here we go. It is like this. | :17:19. | :17:23. | |
Our veterans, Anton, Brendan and Erin. They have been with us since | :17:23. | :17:32. | |
day one. Really? They were there at its birth. Seven - Flavia and | :17:32. | :17:36. | |
Vincent. They popped over from Naples for a weekend and stayed! | :17:36. | :17:42. | |
James and Ola, who probably popped over from somewhere else and stayed. | :17:42. | :17:52. | |
:17:52. | :17:56. | ||
Karen - fingers crossed she will be back next year. Which pro has | :17:56. | :18:02. | |
scored the best? Now, to do this fairly, we have had to take an | :18:02. | :18:07. | |
average score. Obviously, some have done more than others. You can see | :18:07. | :18:16. | |
up here 33.9 is Pasha. Only two series, but he's done so well. 0.1 | :18:16. | :18:26. | |
:18:26. | :18:27. | ||
behind is Aliona. And then we have got Natalie 32.9, Artem 32.4, James | :18:27. | :18:35. | |
31.7, Vincent 30.7. Who is at the bottom? No, it's Anton! No?! He | :18:35. | :18:43. | |
will be gutted. He is a fairy cake just behind Karen. We have to be | :18:43. | :18:50. | |
fair about Anton. He's had more than his detkwree of -- degree of | :18:50. | :18:58. | |
Nancys! It is true. So that's our average scores. We know how many | :18:58. | :19:04. | |
tens our celebrities have had. How many tens have the pros had? Right. | :19:04. | :19:14. | |
First of all those who have had none. Bless - Anton again. Anton | :19:14. | :19:19. | |
Robin and Karen. Robin could get one this year. Ola has seven. | :19:19. | :19:25. | |
Flavia 11. She got two on Saturday for that fabulous Charleston. | :19:25. | :19:33. | |
Louis. Kristina 12. And Erin 13. Let's go to the top lot. And the | :19:33. | :19:41. | |
top lot - Pasha 18. He's only been here two series! James has 21. | :19:41. | :19:51. | |
:19:51. | :19:53. | ||
Moving up Brendan 22. Artem 23. Vincent 26. Who is second? Aliona. | :19:53. | :20:03. | |
Who is at the top? Legs. It is! She has never won. No. 34. I find that | :20:03. | :20:10. | |
incredible. That is incredible. How many times have our pros received | :20:10. | :20:16. | |
the perfect score? That being four tens? That's right. In series seven, | :20:16. | :20:21. | |
there were five tens. Yes. We had a special guest. I will have to refer | :20:22. | :20:29. | |
to my paperwork. Please do. This didn't take much reference but | :20:29. | :20:39. | |
:20:39. | :20:40. | ||
Robin, Karen, Artem, Erin and Anton have got none. The next lot we have | :20:40. | :20:44. | |
Pasha, Flavia, Natalie and Ola. You would have thought that Flavia, | :20:44. | :20:51. | |
being Queen of Tango, but she didn't. She didn't get a perfect | :20:51. | :20:56. | |
score. She got it with Matt Di Angelo in the waltz. Fascinating. | :20:56. | :21:06. | |
:21:06. | :21:11. | ||
We move up to two perfect scores - Vincent, Aliona, Kristina. Vincent, | :21:11. | :21:15. | |
Tango King, he got the perfect score with Rachel Stevens and the | :21:15. | :21:24. | |
foxtrot. Our top? Brendan and James - three times. Salute them. Brendan | :21:24. | :21:29. | |
got it for the cha-cha, quickstep/foxtrot with Lisa Snowdon. | :21:29. | :21:37. | |
She never got to win. And James with Pamela Stephenson, a quickstep | :21:37. | :21:47. | |
:21:47. | :21:47. | ||
and two Viennese waltzs. How many of our pros have won this? We only | :21:48. | :21:53. | |
have four winners from the current line-up. Brendan Cole won it with | :21:53. | :22:03. | |
:22:03. | :22:04. | ||
Natasha Kaplinsky. Ola and Chris, then Artem and Kara, they were | :22:04. | :22:09. | |
great. Still together. Aliona and Harry series nine. What does this | :22:09. | :22:14. | |
mean? They are all out! So it means... It will be a new one. | :22:14. | :22:20. | |
will be a brand-new winner. will it be? I cannot guess. But it | :22:20. | :22:26. | |
also means that no pro has ever won it twice. Oh! Fascinating facts | :22:26. | :22:31. | |
from Stats Man! Give it up for Russell Grant! APPLAUSE A pleasure. | :22:31. | :22:36. | |
Thank you, darling. Good luck in panto. We love you. Thank you. | :22:36. | :22:40. | |
Gorgeous! Back to the training room for the final time to see how Louis | :22:40. | :22:46. | |
and Kimberley are coping. This week we are doing the rumba | :22:46. | :22:52. | |
and tango. The rumba is very one slow step, two quick ones and the | :22:52. | :22:55. | |
tango is different. You are in hold. It is very quick and snappy. | :22:55. | :22:59. | |
There's two very different dances. We have tone the ballroom tango | :22:59. | :23:04. | |
before and Louis did very well. It suits him. Rumba will be a new | :23:05. | :23:09. | |
dance for him. It is very difficult for the male celebrity. But I think | :23:09. | :23:14. | |
if anyone can do it, Louis can. Good. Really good hips. I will have | :23:14. | :23:20. | |
to step it up. I will have to get this passionate kind of become | :23:20. | :23:29. | |
across. That is not me. Dramatise it. Hopefully, I can make the rumba | :23:29. | :23:36. | |
as powerful and as effective as the tango should be. We are doing a | :23:36. | :23:46. | |
:23:46. | :23:47. | ||
cha-cha and tango fusion. Those two dances are opposite in character | :23:47. | :23:50. | |
and in rhythm. So we have to be very creative and marry them | :23:50. | :23:59. | |
together. One, two, three. One, two, three. You want to make it seamless. | :23:59. | :24:04. | |
It is hard. You switch between tango and cha-cha. I keep sort of | :24:04. | :24:11. | |
going, "Is that cha-cha or tango?" Argh! What is up with your face? It | :24:11. | :24:17. | |
is neither tango or cha-cha face. will have to find a way of smiling | :24:17. | :24:27. | |
:24:27. | :24:28. | ||
while pouting! I have to smout! That is my new favourite word! | :24:28. | :24:33. | |
Yesterday, we launched our 2012 World Record Pro Challenge. Please | :24:33. | :24:43. | |
:24:43. | :24:48. | ||
welcome our second contender, Erin How you doing? I'm doing just fine. | :24:48. | :24:54. | |
Nice to have you back. Last year, you managed a total of 51 botofogos. | :24:54. | :24:59. | |
You came last. I did. Do you feel you have something to prove this | :24:59. | :25:05. | |
year? I didn't really try last year. Did you not? I'm sorry. Oh yes! | :25:05. | :25:10. | |
That is what she is saying! And also the last three have all been | :25:10. | :25:14. | |
won by boys. Do you think the girls could be in for a winner this year? | :25:14. | :25:19. | |
It would be good. It would be great. I don't know how much chance the | :25:19. | :25:23. | |
girls really have. But it would be nice if a girl won. It would be | :25:23. | :25:27. | |
brilliant. It would be brilliant. We can't wait to see how you got on. | :25:27. | :25:36. | |
Ready for this? Yes. Let's see how you do! Come on! This is a world | :25:36. | :25:41. | |
record to set as many kickball changes in 30 seconds as possible. | :25:41. | :25:45. | |
A kickball change is a supporting leg with a kick from the other leg | :25:45. | :25:51. | |
and a back replace. Today, we turn up the heat which of our dancers | :25:51. | :26:01. | |
:26:01. | :26:02. | ||
It is more mental than physical this one. It is staying switched on | :26:02. | :26:08. | |
for the whole 30 seconds. It would be nice to have a girl win this. | :26:08. | :26:17. | |
Come on, girls! Hello, Erin. How will you do? I don't know. Remain | :26:17. | :26:22. | |
focused. Get in there and do your best. Ready? Ready. Choreographer | :26:22. | :26:27. | |
to the stars, ready? I have never been reddier! For the record, three, | :26:27. | :26:37. | |
:26:37. | :27:05. | ||
Wow! Not bad. What was great was that you kept your rhythm all the | :27:05. | :27:10. | |
way through. Richard, what do you think? Very clean. Done very | :27:10. | :27:15. | |
precisely. Therefore you may have got quite a few more kickball | :27:15. | :27:20. | |
changes in. You let yourself go. I'm very intrigued to find out how | :27:20. | :27:25. | |
I went. Hopefully, we got a good one in there. Maybe, who knows. | :27:25. | :27:32. | |
APPLAUSE Come on, Erin! It was so neat. Robin could barely stand | :27:32. | :27:38. | |
afterwards yesterday. How was it? It was fine. I looked really | :27:38. | :27:43. | |
stupid! I was like a proper girl running! Like a 12-year-old! Do you | :27:43. | :27:47. | |
think you have managed to beat your score from last year? That looked | :27:47. | :27:52. | |
really slow. So probably not. It would be nice to. It would be nice | :27:52. | :27:58. | |
to. OK. Let's see then. After each of the professionals had attempted | :27:58. | :28:05. | |
their kickball changes, Richard Marcel and Elizabeth Smith watched | :28:05. | :28:08. | |
the performances in slow motion. How many do you reckon you have | :28:08. | :28:13. | |
managed? I would like more - what did you say last year? 51? I would | :28:13. | :28:21. | |
like to have done 52. OK. Your kickball changes have been counted | :28:21. | :28:31. | |
:28:31. | :28:38. | ||
and verified. You performed a whopping 71 kickball changes! You | :28:38. | :28:41. | |
have completely smashed it! APPLAUSE How brilliant is that? | :28:41. | :28:45. | |
That is good. Are you sure? Let's look at the leaderboard. You are at | :28:45. | :28:50. | |
the top. Not sure how long you will stay there for. Look at that! | :28:50. | :28:57. | |
good. Tomorrow, it is Brendan's turn. Can you beat him? Absolutely. | :28:57. | :29:01. | |
Erin Boag! APPLAUSE That is it for today. Thanks to all my guests. | :29:01. | :29:06. | |
Join me tomorrow at 6.30pm when I will be chatting to Dani and | :29:06. | :29:09. |