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Stkpwhrts Tuesday, welcome to It Takes Two. -- it's Tuesday. They | :00:10. | :00:15. | |
were in the dreaded dance-off at the weekend. Let's give them a big | :00:15. | :00:21. | |
cheer. Denise and James are here. Aussie pride is at stake tonight as | :00:21. | :00:27. | |
she takes on the Pro Challenge. Please welcome, Natalie Legs Lowe. | :00:27. | :00:34. | |
And look at these two, they have 5,000 sequins stitched on to their | :00:34. | :00:38. | |
outfits between them. Here to talk choreography and costumes, it's | :00:38. | :00:48. | |
:00:48. | :01:16. | ||
Karen Hardy and Julien MacDonald. This is Strictly, It Takes Two, | :01:16. | :01:24. | |
please welcome your host, Zoe Ball. Hello and welcome to It Takes Two. | :01:24. | :01:28. | |
I will be chatting to the saved couple Denise and James in a moment. | :01:28. | :01:35. | |
But first, here is a reminder of their performance. The jive part of | :01:35. | :01:40. | |
it I thought was incredible. Your kicks and flicks are be a shrultly | :01:40. | :01:44. | |
fantastic. Really brilliant. -- absolutely. I thought the quickstep | :01:44. | :01:54. | |
:01:54. | :01:55. | ||
had go and the jive had show. It was a proper fusion. Eye-popping | :01:55. | :01:59. | |
explosive jive. Morphing beautifully into a lively and | :01:59. | :02:03. | |
cheerful quickstep. Except for that moment. You know, these things | :02:03. | :02:09. | |
happen. Eight. Nine. Nine. Nine. would like to say going from | :02:09. | :02:15. | |
ballroom to Latin was seamless, but... I've never, ever worked with | :02:15. | :02:21. | |
someone that works so hard. You put in so much effort. Only one couple | :02:21. | :02:26. | |
will dance again next week. Judges? Denise and James. Denise and James. | :02:26. | :02:33. | |
Denise and James. Please welcome Denise and James. | :02:33. | :02:38. | |
Oh, bless you both. Congratulations on getting through to the semi- | :02:38. | :02:43. | |
final. That's the best bit. Not the easiest of weekends for you. | :02:43. | :02:46. | |
Amazing performance and shocker of being in the bottom two. Someone | :02:47. | :02:50. | |
had to be in it. We had a feeling early on in the show when we were | :02:50. | :02:55. | |
slipping down the leaderboard. We expected it, really. We were | :02:55. | :03:00. | |
prepared, weren't we? You went on first. Incredible performance. Then | :03:00. | :03:05. | |
they start falling, tens, tens. You were starting to worry, then, | :03:05. | :03:08. | |
James? We were in the bottom half of the leaderboard. Everyone knows | :03:08. | :03:11. | |
if you are in that middle bracket people don't necessarily vote as | :03:11. | :03:15. | |
much for you. We were practising after the live show and we were | :03:15. | :03:20. | |
ready for it, let's put it that way. Can I also just say that I think | :03:20. | :03:24. | |
obviously we were devastated that Nicky left as well. He is such a | :03:24. | :03:28. | |
wonderful guy. And Karen. I would like to say for the record that | :03:28. | :03:34. | |
Craig was wrong about him. He gave him a fie. He was better than that. | :03:34. | :03:39. | |
-- five. He did an amazing performance. A lot of people agree. | :03:39. | :03:44. | |
I can see how visibly upset you were. It is a an upsetting thing | :03:44. | :03:48. | |
when it is like - oh my goodness, we have to dance again for our | :03:48. | :03:52. | |
lives. Was it nice to be saved but then lose a friend? It is a | :03:52. | :03:55. | |
difficult situation. We have been together for so long. We form | :03:55. | :04:00. | |
friendships. There is a bond there. I love Nicky and Karen. As much as | :04:00. | :04:03. | |
we were relieved and pleased at the same time I was sad for them. You | :04:03. | :04:06. | |
can't really good too excited but of course we are really happy to be | :04:06. | :04:10. | |
in the semi-final. Also it's sad knowing that you put in all this | :04:10. | :04:14. | |
time and effort. Admittedly someone has to be in the bottom two. But | :04:14. | :04:17. | |
you kind of know when you are there that the public haven't necessarily | :04:17. | :04:21. | |
picked up the phone and voted for you as much as other people. It is | :04:21. | :04:26. | |
sad to know that. It feels like rejection, doesn't it? That no-one | :04:26. | :04:29. | |
loves you. People hate us. We know you are hugely competitive. | :04:29. | :04:33. | |
Everyone on the show is. But we never thought you'd try to outdo | :04:33. | :04:41. | |
each other in the pain game. Oh, no. No pain no, gain. | :04:41. | :04:51. | |
The pain game. Denise Van Outen verse s shimmy Jimmy. Are you | :04:51. | :04:56. | |
ready? Been ready. Three, two, one, fight. | :04:56. | :05:03. | |
Don't do that. I hardly touched you. One, two... It's going to hurt. | :05:03. | :05:13. | |
:05:13. | :05:33. | ||
Oh, sorry. Now my ankle is killing me. My nose. | :05:33. | :05:38. | |
I'll try and go for something else then. | :05:38. | :05:46. | |
I hit my nose on your bum. Shimmy Jimmy wins. | :05:46. | :05:53. | |
So good. It is so good. The guys in your Ed it team are brilliant. | :05:53. | :05:58. | |
have never had so many bruises. -- edit team. I'm surprised you have | :05:58. | :06:04. | |
ankles that work. New week, new challenge. Let's forget last week. | :06:04. | :06:09. | |
This week, semi-finals. Two dances. Which are you doing? Rumba and | :06:09. | :06:15. | |
tango. I was just hoping she remembered. Early days. How is it | :06:15. | :06:18. | |
going? Is there one you are preferring at the moment? We have | :06:18. | :06:24. | |
only done one. We haven't finished that yet. We have started on the | :06:24. | :06:28. | |
rumba. I thought a little bit outside the box. Trying to get | :06:28. | :06:32. | |
Craig back on-side. We have gone more emotive. It is not a | :06:33. | :06:38. | |
traditional rumba that you will see. It is more story-telling. We like | :06:38. | :06:42. | |
story-telling. It could be very beautiful but... I don't want it | :06:42. | :06:46. | |
hear that. It could be one of those ones when you finish that people | :06:46. | :06:52. | |
go... Lovely. A slow moment. tumbleweed moment. How are you | :06:53. | :06:58. | |
going to keep Denise's spirits up? She's training with me. All she | :06:58. | :07:03. | |
needs. I don't know about that. are you going to keep your spirits | :07:03. | :07:08. | |
up?! Is it tricky to have two dances. But they were fused, now | :07:08. | :07:13. | |
you have two whole big dances. is tricky. It takes me at least | :07:13. | :07:21. | |
three days to learn one dance. We have to learn two. It takes me | :07:21. | :07:26. | |
three days to choreograph. So that's six days. Times two. If we | :07:27. | :07:31. | |
have 12 days, we're OK this week. We are so close now. Semi-finals | :07:31. | :07:36. | |
this weekend. What would it mean to you, Denise to get to the final? | :07:36. | :07:39. | |
I would love to be in the final. It is the icing on the cake. What you | :07:39. | :07:44. | |
work for the whole time you are putting the hours in, in training. | :07:44. | :07:48. | |
It's amazing. I would love to get there for James it. Would be | :07:48. | :07:55. | |
amazing. I'd love to get there for me, too. Never mind her. Good luck | :07:55. | :07:59. | |
for this week. You are brilliant. Denise and James. | :07:59. | :08:05. | |
Dance fusion meant it was buy-one- get-one-free on choreography this | :08:05. | :08:10. | |
weekend. Always worth every penny is our very own Karen Hardy. Thanks. | :08:10. | :08:20. | |
:08:20. | :08:28. | ||
In your face! Please welcome Karen Hardy. | :08:28. | :08:37. | |
Don't do your Shimmy Jimmy at me. massive six tens. Who thought the | :08:37. | :08:42. | |
dance fusion would be such a success. I think what was exciting, | :08:42. | :08:48. | |
it challenged the professionals. It's the first time anyone had this | :08:48. | :08:51. | |
idea on the show. They were thinking - mine is going to be the | :08:51. | :08:56. | |
best fusion. I love it when the professionals lift their game. | :08:56. | :09:00. | |
Let's start with Denise and James. A shocker they were in the bottom | :09:00. | :09:07. | |
two. Len made the comment the flicks in the quickstep were a bit | :09:07. | :09:10. | |
too jive-ified. Jive-ified is interesting. How nit-picking the | :09:10. | :09:15. | |
judges are getting. It is about the technique. Remember all those weeks | :09:15. | :09:19. | |
ago I said get the technique right early and the foundations of the | :09:19. | :09:23. | |
support is there for you. Here we go, we are nearing the end. As we | :09:23. | :09:28. | |
go into the jive, these are the pendulum I can kicks we are after. | :09:28. | :09:32. | |
We know she got caught in the dress, so we will ignore that. I want to | :09:32. | :09:38. | |
demonstrate, a little bit. How we go. OK, let's see it. When we are | :09:39. | :09:40. | |
go. OK, let's see it. When we are looking at a jive flick they are | :09:40. | :09:46. | |
sharp. We have the knees working. It's got the real Latino freedom | :09:46. | :09:53. | |
about it. When we do the quickstep flicks, they are much lighter and | :09:53. | :10:00. | |
freeer and softer What happened with this dance, it was so fast. | :10:00. | :10:06. | |
James was clever in the sense in that he chose a wow dance. Of the | :10:06. | :10:09. | |
five ballroom, you have the quickstep, the wow. Of the five | :10:09. | :10:14. | |
Latin they are the jive, they are always danced last because they | :10:14. | :10:17. | |
always danced last because they have big impact. He saw those two | :10:17. | :10:20. | |
and put them together and went for the wow effect. But fast music, | :10:20. | :10:25. | |
lots of choreography. I think 2 just lost a little bit of sparkle, | :10:25. | :10:29. | |
of the entertainment factor, for me. However the quality and content in | :10:29. | :10:34. | |
there was incredible. She is doing amazing. Kimberley and Pasha a | :10:34. | :10:40. | |
different weekend for them. Four tens. And they have the accolade of | :10:40. | :10:44. | |
the highest scored dance of the series. Did they deserve it? | :10:44. | :10:47. | |
Incredible. We were saying last week, if they were going to break | :10:47. | :10:52. | |
the 34, it had to be a dance with a lot of gambles in it. Tain had to | :10:52. | :10:56. | |
absolutely come out and whack us all. -- and it had. I think they | :10:56. | :10:59. | |
are listening to us on Tuesday. That's what we got. Talking about | :10:59. | :11:04. | |
the fusion. This is what I want to show you. Look at the tango. I have | :11:04. | :11:08. | |
slowed it down. Straight up out into the cha-cha-cha. Another demo | :11:08. | :11:09. | |
into the cha-cha-cha. Another demo here. This is really interesting. | :11:09. | :11:16. | |
You are spoiling us. Let's imagine the tango. So she has to be in the | :11:16. | :11:19. | |
closed hold position. She has to be right down in the knees. She has | :11:19. | :11:25. | |
her body contact. She has to get the head the way up, strong | :11:25. | :11:31. | |
stacatto action and within one step, come right the way up, straight | :11:31. | :11:35. | |
legs, hip actions, the Cuban movement in the body. That fusion | :11:35. | :11:39. | |
they put in was seamless. And so they put in was seamless. And so | :11:39. | :11:44. | |
clever. Well done. Dani and Vincent and their Charleston and quickstep. | :11:44. | :11:49. | |
Darcey was saying Dani has improved in technique and they got the tens. | :11:49. | :11:54. | |
Well-deserved? Welcome the dehave a, she's on the dancefloor. I | :11:54. | :12:01. | |
absolutely loved this dance. -- d diva. Look at the steps I have cued | :12:01. | :12:04. | |
up. Their quick ste. The difficulty of that movement and into the | :12:04. | :12:07. | |
Charleston, the twisting of the feet and what I love, she's | :12:07. | :12:12. | |
bringing her own feeling, her own emotion to it. So for me, it's pure | :12:12. | :12:16. | |
dancing we are seeing now. It's not a numbers gi. It's not this is the | :12:16. | :12:20. | |
choreography, this is the timing -- a numbers game. She is actually | :12:20. | :12:24. | |
bringing this dance alive for me. I thought worthy of maybe one more | :12:24. | :12:29. | |
ten. Of another ten, we wanted for Dani. That was said by lots of fans. | :12:29. | :12:34. | |
Louis and Flavia and their tango and rum BA how well did Louis coach | :12:34. | :12:38. | |
with fusing those two dancing together? -- rumba. You could see | :12:38. | :12:43. | |
it was interesting. You could see it was definitely the rumba and | :12:43. | :12:49. | |
tango. What caught my eye is Flavia took the gamble of using the rumba. | :12:49. | :12:52. | |
In the past the celebrity men's have looked terrible. Look at the | :12:52. | :12:56. | |
basic. Look at the hip action and the connection between the two of | :12:56. | :13:01. | |
them. The softening of his body action. It was absolutely first | :13:01. | :13:06. | |
class. That was check-forward walks. You know celebrities in the past, | :13:06. | :13:11. | |
men doing rumbas, it's... When you hear of a man doing the rumba, you | :13:11. | :13:16. | |
say - don't make me watch it. a gamble in the quarter-finals to | :13:16. | :13:22. | |
take a shre dance. James took the - - slow dance. James took the quick | :13:22. | :13:27. | |
ones. She went slow. That can expose technique and timing. Rumba | :13:27. | :13:32. | |
has four beats and only three steps. Really hard. The quality of his | :13:32. | :13:36. | |
dancing was superb. And the change into the lovely tang yes action we | :13:36. | :13:41. | |
had. Absolutely brilliant. -- tango action. So exciting. They are so | :13:41. | :13:45. | |
brilliant. Lisa and Robin. Len said it was predictable. Craig said her | :13:45. | :13:49. | |
topline was failing her. What did you make of the fusion? The fusion? | :13:49. | :13:55. | |
It was deaf fitly the fusion. Robin, a -- definitely a fusion. Robin | :13:55. | :13:59. | |
knows what his job is, it is to hide her weaknesses and push the | :13:59. | :14:03. | |
strength forward. What did he do? The big costume change and big | :14:03. | :14:07. | |
smile. It really hit home that that beautiful smile and the energy that | :14:07. | :14:11. | |
she brings to the floor was her selling point. There are weaknesses | :14:11. | :14:16. | |
still in there. The technique, we've got - there was bits of | :14:16. | :14:20. | |
gapping. I have chosen a clip here. It's still falling apart and | :14:20. | :14:24. | |
bouncey. She needs to be more down in the knees but overall she's | :14:24. | :14:27. | |
still bringing us the entertainment on a Saturday night. My coach said | :14:27. | :14:32. | |
to me one day - it's not all about the technique girl, get out and | :14:32. | :14:36. | |
perform and make people happy. I think that's what she is doing | :14:36. | :14:39. | |
every Saturday. She's connecting with their hearts. At the end of | :14:39. | :14:43. | |
the day it's down to everybody at home. She did make a lot of | :14:43. | :14:48. | |
mistakes but she was very clever in the way she covered it up. Other | :14:48. | :14:51. | |
celebrities that made that many mistakes, everybody at hem said | :14:51. | :14:55. | |
goodbye. But they love leasia. It'll be so exciting this weekend. | :14:55. | :15:00. | |
I don't want any of them to go. -- love Lisa. | :15:00. | :15:06. | |
Thank you very much, Karen. Time now to get to know our pro dancers | :15:06. | :15:11. | |
better as they reveal some more of their deepest, darkest secretary | :15:11. | :15:17. | |
reets I'm Natalie Lowe. Robin Windsor. Erin Boag. I have... | :15:17. | :15:25. | |
confession to make. Before I started Strictly I was a | :15:25. | :15:30. | |
beauty therapist for 12 years. The first pedicure I ever gave was on | :15:30. | :15:33. | |
my fatherment he pretty much couldn't walk for a week afterwards. | :15:33. | :15:40. | |
So, I decided to hang that up and start dancing. | :15:40. | :15:43. | |
Every week, without fail, Thursday morning, I have to be at the | :15:43. | :15:48. | |
hairdressers. Haircut, shave, eyebrows, tint. | :15:49. | :15:53. | |
Once, quite a long time back, Anton wasn't very nice to me, so I bought | :15:54. | :15:58. | |
him a chest-wax experience. I went in with him on the day and sat down | :15:58. | :16:02. | |
beside him on the chair. As he lay down he turned to me and said - is | :16:03. | :16:11. | |
this going to hurt? I went - not at all. She smothered the wax on, put | :16:11. | :16:15. | |
the cloth on, and she pulled it. He hit the ceiling. It was one of the | :16:15. | :16:19. | |
best days of my life. Erin Boag is still standing strong at the top of | :16:19. | :16:24. | |
our Pro Challenge leaderboard. Can our next contender knock her off? | :16:24. | :16:34. | |
Please welcome Natalie Lowe. Hello, legs. Oh, I get a kiss. I love you. | :16:34. | :16:37. | |
Look at those legs. Nice to have them back. Last year you were | :16:38. | :16:42. | |
eighth in the Pro Challenge. Don't remind me. Sorry about that. How | :16:42. | :16:46. | |
nervous were you about this one? was just wanting to do really well, | :16:46. | :16:52. | |
I guess. Kickball changes, you know, not too difficult. But I'm not too | :16:52. | :16:57. | |
sure. Did you do any training? not really. I just went out there | :16:57. | :17:02. | |
and thought I'd give it all I've got. I have been doing kickball | :17:02. | :17:08. | |
changes my whole life. You could be good at them. Do you think you can | :17:08. | :17:15. | |
knock Erin Boag off the top spot? 71? No way. It's not possible. No | :17:15. | :17:19. | |
way I could get that. Let's take a look and see if you can do it. | :17:20. | :17:25. | |
doing everything I can to get to the top of the Pro leaderboard. I'm | :17:25. | :17:29. | |
hoping it'll be enough. Looking forward to it. Doing loads of | :17:29. | :17:33. | |
practice, ready to go. Hello. Do you think you are going to do well? | :17:33. | :17:39. | |
I'm going to win it. That's the spirit. Go for it, darling. | :17:39. | :17:49. | |
:17:49. | :18:16. | ||
Five, four, three, two, one, spot. Lovely, well done. That was clean. | :18:16. | :18:20. | |
It was efficient. It was fast. Technically they looked great. You | :18:20. | :18:25. | |
used your upper body as well, which I think helped. I think you did | :18:25. | :18:29. | |
very well. That was formidable, darling, Natalie, thank you so very | :18:29. | :18:32. | |
much. Please leave the floor. you. I think I might have been a | :18:32. | :18:37. | |
little bit too careful with it. Too precise. Too technical. I actually | :18:38. | :18:41. | |
want to do it again. I think I could have been a bit faster than | :18:41. | :18:48. | |
what I was. Craig said you were formidable. You | :18:48. | :18:54. | |
make me laugh - did you do any practice? No. Then you were like, | :18:54. | :18:57. | |
"I've been practising." Maybe a little bit. I knew that would | :18:57. | :19:03. | |
happen. Was it harder than you thought it would be? The 15 second | :19:03. | :19:07. | |
afterwards I was getting tired. I thought I'd come home and do it as | :19:07. | :19:11. | |
strong as I o could. It was difficult. My legs were numb | :19:11. | :19:17. | |
afterwards. How many kickball changes do you think you managed in | :19:17. | :19:23. | |
30 seconds? 60? 65. No, 6 0. I don't know. Come on then. They have | :19:23. | :19:27. | |
been counted and verified, Natalie Lowe. I can reveal that you | :19:27. | :19:37. | |
:19:37. | :19:49. | ||
perform... 58 kickbull changes. Oh, I said about 60. Let's look at | :19:49. | :19:53. | |
the leaderboard then. You did better than Karen Hauer with her 33. | :19:54. | :19:59. | |
Lovely Karen, she just took her time. But it does seem there is no | :19:59. | :20:04. | |
touching Boag up the top there. She is way ahead. Is there anyone you | :20:04. | :20:12. | |
think can do better than Erin? Vincent or Flavia. I hope Erin wins. | :20:12. | :20:17. | |
Can we have a bullroom challenge next year? -- ballroom. I'll put it | :20:18. | :20:21. | |
to the producers. Lovely to see you as always. | :20:21. | :20:28. | |
! Thank you. This weekend was an absolute smorgasbord of top designs, | :20:28. | :20:37. | |
fringes, ruffles and sequins glalor. Galore. Of course this all got one | :20:37. | :20:45. | |
man very excited, indeed. # The look of love # | :20:45. | :20:50. | |
Please welcome the ultra-glam Julien MacDonald. | :20:50. | :20:57. | |
Hello, gorgeous man. Can I just say the double sequins greatly | :20:57. | :21:00. | |
appreciated tonight. You have topped yourself with outfits. | :21:00. | :21:05. | |
That's amazing. Is that your own? 25,000 sequins. | :21:05. | :21:09. | |
You are hysterical. Did you enjoy the dance fusion this weekend? | :21:09. | :21:13. | |
loved it. Full of my favourite things. It was. Which we will | :21:13. | :21:19. | |
discuss at length. Who are your must-see top three this week? Who | :21:19. | :21:24. | |
is at the number three spot? Number three is Dani. Looking gorgeous in | :21:24. | :21:28. | |
her flapper dress. Why did you love this look on her so much? Well, | :21:28. | :21:33. | |
what an incredible transformation of a young girl. She's so energetic, | :21:33. | :21:38. | |
full of life. She looked strictly glamorous. And she looked confident | :21:38. | :21:42. | |
in it. I love the fact as the series goes on, there is less and | :21:42. | :21:46. | |
less of the outfits. Fringing, dare I say, one of your favourites this | :21:46. | :21:51. | |
season. Tell us more. Well this is paneled fringes. This is an | :21:51. | :21:55. | |
exclusive. It is panels of fringes. It is eight panels and eight metres | :21:55. | :22:02. | |
of fringes put on to this tiny little skirt. Very, technical. | :22:02. | :22:06. | |
a great effect there, as well. What about the crystal work? Lay the | :22:06. | :22:10. | |
facts down for me. Well in this tiny little slither of a dress, | :22:10. | :22:16. | |
there is not much a dress there, there is over 5,000 geometric | :22:16. | :22:22. | |
crystals. Now, what out for geometric designs - I am being | :22:22. | :22:26. | |
serious, in fashion - it is going to be big for next season. Note | :22:26. | :22:31. | |
taken. Who is your number two this week? My number two look of the | :22:31. | :22:35. | |
week is the fabulous Denise. A round of applause there for | :22:35. | :22:40. | |
Denise, gorgeous. Amazing dress, so unusual. What stood out for you? | :22:40. | :22:44. | |
was surprised to see Denise look so grown-up. Normally she wears | :22:44. | :22:50. | |
fringes, crystals, bows. All your favourites. All my favourites | :22:50. | :22:55. | |
things. I love the '40s feel, very film-star and Hollywood. | :22:55. | :23:00. | |
reminded me of Doris Day. Impressive skirt. Tell me about the | :23:00. | :23:07. | |
detail. How do they create that volume? There are ro two raspberry | :23:07. | :23:11. | |
petty could the, and underneath, apart from the gorgeous black | :23:11. | :23:16. | |
knickers is a secret fabric called crinoline. It is a stiff fabric | :23:16. | :23:21. | |
that makes that skirt stick right out. You mugs have been excited -- | :23:21. | :23:26. | |
you must have been excited because there are ruffles in the petit coat. | :23:26. | :23:30. | |
Apparently over eight metres. knows all this. He measures it | :23:30. | :23:35. | |
himself. The top lay he were and crystal work. Is that some kind of | :23:35. | :23:40. | |
lace work? It is very much a kind of a spider, circular motive of | :23:40. | :23:44. | |
crystal lace work. Lace is a very in-fashion fabric especially for | :23:44. | :23:50. | |
the Christmas period, which we are in. Happy Christmas, by the way. | :23:50. | :23:55. | |
And there is over 5,500 gold crystals encrusted on to this | :23:55. | :24:00. | |
spaghetti of lace. He spat at me a little bit as he was saying that. | :24:00. | :24:08. | |
There were so many Ss. Who is your top spot? Top of the leaderboard, | :24:08. | :24:12. | |
of course, Miss Kimberley Walsh. She looked so hot. Wherch she got | :24:12. | :24:17. | |
four tens, I cried. -- when she got. She looked so hot. Well, why don't | :24:17. | :24:25. | |
I like it? It's got fringes. It's got crystals, it's got panels, and | :24:25. | :24:34. | |
colour and she is definitely ten out of ten. She got 50 this weekend. | :24:34. | :24:37. | |
Vicy was saying, in wardrobe, it was one of the dresss that has | :24:37. | :24:42. | |
taken the longest to make. Give us some more details? The front | :24:42. | :24:52. | |
section of the dress is glass beads, over 1 thousand little beads, | :24:52. | :24:59. | |
thread on to a little fringe. Each one done by the hands of angels. | :24:59. | :25:04. | |
Proper angels. Look at the crystal work, again, 2dom 500 crystals. | :25:04. | :25:09. | |
love the shoulders, the way it is angled at the back. -- 2,500 | :25:09. | :25:14. | |
crystals. An unusual hemline on the skirt. How does it stay in shape? | :25:14. | :25:18. | |
It is a special fashion hemline, short at the front, long at the | :25:18. | :25:27. | |
back. This little skirt is made out of four panels and four godets. | :25:27. | :25:32. | |
They are back. We know what it is, it is a triangular into the fabric | :25:32. | :25:38. | |
to create volume. You notice you are the only one saying that. But | :25:38. | :25:45. | |
she did look so hot there. She zshe just looked so sexy, red devilish | :25:45. | :25:49. | |
and definitely my favourite dress of the season. Someone else caught | :25:49. | :25:54. | |
your eye on night, though. Who was your guilty pleasure of week? | :25:54. | :26:02. | |
this guy gets better and better and better. Look at Louis. He is doing | :26:02. | :26:11. | |
the Swazwhy, e. Is that a velvet waistcoat? Yes, with a blue. Hang | :26:11. | :26:17. | |
on. Look at the pelvic thrust. Wouldn't you want to wake up on | :26:17. | :26:25. | |
Christmas day with Louis wrapped up in bows and godets. A personal | :26:25. | :26:29. | |
choice. Look at the guns. I'm not looking. But you have been | :26:29. | :26:32. | |
spreading Strictly joy again. Our favourite part of the show. We have | :26:33. | :26:39. | |
had a firefighter a plumber and zoo keeper, whose life have you added | :26:39. | :26:44. | |
magic to this week? The Strictly fashion magic has been added to | :26:44. | :26:54. | |
:26:54. | :26:56. | ||
Chris, from Swansea, who is a My I'm Chris Hughes. Originally | :26:56. | :27:00. | |
from Swansea. Now working in a butcher shop in London. I've had a | :27:01. | :27:06. | |
word with Julien MacDonald. He has offered to lend me a Strictly come | :27:06. | :27:12. | |
dancing outfit. Let's see if it Liffens up my shop and my day. I | :27:12. | :27:17. | |
feel fabulous. What do you think Buttercup. | :27:17. | :27:22. | |
How do I look? Your regular attire. It's good for your posture. You are | :27:22. | :27:26. | |
aware of it. It makes you hold your tummy in, instead of being like | :27:27. | :27:33. | |
this all the time. Wiggle your leggings and arms at the same time. | :27:33. | :27:40. | |
# It's not unusual... # Just dancing on my own, darling. | :27:40. | :27:48. | |
Can you lift me. I'll try. Ready? That's very good. Marks out of ten, | :27:48. | :27:54. | |
my dear? Nine. Thank you so much. I've seen better. Liar. If you are | :27:54. | :28:00. | |
ever looking for a dancing partner, you know where to come. Chris is | :28:00. | :28:05. | |
already all show. This definitely made his day. You need some fake | :28:05. | :28:14. | |
tan. You like? Really nice. I've had a wonderful | :28:14. | :28:19. | |
day today. So have the customers. The only bad part is having to give | :28:19. | :28:23. | |
the outfit back. I'm sure I can have a word with management to see | :28:23. | :28:28. | |
what they can do. Come on, Chris. He is such a turn. Isn't he | :28:28. | :28:34. | |
fantastic. What a great sport. Can you put me aside a couple of Shanks | :28:34. | :28:38. | |
and chops? I will go to his butchers. Thank you for spreading | :28:39. | :28:44. | |
costume drama into our show this week again. Semi-finals next week. | :28:44. | :28:50. | |
Can't wait to see you. Thank you very much to all my guests tonight. | :28:50. | :28:56. |