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Hello, I'm glad you're here. It is Wednesday, welcome to Strictly - It | :00:11. | :00:19. | |
Takes Two. Louis and Flavia are here. This boy has left his My | :00:19. | :00:25. | |
Little Pony in the stable, but he's come in to try his hand at the Pro | :00:25. | :00:32. | |
Challenge - Vincent Simone. Glorious. And as semifinal hysteria | :00:32. | :00:38. | |
sets in among our celebrities, we look closely at their footwork, and | :00:38. | :00:44. | |
to tell us how they are doing, Ian Waite is here. And another matching | :00:44. | :00:48. | |
shirt. You could have made an effort, Vincent. This is Strictly - | :00:48. | :00:58. | |
:00:58. | :01:28. | ||
Live from Television Centre, this is Strictly - It Takes Two, please | :01:28. | :01:33. | |
welcome your host, Zoe Ball. Hello and welcome to Strictly - It | :01:33. | :01:36. | |
Takes Two. At the weekend, Darcey said it was one of their best | :01:37. | :01:40. | |
dances. In just a moment I'll be chatting to Lewis and Flavia, but | :01:40. | :01:49. | |
before I do, let's take a look at their fantastic fusion. Rumba and | :01:49. | :01:54. | |
tango, two dances each end of the dance spectrum and you pulled it | :01:54. | :01:58. | |
off great. Well done. The emotion was perfect. It was expressive - | :01:58. | :02:05. | |
one of your best. You danced that with effortless dexterity. I have | :02:05. | :02:10. | |
one complaint - your thumb was up in the tango. The climax at the end, | :02:10. | :02:20. | |
:02:20. | :02:24. | ||
oh, yes you're masterful. 9, 9, 10! And we got a 9 from Craig. | :02:25. | :02:30. | |
highest yet. Where did that come from? She's been on at me all week, | :02:30. | :02:37. | |
act it, perform it. I even put my face like this on the tango. Please | :02:37. | :02:42. | |
welcome Louis and Flavia. Good evening you gorgeous twosome. Top | :02:42. | :02:48. | |
skills at the weekend lieu business, -- Louis. You really looked the | :02:48. | :02:52. | |
part. How was it for you on the floor? It was challenging, because | :02:52. | :02:57. | |
I knew we had to keep the level, if not step it up from the Charleston | :02:57. | :03:02. | |
week, so to come out with that intensity, I was worried whether I | :03:02. | :03:06. | |
would be able to pull it off. think you pulled it off. I couldn't | :03:06. | :03:12. | |
take my eyes off you. You do feel you are finally getting this dance | :03:12. | :03:18. | |
malarkey, the character, being able to do the faces, the whole shebang? | :03:18. | :03:22. | |
Yes, I think so. Getting there. Some weeks are harder than others, | :03:22. | :03:27. | |
but to keep improving, you have to put so much in. You can't take your | :03:27. | :03:33. | |
foot off the gas. Flavia, your first 9 from Craig. Congratulations. | :03:33. | :03:39. | |
Thank you very much. It is about time. I know! Do you think if there | :03:39. | :03:45. | |
hadn't been the up-thumb it might have made a 10? To be honest, if | :03:45. | :03:52. | |
Craig picks on a thumb, I'm happy, a 9 is great. Rumba historically | :03:52. | :03:57. | |
very difficult for men. No men have ever got a 10 from a rumba in | :03:57. | :04:01. | |
Strictly history, so you should be really pleased with your scores. | :04:01. | :04:07. | |
No-one told me that the rumba was so hard. She said a Latin dance, | :04:07. | :04:11. | |
challenging, and left it at that. I remember you saying no-one picks a | :04:11. | :04:18. | |
rumba. Nobody in their right mind. It was a good option. It is good | :04:18. | :04:22. | |
psychology from Flavia. If she said this is really hard, you wouldn't | :04:22. | :04:28. | |
get it. This has happened a few times. I knew he would be good at | :04:28. | :04:32. | |
it. And it was. It is all in the teaching. You are the last man | :04:32. | :04:36. | |
standing in this competition. Does that feel good? Or do you miss the | :04:36. | :04:41. | |
lads? I do miss the lads. Sometimes if I'm in the make-up room, the | :04:42. | :04:47. | |
girls tease me anyway, but now I haven't got Nicky to stand up for | :04:47. | :04:55. | |
me... Oh, bless you. Let's feel sorry for him. He got a 10, stop | :04:55. | :04:58. | |
moaning. Flavia, it really does feel like you guys are back in the | :04:58. | :05:02. | |
competition. How determine ready you to get lieuisto the final? | :05:02. | :05:06. | |
think we are all so close. This is the hardest week, I keep saying. | :05:06. | :05:10. | |
One, you've got two dances. Secondly, everybody's tired and | :05:11. | :05:15. | |
thirdly you've come so far, you don't want to go now. It is going | :05:15. | :05:20. | |
to be really hard on Saturday, a real nail-biter I think. It is | :05:20. | :05:23. | |
getting really tense. We are all feeling it. You may well feel that | :05:23. | :05:28. | |
you are back in the race - you never really left the race, to be | :05:28. | :05:34. | |
honest with you. It is not just the glitter ball trophy Louis has his | :05:34. | :05:40. | |
eyes on. Maybe it is a number one in the hit parade. | :05:40. | :05:49. | |
I've been on the floor a few times. I fall in a heap on the floor. | :05:49. | :05:54. | |
I would like to lay on the floor, I like to lay on the floor... I like | :05:54. | :06:02. | |
to lay on the floor. It is like my place of refuge. I like to lay on | :06:02. | :06:10. | |
the floor. Come on. Come on. It is like my place of refuge. From the | :06:10. | :06:14. | |
top, from, from, from the top. He does like it better down there, | :06:14. | :06:18. | |
better down there, better down there. The floor's my place of | :06:18. | :06:23. | |
refuge. APPLAUSE | :06:23. | :06:30. | |
Everybody is getting tired, the VT room have gone barmy, but here it | :06:31. | :06:34. | |
is. Andi Peters has brought this in. It is not available in any shops. | :06:34. | :06:43. | |
There you go. The remix, the re-re- remix. We think you look a bit like | :06:43. | :06:50. | |
Bo Selecta's Craig David in that. It even has a bar code! How is the | :06:50. | :06:55. | |
foxtrot? The foxtrot is cool. There's a lot of ups and downs and | :06:55. | :06:59. | |
rises, and gliding and driving. It's a tricky dance. I'm liking | :06:59. | :07:03. | |
that you got all the terms right. This is hopeful. And what about the | :07:03. | :07:10. | |
jive? Well, the jive. We started the jive today, at 10 o'clock in | :07:10. | :07:17. | |
the morning. Just today? It's Wednesday! Flavia said come on, | :07:17. | :07:24. | |
like this! We have no time. We have to do it at 10.30am. How tough sit | :07:24. | :07:28. | |
for the celebrities? It is so hard. You are so tired, you have to fight | :07:28. | :07:31. | |
that. It is not just a matter of listening to what we tell you, but | :07:31. | :07:34. | |
you have to do it with energy in the training room. When you're | :07:35. | :07:43. | |
tired it is really difficult, so we get frustrated and it is like a | :07:43. | :07:47. | |
vicious cycle. When I feel, that she gets annoyed and I get stressed. | :07:47. | :07:52. | |
You've done the most training hours so far, so you are determined. Sum | :07:52. | :07:56. | |
on Louis and Flavia. It is only two more weeks to the final. Good luck | :07:56. | :08:00. | |
for this weekend. Thank you. Flavia you are back tomorrow for | :08:00. | :08:06. | |
the Pro Challenge. Yes! Pasha and art emare in. This weekend it is | :08:06. | :08:11. | |
double the trouble for our couples, as they have to learn two routines. | :08:11. | :08:21. | |
:08:21. | :08:23. | ||
Here to separate the dancers from the prancers, here's Mr Ian Waite. | :08:23. | :08:31. | |
Please welcome the gorgeous Mr Ian Waite! CHEERING Hello darling. | :08:31. | :08:36. | |
Hello gorgeous. Another matching tie-shirt come bomb. I'm trying. | :08:36. | :08:42. | |
Festive. A real Christmas cracker. It's the semifinals. You've been in | :08:42. | :08:46. | |
the semifinals twice, once with Denise and once with some other | :08:46. | :08:49. | |
daft blonde. Two dances. They should be able to pick up the | :08:49. | :08:55. | |
review teens, because it won't be a problem learning the steps now. It | :08:55. | :09:00. | |
just, physically I think they will be absolutely knackered. Remember | :09:00. | :09:04. | |
semifinal week, you foregoat the routine. I think there were tears. | :09:04. | :09:11. | |
It's so close to the final now, you've got to fight. Lisa and robin, | :09:11. | :09:18. | |
how are they looking in the training room? Very Fred and Ginger. | :09:18. | :09:22. | |
What's typical is side by side, which has become their trademark. | :09:22. | :09:28. | |
Robin nearly fell over there but don't worry about that! Look at her | :09:28. | :09:36. | |
use of arms. And she is matching him perfectly. Look at her | :09:36. | :09:41. | |
finishing off the hands. A bird in flight. And looking in the same | :09:41. | :09:50. | |
direction as robin. This is what they look like, in unison. And she | :09:50. | :09:54. | |
looks so elegant. Denise and James are doing a tango. I imagine that | :09:54. | :10:00. | |
is a good dance for Denise, with a fire in her belly after being in | :10:00. | :10:06. | |
the bottom two. It is a great dance to come back to. It is very compact, | :10:06. | :10:11. | |
the top hold. Looking fantastic. My only worry, only a slight problem, | :10:11. | :10:18. | |
every time she does a promenade, if I can highlight that... It is | :10:18. | :10:22. | |
basically that right side. She does open it up sometimes in a promenade | :10:22. | :10:28. | |
position. So on a link step she opens it up. Sometimes when you | :10:28. | :10:33. | |
pivot, opening out into promenade, she opens up the left side. Where | :10:33. | :10:40. | |
does she need to be? Keep the left side up a the man and turn her head. | :10:40. | :10:44. | |
And then it will be perfection. Absolutely. I notice they are | :10:44. | :10:49. | |
wearing knee pads. They have sliding going on. | :10:49. | :10:55. | |
Louis quite likes the foxtrot. There is so much content. A reverse | :10:55. | :11:04. | |
wave, triple chasse into fall away, into chasse to the right, feather | :11:04. | :11:11. | |
finish, a promenade. I can hardly keep up there! CHEERING Honestly! | :11:11. | :11:16. | |
There's so much content in, there no wonder he is struggling. Ah. | :11:16. | :11:23. | |
to be honest he is capable of doing it. And he will do it. He's an | :11:23. | :11:28. | |
Olympician. He be be amazing. Dani and Vincent are doing an American | :11:28. | :11:34. | |
Smooth. Dani is back in her magic ruby slippers. Vincent, what | :11:34. | :11:38. | |
fantastic choreography. He isn't listening to me, he's talking over | :11:38. | :11:42. | |
there. Last Saturday his choreography was brilliant, as I | :11:42. | :11:48. | |
said on Twitter. APPLAUSE Let me point out this lift. He does a | :11:48. | :11:54. | |
cradle sit-lift and then throws her over. It is a simple lift but looks | :11:54. | :12:00. | |
very effective. Well done. Kimberley and Pasha, can they carry | :12:00. | :12:04. | |
on that success? It is looking very good, although all of the footage | :12:04. | :12:08. | |
I've seen is open. There's no hold, no ballroom hold there at the | :12:08. | :12:12. | |
moment. In the American Smooth there should be 40% in hold, so I'm | :12:12. | :12:19. | |
hoping they will do that. A couple of points. One, two, three... | :12:19. | :12:23. | |
quickly. Balance - superb balance on this step. To do this step you | :12:23. | :12:28. | |
have to have a strong core. Three, a lovely point and it is brilliant. | :12:28. | :12:33. | |
The way she does that, it is like a professional. Looking good. We'll | :12:33. | :12:38. | |
talk about their second dance later. You are going to get a second | :12:38. | :12:40. | |
dollop after Ian Waite tonight. APPLAUSE | :12:41. | :12:43. | |
Rock legend Rod Stewart is going to be performing on the Strictly | :12:44. | :12:46. | |
Christmas Special. Last week he popped into our studio with his | :12:46. | :12:51. | |
gorgeous wife, Penny Lancaster, for a bit of a gossip. Take a look. | :12:51. | :13:01. | |
:13:01. | :13:01. | ||
Penny didn't get into the final though did she? | :13:01. | :13:09. | |
Please welcome the gorgeous Rod Stewart and his wife Penny | :13:09. | :13:14. | |
Lancaster! CHEERING AND APPLAUSE Hello darling. | :13:14. | :13:20. | |
This is very, very exciting. Thank you so much. I like the sparkle. | :13:20. | :13:23. | |
Sometimes it is a bit much. Thank you so much for popping in to see | :13:23. | :13:30. | |
us. You are here because Rod, you are going to be singing Let It Snow | :13:30. | :13:35. | |
from your new album, on the Christmas Strictly Come Dancing. Is | :13:35. | :13:40. | |
it getting you into the festive spirit? I'm so excited. I really am | :13:40. | :13:46. | |
in the Christmas spirit. Why has it taken you so long to do a Christmas | :13:46. | :13:50. | |
album? I always thought I was a dyed in the wool rocker, but the | :13:50. | :13:57. | |
older you get, and with two small kids, Penny pressed me into doing | :13:57. | :14:04. | |
it. And the record company gave me a good deal. And you get a bit more | :14:04. | :14:09. | |
sentimental as you get older about Christmas. You do. Is he getting | :14:09. | :14:15. | |
awe good present? He is. Penny, you appeared in series five, one of the | :14:15. | :14:21. | |
lucky ladies to dance with the gorgeous Ian Waite. He is magic | :14:21. | :14:26. | |
isn't he? What's your favourite dance? Probably one of the ballroom | :14:26. | :14:31. | |
dances as opposed to the Latin. were really good at the Latin. He | :14:32. | :14:37. | |
is a very adoring hubby. between two tall blondes, that's | :14:37. | :14:44. | |
why! Very tall blondes. I love this. Wow! I've gone funny. Did you teach | :14:44. | :14:50. | |
Rodney moves? We've seen you over the years pulling a couple of moves. | :14:50. | :14:59. | |
He is a mover, but nothing choreographed. You are touring | :14:59. | :15:04. | |
loads, and you've got a rock album out next year. It is 11 songs | :15:04. | :15:09. | |
written by Rod Stewart - that's me! We are genuinely excited. If you | :15:09. | :15:13. | |
weren't doing the tour could you be tempted to put on a pair of dancing | :15:14. | :15:19. | |
shoes for something like this? really, my knees barely get through | :15:19. | :15:24. | |
playing football, let alone dancing. On the Christmas album we do dance | :15:24. | :15:30. | |
around the kitchen to it. It is irresistible. And we dance around | :15:30. | :15:36. | |
the ironing board. Does Rod Stewart ever do the ironing? Never. Do you | :15:36. | :15:41. | |
remember when you did the series, do you remember, did it change your | :15:41. | :15:45. | |
shape because of training every day? It did. Alastair was still | :15:45. | :15:50. | |
quite young. We had got married but I hadn't quite got back to that | :15:50. | :15:55. | |
pre-baby thing. I see the images of all the dances as the weeks went by | :15:55. | :16:01. | |
and it did help. We want to test you now, we want to know how well | :16:01. | :16:09. | |
does Rod Stewart know Penny's body. Are you up for this? Of course. | :16:09. | :16:19. | |
:16:19. | :16:25. | ||
It is time for Penny's Pins! CHEERING | :16:25. | :16:32. | |
Penny is here with her pins. Rod, we are going to show you - he is | :16:32. | :16:36. | |
very, very keen! We are going to show you three sets of legs on | :16:36. | :16:42. | |
Strictly Come Dancing. All you have to do is tell us which pair are | :16:42. | :16:51. | |
Penny's. Oh! Rod Stewart, good luck. Round one. Your three sets of pins. | :16:51. | :17:01. | |
:17:01. | :17:05. | ||
Is Penny is A? B or C? A! You said A. The correct answer is... B! Oh, | :17:05. | :17:14. | |
Rod you are in trouble. It was Lisa Snowdon. I knew that. And it was | :17:14. | :17:21. | |
Kelly Brook at the end. Round two. Which sexy pair of leg rgs Penny's? | :17:21. | :17:28. | |
Grounds for divorce! Are they A, B or C? The hint, it is the same | :17:28. | :17:36. | |
colour dress as the one before. cheating. I'm looking at the shoes. | :17:36. | :17:46. | |
:17:46. | :17:47. | ||
I'm going for B. The correct answer is... A! Oh, no. One last chance to | :17:47. | :17:54. | |
redeem yourself or you could be in serious trouble. Which pair of pins | :17:54. | :18:04. | |
belong to Penny? A! Look at the toes. It is of course... A! | :18:04. | :18:13. | |
CHEERING Well done Rod. You've won a meal | :18:14. | :18:19. | |
for two at the Taj Mahal in Shepherd's Bush. Thank you! Thank | :18:19. | :18:27. | |
you for being such good sports. CHEERING AND APPLAUSE | :18:27. | :18:28. | |
I love Rod Stewart and Penny Lancaster. | :18:28. | :18:32. | |
And don't forget the Strictly Come Dancing Christmas Special is on at | :18:32. | :18:34. | |
6.15pm on Christmas Day. Now, this year we set our | :18:34. | :18:37. | |
professionals the challenge to see who could perform the most kick | :18:37. | :18:40. | |
ball changes in 30 seconds. Currently, nobody has managed to | :18:40. | :18:43. | |
knock Miss Boag off the top spot. Please welcome the next contender, | :18:43. | :18:53. | |
:18:53. | :18:56. | ||
Vincent Simone. CHEERING AND APPLAUSE | :18:56. | :19:01. | |
Hello. Hello my darling. Ciao. How are you today? I'm good. I've never | :19:01. | :19:07. | |
been here on my own before. I need a woman next to me. At least one. | :19:07. | :19:12. | |
Any offers? Last year you weren't able to take part in the botafogo | :19:12. | :19:17. | |
challenge. Artem won. Do you think you could have beaten him? I think | :19:17. | :19:25. | |
so. I would have. You are really good at the Argentine tango, so | :19:25. | :19:30. | |
you've got quite nifty feet I would imagine. I've always been fast in | :19:30. | :19:33. | |
my life. That's why I got involved in the tango, to make the most of | :19:33. | :19:41. | |
it, so I should be fast. The only problem is that I was rubbish. | :19:41. | :19:46. | |
LAUGHTER Simple as that. We are not holding out much hope then. We are | :19:46. | :19:53. | |
judge for ourselves. It is time to see how Vincent got on. | :19:53. | :19:57. | |
It will be amazing to win the record today, because I've never | :19:57. | :20:02. | |
won anything in my life. I'm doing it because I want to make sure I am | :20:02. | :20:08. | |
going to be the best off out of all the professionals. Hello Vincent. | :20:08. | :20:12. | |
Hello. How are you feeling about it. I'm feeling quite nervous, because | :20:12. | :20:17. | |
I haven't done anything like this before in my life. Are you going to | :20:17. | :20:25. | |
change legs or favour one leg? going to try to stick with one leg. | :20:25. | :20:30. | |
Which leg? This right one. Not the other right one! Please Vincent, | :20:30. | :20:40. | |
:20:40. | :21:11. | ||
It is not as easy as one would suspect. Do you mind if I lay here | :21:11. | :21:17. | |
a bit? I'm, you know, I'm little, and fragile. | :21:17. | :21:21. | |
I'm too little for this world. Vincent, please crawl off the floor. | :21:21. | :21:28. | |
Thank you. Now he's got rhythm! I'm exhausted | :21:28. | :21:33. | |
and probably a bit upset. I lost the rhythm halfway through. I think | :21:33. | :21:40. | |
I should have practised more before I came here today. APPLAUSE | :21:40. | :21:45. | |
You do make us laugh. embarrassing. It is like the | :21:45. | :21:50. | |
Italian take on Riverdance. Exactly. Irish Italian-ish. How many do you | :21:50. | :21:55. | |
think you managed? If I did one correct one I will be over the Moon, | :21:55. | :22:00. | |
honestly. Vincent, your kick ball changes have been counted and | :22:00. | :22:09. | |
verified. I can reveal thaw performed... | :22:09. | :22:19. | |
:22:19. | :22:20. | ||
-- that you reformed... 53 kick ball changes in 30 seconds. | :22:20. | :22:25. | |
Are you happy? Amazing. You got more than one. The good thing is | :22:25. | :22:34. | |
you are above Karen Hauer. Really? What's the point of turning the up? | :22:34. | :22:40. | |
33? Erin Boag is at 71. Tomorrow we have Artem, Pasha and flaveia. Do | :22:40. | :22:45. | |
you think any of those three could beat Erin Boag? Flavia yes. Thank | :22:45. | :22:52. | |
you Vincent. You are adorable. Every home should have one. Vincent | :22:52. | :22:58. | |
Simone! Every country. Time for Karen and Ian to reveal all about | :22:58. | :23:05. | |
the Viennese waltz. This week they have fun in the dressing up box. | :23:06. | :23:10. | |
The oldest of all the ballroom dances the Viennese waltz, dating | :23:10. | :23:14. | |
as far back as the 18th century. Before the 18th century men and | :23:14. | :23:24. | |
:23:24. | :23:25. | ||
women wouldn't have dared dance in hold. Sir, please, I'm a lady. | :23:25. | :23:32. | |
However, in the classic balls of England and Bavarian Germany a new | :23:32. | :23:37. | |
dance was causing quite a stir. the first time men and women were | :23:37. | :23:43. | |
lustily embracing one another. Originally the dance was seen as | :23:43. | :23:48. | |
scandalous, a man and a woman embracing each other on the | :23:48. | :23:58. | |
:23:58. | :24:00. | ||
dancefloor. Gasp. Children, cover your eyes. But the controversy soon | :24:00. | :24:04. | |
died down and the Viennese waltz became the staple dance in the | :24:04. | :24:10. | |
courts of the upper classes. Who, I reckon, quite liked the thrill of | :24:10. | :24:17. | |
being a bit ris Kay. Who, dear, you dear? Me, dear? No, dear. | :24:17. | :24:22. | |
From the first time it was danced, up to today, the Viennese waltz | :24:22. | :24:27. | |
really hasn't changed much at all. Despite being fairly simple, the | :24:27. | :24:32. | |
footwork, lines and movement have to be revise in order to sell the | :24:33. | :24:38. | |
beauty of the dance. The three steps that we should see within a | :24:38. | :24:44. | |
Viennese waltz are a natural turn, as in a turn to the right. And the | :24:44. | :24:52. | |
reverse turn, which is a turn to the left. And finally, a change- | :24:52. | :25:02. | |
:25:02. | :25:04. | ||
step, and that's it. APPLAUSE Waite gait a powdered wig, | :25:04. | :25:11. | |
ladies and gentlemen. Jennious. One more of those for Ian Waite. A | :25:11. | :25:19. | |
third dollop of Ian Waite. grandmother, nanny Ethel, it is her | :25:19. | :25:27. | |
89th birthday today. Happy birthday nanny Ethel. Let's look at the | :25:27. | :25:34. | |
second dancing. Lisa and Robin are doing a sal Sam. It is looking good, | :25:34. | :25:40. | |
lots of -- doing a salsa. It is looking good, lots of armography. | :25:40. | :25:44. | |
Recently they've been a little bit, some of their technique has been a | :25:44. | :25:49. | |
bit suspect, and the judges haven't said anything, but in is looking | :25:49. | :25:56. | |
very good. Good. One of the things I wanted to point out, and I hope | :25:56. | :26:01. | |
she doesn't mind me doing that, that's the only thing missing that | :26:01. | :26:06. | |
I can see at this early stage, the body rhythm. She needs to keep the | :26:06. | :26:10. | |
body rhythm going. If you continue like that... You continue doing | :26:10. | :26:15. | |
that for the rest of the show. Denise and James are doing a rumba. | :26:15. | :26:21. | |
Yes. This is looking fabulous. Fantastic lines. It looks sensuous, | :26:21. | :26:28. | |
touching. As you can see, they go into this lunge and they finish. | :26:28. | :26:33. | |
All the lines are fantastic. This is going to be one of their best | :26:33. | :26:38. | |
dance. What I wanted to talk about, if I am going to emphasise that, is | :26:38. | :26:42. | |
her feet. The way she's using her feet, the way they are using the | :26:42. | :26:49. | |
floor. He is articulating her toes, arches and ankles. That's something | :26:49. | :26:54. | |
we miss on the live show. You see the performance but not the finer | :26:54. | :26:59. | |
details. She's doing a brilliant job. Does she get the thumbs up | :26:59. | :27:04. | |
from you? She does. Louis and Flavia and their jive. How is this | :27:04. | :27:08. | |
one looking, and he is over there listening. It is a bit flat, to be | :27:08. | :27:13. | |
honest. I would like a little bit more bounce. More on the balls of | :27:13. | :27:22. | |
his feet. He's coming! I would like him to flick and stretch his toes. | :27:22. | :27:28. | |
Che flex them at the end. He is nodding. Good boy. It is only | :27:28. | :27:33. | |
halfway through the week, you can take that on board. | :27:33. | :27:37. | |
Dani and Vincent dancing the tango. She's dancing with the master. | :27:37. | :27:42. | |
at what Vincent is doing - sliding her along the floor. When I first | :27:42. | :27:46. | |
saw that, I thought they've made a mistake, but we are going to see a | :27:47. | :27:50. | |
different part of the choreography and she does a similar thing. She | :27:50. | :27:58. | |
goes down into a... What is the that call? I don't know. A low | :27:58. | :28:04. | |
lunge. Very interesting choreography again. But the | :28:04. | :28:09. | |
difficulty is when she's swinging round, she's got to get back up on | :28:09. | :28:14. | |
to her balance without falling or slipping. The transitions. It is | :28:14. | :28:20. | |
going to be difficult for her. She's going to be perfect by the | :28:20. | :28:25. | |
weekend. Kimberley and Pasha, got a 40 last week. Can she continue her | :28:25. | :28:30. | |
success? It is looking very good, very fast and frenetic. Which is | :28:30. | :28:35. | |
what we want. Lots of side by side, fun, characterful steps of the | :28:35. | :28:40. | |
Charleston. I like that! Did you see that step? I thought we could | :28:40. | :28:49. | |
try that. Can we? I'm taking my shoes off for a start. We are going | :28:49. | :28:55. | |
to turn you in, face me. Down. And turn. | :28:55. | :29:01. | |
CHEERING Look at that! That was great fun. The it worked. Thank | :29:01. | :29:05. | |
goodness. Careful trying this at home. Remember that this man is a | :29:05. | :29:09. | |
professional. I do my best. Thank you very much to Waite way. We love | :29:09. | :29:13. | |
you. That's it for today. A big thank you to all my guests. | :29:13. | :29:16. |