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To Thursday's It Takes Two. A record breaking show tonight. No | :00:14. | :00:20. | |
word of a lie, from from their skirt strippingly good tango at the | :00:20. | :00:25. | |
weekend it's Lisa and Robin! We will have an exclusive first peak | :00:25. | :00:33. | |
at the costumes. Tonight is the grand finale of the Pro Challenge, | :00:33. | :00:39. | |
can anyone beat the Boag. If they can it will be either Pasha, Flavia | :00:39. | :00:45. | |
and Artem join us. This is It Takes Two. What you talking about | :00:45. | :00:55. | |
:00:55. | :01:31. | ||
Live from Television Centre. Please welcome your host, Ballabriggs. | :01:31. | :01:37. | |
It's Thursday, the Strictly -- Zoe Ball. It's Thursday and the semi- | :01:37. | :01:41. | |
finals are looming. Let's see how our couples are getting on with | :01:41. | :01:43. | |
our couples are getting on with their first dances. The American | :01:43. | :01:48. | |
smooth is a dream come true for me. It has mine and Robin's name all | :01:49. | :01:55. | |
over it. There's three lifts. How many are we doing? Zero. Because | :01:55. | :01:58. | |
I'm slightly rotund, we have to go away from the lifts otherwise Robin | :01:58. | :02:02. | |
will pass out, bless him. A lot of people use lifts to create the wow | :02:02. | :02:07. | |
factor in their dance. We're going to yaet a wow factor without lifts. | :02:07. | :02:14. | |
That means that our steps have to be completely bob on. One, close, | :02:14. | :02:18. | |
head. I want to work on my arms and get my feet completely correct. We | :02:18. | :02:25. | |
have to make it wow. I feel like I'm a bit confused in the tango. | :02:25. | :02:31. | |
is quite a full-on routine, foot work, sink paigs, head flicks. | :02:31. | :02:35. | |
don't know whether my head should be doing a sharp right or left. | :02:35. | :02:40. | |
Don't look at me, go there. James said he's leading me and I should | :02:41. | :02:47. | |
just follow him. Who's lead sning I'm not very good at following. | :02:47. | :02:54. | |
I've put a bum spin in. I find it difficult and it hurts my bottom. | :02:54. | :03:00. | |
When Denise tries to stand up, she's not using her legs enough. | :03:00. | :03:05. | |
But I'm sure she can cope with it. Foxtrot is the beautiful dance to | :03:05. | :03:10. | |
do. It's probably one of the hardest of the ballroom dances. It | :03:10. | :03:14. | |
looks really soft and delicate, but in fact there's a lot going on. | :03:14. | :03:24. | |
:03:24. | :03:25. | ||
Quick, quick, slow. Heel, toe, toe... That-da-da-da. I struggle to | :03:25. | :03:30. | |
learn one dance a week and try to make it good. Now we've got two. | :03:30. | :03:36. | |
It's stressful. This is scary. not -- don't be scared. It's just | :03:36. | :03:40. | |
foxtrot. He doesn't need to be scared. He just needs to enjoy the | :03:40. | :03:45. | |
dancing. This week we are dancing the | :03:45. | :03:49. | |
Argentine tango. It's technically really challenging. Everything have | :03:49. | :03:52. | |
to be so precise. There's no room for error. | :03:52. | :03:57. | |
I need room in your legs. It's really hard! We've had a few issues | :03:57. | :04:02. | |
when it comes to getting our legs crossed. There's loads of leg wraps. | :04:02. | :04:10. | |
It's easily that we get tangled up. It is more of a tangle than a tango. | :04:10. | :04:15. | |
Vincent is panicking a bit. Stop getting stressed. I get worried | :04:15. | :04:19. | |
because the Argentine tango is one of my favourite dances. I need to | :04:19. | :04:24. | |
make sure there's no room for mistake. This week we're dancing | :04:24. | :04:29. | |
the American smooth. I find it hard to learn one dance, so to learn two | :04:29. | :04:35. | |
is hurting my head a little bit. I've forgotten. The biggest | :04:35. | :04:40. | |
challenge this week would be keeping our energy up. I do have a | :04:40. | :04:45. | |
tendency to say I can't do things. It's difficult for me just to do | :04:45. | :04:52. | |
this. Just do it again. Pasha reminds me there is no such | :04:52. | :04:57. | |
word as "can't". The American smooth is a lovely dance. Right now | :04:57. | :05:06. | |
I think my brain is overload. know how she feels. We'll see how | :05:06. | :05:10. | |
they're getting on with the second dance later on. Last week, we | :05:10. | :05:12. | |
launched the It Takes Two Pro Challenge to see who could set a | :05:12. | :05:17. | |
brand new world record for the most number of kick ball changes in 30 | :05:17. | :05:21. | |
seconds. Please welcome our final contenders - Artem, Flavia and | :05:21. | :05:31. | |
:05:31. | :05:34. | ||
Pasha! A rose between two thorns. Anyone | :05:34. | :05:38. | |
would have thought that you practised that. Artem, welcome back. | :05:38. | :05:44. | |
We've missed you. Thank you. are the reigning champion from last | :05:44. | :05:49. | |
year with the boat foing yoz. Did it come near as close as the glory | :05:49. | :05:54. | |
of lifting the Glitterball trophy? Of course, it's Guinness World | :05:54. | :05:59. | |
Record. You're the best in the world almost. Have you got your | :05:59. | :06:03. | |
certificate where someone can see? Yes near the TV. Whenever I look at | :06:03. | :06:07. | |
TV I can see the certificate. a world record holder. We can | :06:07. | :06:11. | |
imagine you wanted to make it two out of two, two years running, but | :06:11. | :06:18. | |
it didn't quite go according to plan. Let's have a look. | :06:18. | :06:28. | |
I'm the current Pro Challenge holder for the most boat foing yoz. | :06:28. | :06:34. | |
-- botafogos. Hi Artem. Our reigning champion, all set for the | :06:34. | :06:40. | |
kick ball change Pro Challenge? quite. Bit of a problem going on, I | :06:40. | :06:45. | |
had a surgery on my knee and it's still playing up on me. So I'm | :06:45. | :06:49. | |
going to disappoint rch, but I'm not going to be able to take the | :06:49. | :06:52. | |
challenge. Can't you use the other leg? That would be unfair, I would | :06:52. | :06:56. | |
set myself for failure and I don't do failures. That's a real shame | :06:56. | :07:00. | |
not to see you do this challenge. You've made the right decision and | :07:00. | :07:04. | |
you've got to look after your injury. We completely understand. | :07:04. | :07:08. | |
Thank you very much. Thank you for having me. Take care. | :07:08. | :07:11. | |
I am quite disappointed. I was looking forward to the challenge. | :07:11. | :07:15. | |
But at the end of the day, I have to really look after myself and try | :07:15. | :07:21. | |
to make sure that I'm well fit for next year and you know, next | :07:21. | :07:28. | |
challenge possibly come across. Oscar goes to... Me. And what | :07:28. | :07:35. | |
lovely cleevage. Ready to hand on your crown? Yeah? Am I ready to | :07:35. | :07:39. | |
give to someone else? Do I have a choice? No, you don't I'm afraid. | :07:39. | :07:43. | |
It means only two contenders left in the competition. Pasha, Flavia, | :07:43. | :07:49. | |
how nervous are you? We've got sweaty hands. Well one of us! | :07:49. | :07:54. | |
nice! First of all then, let's remind ourselves how the | :07:54. | :07:58. | |
leaderboard stands at the moment. At the bottom the gorgeous Jonjo | :07:58. | :08:06. | |
Heuerman with 33. They were perfect, but a little slow. -- Karin Hauer. | :08:06. | :08:14. | |
At the top Erin Bog. Pasha you're first. Good luck. 30 seconds | :08:14. | :08:19. | |
shouldn't be a problem. I'm quite confident stamina wise I'll be all | :08:19. | :08:25. | |
right. World record would certainly be a great thing to have. | :08:25. | :08:29. | |
Welcome Pasha. Thank you. Are you going to feel the burn? I hope I do, | :08:29. | :08:33. | |
because if I'm not it means I'm not going fast enough. We want you to | :08:33. | :08:37. | |
go as fast as you possibly can. You've got. It Pasha, take to the | :08:37. | :08:44. | |
floor. Adjudicator ready? Ready. Richard, | :08:44. | :08:54. | |
:08:54. | :09:21. | ||
Well done Pasha. You lost a little bit of time thring, throughout. | :09:21. | :09:25. | |
got a bit conscious about where do I place my foots. That's what it is. | :09:25. | :09:29. | |
I think it's the repetitive nature of it. But you did extremely well. | :09:29. | :09:33. | |
Congratulations. Thank you very much. It's hard to say if I'm going | :09:33. | :09:37. | |
to have a record. I tried to do my best. That's all I can do. Let's | :09:37. | :09:43. | |
hope everybody else is slower than APPLAUSE | :09:43. | :09:47. | |
Well done, Pasha. Flavia, didn't even break a sweat. Do you think | :09:47. | :09:52. | |
you can top that? That looks pretty fast to me. Then everyone I've seen | :09:52. | :09:58. | |
looks pretty fast. Let's have a look, good luck Flavia. Oh, no. | :09:58. | :10:02. | |
I was really happy last year, I came second but disappointed as | :10:02. | :10:08. | |
well because I was this close. I think it's time within of the girls | :10:08. | :10:11. | |
won this Guinness World Records. I'm going to go for it. Welcome. | :10:11. | :10:17. | |
How are you feeling about it? excited. Ready to create a world | :10:17. | :10:22. | |
record, darling? I think so. I'll give it a good go. Nice to see a | :10:22. | :10:26. | |
lady win. Hopefully. Take to the floor. For the record, three, two, | :10:26. | :10:36. | |
:10:36. | :11:05. | ||
Harder than you think, isn't it? It's confusing. Yeah I thought you | :11:05. | :11:11. | |
did very, very well to keep the momentum going. What due think? | :11:11. | :11:16. | |
Very good, really springy and flicky. Due a really good job. | :11:16. | :11:19. | |
Fantastic work. To do it for 30 seconds is actually quite a long | :11:19. | :11:23. | |
time. You get to a point where you lose the rhythm a little bit. I | :11:23. | :11:27. | |
gave it a good shot. If I end up on top, that would be amazing. If not, | :11:27. | :11:31. | |
I'm hoping that one of the girls does. | :11:31. | :11:35. | |
APPLAUSE We are quite literally on the edge | :11:35. | :11:40. | |
of our seats here. Right, here we go guys. I can reveal, at this | :11:40. | :11:48. | |
point you both beat Erin's score of 71. So it's good. Erin is like that, | :11:48. | :11:55. | |
drat. One of you got 73, one of you got 76. It is that close. Are we | :11:55. | :11:58. | |
ready? Envelope please with the results. They haven't even told me. | :11:58. | :12:08. | |
:12:08. | :12:20. | ||
I'm so excited about this. The Flavia! | :12:20. | :12:29. | |
CHEERING Congratulations. One for the ladies. | :12:29. | :12:33. | |
Welcome Justine to present you with your certificate. | :12:33. | :12:38. | |
APPLAUSE Welcome to the show. Were you | :12:38. | :12:42. | |
impressed with their efforts? we were very impressed. It was a | :12:42. | :12:46. | |
high standard of competition. it really was. Do you want to give | :12:46. | :12:49. | |
Flavia her important certificate. The handing over of the certificate | :12:49. | :12:52. | |
everybody! APPLAUSE | :12:52. | :12:58. | |
On behalf of the world record I would like to congratulate you on | :12:58. | :13:04. | |
your new record. You're officially amazing, flafya. Where -- Flavia. | :13:04. | :13:07. | |
Where will it hang? I have to think of a nice place where I can sit | :13:07. | :13:12. | |
every day. It's a good one, with the TV right next to it. Thanks to | :13:12. | :13:17. | |
all the pros. It was brilliant competition. Let's hear it for | :13:17. | :13:22. | |
Artem, Pasha and our new world champion, Flavia. A little treat | :13:22. | :13:26. | |
for you now, one for the ladies - making our couples look fabulous at | :13:26. | :13:30. | |
the weekend is about more than ruffles and godets. Of course they | :13:30. | :13:34. | |
help. We caught up with Strictly hair and make up designer, Lisa | :13:34. | :13:42. | |
Armstrong, to get the Lowdown. I'm afrpl Armstrong, the hair and | :13:42. | :13:45. | |
make up -- Lisa Armstrong the hair and make up designer for Strictly. | :13:45. | :13:50. | |
My role is create the hair and make up designs for every single person | :13:50. | :13:55. | |
on the dance floor every week. The concept for the hair and make up | :13:55. | :13:59. | |
comes from the whole overall look. We look at the style of dance. We | :13:59. | :14:03. | |
look at music and we look at costume. We then have to marry it | :14:03. | :14:09. | |
all together so it works as an image for that individual person. | :14:09. | :14:14. | |
The typical hair and make up look for a ballroom dance would normally | :14:14. | :14:17. | |
be clean, very beautiful. Hair would normally be up, so you could | :14:17. | :14:22. | |
see the dancer's neck line and the make up, glass Russ, classically | :14:23. | :14:26. | |
beautiful and really fresh -- glamorous. A class Iqbalroom look | :14:27. | :14:32. | |
would be Dani in the Viennese waltz, a soft up-do, beautiful, pretty | :14:32. | :14:37. | |
make up and a nice colour on the lip. Latin dances are more fun, | :14:37. | :14:42. | |
high energy, so we have down hair, curls, bright colours on the eyes, | :14:42. | :14:46. | |
bright lipstick, that's where all the shimer and sparkle comes into | :14:46. | :14:50. | |
it. A classic Latin would be deknees in the jive. It's a 1950s | :14:50. | :14:56. | |
style dance. You want to see the hair bouncing with the movement of | :14:56. | :14:59. | |
the dance. The costume does affect where we go down the hair and make | :14:59. | :15:05. | |
up line. With Kimberly's tango, our dress designer concept came through | :15:05. | :15:09. | |
and it was a white dress. The day of the show it turned into a royal | :15:09. | :15:14. | |
blue dress. So we then had to rework our design. Then we colour | :15:14. | :15:18. | |
matched the plalate of the lip to her -- palate of the lip to her | :15:18. | :15:22. | |
dress. The hair was different too because of the strongness of the | :15:22. | :15:26. | |
blue we needed a strong style, lift the hair up almost like a | :15:26. | :15:29. | |
fascinator and she could hide behind that and with the eyes and | :15:29. | :15:37. | |
the head turning, she could look great strength that dance needed. | :15:37. | :15:40. | |
Whilst we're applying the make up you see the person transform into | :15:40. | :15:46. | |
that character. On the Hollywood week we turned Nicki into the Mask. | :15:46. | :15:50. | |
It's important that the audience out there can still associate that | :15:50. | :15:55. | |
that is still Nicki. We had to do lots of shading, accentuating his | :15:55. | :15:58. | |
eyes, features. You could see that was Nicki, but he was playing the | :15:58. | :16:06. | |
character of the Mask. We not only look after people's | :16:06. | :16:09. | |
faces, we have to look after their bodies as well. Because they've | :16:09. | :16:15. | |
been training all week and they're being thrown around they get | :16:15. | :16:19. | |
bruises. In the bres run, it's bruise watch. Normally the girls | :16:19. | :16:23. | |
have quite a few of them. It's not only just about the hair and make | :16:23. | :16:27. | |
up, it's about making friendships and having people trust your about | :16:27. | :16:31. | |
to make them look amazing. They're the one that's are going out there | :16:31. | :16:34. | |
and literally you're there to calm them down. You're the last person | :16:34. | :16:37. | |
they see before they hit that dance floor. It's such a nice | :16:37. | :16:46. | |
relationship to have. Love her, love her! Thank you Lisa. She's | :16:47. | :16:49. | |
brilliant. Another brilliant lady and very much part of this family, | :16:49. | :16:55. | |
it's Vicky Gill. APPLAUSE | :16:55. | :17:01. | |
Love her. Can you feel that love? Last weekend, bit of a mishap with | :17:01. | :17:04. | |
Denise's dress, juftd a little one. Does that happen a lot? | :17:04. | :17:07. | |
anything's going to happen it will be the skirt hem. However I think | :17:08. | :17:12. | |
it was because we were fusing the two dances, the hem was slightly | :17:12. | :17:17. | |
longer than a normal Latin skirt would be. In the dressingroom she - | :17:17. | :17:22. | |
- in the dress run she coped well, but in the live show a mishap. | :17:22. | :17:26. | |
was an amazing dress. This week two dances for our couples. What | :17:26. | :17:30. | |
challenges has this presented you with? A bit more pressure. They're | :17:30. | :17:34. | |
all eeinger to make the final, so lots more embellishment and | :17:34. | :17:37. | |
attention to detail for each of them to make sure it's what they | :17:37. | :17:43. | |
want and they feel great. It's a big show, semi-final. Let's start | :17:43. | :17:47. | |
with Kimberly. She's doing the American smooth as one of her | :17:47. | :17:52. | |
dances. To Peggy Lee Fever, nice, saucy. Her frock looks amazing. | :17:52. | :17:58. | |
Talk us through it. What we want to achieve was an hourglass shape. | :17:58. | :18:03. | |
There's a nude body under it with lots of cystals on. There's a sheer | :18:03. | :18:06. | |
mesh overdress which is crystaled from the bust line down and over | :18:07. | :18:12. | |
the hips. It's sexy, slinky, smooth. I'm sure Kimberly will be amazing. | :18:12. | :18:19. | |
Can I point something out to you, this is Kimberly's belt. I can just | :18:19. | :18:24. | |
get it around my thigh. That is how tiny she is. It's amazing. Special | :18:24. | :18:32. | |
request from Lisa this week? asked for tange reen. Has a | :18:32. | :18:36. | |
celebrity ever asked for tangerine before? Never. They often run away | :18:36. | :18:41. | |
from it. That's why I love Lisa. Talk us through it. This is for her | :18:41. | :18:46. | |
salsa. We've got lots of fringe. Julienne will be happy. Lots of | :18:46. | :18:50. | |
single thread fringe that's individually applied. We have a | :18:50. | :18:54. | |
sheer lace which is running over the top part of the body. We've cut | :18:54. | :19:00. | |
through to try and block the dress. This is a solid fabric then back to | :19:00. | :19:05. | |
a lace at the bottom. Lots of fringe, sparkles, movement. Great | :19:05. | :19:11. | |
for sexy hips. Dani is going for pastels. This is for the American | :19:11. | :19:15. | |
smooth. This is a pretty dress for her. We always have to be careful | :19:15. | :19:21. | |
with the skirt lengths. Normally her ballroom length would be about | :19:21. | :19:31. | |
89 centimetres. This week it's 75. The hem lines are up and down. | :19:31. | :19:35. | |
we fit tomorrow we will decide whether it needs to be shortder or | :19:35. | :19:44. | |
longer. -- shorter or longer. the mystery dress. Are you ready? | :19:44. | :19:46. | |
CHEERING It's beautiful. What can you tell | :19:46. | :19:50. | |
us about the lady wearing this snfrpbgts the person wearing this | :19:50. | :19:54. | |
dress hopefully won't get her heel caught this week. It might be a | :19:54. | :19:57. | |
rumba dress. White, perfect. Well done. You're doing an amazing job. | :19:57. | :20:02. | |
Thank you. Only one more week. know. It's going to be sad. Back to | :20:02. | :20:08. | |
the training rooms. We are dancing the charleston this | :20:08. | :20:14. | |
week which I am extremely excited about. Charleston is quite tricky | :20:14. | :20:19. | |
but a fun dance. In this routine we have a lot of lifts. One in | :20:19. | :20:25. | |
particular seems to keep getting more difficult as the days go by. | :20:25. | :20:30. | |
When we're doing lifts, the main thing is the trust between the | :20:30. | :20:35. | |
partners. Pasha had an idea to do a little cart wheel trick. Then we | :20:35. | :20:41. | |
added the second one, now he wapbgts to do three. If we can pull | :20:41. | :20:46. | |
off the cart wheel trip it will be a show stopper. Our rumba is very | :20:46. | :20:50. | |
romantic. I really do have to draw on all my acting skills because I | :20:50. | :20:54. | |
have to pretend I'm in love with James. Rumba is a very difficult | :20:54. | :21:00. | |
dance, because it's so slow. The most important thing is she has to | :21:00. | :21:06. | |
actually connect with the dance, with myself and with the music. | :21:06. | :21:12. | |
There was no connection. All right! I thought connection meant look in | :21:12. | :21:17. | |
each other's eyes. But my arms of sloppy. There we go. I really have | :21:17. | :21:21. | |
to use the emotion to get it across what a lovely, romantic dance this | :21:21. | :21:31. | |
:21:31. | :21:33. | ||
This week we've got the jive, which is very energetic. It's a fun dance | :21:33. | :21:37. | |
to do. It's the semi-final so you want to give it your all. It could | :21:37. | :21:43. | |
be the last time that we get to perform. It's non-stop. There's so | :21:43. | :21:48. | |
much going on. One, two, three, four, five, six. We could do it | :21:49. | :21:53. | |
twice. We always try to do good technique. This week it's exactly | :21:53. | :21:57. | |
the same thing. It's very tiring and you need the same energy from | :21:57. | :22:00. | |
start to finish. With the jive if it's done the way we want to do it, | :22:00. | :22:04. | |
people are going to love it, want to be on their feet and join in. | :22:04. | :22:09. | |
That's the party vibe we want to get across. This week, we are | :22:09. | :22:13. | |
dancing the elegant and glamorous American smooth. The pressure is on | :22:13. | :22:18. | |
trying to do two dances. It should be impossible. We're turning the | :22:19. | :22:23. | |
American smooth into the American Spin. That's so spiny. Doing the | :22:23. | :22:27. | |
lifts is so disorientating. We're spinning constantly. I have no idea | :22:27. | :22:35. | |
whether I'm coming or going. I'm so dizzy. Vincent's also feeling a bit | :22:35. | :22:40. | |
dizzy during the lifts and I have no idea why because his feet are on | :22:40. | :22:45. | |
the floor. I'm going to give it everything I've got otherwise these | :22:45. | :22:50. | |
two dances will not happen. This week we have the salsa. It's camp. | :22:50. | :22:56. | |
It's exuberant and so much fun. It's the perfect dance for her. | :22:56. | :23:05. | |
worried about standing on my own feet. I keep standing on my big toe. | :23:05. | :23:09. | |
Things we might struggle with is speed. It's quite fast. There's | :23:09. | :23:14. | |
lots of arms and intricate choreography. As long as Lisa can | :23:14. | :23:19. | |
pick it up and do it in the right order, we're onto something special. | :23:19. | :23:23. | |
We have to get two dances done and it's scary. If we don't, we're | :23:23. | :23:28. | |
going home and we're not going to get in the final. | :23:28. | :23:35. | |
Time now for the dynamic duo, Lisa and Robin. | :23:35. | :23:41. | |
It's getting so exciting now. Did you enjoy fusion week? I did. A | :23:41. | :23:46. | |
little bit. But I was honest with myself and I made a mistake. I was, | :23:46. | :23:50. | |
I felt terrible on Robin. It's the first time, you know when you burst | :23:50. | :23:55. | |
through the doors, my head was down, which is so not me and I must have | :23:55. | :23:59. | |
said sorry about 80 billion times. Len said there was a terrible | :24:00. | :24:04. | |
incident. We were all thinking, was it really that bad. What happened? | :24:04. | :24:07. | |
The tango bit I was proud of actually. My hold was better and | :24:07. | :24:15. | |
Darcey picked up on. That when we got into the cha-cha, we had arm | :24:15. | :24:18. | |
slices things, they became like cheese slices rather than arm | :24:18. | :24:23. | |
slices because they were rubbish. I was rubbish. Look how sparkly my | :24:23. | :24:29. | |
shirt is. Oh, yes, we loved the Bucks Fizz reveal moment. Whose | :24:29. | :24:35. | |
idea was that? Of course, Robin. The thing was second from the | :24:35. | :24:39. | |
bottom on the leaderboard you weren't in the dance-off. The | :24:39. | :24:44. | |
public saved you. That must feel special. People are so supportive | :24:44. | :24:48. | |
everywhere, when we go for coffee and stuff. It's really lovely. You | :24:48. | :24:51. | |
could see, I was crying on the Results Show because I was like, | :24:51. | :24:55. | |
we're going home. Thanks to the public we got to stay. The semi- | :24:55. | :24:58. | |
finals this weekend, one thing is sure, the judges are in agreement | :24:58. | :25:02. | |
that your level of performance is always second to none. Seems that | :25:02. | :25:05. | |
the soap training has never left her. | :25:06. | :25:15. | |
:25:16. | :25:25. | ||
You are horrible. I've told you ten times. Dofpbt look at me like that. | :25:25. | :25:33. | |
I'm not looking at anything. Ouch. Hey. Will you be my date? No. I so | :25:33. | :25:37. | |
wish I got Artem. That's a horrible thing you made me feel guilty. | :25:37. | :25:47. | |
:25:47. | :25:48. | ||
Artem. You need me, don't you? know who you really want. | :25:48. | :25:54. | |
sleeping with the husband of my best friend. Neighbour's dog. | :25:54. | :25:59. | |
I'm also fathered my sister-in- law's... Cat. I don't know who's | :25:59. | :26:03. | |
who. Where have you been in the world? I was away for ten years. I | :26:03. | :26:13. | |
:26:13. | :26:15. | ||
know who Carol is. She's my wife. His wife!! That one's very | :26:15. | :26:19. | |
unbelievable. I love it. Semi- finals is upon us. Two dances, how | :26:19. | :26:24. | |
tough has it been this week? This week has been really tough. Quite a | :26:24. | :26:28. | |
few tears this week. Is that just Robin? It's been a tough week. | :26:28. | :26:34. | |
Learning two dances is honestly an absolute nightmare. But we've done | :26:34. | :26:37. | |
it and they're almost ready to go. The good thing is we love to go out | :26:37. | :26:40. | |
and do one dance every week, so much so we almost wish we could do | :26:40. | :26:45. | |
it again. This week we get to do two any way. Hopefully not a third. | :26:45. | :26:50. | |
Fingers crossed. You got the American smooth. Ian was praising | :26:50. | :26:52. | |
your lines yesterday saying they are beautiful. You have possibly | :26:53. | :26:57. | |
the tune of the weekend. I'm so jealous. This is from Chicago. | :26:57. | :27:04. | |
# All that jazz # Queen of the jazz hands. How is it | :27:04. | :27:09. | |
coming along? I love the smooth. Out of the two I adore it. It's | :27:09. | :27:13. | |
musical theatre. I adore the song. You're allowed lifts, but you're | :27:13. | :27:18. | |
not doing lifts. Have you got any tricks or stunts in replace of | :27:18. | :27:22. | |
lifts? They're all going into the salsa. Saving them up. I'm fearing | :27:22. | :27:32. | |
for my life at the moment. Bless you. Let's hear your music. | :27:32. | :27:40. | |
# Oooh, make you want to dance # Modern Romance. I've heard a birdie | :27:40. | :27:43. | |
tells me there's something in the salsa you might be having trouble | :27:43. | :27:47. | |
with. Yes there's something going on sholdering. We're doing it our | :27:47. | :27:52. | |
way. The Lisa and Robin way. non-conformist way. We love that. I | :27:52. | :27:56. | |
like it. We are intrigued. You have, in of the past weeks, peaked at | :27:57. | :27:59. | |
eight, some of the others are getting continues there. Can you | :27:59. | :28:03. | |
catch them up or are you not worried about that? We have got the | :28:03. | :28:07. | |
public support which is lovely. We have not got a nine or ten. Who | :28:07. | :28:10. | |
knows, maybe this weekend is the weekend we might. If ever we're | :28:10. | :28:16. | |
going to do one, it's this weekend. Come on. Keep the faith. How | :28:16. | :28:19. | |
confident can you be at this point, the two of you, that you could get | :28:19. | :28:24. | |
to the final? It would be amazing, more than anything. It would be a | :28:24. | :28:28. | |
dream come true. From start to finish, it's been incredible. It's | :28:28. | :28:33. | |
all thanks to this guy. Robin, how far has Lisa come in this | :28:33. | :28:38. | |
competition? Heeps and heeps and bounds. Week upon week, she just | :28:38. | :28:41. | |
excels and goes out there. Every single person cannot love her. | :28:41. | :28:46. | |
She's just amazing. To come this far in the competition and have to | :28:46. | :28:51. | |
go home this weekend, it would be such a shame to be almost there. We | :28:51. | :28:56. | |
are almost there. I just want to cross that line and make it to the | :28:56. | :29:00. | |
final. Oh, that was beautiful. We need the glitter box tissues. Good | :29:00. | :29:05. | |
luck to the two of you this weekend. Thank you. Can't wait for the salsa | :29:05. | :29:12. | |
trick. Give it up for Lisa and Robin! That's it for today. | :29:12. | :29:17. |