Episode 49 Strictly - It Takes Two


Episode 49

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To Thursday's It Takes Two. A record breaking show tonight. No

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word of a lie, from from their skirt strippingly good tango at the

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weekend it's Lisa and Robin! We will have an exclusive first peak

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at the costumes. Tonight is the grand finale of the Pro Challenge,

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can anyone beat the Boag. If they can it will be either Pasha, Flavia

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and Artem join us. This is It Takes Two. What you talking about

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Live from Television Centre. Please welcome your host, Ballabriggs.

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It's Thursday, the Strictly -- Zoe Ball. It's Thursday and the semi-

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finals are looming. Let's see how our couples are getting on with

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our couples are getting on with their first dances. The American

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smooth is a dream come true for me. It has mine and Robin's name all

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over it. There's three lifts. How many are we doing? Zero. Because

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I'm slightly rotund, we have to go away from the lifts otherwise Robin

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will pass out, bless him. A lot of people use lifts to create the wow

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factor in their dance. We're going to yaet a wow factor without lifts.

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That means that our steps have to be completely bob on. One, close,

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head. I want to work on my arms and get my feet completely correct. We

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have to make it wow. I feel like I'm a bit confused in the tango.

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is quite a full-on routine, foot work, sink paigs, head flicks.

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don't know whether my head should be doing a sharp right or left.

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Don't look at me, go there. James said he's leading me and I should

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just follow him. Who's lead sning I'm not very good at following.

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I've put a bum spin in. I find it difficult and it hurts my bottom.

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When Denise tries to stand up, she's not using her legs enough.

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But I'm sure she can cope with it. Foxtrot is the beautiful dance to

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do. It's probably one of the hardest of the ballroom dances. It

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looks really soft and delicate, but in fact there's a lot going on.

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Quick, quick, slow. Heel, toe, toe... That-da-da-da. I struggle to

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learn one dance a week and try to make it good. Now we've got two.

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It's stressful. This is scary. not -- don't be scared. It's just

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foxtrot. He doesn't need to be scared. He just needs to enjoy the

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dancing. This week we are dancing the

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Argentine tango. It's technically really challenging. Everything have

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to be so precise. There's no room for error.

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I need room in your legs. It's really hard! We've had a few issues

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when it comes to getting our legs crossed. There's loads of leg wraps.

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It's easily that we get tangled up. It is more of a tangle than a tango.

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Vincent is panicking a bit. Stop getting stressed. I get worried

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because the Argentine tango is one of my favourite dances. I need to

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make sure there's no room for mistake. This week we're dancing

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the American smooth. I find it hard to learn one dance, so to learn two

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is hurting my head a little bit. I've forgotten. The biggest

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challenge this week would be keeping our energy up. I do have a

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tendency to say I can't do things. It's difficult for me just to do

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this. Just do it again. Pasha reminds me there is no such

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word as "can't". The American smooth is a lovely dance. Right now

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I think my brain is overload. know how she feels. We'll see how

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they're getting on with the second dance later on. Last week, we

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launched the It Takes Two Pro Challenge to see who could set a

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brand new world record for the most number of kick ball changes in 30

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seconds. Please welcome our final contenders - Artem, Flavia and

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Pasha! A rose between two thorns. Anyone

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would have thought that you practised that. Artem, welcome back.

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We've missed you. Thank you. are the reigning champion from last

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year with the boat foing yoz. Did it come near as close as the glory

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of lifting the Glitterball trophy? Of course, it's Guinness World

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Record. You're the best in the world almost. Have you got your

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certificate where someone can see? Yes near the TV. Whenever I look at

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TV I can see the certificate. a world record holder. We can

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imagine you wanted to make it two out of two, two years running, but

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it didn't quite go according to plan. Let's have a look.

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I'm the current Pro Challenge holder for the most boat foing yoz.

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-- botafogos. Hi Artem. Our reigning champion, all set for the

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kick ball change Pro Challenge? quite. Bit of a problem going on, I

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had a surgery on my knee and it's still playing up on me. So I'm

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going to disappoint rch, but I'm not going to be able to take the

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challenge. Can't you use the other leg? That would be unfair, I would

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set myself for failure and I don't do failures. That's a real shame

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not to see you do this challenge. You've made the right decision and

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you've got to look after your injury. We completely understand.

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Thank you very much. Thank you for having me. Take care.

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I am quite disappointed. I was looking forward to the challenge.

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But at the end of the day, I have to really look after myself and try

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to make sure that I'm well fit for next year and you know, next

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challenge possibly come across. Oscar goes to... Me. And what

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lovely cleevage. Ready to hand on your crown? Yeah? Am I ready to

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give to someone else? Do I have a choice? No, you don't I'm afraid.

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It means only two contenders left in the competition. Pasha, Flavia,

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how nervous are you? We've got sweaty hands. Well one of us!

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nice! First of all then, let's remind ourselves how the

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leaderboard stands at the moment. At the bottom the gorgeous Jonjo

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Heuerman with 33. They were perfect, but a little slow. -- Karin Hauer.

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At the top Erin Bog. Pasha you're first. Good luck. 30 seconds

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shouldn't be a problem. I'm quite confident stamina wise I'll be all

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right. World record would certainly be a great thing to have.

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Welcome Pasha. Thank you. Are you going to feel the burn? I hope I do,

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because if I'm not it means I'm not going fast enough. We want you to

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go as fast as you possibly can. You've got. It Pasha, take to the

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floor. Adjudicator ready? Ready. Richard,

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Well done Pasha. You lost a little bit of time thring, throughout.

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got a bit conscious about where do I place my foots. That's what it is.

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I think it's the repetitive nature of it. But you did extremely well.

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Congratulations. Thank you very much. It's hard to say if I'm going

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to have a record. I tried to do my best. That's all I can do. Let's

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hope everybody else is slower than APPLAUSE

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Well done, Pasha. Flavia, didn't even break a sweat. Do you think

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you can top that? That looks pretty fast to me. Then everyone I've seen

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looks pretty fast. Let's have a look, good luck Flavia. Oh, no.

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I was really happy last year, I came second but disappointed as

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well because I was this close. I think it's time within of the girls

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won this Guinness World Records. I'm going to go for it. Welcome.

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How are you feeling about it? excited. Ready to create a world

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record, darling? I think so. I'll give it a good go. Nice to see a

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lady win. Hopefully. Take to the floor. For the record, three, two,

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Harder than you think, isn't it? It's confusing. Yeah I thought you

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did very, very well to keep the momentum going. What due think?

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Very good, really springy and flicky. Due a really good job.

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Fantastic work. To do it for 30 seconds is actually quite a long

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time. You get to a point where you lose the rhythm a little bit. I

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gave it a good shot. If I end up on top, that would be amazing. If not,

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I'm hoping that one of the girls does.

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APPLAUSE We are quite literally on the edge

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of our seats here. Right, here we go guys. I can reveal, at this

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point you both beat Erin's score of 71. So it's good. Erin is like that,

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drat. One of you got 73, one of you got 76. It is that close. Are we

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ready? Envelope please with the results. They haven't even told me.

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I'm so excited about this. The Flavia!

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CHEERING Congratulations. One for the ladies.

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Welcome Justine to present you with your certificate.

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APPLAUSE Welcome to the show. Were you

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impressed with their efforts? we were very impressed. It was a

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high standard of competition. it really was. Do you want to give

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Flavia her important certificate. The handing over of the certificate

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everybody! APPLAUSE

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On behalf of the world record I would like to congratulate you on

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your new record. You're officially amazing, flafya. Where -- Flavia.

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Where will it hang? I have to think of a nice place where I can sit

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every day. It's a good one, with the TV right next to it. Thanks to

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all the pros. It was brilliant competition. Let's hear it for

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Artem, Pasha and our new world champion, Flavia. A little treat

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for you now, one for the ladies - making our couples look fabulous at

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the weekend is about more than ruffles and godets. Of course they

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help. We caught up with Strictly hair and make up designer, Lisa

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Armstrong, to get the Lowdown. I'm afrpl Armstrong, the hair and

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make up -- Lisa Armstrong the hair and make up designer for Strictly.

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My role is create the hair and make up designs for every single person

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on the dance floor every week. The concept for the hair and make up

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comes from the whole overall look. We look at the style of dance. We

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look at music and we look at costume. We then have to marry it

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all together so it works as an image for that individual person.

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The typical hair and make up look for a ballroom dance would normally

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be clean, very beautiful. Hair would normally be up, so you could

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see the dancer's neck line and the make up, glass Russ, classically

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beautiful and really fresh -- glamorous. A class Iqbalroom look

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would be Dani in the Viennese waltz, a soft up-do, beautiful, pretty

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make up and a nice colour on the lip. Latin dances are more fun,

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high energy, so we have down hair, curls, bright colours on the eyes,

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bright lipstick, that's where all the shimer and sparkle comes into

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it. A classic Latin would be deknees in the jive. It's a 1950s

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style dance. You want to see the hair bouncing with the movement of

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the dance. The costume does affect where we go down the hair and make

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up line. With Kimberly's tango, our dress designer concept came through

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and it was a white dress. The day of the show it turned into a royal

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blue dress. So we then had to rework our design. Then we colour

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matched the plalate of the lip to her -- palate of the lip to her

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dress. The hair was different too because of the strongness of the

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blue we needed a strong style, lift the hair up almost like a

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fascinator and she could hide behind that and with the eyes and

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the head turning, she could look great strength that dance needed.

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Whilst we're applying the make up you see the person transform into

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that character. On the Hollywood week we turned Nicki into the Mask.

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It's important that the audience out there can still associate that

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that is still Nicki. We had to do lots of shading, accentuating his

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eyes, features. You could see that was Nicki, but he was playing the

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character of the Mask. We not only look after people's

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faces, we have to look after their bodies as well. Because they've

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been training all week and they're being thrown around they get

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bruises. In the bres run, it's bruise watch. Normally the girls

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have quite a few of them. It's not only just about the hair and make

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up, it's about making friendships and having people trust your about

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to make them look amazing. They're the one that's are going out there

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and literally you're there to calm them down. You're the last person

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they see before they hit that dance floor. It's such a nice

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relationship to have. Love her, love her! Thank you Lisa. She's

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brilliant. Another brilliant lady and very much part of this family,

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it's Vicky Gill. APPLAUSE

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Love her. Can you feel that love? Last weekend, bit of a mishap with

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Denise's dress, juftd a little one. Does that happen a lot?

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anything's going to happen it will be the skirt hem. However I think

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it was because we were fusing the two dances, the hem was slightly

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longer than a normal Latin skirt would be. In the dressingroom she -

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- in the dress run she coped well, but in the live show a mishap.

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was an amazing dress. This week two dances for our couples. What

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challenges has this presented you with? A bit more pressure. They're

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all eeinger to make the final, so lots more embellishment and

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attention to detail for each of them to make sure it's what they

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want and they feel great. It's a big show, semi-final. Let's start

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with Kimberly. She's doing the American smooth as one of her

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dances. To Peggy Lee Fever, nice, saucy. Her frock looks amazing.

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Talk us through it. What we want to achieve was an hourglass shape.

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There's a nude body under it with lots of cystals on. There's a sheer

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mesh overdress which is crystaled from the bust line down and over

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the hips. It's sexy, slinky, smooth. I'm sure Kimberly will be amazing.

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Can I point something out to you, this is Kimberly's belt. I can just

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get it around my thigh. That is how tiny she is. It's amazing. Special

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request from Lisa this week? asked for tange reen. Has a

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celebrity ever asked for tangerine before? Never. They often run away

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from it. That's why I love Lisa. Talk us through it. This is for her

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salsa. We've got lots of fringe. Julienne will be happy. Lots of

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single thread fringe that's individually applied. We have a

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sheer lace which is running over the top part of the body. We've cut

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through to try and block the dress. This is a solid fabric then back to

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a lace at the bottom. Lots of fringe, sparkles, movement. Great

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for sexy hips. Dani is going for pastels. This is for the American

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smooth. This is a pretty dress for her. We always have to be careful

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with the skirt lengths. Normally her ballroom length would be about

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89 centimetres. This week it's 75. The hem lines are up and down.

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we fit tomorrow we will decide whether it needs to be shortder or

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longer. -- shorter or longer. the mystery dress. Are you ready?

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CHEERING It's beautiful. What can you tell

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us about the lady wearing this snfrpbgts the person wearing this

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dress hopefully won't get her heel caught this week. It might be a

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rumba dress. White, perfect. Well done. You're doing an amazing job.

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Thank you. Only one more week. know. It's going to be sad. Back to

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the training rooms. We are dancing the charleston this

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week which I am extremely excited about. Charleston is quite tricky

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but a fun dance. In this routine we have a lot of lifts. One in

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particular seems to keep getting more difficult as the days go by.

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When we're doing lifts, the main thing is the trust between the

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partners. Pasha had an idea to do a little cart wheel trick. Then we

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added the second one, now he wapbgts to do three. If we can pull

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off the cart wheel trip it will be a show stopper. Our rumba is very

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romantic. I really do have to draw on all my acting skills because I

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have to pretend I'm in love with James. Rumba is a very difficult

:20:54.:21:00.

dance, because it's so slow. The most important thing is she has to

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actually connect with the dance, with myself and with the music.

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There was no connection. All right! I thought connection meant look in

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each other's eyes. But my arms of sloppy. There we go. I really have

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to use the emotion to get it across what a lovely, romantic dance this

:21:21.:21:31.
:21:31.:21:33.

This week we've got the jive, which is very energetic. It's a fun dance

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to do. It's the semi-final so you want to give it your all. It could

:21:37.:21:43.

be the last time that we get to perform. It's non-stop. There's so

:21:43.:21:48.

much going on. One, two, three, four, five, six. We could do it

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twice. We always try to do good technique. This week it's exactly

:21:53.:21:57.

the same thing. It's very tiring and you need the same energy from

:21:57.:22:00.

start to finish. With the jive if it's done the way we want to do it,

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people are going to love it, want to be on their feet and join in.

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That's the party vibe we want to get across. This week, we are

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dancing the elegant and glamorous American smooth. The pressure is on

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trying to do two dances. It should be impossible. We're turning the

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American smooth into the American Spin. That's so spiny. Doing the

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lifts is so disorientating. We're spinning constantly. I have no idea

:22:27.:22:35.

whether I'm coming or going. I'm so dizzy. Vincent's also feeling a bit

:22:35.:22:40.

dizzy during the lifts and I have no idea why because his feet are on

:22:40.:22:45.

the floor. I'm going to give it everything I've got otherwise these

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two dances will not happen. This week we have the salsa. It's camp.

:22:50.:22:56.

It's exuberant and so much fun. It's the perfect dance for her.

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worried about standing on my own feet. I keep standing on my big toe.

:23:05.:23:09.

Things we might struggle with is speed. It's quite fast. There's

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lots of arms and intricate choreography. As long as Lisa can

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pick it up and do it in the right order, we're onto something special.

:23:19.:23:23.

We have to get two dances done and it's scary. If we don't, we're

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going home and we're not going to get in the final.

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Time now for the dynamic duo, Lisa and Robin.

:23:35.:23:41.

It's getting so exciting now. Did you enjoy fusion week? I did. A

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little bit. But I was honest with myself and I made a mistake. I was,

:23:46.:23:50.

I felt terrible on Robin. It's the first time, you know when you burst

:23:50.:23:55.

through the doors, my head was down, which is so not me and I must have

:23:55.:23:59.

said sorry about 80 billion times. Len said there was a terrible

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incident. We were all thinking, was it really that bad. What happened?

:24:04.:24:07.

The tango bit I was proud of actually. My hold was better and

:24:07.:24:15.

Darcey picked up on. That when we got into the cha-cha, we had arm

:24:15.:24:18.

slices things, they became like cheese slices rather than arm

:24:18.:24:23.

slices because they were rubbish. I was rubbish. Look how sparkly my

:24:23.:24:29.

shirt is. Oh, yes, we loved the Bucks Fizz reveal moment. Whose

:24:29.:24:35.

idea was that? Of course, Robin. The thing was second from the

:24:35.:24:39.

bottom on the leaderboard you weren't in the dance-off. The

:24:39.:24:44.

public saved you. That must feel special. People are so supportive

:24:44.:24:48.

everywhere, when we go for coffee and stuff. It's really lovely. You

:24:48.:24:51.

could see, I was crying on the Results Show because I was like,

:24:51.:24:55.

we're going home. Thanks to the public we got to stay. The semi-

:24:55.:24:58.

finals this weekend, one thing is sure, the judges are in agreement

:24:58.:25:02.

that your level of performance is always second to none. Seems that

:25:02.:25:05.

the soap training has never left her.

:25:06.:25:15.
:25:16.:25:25.

You are horrible. I've told you ten times. Dofpbt look at me like that.

:25:25.:25:33.

I'm not looking at anything. Ouch. Hey. Will you be my date? No. I so

:25:33.:25:37.

wish I got Artem. That's a horrible thing you made me feel guilty.

:25:37.:25:47.
:25:47.:25:48.

Artem. You need me, don't you? know who you really want.

:25:48.:25:54.

sleeping with the husband of my best friend. Neighbour's dog.

:25:54.:25:59.

I'm also fathered my sister-in- law's... Cat. I don't know who's

:25:59.:26:03.

who. Where have you been in the world? I was away for ten years. I

:26:03.:26:13.
:26:13.:26:15.

know who Carol is. She's my wife. His wife!! That one's very

:26:15.:26:19.

unbelievable. I love it. Semi- finals is upon us. Two dances, how

:26:19.:26:24.

tough has it been this week? This week has been really tough. Quite a

:26:24.:26:28.

few tears this week. Is that just Robin? It's been a tough week.

:26:28.:26:34.

Learning two dances is honestly an absolute nightmare. But we've done

:26:34.:26:37.

it and they're almost ready to go. The good thing is we love to go out

:26:37.:26:40.

and do one dance every week, so much so we almost wish we could do

:26:40.:26:45.

it again. This week we get to do two any way. Hopefully not a third.

:26:45.:26:50.

Fingers crossed. You got the American smooth. Ian was praising

:26:50.:26:52.

your lines yesterday saying they are beautiful. You have possibly

:26:53.:26:57.

the tune of the weekend. I'm so jealous. This is from Chicago.

:26:57.:27:04.

# All that jazz # Queen of the jazz hands. How is it

:27:04.:27:09.

coming along? I love the smooth. Out of the two I adore it. It's

:27:09.:27:13.

musical theatre. I adore the song. You're allowed lifts, but you're

:27:13.:27:18.

not doing lifts. Have you got any tricks or stunts in replace of

:27:18.:27:22.

lifts? They're all going into the salsa. Saving them up. I'm fearing

:27:22.:27:32.

for my life at the moment. Bless you. Let's hear your music.

:27:32.:27:40.

# Oooh, make you want to dance # Modern Romance. I've heard a birdie

:27:40.:27:43.

tells me there's something in the salsa you might be having trouble

:27:43.:27:47.

with. Yes there's something going on sholdering. We're doing it our

:27:47.:27:52.

way. The Lisa and Robin way. non-conformist way. We love that. I

:27:52.:27:56.

like it. We are intrigued. You have, in of the past weeks, peaked at

:27:57.:27:59.

eight, some of the others are getting continues there. Can you

:27:59.:28:03.

catch them up or are you not worried about that? We have got the

:28:03.:28:07.

public support which is lovely. We have not got a nine or ten. Who

:28:07.:28:10.

knows, maybe this weekend is the weekend we might. If ever we're

:28:10.:28:16.

going to do one, it's this weekend. Come on. Keep the faith. How

:28:16.:28:19.

confident can you be at this point, the two of you, that you could get

:28:19.:28:24.

to the final? It would be amazing, more than anything. It would be a

:28:24.:28:28.

dream come true. From start to finish, it's been incredible. It's

:28:28.:28:33.

all thanks to this guy. Robin, how far has Lisa come in this

:28:33.:28:38.

competition? Heeps and heeps and bounds. Week upon week, she just

:28:38.:28:41.

excels and goes out there. Every single person cannot love her.

:28:41.:28:46.

She's just amazing. To come this far in the competition and have to

:28:46.:28:51.

go home this weekend, it would be such a shame to be almost there. We

:28:51.:28:56.

are almost there. I just want to cross that line and make it to the

:28:56.:29:00.

final. Oh, that was beautiful. We need the glitter box tissues. Good

:29:00.:29:05.

luck to the two of you this weekend. Thank you. Can't wait for the salsa

:29:05.:29:12.

trick. Give it up for Lisa and Robin! That's it for today.

:29:12.:29:17.

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