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Hello, and welcome to Wednesday's It Takes Two. Tonight I'm spoiling you | :00:09. | :00:13. | |
with three delightful couples on the sofa. Our super-smooth storyteller | :00:14. | :00:18. | |
Mark is here with partner Iveta. Fresh from playing snakes and | :00:19. | :00:21. | |
ladders with Len, Fiona and Anton are here. He's just about recovered | :00:22. | :00:26. | |
from Saturday night's love in with Craig - Ben and his partner Kristina | :00:27. | :00:30. | |
are here. And how about a Wednesday warm up to get us all in the mood. | :00:31. | :00:40. | |
Ian Waite's back. I feel all warm inside This is Strictly It Takes | :00:41. | :00:41. | |
Two. . Live from London, this is Strictly | :00:42. | :01:29. | |
Come Dancing: It Takes Two. Please welcome your host, Zoe Ball. | :01:30. | :01:37. | |
Hiya. Hiya! Tonight, welcome to It Takes Two with 13 couples left in | :01:38. | :01:41. | |
the competition. Saturday will prove unlucky as one pair has to go. | :01:42. | :01:46. | |
Hopefully not our next couple, Fiona and Anton. I'll be talking to them | :01:47. | :01:50. | |
in a moment, but first, here's a quick recap of Saturday's waltz - | :01:51. | :01:54. | |
two, three, one, two, three. You're playing snakes and ladders. Last | :01:55. | :01:58. | |
night you went down the snake, but this week back up the ladder - oh, | :01:59. | :02:04. | |
yes. Oh, Fiona, you have turned into Grace Kelly. You've danced with ease | :02:05. | :02:10. | |
and elegance. At times I can still see you slightly losing focus. Don't | :02:11. | :02:13. | |
do that because you've got it within you. I thought the whole thing was | :02:14. | :02:18. | |
extremely elegant and beautifully danced | :02:19. | :02:19. | |
APPLAUSE 7! 7. 7! 28! 28! It was a very | :02:20. | :02:29. | |
loving dance. I just wish I could have looked at you a little bit more | :02:30. | :02:33. | |
often, but in the waltz, it's not like that. It was my pleasure to | :02:34. | :02:38. | |
dance with you. I had the best birthday ever. What a classy | :02:39. | :02:44. | |
pairing. Please welcome strictly's very own Grace Kelly and Bing | :02:45. | :02:48. | |
Crosby, Fiona and Anton. I don't know what you're laughing at. It's | :02:49. | :02:51. | |
true. What a tender and stunning moment on Saturday, and Fiona, quite | :02:52. | :02:55. | |
rightfully, you were compared to Grace Kelly. That must have felt | :02:56. | :03:00. | |
quite nice for you. Yes, it's an enormous complement. I felt more | :03:01. | :03:04. | |
like Matthew Kelly, but you know! A very big complement for Matthew | :03:05. | :03:08. | |
Kelly as well. He'll be thrilled. The exciting thing is you were very | :03:09. | :03:13. | |
excited to dance with the King of waltz himself. Love there show! | :03:14. | :03:18. | |
Anton. I know. We're going to give you a official title and a crown. He | :03:19. | :03:22. | |
needs a crown. Like a Lord's Mayor's necklace and the rest of it, but | :03:23. | :03:27. | |
when you're out there on the dancefloor of all the weeks you have | :03:28. | :03:30. | |
danced with her, did this feel particularly special? This was a | :03:31. | :03:34. | |
super week for me because it was a lovely dance. It was a lovely song. | :03:35. | :03:40. | |
Lance Elliot was singing it, who sings just beautifully, and we | :03:41. | :03:43. | |
danced it so nicely together. She looked beautiful that dress. That | :03:44. | :03:48. | |
was such a fabulous dress. It was. The whole things with just a great | :03:49. | :03:51. | |
moment, a minute-and-a-half of joy for me, so thank you. Well done. You | :03:52. | :03:56. | |
were amazing. Yes, well done! And also, all the hiccups from the week | :03:57. | :04:03. | |
before went. You kept it perfectly on the floor. You were able to keep | :04:04. | :04:07. | |
focus out there this week. Well done. Yes, I don't know how! Get in | :04:08. | :04:12. | |
the zone! In the zone! I think you just get used to it. It's so | :04:13. | :04:16. | |
nerve-racking but hopefully it gets easier. Is it getting a little bit | :04:17. | :04:21. | |
easier? No, don't say that Len was talking about a game of Snakes and | :04:22. | :04:25. | |
Ladders. How are you going to keep going up the rungs of the ladder and | :04:26. | :04:31. | |
not slide on the slippery snakes? The most difficult thing about this | :04:32. | :04:34. | |
show is doing it on Saturday night - it sounds an obvious thing to say | :04:35. | :04:39. | |
but until you have had a go, until you have walked out there on | :04:40. | :04:42. | |
Saturday night and tried it, it's unknown territory. It's so | :04:43. | :04:44. | |
difficult. Just doing that more often, and we have been lucky enough | :04:45. | :04:48. | |
to do it three times so far - three times... That's right. | :04:49. | :04:51. | |
LAUGHTER How many dances? So the more we do, | :04:52. | :04:55. | |
hopefully, the better it becomes, more familiar with the Saturday | :04:56. | :04:58. | |
night, but it's so nerve-racking. It's difficult. It is. I just dance | :04:59. | :05:03. | |
too quickly. It's like when you're acting, and you're nervous you, | :05:04. | :05:06. | |
speak too quickly. Apparently I am doing the same thing I dance really, | :05:07. | :05:10. | |
really quickly. It will be perfect for quick-step. You can imagine | :05:11. | :05:13. | |
you'll fire around. Craig was talking about how delightful it was | :05:14. | :05:16. | |
for Anton to have a partner who can show off his dancing skills as well. | :05:17. | :05:21. | |
Ah, you see. Because you're so good. See how generous I am, Zoe? You are. | :05:22. | :05:27. | |
I let him have the stage. Thank you. And he twirls around me - finally | :05:28. | :05:32. | |
has his moment. I am just thrilled - you can come along and be brilliant. | :05:33. | :05:37. | |
We think we know the seek Rhett to your pairing now. The two towers | :05:38. | :05:41. | |
have been watching you. Look. Interesting. The thing about | :05:42. | :05:45. | |
training is you have to have regular breaks, and I'm a huge tea drinker. | :05:46. | :05:51. | |
I love my tea. Fancy a cup of tea. Do you mind? Not at all. Let's go. | :05:52. | :05:57. | |
Tea for two, and two for tea. Shall we have some tea? I'm going to have | :05:58. | :06:02. | |
a cup of tea. I'll put the kettle on. Is it time for a tea break? | :06:03. | :06:07. | |
She's popped out to have a cup of tea. I hope that's what everybody | :06:08. | :06:11. | |
else is doing, not just me. Earle Grey for moi. I might just have a | :06:12. | :06:17. | |
couple of tea. I like to let it brew for a long time. Run out of builders | :06:18. | :06:26. | |
- I'll bring some tomorrow. And I'm happy. They have tea at the Vic Raj | :06:27. | :06:31. | |
- this is Strictly Come Dancing! It's working. If we have Jonathan | :06:32. | :06:40. | |
coming in with Earle Grey for Fiona. Oh, wonderful. Look at that! He put | :06:41. | :06:46. | |
an F on it for fabulous! Rumba this week, you've got to follow Ben. | :06:47. | :06:51. | |
You've got to follow Natalie. How good is your rumba shaping up to be? | :06:52. | :06:57. | |
A complete disaster. Don't say that! Really? It's tremendous. Look at | :06:58. | :07:01. | |
that. I've never had so many bruises in my whole life. I don't know what | :07:02. | :07:06. | |
I've done to offend him, but he's throwing me across the floor. It's | :07:07. | :07:12. | |
all in the name of love. The throws are great, but I just can't... Go | :07:13. | :07:16. | |
on. Go on! You missed it. Have faith. It will be gorgeous. What's a | :07:17. | :07:24. | |
bruise between friends? Yeah! Foxy Fullerton and Delish bu beck. Thank | :07:25. | :07:30. | |
you. Stick around. I'll get some cake. It's time to look ahead at the | :07:31. | :07:35. | |
dance-off we can expect on Saturday. He's here. It's went. It's his | :07:36. | :07:44. | |
warm-up time. It's Ian Waite. -- it's Wednesday. | :07:45. | :07:51. | |
Will you look who is here? It's Ian Waite. | :07:52. | :07:53. | |
APPLAUSE Just slipped in the back entrance. | :07:54. | :07:57. | |
Just slipped in! Welcoming as the winter nights draw in. It's lovely | :07:58. | :08:00. | |
to have you here. Four nights into the competition, are the celebrities | :08:01. | :08:04. | |
and our professionals stepping it up a gear for the weekend? I watched on | :08:05. | :08:07. | |
Saturday night with my dog once again, and I had a great time. I | :08:08. | :08:11. | |
thought that all the couples had stepped it up a gear, and to be | :08:12. | :08:16. | |
honest, yeah, it's looking very good. It is. The standard is looking | :08:17. | :08:19. | |
good. It is. We're going to talk about the Latin this week. We're | :08:20. | :08:24. | |
talking about sussauna and Kevin, when England won. The whole nation | :08:25. | :08:28. | |
went into a giant samba, so exciting. Does she have good double | :08:29. | :08:34. | |
bounce action? A great dance last week, two 9s. This is a really good | :08:35. | :08:38. | |
dance. There is lots of content in here, so basically, lots of things | :08:39. | :08:42. | |
could go wrong. What I have done is stopped it here because what I | :08:43. | :08:45. | |
wanted to show you is the leg. Going into this promenade run, she needs | :08:46. | :08:48. | |
to stretch the leg out at the back and bend the knee at the front. A | :08:49. | :08:57. | |
bit like Kevin. Like Kevin there. One, two, three. And stretching that | :08:58. | :09:01. | |
back leg as much as possible and bending into the front knee, so get | :09:02. | :09:05. | |
your weight off the back toe... . Can you help me up again? I think I | :09:06. | :09:11. | |
might be stuck. Sorry about that. Julien and Janet two, weeks, in the | :09:12. | :09:18. | |
bottom two, give him a break. It he's try so hard. He's work so hard. | :09:19. | :09:23. | |
I really would love it if he made it. And the salsa this week? Tell | :09:24. | :09:28. | |
you what, it's one of the most difficult dances, salsa. I think | :09:29. | :09:31. | |
that could expose some problems. The thing is - I would like him to work | :09:32. | :09:35. | |
on is around the middle. He needs to loosen up that middle. Remember, | :09:36. | :09:41. | |
salsa is all about rhythm. Rhythm, hips... He needs a good rhythm. I | :09:42. | :09:47. | |
think he can do that Patrick andanya are doing the chau, chau, chau. You | :09:48. | :09:55. | |
have always said you liked his chau-chau-chau? Yes. Once he gets | :09:56. | :10:01. | |
into it, he's a good little mover. He's moving very fast. The only | :10:02. | :10:05. | |
critique I can say at the moment with his dance is this - we never | :10:06. | :10:13. | |
really want to see this... No! We never really want to see flat feet. | :10:14. | :10:20. | |
Where should they be? He puts his feet down. You have to use your heel | :10:21. | :10:29. | |
on every step. They're everywhere in the cha-chacha. Deborah, very good | :10:30. | :10:34. | |
Saturday night, a jive. How were her flicks and kicks? Not that great. To | :10:35. | :10:39. | |
be honest, Debra, to me, she has a certain amount of natural ability, | :10:40. | :10:43. | |
and she's quite musical, but what she doesn't do in this jive is she's | :10:44. | :10:47. | |
not using the balls of her feet, and she hasn't got that a-one-a-two, | :10:48. | :10:54. | |
a-one-a-two, that accent in the music. I like it. Which keeps it | :10:55. | :10:57. | |
light and bouncy. Never stop doing that. I love it. Ben and Kristina, | :10:58. | :11:03. | |
an excellent rumba from big g Ben at the weekend - so, so good. Hold on. | :11:04. | :11:09. | |
It's Fiona and Anton. Can we go back to them? Their rumba - she's being a | :11:10. | :11:14. | |
very obedient student. I don't know what she's talking about saying | :11:15. | :11:16. | |
she's not elegant. I think she's very elegant. She has a good sense | :11:17. | :11:20. | |
of posture. She just has to believe in herself. What I would say, Fiona, | :11:21. | :11:25. | |
is you just need to move your feet on to the left foot a little bit | :11:26. | :11:33. | |
quicker, use the toe, then you'll have a strong dance. Got that? | :11:34. | :11:39. | |
Excellent rumba from Ben at the weekend. How is his salsa? He's had | :11:40. | :11:48. | |
a lot of difficult dances in the last week, and didn't they do well? | :11:49. | :11:50. | |
APPLAUSE Good boy. I have stopped it here | :11:51. | :11:53. | |
because this is where he's at his best. He's supporting Kristina | :11:54. | :12:00. | |
because he's a big guy. He needs to move light across the ballroom. | :12:01. | :12:04. | |
That's the difficulty for Kristina. She's got to make sure he can do | :12:05. | :12:07. | |
that but what I would say again, a little bit like Julien, he needs to | :12:08. | :12:12. | |
make sure he's got lots of body rhythm. Through it... And he's not | :12:13. | :12:16. | |
too static in the body. Do not try that move at home, OK, unless you're | :12:17. | :12:26. | |
Kristina. Mark and Evetta, for them a cha-cha-cha. How is he looking? | :12:27. | :12:31. | |
You know what he's great - he's great in these gesticulations and | :12:32. | :12:35. | |
the acting side of him comes out. It's fantastic. Hello! I would like | :12:36. | :12:40. | |
him to concentrate a little bit more on the steps - hello! And make sure | :12:41. | :12:47. | |
he works on those Cha-cha moves. An amazing outfit and I bet you can't | :12:48. | :12:52. | |
do that, Ian Waite. I bet I can. Look at that! Great. He's pulled | :12:53. | :12:59. | |
something! Now - out of my way. So a great night on Saturday for Craig, | :13:00. | :13:03. | |
at least, who got a smack on the lips from a certain rugby hung. Here | :13:04. | :13:06. | |
is a reminder of their dance. It's nice to see a big, butch bloke | :13:07. | :13:16. | |
being gentle. That was a really touchy feeling kind of blow, hands | :13:17. | :13:20. | |
everywhere. Whichever way you're going, keep going because you're | :13:21. | :13:24. | |
doing well. I am willing you to do well and dance well. And you know | :13:25. | :13:28. | |
what? You did. APPLAUSE | :13:29. | :13:39. | |
7. 7. 7. It's a 7 fest! 7. 7. Yeah! Finally. Yes, finally, a standing | :13:40. | :13:44. | |
ovation. Thank you so much. Oh, I am so proud of you. Everybody gets a | :13:45. | :13:49. | |
kiss next week. I was so excited. It was a real buzz. I know. | :13:50. | :13:54. | |
Please welcome Ben and Kristina. APPLAUSE | :13:55. | :13:59. | |
It's so exciting, even watching it back. Congratulations, a personal | :14:00. | :14:04. | |
best, 28. Well done, Ben. A standing ovation. When you were dancing that | :14:05. | :14:07. | |
out on the floor, did you think to yourself, hang on a minute, this is | :14:08. | :14:11. | |
quite good? Yeah, I thought they were clapping at somebody else at | :14:12. | :14:16. | |
first - who is on stage? A flasher or something! No, it was all for | :14:17. | :14:19. | |
you. Tell you what. They love you out there, the nation. Linda from | :14:20. | :14:22. | |
Merseyside says, "It's the surprise of the night, fabulous." How lovely. | :14:23. | :14:28. | |
How proud were you, Kristina? I can't describe how proud I am of him | :14:29. | :14:32. | |
because it has been such a difficult week. We worked so hard, and it | :14:33. | :14:37. | |
takes a lot for this big guy to be gentle and show his soft side. He | :14:38. | :14:40. | |
did. It was absolutely wonderful. It was really moving. It was! Good. At | :14:41. | :14:46. | |
the same time as being quite saucy. You planted one on Craig. What have | :14:47. | :14:51. | |
you started? I think he liked it a bit too much. What happened there? | :14:52. | :14:55. | |
Very spontaneous. I was just so excited. I thought, yeah, I got a | :14:56. | :15:00. | |
positive comment, great. I thought something horrible was going to come | :15:01. | :15:04. | |
out, as always, but they were such great words from him. Well done. In | :15:05. | :15:08. | |
the weeks before that, I'd taken a little bit of criticism about my | :15:09. | :15:13. | |
frame, the bottom - yeah, just encouragement and positive comments | :15:14. | :15:16. | |
- really was like, yes, great. We've worked so hard, and to get 7s across | :15:17. | :15:20. | |
the board was an amazing night. It's progress. It's... . It's good. It's | :15:21. | :15:24. | |
all in the right direction, definitely. And the rumba can be | :15:25. | :15:29. | |
such a tricky dance. Men can go out there and look quite awkward doing | :15:30. | :15:32. | |
it. Why do you think it suited him so much? He did it so well. You know | :15:33. | :15:37. | |
what? I also thought a lot about the choreography because it has to be | :15:38. | :15:40. | |
good on him. It has to look good, what he's doing on the floor, and I | :15:41. | :15:44. | |
just tried so hard to showcase what he can do, and he was partnering me | :15:45. | :15:49. | |
and leading me from one sort of trick to another and doing his | :15:50. | :15:52. | |
footwork. I am really proud of him. He really worked hard. I know. And | :15:53. | :15:56. | |
we have been watching him closely in the training room, and I think that | :15:57. | :16:02. | |
Sergeant Major Rihanoff may have something to do with him doing so | :16:03. | :16:07. | |
well. Oh! We get you every week. Take it away. I am here. I am still | :16:08. | :16:12. | |
here. You're looking at the door. Hands, frame, elbows. He's finding | :16:13. | :16:17. | |
it physically hard. What are you doing? Crying or something? I am | :16:18. | :16:22. | |
putting him through a boot camp, my own ballroom one. Up on my feet. | :16:23. | :16:27. | |
Thank you. I do one good thing, and I'm like, yes! I have done it. Then | :16:28. | :16:31. | |
I think, oh, no. I have messed up the next bit, then I get this look. | :16:32. | :16:36. | |
Don't stand there! And I'm thinking, oh, no. Shall I go sit on the | :16:37. | :16:40. | |
naughty step? LAUGHTER | :16:41. | :16:42. | |
I can't believe she puts you on the naughty step. So this week, as I... | :16:43. | :16:50. | |
I had to face the wall outside. Until you could come back. With the | :16:51. | :16:55. | |
Saulsa, I am imagining there is quite a lot - how is that going, | :16:56. | :16:59. | |
Ben? Actually, it's a challenging routine. We have a few lifts in this | :17:00. | :17:06. | |
one. She hasn't been able to have a lift before. I am excited he can do | :17:07. | :17:11. | |
lots of great lifts so, yeah, I went for it, and it's a bit crazy. You | :17:12. | :17:15. | |
look like you're actually scaring yourself here - like, what have I | :17:16. | :17:19. | |
done? I think so. You're going to be flying around. The foundations of | :17:20. | :17:23. | |
the rumba, are they going to help particularly with the salsa or is it | :17:24. | :17:27. | |
a whole new set of rules? I think so, definitely, it can help. Here we | :17:28. | :17:32. | |
are - me upside down, yes. Wow! It will be a surprise on Saturday. | :17:33. | :17:35. | |
Don't look! You know what? I think he kind of liked this dance because | :17:36. | :17:41. | |
it's very cheeky. It's fun. He can actually relax and have a bit of an | :17:42. | :17:45. | |
acting beat as well. I think you're enjoying it. Yes, I am trying to | :17:46. | :17:49. | |
pull down the barriers a little bit more and trying to get braver and | :17:50. | :17:54. | |
braver. Go! In the routine this week, so my aim is to go out and | :17:55. | :17:58. | |
have fun. You are definitely letting go, which is great stuff, especially | :17:59. | :18:02. | |
at this point. And you've got a 19, 25, 28 - all in the right direction. | :18:03. | :18:08. | |
Fingers crossed it will be in the right direction this week too. I | :18:09. | :18:11. | |
think it could be. Ben and Kristina, good luck this weekend! | :18:12. | :18:13. | |
APPLAUSE Time now to check out Saturday's | :18:14. | :18:18. | |
ballroom dancers in our second helping, a big double wallop of | :18:19. | :18:22. | |
Wait's Wednesday Warm-up. Oh, two helpings is what we need. | :18:23. | :18:33. | |
Ian Waite is back. APPLAUSE | :18:34. | :18:37. | |
I only have one. OK! Now, let's talk about the ballroom this weekend. | :18:38. | :18:43. | |
First of all, did you enjoy Dave and Karen's paso doble Saturday? I | :18:44. | :18:46. | |
absolutely loved it. Can I first of all apologise for saying it was | :18:47. | :18:49. | |
going to look like John Sergeant. He was much better than that, wasn't | :18:50. | :18:54. | |
he? He was much better. They'll be so pleased. Much better than | :18:55. | :18:58. | |
expected. This week another ballroom dance. He's doing, of course, the | :18:59. | :19:03. | |
waltz. How is it going? For me, he looks a little bit stiff and tilted | :19:04. | :19:06. | |
in this dance. He needs to drive more on those ones to create the | :19:07. | :19:12. | |
musicality of waltz. When we used to dance together, Zoe... . I used to | :19:13. | :19:16. | |
sing sometimes the rhythm. Drove me crazy. | :19:17. | :19:19. | |
# One, two, three # One, two, three # | :19:20. | :19:22. | |
One, two, three # One, two, three # | :19:23. | :19:27. | |
Bye, darling. See you next week. It works though, it did work. It works. | :19:28. | :19:31. | |
It's getting that into the brain. What you do is transfer the weight | :19:32. | :19:37. | |
quickly on the one, then drag it out on two, three. Rachel and Pasha | :19:38. | :19:40. | |
Kovalev are doing the quick step this week. How is she doing? I have | :19:41. | :19:45. | |
been hard on her feet and legs, but this is a really difficult dance | :19:46. | :19:50. | |
this week. It's a lot of content Pasha has given her, so she's | :19:51. | :19:54. | |
struggling to keep up with him at the moment. You could get a | :19:55. | :19:57. | |
watermelon in between them there! But what I want to show you is you | :19:58. | :20:02. | |
could probably, actually - if you balance towards each other, you can | :20:03. | :20:05. | |
probably stay in contact for longer, even on the pivots. You know when | :20:06. | :20:09. | |
they pivot around it - bend your knees. Dance your body weight | :20:10. | :20:13. | |
towards you. I am dancing my body weight towards you. This is a | :20:14. | :20:18. | |
nightmare. Bounce from one to the other. This is lovely. I can do this | :20:19. | :20:22. | |
all night. We're connected. We're balanced towards each other. Let's | :20:23. | :20:27. | |
talk about Sophie and Brendan. Let's stays scrie here! No, let's not. You | :20:28. | :20:31. | |
have always said she has really good footwork. How are her foxtrot feet? | :20:32. | :20:35. | |
I think this is another great dance for her. I think this will suit her. | :20:36. | :20:38. | |
She's definitely trying to do that with her feet, if I can show you | :20:39. | :20:42. | |
here - I have slowed it down, and she's almost doing the right action | :20:43. | :20:45. | |
with the feet. It's a really difficult one. She's doing a reverse | :20:46. | :20:51. | |
wave there. On a reverse wave, you sort of go through the tail onto the | :20:52. | :20:56. | |
heel, so you go through the toe on to the heel. Off he goes again. I | :20:57. | :21:01. | |
need him on a giant bungy. She goes through the toe and doesn't go to | :21:02. | :21:06. | |
the heel. Only Wednesday, she'll get. By Saturday, hopefully it will | :21:07. | :21:14. | |
be as good as her waltz. Yes, go on! Ashley is doing the Viennese waltz. | :21:15. | :21:19. | |
How is he looking? Karen was mentioning the head and the problems | :21:20. | :21:24. | |
he had with his head. He has a lovely long neck. It's perfect for | :21:25. | :21:29. | |
ballroom dancing. I think they have been working on it. Look at this | :21:30. | :21:32. | |
position here. I am going to zoom in so you can see it better. Look. The | :21:33. | :21:36. | |
tricks of the trade - look at his head. Look where he's looking. One | :21:37. | :21:42. | |
is out. He's got this lovely shape. He's creating this lovely shape in | :21:43. | :21:45. | |
the vase, and he's looking out there, so it's fantastic. He's got a | :21:46. | :21:47. | |
great position there. He's obviously working on it. Top marks. Come on! | :21:48. | :21:55. | |
Taylor. Abbey Clancy and Aliona Vilani are doing a - staccato, | :21:56. | :22:05. | |
drama. How is she doing? For me she's a bit loose in the frame. | :22:06. | :22:10. | |
She's good at willowy dances like Watts waltz and that it suits her | :22:11. | :22:14. | |
because she's soft and long and lean, but for this dance she needs | :22:15. | :22:18. | |
to create a good frame. Tango has to be strong, has to have the | :22:19. | :22:21. | |
character. That's the only thing. It does move around in that frame a | :22:22. | :22:25. | |
little bit too much for me. By Saturday she'll have it perfectly. | :22:26. | :22:30. | |
Artem Chigvintsev and Natalie are doing a quick step. She's do good, | :22:31. | :22:36. | |
can do no wrong. How is she doing? She can do no wrong, loads of | :22:37. | :22:44. | |
content in here, very fast, flicking steps like these Charleston steps. I | :22:45. | :22:50. | |
wanted to show you - look, the body is in the same alignment. She's | :22:51. | :22:55. | |
flicking her legs up the same as Artem. They're matching. | :22:56. | :22:59. | |
Gold stars! I think it's going to be a great weekend. Thank you. As | :23:00. | :23:06. | |
always, here's Mr Wonderful - get it? Give it up for Ian Waite. | :23:07. | :23:10. | |
APPLAUSE Saturday saw them craft another | :23:11. | :23:16. | |
beautiful story for our enjoyment. Here is the story of Mark and | :23:17. | :23:22. | |
Evetta's American smooth. I tell you, you can tell a story. It was | :23:23. | :23:27. | |
mimed to perfection. You played it beautifully. You really have got to | :23:28. | :23:32. | |
work on your hands. They are absolutely ruining the line of the | :23:33. | :23:38. | |
dance. You capture the essence of every dance. I'm not saying that | :23:39. | :23:42. | |
dancing is, you know, top notch, fantastic, but what I love - | :23:43. | :23:47. | |
watching you, you get it, and that's great. 6. 6. 7. 8. Fantastic. Praise | :23:48. | :24:05. | |
God, yes. Woo! Please welcome the gorgeous Mark and Evetta. Well done | :24:06. | :24:12. | |
yet again, Mr B for Benetton or is it B for Brilliant and Boston! Hey! | :24:13. | :24:17. | |
I know. I thought about that a long time. They can't get enough of you | :24:18. | :24:22. | |
online. Katie from Leeds says "Mark's whole personality shines | :24:23. | :24:25. | |
through when he dances." Did you enjoy it out there Saturday? Yeah, | :24:26. | :24:29. | |
it was great. I was a bit worried about it because it was totally | :24:30. | :24:32. | |
different to the salsa obviously, and I was thinking, oh, are people | :24:33. | :24:37. | |
going to like it? I loved it - trying to do graceful stuff and | :24:38. | :24:40. | |
maybe surprising people, I don't know. And your wife and son were | :24:41. | :24:47. | |
watching. Yes, they were. She's killed me since... You again I bet. | :24:48. | :24:52. | |
After the Austin powers the week before, was it good to do something | :24:53. | :24:55. | |
a little more serious and show different sides? Yeah, it was | :24:56. | :24:59. | |
lovely. We tried to do something more serious. You can't do funny | :25:00. | :25:02. | |
every week because people will think, that's all he does. I wanted | :25:03. | :25:07. | |
to do the dance properly and be graceful and try to get my hands | :25:08. | :25:12. | |
properli... Highest score yet, 26. Was it good you could show off Mark | :25:13. | :25:18. | |
and how good was he at the dance techniques? That was really good. | :25:19. | :25:23. | |
Yes, it's good to show his acting skills, and in another dance to show | :25:24. | :25:26. | |
his technique and that he can actually dance, so I think he did an | :25:27. | :25:30. | |
amazing job. I am really, really proud. The other thing is they all | :25:31. | :25:33. | |
booed Craig when he was talking about your hands. The audience were | :25:34. | :25:38. | |
furious, as were people at home. Yeah. When you have danced something | :25:39. | :25:42. | |
like that and someone gives you criticism like that, is it hard to | :25:43. | :25:46. | |
take, or do you take it on the chin? Do you know, I don't mind it because | :25:47. | :25:49. | |
when it's constructive - I am here to learn to dance. When you get | :25:50. | :25:52. | |
constructive criticism, you think, that's great. I'll take it on. The | :25:53. | :25:56. | |
dance we're doing this week, I am constantly saying, what am I doing | :25:57. | :26:00. | |
with my hands here? That's how you learn, isn't it? Because by making | :26:01. | :26:03. | |
mistakes, that's the only way you can get better I think. Karen was in | :26:04. | :26:08. | |
yesterday and she said your hands were peck fect! Yeah, Karen, yes! We | :26:09. | :26:14. | |
don't often get to talk about the prodancers on the show. You were | :26:15. | :26:18. | |
stunning, flying on the Friday night show. Thank you. Made my ears leak a | :26:19. | :26:23. | |
little bit! Is it difficult to be graceful when you're up in the air | :26:24. | :26:27. | |
like that? It is a different feeling because you are hanging on the | :26:28. | :26:31. | |
harness, and the tendency is to go forward, so you have to resist with | :26:32. | :26:35. | |
your back to keep the pressure up, and with the cable, you have to feel | :26:36. | :26:40. | |
it so you don't get like a jerking, but I've done it before a little | :26:41. | :26:44. | |
bit. I have a chance to perform on Dancing with the Stars, a show where | :26:45. | :26:49. | |
I did the whole number on the harness, so yeah, so that experience | :26:50. | :26:52. | |
helped. It It does help a little bit. You looked glorious up there. | :26:53. | :26:56. | |
Thank you. The thing is when we were looking at you guys in training, we | :26:57. | :27:01. | |
thought you might have got a bit jealous because she was dancing with | :27:02. | :27:05. | |
Anton on Saturday, but you needn't fear. She only has eyes for you, and | :27:06. | :27:14. | |
with your face, it's no surprise. Ladies and gentlemen, Mark and his | :27:15. | :27:15. | |
stupid array of faces. Yes! Are you looking beautiful? | :27:16. | :27:20. | |
LAUGHTER That's the best thing of all. I love | :27:21. | :27:46. | |
it when she says, "Are you looking beautiful" checking up on you. I am | :27:47. | :27:51. | |
in trouble now. She's seen it. How is the cha-cha-cha shaping up for | :27:52. | :27:56. | |
you? We're having fun. It's another fun dance. We have a few things in | :27:57. | :28:01. | |
store. We're really enjoying it. Is there another story? We love the | :28:02. | :28:05. | |
storytelling you two do? Got a little story in it, got a little | :28:06. | :28:08. | |
theme running through it, yes. OK. How much would you like to see the | :28:09. | :28:13. | |
scores go up? The technique is improving. Do you want to see the | :28:14. | :28:17. | |
scores go up a little bit higher? Yes, every week we want the scores | :28:18. | :28:20. | |
to get higher. It would be nice. Like I said to you last time I was | :28:21. | :28:25. | |
on it, it's the comments I really like, and they're the things I try | :28:26. | :28:29. | |
to listen to and learn from so the scores - yes, we want four 10s. Come | :28:30. | :28:35. | |
on! Four 10s. How about somewhere in the middle - anything like that. | :28:36. | :28:38. | |
Enjoy your dance at the weekend. We love the rapport between you two. | :28:39. | :28:43. | |
Oh, thank you. Mark and Iveta. Enjoy this weekend. That is it for today. | :28:44. | :28:47. | |
A huge thank you to all my beautiful guests. Tomorrow, Dave and Karen | :28:48. | :28:53. | |
will be here, Rachel and Pasha and Sophie and Brendan, plus all the | :28:54. | :28:58. | |
training room stories. We'll see you at 6. 30pm tomorrow night. Good | :28:59. | :29:02. |