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Welcome to It Takes Two. It's Thursday. On the show - we could | :00:00. | :00:12. | |
have watched them dance all night long. It's Sophie and Brendan. | :00:13. | :00:17. | |
She has come down with a case of Latin fever. Rachel and Pasha are | :00:18. | :00:21. | |
here. Len called him the people's champion. What will his weekend be | :00:22. | :00:28. | |
like? Dave and Karen are here. Plus to give me a weekend run-down of all | :00:29. | :00:34. | |
the dresses, it is Nicky Gill and we'll have the latest training room | :00:35. | :00:39. | |
updates from all the couples. This is Strictly, it takes two. -- It | :00:40. | :00:55. | |
Takes Two. Live, from London, it is Strictly, | :00:56. | :01:28. | |
It Takes Two. Please welcome your host zsh Zoe Ball. | :01:29. | :01:34. | |
Welcome to It Takes Two. Time to get excited, as Saturday's showdown gets | :01:35. | :01:39. | |
ever-closer. Hoping to up the ante even more after their | :01:40. | :01:43. | |
highest-scoring samba at the weekend are my first guests, Sophie and | :01:44. | :01:47. | |
Brendan. They are here next but first let's look at how some of the | :01:48. | :01:54. | |
couples are getting on in training. This week we are dancing the | :01:55. | :01:58. | |
Viennese waltz. It's going to be beautiful. Slow. It's going to be | :01:59. | :02:04. | |
lovely. When I dance the waltz, you are supposed to keep your frame. But | :02:05. | :02:07. | |
when I start moving my shoulder comes in and my neck goes to the | :02:08. | :02:13. | |
side and it all looks skew-whiff. Look at your posture. Why is it | :02:14. | :02:19. | |
twisted? Look, look. He is kicking me with his knee. I'm being bruised | :02:20. | :02:26. | |
everywhere. You need shin pads. Today is about fine-tuning the | :02:27. | :02:29. | |
brain. It is a big test. The waltz is a slow dance. Any mistakes will | :02:30. | :02:34. | |
be seen. We are dancing the salsa. Hopefully | :02:35. | :02:39. | |
I can get a little bit of movement, the shoulder rolling and stuff. | :02:40. | :02:43. | |
Yeah, I mean, this is all knew to me It is like learning to flipping | :02:44. | :02:49. | |
walk. Ben has to push himself further. More hip rotation, body | :02:50. | :02:54. | |
action, faster feed, quicker line. Don't get lazy. . My big bottom is | :02:55. | :02:59. | |
moving. The hips are moving a bit. I'm trying to loosen them up. . It | :03:00. | :03:04. | |
is a social dance. There is not many rules. You can go for it and have | :03:05. | :03:09. | |
fun. Fingers cross it'll be good at the weekend. Dancing the foxtrot, it | :03:10. | :03:16. | |
is proper Fred Astaire and Ginger Rogers' territory. A good foxtrot is | :03:17. | :03:20. | |
of the position the lady holds, you should be telling a ro man take | :03:21. | :03:25. | |
story. Six, seven, eight. There is so much that has to be happening | :03:26. | :03:32. | |
with your feet and hips. It's a tricky dance, the foxtrot in | :03:33. | :03:36. | |
terms of the technical side of things. But I'm excited. I think it | :03:37. | :03:40. | |
is going to be a very good dance for her. Good job, Batman. | :03:41. | :03:44. | |
Stylisticically I think it is gorgeous, so I know where we are | :03:45. | :03:53. | |
aiming. I just don't know if I'll achieve it. Welcome Sophie and | :03:54. | :03:59. | |
Brendan. A superb samba from Sophie on Saturday. You didn't look like | :04:00. | :04:02. | |
you broke into a sweat. I love the way you look so cool when you do the | :04:03. | :04:06. | |
dances. Did you enjoy yourself? I enjoyed it when we were dancing it. | :04:07. | :04:10. | |
I stressed about it all week. It was the hardest dance for me, so far. | :04:11. | :04:16. | |
Why was it so hard? It is a really tricky technique, isn't it, samba? | :04:17. | :04:21. | |
Yeah. I could have done with a couple more days on it, really. I | :04:22. | :04:24. | |
felt we were using the last couple of days in the studio getting it | :04:25. | :04:28. | |
ready. So feeling not quite as prepared. There is a will the going | :04:29. | :04:31. | |
on all the time. It is very technical. Tonnes to remember. It | :04:32. | :04:37. | |
gets harder and harder. Wait until it gets to two dances. Panic. You | :04:38. | :04:43. | |
meany, you made her do all those moves facing the judges. That must | :04:44. | :04:47. | |
have been terrifying. Although she did it superbly. I have faith in | :04:48. | :04:52. | |
Sophie. She is a lovely dancer. She has a natural feel for that. Look at | :04:53. | :04:58. | |
that. Go on, girl. Challenge them. They are not here to | :04:59. | :05:01. | |
have a nice little holiday. They are here to really enjoy the experience | :05:02. | :05:05. | |
and get involved in it. I never push her too hard but I want to see where | :05:06. | :05:09. | |
the limit is, if you know what I mean. I'm liking it. How was it for | :05:10. | :05:13. | |
you to dance your wedding dance in front of millions of people | :05:14. | :05:17. | |
watching, with a man who is not your husband? A little bit strange! The | :05:18. | :05:23. | |
twisted folk. Richard really enjoyed it. He had come along to the | :05:24. | :05:27. | |
training. It is a song I love. It really helps if you love the song | :05:28. | :05:33. | |
when you dance with it. Of I I took strength from that. If you love the | :05:34. | :05:37. | |
song, costume and partner, it is perfect. Two out of three ain't bad. | :05:38. | :05:44. | |
We can only hope. Another mishap on rehearsals on Saturday, I hear. What | :05:45. | :05:50. | |
happened this time? Oh, yeah. Well, the thing that everybody doesn't | :05:51. | :05:53. | |
want to happen, falling over when you are dancing. I got my heel | :05:54. | :05:58. | |
spectacularly caught in my frock and went down not once but twice because | :05:59. | :06:02. | |
I couldn't get it out and landed on my bum. Dress rehearsal is the last | :06:03. | :06:06. | |
chance you get before the live show, you want it to go smoothly otherwise | :06:07. | :06:11. | |
you have uts do. The fact -- you have doubts. | :06:12. | :06:15. | |
The fact that it didn't go as smoothly as planned shows how much | :06:16. | :06:18. | |
she is loving it and getting involved. She is like - never mind, | :06:19. | :06:24. | |
I'm getting back on it. I got out of doing the samba rolls. Hats off to | :06:25. | :06:33. | |
you, ole king kole. You put all of Len's favourite hits, we had core at | :06:34. | :06:43. | |
that backyas, and -- cortajackas and other moves. It is a great | :06:44. | :06:47. | |
opportunity for us, the pros to do what we think is best for our | :06:48. | :06:52. | |
partners. If we can find something in the mix which looks great and is | :06:53. | :06:55. | |
also technical and gives them a challenge. I liked the choreography. | :06:56. | :07:00. | |
It is a winner, showing off Sophie's ability but also in the training | :07:01. | :07:04. | |
room showing off your ability to impersonate a woman. Have a look. | :07:05. | :07:09. | |
Oh, no. We are here to play tennis, be the | :07:10. | :07:13. | |
elegant sexy woman you are going to be. | :07:14. | :07:19. | |
It looks a bit funny when I do it because I'm a burly, steely bloke. | :07:20. | :07:29. | |
You are looking good. I'm jealous I'm not doing this, to | :07:30. | :07:32. | |
be honest, as feminine as it is. Is that harder in heels? Not really. | :07:33. | :07:47. | |
Do I look like I have ever worn heels? Anybody who has photographs | :07:48. | :07:56. | |
of Brendan Cole wearing women's heels send them in. Foxtrot this | :07:57. | :08:00. | |
week for you. How is it going? You have an amazing piece of music. We | :08:01. | :08:05. | |
can play it as we chat. Cheek to Cheek. Are you in heaven? Are you | :08:06. | :08:11. | |
loving it? I'm chuffed. It is a lovely dance. My granny, Sybil is | :08:12. | :08:18. | |
coming on Saturday. I'm happy that she will see this. It is proper Fred | :08:19. | :08:24. | |
and Ginger territory. I have heard, also, you are keeping it simple. But | :08:25. | :08:30. | |
knowing you it won't be that simple? It is not simple. It is a difficult, | :08:31. | :08:33. | |
tricky routine but like I said, I want the best and I think this week, | :08:34. | :08:39. | |
we could have it. #2k3w50d luck. I'm -- good luck. I'm sure granny Sybil | :08:40. | :08:43. | |
will love it. Thank you. Back it the training room | :08:44. | :08:49. | |
-- back to the training rooms to see how Abbey, Deborah and Rachel are | :08:50. | :08:52. | |
getting on. This week I'm dancing the tanning | :08:53. | :08:56. | |
yoe. It is very strong and passionate. The only bit I'm | :08:57. | :09:00. | |
concerned about is giving it fierce attitude. I have the Gibbs. | :09:01. | :09:04. | |
LAUGHTER What is funny? | :09:05. | :09:12. | |
-- I have the giggles. I couldn't stop laughing. I think he | :09:13. | :09:16. | |
was getting annoyed with me. Come on, focus. Be dead serious. I | :09:17. | :09:21. | |
really, really need to go out there on Saturday and prove I can be this | :09:22. | :09:24. | |
strong, fierce woman. I'm dancing the jive. It is full of | :09:25. | :09:33. | |
loads and loads of steps. Step, knee, knee, step, hold. | :09:34. | :09:40. | |
Two, three. I am finding the jive steps very, very difficult to pick | :09:41. | :09:44. | |
up. Two, three, four, five, six. One of | :09:45. | :09:49. | |
the biggest challenges is that it is really fast I actually have to work | :09:50. | :09:54. | |
hard at it. I have to think about things. Two, three, four, it's not | :09:55. | :09:59. | |
hard. Got T I learn my routines by thinking about them, not just doing | :10:00. | :10:03. | |
them. -- got it. Knee up. And then kick. ! This week | :10:04. | :10:10. | |
Pasha and I are dancing the quickstep, unsurprisingly, it is | :10:11. | :10:16. | |
very, very quick. I want us flying, right from the start. Flying across | :10:17. | :10:20. | |
the floor. The good thing about the quickstep is a lot is in hold. I'm | :10:21. | :10:24. | |
going back to my original plan - hang on to Pasha and find out what | :10:25. | :10:28. | |
happens. If it is uncomfortable, it means you are in the right place. | :10:29. | :10:34. | |
Don't hang on to me. Fly away. She needs, speed, stamina and lightning | :10:35. | :10:41. | |
reactions. It is really hard. I have to really concentrate to bring it on | :10:42. | :10:45. | |
Saturday night. Love that - fly away, it's time. | :10:46. | :10:50. | |
Welcome Rachel and Pasha. Oh, dear. We'll talk about this week | :10:51. | :10:55. | |
in a moment but clever cats, you weren't looking forward to the | :10:56. | :10:58. | |
cha-cha-cha and look what happened, you went out and got 27. Brilliant | :10:59. | :11:04. | |
Yes. I was pleased. Much better than the salsa. Utter relief. Bless you. | :11:05. | :11:10. | |
There was r sort of like a Samsonesque transformation. I don't | :11:11. | :11:13. | |
know whether it was the hair extensions, which equals power. Did | :11:14. | :11:17. | |
that give you a character to pretend to be? It was weird. I didn't feel | :11:18. | :11:21. | |
like myself. As soon as I had that hair - I have never had hair that | :11:22. | :11:25. | |
long, I was doing all that. Even when they took it out, I was still | :11:26. | :11:30. | |
going. Have you kept in it in a box under your bed? No, they went back. | :11:31. | :11:34. | |
Zbloo that would be weird. -- That would be weird. You had double | :11:35. | :11:39. | |
Latins. Was it great it see Rachel finally got it? It was great to have | :11:40. | :11:44. | |
two Latin dances, we had to build on one after the other. The whole | :11:45. | :11:48. | |
thing, the character, the dress, the hair, I think it helped Rachael a | :11:49. | :11:51. | |
lot to get into the cha-cha mode. You went from 20 to 27. You saw | :11:52. | :11:56. | |
improvement in your girl. It was amazing improvement. I think | :11:57. | :12:00. | |
that's what it is call about anyway. Giving little tasks and pushing them | :12:01. | :12:04. | |
a little bit every single time. Did you feel the tingles that Bruno was | :12:05. | :12:09. | |
going on about? I'm not sure what they were, but I definitely have to | :12:10. | :12:14. | |
get into cha-cha, sexy mode. I took myself into the zone before I went | :12:15. | :12:18. | |
on and ignored everything else and tried to focus. It worked. Len could | :12:19. | :12:23. | |
not stop going on about your bionic bum. I'm in the really sure - I fell | :12:24. | :12:28. | |
on it today, it feels nice and soft. No metal in there. You were limping | :12:29. | :12:34. | |
in. What have you done? Well, bionic bum or not, it is your treat that | :12:35. | :12:40. | |
need a little bit of tlc. Have a little peek. The modern torture | :12:41. | :12:47. | |
twice of modern dancing. Every time Rachael wears them she gets nasty, | :12:48. | :12:52. | |
nasty blisters. I'm getting another blister. ! Shoes verses ravel. 1-0. | :12:53. | :13:01. | |
Shoes are winning. Blister again in my ballroom shoes. Straight out of | :13:02. | :13:05. | |
them, straight into my slippers. Really? Looking good to move. | :13:06. | :13:13. | |
Comfie. Are you going to dance on the show in your heels? Not if I can | :13:14. | :13:17. | |
get away with slippers. I shi you should have a matching | :13:18. | :13:21. | |
pair. -- I think. That would be cool. We can slide | :13:22. | :13:25. | |
across the floor. This week it is ballroom. You were saying in the | :13:26. | :13:29. | |
training bit, you just want to hang on to Pasha. It's the quickstep. How | :13:30. | :13:35. | |
is it? I can see why they called it the quickstep. Everyone always says | :13:36. | :13:39. | |
that - the clue is in the title! It's not that it is quick, but it is | :13:40. | :13:43. | |
quick, and because it is quick, you can fit at least three times more | :13:44. | :13:48. | |
steps in, so so many more steps sto remember, and -- steps to remember. | :13:49. | :13:52. | |
And to count. Talking about counting, which obviously you should | :13:53. | :13:55. | |
be brilliant at. Because you are a mathematical genius but you have | :13:56. | :13:59. | |
discovered something about Rachel this week. Great with big sums, got | :14:00. | :14:04. | |
a problem with... Left and right. Nightmare with dancing. Spachl | :14:05. | :14:12. | |
awareness. Can I just get over this, no-one has noticed yet Can you put L | :14:13. | :14:19. | |
and R on her feet? We don't want her looking down. Let's hear your music. | :14:20. | :14:25. | |
A great track. Johnny Got A Boom Boom. | :14:26. | :14:32. | |
Pasha has a Boom Boom as well. What? You have had great success with | :14:33. | :14:37. | |
Kimberly and Chelsea. How is it working out? Are you pleased? As | :14:38. | :14:41. | |
usual, I put too much content into the quickstep so judges cannot | :14:42. | :14:46. | |
say... It is amazing, I love T when he does it by himself, it looks | :14:47. | :14:51. | |
brilliant. Whapts when you step in -- what happens? When Pasha does it | :14:52. | :14:55. | |
by himself, it looks brilliant. Have some faith in yourself. You needed | :14:56. | :15:00. | |
to build up some stamina. It is so fast. I believe you got sent out to | :15:01. | :15:04. | |
do some sport this week. We played squash. Do you play it normally? I | :15:05. | :15:10. | |
love it. Are you any good? Not bad but I haven't played for ages. He | :15:11. | :15:17. | |
keeps me busy. Who won the squash? Oh, yes, come on, Rachel. How can | :15:18. | :15:25. | |
you ensure your confidence stays up this week? I've loved T I couldn't | :15:26. | :15:29. | |
wait to get back to the ballroom. I love quickstep. I just wish we had a | :15:30. | :15:33. | |
joker card to play to have a bit longer, maybe next week. By Saturday | :15:34. | :15:37. | |
it will be awesome. Another day and a week! I can't give you that. Good | :15:38. | :15:42. | |
luck this weekend. Rachel and Paddy Ashdownia. | :15:43. | :15:44. | |
Let's head back to the training room to check up on some more of our | :15:45. | :15:50. | |
celebrities. This week we are dancing the | :15:51. | :15:57. | |
cha-cha. It's been pretty tricky. Cha-cha is a very energetic dance, | :15:58. | :16:01. | |
but there has to be a connection between two people. How am I getting | :16:02. | :16:12. | |
confused? ? What happens is sometimes I can follow it and | :16:13. | :16:16. | |
sometimes it is slightly tricky. When you are with me, it is easier. | :16:17. | :16:20. | |
I can't remember that bit. She said - do it together and it will be | :16:21. | :16:25. | |
easier. When she did, it was a bit of a Eureka. It was great fun! And | :16:26. | :16:31. | |
dancing the rumba, and Anton is throwing me about the stage a little | :16:32. | :16:35. | |
bit. It is an upbeat sort of fun, rum BA we are going to have some fun | :16:36. | :16:44. | |
with it. . We do a couple of big, crowd-pleasing manoeuvres I'm loving | :16:45. | :16:48. | |
the rumba but I'm finding it incredibly painful. I'm covered in | :16:49. | :16:52. | |
bruises. My wrist yesterday and my ankle today. There is a trick to | :16:53. | :16:56. | |
being thrown around in the rumba and that's the core strength you need. | :16:57. | :17:01. | |
That is the bit I'm stumbling with at the moment. The rumba is the most | :17:02. | :17:05. | |
dangerous dance I have done. I hope it is worth it in the end. This | :17:06. | :17:10. | |
weekend I'm doing a salsa. Very excited. I have always wanted to | :17:11. | :17:15. | |
learn it. I think Julien is going to do really well. He has a natural, | :17:16. | :17:20. | |
little, funny grove going on. Don't laugh. Things which look easy never | :17:21. | :17:26. | |
are. There is a lot of arm and twists and turns in it. | :17:27. | :17:31. | |
And we shimmy a lot. I'm going to teach Julien how to properly shimmy. | :17:32. | :17:36. | |
Salsa is a dance of lots of timing and so on. I need to focus on those | :17:37. | :17:42. | |
points and enjoy myself. This week we are dancing the | :17:43. | :17:46. | |
quickstep. At the moment it is all a bit frantic. | :17:47. | :17:52. | |
Just skipping along. It's impossible. Quickstep is probably | :17:53. | :17:56. | |
the hardest one out of all ballroom dances. Your timing has to be really | :17:57. | :18:01. | |
good. Things can go wrong in many, many places. More practice is needed | :18:02. | :18:07. | |
and crossed fingers. I literally feel a bit faint. | :18:08. | :18:12. | |
Today we had to finish rehearsal early because of the pain that | :18:13. | :18:17. | |
Natalie had in her back. It is quite nerve-wrecking. If it is serious, | :18:18. | :18:21. | |
she might not be able to continue. Poor Natalie. She has really been | :18:22. | :18:26. | |
struggling with a back injury. She has missed out on training. She is | :18:27. | :18:29. | |
going to the doctors and we will have more of an update from Natalie | :18:30. | :18:34. | |
herself on tomorrow's show. Fingers crossed she will be OK. Time for my | :18:35. | :18:41. | |
one of my favourite parts of the show, where I get a peek at the | :18:42. | :18:46. | |
costumes. Welcome back Vicky Gill. We are four weeks into the | :18:47. | :18:50. | |
competition. At this point, to make it clear, how many costumes do you | :18:51. | :18:54. | |
thou I this you have designed and made this series so far? -- do you | :18:55. | :18:59. | |
think? About 250. All on her own! No, no, no. Incredible. It is the | :19:00. | :19:04. | |
fourth year of you being head of costume. Do you ever run out of | :19:05. | :19:08. | |
idea? Or is your brain crammed with them? Ideas is not a problem. It is | :19:09. | :19:12. | |
how we get through the week and think - are we going to make the | :19:13. | :19:16. | |
live and get everything finished. The creative, that's the fun bit. It | :19:17. | :19:20. | |
flows. Let's talk about this week. Walk with me. | :19:21. | :19:24. | |
If I do this, imagine what that dress is going to look like? Who is | :19:25. | :19:29. | |
going to be wearing this? Susannah. She is doing the samba. With Kevin | :19:30. | :19:35. | |
from Grimsby. He is in tonight, by the way. | :19:36. | :19:41. | |
Moving with Indiana Jones' theme. An Indiana Jones' them to this. Very | :19:42. | :19:45. | |
excited. Is it going to have a whip? Maybe. And a hat. Talk me through | :19:46. | :19:52. | |
the design of this. We went with a chocolate brown base but to liven it | :19:53. | :19:57. | |
up we created an Aztec print all done by hand by the wonderful | :19:58. | :20:01. | |
stoning and embellishment department. I like that grand title | :20:02. | :20:05. | |
as well. I think the colours are rat great. | :20:06. | :20:12. | |
We have mat crystals - AB crystals, that's what they are called. The | :20:13. | :20:16. | |
official title. So we get lots of shine. The fringing, of course - | :20:17. | :20:20. | |
this gets cut once Susannah is wearing the dress. On Friday we will | :20:21. | :20:25. | |
do our fitting and I'm 100% sure that the skirt, the hemline will | :20:26. | :20:30. | |
come up. Hopefully we'll reveal more cover from the underskirt. And it'll | :20:31. | :20:35. | |
swish. As the weeks go on, the ladies get more confident and the | :20:36. | :20:41. | |
dresses get shorter. Look at this. This is Fiona's. It is work in | :20:42. | :20:45. | |
progress. We are going to do our fitting again tomorrow. She is doing | :20:46. | :20:50. | |
a rumba She will decide, really, how high she would like the splits to go | :20:51. | :20:55. | |
on the side. How much leg to show on the centre front. You will have to | :20:56. | :20:59. | |
watch this space to see how much is revealed. Remember it now. When you | :21:00. | :21:03. | |
see it on Saturday it might be tucked in more and up She has lovely | :21:04. | :21:08. | |
pins. Let's talk about Deborah. I loved her quickstep dress on | :21:09. | :21:11. | |
Saturday. Is she was one of my favourites. This week she is doing a | :21:12. | :21:17. | |
jive to Bucks Fizz Making Your Mind Up. I think we all know what is | :21:18. | :21:21. | |
going to happen. We are going to have the big rip-off. Fantastic. | :21:22. | :21:27. | |
What is your frock like? We'll start with a red number. The neckline and | :21:28. | :21:32. | |
silhouette will be there to make her feel comfortable. I hope when she | :21:33. | :21:38. | |
does her fitting, she will be happy. When she does the reveal, it'll up | :21:39. | :21:43. | |
to her whether she will have silver hotpants or a frilly skirt. Abbey is | :21:44. | :21:48. | |
doing a tango. We have two red dresses here. On the live it'll not | :21:49. | :21:53. | |
be so red, within the show. Abbey's dress is quite sheer with a crystal | :21:54. | :21:59. | |
underbody. Strictly Sparkle is not too far away. They will be dance g | :22:00. | :22:05. | |
to a number which was the inspiration to the beginnings. I | :22:06. | :22:12. | |
like the back Very low. Two high splits over each leg. Although it | :22:13. | :22:15. | |
looks covered at the moment I'm sure when you see it... Her lovely long | :22:16. | :22:19. | |
pins will come out. I have heard Ben, very kroe. That is he a all I | :22:20. | :22:23. | |
needed to know. That means something is coming off. -- velcro. There will | :22:24. | :22:28. | |
be a reveal of sorts. Watch this space. Mark, more the excitingly is | :22:29. | :22:34. | |
dancing to MC Hammer. We definitely have Hammer pants. Whether they are | :22:35. | :22:38. | |
gold or black we will have to wait and see. I love this show. | :22:39. | :22:42. | |
Fantastic, you are doing an amazing job. | :22:43. | :22:48. | |
Give it up for Vice Gill. We -- Vice Gill. We know some of our | :22:49. | :22:55. | |
celebrities are working hard but do they know what they are doing? This | :22:56. | :22:58. | |
week we will be dancing the Choo cha. It is good fun, a fun routine. | :22:59. | :23:03. | |
-- cha-cha. I was made for cha-cha. You were made for dancing. I'm | :23:04. | :23:07. | |
struggling getting the timing of steps. | :23:08. | :23:13. | |
He has really connected to this dance. We are just having a great | :23:14. | :23:17. | |
time learning it. That's what you want to see. That'sm not very fast, | :23:18. | :23:21. | |
is it? Although it is really complicated. I'm enjoying it. I | :23:22. | :23:25. | |
wouldn't describe it as a straight cha-cha. Yvette at that has put a | :23:26. | :23:32. | |
couple of other bits in that hopefully the audience will really | :23:33. | :23:35. | |
enjoy. We are dancing the samba. | :23:36. | :23:43. | |
This is in your face, party, Latin, shake everything you have got kind | :23:44. | :23:48. | |
of dance. Oh, I can't do that I'm terrified by the samba. Silly. There | :23:49. | :23:54. | |
is a lot of rotating of the hips. At times it can be close and intimate. | :23:55. | :24:00. | |
At other times you are on your own. There is nothing about it that | :24:01. | :24:04. | |
doesn't frighten the life out of me. It is notoriously difficult. We have | :24:05. | :24:08. | |
a lot of work to do. Snooft it stresses me out slight. I'm not sure | :24:09. | :24:16. | |
I can pull it off. Karen and I will be dancing the waltz. Sometimes it | :24:17. | :24:21. | |
is a cacophony of confusion. Look at me, don't look at me. I never told | :24:22. | :24:26. | |
you to look away. We have to work on our technique and posture. You are | :24:27. | :24:29. | |
driving like a madman. I do not want to be a passenger. She has got cross | :24:30. | :24:33. | |
with me a few times but justified. She cares. The waltz has to be | :24:34. | :24:39. | |
accurate. She relies on me having a nice frame. A nice frame, where is | :24:40. | :24:44. | |
your frame? Where you are your frame? I'm making sure he has | :24:45. | :24:48. | |
everything from his finger nails to his toes, everything has to be | :24:49. | :24:49. | |
perfect. Dave and Karen.p | :24:50. | :25:03. | |
We love it, we love it. I love it so much. A beautiful whistle you are | :25:04. | :25:07. | |
wearing. I think the waltz. I'm trying to improve my posture and | :25:08. | :25:11. | |
live this dance. I feel a suit is quite appropriate for tonight. Very. | :25:12. | :25:17. | |
Look, I'm sitting up straight. We are all being good. Let's talk about | :25:18. | :25:21. | |
the paso doble. Everybody loved it on Saturday night. How did you enjoy | :25:22. | :25:25. | |
it? We loved it, didn't we? It was brilliant. We did it with passion. | :25:26. | :25:29. | |
Tried to give it everything we could. We got those messages from | :25:30. | :25:33. | |
Meatloaf as well in the morning. That was the best, you know. What | :25:34. | :25:37. | |
did he say? Well, he wished us luck. I tweeted back, "If I can do the | :25:38. | :25:41. | |
dance with 10% of the passion you have, I have it made." He said, | :25:42. | :25:48. | |
"Dave, (he said) well, he didn't say Dave, he didn't know my name. He | :25:49. | :25:53. | |
said - get into character forget you you are ""I did. I imagined I was a | :25:54. | :26:00. | |
rhinoceros that was transfused with Steven Siegal's blood and went out | :26:01. | :26:05. | |
there like an endangered species. I'm still catching up with that. It | :26:06. | :26:09. | |
worked. Glorious. Before you went on to do the dance, Karen, we picked up | :26:10. | :26:14. | |
on your microphone, obviously everyone is listening to you 24/7. | :26:15. | :26:20. | |
You said, "This is going to be epic." It was. The audience and | :26:21. | :26:23. | |
everyone at home loved T you go to the judges and they are critical. | :26:24. | :26:27. | |
How confusing is that? Well, we are not confused. The judges - I love | :26:28. | :26:31. | |
the judges but they are a bit confusing sometimes. I mean | :26:32. | :26:35. | |
everybody loved it. I mean this one, he was out there for blood. He was. | :26:36. | :26:44. | |
That face again. He was scared half of the time. All of a sudden I | :26:45. | :26:49. | |
thought I was doing faces as well. I was attacking him as well. Help me? | :26:50. | :26:55. | |
We were violent to each other. I feel like I'm at the zoo. It's | :26:56. | :27:01. | |
brilliant. A mat adore, you are trying to kill a bull. ! Well, Len | :27:02. | :27:07. | |
said watching it. He said it was like being waxed. Seems cruel. | :27:08. | :27:12. | |
Smooth. When you have worked so hard, does it hurt to get comments | :27:13. | :27:17. | |
like that? Were you disappointed? I was gutted, not disappointed. On the | :27:18. | :27:21. | |
other hand, it was the ovation that we got from the audience. They said | :27:22. | :27:25. | |
on the show it was one of the biggest standing ovations e they had | :27:26. | :27:31. | |
had on Strictly. -- ovations they'd had. We were ten feet high. Nobody | :27:32. | :27:35. | |
is going to take us down. You have to look at Bruno watching you. | :27:36. | :27:39. | |
He looks like he is in some sort of pain. Have a look. I think he | :27:40. | :27:44. | |
swallowed a fly there. I love Darcey's face as well. Suddenly, off | :27:45. | :27:50. | |
he goes. But, Craig, look how seriously Craig is taking the whole | :27:51. | :27:54. | |
thing. What is he like? Anyway, the great thing s we come back to Len | :27:55. | :27:59. | |
and he says People's Champ Yorks, positive, hooray. -- people's | :28:00. | :28:07. | |
champion. He has said some brilliant things. The American smooth. He said | :28:08. | :28:11. | |
it was like a budget airline, we are bumpy in the air but we get there in | :28:12. | :28:19. | |
the end. A change of pays from paso to waltz. -- pace. | :28:20. | :28:25. | |
You are getting there. This is your paso face. It has to turn into a | :28:26. | :28:32. | |
happy face. Paso face, happy face. Paso face, happy face. Paso face, | :28:33. | :28:36. | |
happy, waltzy face. Good. | :28:37. | :28:44. | |
LAUGHS I love it. Happy waltzy face is so | :28:45. | :28:50. | |
good. Happy face. You are dancing to the Eagles, which we can hear. | :28:51. | :28:56. | |
How is it going to be for you on Saturday, Dave? Is it going to be a | :28:57. | :29:01. | |
good one for you? Do you feel it? I do. We have kind of cracked it. I'm | :29:02. | :29:05. | |
walking upright for the first time in 35 years. She has made know ander | :29:06. | :29:13. | |
tal man stand up. -- made knee ander tal man stand up. It is a work in | :29:14. | :29:18. | |
progress. Every day he is progressing. Small steps make big | :29:19. | :29:22. | |
victories. How will you make the judges say more positive things? Do | :29:23. | :29:28. | |
you think this week will be it? I think we can turn the judges around | :29:29. | :29:34. | |
this week. He has got - we have been workings. We are out of time I'm so | :29:35. | :29:38. | |
sorry. We have been working really hard. | :29:39. | :29:42. | |
Good luck, Dave and Karen. It gets to you after a while, this show. | :29:43. | :29:47. | |
Join me tomorrow here at 6.30pm. Ashley and hola and Deborah and | :29:48. | :29:51. | |
Robin. And we'll catch up with Artem. Plus a Friday Panel which | :29:52. | :29:58. | |
features Jenny Faulkner, Tom Fletcher from McFly and Christopher | :29:59. | :30:00. | |
Biggins. | :30:01. | :30:02. |