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Hello and welcome to Tuesday's It Takes Two. Tonight, she nearly faced | :00:07. | :00:13. | |
the final countdown but stole the show in the dance-off, Rachel and | :00:14. | :00:19. | |
Pasha are here. He came out all guns blazing with a spicy salsa, it's Ben | :00:20. | :00:24. | |
and Kristina. She's back with a mission, to make a dance dream come | :00:25. | :00:29. | |
true, it's the gorgeous Natalie Lowe. And keeping the choreography | :00:30. | :00:34. | |
corner shop open while Karen is away, it's Vincent and Flavia. Oh! | :00:35. | :00:44. | |
Old friends. This is Strictly: It Takes Two. | :00:45. | :01:24. | |
From London, this is Strictly: It Takes Two. Please welcome your host, | :01:25. | :01:36. | |
Zoe Ball. Hello and welcome to It Takes Two, | :01:37. | :01:39. | |
another Saturday gone and it's onwards and hopefully upwards as our | :01:40. | :01:43. | |
couples prepare for their next dance, hoping for a reversal in | :01:44. | :01:47. | |
fortune after finding themselves in the bottom two for the first time | :01:48. | :01:51. | |
are Rachel and Pasha. Here's a reminder of what happened. | :01:52. | :01:56. | |
Rachel, you tricky girl. You just about got away with it. You started | :01:57. | :02:03. | |
off terrific. I thought this is going to be your best dance. As it | :02:04. | :02:09. | |
went on you lost posture a bit. Work on the control. Control and | :02:10. | :02:14. | |
strength. That was hard and you did a very good job, strengthen that | :02:15. | :02:18. | |
core and everything will have much more improvement. We got through | :02:19. | :02:28. | |
learning steps before we got time to polish. That's the nature of | :02:29. | :02:31. | |
Strictly. You get a few days and you are out there in front of millions. | :02:32. | :02:37. | |
We will find out which of you will be back to dance next week. Rachel | :02:38. | :02:44. | |
and Pasha. Rachel and Pasha. Rachel and Pasha. Please welcome Rachel and | :02:45. | :02:54. | |
Pasha. We're back! Thank goodness for that. You made it through after | :02:55. | :02:59. | |
the bottom two shocker. Were you as shocked as we were watching at home? | :03:00. | :03:03. | |
I saw my Strictly life flash before my eyes, I thought we were going | :03:04. | :03:08. | |
home. She was like, I don't want to go home. You have to go home tonight | :03:09. | :03:12. | |
anyway! You don't want to go home, home. We are laughing at your | :03:13. | :03:16. | |
serious face waiting for the results. I can be serious sometimes. | :03:17. | :03:20. | |
It's a serious business. It's horrible. We can see how emotional | :03:21. | :03:26. | |
you were, first after the dance-off and then getting the vote to go | :03:27. | :03:30. | |
through. How much did it mean to stay in the competition? I wasn't | :03:31. | :03:35. | |
expecting it. I know what we have coming up, there's so many more | :03:36. | :03:39. | |
dances I want to do and I felt like I let him down because I did a bad | :03:40. | :03:44. | |
performance on the night and I was gutted. I am loving it so much, it's | :03:45. | :03:47. | |
taking over everything. I have fallen in love with it, I have the | :03:48. | :03:51. | |
bug and couldn't imagine going home so soon. You didn't want it to be | :03:52. | :03:55. | |
over yet. What happened, why do you think you were in the bottom two? | :03:56. | :03:59. | |
Well, I guess there are a lot of reasons. Starting with me doing | :04:00. | :04:05. | |
choreography, making it very, very difficult. You see he's admitted it, | :04:06. | :04:10. | |
difficult choreography. You obviously think Rachel is capable of | :04:11. | :04:15. | |
dancing that. It's all about... I could do it, it was a bit hit and | :04:16. | :04:20. | |
miss. It's about the limit every week. If you dance something simple, | :04:21. | :04:25. | |
it's good. There is no challenge. She's capable of pulling it off. I | :04:26. | :04:30. | |
absolutely loved it. It was beautiful to watch. We loved the | :04:31. | :04:35. | |
outfits, we loved you doing a bit of acting, being Bonnie and Clyde? I | :04:36. | :04:44. | |
loved the choreography, we were bank robbers, being sneaky and dancing | :04:45. | :04:49. | |
and twirling. Good acting. Then acting out a little bit in training, | :04:50. | :04:54. | |
as well. Look at this. What did you do now? I have no idea. | :04:55. | :05:01. | |
That's an original approach to the quick-step. I have been practising | :05:02. | :05:11. | |
that one. I like that you have every time with every dance your own | :05:12. | :05:19. | |
version going. Something for me to look at. | :05:20. | :05:29. | |
I want to get that in somewhere. Pasha taught me that. That's what we | :05:30. | :05:38. | |
have been doing in training. We should put that into the routine. | :05:39. | :05:43. | |
Dave already took it. Dave used that move. It's all right. Will you take | :05:44. | :05:50. | |
any of Rachel's moves into your choreography? The paso. Does it have | :05:51. | :05:58. | |
a name? We will give it one. The Dave. So you are doing the paso this | :05:59. | :06:03. | |
week, how is it going in the training? I love it. It's just my | :06:04. | :06:08. | |
favourite dance to watch on Strictly. I adore it and we have a | :06:09. | :06:16. | |
man-eater. I am the man. OK. There are elements of anger and aggression | :06:17. | :06:20. | |
in this fiery dance. Is there anything from the weekend you can | :06:21. | :06:24. | |
use in that dance? Yeah, it was quite traumatic for me, I have to | :06:25. | :06:28. | |
say, and I needed a good liedown in a dark room and we went strain -- | :06:29. | :06:32. | |
training the next day and I did bring that and focus and try and get | :06:33. | :06:36. | |
the character in and get everything together. I think it's working. Good | :06:37. | :06:52. | |
luck this week. Rachel and Pasha! So with cars, canes, costume reveals | :06:53. | :06:57. | |
and a bottom slap the weekend's choreography could not have been | :06:58. | :07:01. | |
more packed. With Karen away we thought we would need twice the | :07:02. | :07:07. | |
help. How we have missed those faces! | :07:08. | :07:10. | |
Please welcome back Vincent and Flavia! Can I just say it is so good | :07:11. | :07:18. | |
to see you back. We have missed you so much. Are you missing us? Of | :07:19. | :07:22. | |
course we are. Absolutely. It's impossible not to. I am missing | :07:23. | :07:28. | |
myself so much Can't bear it. He has been looking at himself on camera, | :07:29. | :07:32. | |
going I look so good. How can that be possible? What do you think of | :07:33. | :07:35. | |
the line-up of celebrities? Really good. Every year they're getting | :07:36. | :07:41. | |
better. The girls are up there. Yeah. I am planning to come back | :07:42. | :07:45. | |
next year as a celebrity. Flavia can be my partner. The level is there, | :07:46. | :07:52. | |
you know. Let's talk about the saved couple. Rachel and Pasha and the | :07:53. | :07:57. | |
quick-step. Len and Bruno said the performance had plenty of content | :07:58. | :08:00. | |
but lacked quality. What steps did you notice? Absolutely. It was a | :08:01. | :08:08. | |
routine I would say was hoppety-skippety. One side that we | :08:09. | :08:12. | |
have. There wasn't a lot of swing action. When it's a complicated | :08:13. | :08:15. | |
routine you are going to lose a little bit of quality of the | :08:16. | :08:20. | |
posture. And the footwork and things like that. That's really what | :08:21. | :08:23. | |
happened. It was a very tricky routine. She did well to keep up but | :08:24. | :08:27. | |
you are going to lose on posture and things like that, I think that's | :08:28. | :08:34. | |
what happened. I agree. Just saying, hashtag! Natalie and Artem. They | :08:35. | :08:48. | |
loved t fusion. She's amazing. She could be the best celebrity we ever | :08:49. | :08:55. | |
had on Strictly. In a way Artem has a hard job, he can do almost | :08:56. | :08:59. | |
anything with her. Brilliant. I am happy that you are here, Vincent. | :09:00. | :09:06. | |
Brilliant. Fiona and Anton and the rumba. She struggled with balance | :09:07. | :09:10. | |
and fluidity here. What did you think? We all know now that the | :09:11. | :09:15. | |
slower dances are the hardest. The rumba for the ladies is very | :09:16. | :09:18. | |
difficult. I like the way she was straightening her legs on every step | :09:19. | :09:21. | |
which is a difficult thing for girls to do. She has a natural ability to | :09:22. | :09:27. | |
do that. To get that stability on her feet she needs to use the floor | :09:28. | :09:30. | |
more. We have to glide our feet and keep toes in contact with the floor | :09:31. | :09:33. | |
all the time. What was happening she was stepping and picking the foot | :09:34. | :09:36. | |
off the floor like you would normally when you walk. That makes | :09:37. | :09:42. | |
it slightly an uneven flow to it. She needs to make sure she knows the | :09:43. | :09:47. | |
ground is going to be her best friend and ruse it with -- use it | :09:48. | :09:52. | |
with her feet. OK, enough now! Ask me something. Is the - it is the | :09:53. | :09:58. | |
dance of love, Vincent, which is up your street. Let's remember how well | :09:59. | :10:04. | |
you did with Rachel. Let's not! Why is this a special dance? Because I | :10:05. | :10:08. | |
usually get involved when it comes to the rumba situation. I have to | :10:09. | :10:14. | |
say with them I didn't really feel the love. Everything was too fast | :10:15. | :10:19. | |
and the rumba is a beautiful dance when it's really slow so you can see | :10:20. | :10:25. | |
the details. I love that. I love that. With that fine Italian face. | :10:26. | :10:35. | |
Let's talk about Ashley and Ola. How do you think he could have given | :10:36. | :10:40. | |
this waltz more? It looked beautiful, he looks great. It was | :10:41. | :10:44. | |
fluid and elegant. The problem he has, which is actually quite a good | :10:45. | :10:50. | |
problem is he is back-weighted, so to get that drive you need to see in | :10:51. | :10:56. | |
most ballroom dances, you need to drive and move more. It needs to | :10:57. | :11:00. | |
come from the hips. Can you demonstrate for us? It's exciting! | :11:01. | :11:07. | |
Let's do it together. You will feel left out. Warming up! You will | :11:08. | :11:12. | |
complain otherwise. We dance with our knees flexed which gives us a | :11:13. | :11:16. | |
small base. The knees come together which allow us to work our tops away | :11:17. | :11:22. | |
from each other which gives a beautiful topline. Most guys tend to | :11:23. | :11:26. | |
be forward-weighted and have hips back. What happens is your hips, you | :11:27. | :11:30. | |
can see they're restricted. You can't get basically this leg swing | :11:31. | :11:37. | |
which is what we want. In Ashley's case he is back-weighted. Even | :11:38. | :11:41. | |
though that's good because it's creating this big topline... And | :11:42. | :11:48. | |
also is having a lovely moment. It's restricting his hip flex. That's | :11:49. | :11:53. | |
what I would have liked to have seen more power, more movement. But | :11:54. | :11:57. | |
that's to be so that the hips are neutral so that you can really swing | :11:58. | :12:06. | |
the leg. It all makes perfect sense. I love it. I enjoyed that so much. | :12:07. | :12:10. | |
Will you come back for a second helping? I will, not sure about | :12:11. | :12:16. | |
Flavia. APPLAUSE AND CHEERING | :12:17. | :12:19. | |
How we missed them. On Saturday Ben proved he could more than handle the | :12:20. | :12:23. | |
salsa and drove the judges crazy scoring his highest marks yet. He | :12:24. | :12:28. | |
will be here in a moment with Kristina. In case you missed it here | :12:29. | :12:35. | |
is a quick recap. Dirty, oiled mechanic. It's ticking every box. | :12:36. | :12:50. | |
You are having fun, I love it! Surprisingly smooth for such a big | :12:51. | :12:58. | |
Brucer. -- bruiser. You have the guns and now you have the | :12:59. | :13:07. | |
ammunition, that was terrific. Yeah, not one, not two, three 8s! I think | :13:08. | :13:17. | |
it's safe to say Kristina is quite excited. From now on he will be | :13:18. | :13:24. | |
known as snake-hips Cohen. Never going to live that down. You were | :13:25. | :13:30. | |
brilliant at ballroom, then you do a brilliant rumba and salsa. You are | :13:31. | :13:35. | |
like Latin lover. How pleased were you with Saturday? It was hard work | :13:36. | :13:39. | |
last week. It was great. I enjoyed it. It was fantastic. I felt more at | :13:40. | :13:44. | |
home chucking someone around, poor Kristina. I have bruises everywhere. | :13:45. | :13:49. | |
Were you in fear of your life, because some moves were incredible. | :13:50. | :13:53. | |
He whipped you around and your teeth were that far from the floor. I am a | :13:54. | :13:59. | |
bit out there person, you know, and I realised he can handle all those | :14:00. | :14:03. | |
tricks. He didn't drop me once in rehearsals. We did them over and | :14:04. | :14:07. | |
over again. He was amazing with that. Well done. Thank you. Did you | :14:08. | :14:15. | |
imagine she was a rugby ball? I thought it's easier to catch. This | :14:16. | :14:18. | |
is true. You didn't even drop her once, impressive. Obviously to go | :14:19. | :14:23. | |
from 28 the week before up to 31, you must have both been pleased? | :14:24. | :14:27. | |
Yes, very pleased and I am so proud of him. He worked so very hard. I am | :14:28. | :14:34. | |
quite tough on him. He is amazing. We have noticed that! Would never | :14:35. | :14:44. | |
have noticed that. D'Arcy got a juicy smackeroo, are you going to | :14:45. | :14:47. | |
work your way through the judges and the audience? No one's going to | :14:48. | :14:51. | |
complain. It's completely spontaneous. I have to say that I | :14:52. | :14:55. | |
probably won't do any more. People might think it's a dirty trick or | :14:56. | :14:58. | |
something, but it's not. It's nice to get good comments after a hard | :14:59. | :15:03. | |
week's training. We work so hard and put in nine hours a day. To get it | :15:04. | :15:09. | |
right on the night is different pressure completely. It was great to | :15:10. | :15:14. | |
get three 8s and a 7. Really good scores. Bruno's obviously devastated | :15:15. | :15:19. | |
now he might not get a kiss. He will never get a kiss. The thing is | :15:20. | :15:24. | |
obviously your good looks can be distracting for some people. The | :15:25. | :15:29. | |
team have decided maybe you could do training in this so that we can | :15:30. | :15:36. | |
concentrate on your dancing. There's no escape. Do I have to put this on? | :15:37. | :15:42. | |
Put it on and now imagine him dancing. Isn't he handsome! This | :15:43. | :15:49. | |
weekend it's the quick-step for you. It takes a lot of stamina. You are a | :15:50. | :15:53. | |
sportsman, surely this could be a good dance for Ben. I think it's | :15:54. | :16:00. | |
going to be his dance. He picked it up really quickly on Monday. In | :16:01. | :16:05. | |
rugby you did a lot of warm-ups and quick footwork so he was excited to | :16:06. | :16:09. | |
learn. There's no lifts. How can you still go out there and wow? It's all | :16:10. | :16:16. | |
about progressing. It's a race against yourself in this | :16:17. | :16:18. | |
competition. You have to show people you are improving, you are working | :16:19. | :16:23. | |
hard. As long as he does that and dances better than before we are | :16:24. | :16:29. | |
good. She's pleased with you. She's working me hard. I am proud of him. | :16:30. | :16:34. | |
I want to do the quick-step right and get it right and posture and | :16:35. | :16:39. | |
frame are my next big work-ones. Just try and get that right. | :16:40. | :16:43. | |
Whatever it is you are doing, you are doing it right. Keep going. | :16:44. | :16:47. | |
Don't forget the bucket. Ben and Kristina! | :16:48. | :16:52. | |
We are four weeks into the competition and our celebrities are | :16:53. | :17:03. | |
falling in love with dance. From day one I fell in love with the show. | :17:04. | :17:06. | |
It's given me a new perspective on dancing and I am loving it. You | :17:07. | :17:10. | |
become immersed in the world of Strictly. You have to embrace it | :17:11. | :17:18. | |
all. Strictly is definitely - it's given me a love for dance. You can't | :17:19. | :17:22. | |
describe the feeling. It's like being invited to the best party in | :17:23. | :17:26. | |
the world. One day you can't do anything and a couple of days later | :17:27. | :17:30. | |
you can do a dance. It's a rush and I love it. When you are out there | :17:31. | :17:34. | |
doing it everything else falls away and it's so addictive. That's what | :17:35. | :17:39. | |
you are chasing, that feeling. People are saying I put a smile on | :17:40. | :17:43. | |
their face and it makes you feel great. I am enjoying the learning | :17:44. | :17:47. | |
and being part of the Strictly family. I don't want to even imagine | :17:48. | :17:53. | |
having to walk away. Oh, gosh, I love dancing in the arena, as it | :17:54. | :18:00. | |
were. It's learning to dance properly with somebody who knows | :18:01. | :18:02. | |
exactly what they're doing. You don't get moments like that often | :18:03. | :18:06. | |
and we are given the opportunity and it is like magic. It's amazing. | :18:07. | :18:14. | |
Oh! Millions of people, including me, were heartbroken when an injury | :18:15. | :18:18. | |
meant our next guest couldn't take part in Strictly this year. But | :18:19. | :18:24. | |
there was no point in her laying low, we love her too much, please | :18:25. | :18:30. | |
welcome back Natalie Lowe! Hello, darling. I missed you. We have been | :18:31. | :18:34. | |
missing you. It feels weird. We are thrilled to have you here. First of | :18:35. | :18:37. | |
all, most importantly, how is your foot? It's good. It's getting | :18:38. | :18:41. | |
better. I had a second MRI last week and they said about three weeks' | :18:42. | :18:46. | |
time... Two or three weeks you can be dancing? Back in group | :18:47. | :18:51. | |
rehearsals. Yeah! I can in the wait. Go easy, don't do anything daft. We | :18:52. | :18:56. | |
have set you a little mission. What can you tell us? I have been | :18:57. | :19:02. | |
assigned by the team to teach a lovely couple the ultimate wedding | :19:03. | :19:08. | |
dance. I love this! It's cool. I was like, when I heard about it, I was | :19:09. | :19:12. | |
like yes, I can't be part of the show, obviously. To be doing | :19:13. | :19:17. | |
something behind the scenes with It Takes Two is amazing. Let's meet the | :19:18. | :19:23. | |
lucky bride and groom, Melanie and Gordon. I am Gordon. This is my | :19:24. | :19:29. | |
fiancee, Melanie. I am a massive Strictly fan. When I met Melanie I | :19:30. | :19:34. | |
realised the fandom went to another level. I have to go to sleep every | :19:35. | :19:39. | |
night with a picture of my fiancee with her arm around Anton Du Beke | :19:40. | :19:48. | |
above my head. Night, Anton. We are getting married on Friday 13th | :19:49. | :19:50. | |
December, we didn't want a Saturday because I knew it would be the | :19:51. | :19:54. | |
semifinals of the Strictly show. Dancing is not really my forte. The | :19:55. | :19:59. | |
guys I work with think I am going to embarrass myself on national | :20:00. | :20:03. | |
television. I am petrified by the thing in all honestly. For me it | :20:04. | :20:07. | |
makes the wedding and I can't believe it's happening, to be on | :20:08. | :20:10. | |
that dancefloor and do something like they do on the TV. I can't | :20:11. | :20:19. | |
believe this is happening. Oh! Aren't they lovely. Two things that | :20:20. | :20:24. | |
strike me, slightly concerned about the Anton picture above the bed, and | :20:25. | :20:30. | |
the fact she won't get married on ap Saturday but will get married on | :20:31. | :20:34. | |
Friday 13th. They're dedicated. They're so lovely. They don't have | :20:35. | :20:40. | |
any dance experience. Is that of concern to you? I am used to working | :20:41. | :20:44. | |
with a blank canvas but normally I am in control, this is more scary. | :20:45. | :20:49. | |
Neither of them know what they're doing! Normally I can lead it in a | :20:50. | :20:55. | |
way. But I just pray it's going to be OK. Last week you met up to have | :20:56. | :20:58. | |
your first little dance session with them. Let's see how they got on. I | :20:59. | :21:04. | |
can't believe we are actually doing this, it's mad. I am not going to be | :21:05. | :21:13. | |
easy on them but we want it to be fun. I hope it's the ultimate | :21:14. | :21:16. | |
wedding dance and their guests remember it forever. Wish me luck. | :21:17. | :21:27. | |
Hello! I am Mel. Lovely to meet you. I feel like I know you already. | :21:28. | :21:34. | |
Hello, Gordon. Are you up for it? You have your work cut out. I have | :21:35. | :21:38. | |
heard! Shall we get started? Let's do it. Let's go. One, two, three and | :21:39. | :21:47. | |
back. Two, three. Look up. It's a surreal experience to have Natalie | :21:48. | :21:51. | |
teaching us how to dance. She started off with a waltz which we | :21:52. | :21:54. | |
were having difficulty practising at home. You need to feel like you are | :21:55. | :21:58. | |
sitting on the toilet, truly that's the feeling. That's my level, you | :21:59. | :22:04. | |
found it. Sorry. There we go, the first toe. It's strange watching | :22:05. | :22:09. | |
Natalie dance with him but I am loving it. I don't mind. The waltz | :22:10. | :22:20. | |
definitely suits them. Look at them. Salsa is easy. Just think one, two, | :22:21. | :22:27. | |
three. You did it in the waltz, which is really good. I can't put | :22:28. | :22:35. | |
into words how surprised I am that he is a secret salsa dancer. More | :22:36. | :22:43. | |
hip action. That's it. Gordon's got really good hip action. Look at each | :22:44. | :22:49. | |
other. There's a little salsa man there ready to get out. It's | :22:50. | :22:54. | |
amazing. There might be salsa in our first dance which I can't believe I | :22:55. | :23:01. | |
am saying, but it's true. Sorry. That was impressive how well he has | :23:02. | :23:05. | |
done and now I am worried he will show me up on the day. I might be | :23:06. | :23:15. | |
the better one! Get you, Gordon! He is a little mover. What dance are | :23:16. | :23:18. | |
they going to do as a wedding dance, is it a waltz or salsa or a fusion? | :23:19. | :23:26. | |
I would like to do a fusion. I wanted to see what they were good at | :23:27. | :23:32. | |
first before we put music. To do a dance to that is limiting, but to | :23:33. | :23:35. | |
see what they're good at and research music around that and | :23:36. | :23:38. | |
hopefully they're happy with what we come up with. Have you left them | :23:39. | :23:44. | |
homework to practise? Dance as much around the kitchen as possible and | :23:45. | :23:48. | |
doing those salsa hips and relax into it and I am sure Mel will crack | :23:49. | :23:53. | |
the whip. She is a superfan. They're so lovely. It's daunting to have It | :23:54. | :23:57. | |
Takes Two there on your wedding day. And now the pressure because | :23:58. | :24:02. | |
everyone will be waiting. It's going to be amazing and you will give us | :24:03. | :24:07. | |
regular updates. Yes. It's lovely to have you back. Good luck with the | :24:08. | :24:14. | |
foot. Natalie everybody! Time to revisit the weekend's performances | :24:15. | :24:17. | |
with the second round of Choreography Corner. | :24:18. | :24:30. | |
Will you welcome back Vincent and Flavia! | :24:31. | :24:38. | |
Let's talk about the rest of our couples, Deborah and Robin and their | :24:39. | :24:45. | |
jive. Len did say the technique wasn't quite there. What would you | :24:46. | :24:48. | |
have liked to have seen more of? First of all, I have to say she's so | :24:49. | :24:55. | |
adorable. She's giving it her all. She's stepping forward with her | :24:56. | :24:59. | |
heels constantly. The weight is too much on the back. And jive you have | :25:00. | :25:04. | |
to do that, or she's not going to gain speed. Do you mind if I show | :25:05. | :25:09. | |
you? Show us. Do we mind?! Of course not. Do you want my Rear of the | :25:10. | :25:16. | |
Year? The front. The kicks, if I stay on balls of the feet it would | :25:17. | :25:23. | |
be easier to bounce. Look at that. The jacket is off, off he goes! On | :25:24. | :25:29. | |
the balls of the feet. Simple, simple. Ben and Kristina and their | :25:30. | :25:36. | |
salsa. Flavia, you scored 38 with Louis last year. Remember that | :25:37. | :25:44. | |
everybody. Whatever! He's just jealous. How were Ben's hips? It was | :25:45. | :25:50. | |
good. To be honest, with somebody of his shape it's so difficult to get a | :25:51. | :25:55. | |
fluid hip movement. I would have liked to have seen more hip action. | :25:56. | :25:59. | |
But I could see that he was trying. There was a little bit of movement. | :26:00. | :26:02. | |
The more he does the Latin dances, the more that will naturally become | :26:03. | :26:08. | |
easier to him. It's not easy when you are so... So solid. How did he | :26:09. | :26:15. | |
handle the lifts, incredible work. Very strong. He could lift you, I | :26:16. | :26:19. | |
think. And you, as well. I looked and thought, my goodness, I wish I | :26:20. | :26:23. | |
looked at least half as good he looks. Actually, I do. I am half of | :26:24. | :26:32. | |
him. I think the lifts were amazing. Spectacular. I wish I saw was a bit | :26:33. | :26:39. | |
more down and dirty into the steps. More salsa steps. But the lifts | :26:40. | :26:52. | |
amazing. Abbey and The tango. They're well matched. She has heel | :26:53. | :26:57. | |
leads. In the tango we do pick up and place the feet. In the rumba we | :26:58. | :27:03. | |
need the toes in contact with the floor. In tango, we do a peeling | :27:04. | :27:08. | |
action so we pick up the foot and place it and that gives you the | :27:09. | :27:12. | |
action. She was doing exactly that. It looked powerful. She kept her | :27:13. | :27:17. | |
knees flexed throughout so that you maintain one height. You don't want | :27:18. | :27:21. | |
to go up and down. You need to keep a flat level with your partner. She | :27:22. | :27:26. | |
had all those basic techniques in place. You end up with a great | :27:27. | :27:32. | |
routine. They are quite formidable these two. She looks amazing, I will | :27:33. | :27:38. | |
give her 10 because the way she looks. Susanna and Kevin and the | :27:39. | :27:45. | |
samba. Craig said it lost a bit of impact. Bruno said she tended to | :27:46. | :27:48. | |
lose the finish. How could she ensure it had more impact? I think | :27:49. | :27:53. | |
she did an amazing job. I was impressed. The samba I think is the | :27:54. | :27:57. | |
hardest of the dances. It's a tick action which is a forward and | :27:58. | :28:01. | |
backward action of the pelvis. Rather than the typical figure of | :28:02. | :28:04. | |
eight we are talking about, this has a forward and backward action. You | :28:05. | :28:09. | |
have that going on in the body, the foot pressure of the feet like the | :28:10. | :28:14. | |
rumba and then you have to have a strong arm action. So much. Lots of | :28:15. | :28:20. | |
multitasking going on. Overall she coped with it really well. She needs | :28:21. | :28:25. | |
to work on the foot control because that will give you the strength to | :28:26. | :28:30. | |
use your arms in a much stronger way which is what really they want. OK, | :28:31. | :28:37. | |
enough. I loved that. That's it. That's all we have time for. Is that | :28:38. | :28:43. | |
it? We only just got started. There is a cue for a song. We will do it | :28:44. | :28:47. | |
after. Thank you so much. Brilliant seeing you back. Vincent and Flavia! | :28:48. | :28:54. | |
That's it for today. A big thank you to all my guests. Tomorrow I am | :28:55. | :29:00. | |
joined by Deborah and Robin and Mark and Iveta and Ian Waite will be | :29:01. | :29:05. | |
back. | :29:06. | :29:07. |