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Hello and welcome to It Takes Two. It's Monday! Another great weekend | :00:08. | :00:13. | |
of dance to discuss. Tissues at the ready, everybody. Time for them to | :00:14. | :00:18. | |
go. Julian and Janette are here to say their goodbyes. | :00:19. | :00:22. | |
They waltzed their way to the highest score yet, it's Dave and | :00:23. | :00:26. | |
Karen. And Saturday's even niece waltz proved to be an angel delight | :00:27. | :00:32. | |
for Ashley and Ola. Her here! This is strictly It Takes Two, let's have | :00:33. | :00:39. | |
fun! -- they are here! | :00:40. | :01:15. | |
Live from London, this is strictly It Takes Two. Please welcome your | :01:16. | :01:28. | |
host, Zoe Ball. Hello and welcome to It Takes Two. | :01:29. | :01:32. | |
Nice weekend? ! Buzzy show with three couples opt sofa. No Craig, | :01:33. | :01:37. | |
bless him, of course! He's taking time off for his hip operation. You | :01:38. | :01:41. | |
could pretend you care! Get well soon, Craig, see you back here next | :01:42. | :01:46. | |
week. Another action-packed weekend full of waltzing, wafting and wigs. | :01:47. | :01:51. | |
In case you missed any of it, here are the Strictly headlines: | :01:52. | :01:56. | |
Good evening. Thank you! Here is the news. After a | :01:57. | :02:01. | |
difficult week, disrupted by injury, Natalie bounced back with a | :02:02. | :02:06. | |
performance that saw her quickstep to joint first in the leaderboard. | :02:07. | :02:11. | |
Flash! Can't believe you delivered a dance of this standard in such a | :02:12. | :02:15. | |
short time. I loved the fusion of quickstep and | :02:16. | :02:20. | |
jazz. I thought that was done immaculately well. There is no | :02:21. | :02:25. | |
stopping you darling. Stunning. Thank you. | :02:26. | :02:34. | |
Another standing ovation for Mark and Iveta bringing a bit of street | :02:35. | :02:44. | |
dance to Strictly. I can't believe the audience, I have | :02:45. | :02:51. | |
to say. I mean, it was all very flat-footed and stompy. | :02:52. | :02:54. | |
The cha-cha-cha that you actually did was danced, I'm afraid, very | :02:55. | :03:01. | |
badly. Boo hiss. From hip-hop to hip-on, | :03:02. | :03:11. | |
Rachel's dig came out about his hip-op, much to Bruno's delight. | :03:12. | :03:16. | |
Won't Y jigging tomorrow when they take your hip off! | :03:17. | :03:19. | |
CHEERING AND APPLAUSE Tonioli, we love ya. It seems Artem | :03:20. | :03:35. | |
did catch Kevin's impression of him on last week's It Takes Two and he's | :03:36. | :03:39. | |
not very happy. Artem, leave him, it was a joke. It | :03:40. | :03:46. | |
was just a joke. I'm sorry. Look, say you're sorry. Don't smile now | :03:47. | :03:51. | |
the camera's on, you were aggressive a second ago. . Leave him alone, | :03:52. | :03:55. | |
he's smaller than you. Are you OK, Kevin? I'll be OK. I'm just a little | :03:56. | :04:02. | |
bit... No, no, leave him. See, look, the camera comes on, he's all nice | :04:03. | :04:05. | |
again. Really in real life, he's the | :04:06. | :04:10. | |
boss... Are you all right? See you in a bit. Come this way. Stay away | :04:11. | :04:17. | |
from him. Those were the Strictly headlines: I | :04:18. | :04:22. | |
thank you. More gossip from the weekend and all | :04:23. | :04:25. | |
the action from behind-the-scenes just for you. | :04:26. | :04:31. | |
Good morning. Thrilled to be here after a crazy | :04:32. | :04:36. | |
week and nothing's going to stop me tonight. James, are you excited? Oh, | :04:37. | :04:43. | |
really excited... He's out. Looking for a job! Ready for a bit of Bucks | :04:44. | :04:53. | |
Fizz? Yeah. Here we go. There is a buzz when the live music | :04:54. | :04:59. | |
goes, it's show time and this is the one chance. I think everybody's in | :05:00. | :05:04. | |
for a nice treat from Dave today. He's taking me out on a date, | :05:05. | :05:11. | |
shhh... I like a bit of hip-hop so it will be nice to have a ball. Here | :05:12. | :05:15. | |
she is. Isn't he brilliant? He's the best. I rip off my pants, Deborah's | :05:16. | :05:21. | |
skirt, good job it's only a minute and a half otherwise we wouldn't | :05:22. | :05:25. | |
have any clothes left. I sometimes wonder why I'm here. Because you are | :05:26. | :05:30. | |
fabulous and the shows loves you. I mean the nerves and everything. I | :05:31. | :05:34. | |
think, I want to go home. Susannah is a hot mom. I just wanna be hot | :05:35. | :05:41. | |
like her. I wanna be a mom too, but. Hot. She's a hot mom. Sounds great. | :05:42. | :05:51. | |
We've got nothing to do. I think James is enjoying his new job. Got | :05:52. | :05:56. | |
to give him something to do while he's not doing anything in show | :05:57. | :06:03. | |
days. The I like it. Suits him. I love getting pampered, hair and | :06:04. | :06:08. | |
make-up. It's great. Isn't Jamie a genius. That's luke megahair! | :06:09. | :06:15. | |
-- like megahair. I'm a cute bank robber! | :06:16. | :06:21. | |
I went to Miami in two hours. I'm actually quite nervous and I know | :06:22. | :06:24. | |
that I'm the first person dancing tonight. I'm quite scared about | :06:25. | :06:27. | |
that. I don't want to be I just wish I wasn't wearing my own | :06:28. | :06:42. | |
clothes. I wish they'd supply me with a costume. I love the dress | :06:43. | :06:46. | |
Tess. I love your dress more. Sorry, that's my happy face. Before | :06:47. | :06:51. | |
I get on, I'll be absolutely petrified, so I need all the support | :06:52. | :06:55. | |
of everybody. Week four! Now it's time we got some | :06:56. | :07:00. | |
decent dancing coming out here! Argh... Should be out of their | :07:01. | :07:05. | |
shells now they should be used to thes dance floor, no worries, the | :07:06. | :07:09. | |
nerves shouldn't be there. The nerves, nah, they don't get any | :07:10. | :07:14. | |
easier, in fact it gets worse. Mwah... Good luck, everyone. Good | :07:15. | :07:23. | |
luck. Good luck... Faye minutes to live, guys, five | :07:24. | :07:32. | |
minutes to live. Here we go. Higham here, I'm here. | :07:33. | :07:42. | |
-- I'm here. Show time. Exciting. Live from the Strictly ballroom, | :07:43. | :07:44. | |
this is Strictly Come Dancing. Absolutely loving little James. | :07:45. | :07:56. | |
We'll always find you a job, darling. Third time unlucky as the | :07:57. | :08:01. | |
dance-off finally got the better of team sparkle, welcome Julian and | :08:02. | :08:05. | |
Janette. You were a lovely the two. Drat and | :08:06. | :08:10. | |
commiserations on your exit last night. How are you feeling about it | :08:11. | :08:16. | |
all today? Devastated. I've been crying night and day. My Mondays | :08:17. | :08:21. | |
have never been the same. What did you do today? I didn't wake up until | :08:22. | :08:28. | |
2 o'clock. No sore feet. Did you miss Janette this afternoon? I did | :08:29. | :08:32. | |
miss Janette. I've got a big poster of her above my bed and on my fridge | :08:33. | :08:39. | |
door. There's pictures of Janette everywhere, smile and energy in the | :08:40. | :08:45. | |
house. You will never stop doing that. You have drilled it into him. | :08:46. | :08:48. | |
There is a lot of people watching who're very upset that you have gone | :08:49. | :08:53. | |
out, including Julie from Bristol who's having to console her | :08:54. | :08:57. | |
seven-year-old son who's very sad because Julian reminds him of her | :08:58. | :09:02. | |
old hamster because Julian was always so happy and so was Pickles. | :09:03. | :09:07. | |
Have you ever been come pureed to a hamster before, or is this a first? | :09:08. | :09:12. | |
That's an exclusive. Being compared to a lot of things, I have been, but | :09:13. | :09:17. | |
not a hamster. He's going to miss you. It was your highest score of | :09:18. | :09:21. | |
the competition so far, a great 23, which was brilliant for you guys. | :09:22. | :09:25. | |
Dartscy said your best performance. Having been in the bolt develop | :09:26. | :09:31. | |
previously, were you expecting that again or were you hoping this time | :09:32. | :09:36. | |
it could be different -- having been in the bottom two previously. We | :09:37. | :09:42. | |
just laughed, if you watch it back, we are going, OK, here we go again. | :09:43. | :09:48. | |
Like what can we do at that point. Yes. The judges saved you a couple | :09:49. | :09:51. | |
of weeks before, so was there a part of you that thought, we could still | :09:52. | :09:55. | |
do this in the dance-off? It was weird because last week I found it | :09:56. | :09:59. | |
incredibly difficult. It really gets to you being in the dance-off. It's | :10:00. | :10:04. | |
disheartening, so you want to put everything in and I did and I | :10:05. | :10:07. | |
thought, look, forget about last week, get on with it. I practiced so | :10:08. | :10:12. | |
much. He did. He did. Were you pleased with his progress? Very | :10:13. | :10:17. | |
pleased. He rehearsed more than any other celebrity really. Only second | :10:18. | :10:22. | |
to Natalie and Artem? Yes. Let's enjoy your Strictly story. | :10:23. | :10:31. | |
Julian, the professional of who is your perfect fit is Janette. Janette | :10:32. | :10:35. | |
threw me all the way into the dance and I loved that. I have a big, big | :10:36. | :10:45. | |
task and you will be great. I'm the worst dancer in the world. No you | :10:46. | :10:50. | |
are not. I can't dance. . It was more like Woman's Weekly. I love the | :10:51. | :11:00. | |
joy on your face. Woo... Tango is macho. It's kind of everything... | :11:01. | :11:10. | |
That I'm not. That you are not. I look like My Little Pony. This is | :11:11. | :11:14. | |
scary. Jay I just hope that they say | :11:15. | :11:18. | |
something nice about his actual dancing. The posture I'm afraid is | :11:19. | :11:26. | |
ghastly. Didn't quite work out the way it should have. Came out with | :11:27. | :11:30. | |
conviction. You have improved. Thank you. | :11:31. | :11:37. | |
You went out there and you were strong and involved and that's what | :11:38. | :11:40. | |
I want. Yeah! I would like to say that Julian I | :11:41. | :11:47. | |
want to save you. Julian. I think the jive suits | :11:48. | :11:51. | |
Julian because it's a fun, happy dance and Julian is all those | :11:52. | :11:56. | |
things. It's fast, full of energy and you've got to smile and be | :11:57. | :12:00. | |
happy, so I love it! I just want to show everybody, I can jive! | :12:01. | :12:07. | |
Certainly brought the energy and love-in to your Juve. That's your | :12:08. | :12:12. | |
best dance to date. Thank you, Len! | :12:13. | :12:21. | |
Woo! Yeah! The best week yet. Yes. Judges, who are you going to save? | :12:22. | :12:32. | |
Julian and Janette. Julian and Janette. Julian and Janette. | :12:33. | :12:38. | |
I'm going to teach Julian how to properly shimmy. Shake it to the | :12:39. | :12:42. | |
right. This is a dance with lots of timing. Things which look easy and | :12:43. | :12:48. | |
never are. You think he's going to do really | :12:49. | :12:52. | |
well in the salsa because he's got a nice natural little funny groove | :12:53. | :12:56. | |
going on. Don't laugh. I'm laughing because it's good! | :12:57. | :13:01. | |
It was a little bit wild and whacky. Needed a bit more control. You threw | :13:02. | :13:07. | |
yourself into it. You always do everything you can. I love it. I | :13:08. | :13:11. | |
just find it so difficult. Reach Elle and Pasha and Julian and | :13:12. | :13:16. | |
Janette. This is it. Judges, who would you like to save? Rachel and | :13:17. | :13:22. | |
Pasha. Rachel and Pasha. Rachel and Pasha, I have to say. | :13:23. | :13:26. | |
Julian, I couldn't be prouder of you, you went Reich this and like | :13:27. | :13:30. | |
this and like this and like this and that's all that I could expect from | :13:31. | :13:35. | |
anyone, so love you! Thank you so much for dealing with this small | :13:36. | :13:38. | |
bundle of fun and I love you and friends for ever! | :13:39. | :13:46. | |
CHEERING AND APPLAUSE Friends for life. Iveta ease very | :13:47. | :13:50. | |
words. Are you going to keep up the dancing? Are you gutted you didn't | :13:51. | :13:54. | |
get to do the American smooth and be Fred Astaire? I did think that could | :13:55. | :14:02. | |
have been my best! Are you going to be incorporating any Strictly into | :14:03. | :14:06. | |
your next collection? There might be a lot of ruffles, French, crystals, | :14:07. | :14:12. | |
you name it. Who would you like to see go on and win this competition | :14:13. | :14:17. | |
of all the friends you have made? I've always thought it's a battle of | :14:18. | :14:22. | |
the girls, the girl power, you know. They are good. The Girls are | :14:23. | :14:26. | |
definitely the strongest in the competition, but in striingtly you | :14:27. | :14:28. | |
never know, sometimes the best dancers don't necessarily always win | :14:29. | :14:32. | |
-- Strictly. It's who the public like, so the characters. You are not | :14:33. | :14:37. | |
giving me an answer. Who do you want to win? I'm going for abbey. | :14:38. | :14:51. | |
That thank you so much for coming to see us, Julian and Janette. So on | :14:52. | :14:56. | |
Saturday night, Dave titivated himself up a treat and delivered his | :14:57. | :15:00. | |
best performance yet. I'll be chatting to him and his partner | :15:01. | :15:05. | |
Karen in a bit. First, a reminder of their waltz. | :15:06. | :15:08. | |
You do swrub up very well, almost unrecognisable. There is a ray of | :15:09. | :15:12. | |
hope on the horizon. What I love about you, you try your | :15:13. | :15:16. | |
hardest every time. It's nice to see the serious Dave. I | :15:17. | :15:26. | |
really enjoyed that. I would say that was your personal best. | :15:27. | :15:36. | |
Yeah! Yeah! Yeah! Yes! I'm not the greatest dancer, but Karen brings | :15:37. | :15:43. | |
out the best in me, plus we have a blooming good time, don't we? Yeah. | :15:44. | :15:50. | |
You get lots of hugs today. Please give it up for Dave and | :15:51. | :15:54. | |
Karen. I think we loved your dance, we | :15:55. | :15:58. | |
loved your look, but especially we loved the way the two of you leaped | :15:59. | :16:04. | |
for joy when you got 23, it was so exciting, Dave. How much did it mean | :16:05. | :16:08. | |
to you? A lot really because, you know, at times when a lot of | :16:09. | :16:15. | |
enthusiasm has been in me, I've been maybe lacking in accuracy, but I've | :16:16. | :16:20. | |
always tried to dance seriously and this time it felt it went all right. | :16:21. | :16:27. | |
The first thing when we stop I do is say "was that all right? " It did | :16:28. | :16:31. | |
feel all right and it's nice to have that ratified by the judges. We set | :16:32. | :16:34. | |
ourselves a target, if we'd have got 20, we'd have been happy. 23, whack | :16:35. | :16:42. | |
of the net -- back of the net. Everybody at home loves Dave. Andy | :16:43. | :16:49. | |
at Clacton said, fez being there for entertainment, keep at it, Dave, you | :16:50. | :16:53. | |
could win this. Could do you have go on to one this? | :16:54. | :17:05. | |
Yes, we can. Did it feel particularly good for you out there, | :17:06. | :17:10. | |
Karen? It was fantastic. We had a lovely stair and actually, when he | :17:11. | :17:14. | |
came in knocking, I felt I was going out on a date and when he stood | :17:15. | :17:17. | |
there with the flowers, I took the flowers and I smelt them and I saw | :17:18. | :17:22. | |
his little face looking at me, it really just melting my heart and I | :17:23. | :17:27. | |
had a fantastic date, thank you so much. | :17:28. | :17:29. | |
You see! Has she called you back yet? No, she hasn't phoned, rang, | :17:30. | :17:33. | |
texted. Leave it until Wednesday then text | :17:34. | :17:36. | |
her Bam! You were talking about the fact that | :17:37. | :17:42. | |
there's always been a comedy element, slightly. Not intentional, | :17:43. | :17:49. | |
no. The doble was meant to be serious and I'm trying to slay a | :17:50. | :17:53. | |
bull. Was it nice to play it straight? It was lovely. With that | :17:54. | :18:01. | |
look, I felt I was Stephen Seagal with the hair and everything. I was | :18:02. | :18:06. | |
the man. I had more make-up on than Quentin Crisp and I felt great! | :18:07. | :18:12. | |
Karen, Darcey said maybe a ballet class would help with Dave's | :18:13. | :18:16. | |
posture. Is that something that we are going to make happen this week? | :18:17. | :18:20. | |
We are going to try to stretch him out like a turkey, so I'm going to | :18:21. | :18:25. | |
get the wings fully expanded and I'm going to get you flying, baby. Karen | :18:26. | :18:32. | |
has a plan. It's not ballet but it's something that's maybe a bit New | :18:33. | :18:39. | |
York and a bit neaveau for me. We are all taking guesses now! | :18:40. | :18:44. | |
Darcey was a huge fan of the make-over. Also this week you have | :18:45. | :18:48. | |
got to do salsa, so we are thinking salsa man and we are wondering if | :18:49. | :18:51. | |
you might need some new looks to try out this weekend for salsa man. This | :18:52. | :18:57. | |
is obviously new hair for you, Dave. You can try it. | :18:58. | :19:07. | |
What do we reckon? Salsa? Uno, dos, tres... | :19:08. | :19:11. | |
You can try that one, maybe. Also, Karen, we don't want to leave you | :19:12. | :19:17. | |
out, so we have you a Hairy Biker beard. Are you talking to me. It's | :19:18. | :19:24. | |
more taxi driver than salsa. It is. Look at that! How is the salsa | :19:25. | :19:33. | |
going, by the way? Let us see the hips. So it's da-da-da-da... And | :19:34. | :19:43. | |
it's like that, you see. The rotation. | :19:44. | :19:45. | |
Getting the rotation and movement going on there. I'm going to be like | :19:46. | :19:52. | |
a chilli on a grizzle. -- griddle. You have got to go in there on | :19:53. | :19:56. | |
Mondays and start all over again. Is it confusing? No, I love it. Karen | :19:57. | :20:00. | |
puts in such a lot of work on a Sunday, a lot of it hoping that we | :20:01. | :20:04. | |
are going to have a Monday and I come into a plan and I can tell from | :20:05. | :20:08. | |
the look in her eye whether she's happy or not or excited. This week, | :20:09. | :20:13. | |
her eyes were wide, the teeth were flashing and salsa, it's Latin, | :20:14. | :20:16. | |
isn't it! She's going to love it. We look forward to seeing you on New | :20:17. | :20:20. | |
York whatever it is that you get up to and good luck with those hips, | :20:21. | :20:25. | |
that was a nice bit of movement there. Thank you very much, Dave and | :20:26. | :20:28. | |
Karen. You got a proper "whoop"! It's not | :20:29. | :20:34. | |
all dancing for Dave here, last week, Karen let him have an hour off | :20:35. | :20:39. | |
to have a rest. It was a bit mean for us to drop round for a snoop. | :20:40. | :20:43. | |
I'm sorry,-day, no rest for the wicked. | :20:44. | :20:51. | |
Hello. Nice of you to pop by. Anyway, come aboard. | :20:52. | :21:00. | |
Well, welcome to my home and when I'm doing Strictly. It was built in | :21:01. | :21:05. | |
2008 and it's moored on the Thames. This is the Whole House. She's a | :21:06. | :21:08. | |
fully functioning little ship really. | :21:09. | :21:14. | |
This is my wife's hat. Unfortunately, she can't be with us | :21:15. | :21:19. | |
today, she's the Captain of the ship and she's the only one that can park | :21:20. | :21:26. | |
it! My binoculars, washing line. My man over board line. Responsible | :21:27. | :21:33. | |
skipper. This is the master cabin. | :21:34. | :21:37. | |
Come in. And this is me after the end of a | :21:38. | :21:43. | |
hard day's dancing. I just lie here and think of dancing, cog cooing | :21:44. | :22:00. | |
choreography and dancing. I love having my satellite system. I can | :22:01. | :22:05. | |
receive up to 15 different shopping channels and it's great because they | :22:06. | :22:12. | |
deliver to the river bank. Our last port of call is the engine | :22:13. | :22:16. | |
room. I've got a bit of a guilty secret. | :22:17. | :22:26. | |
That's my shrine to Craig. Write come to pray -- where I come | :22:27. | :22:34. | |
to pray for better scores. Craig we love you, Craig we love you, we want | :22:35. | :22:41. | |
a ten, we want a ten, well a six would do. Look, no point in having a | :22:42. | :22:46. | |
boat if you can't go out on a jolly. These are my mates, James and Dave. | :22:47. | :22:47. | |
So, shall we, boys? All right-day. They won't turn off. | :22:48. | :23:20. | |
My windscreen wiper's stuck on. Never mind. | :23:21. | :23:32. | |
Is It's been lovely having you round. But you know, enough's | :23:33. | :23:42. | |
enough, clear off. Let's hear it for Da and his very | :23:43. | :23:49. | |
nice boat! APPLAUSE | :23:50. | :23:51. | |
Len felt Ashley and Ola's performance had romance and | :23:52. | :23:54. | |
elegance. Ashley's beautiful extended lines were praised. Brucie | :23:55. | :23:59. | |
didn't like the shirt. Here is a reminder of their Viennese waltz. | :24:00. | :24:03. | |
It had romance, elegance and there was a style to it. | :24:04. | :24:10. | |
Just needed a bit more gusto to it. A bit more. | :24:11. | :24:19. | |
A bit more oomph. Just push yourself a bit hard, drive | :24:20. | :24:38. | |
through. Go for it. If I get another chance, I'll nail it, I promise. | :24:39. | :24:47. | |
Please welcome Ashley and Ola. You two look gorgeous tonight. | :24:48. | :24:51. | |
Matching outfits and everything. Loved the whirly waltz on Saturday, | :24:52. | :24:55. | |
it was amazing. How was it for you out on the floor Ashley? I really | :24:56. | :25:01. | |
enjoyed it. It's a slower dance so the training is a bit easier, but I | :25:02. | :25:04. | |
don't know, it was a strange one because I felt like I got everything | :25:05. | :25:08. | |
right, I sort of agreed with the comments that I was a bit stiff. The | :25:09. | :25:15. | |
posture was lovely. The footwork was lovely. | :25:16. | :25:18. | |
What are you talking about, look at that? ! I know. You wowed the judges | :25:19. | :25:25. | |
week on week. On Saturday, you seemed to come in for a bit of | :25:26. | :25:29. | |
critique, were you prepared for that, or was ate shocker? I don't | :25:30. | :25:35. | |
know because I don't know where I my head was at. I got stiff. I got a | :25:36. | :25:48. | |
compliment, then it was taken away. Did you agree with what the judges | :25:49. | :25:53. | |
said? Jay we do work on the arms. Ashley's not the most natural dancer | :25:54. | :25:57. | |
and we do work on the arms all the time, don't we? We do, don't we ask? | :25:58. | :26:02. | |
! Don't we! It's not there quite, but I was happy with the whole | :26:03. | :26:09. | |
performance. His footwork was lovely, the Foreign Secretary Earl | :26:10. | :26:14. | |
was lovely. The posture was lovely. Then you got a battering, then you | :26:15. | :26:20. | |
go up and they give you 31, the same score as your samba gosh gosh -- | :26:21. | :26:29. | |
fleckerl. We can take the negative comments and work on them for next | :26:30. | :26:32. | |
time. Slightly surprising to have that and get the nice score. He's | :26:33. | :26:38. | |
been keeping something from you, Ola. We thought we might show you a | :26:39. | :26:43. | |
little something special. Love this. While we are waiting for Ola to come | :26:44. | :26:47. | |
back, this is my alarm clock, the only thing that gets me out of bed | :26:48. | :26:52. | |
in the morning. It's so beautiful. Really beautiful. | :26:53. | :27:01. | |
# Somewhere beyond the sea # Somewhere waiting for me # | :27:02. | :27:09. | |
What are you doing? Just practising the new dance, the new song, it's | :27:10. | :27:14. | |
all good. Right, let's do it again then. Yes, Miss! | :27:15. | :27:21. | |
Oh, Ola Jordan. I'm so embarrassed. It calms me down. Before we go in, I | :27:22. | :27:27. | |
say, sing to me. Do, I do, but I'm so bad. I can see why James Jordan | :27:28. | :27:32. | |
has fell so deeply in love with you. This week it's the jive, the judges | :27:33. | :27:39. | |
want more oomph. The jive is perfect to give it some welly? We are going | :27:40. | :27:43. | |
to go for it. The rue tenant is full on, the song is full on, we are | :27:44. | :27:48. | |
going to work hard, yeah! Come on, Ashley, yes. Argh... How are your | :27:49. | :27:55. | |
flicks and kicks? It's full on and I'm like a stick unsect/daddy long | :27:56. | :28:00. | |
legs when I dance anyway so it's going to be fun. It's going to be | :28:01. | :28:08. | |
brilliant. Patrick and Ben are getting good scores as well. Is | :28:09. | :28:11. | |
there a nice bit of healthy competition between the boys perhaps | :28:12. | :28:15. | |
now? I'm not just saying it, but I don't see any competition with | :28:16. | :28:18. | |
anybody, you are in competition with yourself because you can only do as | :28:19. | :28:22. | |
well as you can and it's not like I say, you have done well, I'm going | :28:23. | :28:26. | |
to do better, and each week you start again and it doesn't get | :28:27. | :28:30. | |
easier. It's nice on the leaderboard but to me it means absolutely | :28:31. | :28:33. | |
nothing. You support each other, I like that. Brucie was going on about | :28:34. | :28:37. | |
your vest. We were all a bit confused. He kept on picking my | :28:38. | :28:42. | |
shirt going "your vest" and I felt like saying, Sir Bruce, it's a | :28:43. | :28:48. | |
shirt. Don't argue with Bruce, he's a Sir! | :28:49. | :28:54. | |
Will we like your outfit for the jive, have you seen it yet? There is | :28:55. | :28:58. | |
no sure, the chest is out, you know, we need to stay in this competition | :28:59. | :29:03. | |
-- there is no shirt. I love the fact you know nothing | :29:04. | :29:09. | |
about this! She knows. What? ! Good luck this weekend, I'm sure it will | :29:10. | :29:12. | |
be brilliant. Ashley and Ola. That is it for today. Thanks to all | :29:13. | :29:17. | |
my guests. I'm back tomorrow at 6 opinions 30 with Rachel and Pasha | :29:18. | :29:22. | |
and Ben and Kristina, plus the welcome return of some old friends | :29:23. | :29:27. | |
and Vincent and Flavia and has Lee Lowe join me. Bye! | :29:28. | :29:32. |